Browse content similar to 22/04/2014. Check below for episodes and series from the same categories and more!
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She was discovered this morning, on Walford Common. | 0:00:29 | 0:00:31 | |
No, you... | 0:00:34 | 0:00:36 | |
No, you've got it wrong. | 0:00:36 | 0:00:38 | |
You've got the wrong house or the wrong girl or something. | 0:00:38 | 0:00:41 | |
Lucy was stood there, yesterday, | 0:00:41 | 0:00:43 | |
just right where you're standing. | 0:00:43 | 0:00:45 | |
Phone your station and check, all right? | 0:00:46 | 0:00:49 | |
Why are you just standing there? | 0:00:52 | 0:00:54 | |
Check. You've got it wrong. | 0:00:54 | 0:00:56 | |
We're very sorry. | 0:00:56 | 0:00:57 | |
Don't be sorry, all right? | 0:00:57 | 0:00:59 | |
Lucy's, I don't know... She's somewhere else - | 0:00:59 | 0:01:02 | |
she's at a friend's house or something. | 0:01:02 | 0:01:03 | |
Look, you said "believe", all right? You don't KNOW. | 0:01:03 | 0:01:07 | |
It IS her, Mr Beale. | 0:01:07 | 0:01:09 | |
No, it isn't. I haven't had a phone call to go and identify her, or... | 0:01:09 | 0:01:13 | |
Her fingerprints match those that we have on record. | 0:01:13 | 0:01:15 | |
Lucy Beale, 45 Albert Square. | 0:01:15 | 0:01:18 | |
Date of birth, 9th of December, 1993. | 0:01:18 | 0:01:22 | |
HE SOBS | 0:01:45 | 0:01:49 | |
PHONE RINGS | 0:02:18 | 0:02:20 | |
Erm... Who's Denise? | 0:02:21 | 0:02:23 | |
Is that your partner? | 0:02:23 | 0:02:25 | |
Would you like us to answer it for you, Mr Beale? | 0:02:27 | 0:02:30 | |
RINGING STOPS | 0:02:32 | 0:02:34 | |
What happened? | 0:02:49 | 0:02:51 | |
We're keeping all our options open at the minute. | 0:02:51 | 0:02:53 | |
You must have some idea. | 0:02:53 | 0:02:56 | |
We think that she might have been a victim of a robbery, | 0:02:56 | 0:02:59 | |
her purse and her phone weren't with her. But it's too early to say. | 0:02:59 | 0:03:02 | |
Is there anyone that you'd like us to contact? | 0:03:04 | 0:03:06 | |
It can help to have someone with you. | 0:03:06 | 0:03:08 | |
Have you seen her? | 0:03:11 | 0:03:12 | |
No. | 0:03:12 | 0:03:14 | |
Have you? | 0:03:14 | 0:03:15 | |
Not personally, no. But my colleagues have. | 0:03:15 | 0:03:19 | |
Where? At the... | 0:03:19 | 0:03:20 | |
At the common. | 0:03:20 | 0:03:22 | |
Is that where she is now? Where is she? | 0:03:26 | 0:03:29 | |
She's been taken to the mortuary. | 0:03:29 | 0:03:30 | |
I want to see her. | 0:03:38 | 0:03:40 | |
That isn't something that we would advise immediately. | 0:03:40 | 0:03:42 | |
Why not? | 0:03:42 | 0:03:43 | |
The forensic officers need time to recover evidence. | 0:03:43 | 0:03:46 | |
And is that what they're doing now? | 0:03:48 | 0:03:50 | |
(Yeah.) | 0:03:50 | 0:03:51 | |
When will they be done? | 0:03:52 | 0:03:55 | |
It's hard to say. | 0:03:55 | 0:03:56 | |
-Can you find out? -It's important that we take our time and do things properly... | 0:03:58 | 0:04:02 | |
I want to see my daughter! | 0:04:02 | 0:04:03 | |
I'll give the mortuary technician a call, see how things are going. | 0:04:05 | 0:04:10 | |
Thank you. | 0:04:10 | 0:04:11 | |
Just so you know, I'm Emma. | 0:04:15 | 0:04:17 | |
I'm the FLO - Family Liaison Officer. | 0:04:17 | 0:04:20 | |
I'll be your first port of call throughout the investigation. | 0:04:20 | 0:04:25 | |
TV: '..But Red Cheshire. No hard-luck stories though, | 0:04:55 | 0:04:58 | |
'Red Cheshire was wearing blinkers for the first time...' | 0:04:58 | 0:05:01 | |
Hello. | 0:05:01 | 0:05:02 | |
Hey. | 0:05:05 | 0:05:06 | |
I thought you were in the bedroom. | 0:05:09 | 0:05:11 | |
Is Stan's coat more comfy? | 0:05:14 | 0:05:17 | |
Wee on it if you like. | 0:05:19 | 0:05:21 | |
Here, come on. Good girl. | 0:05:24 | 0:05:27 | |
Good girl. | 0:05:27 | 0:05:28 | |
You happy now, Your Majesty? | 0:05:33 | 0:05:36 | |
No. You're not, are you? | 0:05:39 | 0:05:41 | |
You're not happy at all. | 0:05:43 | 0:05:45 | |
I'm afraid they won't be done for at least another couple of hours. | 0:06:08 | 0:06:11 | |
I will be able to see her today, though? | 0:06:12 | 0:06:15 | |
We can't make any promises. I mean, it's... | 0:06:15 | 0:06:18 | |
It's four now, they finish up at six. | 0:06:18 | 0:06:20 | |
Seeing the body so soon can be difficult, Mr Beale. | 0:06:22 | 0:06:25 | |
Perhaps it would be useful to concentrate | 0:06:25 | 0:06:27 | |
on talking to your family at this stage. | 0:06:27 | 0:06:29 | |
I'm not talking to anybody about anything | 0:06:29 | 0:06:32 | |
until I've seen my daughter. | 0:06:32 | 0:06:34 | |
-Whoa! -Why did you go that way? | 0:06:39 | 0:06:42 | |
I'm sorry, man. Listen, whose drink was that anyway? | 0:06:42 | 0:06:44 | |
Lucy's. | 0:06:44 | 0:06:46 | |
-Is she coming or what? -I don't know. | 0:06:46 | 0:06:48 | |
She'll be here. | 0:06:48 | 0:06:49 | |
Line her up her next thing, then, Nancy. | 0:06:49 | 0:06:51 | |
Vodka and tonic, yeah? | 0:06:51 | 0:06:53 | |
I must have called her 10 or 12 times. | 0:06:55 | 0:06:59 | |
I thought she didn't want to speak to me. | 0:07:01 | 0:07:04 | |
Where is she? | 0:07:06 | 0:07:08 | |
Walford Mortuary. | 0:07:10 | 0:07:11 | |
Sorry. Yeah, you said, didn't you? | 0:07:12 | 0:07:14 | |
It's OK. | 0:07:14 | 0:07:15 | |
Whereabouts on the common? | 0:07:20 | 0:07:22 | |
Towards the north-east footpath. | 0:07:24 | 0:07:26 | |
By the flats? | 0:07:28 | 0:07:30 | |
Not far. | 0:07:30 | 0:07:31 | |
Was she... | 0:07:39 | 0:07:40 | |
Was she there all night? | 0:07:42 | 0:07:44 | |
She might have been. | 0:07:45 | 0:07:47 | |
We're still trying to establish her movements prior to being found. | 0:07:51 | 0:07:55 | |
Was she dressed? | 0:08:07 | 0:08:10 | |
Yes, she was. | 0:08:10 | 0:08:11 | |
Do they, um... | 0:08:13 | 0:08:15 | |
Do they know what happened exactly? | 0:08:18 | 0:08:20 | |
Mr Beale, the details at this point are very vague... | 0:08:20 | 0:08:23 | |
I want to know. | 0:08:23 | 0:08:25 | |
Was she... | 0:08:27 | 0:08:28 | |
stabbed or something? | 0:08:28 | 0:08:30 | |
There's not many details, | 0:08:33 | 0:08:35 | |
but there was trauma to the head. | 0:08:35 | 0:08:37 | |
We really would suggest that you contact someone to be here with you. | 0:08:41 | 0:08:45 | |
I don't want anyone. I just need to go upstairs. | 0:08:47 | 0:08:51 | |
Of course. | 0:08:51 | 0:08:53 | |
But we will need to take a close look at her room in due course, | 0:08:53 | 0:08:56 | |
so we would ask you to leave Lucy's room as it is, please. | 0:08:56 | 0:09:00 | |
Every time it comes round I dread it more and more. | 0:09:49 | 0:09:52 | |
You can't wrap them in cotton wool. | 0:09:52 | 0:09:54 | |
That'd just be weird. | 0:09:54 | 0:09:57 | |
-You might want to get upstairs. -Why? | 0:09:57 | 0:09:58 | |
-The dog's waters have broken. -I knew it! | 0:09:58 | 0:10:00 | |
Teen, Lee, Nance, hold the fort! | 0:10:00 | 0:10:04 | |
She's having them now, Dad! | 0:10:04 | 0:10:06 | |
Yeah, on my bleeding coat! How did she get hold of it? | 0:10:06 | 0:10:09 | |
All right, all right, sweetheart, don't worry. | 0:10:10 | 0:10:14 | |
What do we do? What do we do? | 0:10:14 | 0:10:15 | |
I've got towels and I've got hot water. | 0:10:15 | 0:10:17 | |
What do you want to do, give her a spa treatment? Go call the vet! | 0:10:17 | 0:10:20 | |
No time. Them pups are coming now. | 0:10:20 | 0:10:23 | |
Oh. I can see a nose! | 0:10:23 | 0:10:25 | |
Someone needs to deliver them. | 0:10:25 | 0:10:27 | |
-You must've done this before, Dad. No? -I'm on crutches, aren't I! | 0:10:27 | 0:10:29 | |
Besides, I've got liver and bacon in the oven. | 0:10:29 | 0:10:32 | |
-It'll put me off. -Are you winding me up? | 0:10:32 | 0:10:34 | |
Let Mother Nature take her course. | 0:10:34 | 0:10:36 | |
It's out of hours, Mick. No-one's answering. | 0:10:38 | 0:10:41 | |
Johnny, you stand by with the towels. And, Mick, go away. | 0:10:41 | 0:10:44 | |
OK. Yep. Um, so... | 0:10:44 | 0:10:45 | |
You... You know what you're doing, then, yeah? | 0:10:45 | 0:10:48 | |
I went on a crash course on Wikipedia, | 0:10:48 | 0:10:51 | |
on dog whelping - on my phone, five minutes ago. | 0:10:51 | 0:10:53 | |
-Oh, an expert, then(!) -Linda, if you want to get | 0:10:53 | 0:10:55 | |
dog placenta all over your hands, be my guest. | 0:10:55 | 0:10:58 | |
-She's, um... -Lie down. | 0:10:58 | 0:11:01 | |
She's panting a lot, ain't she? | 0:11:01 | 0:11:03 | |
Mick, she's having five kids. So would you. | 0:11:03 | 0:11:06 | |
All right, darling. | 0:11:06 | 0:11:08 | |
We'll get you all nice and comfortable now, yeah? | 0:11:08 | 0:11:11 | |
Settle you down. | 0:11:11 | 0:11:13 | |
Now, we're all going to be quiet. And, Mick... | 0:11:13 | 0:11:16 | |
keep your mouth shut. | 0:11:16 | 0:11:18 | |
Mr Beale? | 0:11:28 | 0:11:29 | |
The technician's just called. | 0:11:29 | 0:11:32 | |
We can go now if you'd still like to. | 0:11:32 | 0:11:35 | |
Seeing her tomorrow might give you a bit more time | 0:11:37 | 0:11:41 | |
to take in what's happened. | 0:11:41 | 0:11:42 | |
It'll give you a chance to talk to your partner, | 0:11:42 | 0:11:45 | |
who might want to come with you. | 0:11:45 | 0:11:47 | |
Let's just go. | 0:11:50 | 0:11:51 | |
You ready? | 0:12:00 | 0:12:02 | |
Mr Beale. | 0:12:11 | 0:12:12 | |
Peter. Where's your dad? | 0:12:22 | 0:12:25 | |
He left here a couple of hours ago. | 0:12:25 | 0:12:27 | |
-What do you mean he kicked off? -Ian said they'd had words, | 0:12:29 | 0:12:33 | |
but then he said he was going to come straight back here. | 0:12:33 | 0:12:36 | |
Peter, you just stay where you are, me and Denise'll try and find him. | 0:12:36 | 0:12:40 | |
Any news? | 0:12:46 | 0:12:47 | |
I ain't been listening. | 0:12:47 | 0:12:49 | |
I hope everything's all right. | 0:12:49 | 0:12:51 | |
Is there a pup there, Shirl, or what? | 0:12:58 | 0:13:00 | |
Mick, just shut up. | 0:13:00 | 0:13:02 | |
Stroke her, Johnny. | 0:13:04 | 0:13:06 | |
(Good girl.) | 0:13:10 | 0:13:12 | |
We've got a little boy! | 0:13:17 | 0:13:18 | |
It's a boy, L, look. | 0:13:21 | 0:13:22 | |
-A boy. A little boy! -It's a boy. | 0:13:22 | 0:13:24 | |
Good girl. | 0:13:27 | 0:13:29 | |
OK, listen up now - if it's a girl we're going to have a shot of gin, | 0:13:29 | 0:13:32 | |
if it's a boy we're having scotch. | 0:13:32 | 0:13:33 | |
-What if she has 101 pups? -Oh, shut up! | 0:13:33 | 0:13:36 | |
-We'll have a good night, then, won't we? -Exactly! | 0:13:36 | 0:13:38 | |
Lady Di's had a little boy! | 0:13:38 | 0:13:40 | |
THEY CHEER | 0:13:40 | 0:13:42 | |
To that little pup's very good health! | 0:13:42 | 0:13:44 | |
Good health! | 0:13:44 | 0:13:46 | |
Ian? | 0:14:16 | 0:14:17 | |
I don't get it. He said he was going over to Max's | 0:14:19 | 0:14:21 | |
then he was going to come straight over to the restaurant. | 0:14:21 | 0:14:24 | |
Something's going on. | 0:14:24 | 0:14:25 | |
Here, Denise... | 0:14:30 | 0:14:32 | |
The police have been here. | 0:14:34 | 0:14:35 | |
They're just finishing up. Shouldn't be long now. | 0:14:40 | 0:14:43 | |
PHONE RINGS | 0:14:48 | 0:14:50 | |
Hiya. | 0:14:56 | 0:14:58 | |
Ian. I'm with Denise. We found a police card. | 0:14:58 | 0:15:01 | |
Is everything all right? | 0:15:01 | 0:15:04 | |
No. I... | 0:15:04 | 0:15:05 | |
I can't talk at the moment. | 0:15:07 | 0:15:08 | |
Listen, are you at mine? | 0:15:10 | 0:15:13 | |
Right. Just stay there and I'll be back in a bit. | 0:15:15 | 0:15:19 | |
What's your name again? | 0:15:24 | 0:15:26 | |
Emma. | 0:15:26 | 0:15:27 | |
Tough job, yours. | 0:15:29 | 0:15:31 | |
It can be. | 0:15:31 | 0:15:32 | |
But we're here to support you and the investigation. | 0:15:34 | 0:15:38 | |
Are you from Walford? | 0:15:38 | 0:15:39 | |
No, Clapham. | 0:15:39 | 0:15:41 | |
But I know Walford pretty well. | 0:15:41 | 0:15:43 | |
My gran used to live over by the canal. | 0:15:43 | 0:15:46 | |
Oh, right. Whereabouts? | 0:15:46 | 0:15:48 | |
-Do you know Cavendish Road? -Yeah, the old bombsite. | 0:15:48 | 0:15:51 | |
Yeah, that's it. | 0:15:51 | 0:15:52 | |
Yeah, my gran had a friend she used to go and visit over there - Dolly. | 0:15:52 | 0:15:56 | |
She used to go on the 764 and they'd go out to bingo together. | 0:15:56 | 0:15:59 | |
Years ago. | 0:15:59 | 0:16:01 | |
They used to go to a place just off the, erm...high street. | 0:16:01 | 0:16:04 | |
I think it used to be a cinema. | 0:16:04 | 0:16:07 | |
The Empire? | 0:16:07 | 0:16:09 | |
Yeah, that's the one. The one that's been boarded up 20 years or so. | 0:16:09 | 0:16:12 | |
-Yeah. -Don't know why they haven't knocked it down. | 0:16:12 | 0:16:16 | |
Probably cos it's listed or something. | 0:16:16 | 0:16:18 | |
-A lot of those old buildings are. -Yeah, most of them are. | 0:16:18 | 0:16:21 | |
OK. | 0:16:25 | 0:16:27 | |
Do you need a moment? | 0:16:32 | 0:16:34 | |
No. | 0:16:37 | 0:16:38 | |
I just need this to be a dream. | 0:16:38 | 0:16:40 | |
Remember, we can do this another day. | 0:16:41 | 0:16:44 | |
HE CHOKES AND SOBS | 0:17:22 | 0:17:24 | |
Here, Phil! Listen up, mate, | 0:17:57 | 0:17:58 | |
I've got some names sorted out for the first two bulldogs | 0:17:58 | 0:18:01 | |
but I'm struggling on the third. | 0:18:01 | 0:18:03 | |
You ain't got a secret brother stashed away, have you? | 0:18:03 | 0:18:05 | |
-Boy and a girl. -Blinding! Right. | 0:18:05 | 0:18:08 | |
-You might want to hold off on the gin. -Why? | 0:18:09 | 0:18:12 | |
She never made it. | 0:18:12 | 0:18:13 | |
-Aw, that's a shame. -Where are they? | 0:18:13 | 0:18:15 | |
In the living room. | 0:18:15 | 0:18:17 | |
Where you going? | 0:18:17 | 0:18:19 | |
How's she looking? | 0:18:28 | 0:18:30 | |
Not too clever. | 0:18:31 | 0:18:33 | |
Give her to me. | 0:18:35 | 0:18:36 | |
She's the runt, Phil, I don't think... | 0:18:36 | 0:18:38 | |
Just give her to me. Come on. | 0:18:38 | 0:18:40 | |
Come on. | 0:18:40 | 0:18:42 | |
There. | 0:18:42 | 0:18:44 | |
There we go. | 0:18:44 | 0:18:45 | |
There we go. | 0:18:45 | 0:18:48 | |
Hey. | 0:18:48 | 0:18:49 | |
What time do you make it? | 0:18:49 | 0:18:51 | |
Half past seven. | 0:18:51 | 0:18:53 | |
What's your gut feeling? | 0:18:57 | 0:18:59 | |
Something's happened with Lucy. | 0:19:00 | 0:19:02 | |
Arrested? | 0:19:02 | 0:19:04 | |
I mean, Ian said that Lucy had some problems. | 0:19:05 | 0:19:09 | |
He didn't say what, though. | 0:19:09 | 0:19:10 | |
I don't know whether to go and get the kids or... | 0:19:13 | 0:19:16 | |
wait until we hear. | 0:19:16 | 0:19:17 | |
Well, we wait for now. | 0:19:17 | 0:19:19 | |
I mean, it can't be anything serious, can it? He would've said. | 0:19:19 | 0:19:23 | |
Yeah. Let's not think the worst, eh? | 0:19:23 | 0:19:27 | |
Four out of five ain't bad. | 0:19:34 | 0:19:36 | |
Its heart's still beating. Come on. | 0:19:38 | 0:19:41 | |
Come on. | 0:19:41 | 0:19:42 | |
What're you doing? | 0:19:43 | 0:19:45 | |
Clearing her airways. | 0:19:46 | 0:19:47 | |
Come on. Come on. | 0:19:47 | 0:19:50 | |
Come on. | 0:19:50 | 0:19:51 | |
HE LAUGHS | 0:19:54 | 0:19:57 | |
Phil! | 0:19:57 | 0:19:58 | |
I know it's silly, | 0:20:04 | 0:20:05 | |
but it takes you back to when you had your own, don't it? | 0:20:05 | 0:20:08 | |
Yeah. Yeah, it does. | 0:20:08 | 0:20:10 | |
Is that the pup? | 0:20:16 | 0:20:18 | |
Yeah... | 0:20:18 | 0:20:19 | |
-There's always a lazy one. -You saved her! -How did you do that?! | 0:20:20 | 0:20:24 | |
Saw the old man do it a few times with the greyhounds. | 0:20:24 | 0:20:27 | |
Thanks, Phil. | 0:20:29 | 0:20:31 | |
You know what? | 0:20:33 | 0:20:34 | |
Sometimes life's bloody marvellous, ain't it, eh? | 0:20:34 | 0:20:38 | |
What happens now? Do you stay with me? | 0:20:46 | 0:20:48 | |
Not if you don't want me to. | 0:20:48 | 0:20:50 | |
Jane and Denise are inside. | 0:20:51 | 0:20:54 | |
You've got my number. If you need anything, give me a call. | 0:20:54 | 0:20:57 | |
I'll be back tomorrow, OK? | 0:20:57 | 0:20:59 | |
DOOR RATTLES | 0:21:24 | 0:21:26 | |
Ian. | 0:21:28 | 0:21:29 | |
DOOR OPENS | 0:21:38 | 0:21:39 | |
Ian? | 0:21:42 | 0:21:43 | |
What is it? What's happened? | 0:21:45 | 0:21:47 | |
Let's get him inside. | 0:21:49 | 0:21:51 | |
What's happened? | 0:22:18 | 0:22:20 | |
Lucy died. | 0:22:29 | 0:22:31 | |
What you all moping about for? | 0:22:48 | 0:22:50 | |
Lady Di's the proud mum to five beautiful pups! | 0:22:50 | 0:22:53 | |
-We thought you'd lost one? -Don't be so stupid! | 0:22:53 | 0:22:55 | |
Old Doctor Doolittle here worked his magic, didn't ya? | 0:22:55 | 0:22:58 | |
What did you do, Phil? | 0:22:58 | 0:22:59 | |
I, erm... | 0:22:59 | 0:23:00 | |
talked to the animals! | 0:23:00 | 0:23:02 | |
THEY LAUGH | 0:23:02 | 0:23:03 | |
Right. We've got some babies' heads to wet. Drinks on the house! | 0:23:03 | 0:23:07 | |
THEY CHEER | 0:23:07 | 0:23:09 | |
Well done, babe. | 0:23:09 | 0:23:11 | |
You've been looking at him with twinkly eyes all day. | 0:23:11 | 0:23:14 | |
It's probably my cataracts, Aunt Babe. | 0:23:14 | 0:23:17 | |
That's the thing about miseries like you. | 0:23:17 | 0:23:20 | |
When they sparkle it's like fireworks night. | 0:23:20 | 0:23:23 | |
You and him got an history? | 0:23:24 | 0:23:26 | |
It was like fireworks night. | 0:23:27 | 0:23:29 | |
When it blew up in my face. | 0:23:29 | 0:23:31 | |
Still something there, though, am I right? | 0:23:31 | 0:23:34 | |
What time are you clearing off? | 0:23:37 | 0:23:38 | |
A little girl was out walking with her grandad and... | 0:23:43 | 0:23:47 | |
..and she found Lucy. | 0:23:50 | 0:23:52 | |
Poor little thing. | 0:23:53 | 0:23:55 | |
The police have asked if we don't go into Lucy's room. | 0:23:57 | 0:24:01 | |
They... They need to have a look in there. | 0:24:01 | 0:24:04 | |
This is unreal. | 0:24:07 | 0:24:09 | |
Ian, the kids... | 0:24:11 | 0:24:13 | |
Oh, God, Peter. | 0:24:14 | 0:24:16 | |
Where are they? | 0:24:22 | 0:24:23 | |
Bobby and Cindy are with Masood | 0:24:30 | 0:24:31 | |
and the last time I spoke to Peter, he was in the pub. | 0:24:31 | 0:24:34 | |
He's waiting for his sister. | 0:24:37 | 0:24:38 | |
Do you want me to go and get them? | 0:24:49 | 0:24:51 | |
Bobby and Cindy first. | 0:24:54 | 0:24:56 | |
Thanks, Jane. | 0:24:56 | 0:24:59 | |
RUMBLE OF THUNDER | 0:25:12 | 0:25:14 | |
LAUGHTER AND CHATTER | 0:25:26 | 0:25:28 | |
I fell in love with that girl the minute she was born. | 0:26:03 | 0:26:06 | |
She came out screaming. | 0:26:09 | 0:26:11 | |
Punching the air, annoyed with the world. | 0:26:12 | 0:26:15 | |
But then I... | 0:26:20 | 0:26:22 | |
held her in my arms. | 0:26:22 | 0:26:24 | |
And she was good as gold. | 0:26:25 | 0:26:27 | |
I tell you, to see her... | 0:26:28 | 0:26:30 | |
To see her lying there... | 0:26:30 | 0:26:32 | |
Gone. | 0:26:33 | 0:26:35 | |
That was my beautiful Lucy Lou. | 0:26:36 | 0:26:38 | |
She was. | 0:26:38 | 0:26:39 | |
I don't have the ability to get through this. | 0:26:47 | 0:26:50 | |
You have always done your best. | 0:26:50 | 0:26:52 | |
I thought telling them that their mum had died | 0:26:54 | 0:26:58 | |
was the hardest thing I'd ever have to do. | 0:26:58 | 0:27:01 | |
This? | 0:27:04 | 0:27:06 | |
How am I going to do this? | 0:27:08 | 0:27:10 | |
I keep thinking of her... | 0:27:13 | 0:27:15 | |
-..lying out there on the common. -Don't. | 0:27:17 | 0:27:21 | |
-All night. -Don't. -In the cold and damp. -Don't! | 0:27:21 | 0:27:23 | |
DOOR OPENS | 0:27:23 | 0:27:25 | |
What's wrong? | 0:27:35 | 0:27:36 | |
Um... | 0:27:39 | 0:27:40 | |
Take your coats off, guys. There's... | 0:27:42 | 0:27:44 | |
There's something I've got to talk to you about. | 0:27:44 | 0:27:46 | |
-Can I watch telly? -Um... | 0:27:46 | 0:27:49 | |
Maybe in a bit, yeah. | 0:27:49 | 0:27:51 | |
Just sit yourselves down. | 0:27:51 | 0:27:53 | |
Come on, sit down. | 0:27:53 | 0:27:54 | |
You're right, there is... | 0:28:03 | 0:28:06 | |
something wrong. | 0:28:06 | 0:28:07 | |
I really...don't know how to say this... | 0:28:11 | 0:28:14 | |
other than Lucy's died. | 0:28:14 | 0:28:16 | |
THE CHILDREN SOB | 0:28:19 | 0:28:21 | |
It happened last night and... | 0:28:21 | 0:28:24 | |
THEY SOB | 0:28:24 | 0:28:27 | |
Shh, shh... Just listen. | 0:28:27 | 0:28:29 | |
It's OK... | 0:28:31 | 0:28:33 | |
THEY SOB | 0:28:36 | 0:28:38 | |
Come here, son. | 0:28:38 | 0:28:40 | |
One more to tell. | 0:28:49 | 0:28:51 | |
LAUGHING AND SQUEALING | 0:29:16 | 0:29:18 | |
Feel it? | 0:29:49 | 0:29:51 | |
Yes! I felt them kick! KAT LAUGHS | 0:29:51 | 0:29:54 | |
Peter, your dad's back. | 0:30:06 | 0:30:08 | |
What is it? | 0:30:14 | 0:30:16 | |
Not here. | 0:30:17 | 0:30:18 | |
Come home, son. | 0:30:20 | 0:30:21 | |
CHATTER STOPS | 0:30:27 | 0:30:29 | |
Dad? | 0:30:38 | 0:30:40 | |
Dad, what is it? What is it? Why can't you just tell me? | 0:30:40 | 0:30:43 | |
Dad? What? | 0:30:43 | 0:30:45 | |
Don't. | 0:30:46 | 0:30:48 | |
No. Just... What is it? | 0:30:49 | 0:30:50 | |
What is it? | 0:30:51 | 0:30:53 | |
It's Lucy! | 0:30:54 | 0:30:55 | |
No. | 0:30:55 | 0:30:57 | |
No. No, don't say it... | 0:30:58 | 0:31:01 | |
Don't say it. Please don't say it. | 0:31:01 | 0:31:04 | |
She's gone. | 0:31:05 | 0:31:07 | |
She's gone? | 0:31:12 | 0:31:13 | |
-I'm sorry, Peter. -She's gone...? | 0:31:16 | 0:31:19 | |
No, no... | 0:31:21 | 0:31:23 | |
NO! | 0:31:26 | 0:31:28 | |
NO! | 0:31:30 | 0:31:32 | |
HE YELLS | 0:31:34 | 0:31:37 | |
HE WAILS | 0:31:39 | 0:31:41 |