Browse content similar to 12/08/2014. Check below for episodes and series from the same categories and more!
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Morning! That's for me?! | 0:00:30 | 0:00:37 | |
DENISE: It's going to be an ordeal, course it is. | 0:00:49 | 0:00:52 | |
Your worst nightmare, isn't it? | 0:00:55 | 0:00:58 | |
Everything out there, everyone... | 0:01:00 | 0:01:04 | |
Picking over it... | 0:01:06 | 0:01:08 | |
Ian, he's just a mess. | 0:01:08 | 0:01:11 | |
But maybe this is it... | 0:01:12 | 0:01:14 | |
Maybe this is the day that someone finally comes forward. | 0:01:14 | 0:01:19 | |
The day we find out... | 0:01:21 | 0:01:24 | |
who killed Lucy. | 0:01:24 | 0:01:25 | |
You ain't seen my Oyster card, have you? | 0:01:32 | 0:01:34 | |
I'm meeting an old oppo up west. | 0:01:34 | 0:01:35 | |
Look at him, geezer's in bits. | 0:01:42 | 0:01:44 | |
Well, we ain't exactly having the best time of it ourselves. | 0:01:44 | 0:01:47 | |
There you go. Oh, thanks. | 0:01:47 | 0:01:49 | |
Yeah, well, still nothing compared to what he's going through. | 0:01:49 | 0:01:53 | |
Listen, you did the right thing. | 0:01:54 | 0:01:58 | |
Not saying anything to Denise. | 0:01:58 | 0:02:01 | |
You didn't, did you? | 0:02:03 | 0:02:05 | |
I never said nothing to her. | 0:02:07 | 0:02:09 | |
Put this on. What for? | 0:02:14 | 0:02:17 | |
And dig out your best suit. I'm going over the Arches. | 0:02:17 | 0:02:20 | |
Not yet, you're not. | 0:02:20 | 0:02:21 | |
You all right, Ian? Not in the caff? | 0:02:26 | 0:02:29 | |
Nah. It's closed. Liam can't get in today | 0:02:29 | 0:02:32 | |
and Marie's not around till lunchtime. | 0:02:32 | 0:02:34 | |
OK. Well, I can open up, if you like? | 0:02:34 | 0:02:37 | |
Come on, you said it yourself - | 0:02:38 | 0:02:40 | |
nothing like helping a mate out, is there? | 0:02:40 | 0:02:42 | |
I meant me helping you out. | 0:02:42 | 0:02:44 | |
Listen, if you want, I can even keep an eye on the restaurant as well. | 0:02:44 | 0:02:47 | |
Eh? | 0:02:47 | 0:02:49 | |
Alf, you've got enough on your plate, mate... Kat and the twins. | 0:02:49 | 0:02:52 | |
It's all right, we can manage! | 0:02:52 | 0:02:54 | |
Lily's staying with you as well, isn't she? | 0:02:54 | 0:02:56 | |
Not for long, I hope. | 0:02:56 | 0:02:57 | |
Well, it's only because, you know, Stacey's asked for an appeal. | 0:02:57 | 0:03:00 | |
Just waiting for the date. | 0:03:00 | 0:03:01 | |
Listen, Ian, today's not about me, Kat and Stace - it's about you, innit, eh? | 0:03:01 | 0:03:05 | |
Listen, no-one makes a better bacon sarnie than me. | 0:03:05 | 0:03:07 | |
You know it. Eh? | 0:03:07 | 0:03:09 | |
There you go. Well done, mate. I'll look after it. | 0:03:14 | 0:03:17 | |
That's settled then. | 0:03:17 | 0:03:19 | |
So, is this what you're going to say? | 0:03:19 | 0:03:21 | |
Yeah... I just don't want to let her down. Oi, oi, oi. | 0:03:25 | 0:03:28 | |
Come on, mate, you ain't going to let anybody down. All right? | 0:03:28 | 0:03:31 | |
Been over it hundreds of times in my head, | 0:03:33 | 0:03:36 | |
it just doesn't make any sense. | 0:03:36 | 0:03:38 | |
All that matters is you tell it like it is. | 0:03:38 | 0:03:40 | |
Keep it simple. Honest. That's what people want, mate, nothing else. | 0:03:40 | 0:03:44 | |
Grandad. | 0:03:51 | 0:03:52 | |
It's not exactly going away, all this, is it? | 0:03:53 | 0:03:55 | |
It will. Cos you say so. No. Cos it's all pony. | 0:03:55 | 0:04:00 | |
Mick ain't the kind of man to go chasing toms. | 0:04:00 | 0:04:02 | |
But how was it all some misunderstanding? | 0:04:02 | 0:04:04 | |
Either Mick was with a brass or he wasn't. | 0:04:04 | 0:04:06 | |
And if he wasn't, why did your girlfriend say he was? | 0:04:06 | 0:04:10 | |
I think Cora was just lashing out. She'd tied a few on. | 0:04:10 | 0:04:14 | |
Didn't seem that drunk to me. And why lash out at Mick? | 0:04:14 | 0:04:17 | |
Women are funny creatures. | 0:04:17 | 0:04:19 | |
Nan, have you heard from Auntie Rainie at all? | 0:04:27 | 0:04:32 | |
You ain't said nothing? No, course not! | 0:04:33 | 0:04:36 | |
I told you, I don't want anyone knowing. | 0:04:36 | 0:04:40 | |
You must be worried sick. | 0:04:40 | 0:04:43 | |
I know you ain't seen her in a while either. | 0:04:43 | 0:04:46 | |
And now we know why. She don't want any of us to know what she's doing. | 0:04:46 | 0:04:51 | |
Especially with the likes of him in there. | 0:04:51 | 0:04:54 | |
But it ain't Mick you're actually bothered about, is it? | 0:04:55 | 0:04:57 | |
KNOCK ON THE DOOR | 0:04:59 | 0:05:01 | |
We're coming with you. | 0:05:16 | 0:05:18 | |
Both of us. | 0:05:19 | 0:05:21 | |
Yeah. Show our support. | 0:05:21 | 0:05:23 | |
MICK: Don't know why she's ordered chardonnay, no-one drinks it. | 0:05:27 | 0:05:30 | |
You know where you're going. I'll be back in a minute. | 0:05:30 | 0:05:33 | |
What's she going to do? What? | 0:05:39 | 0:05:40 | |
Mick, I can't handle this. Not on top of everything else. | 0:05:40 | 0:05:43 | |
What are you talking about? She hasn't told you? | 0:05:43 | 0:05:46 | |
Linda came to see me last night. OK. | 0:05:46 | 0:05:49 | |
She said either I tell everyone what's happened, or she will. | 0:05:49 | 0:05:53 | |
Look, Mick, please - I know it's a big ask, but... | 0:05:53 | 0:05:57 | |
Please? | 0:05:57 | 0:05:58 | |
Thanks, I won't be long. Sorry about the mess, ladies. | 0:06:00 | 0:06:02 | |
One egg on toast, one beans on toast. | 0:06:02 | 0:06:04 | |
Be right with you. OK. Thanks for this, mate. | 0:06:04 | 0:06:06 | |
Like I said to your dad, a day like today, eh?! | 0:06:06 | 0:06:08 | |
Blimey, you must have your hands full, what with the twins and that. | 0:06:08 | 0:06:11 | |
It's OK. We've got plenty of help. | 0:06:11 | 0:06:13 | |
Bianca said Jean's gone back to Brighton. Everything's in hand. | 0:06:13 | 0:06:16 | |
If you want to go and see Lily later, she'd love to see you. Whoa-ho! Shrimpy! | 0:06:16 | 0:06:19 | |
More toast! Heads up, catch! Good lad. Lovely. | 0:06:19 | 0:06:21 | |
THEY LAUGH | 0:06:21 | 0:06:23 | |
That ain't going to go down well with Environmental Health, is it? | 0:06:23 | 0:06:26 | |
Hiya. All right? | 0:06:26 | 0:06:28 | |
Just wanted to say, good luck with today. | 0:06:28 | 0:06:30 | |
Not me that needs it, my dad's the one that's doing all the talking. | 0:06:30 | 0:06:33 | |
I'm just going to be sat there. | 0:06:33 | 0:06:35 | |
You know, just wanted to say it anyway. All right, Peter? | 0:06:35 | 0:06:38 | |
Tell him yourself if you like, we're going there now. | 0:06:38 | 0:06:40 | |
Yeah? Yeah, OK. Cool. | 0:06:40 | 0:06:42 | |
Oh! Need you to do something for me. Oh? | 0:06:48 | 0:06:52 | |
Tell a lie. I need you to do two things for me. | 0:06:52 | 0:06:54 | |
Spread the word, get the punters in, | 0:06:54 | 0:06:56 | |
we're having a drinks promotion tonight. | 0:06:56 | 0:06:58 | |
BOGOFs everywhere you look, enough cheap booze to refloat the Titanic. | 0:06:58 | 0:07:03 | |
Party time. | 0:07:03 | 0:07:04 | |
Yes. Cos you've got a lot to celebrate right now. | 0:07:04 | 0:07:07 | |
Yeah, well, I will have... | 0:07:07 | 0:07:09 | |
once you've had a little word with someone. | 0:07:09 | 0:07:12 | |
Mmm. That's it. | 0:07:13 | 0:07:14 | |
Denise is back. She's getting changed, with Sharon. | 0:07:19 | 0:07:23 | |
Mick was wishing you good luck, was he? Yeah. | 0:07:23 | 0:07:28 | |
You never told me you'd been to see Ian. | 0:07:34 | 0:07:36 | |
You didn't ask. Linda! | 0:07:36 | 0:07:39 | |
Have you seen last night's takings? They'll pick up! | 0:07:39 | 0:07:41 | |
And have you talked to the kids today, have you even seen them? | 0:07:41 | 0:07:44 | |
Cos I ain't - they're hiding themselves away. | 0:07:44 | 0:07:46 | |
It's a storm in a teacup. And how do you think I feel? | 0:07:46 | 0:07:48 | |
Everyone looking at me, the woman whose husband goes off with tarts! | 0:07:48 | 0:07:51 | |
You know it ain't true. Well, they don't know that! | 0:07:51 | 0:07:54 | |
Cos if it was true, you're right, it would be end of. | 0:07:54 | 0:07:56 | |
It would be over. But it ain't, so stop worrying about it. | 0:07:56 | 0:07:58 | |
I tell you what, you tell that to the punters who come in this lunchtime - if any do. | 0:07:58 | 0:08:02 | |
Lauren ain't coming in, that's for sure. Not after yesterday! | 0:08:02 | 0:08:05 | |
Some people have got a worse day ahead of 'em. | 0:08:05 | 0:08:07 | |
He did this, Mick. | 0:08:07 | 0:08:09 | |
He's the one who couldn't keep it in his trousers. | 0:08:09 | 0:08:12 | |
Come through. Hi, Ian. | 0:08:17 | 0:08:18 | |
DI Keeble and Ross have gone straight over there. | 0:08:18 | 0:08:21 | |
So, um...if you're ready to go? | 0:08:21 | 0:08:23 | |
Look, you don't have to do this. | 0:08:23 | 0:08:25 | |
Not if you don't want to. | 0:08:25 | 0:08:27 | |
No-one's going to make him, are they? | 0:08:27 | 0:08:29 | |
Uh, no, I mean, it's voluntary, of course! | 0:08:29 | 0:08:32 | |
Yeah, but most people would, wouldn't they? | 0:08:32 | 0:08:34 | |
If it helps catch some nutter. Phil! Just saying. | 0:08:34 | 0:08:37 | |
What? What are you saying? | 0:08:38 | 0:08:40 | |
What Phil's saying is they haven't done a very good job so far. | 0:08:40 | 0:08:43 | |
So now it's our turn. | 0:08:43 | 0:08:45 | |
Are you, um... Are you all coming along? | 0:08:45 | 0:08:47 | |
Yeah. That's all right, isn't it? | 0:08:47 | 0:08:49 | |
Yes, of course. We just really want to show our support. | 0:08:49 | 0:08:52 | |
I mean, the more support the better, right, Dad? | 0:08:52 | 0:08:55 | |
Actually, it ain't. | 0:09:10 | 0:09:11 | |
What? All right for you to come. Well, Peter seemed to think it was. | 0:09:13 | 0:09:18 | |
Yeah, I know, but Peter, he's not thinking straight. | 0:09:18 | 0:09:21 | |
Doesn't know what's best for him. I mean, it's a nice idea and that, | 0:09:21 | 0:09:24 | |
but having an audience might make things worse for him, | 0:09:24 | 0:09:27 | |
if you know what I mean. OK. | 0:09:27 | 0:09:29 | |
I'm not sure I'd agree with that, but... | 0:09:29 | 0:09:32 | |
Are you saying you know my boyfriend better than me? | 0:09:32 | 0:09:34 | |
Right... | 0:09:55 | 0:09:57 | |
Just keep thinking of Lucy. | 0:09:59 | 0:10:01 | |
No matter how many cameras there are pointing at you. | 0:10:02 | 0:10:05 | |
THIS is for Lucy. | 0:10:08 | 0:10:11 | |
All right? | 0:10:21 | 0:10:24 | |
Cup of tea? Yeah, yeah. Coming right up. | 0:10:24 | 0:10:27 | |
You been ignoring me? | 0:10:27 | 0:10:30 | |
What the hell are you playing at, Cora? | 0:10:34 | 0:10:36 | |
So you think all this is a game, do you? | 0:10:40 | 0:10:43 | |
You're not telling me you were serious? | 0:10:43 | 0:10:46 | |
Hallelujah. | 0:10:46 | 0:10:48 | |
At last. Something's got through. | 0:10:48 | 0:10:50 | |
You've lost it, must have. | 0:10:51 | 0:10:54 | |
I know what I know. | 0:10:54 | 0:10:56 | |
So this is from the horse's mouth, is it? | 0:10:56 | 0:11:00 | |
You actually saw Mick with some tart? | 0:11:02 | 0:11:05 | |
You were there? | 0:11:06 | 0:11:08 | |
I still know. | 0:11:11 | 0:11:12 | |
How? You didn't see him and you didn't see her. | 0:11:14 | 0:11:18 | |
This woman that you say Mick was with... | 0:11:22 | 0:11:26 | |
He was. | 0:11:26 | 0:11:28 | |
It's not some mate of yours, is it? | 0:11:28 | 0:11:31 | |
I stand by what I said at the Vic. | 0:11:39 | 0:11:42 | |
Every word of it. | 0:11:45 | 0:11:47 | |
There you go, mate. | 0:11:49 | 0:11:50 | |
Yes, Lauren? Tea, coffee, sausage bap, bacon roll? | 0:11:50 | 0:11:53 | |
Nah, just a water, please. | 0:11:53 | 0:11:55 | |
Still, sparkling? Hint of lemon, dash of lime? | 0:11:55 | 0:11:57 | |
Nah, just tap water is fine. | 0:11:57 | 0:11:59 | |
Oh, tap water? Don't let Ian catch you. | 0:11:59 | 0:12:02 | |
He's probably got a lot more on his mind at the moment. | 0:12:02 | 0:12:05 | |
Nothing's happened, has it? | 0:12:08 | 0:12:10 | |
It's the press conference today, ain't it? | 0:12:10 | 0:12:12 | |
I just wanted to show him my support, you know. | 0:12:12 | 0:12:15 | |
Who, Ian? No. Peter. | 0:12:15 | 0:12:17 | |
Oh. Lola as good as told me to get lost. | 0:12:17 | 0:12:21 | |
Well, she is his girlfriend, so... | 0:12:21 | 0:12:23 | |
So...? So what? I'm not trying to muscle in or nothing. | 0:12:23 | 0:12:27 | |
No... I'm not! Here you go. | 0:12:27 | 0:12:30 | |
We're just getting everyone seated, then we'll bring you in, OK? | 0:12:45 | 0:12:49 | |
There's been a good turnout. | 0:12:49 | 0:12:51 | |
There's been lots of interest, | 0:12:51 | 0:12:52 | |
national press as well as local press, so... | 0:12:52 | 0:12:55 | |
Oh, excuse me. We'll be with you in a minute, OK. | 0:12:55 | 0:12:58 | |
We should have gone to the Vic, grabbed a bit of Dutch courage. | 0:13:00 | 0:13:04 | |
Won't be rushing in there any time soon. | 0:13:04 | 0:13:06 | |
Well, you think you know someone, don't you? | 0:13:06 | 0:13:09 | |
It's horrible though, isn't it? | 0:13:09 | 0:13:11 | |
I just don't know what to say to her. Poor Linda. | 0:13:11 | 0:13:14 | |
Yeah. But men like that, you know, they're just...scum. | 0:13:14 | 0:13:17 | |
Do you know what happened to Lauren? Yeah. I think something came up. | 0:13:25 | 0:13:28 | |
Oh, what sort of something? Does it matter? Oh, just... | 0:13:28 | 0:13:32 | |
Peter, the only one thing you should be thinking about today is your dad, | 0:13:32 | 0:13:35 | |
and all of this, OK? | 0:13:35 | 0:13:37 | |
I'm so sorry, there's been a little bit of a misunderstanding. | 0:13:40 | 0:13:45 | |
It's not a public press conference, Ian. | 0:13:45 | 0:13:47 | |
What's that mean? | 0:13:47 | 0:13:49 | |
It was always supposed to be just press. | 0:13:49 | 0:13:51 | |
Hang on, what are you saying, friends and family ain't welcome? | 0:13:51 | 0:13:54 | |
You're welcome to wait in the next room | 0:13:54 | 0:13:56 | |
and we'll fix up a feed to keep you informed. Hang on a minute. | 0:13:56 | 0:13:59 | |
They're here to support me, I want them to stay. | 0:13:59 | 0:14:01 | |
Then the press'll be photographing them, | 0:14:01 | 0:14:03 | |
and asking them questions as well as you. | 0:14:03 | 0:14:06 | |
I'm sorry, it's just Ian and Peter we want in the room, no-one else. | 0:14:06 | 0:14:10 | |
DC Summerhayes will show you where to go. | 0:14:11 | 0:14:14 | |
Ian? | 0:14:16 | 0:14:18 | |
It's all right, Dad. It's for Lucy, remember? | 0:14:31 | 0:14:35 | |
If you could just stay in this room | 0:14:48 | 0:14:50 | |
for the duration of the press conference, | 0:14:50 | 0:14:52 | |
then you can see Ian straight afterwards. | 0:14:52 | 0:14:54 | |
We should be with him. I'm so sorry. | 0:14:54 | 0:14:57 | |
Can I just get you any drinks or anything in the meantime? | 0:14:59 | 0:15:02 | |
CAMERA SHUTTERS CLICK | 0:15:10 | 0:15:12 | |
Your family's causing my family quite a lot of grief at the moment. | 0:15:20 | 0:15:25 | |
Why is your nan so bothered about all this, | 0:15:27 | 0:15:29 | |
that's what I don't know? | 0:15:29 | 0:15:33 | |
It's almost like she was taking it personal. | 0:15:37 | 0:15:39 | |
Unless it is. How do you mean? Personal. | 0:15:42 | 0:15:46 | |
In that she knows whoever it was who was supposed to be with Mick. | 0:15:46 | 0:15:51 | |
Sorry, I'm just... I'm meant to be meeting my dad for a coffee. | 0:15:53 | 0:15:57 | |
Does that mean she DOES know? | 0:15:57 | 0:15:59 | |
No. No, I never said that. | 0:15:59 | 0:16:01 | |
You all right, Lauren? He weren't hassling you, was he? | 0:16:16 | 0:16:19 | |
No. Nothing I can't handle. | 0:16:19 | 0:16:21 | |
Nothing important either, not compared to what's happening today. | 0:16:21 | 0:16:25 | |
It must have started by now mustn't it? What, the police appeal? | 0:16:25 | 0:16:29 | |
Yeah. I mean, they've got to have loads of calls coming in. | 0:16:29 | 0:16:32 | |
You hear about things like this happening all the time. | 0:16:32 | 0:16:35 | |
So this will be just like we agreed. | 0:16:54 | 0:16:57 | |
I'll say a few words, hand over to you, play the CCTV, | 0:16:57 | 0:17:01 | |
then a few questions from the floor. | 0:17:01 | 0:17:03 | |
OK? You ready? | 0:17:03 | 0:17:06 | |
PRESS CHATTER | 0:17:06 | 0:17:07 | |
SHE CLEARS HER THROAT | 0:17:07 | 0:17:09 | |
ROOM FALLS SILENT | 0:17:09 | 0:17:10 | |
On the 18th of April 2014, | 0:17:11 | 0:17:14 | |
at approximately 8:20 in the evening, | 0:17:14 | 0:17:18 | |
Lucy Beale travelled on a number 15 bus | 0:17:18 | 0:17:22 | |
to a business appointment | 0:17:22 | 0:17:24 | |
with a client in a flat in East London. | 0:17:24 | 0:17:26 | |
We know and have eliminated | 0:17:26 | 0:17:28 | |
that client from our enquiries. | 0:17:28 | 0:17:31 | |
We don't know what happened after that meeting. | 0:17:32 | 0:17:35 | |
We do know that Lucy's body was discovered | 0:17:35 | 0:17:39 | |
on a common close by. | 0:17:39 | 0:17:42 | |
We also know that Lucy was killed | 0:17:42 | 0:17:44 | |
sometime between 9:30 and midnight | 0:17:44 | 0:17:47 | |
and that she died as a result of a head injury. | 0:17:47 | 0:17:51 | |
We'll be going into more detail a little later, | 0:17:51 | 0:17:55 | |
but first, Mr Beale, Lucy's father, | 0:17:55 | 0:17:58 | |
would like to say a few words about his daughter. | 0:17:58 | 0:18:02 | |
CAMERAS CLICK | 0:18:20 | 0:18:22 | |
Lucy was... HE EXHALES | 0:18:43 | 0:18:46 | |
In your own time, Mr Beale. | 0:18:58 | 0:19:00 | |
Come on, Ian. | 0:19:09 | 0:19:10 | |
Lucy was my little girl. | 0:19:26 | 0:19:29 | |
She had her whole life in front of her. | 0:19:29 | 0:19:31 | |
She would have fallen in love, | 0:19:34 | 0:19:38 | |
got married... | 0:19:38 | 0:19:40 | |
had kids. | 0:19:40 | 0:19:42 | |
I would have watched her kids grow up | 0:19:47 | 0:19:50 | |
like I watched her grow up. | 0:19:50 | 0:19:52 | |
Picked her up when she fell down. | 0:19:55 | 0:19:57 | |
Read her a bedtime story. | 0:20:00 | 0:20:04 | |
Her and her brother. | 0:20:04 | 0:20:08 | |
HE GASPS | 0:20:08 | 0:20:11 | |
I told Lucy | 0:20:17 | 0:20:19 | |
that I'd always be there for her... | 0:20:19 | 0:20:22 | |
That I'd protect her. | 0:20:26 | 0:20:28 | |
This is stupid. | 0:20:28 | 0:20:30 | |
Phil? Phil! | 0:20:30 | 0:20:32 | |
In your own words, Mr Beale. | 0:20:36 | 0:20:39 | |
Mr Mitchell, you were told to wait in the viewing room! | 0:20:48 | 0:20:50 | |
Look at the state of him, he's in bits. Mr Mitchell, please! | 0:20:50 | 0:20:53 | |
HE MOUTHS | 0:20:58 | 0:20:59 | |
SHE SIGHS | 0:20:59 | 0:21:01 | |
And I did. I DID protect her. | 0:21:13 | 0:21:16 | |
Until she went off that night | 0:21:19 | 0:21:22 | |
and she didn't come home. | 0:21:22 | 0:21:24 | |
Someone knows why. | 0:21:27 | 0:21:28 | |
Someone knows what happened to my little girl. | 0:21:29 | 0:21:35 | |
So, please... HE SOBS | 0:21:39 | 0:21:42 | |
..whoever you are, just tell me. | 0:21:42 | 0:21:44 | |
Tell me, tell her brother, | 0:21:45 | 0:21:49 | |
why Lucy didn't come home. | 0:21:49 | 0:21:51 | |
We do have CCTV footage of Lucy's journey | 0:21:54 | 0:21:58 | |
to her appointment that night. | 0:21:58 | 0:21:59 | |
IAN COUGHS | 0:22:06 | 0:22:07 | |
We want to trace any other passengers | 0:22:07 | 0:22:10 | |
who were on that bus with Lucy. | 0:22:10 | 0:22:13 | |
We want to talk to anyone who might have seen her. | 0:22:13 | 0:22:17 | |
In particular, anyone who got on that bus with her | 0:22:17 | 0:22:23 | |
or got off at the same stop. | 0:22:23 | 0:22:24 | |
Are there any questions? | 0:22:38 | 0:22:40 | |
Beth Kennedy, London Telegraph. Yes, Miss Kennedy? | 0:22:42 | 0:22:45 | |
Do you have you any leads at all, Detective Inspector? | 0:22:45 | 0:22:48 | |
We're confident this appeal will assist with our enquiries. | 0:22:48 | 0:22:51 | |
That's a no, I take it. | 0:22:51 | 0:22:53 | |
Mr Beale, my sincere sympathies on your loss, | 0:22:53 | 0:22:56 | |
but Lucy wasn't a little girl | 0:22:56 | 0:22:59 | |
when this tragic incident took place of course, she was a grown woman. | 0:22:59 | 0:23:02 | |
She'll always be my little girl. | 0:23:02 | 0:23:04 | |
And you knew her well? Yes. | 0:23:04 | 0:23:08 | |
And there'd been no tensions in the family lately? No. | 0:23:08 | 0:23:11 | |
I understand drugs were found in Lucy's possession | 0:23:11 | 0:23:14 | |
the day before she died. How do you know that? | 0:23:14 | 0:23:17 | |
There's no evidence this was drugs-related. | 0:23:17 | 0:23:19 | |
Meaning you've no evidence it's not. | 0:23:19 | 0:23:21 | |
Was Lucy a habitual drugs user, Mr Beale? | 0:23:21 | 0:23:23 | |
No, she wasn't! Look what's this got to do with anything? | 0:23:23 | 0:23:26 | |
But it's possible she was meeting a dealer that night, isn't it? | 0:23:26 | 0:23:28 | |
You can't say that! Either before or after | 0:23:28 | 0:23:30 | |
her appointment in that flat? | 0:23:30 | 0:23:32 | |
I won't have Lucy talked about like this! I won't! | 0:23:32 | 0:23:35 | |
She was a good girl. | 0:23:37 | 0:23:40 | |
Lucy... Lucy was a good girl. HE SOBS | 0:23:40 | 0:23:44 | |
What if it had been Nancy? What? | 0:23:53 | 0:23:56 | |
What if it had been Nancy that went out that night and never came back? | 0:23:56 | 0:24:00 | |
Don't say that. Exactly. | 0:24:00 | 0:24:02 | |
So how can all this, a few funny looks and a few moody jokes, | 0:24:02 | 0:24:05 | |
compare to something like that? It still don't excuse what he did. | 0:24:05 | 0:24:08 | |
Of course it doesn't! | 0:24:08 | 0:24:10 | |
And it don't mean you should take it on your shoulders either. | 0:24:10 | 0:24:12 | |
He can't take it on his, can he? Not right now. | 0:24:12 | 0:24:16 | |
So who are you all of a sudden, Saint Michael? | 0:24:16 | 0:24:19 | |
Ian's a dad. So am I. He HAD a daughter. | 0:24:19 | 0:24:22 | |
I've still got one. | 0:24:22 | 0:24:24 | |
OK. | 0:24:31 | 0:24:33 | |
I'll keep quiet. | 0:24:36 | 0:24:37 | |
I'm doing this for you, though, Mick, cos you want me to. | 0:24:39 | 0:24:42 | |
Not cos HE does. | 0:24:42 | 0:24:44 | |
Come here, darling. Relax. You did really well. | 0:24:50 | 0:24:55 | |
Really? Yes. Really well. | 0:24:55 | 0:24:56 | |
What the hell was all that about?! | 0:24:56 | 0:24:58 | |
Why did you let her ask all those questions? | 0:24:58 | 0:25:01 | |
You said you'd step in if anyone got too heavy. | 0:25:01 | 0:25:03 | |
That wasn't just heavy, she practically hung Dad out to dry. | 0:25:03 | 0:25:06 | |
I'm just trying to catch your sister's killer. | 0:25:06 | 0:25:09 | |
STAN: 'I had that word you wanted.' MICK: 'And?' | 0:25:17 | 0:25:21 | |
Didn't do much good. Cora just stuck to her guns. | 0:25:21 | 0:25:25 | |
According to her, you took up with some tom. | 0:25:25 | 0:25:28 | |
Well, not some. A tom she seemed to know. | 0:25:29 | 0:25:33 | |
Nothing else going on here, is there? | 0:25:36 | 0:25:37 | |
What do you mean? | 0:25:39 | 0:25:40 | |
It's just, I got the strangest feeling when I was talking to her. | 0:25:40 | 0:25:44 | |
Like she was hiding something. Can we talk about this later? | 0:25:44 | 0:25:48 | |
I've got to sort out this drinks promotion. And the funny thing is, | 0:25:48 | 0:25:51 | |
that's exactly the same feeling I'm getting now. | 0:25:51 | 0:25:54 | |
Look, Mick. You send me into battle, fair enough. | 0:25:54 | 0:25:58 | |
But at least give me the full SP. | 0:25:59 | 0:26:01 | |
Has someone got something on you? Is that it? | 0:26:02 | 0:26:07 | |
Is this some sort of deal and you're taking the rap for someone? | 0:26:07 | 0:26:10 | |
Why would I do that? | 0:26:10 | 0:26:12 | |
What do you take me for, some sort of muppet? | 0:26:12 | 0:26:15 | |
Well, you might for a mate. | 0:26:15 | 0:26:16 | |
Oh, so that's it, some mate of yours has got into bother | 0:26:19 | 0:26:23 | |
and you're helping him out? OK. | 0:26:23 | 0:26:27 | |
This is between you and me? Go on. | 0:26:29 | 0:26:32 | |
I've never done it before and I'll never do it again. | 0:26:34 | 0:26:38 | |
But? | 0:26:38 | 0:26:39 | |
I went with a tart. Yeah. | 0:26:41 | 0:26:45 | |
And I paid her for sex. | 0:26:45 | 0:26:47 | |
You know why, don't you? Why what? | 0:26:58 | 0:27:01 | |
Why that Old Bill didn't call the dogs off. | 0:27:01 | 0:27:04 | |
She reckons you're hiding something. | 0:27:04 | 0:27:06 | |
And that appeal was the best chance she had | 0:27:06 | 0:27:09 | |
of getting it all out into the open. And you know something? | 0:27:09 | 0:27:12 | |
I've been watching you all morning and I reckon she's right. | 0:27:12 | 0:27:16 | |
You are hiding something, ain't ya? | 0:27:16 | 0:27:17 | |
Now, what is it? | 0:27:19 | 0:27:21 | |
Ian?! | 0:27:23 | 0:27:25 | |
Now, you know something and you're going to tell me what is. | 0:27:25 | 0:27:29 | |
Hello, I'm Ellie Crisell with your 90 second update. | 0:28:08 | 0:28:10 | |
He made us laugh, he made us cry, he was one of a kind - | 0:28:10 | 0:28:14 | |
President Obama's tribute to Robin Williams, who's died aged 63. | 0:28:14 | 0:28:17 |