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-PHIL UPSTAIRS: -Sharon? | 0:00:27 | 0:00:29 | |
Just getting some water. | 0:00:29 | 0:00:31 | |
Do you think it's too early to phone Max? | 0:00:35 | 0:00:37 | |
-Yeah, just a bit. -Thanks. This is ridiculous, I want my kids back. | 0:00:37 | 0:00:40 | |
-There was no... They didn't need to go to Max's. -It's lucky | 0:00:40 | 0:00:43 | |
-that he could take them. -But it's like they've accused me | 0:00:43 | 0:00:45 | |
and found me guilty all in one breath. | 0:00:45 | 0:00:47 | |
Look, it's obviously a misunderstanding. | 0:00:47 | 0:00:50 | |
Tiffany told them that I've made hash cakes. | 0:00:50 | 0:00:52 | |
What is to misunderstand? | 0:00:52 | 0:00:54 | |
Well, you didn't make them, so we'll clear it all up. | 0:00:54 | 0:00:57 | |
What are you looking at? | 0:00:57 | 0:00:58 | |
Nothing, no, I just had a stupid thought. | 0:00:58 | 0:01:01 | |
Tell her, Whit, tell her that it'll get sorted. | 0:01:01 | 0:01:04 | |
Yeah, yeah, it will. | 0:01:04 | 0:01:05 | |
Sorted? I've got an 11-year-old daughter who's a drugs mule! | 0:01:05 | 0:01:08 | |
-B, that's nuts. -I know! -Listen, just get a grip. | 0:01:08 | 0:01:10 | |
Max'll bring her home and she'll tell us the truth. | 0:01:10 | 0:01:13 | |
I mean, those brownies didn't come from this house, | 0:01:13 | 0:01:16 | |
they came from somewhere else. | 0:01:16 | 0:01:18 | |
Morning, mate. Do you want a bit of breakfast? | 0:01:18 | 0:01:21 | |
-Where's Tiffany? -Just getting ready upstairs, I think. | 0:01:21 | 0:01:25 | |
Why are we here? Are we in trouble? | 0:01:25 | 0:01:27 | |
No, I'm just giving your mum a break, that's all. | 0:01:27 | 0:01:30 | |
-Right, you hungry? -Can I have cake? | 0:01:31 | 0:01:33 | |
-Why don't we see what we've got, yeah? -Oh, yeah! | 0:01:33 | 0:01:37 | |
Right, you ready? | 0:01:40 | 0:01:41 | |
Now, the thing with bacon is it spits. | 0:01:42 | 0:01:44 | |
So you got to spit right back. | 0:01:44 | 0:01:46 | |
Right, your mum's going to love this, ain't she? | 0:01:47 | 0:01:50 | |
Now, pass me an egg. | 0:01:50 | 0:01:51 | |
Look at that. | 0:01:54 | 0:01:55 | |
That's skill, that is. That's two Mitchell stars right there. | 0:01:55 | 0:01:59 | |
-Denny. -Mum! -We're... We're doing you breakfast in bed. | 0:01:59 | 0:02:03 | |
-Come on. -No, I'm up now darling. | 0:02:03 | 0:02:05 | |
But thanks anyway. | 0:02:05 | 0:02:07 | |
The flower was Denny's idea. | 0:02:09 | 0:02:11 | |
All right, mate, you better get dressed. Summer Club starts today. | 0:02:11 | 0:02:14 | |
-He's not going. -What? | 0:02:14 | 0:02:16 | |
I've changed my mind. | 0:02:16 | 0:02:17 | |
He's been going on about it for ages. | 0:02:17 | 0:02:20 | |
And it's the first day today. | 0:02:20 | 0:02:22 | |
-I want him here, with me. -Mum, please! | 0:02:22 | 0:02:24 | |
Listen, I'll drop him off and I'll collect him, all right? | 0:02:24 | 0:02:27 | |
So you don't have to worry about going outside. | 0:02:27 | 0:02:29 | |
-It's not about that. -But it is, though, Sharon, isn't it, so let me handle it, all right? | 0:02:29 | 0:02:33 | |
-Go on, mate, go and get changed. -Yes! -Denny... -Thanks, Phil. | 0:02:33 | 0:02:37 | |
Sharon...maybe you shouldn't have ditched them pills. | 0:02:40 | 0:02:44 | |
How do you know I did? | 0:02:44 | 0:02:45 | |
Well, I found 'em in the bin. | 0:02:45 | 0:02:47 | |
Like I said, I've been down that road before. | 0:02:47 | 0:02:50 | |
You've got to tell me these things. | 0:02:50 | 0:02:51 | |
You shouldn't keep any secrets, none, not from me, all right? | 0:02:51 | 0:02:54 | |
I've got a delivery at the R&R, and I've got to do some | 0:02:54 | 0:02:57 | |
paperwork at the Arches but I'll be back about lunchtime, all right? | 0:02:57 | 0:03:01 | |
Come on, Den! Get moving! | 0:03:04 | 0:03:06 | |
R-U-M. What's that stand for? | 0:03:12 | 0:03:15 | |
Liver failure. You don't even drink rum. | 0:03:15 | 0:03:18 | |
I know a bloke who does. | 0:03:18 | 0:03:21 | |
-But not at these prices in here. -PHONE RINGS | 0:03:21 | 0:03:24 | |
Sharon? | 0:03:24 | 0:03:26 | |
What? Hold tight, I'm coming now. | 0:03:28 | 0:03:31 | |
It's all yours. | 0:03:31 | 0:03:33 | |
Forget this lot, I'll just take that bottle of rum. | 0:03:36 | 0:03:40 | |
Found Patrick's credit card, so I'll get these paid. | 0:03:43 | 0:03:49 | |
-Think I can do most of it online. -Yeah, you should be able to. | 0:03:49 | 0:03:52 | |
Also, I've washed and ironed some of his pyjamas. | 0:03:52 | 0:03:56 | |
-You taking them in today? -No, not today, I've not got time. | 0:03:56 | 0:03:59 | |
-Got a visit from the area manager. -Oh, right. Well, that's good. | 0:03:59 | 0:04:02 | |
Well, I mean, for you, gives you a bit of a break, doesn't it? | 0:04:02 | 0:04:05 | |
Yeah, yeah. Yeah, we can do then. Yeah. August 26th. | 0:04:14 | 0:04:18 | |
Brilliant! | 0:04:19 | 0:04:21 | |
OK, yep, see you then. And thanks. | 0:04:21 | 0:04:24 | |
Aunt Babe, you are all right with us borrowing that extra cash, | 0:04:27 | 0:04:29 | |
-aren't you, for the clinic? -Course I am. Anything for our Tina. | 0:04:29 | 0:04:33 | |
Aleks let me in. | 0:04:33 | 0:04:35 | |
Lee, spread the word, we are celebrating later. | 0:04:35 | 0:04:37 | |
Really? It's just an appointment at the moment. | 0:04:37 | 0:04:40 | |
T! It's starting, we're going to be mums. | 0:04:40 | 0:04:43 | |
That'll cost the kid on Mother's Day. | 0:04:43 | 0:04:46 | |
Oh, I'm late. When can we start picking out names? | 0:04:46 | 0:04:49 | |
I'll be working over the Vic. | 0:04:51 | 0:04:53 | |
Be a good girl and pop my profits round. | 0:04:53 | 0:04:55 | |
-Later, Lee. -See ya, Babe. | 0:04:57 | 0:04:59 | |
So, it's all happening for you and Tosh, then. | 0:04:59 | 0:05:01 | |
Erm, yeah, hopefully. | 0:05:01 | 0:05:02 | |
There I was, putting two and two together. | 0:05:02 | 0:05:04 | |
And guess what I got? Tiffany Butcher. Hash Brownies. | 0:05:04 | 0:05:07 | |
And you. Ring a bell? | 0:05:07 | 0:05:08 | |
-Tiff had 'em? -Yeah, well, I was with Whitney yesterday | 0:05:09 | 0:05:12 | |
-and she said the school was all over it. -How did SHE get them? | 0:05:12 | 0:05:15 | |
Babe's going to kill me. | 0:05:15 | 0:05:17 | |
Yeah, and so are the Butchers, if they find out. | 0:05:17 | 0:05:20 | |
Lee, I was only doing it for the money for the fertility treatment. | 0:05:20 | 0:05:22 | |
You see how excited Tosh is. | 0:05:22 | 0:05:24 | |
What am I going to do? | 0:05:25 | 0:05:27 | |
Pray? | 0:05:27 | 0:05:29 | |
SHE KNOCKS | 0:05:31 | 0:05:34 | |
Sharon? | 0:05:34 | 0:05:35 | |
You're helping me pack. | 0:05:35 | 0:05:37 | |
-How were they? -Yeah, they were great. | 0:05:42 | 0:05:45 | |
-Morgan eats everything. -Yeah, he does, he's a growing boy. | 0:05:45 | 0:05:48 | |
Listen, B, I couldn't not take 'em in last night. | 0:05:48 | 0:05:51 | |
Don't mean I'm not on your side. | 0:05:51 | 0:05:53 | |
Bianca. | 0:05:53 | 0:05:54 | |
-Obviously, we don't want everybody to know about it. -Yeah, course. | 0:05:56 | 0:05:59 | |
-We'll keep you posted. -Look, if there's anything I can do. You know, | 0:05:59 | 0:06:02 | |
-character reference, or... -No, I'm sure it won't come to that. | 0:06:02 | 0:06:05 | |
Are you joking? The social will be all over this. | 0:06:05 | 0:06:07 | |
They'll be marching in here, all guns blazing. | 0:06:07 | 0:06:10 | |
Then we'll tell 'em what's what. | 0:06:10 | 0:06:11 | |
But nobody knows what's what, do they?! | 0:06:11 | 0:06:13 | |
You'd better start talking. | 0:06:13 | 0:06:15 | |
Sharon? Sharon. | 0:06:19 | 0:06:21 | |
Don't just stand there, Linda, get Denny's stuff packed. | 0:06:21 | 0:06:25 | |
Talk to me. | 0:06:25 | 0:06:27 | |
This is saying it all, isn't it? | 0:06:29 | 0:06:31 | |
I mean, what if this was Mick? | 0:06:32 | 0:06:35 | |
You know, there you are, all loved up, living the life, | 0:06:35 | 0:06:38 | |
and then, wham! You've got it all wrong. | 0:06:38 | 0:06:41 | |
It's a lie. | 0:06:41 | 0:06:43 | |
It's worse than a lie, it's a betrayal and then you just don't know where to turn. | 0:06:44 | 0:06:48 | |
Oh, sweetheart. | 0:06:48 | 0:06:50 | |
You know, he put this ring on my finger. | 0:06:50 | 0:06:52 | |
He promised me everything. "You name it, Sharon, it's yours." | 0:06:52 | 0:06:57 | |
You know, "Move in with me, own a bar, let me be a dad to Denny." | 0:06:57 | 0:07:01 | |
And I'm laughing like a schoolgirl in pigtails. | 0:07:01 | 0:07:05 | |
Then I get attacked, knocked senseless, and there he is again. | 0:07:08 | 0:07:15 | |
Only this time he's a carer, and a cook. | 0:07:16 | 0:07:19 | |
And I can't believe that this man... | 0:07:21 | 0:07:23 | |
..this lovely, lovely man has been gazing into my eyes and... | 0:07:26 | 0:07:30 | |
He was behind it all. | 0:07:33 | 0:07:34 | |
The attack. | 0:07:37 | 0:07:38 | |
He ordered it. | 0:07:38 | 0:07:40 | |
-No. -I heard him telling Shirley. | 0:07:41 | 0:07:44 | |
-Shirley? -Don't tell her, all right? | 0:07:46 | 0:07:49 | |
Nobody needs to know - not Mick, not nobody. | 0:07:49 | 0:07:52 | |
-But Shirley? -This is all Phil, that's all that matters. | 0:07:52 | 0:07:56 | |
Shame you got rid of that gun, I'd have blown his flaming brains out. | 0:07:57 | 0:08:00 | |
You need to help me get away. | 0:08:03 | 0:08:04 | |
Then what? | 0:08:05 | 0:08:07 | |
What do you mean? | 0:08:07 | 0:08:09 | |
Well, where are you going to go? | 0:08:09 | 0:08:10 | |
You've got a plan, right? | 0:08:13 | 0:08:14 | |
No, I haven't. | 0:08:17 | 0:08:18 | |
I don't know. | 0:08:19 | 0:08:20 | |
I don't... | 0:08:20 | 0:08:22 | |
There you go. | 0:08:25 | 0:08:27 | |
Sorry, Mum was yakking on the phone, I couldn't get her off. | 0:08:27 | 0:08:30 | |
How is she these days? | 0:08:30 | 0:08:32 | |
Oh, I'm not sure, my ear fell off after the first hour. | 0:08:32 | 0:08:36 | |
It's nice to know that Zainab hasn't changed. | 0:08:36 | 0:08:39 | |
Any news on Patrick? | 0:08:40 | 0:08:43 | |
He's trying to say words, but I can't really make 'em out. | 0:08:43 | 0:08:47 | |
Tell you what, I could do with a double bed, though. | 0:08:47 | 0:08:49 | |
Catch up on a few hours' sleep. | 0:08:49 | 0:08:51 | |
20 mild, please, darling. | 0:08:51 | 0:08:53 | |
Do you know, if you want to pay Patrick a visit, | 0:08:56 | 0:08:58 | |
I'm sure he'd be glad of the company. | 0:08:58 | 0:09:01 | |
I would, but I've got to be somewhere. | 0:09:01 | 0:09:03 | |
Anyway, someone'll trot along. | 0:09:03 | 0:09:06 | |
I hope so. | 0:09:06 | 0:09:08 | |
Can't be much fun lying there on your own. | 0:09:08 | 0:09:11 | |
Tiff's agreed to speak to Liam. | 0:09:14 | 0:09:15 | |
Oh, what, am I that frightening, then? | 0:09:15 | 0:09:18 | |
Don't answer that, Whit. | 0:09:18 | 0:09:19 | |
Look, we just need to try and keep calm. | 0:09:19 | 0:09:21 | |
Anyway, that school love her. | 0:09:21 | 0:09:23 | |
She's their star pupil, that's got to count for something. | 0:09:23 | 0:09:25 | |
It'll be over the minute Tiff opens up. | 0:09:25 | 0:09:28 | |
Look, you can't say anything to anyone, Tiff. Yeah? | 0:09:28 | 0:09:32 | |
Look, you found the brownies. And if anyone asks, | 0:09:32 | 0:09:34 | |
you just say you found them lying on a bench or something. | 0:09:34 | 0:09:36 | |
But why do I have to lie? You took the brownies. | 0:09:36 | 0:09:40 | |
Yeah, and Nan's ill, right, she's got all that hospital stuff | 0:09:40 | 0:09:43 | |
coming up next week, and if people find out that they | 0:09:43 | 0:09:46 | |
were from the caff, they're going to think they were hers. | 0:09:46 | 0:09:48 | |
Look, some... | 0:09:55 | 0:09:57 | |
some ill people... | 0:09:57 | 0:09:59 | |
they take drugs to help with the pain, | 0:09:59 | 0:10:01 | |
but you don't want everyone jumping all over that. | 0:10:01 | 0:10:04 | |
-Obviously, you need a plan. -I need a plane ticket. | 0:10:06 | 0:10:08 | |
Well, the way that I see it, you have two options. | 0:10:08 | 0:10:11 | |
Option A and Option B. | 0:10:11 | 0:10:12 | |
Option A, you come clean and throw yourself at the mercy of everyone. | 0:10:12 | 0:10:16 | |
Tosh'll kill me, then Aunt Babe, she'll kill me some more. | 0:10:16 | 0:10:20 | |
Right, in that case, it's going to have to be option B. | 0:10:20 | 0:10:23 | |
-You borrow the money from the till in the caff. -What? | 0:10:23 | 0:10:25 | |
Stop ringing the prices and pocket the cash. Pay it back later. | 0:10:25 | 0:10:28 | |
Lee, I need 200 quid! | 0:10:28 | 0:10:30 | |
Well, what's that, 100 cups of tea? | 0:10:30 | 0:10:33 | |
Oh, no, I can't do that. That'd be wrong. | 0:10:33 | 0:10:35 | |
But it's all right to sell drugs? | 0:10:35 | 0:10:37 | |
Well, that's for a good reason, wasn't it? | 0:10:37 | 0:10:39 | |
Teen, Aunt Babe wants her money back | 0:10:39 | 0:10:41 | |
and Tosh thinks you've got money. They're two even better reasons. | 0:10:41 | 0:10:44 | |
Bit early. | 0:10:50 | 0:10:51 | |
It's for Patrick. | 0:10:51 | 0:10:53 | |
I thought we could take it to him. | 0:10:53 | 0:10:54 | |
You going to draw a moustache on him and all? | 0:10:54 | 0:10:58 | |
He's probably grown one himself now. Well, come on. | 0:10:58 | 0:11:02 | |
Lee's looked up the bus times. | 0:11:02 | 0:11:03 | |
Since when have you been Patrick's best friend? | 0:11:03 | 0:11:06 | |
I was laid up myself not long ago, I feel for the bloke. | 0:11:06 | 0:11:11 | |
Well, enjoy the bromance(!) | 0:11:11 | 0:11:13 | |
Be nicer if you came. | 0:11:13 | 0:11:16 | |
I don't like hospitals. | 0:11:16 | 0:11:18 | |
People our age walk in and never come out again. | 0:11:18 | 0:11:21 | |
Even if you're just visiting, | 0:11:21 | 0:11:23 | |
you can feel their hungry little eyes on you, | 0:11:23 | 0:11:26 | |
mentally making up a bed. | 0:11:26 | 0:11:28 | |
-I told you before, I can cover, it's not a problem. -I'm all right. | 0:11:32 | 0:11:36 | |
You're going to worry. Then you're going to feel guilty, | 0:11:37 | 0:11:40 | |
and then you're going to do my head in about it. | 0:11:40 | 0:11:42 | |
-Yeah, I'm going to head off and see Patrick. -Good. | 0:11:42 | 0:11:46 | |
-LINDA: -'Why would he do this to you?' | 0:11:47 | 0:11:49 | |
I mean, I don't get it. | 0:11:49 | 0:11:51 | |
You think I do? | 0:11:51 | 0:11:52 | |
You know, I've been drifting for years | 0:11:52 | 0:11:54 | |
and finally I find something concrete, | 0:11:54 | 0:11:57 | |
and Denny finds some stability, and Phil just blows it apart. | 0:11:57 | 0:12:00 | |
I don't even know where we're going to go. | 0:12:00 | 0:12:03 | |
I do. It's called the Vic. You and Denny can come there right now. | 0:12:03 | 0:12:06 | |
I'll dump Johnny in with Nancy, and you and Denny can have | 0:12:06 | 0:12:09 | |
-Johnny's room. -No, I don't know, Linda. -Well, it's just a stopgap, | 0:12:09 | 0:12:12 | |
you know, till you get your head straight. | 0:12:12 | 0:12:14 | |
You can't just run off and let that...evil tomato ruin everything. | 0:12:14 | 0:12:17 | |
You need time to think, you know, be with people who do care about you. | 0:12:17 | 0:12:20 | |
What about Mick? | 0:12:20 | 0:12:22 | |
Yeah, no, don't forget Phil sold us a dodgy pub, that ain't forgotten. | 0:12:22 | 0:12:25 | |
So, this ain't even an invite, it's an order. | 0:12:25 | 0:12:27 | |
Sharon, are you listening? | 0:12:27 | 0:12:29 | |
-Don't even think it. -He was lying right beside me. | 0:12:31 | 0:12:34 | |
-Sharon... -All the plans we made. | 0:12:34 | 0:12:36 | |
He's vile, so use that, all right? | 0:12:36 | 0:12:38 | |
Use what he really is. Pack these bags with it. | 0:12:38 | 0:12:41 | |
What about the Albert? What am I going to do about that? | 0:12:42 | 0:12:45 | |
Some things you're going to have to let go of. | 0:12:45 | 0:12:47 | |
Well, I won't have any money. | 0:12:47 | 0:12:49 | |
I'll get you some. Somehow. | 0:12:49 | 0:12:51 | |
Enough to tide you and Denny over. | 0:12:51 | 0:12:53 | |
Phil's picking Denny up from Summer Club. | 0:12:53 | 0:12:55 | |
I'll beat him to it. Look, come on, keep packing. | 0:12:55 | 0:12:57 | |
All right! | 0:12:57 | 0:12:58 | |
Sharon. | 0:13:00 | 0:13:01 | |
Sharon. | 0:13:02 | 0:13:03 | |
Sharon! | 0:13:03 | 0:13:05 | |
Come on. Come on. You've got to get up. | 0:13:05 | 0:13:08 | |
Right, you're Sharon Rickman! | 0:13:08 | 0:13:10 | |
No. | 0:13:12 | 0:13:13 | |
No, I'm Sharon Watts. | 0:13:16 | 0:13:18 | |
Good girl. | 0:13:18 | 0:13:19 | |
Oh, flaming hell, Phil's coming. | 0:13:23 | 0:13:25 | |
What? He said lunchtime. | 0:13:25 | 0:13:27 | |
Go and stall him! | 0:13:27 | 0:13:28 | |
-Me? How? -Linda, just do it. Go! Go! | 0:13:28 | 0:13:31 | |
All right. | 0:13:31 | 0:13:33 | |
Phil. | 0:13:39 | 0:13:40 | |
Linda. You ever not going to be there? | 0:13:40 | 0:13:43 | |
Got your slippers ready, darling. | 0:13:43 | 0:13:45 | |
-OUTSIDE: -'Joking aside, I'm glad you showed up,' | 0:13:45 | 0:13:48 | |
because I'm a bit worried about Sharon. | 0:13:48 | 0:13:51 | |
'I think she's taken a step or two back.' | 0:13:53 | 0:13:55 | |
Didn't think she should've stopped taking the pills. | 0:13:55 | 0:13:57 | |
'See, now that makes sense. | 0:13:57 | 0:14:00 | |
'She said she was going for a lie down. They must be connected.' | 0:14:00 | 0:14:02 | |
-Reckon she should've eased off gradually, then? -I dunno, I ain't a doctor. | 0:14:04 | 0:14:07 | |
Still, I can't believe what's happened. | 0:14:07 | 0:14:09 | |
And who'd do something that horrible? | 0:14:09 | 0:14:11 | |
-Yeah, well, it's over now, ain't it? -What if they come back? | 0:14:11 | 0:14:14 | |
I just want to check on Sharon. | 0:14:14 | 0:14:16 | |
Phil, wait. How about a coffee? | 0:14:16 | 0:14:18 | |
Sharon! Sharon! | 0:14:26 | 0:14:29 | |
MOBILE RINGS | 0:14:44 | 0:14:46 | |
Jay. What? No, not now, I'm indoors. | 0:14:48 | 0:14:53 | |
Hang on. Hang on a sec, mate. | 0:14:53 | 0:14:55 | |
Tiff's got something she wants to tell you. | 0:15:11 | 0:15:14 | |
I want the truth, Tiff. I don't want you lying to me, | 0:15:15 | 0:15:17 | |
because this is serious, do you hear me? | 0:15:17 | 0:15:20 | |
We just want to know where you got the brownies from, darling. | 0:15:20 | 0:15:23 | |
DOORBELL RINGS | 0:15:23 | 0:15:24 | |
I....uh...found them. | 0:15:26 | 0:15:30 | |
You found 'em?! Is that it? | 0:15:30 | 0:15:32 | |
-What have I told you about lying to me? -Mum? | 0:15:32 | 0:15:36 | |
Morning. Mrs Butcher? | 0:15:37 | 0:15:40 | |
Kate Hughes, Walford Children's Services. | 0:15:40 | 0:15:43 | |
SHARON: Yeah, I know where it is. OK. I'll see you there. | 0:15:46 | 0:15:49 | |
Oh, and the name's Mrs Watson. | 0:15:49 | 0:15:52 | |
The first thing I'd like to establish is that Tiffany | 0:16:27 | 0:16:29 | |
is our main priority here. She's been exposed to drugs | 0:16:29 | 0:16:32 | |
and once we've made sense of this, the police will take over. | 0:16:32 | 0:16:36 | |
-The police? -We need to make sure | 0:16:36 | 0:16:38 | |
this doesn't happen again, Mrs Butcher. | 0:16:38 | 0:16:40 | |
Course it won't! | 0:16:40 | 0:16:42 | |
So, in your own time, can you tell me where you found the brownies? | 0:16:42 | 0:16:48 | |
So, Tiffany, I just need you to help me | 0:17:04 | 0:17:08 | |
fill in this form. See these questions here? | 0:17:08 | 0:17:12 | |
So, maybe you could start by telling me what happened | 0:17:12 | 0:17:15 | |
and how it happened, | 0:17:15 | 0:17:17 | |
and I'll write it down, and then you can check it over. | 0:17:17 | 0:17:20 | |
It's all right, in your own time. | 0:17:22 | 0:17:24 | |
Come on, Tiff, just talk to the lady. | 0:17:25 | 0:17:27 | |
Mrs Butcher, please. | 0:17:27 | 0:17:29 | |
Come on, darling, we need to make this go away. | 0:17:29 | 0:17:32 | |
-STERNLY: -Tiff. | 0:17:33 | 0:17:34 | |
Oh, look, it wasn't her! | 0:17:38 | 0:17:40 | |
All right, it was me. I found the brownies. | 0:17:40 | 0:17:44 | |
Sharon? | 0:17:59 | 0:18:00 | |
I was expecting a Mrs Watson. | 0:18:02 | 0:18:06 | |
Marcus Christie. Or whatever it is you're calling yourself these days. | 0:18:06 | 0:18:10 | |
You come alone? | 0:18:10 | 0:18:11 | |
I haven't got long, take a seat. | 0:18:11 | 0:18:14 | |
Here, breathe this in, old son. Best medicine in the world. | 0:18:16 | 0:18:20 | |
Amazing how popular you get when you're out of everyone's way. | 0:18:22 | 0:18:26 | |
You hearing me? | 0:18:27 | 0:18:29 | |
Hey. Come on, Patrick, we want you out of here. | 0:18:30 | 0:18:34 | |
Cora says you never leave these places. | 0:18:36 | 0:18:39 | |
Well, that's not going to happen to you. | 0:18:39 | 0:18:42 | |
Don't let them take you. You hear me? | 0:18:42 | 0:18:44 | |
There's life in you yet. | 0:18:46 | 0:18:47 | |
-Stan? -Hello, Denise. | 0:18:52 | 0:18:54 | |
You're not leaving? | 0:18:54 | 0:18:56 | |
Well, it's just a flying visit. | 0:18:56 | 0:18:58 | |
Well, as flying as you can get at my age! | 0:18:58 | 0:19:01 | |
Has he been saying much? | 0:19:01 | 0:19:03 | |
No, not a sausage, apparently. He's been dozing all morning. | 0:19:03 | 0:19:06 | |
-Anyway, now you're here. -No, stay. | 0:19:06 | 0:19:09 | |
-I could do with the company. -I'd love to, but... | 0:19:09 | 0:19:12 | |
it's just this place. | 0:19:12 | 0:19:15 | |
I did my time in here a few months ago. | 0:19:15 | 0:19:17 | |
-I'll see ya. -See ya. | 0:19:18 | 0:19:20 | |
So, what happens now, then? | 0:19:30 | 0:19:31 | |
Well, obviously this changes things a little. | 0:19:31 | 0:19:34 | |
Liam. Where did you find those brownies? | 0:19:37 | 0:19:40 | |
-On a bench. -Don't lie to me! | 0:19:40 | 0:19:43 | |
-Carol? -You would have got in trouble and you don't need that, | 0:19:43 | 0:19:46 | |
not with your op coming up. | 0:19:46 | 0:19:47 | |
-I was trying to protect you. -For the last time. | 0:19:47 | 0:19:50 | |
The caff. I got the brownies from the caff. | 0:19:51 | 0:19:55 | |
How did you track me down? | 0:19:57 | 0:19:58 | |
I live with Phil now. | 0:19:58 | 0:20:00 | |
Let's just say I found something that made me think of you. | 0:20:00 | 0:20:03 | |
Do you remember Sam Mitchell? | 0:20:05 | 0:20:06 | |
I bet you remember conning her and Phil out of the Queen Vic. | 0:20:08 | 0:20:10 | |
And bringing the family to its knees. | 0:20:10 | 0:20:13 | |
You're on your firm's website, Marcus. Different name, same face. | 0:20:13 | 0:20:19 | |
You should've had plastic surgery. | 0:20:19 | 0:20:21 | |
Cos if I can find you, so can Phil. | 0:20:21 | 0:20:23 | |
I've got complacent, I need to address that. | 0:20:23 | 0:20:26 | |
Well, here's another trip down memory lane. | 0:20:26 | 0:20:29 | |
A little wander into your corrupt, thieving past. | 0:20:29 | 0:20:33 | |
-I'm straight now. -You were born crooked. | 0:20:33 | 0:20:35 | |
Now, take a look at these bank statements and get back to me. | 0:20:37 | 0:20:41 | |
These are Phil's. I'm not touching them. | 0:20:43 | 0:20:45 | |
Well, trouble with that is I know who you are, and where you are. | 0:20:45 | 0:20:48 | |
That a threat? | 0:20:48 | 0:20:50 | |
Most definitely. | 0:20:50 | 0:20:51 | |
So, not a lot been going on really. | 0:20:58 | 0:21:01 | |
Ooh... | 0:21:02 | 0:21:03 | |
..had a stock take at the Minute Mart. | 0:21:04 | 0:21:07 | |
Glad I missed out on that. | 0:21:08 | 0:21:10 | |
Patrick! They're not going to let you keep that in here. | 0:21:13 | 0:21:18 | |
I'll tell you what. I'll keep it for when you get out. | 0:21:21 | 0:21:25 | |
-Ian. Is Tina around? -No, called in sick. Not that I believe her. | 0:21:33 | 0:21:37 | |
-She's not at home. -That says it all, doesn't it? | 0:21:37 | 0:21:40 | |
-Who's the tea for? -Stan. | 0:21:40 | 0:21:41 | |
There you go, Stan. Cuppa. | 0:21:43 | 0:21:45 | |
-You've got yourself a good 'un. -I have? | 0:21:45 | 0:21:47 | |
That Denise of yours, been sitting with Patrick day after day. | 0:21:47 | 0:21:51 | |
-I'd have sat with her only... -Is she at the hospital right now? | 0:21:51 | 0:21:54 | |
-Yep. -You'll have to cope on your own. | 0:21:54 | 0:21:57 | |
You got to be winding me up, ain't ya? Lee! | 0:21:59 | 0:22:02 | |
Oh, Mick, Mick, Mick. I got to be back at work in a minute. | 0:22:02 | 0:22:05 | |
-I'll have hers. -At least inhale the bubbles. | 0:22:05 | 0:22:08 | |
Was thinking, Babe's a nice name. | 0:22:08 | 0:22:12 | |
A babe called Babe? | 0:22:12 | 0:22:14 | |
It's a thought, dear. | 0:22:14 | 0:22:16 | |
Look happy, you'll give the game away. | 0:22:16 | 0:22:17 | |
Teen, I ain't stopped talking about this all morning. | 0:22:17 | 0:22:21 | |
I should be off. | 0:22:21 | 0:22:23 | |
Got that woman to meet in Maldon, | 0:22:24 | 0:22:26 | |
finalise the deal on Lady Di's last pup. | 0:22:26 | 0:22:28 | |
You're all across the baby scene, aren't ya? | 0:22:28 | 0:22:31 | |
Must remember to bring that 200 round. | 0:22:31 | 0:22:34 | |
Now, that, my friends, is a beautiful drop of Cava. | 0:22:36 | 0:22:39 | |
Ian. | 0:22:44 | 0:22:46 | |
Has he, erm.... | 0:22:46 | 0:22:47 | |
has he woken up? | 0:22:47 | 0:22:49 | |
-No. -Oh, right. | 0:22:49 | 0:22:52 | |
I thought, cos you were here, they must have called you. | 0:22:52 | 0:22:54 | |
No, he's just been snoozing, bless him. | 0:22:54 | 0:22:57 | |
Good. | 0:22:58 | 0:23:00 | |
Well, not good, you know what I mean. | 0:23:00 | 0:23:02 | |
Patrick? | 0:23:07 | 0:23:08 | |
-Hi, Carol. -Hi, Tracey. Have you seen Tina anywhere? -Sorry, no. | 0:23:17 | 0:23:20 | |
How do we play this? | 0:23:21 | 0:23:23 | |
Phil. | 0:23:27 | 0:23:28 | |
-What's all this? -What do you mean? | 0:23:29 | 0:23:32 | |
Well, you've been out. How come? | 0:23:32 | 0:23:35 | |
Linda, she said you was in a state earlier. | 0:23:35 | 0:23:38 | |
Yeah, yeah, I was. | 0:23:38 | 0:23:41 | |
No, it's good. I'm proud of you. Shows I've got myself a tough bird, don't it? | 0:23:41 | 0:23:45 | |
Charming. | 0:23:45 | 0:23:47 | |
And a good-looking one an' all. Come here. | 0:23:47 | 0:23:50 | |
Come on. | 0:23:50 | 0:23:52 | |
Come here. | 0:23:52 | 0:23:53 | |
So, where did you go? | 0:23:56 | 0:23:58 | |
Later, yeah. | 0:24:04 | 0:24:06 | |
It could be a boy. | 0:24:12 | 0:24:13 | |
Now, I was thinking Michael is a very good, solid name. | 0:24:13 | 0:24:15 | |
In fact, it could be a tribute to a very fine and upstanding gent, | 0:24:15 | 0:24:19 | |
not mentioning anyone in particular, of course... | 0:24:19 | 0:24:23 | |
-CAROL: -Where's Tina? | 0:24:23 | 0:24:24 | |
Know about this, did you? | 0:24:24 | 0:24:26 | |
-Know about what? -Never mind about him. | 0:24:26 | 0:24:28 | |
-It was you, wasn't it? -Sorry? | 0:24:28 | 0:24:30 | |
Don't make things worse for yourself, Tina. | 0:24:30 | 0:24:32 | |
To think I gave you the benefit of the doubt. How stupid was I? | 0:24:32 | 0:24:35 | |
Excuse me, we're having a bit of a celebration here. | 0:24:35 | 0:24:37 | |
-All right, Mick, you carry on. It's Tina I want to talk to. -What do you want? | 0:24:37 | 0:24:40 | |
Don't you dare look at me like that! | 0:24:40 | 0:24:42 | |
-Get off me, Lee! -Get off! | 0:24:42 | 0:24:44 | |
Tina, what is she talking about? | 0:24:44 | 0:24:46 | |
Go on! Tell them about the brownies, Tina. | 0:24:46 | 0:24:49 | |
-We've had the social climbing all over us. -For cakes? Bit strong, ain't it? | 0:24:49 | 0:24:52 | |
-They were hash cakes. -Yeah, Liam took 'em from the caff | 0:24:52 | 0:24:55 | |
and Tiff ended up taking 'em to school. | 0:24:55 | 0:24:56 | |
-Tina, what have you been doing? -Don't listen to 'em, Tosh. | 0:24:56 | 0:24:59 | |
-You knew about this. -I didn't know about nothing. | 0:24:59 | 0:25:01 | |
I'm just saying, they could have been anyone's. | 0:25:01 | 0:25:03 | |
Hold up a minute, you got any proof of this? | 0:25:03 | 0:25:05 | |
Proof? Proof? Look at her face. You don't need any proof. | 0:25:05 | 0:25:08 | |
Look, right. She was only doing it for the baby treatments. | 0:25:08 | 0:25:10 | |
She really needed the cash. | 0:25:10 | 0:25:12 | |
I was just doing it for the money, but we was desperate, Mick. | 0:25:12 | 0:25:16 | |
-I mean, Tiff'll just get lines... -Are you laughing? -No. | 0:25:18 | 0:25:21 | |
-Hey! -Get off of me! Right, you expect a call from the police. | 0:25:21 | 0:25:25 | |
Come on, Whit. | 0:25:27 | 0:25:28 | |
-Whit. Whit, wait. -Get lost, Lee, all right? | 0:25:30 | 0:25:32 | |
And that goes for the rest of your scumbag family. | 0:25:32 | 0:25:34 | |
It was for us, yeah? I was doing it for us. | 0:25:37 | 0:25:41 | |
Ask me how Patrick was. | 0:25:43 | 0:25:45 | |
Flirting with the nurses, while they're washing his bits. | 0:25:45 | 0:25:49 | |
I wish. | 0:25:49 | 0:25:50 | |
I get it, Cora. I really do. | 0:25:51 | 0:25:54 | |
Why you can't visit. | 0:25:55 | 0:25:56 | |
It's not just the hospitals, Stan. It's the people in 'em. | 0:25:58 | 0:26:02 | |
The patients. | 0:26:02 | 0:26:03 | |
With their pale faces and their wheezy breaths. | 0:26:04 | 0:26:08 | |
Everywhere you turn, there's the smell of illness. It clings to you. | 0:26:08 | 0:26:13 | |
It goes home with you. And you can't wash it off. | 0:26:13 | 0:26:16 | |
My husband had cancer, Stan. | 0:26:18 | 0:26:19 | |
I went back and forth to the hospital with him. | 0:26:21 | 0:26:24 | |
He was a proud man, a fighter, but every time, | 0:26:26 | 0:26:31 | |
after he'd come out of a treatment, | 0:26:31 | 0:26:34 | |
he lost a little bit of fight. | 0:26:34 | 0:26:36 | |
I'd take him home, | 0:26:36 | 0:26:38 | |
I'd make him comfortable, | 0:26:38 | 0:26:40 | |
and tell him to keep going. | 0:26:40 | 0:26:42 | |
Some days he said yes. Some days he said no. | 0:26:43 | 0:26:46 | |
And we'd cry. | 0:26:49 | 0:26:50 | |
And we'd row. | 0:26:52 | 0:26:53 | |
And we even prayed. | 0:26:53 | 0:26:55 | |
And then we'd go back, and little by little | 0:26:55 | 0:27:00 | |
he was wilting. | 0:27:00 | 0:27:02 | |
And I...I didn't realise it, but I was fading with him. | 0:27:02 | 0:27:08 | |
And then... | 0:27:09 | 0:27:11 | |
I gave up. | 0:27:15 | 0:27:17 | |
I turned my back on him. | 0:27:17 | 0:27:20 | |
Not that it was him any more. | 0:27:21 | 0:27:23 | |
I couldn't be with him. | 0:27:25 | 0:27:26 | |
I couldn't stand to be with him. | 0:27:28 | 0:27:32 | |
And you have my total sympathy. | 0:27:32 | 0:27:35 | |
And this is me leaving. | 0:27:36 | 0:27:39 | |
I'm really sorry, Mick. | 0:27:47 | 0:27:49 | |
You've always been an airhead. | 0:27:51 | 0:27:53 | |
A bit dozy, but quite sweet with it. | 0:27:53 | 0:27:56 | |
Well, you've surpassed yourself. | 0:27:56 | 0:27:58 | |
Right now, I would book you as one of the doziest mares of all time. | 0:28:00 | 0:28:06 | |
But I love you. | 0:28:06 | 0:28:09 | |
So come here. | 0:28:09 | 0:28:10 | |
Sh. | 0:28:13 | 0:28:14 | |
PHONE NOTIFICATION | 0:28:16 | 0:28:18 | |
Got him. You packed and ready? | 0:28:27 | 0:28:29 | |
Darling, can you give us a minute, yeah? | 0:28:29 | 0:28:31 | |
I ain't going nowhere, Linda. This is my home, my manor. | 0:28:33 | 0:28:37 | |
And I'm staying put. | 0:28:37 | 0:28:38 | |
-But Phil... -Is about to go broke. | 0:28:38 | 0:28:40 | |
Because I'm going to take him for everything. | 0:28:40 | 0:28:43 |