Browse content similar to 01/05/2014. Check below for episodes and series from the same categories and more!
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MOBILE PHONE RINGS | 0:00:35 | 0:00:38 | |
Is this to apologise or explain? | 0:00:41 | 0:00:43 | |
Son? | 0:00:47 | 0:00:48 | |
Oh come on, Son, don't be like that. We're all right now, aren't we? | 0:00:48 | 0:00:51 | |
I'm doing what you want me to do, and what everyone else | 0:00:51 | 0:00:53 | |
wants me to do - I'm seeing the genetics doctor this afternoon, | 0:00:53 | 0:00:56 | |
so you can all stop going on about it. | 0:00:56 | 0:00:58 | |
KNOCK ON WINDOW | 0:00:58 | 0:01:00 | |
KNOCK ON DOOR | 0:01:21 | 0:01:23 | |
What's happened? Is there some news? | 0:01:30 | 0:01:32 | |
Have you've not had the TV or radio on this morning then? | 0:01:32 | 0:01:35 | |
No, why? | 0:01:35 | 0:01:36 | |
Can I come in? | 0:01:36 | 0:01:38 | |
Yeah, come through. | 0:01:38 | 0:01:39 | |
What's with the box? | 0:01:45 | 0:01:46 | |
It's some of Lucy's belongings. I thought you'd like them back. | 0:01:46 | 0:01:49 | |
You haven't come here just to tell us that, have you? | 0:01:50 | 0:01:53 | |
No. Um... | 0:01:53 | 0:01:55 | |
There's been a development, | 0:01:56 | 0:01:58 | |
and I wanted you to be the first to know. | 0:01:58 | 0:02:01 | |
Only sadly... | 0:02:01 | 0:02:02 | |
Look, I'm not going to bore you with the internal politics of the Met. | 0:02:03 | 0:02:06 | |
Suffice to say that, somehow, there's been a leak. | 0:02:06 | 0:02:09 | |
Now, everyone's playing pass the parcel. | 0:02:09 | 0:02:11 | |
Hand on heart, I don't know the details, | 0:02:12 | 0:02:14 | |
but the fact is... | 0:02:14 | 0:02:15 | |
this news - the news that I wanted you to be first to know - | 0:02:15 | 0:02:20 | |
it's already got into the hands of the press. | 0:02:20 | 0:02:23 | |
Thanks for helping. | 0:02:34 | 0:02:36 | |
You're welcome, Denise. | 0:02:36 | 0:02:38 | |
What do you want? | 0:02:39 | 0:02:40 | |
I was wondering whether you could put this little ad | 0:02:40 | 0:02:43 | |
-in your shop window for me. -Yes. | 0:02:43 | 0:02:45 | |
MOBILE PHONE RINGS | 0:02:45 | 0:02:47 | |
Hello? | 0:02:48 | 0:02:49 | |
Just wanted to know how you're doing? | 0:02:49 | 0:02:52 | |
I'm fine, honestly. | 0:02:52 | 0:02:54 | |
And you're getting on with Ian OK? | 0:02:54 | 0:02:57 | |
Listen, I'd really love to stop and chat, | 0:02:57 | 0:03:00 | |
but I've still not done the papers yet. | 0:03:00 | 0:03:02 | |
Also, there's someone with me. | 0:03:04 | 0:03:06 | |
Remember what we said about self-sacrifice? | 0:03:06 | 0:03:09 | |
Try thinking about yourself for a change. | 0:03:11 | 0:03:13 | |
Yeah, well, I'm trying... | 0:03:13 | 0:03:15 | |
not to think at all at the moment. | 0:03:15 | 0:03:18 | |
You all right? | 0:03:19 | 0:03:21 | |
Yeah...if a man can ever be all right | 0:03:21 | 0:03:23 | |
with that woman under his roof. | 0:03:23 | 0:03:25 | |
Well, try thinking about yourself for a change, yeah? | 0:03:26 | 0:03:29 | |
I'll see you soon. | 0:03:31 | 0:03:33 | |
Love you. | 0:03:33 | 0:03:34 | |
Love you, too. | 0:03:34 | 0:03:36 | |
How much? | 0:03:37 | 0:03:38 | |
-What? -For the ad, darling? How much? | 0:03:39 | 0:03:43 | |
Oh, it's 50p for a day. | 0:03:43 | 0:03:45 | |
Right, here's two weeks. | 0:03:47 | 0:03:50 | |
You can keep the change. | 0:03:50 | 0:03:51 | |
Do you know where else I can put it up? | 0:03:53 | 0:03:55 | |
Yeah, the caff has got a notice board. | 0:03:55 | 0:03:57 | |
Hm. Yeah, I'd forgotten that. Thank you. | 0:03:59 | 0:04:02 | |
Denise? | 0:04:03 | 0:04:05 | |
Sorry. I'm going to need you to... | 0:04:08 | 0:04:10 | |
just hold the fort, just for two minutes. | 0:04:10 | 0:04:12 | |
What do you mean, "hold the fort?" What am I supposed to do? | 0:04:12 | 0:04:17 | |
When did you find this out? | 0:04:17 | 0:04:19 | |
Late yesterday afternoon. | 0:04:19 | 0:04:21 | |
We've got no idea how it got out at the moment. | 0:04:21 | 0:04:24 | |
I can only apologise. | 0:04:24 | 0:04:26 | |
Ian? | 0:04:26 | 0:04:27 | |
Oh. | 0:04:30 | 0:04:32 | |
I was going to show you something but... | 0:04:32 | 0:04:35 | |
maybe you already know. | 0:04:35 | 0:04:37 | |
What? | 0:04:37 | 0:04:38 | |
Emma just told us. They, uh... | 0:04:45 | 0:04:48 | |
They think Lucy knew her attacker. | 0:04:48 | 0:04:50 | |
-TELEVISION: -'Walford police are investigating claims | 0:04:52 | 0:04:55 | |
'that local girl Lucy Beale, | 0:04:55 | 0:04:57 | |
'believed to have been killed in a botched mugging attempt over | 0:04:57 | 0:04:59 | |
'the Easter weekend was, in fact, murdered.' | 0:04:59 | 0:05:02 | |
-Patrick! -'The speculation follows an article in the Walford Gazette | 0:05:02 | 0:05:05 | |
'which claims that Lucy was killed elsewhere | 0:05:05 | 0:05:07 | |
'and her body placed on the common.' | 0:05:07 | 0:05:09 | |
-What do you want? -Looks like she was murdered. | 0:05:09 | 0:05:11 | |
'The 20-year-old's phone and wallet were missing...' | 0:05:11 | 0:05:14 | |
I know. I heard it on the radio. | 0:05:14 | 0:05:16 | |
-That lovely girl. -'So far, the police have made no arrests | 0:05:16 | 0:05:19 | |
'in connection with the case...' | 0:05:19 | 0:05:20 | |
Still, you never know what goes on behind closed doors. | 0:05:20 | 0:05:24 | |
Meaning what exactly? | 0:05:24 | 0:05:26 | |
Nothing. | 0:05:27 | 0:05:28 | |
What do you think you're doing? | 0:05:31 | 0:05:33 | |
-Since when? -Have you started looking for somewhere else to live, yet? | 0:05:36 | 0:05:39 | |
I've been asking around. | 0:05:40 | 0:05:42 | |
If you're putting the kettle on, I could do with a cup of tea. | 0:05:44 | 0:05:47 | |
Da-da-da... | 0:05:50 | 0:05:53 | |
What are you doing here? | 0:06:01 | 0:06:03 | |
-Holding the fort. -So, where's Denise? | 0:06:03 | 0:06:06 | |
She went across the road. | 0:06:06 | 0:06:08 | |
Here. Look at that. | 0:06:08 | 0:06:10 | |
Oh, no... | 0:06:11 | 0:06:13 | |
This is awful. | 0:06:14 | 0:06:16 | |
Some sick people out there. | 0:06:16 | 0:06:18 | |
I've just spoken to Jane. Now, I need to speak to you. | 0:06:18 | 0:06:21 | |
So, how long have you known it weren't a mugging? | 0:06:27 | 0:06:31 | |
As soon as forensics established that Lucy | 0:06:31 | 0:06:33 | |
didn't die where she was found. | 0:06:33 | 0:06:35 | |
There was no distribution of blood at the scene which | 0:06:35 | 0:06:38 | |
suggests that the murder took place elsewhere... | 0:06:38 | 0:06:41 | |
What? So she was just...dumped? | 0:06:41 | 0:06:44 | |
Yes... | 0:06:45 | 0:06:47 | |
OK, so, do you have names? | 0:06:49 | 0:06:50 | |
Are you looking for anyone in particular? | 0:06:50 | 0:06:52 | |
-No, not as yet. -What about the Carter lad? | 0:06:52 | 0:06:55 | |
Lee Carter's alibi checks out. | 0:06:55 | 0:06:58 | |
Look, we have got one significant lead, though, | 0:06:58 | 0:07:00 | |
which isn't in the paper. | 0:07:00 | 0:07:02 | |
Go on. | 0:07:02 | 0:07:03 | |
I know I've asked you this before, Mr Beale, | 0:07:03 | 0:07:06 | |
but, did you have any hint that Lucy was seeing | 0:07:06 | 0:07:09 | |
anyone other than Mr Carter? | 0:07:09 | 0:07:11 | |
Why? | 0:07:11 | 0:07:13 | |
Her phone records show that she was exchanging a significant number | 0:07:13 | 0:07:16 | |
of texts and calls with someone in the weeks leading up to her death. | 0:07:16 | 0:07:19 | |
-Who? -Well, that's the question. | 0:07:19 | 0:07:22 | |
All the calls were made to a pay-as-you-go phone | 0:07:22 | 0:07:24 | |
with no registered user. | 0:07:24 | 0:07:26 | |
You've got no idea who that might have been? | 0:07:27 | 0:07:29 | |
What kind of texts? | 0:07:29 | 0:07:32 | |
Well they were, um... | 0:07:32 | 0:07:34 | |
they were of a clandestine nature. | 0:07:34 | 0:07:36 | |
What are you saying? | 0:07:37 | 0:07:38 | |
We need to find this person so that | 0:07:38 | 0:07:40 | |
we can rule them out of our enquiries. | 0:07:40 | 0:07:43 | |
That's your way of saying that you reckon they did it, yeah? | 0:07:44 | 0:07:47 | |
We have to keep an open mind. | 0:07:47 | 0:07:48 | |
When you say "clandestine"... | 0:07:49 | 0:07:52 | |
Organising trysts and the like. | 0:07:53 | 0:07:56 | |
Trysts? | 0:07:56 | 0:07:57 | |
Sorry. Secret meetings. | 0:07:57 | 0:08:01 | |
So, Lucy was having it off with this bloke. | 0:08:01 | 0:08:03 | |
I mean, that's basically what you're saying, yeah? | 0:08:03 | 0:08:05 | |
Are we likely to know who this person is? | 0:08:07 | 0:08:09 | |
That is a possibility. | 0:08:11 | 0:08:12 | |
I've been dumped! | 0:08:18 | 0:08:19 | |
And when I ask why, I get waves of guilt coming down the phone. | 0:08:20 | 0:08:23 | |
Now, you know something. | 0:08:23 | 0:08:25 | |
No! | 0:08:25 | 0:08:26 | |
I'll ask you again, what did you and her talk about before she left? | 0:08:26 | 0:08:30 | |
-Nothing. -Shabnam... | 0:08:30 | 0:08:32 | |
I've been going through it all in my head, | 0:08:33 | 0:08:35 | |
and I understand she's upset. | 0:08:35 | 0:08:37 | |
I understand her needing to take Bobby away. But, dumping me? | 0:08:37 | 0:08:40 | |
And then, at 4am, it occurs to me, of course - Ian. | 0:08:40 | 0:08:44 | |
It has something to do with her and Ian, doesn't it? | 0:08:44 | 0:08:46 | |
Shabnam, don't you dare lie to me! | 0:08:48 | 0:08:49 | |
I need to know the truth. | 0:08:49 | 0:08:52 | |
It's to do with her and Ian, isn't it? | 0:08:52 | 0:08:54 | |
Has she slept with him? | 0:08:58 | 0:08:59 | |
That's all I need to know. | 0:09:04 | 0:09:06 | |
"20-year-old Lucy ran a successful letting agency | 0:09:08 | 0:09:12 | |
"near Albert Square, East Walford. | 0:09:12 | 0:09:14 | |
"Blonde Lucy may have been..." | 0:09:14 | 0:09:16 | |
Stop reading it now. | 0:09:16 | 0:09:18 | |
As if the colour of her hair is even relevant. | 0:09:18 | 0:09:20 | |
-Hi. -You all right? | 0:09:22 | 0:09:24 | |
The restaurant's still closed so I'm filling in. | 0:09:24 | 0:09:27 | |
It's better than being laid off. | 0:09:27 | 0:09:28 | |
Before you ask, I phoned the hospital, | 0:09:31 | 0:09:33 | |
so, there's no need for this conversation. | 0:09:33 | 0:09:35 | |
Good. That's not why I'm here, though. | 0:09:35 | 0:09:38 | |
I waved at you earlier and you ignored me. | 0:09:38 | 0:09:41 | |
I understand you being confused... I'm a bit confused myself. | 0:09:41 | 0:09:45 | |
But, we can't pretend it never happened. | 0:09:45 | 0:09:47 | |
What am I supposed to say? | 0:09:47 | 0:09:49 | |
I just think we should clear the air. | 0:09:49 | 0:09:51 | |
-Well, not here and not now. -All right. | 0:09:51 | 0:09:53 | |
Well, let's grab five minutes when we swap shifts then, yeah? | 0:09:53 | 0:09:56 | |
Least it weren't your first time. | 0:09:56 | 0:09:58 | |
-Son.... -In a minute. | 0:10:00 | 0:10:02 | |
I feel sick. | 0:10:06 | 0:10:09 | |
Fats, go after her will you? | 0:10:09 | 0:10:11 | |
Listen... | 0:10:11 | 0:10:12 | |
Look, I know you're nervous about this appointment today, | 0:10:12 | 0:10:15 | |
so I want to come with you. Kat will look after the stall. | 0:10:15 | 0:10:17 | |
I'm not even ill yet. | 0:10:17 | 0:10:18 | |
-There you go. -That copper's still over there. How long's that been now? | 0:10:22 | 0:10:26 | |
Well, how do you know it's a copper? | 0:10:26 | 0:10:28 | |
Well, who else is going to be there at this hour? | 0:10:28 | 0:10:30 | |
Do you think it's to do with what was on the news? | 0:10:30 | 0:10:33 | |
No, I reckon they know something. | 0:10:33 | 0:10:35 | |
You still worried about Sonia? | 0:10:36 | 0:10:39 | |
No, no. I was just thinking about Ian. | 0:10:39 | 0:10:42 | |
Do you know what, if I wasn't feeling so washed out | 0:10:44 | 0:10:47 | |
I'd go over there and see him. | 0:10:47 | 0:10:49 | |
Aye, aye... | 0:10:49 | 0:10:51 | |
She's coming out with Ian. | 0:10:51 | 0:10:52 | |
-I'm going to go over there now. -Hey? No, no, no. | 0:10:55 | 0:10:59 | |
No, you stay here. | 0:10:59 | 0:11:01 | |
-I'll do it. -Why? What are you up to? | 0:11:01 | 0:11:03 | |
-Up to? -It's not like you. | 0:11:03 | 0:11:06 | |
I can be a nice person, Carol. Sometimes I can. | 0:11:06 | 0:11:10 | |
All right. Well, that is a kind thing to do. | 0:11:10 | 0:11:14 | |
Do you want me to pop back at lunchtime? | 0:11:15 | 0:11:17 | |
No, no, no, I'd rather sort it all on my own. | 0:11:17 | 0:11:19 | |
All right. Well, good luck, then. | 0:11:19 | 0:11:22 | |
David... | 0:11:22 | 0:11:23 | |
..you know. | 0:11:25 | 0:11:26 | |
One of the things I love most about you Carol Jackson, | 0:11:28 | 0:11:31 | |
is you make me try and be a better person. | 0:11:31 | 0:11:33 | |
David, you've known me for over 35 years. | 0:11:35 | 0:11:37 | |
I said "try," I didn't say anything about having succeeded. Ta-ta. | 0:11:37 | 0:11:41 | |
See you. | 0:11:41 | 0:11:42 | |
I just want to get some sense of why... | 0:11:48 | 0:11:52 | |
or who... | 0:11:52 | 0:11:53 | |
Mr Beale - Ian - I understand your need for answers, but please... | 0:11:53 | 0:11:58 | |
Leave the detective work to you. | 0:11:58 | 0:11:59 | |
Look, if you start questioning potential witnesses, | 0:12:01 | 0:12:03 | |
it's only going to slow things up. | 0:12:03 | 0:12:05 | |
I understand. | 0:12:06 | 0:12:08 | |
You've got my number. So, if anything occurs... | 0:12:08 | 0:12:10 | |
Ian... | 0:12:14 | 0:12:15 | |
Look, I know we've had our differences in the past, mate, | 0:12:17 | 0:12:20 | |
and I ain't been too kind to you. | 0:12:20 | 0:12:22 | |
But, I'm a dad as well... | 0:12:23 | 0:12:24 | |
Hey, where are you going? Hang on, hang on. | 0:12:24 | 0:12:27 | |
Look, I just wanted to say if there's anything... | 0:12:27 | 0:12:30 | |
anything I can do for you... | 0:12:30 | 0:12:32 | |
-Was it you? -Was what me? | 0:12:33 | 0:12:36 | |
Was it you sending her the sleazy texts? Arranging to meet her? | 0:12:36 | 0:12:39 | |
I don't know what you're talking about. | 0:12:39 | 0:12:40 | |
I wouldn't put anything past you. | 0:12:43 | 0:12:44 | |
I don't know, Ian, I really don't... | 0:13:01 | 0:13:03 | |
Has she mentioned a name or anything? | 0:13:03 | 0:13:05 | |
Look, if I knew anything more I would tell you. | 0:13:05 | 0:13:08 | |
Please think back, OK. | 0:13:08 | 0:13:09 | |
You might have thought at the time that it was nothing, | 0:13:09 | 0:13:12 | |
but, it could be something now. | 0:13:12 | 0:13:14 | |
Look, Lauren knew her a lot better than I did, so... | 0:13:14 | 0:13:17 | |
Do you know where she is? | 0:13:17 | 0:13:20 | |
She was here before, but I think she went home. | 0:13:20 | 0:13:22 | |
-Wait, I need to speak to you. -Not now, Masood. Please. | 0:13:26 | 0:13:28 | |
I know, all right? What, anyone would think you hadn't have a clue | 0:13:28 | 0:13:31 | |
-what I'm talking about. -Now is not a good time. | 0:13:31 | 0:13:33 | |
I know how I'm supposed to react, Ian. | 0:13:33 | 0:13:35 | |
"Ian's just lost his daughter. He's all over the place. | 0:13:35 | 0:13:37 | |
"So what if he's just bedded your girlfriend?" | 0:13:37 | 0:13:40 | |
-Please, I'm begging you. -To hell with it, Ian. To hell with it. | 0:13:40 | 0:13:43 | |
I don't care how vulnerable you were or how much comforting you needed. | 0:13:43 | 0:13:46 | |
Your daughter is barely cold on the slab and you're in bed with Jane. | 0:13:46 | 0:13:49 | |
You're suffering? Well, good. | 0:13:51 | 0:13:54 | |
What if the person that killed her... | 0:14:05 | 0:14:08 | |
was someone that she knew? | 0:14:08 | 0:14:10 | |
I mean do I know this person as well? | 0:14:11 | 0:14:14 | |
Are they in my address book? | 0:14:14 | 0:14:16 | |
Could I possibly bump into them at the Minute Mart? | 0:14:16 | 0:14:18 | |
I don't know but you can't think like this, Lauren, all right? | 0:14:18 | 0:14:21 | |
-MOBILE PHONE BEEPS -You're going to send yourself mad. | 0:14:21 | 0:14:23 | |
Oh, no... | 0:14:23 | 0:14:25 | |
That's Peter, he wants to see me. | 0:14:25 | 0:14:27 | |
What am I meant to say to him? | 0:14:27 | 0:14:29 | |
KNOCK ON DOOR | 0:14:29 | 0:14:31 | |
I just wish everyone would go away. | 0:14:32 | 0:14:35 | |
Leave it, leave it, Lauren, all right? Just ignore it. | 0:14:35 | 0:14:38 | |
-What time do you call this? -Someone's stressed. | 0:14:59 | 0:15:02 | |
-Yeah, why do you say that? -The fags. | 0:15:02 | 0:15:05 | |
You've seen the paper, then? | 0:15:07 | 0:15:08 | |
Listen, before you sit down, go up the Arches, will you? | 0:15:08 | 0:15:11 | |
-There's a Corsa needs picking up... -Yeah, in a minute. | 0:15:11 | 0:15:13 | |
Bad business, isn't it, eh? | 0:15:14 | 0:15:16 | |
I can't even think about it. | 0:15:18 | 0:15:20 | |
-Nah, not when you've got daughters yourself. -Exactly. | 0:15:20 | 0:15:22 | |
Ian just knocked on your front door. | 0:15:24 | 0:15:27 | |
Why? | 0:15:27 | 0:15:29 | |
I don't know, mate. But, he's on the warpath. | 0:15:29 | 0:15:31 | |
He's just found out Lucy's been getting texts off this bloke | 0:15:32 | 0:15:35 | |
on the sly, apparently. | 0:15:35 | 0:15:36 | |
And before you say anything, he's already accused me, | 0:15:36 | 0:15:38 | |
so don't start getting offended if he does the same... | 0:15:38 | 0:15:41 | |
I've been looking for Lauren, she's not in. | 0:15:47 | 0:15:50 | |
Do you know where she is? | 0:15:50 | 0:15:51 | |
Ian, I'm really sorry... | 0:15:53 | 0:15:54 | |
Can you call her? I need to speak to her. | 0:15:57 | 0:16:00 | |
Yeah, course. | 0:16:00 | 0:16:01 | |
-Now? -Yeah, I've just got one e-mail to send | 0:16:05 | 0:16:07 | |
and then I'll do it straightaway. | 0:16:07 | 0:16:09 | |
He probably reckons Lauren knows something | 0:16:17 | 0:16:19 | |
about this fellow that Lucy was seeing. | 0:16:19 | 0:16:21 | |
You going to pick up that Corsa or not? Phil's waiting for you. | 0:16:23 | 0:16:26 | |
Phil. Always been a bit tacky between me and him. | 0:16:26 | 0:16:30 | |
Especially after I had that thing with his baby sister. | 0:16:32 | 0:16:36 | |
Did I ever tell you about that, Max? | 0:16:36 | 0:16:37 | |
Uh, no. | 0:16:39 | 0:16:40 | |
Cor, we're going back a bit now. I was what... | 0:16:40 | 0:16:43 | |
34, 35? She was early twenties. | 0:16:43 | 0:16:48 | |
Pretty, available, so I was off to the races mate, I tell you. | 0:16:48 | 0:16:53 | |
Mind you, that's what I was like in them days. | 0:16:57 | 0:17:00 | |
Something to be said for getting older, eh? | 0:17:00 | 0:17:02 | |
-Do you want one? -No, you're all right, thanks. | 0:17:04 | 0:17:06 | |
Mind you, that does explain why he pointed the finger at me earlier on. | 0:17:06 | 0:17:10 | |
I'm surprised he never said anything to you. | 0:17:13 | 0:17:15 | |
Well, why are you surprised he didn't say nothing to me? | 0:17:17 | 0:17:20 | |
Well, you know, whats-her-face. | 0:17:21 | 0:17:24 | |
Carol told me the whole story. | 0:17:24 | 0:17:26 | |
-Kacy, was it? -Stacey. | 0:17:26 | 0:17:27 | |
Yeah, that's the one. How old was she then? | 0:17:27 | 0:17:30 | |
If you ain't going to pick this motor up, I'll go myself, all right. | 0:17:30 | 0:17:33 | |
That's all right, I'll go. I can't drink this muck anyway. | 0:17:33 | 0:17:35 | |
I ain't scared of Phil Mitchell. | 0:17:37 | 0:17:39 | |
And you've got a call to make. | 0:17:39 | 0:17:41 | |
Excuse me? What the hell happened to you last night? | 0:17:47 | 0:17:50 | |
And why was your phone switched off? | 0:17:50 | 0:17:52 | |
It wasn't switched off. It was out of battery. | 0:17:52 | 0:17:54 | |
Can we talk about this later, I've got to get to a shift at the caff... | 0:17:54 | 0:17:57 | |
Not even an apology? Some people would call that rude. | 0:17:57 | 0:18:00 | |
-All right, I apologise, OK? -That's an apology? | 0:18:00 | 0:18:03 | |
Well, what do you want me to say? | 0:18:03 | 0:18:04 | |
I want you to sound like you're taking this relationship seriously. | 0:18:04 | 0:18:08 | |
-I do! -So, don't you think you owe me an explanation? | 0:18:08 | 0:18:11 | |
Usual, please. | 0:18:11 | 0:18:12 | |
So, this is your idea of looking for somewhere else to live, is it? | 0:18:15 | 0:18:18 | |
I can't go until Tina gets here. | 0:18:20 | 0:18:21 | |
Well, does she even know you've got an appointment? | 0:18:21 | 0:18:23 | |
Yes. She's going to be here in a minute. | 0:18:23 | 0:18:25 | |
I'll take over. You're more important. Just go, will you. | 0:18:25 | 0:18:28 | |
Give me that. | 0:18:28 | 0:18:30 | |
And phone me as soon as you get there, yeah, | 0:18:30 | 0:18:32 | |
and let me know what's happening. | 0:18:32 | 0:18:33 | |
-Yes, OK. -You all right? | 0:18:33 | 0:18:34 | |
-What are you playing at? -I'm taking over from her. | 0:18:38 | 0:18:40 | |
Have you got a problem with that? | 0:18:40 | 0:18:42 | |
-Sonia? -I've got that appointment. | 0:18:42 | 0:18:45 | |
Look, I got held up. | 0:18:45 | 0:18:47 | |
Tosh was giving me ear ache about last night. | 0:18:47 | 0:18:49 | |
I could hardly tell her the truth, could I? I'm sorry. | 0:18:49 | 0:18:53 | |
Bianca is in there doing what you should be doing, | 0:18:53 | 0:18:55 | |
so why don't you get in there and do it. | 0:18:55 | 0:18:56 | |
I thought we were going to clear the air. | 0:19:02 | 0:19:04 | |
Trouble in paradise? | 0:19:06 | 0:19:08 | |
None of your business. | 0:19:08 | 0:19:09 | |
Ah, is someone feeling a little bit put out? | 0:19:09 | 0:19:12 | |
Maybe it's time you moved on. | 0:19:12 | 0:19:14 | |
OK. OK, you want a list? | 0:19:14 | 0:19:17 | |
The half drunk cups of tea you leave all over the place. | 0:19:17 | 0:19:20 | |
Hogging the TV, the nail clippings on the bathroom floor. | 0:19:20 | 0:19:23 | |
That would have been Dexter. | 0:19:23 | 0:19:25 | |
So, Dexter wears red nail varnish now? | 0:19:25 | 0:19:27 | |
Yeah, yeah, yeah. | 0:19:27 | 0:19:29 | |
I ought to be at the launderette by now. | 0:19:30 | 0:19:32 | |
Let's have this conversation this evening. | 0:19:32 | 0:19:34 | |
No, no, no. Conversation done. Finito. | 0:19:34 | 0:19:37 | |
You're kidding me. | 0:19:37 | 0:19:38 | |
You're not going to throw an old-age pensioner out, are you? | 0:19:40 | 0:19:43 | |
I'm making a decision. | 0:19:45 | 0:19:48 | |
I'm giving you a one month's notice and that's official. | 0:19:48 | 0:19:51 | |
-Hello? -Hello? | 0:20:01 | 0:20:03 | |
-Hello. -Hi. | 0:20:04 | 0:20:07 | |
Dad? | 0:20:16 | 0:20:17 | |
I've done something really stupid. | 0:20:20 | 0:20:23 | |
I told Ian Beale exactly what I thought of him. | 0:20:23 | 0:20:26 | |
Oh, you didn't... | 0:20:26 | 0:20:29 | |
I said he'd used Lucy's death... | 0:20:29 | 0:20:32 | |
..to get to Jane. | 0:20:34 | 0:20:35 | |
And now I wish I was dead. | 0:20:36 | 0:20:38 | |
When did Bianca tell you about Naomi? | 0:20:40 | 0:20:42 | |
Oh, that was her name. Was it romantic? | 0:20:42 | 0:20:45 | |
Look, I really need to go. | 0:20:45 | 0:20:46 | |
ENGINE STUTTERS | 0:20:48 | 0:20:50 | |
Come on. | 0:20:53 | 0:20:55 | |
I wonder if it was her dealer. | 0:20:55 | 0:20:56 | |
What? | 0:20:57 | 0:20:59 | |
What, you didn't know? | 0:20:59 | 0:21:00 | |
Cindy told Dad that Lucy was doing coke | 0:21:01 | 0:21:04 | |
and then he found a bag amongst her stuff. | 0:21:04 | 0:21:06 | |
Yeah, I know. I'm beginning to feel like I didn't know my sister at all. | 0:21:08 | 0:21:12 | |
What am I supposed to do with all this stuff? | 0:21:12 | 0:21:14 | |
It belongs to the business. Just thought you might need it. | 0:21:14 | 0:21:17 | |
All right? Sorry to interrupt... | 0:21:20 | 0:21:22 | |
Lauren, I think your dad's trying to get hold of you. | 0:21:22 | 0:21:24 | |
Yeah, I'm going to go and see him in a minute. | 0:21:24 | 0:21:26 | |
Any news on this fellow and the texts, Peter? | 0:21:26 | 0:21:29 | |
How do you know about that? | 0:21:29 | 0:21:31 | |
Well, your dad told me. | 0:21:31 | 0:21:32 | |
Lucy was getting some texts from some fellow | 0:21:35 | 0:21:37 | |
she was seeing apparently. | 0:21:37 | 0:21:39 | |
I can't take much more of this. | 0:21:41 | 0:21:43 | |
I'm going to go see my dad. | 0:21:43 | 0:21:45 | |
Babe, you've forgot the... | 0:21:45 | 0:21:47 | |
-What you doing here? -Oh, I'm just standing in for Tina. | 0:21:47 | 0:21:50 | |
Might have a long wait, darling. | 0:21:50 | 0:21:52 | |
I've just seen her outside the Vic, gassing in her car with Sonia. | 0:21:52 | 0:21:55 | |
What?! | 0:21:55 | 0:21:56 | |
Oy! | 0:21:57 | 0:21:59 | |
Right, go on, try it now. | 0:22:00 | 0:22:01 | |
Shall I go and get one of the blokes from the garage? | 0:22:04 | 0:22:07 | |
I just want you to go away. | 0:22:07 | 0:22:08 | |
-Why are you being like this? -What's the problem? -What's it look like? | 0:22:09 | 0:22:13 | |
You should've been in the caff ten minutes ago | 0:22:13 | 0:22:15 | |
and she should be at the hospital. | 0:22:15 | 0:22:16 | |
Will you two just leave me alone? | 0:22:16 | 0:22:18 | |
Hurray! | 0:22:20 | 0:22:21 | |
-I thought I told you to leave her alone. -I was trying to help. | 0:22:21 | 0:22:24 | |
If she don't want it, it's up to her. | 0:22:24 | 0:22:26 | |
Ain't nothing to do with you. | 0:22:26 | 0:22:27 | |
Now it turns out she had a coke habit... | 0:22:33 | 0:22:35 | |
and another bloke on the go. | 0:22:35 | 0:22:37 | |
Why don't you go home, Lauren. | 0:22:47 | 0:22:48 | |
Go on, get some rest. | 0:22:50 | 0:22:51 | |
Take your mind off things. | 0:22:53 | 0:22:55 | |
Now I've got all this. | 0:22:59 | 0:23:00 | |
What is all that? | 0:23:02 | 0:23:03 | |
Lucy's stuff. | 0:23:04 | 0:23:06 | |
It's her stuff from the business. | 0:23:08 | 0:23:10 | |
I can't take it. | 0:23:14 | 0:23:16 | |
Come on, I'll take care of it. Come here. | 0:23:17 | 0:23:20 | |
Go home, Lauren. | 0:23:23 | 0:23:25 | |
I thought I was meant to go see Ian. | 0:23:29 | 0:23:32 | |
What's the point? You don't know anything, do you? | 0:23:32 | 0:23:35 | |
He's probably just asking everyone. | 0:23:36 | 0:23:38 | |
Peter said it just now. | 0:23:47 | 0:23:49 | |
It's like we didn't really know her at all. | 0:23:50 | 0:23:52 | |
-Son? -Don't start. | 0:24:02 | 0:24:04 | |
My car's broken down on Victoria Rd, the Arches is closed... | 0:24:04 | 0:24:07 | |
I'm looking for Dexter. | 0:24:07 | 0:24:09 | |
My dad will take you. | 0:24:09 | 0:24:10 | |
It's too late. I've missed the appointment. | 0:24:10 | 0:24:12 | |
I'm going to have to call them. | 0:24:12 | 0:24:13 | |
Mag, look after the stall for a minute. Sonia! | 0:24:13 | 0:24:16 | |
What time do you call this? | 0:24:25 | 0:24:26 | |
-You've seen Lauren, then? -Sorry, I just asked you a question. | 0:24:28 | 0:24:30 | |
Anything interesting? | 0:24:32 | 0:24:34 | |
-You know what I think, don't you? -I'm not interested. | 0:24:40 | 0:24:43 | |
I think if I had an important hospital appointment | 0:24:43 | 0:24:45 | |
and my car needed fixing, I'd have definitely made other arrangements. | 0:24:45 | 0:24:48 | |
I don't need this. | 0:24:48 | 0:24:49 | |
Why was Tina so annoyed then, Sonia? | 0:24:50 | 0:24:53 | |
Sonia? Son, look at me. This is me. | 0:24:53 | 0:24:56 | |
You want to know? You really want to know? | 0:24:56 | 0:24:58 | |
Me and Tina kissed. And now, it's one big mess. | 0:24:58 | 0:25:01 | |
Are you happy, now? | 0:25:01 | 0:25:03 | |
I've had this feeling nagging away at me ever since | 0:25:05 | 0:25:08 | |
I found out she'd been murdered. | 0:25:08 | 0:25:09 | |
Try to shut it down. But, it won't shut up. | 0:25:09 | 0:25:12 | |
I had another daughter once. Long time ago, now. | 0:25:19 | 0:25:21 | |
Yeah, I know. Carol told me. | 0:25:24 | 0:25:26 | |
Do you know, whole years go by | 0:25:28 | 0:25:30 | |
and I don't even think about her. | 0:25:30 | 0:25:32 | |
Well, I try not to. | 0:25:32 | 0:25:33 | |
And then... | 0:25:37 | 0:25:39 | |
something like this kicks off and, you know, | 0:25:39 | 0:25:41 | |
you've got no choice. | 0:25:41 | 0:25:43 | |
You're forced to remember. | 0:25:43 | 0:25:46 | |
Which is what this feeling's all about. | 0:25:46 | 0:25:48 | |
Karen. Hard enough even to say her name. | 0:25:54 | 0:25:57 | |
They were in a car crash. | 0:26:01 | 0:26:02 | |
I wasn't around. | 0:26:05 | 0:26:06 | |
But, Ian's around, isn't he? | 0:26:09 | 0:26:11 | |
Poor bloke. | 0:26:13 | 0:26:14 | |
I bet he's going through what I never went through, isn't he? | 0:26:19 | 0:26:21 | |
Anger... | 0:26:23 | 0:26:25 | |
Grief...all that. | 0:26:25 | 0:26:26 | |
Do you know, I sort of envy him. | 0:26:30 | 0:26:32 | |
At least he's getting it out of his system. | 0:26:32 | 0:26:34 | |
I've still got it. | 0:26:36 | 0:26:37 | |
So, when he goes and accuses me, that's like a... | 0:26:39 | 0:26:42 | |
that's like a kick in the goolies, isn't it? I mean, I'm well affronted. | 0:26:42 | 0:26:45 | |
But, then, there's another part of me that thinks, | 0:26:47 | 0:26:50 | |
"Well, can you blame him?" | 0:26:50 | 0:26:51 | |
What, with my track record. | 0:26:53 | 0:26:54 | |
I'd like to think I'm past all that now but... | 0:26:56 | 0:26:58 | |
Like hell you are. | 0:26:58 | 0:26:59 | |
Maybe. | 0:27:02 | 0:27:03 | |
But, it takes one to know one, don't it? | 0:27:04 | 0:27:06 | |
Sorry, what are you saying? | 0:27:09 | 0:27:11 | |
I'm just saying I could imagine a scenario, you know... | 0:27:14 | 0:27:17 | |
pretty girl, right set of circumstances. | 0:27:17 | 0:27:20 | |
Just like it was with Sam Mitchell all those years ago. | 0:27:20 | 0:27:22 | |
But, if it was to get a bit fraught... | 0:27:27 | 0:27:29 | |
A bit too clingy, maybe? | 0:27:30 | 0:27:32 | |
If I had more of a temper on me. | 0:27:34 | 0:27:36 | |
Temper like yours, say. | 0:27:39 | 0:27:40 | |
I'm not angry with you, Max. | 0:27:47 | 0:27:49 | |
Me and you, we're more alike than either of us is prepared to let on. | 0:27:51 | 0:27:55 | |
But, I'm right, aren't I? | 0:27:59 | 0:28:00 | |
About what? | 0:28:05 | 0:28:06 | |
Like I said, I'm not angry. | 0:28:08 | 0:28:09 | |
But, you did do it, didn't you? | 0:28:12 | 0:28:14 | |
Did what? | 0:28:17 | 0:28:18 | |
You killed Lucy. | 0:28:20 | 0:28:21 |