Browse content similar to 13/05/2016. Check below for episodes and series from the same categories and more!
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MUSIC IN DISTANCE | 0:00:30 | 0:00:33 | |
Hello, sweetheart. | 0:00:33 | 0:00:35 | |
All right, darlin'. Lovely to see ya. | 0:00:38 | 0:00:40 | |
What's all that? | 0:00:43 | 0:00:45 | |
PEOPLE CHEER AND CLAP | 0:00:45 | 0:00:49 | |
# It's now or never | 0:00:52 | 0:00:57 | |
# Come hold me tight... # | 0:00:57 | 0:00:59 | |
Hi, darlin'! Hello! | 0:00:59 | 0:01:01 | |
Behave yourself! | 0:01:01 | 0:01:03 | |
Hello! What's that? | 0:01:04 | 0:01:07 | |
All those knickers? Oh, my goodness me! | 0:01:07 | 0:01:10 | |
Peggy! Oh, darlin'! | 0:01:11 | 0:01:13 | |
Oh, Tracey! | 0:01:13 | 0:01:14 | |
Oh, lovely. | 0:01:14 | 0:01:15 | |
I'll be in there later! | 0:01:15 | 0:01:17 | |
Oh, hello! You all right? | 0:01:19 | 0:01:21 | |
Yeah, you're not well. | 0:01:21 | 0:01:24 | |
See you later. | 0:01:26 | 0:01:28 | |
SHE LAUGHS | 0:01:32 | 0:01:34 | |
# The time is here at last | 0:01:48 | 0:01:53 | |
# It's now or never... | 0:01:53 | 0:01:57 | |
# Come hold me tight... # | 0:01:57 | 0:02:01 | |
Ronnie been talking, has she? | 0:02:13 | 0:02:15 | |
Thanks, Michael. | 0:02:15 | 0:02:16 | |
I've been dying to do that ever since I was a kid. | 0:02:16 | 0:02:19 | |
How long you going to be here for? | 0:02:19 | 0:02:21 | |
Well, I'm just catching up with family, you know. | 0:02:21 | 0:02:24 | |
See you, darlin'. | 0:02:24 | 0:02:25 | |
Shakil, just go, will you? You're going to be late! | 0:02:25 | 0:02:30 | |
What you grinning about? Shouldn't you be on the stall? | 0:02:30 | 0:02:33 | |
Boys, eh? Nothing changes, does it? | 0:02:34 | 0:02:37 | |
Tell me about it! | 0:02:37 | 0:02:39 | |
This ain't her, Phil. Just giving up like this. This ain't your mum. | 0:02:52 | 0:02:57 | |
HE SIGHS | 0:02:57 | 0:02:59 | |
Maybe it's the shock. | 0:02:59 | 0:03:00 | |
Getting news like that, it's bound to have thrown her. | 0:03:01 | 0:03:04 | |
Well, maybe in a few days when she's had time to think about it... | 0:03:04 | 0:03:07 | |
And what if she ain't got a few days? | 0:03:07 | 0:03:09 | |
Well, the doctors don't think it's going to be straight away, do they? | 0:03:09 | 0:03:13 | |
They're talking months, not more. | 0:03:13 | 0:03:14 | |
What if she suddenly takes a turn for the worse? | 0:03:14 | 0:03:16 | |
I mean, anything could happen, couldn't it? | 0:03:16 | 0:03:18 | |
She's got so much to live for. | 0:03:18 | 0:03:21 | |
Anything they've got to offer's got to be worth trying, hasn't it? | 0:03:21 | 0:03:24 | |
You don't think I ain't told her that? | 0:03:24 | 0:03:25 | |
Then you shouldn't. | 0:03:26 | 0:03:28 | |
What? | 0:03:28 | 0:03:29 | |
Tell her. | 0:03:29 | 0:03:31 | |
You've got to show her she's wrong, Phil. | 0:03:31 | 0:03:33 | |
Show her she can't just give up. | 0:03:33 | 0:03:36 | |
Imagine if everyone had given up on you. | 0:03:36 | 0:03:38 | |
Right. | 0:03:40 | 0:03:41 | |
Give me the keys to your house. | 0:03:41 | 0:03:42 | |
What for? I'll sort things out there... | 0:03:43 | 0:03:46 | |
and you can go and do your bit. | 0:03:46 | 0:03:48 | |
KNOCK AT DOOR | 0:03:55 | 0:03:57 | |
DOT: Peggy? | 0:03:59 | 0:04:00 | |
DOOR SLAMS | 0:04:01 | 0:04:04 | |
Ah, Peggy. | 0:04:04 | 0:04:05 | |
You heard I'm back, then. | 0:04:07 | 0:04:09 | |
I saw you, most like. | 0:04:09 | 0:04:11 | |
For goodness' sake, Peggy. | 0:04:11 | 0:04:12 | |
I expect behaviour like that from your grandchildren, not from you. | 0:04:12 | 0:04:16 | |
There's a lot to be said, you know, for growing old gracefully. | 0:04:16 | 0:04:21 | |
No chance. Come on. | 0:04:23 | 0:04:25 | |
Let's make us a cup of tea, shall we? Ta. | 0:04:25 | 0:04:27 | |
Don't be late, Louise. | 0:04:28 | 0:04:30 | |
And you, Ben. | 0:04:30 | 0:04:31 | |
Your dad wants you home early tonight. | 0:04:31 | 0:04:33 | |
He's doing a family dinner for your gran. | 0:04:33 | 0:04:35 | |
Phil's cooking? | 0:04:35 | 0:04:37 | |
Actually, I was wondering if Ian could help me out. | 0:04:37 | 0:04:39 | |
He's gone down to the accountants. Restaurant business. | 0:04:39 | 0:04:41 | |
He's going to be gone all day, he reckons. That's fine. I can sort it. | 0:04:41 | 0:04:44 | |
What's this all about? | 0:04:44 | 0:04:45 | |
There doesn't have to be a reason, does there, to spoil your gran? | 0:04:45 | 0:04:48 | |
Don't be late. | 0:04:48 | 0:04:50 | |
I never heard you was back home, Peggy. | 0:04:57 | 0:05:00 | |
Well, it was just a spur-of-the-moment thing, Dot. | 0:05:00 | 0:05:04 | |
Yeah, well, I felt like seeing my family and seeing a few old friends | 0:05:04 | 0:05:08 | |
and, well... | 0:05:08 | 0:05:10 | |
make a complete idiot of myself. | 0:05:10 | 0:05:12 | |
Not many of them left. Old friends. | 0:05:13 | 0:05:16 | |
It seems that every time I turn round, I say goodbye to somebody. | 0:05:17 | 0:05:20 | |
And every time I step in to the square, there's something different. | 0:05:20 | 0:05:25 | |
Yeah, well. | 0:05:25 | 0:05:27 | |
Nothing lasts forever, does it? | 0:05:27 | 0:05:29 | |
Not at my time of life. | 0:05:29 | 0:05:31 | |
'Cept these here biscuits. | 0:05:33 | 0:05:35 | |
They're stale! | 0:05:35 | 0:05:36 | |
If I'd know, I'd have bought me Garibaldis. | 0:05:36 | 0:05:39 | |
Still, what can you expect? Men living on their own? | 0:05:39 | 0:05:43 | |
I mean, no matter how old they get, they always need their mothers | 0:05:43 | 0:05:47 | |
to sort themselves out. | 0:05:47 | 0:05:48 | |
Is, uh... | 0:05:52 | 0:05:53 | |
Is everything all right with you, Peggy? | 0:05:55 | 0:05:58 | |
Well, Dot... | 0:06:01 | 0:06:02 | |
Things have been better, but... | 0:06:02 | 0:06:05 | |
Well, I'm with family now, ain't I? | 0:06:05 | 0:06:07 | |
And talking to old friends and, well.... | 0:06:07 | 0:06:11 | |
What more could I ask for, eh? | 0:06:11 | 0:06:13 | |
At my time of life. | 0:06:15 | 0:06:16 | |
Shove a few more carrots in there, Martin, | 0:06:21 | 0:06:23 | |
and load up some more potatoes, please. All right. | 0:06:23 | 0:06:25 | |
How many are you feeding here, 5,000? | 0:06:25 | 0:06:27 | |
No, just Phil, Peggy and the kids. | 0:06:27 | 0:06:29 | |
Oh, right. What is it? Peggy's birthday or something? | 0:06:29 | 0:06:32 | |
Just a bit of family time, that's all. | 0:06:32 | 0:06:34 | |
Keep the change. All right. Cheers. Cheers. | 0:06:34 | 0:06:36 | |
Bill, I don't care what you're doing, | 0:06:37 | 0:06:39 | |
just help me out here, will you? | 0:06:39 | 0:06:41 | |
OK, I'll pay you twice whatever Les is paying for you today, OK. | 0:06:41 | 0:06:44 | |
Just get yourself over to the house. | 0:06:44 | 0:06:46 | |
Yeah. | 0:06:48 | 0:06:49 | |
Yeah, it is important. | 0:06:49 | 0:06:51 | |
So what is all that about? | 0:06:54 | 0:06:55 | |
I dunno. | 0:06:56 | 0:06:58 | |
I've always admired you, you know. | 0:06:59 | 0:07:01 | |
Why? | 0:07:01 | 0:07:02 | |
Well, you've always been so certain about things. | 0:07:02 | 0:07:05 | |
I mean, whatever's happened, it's never shaken you, has it? | 0:07:05 | 0:07:09 | |
It's never blown you off course. | 0:07:09 | 0:07:12 | |
Well, I suppose it's because I believe that there's always | 0:07:12 | 0:07:16 | |
a reason for everything that happens. | 0:07:16 | 0:07:20 | |
What will be, will be? | 0:07:20 | 0:07:23 | |
Yes... | 0:07:23 | 0:07:25 | |
Even if you don't see it at the time, | 0:07:25 | 0:07:28 | |
there is a reason. | 0:07:28 | 0:07:30 | |
There's got to be. | 0:07:30 | 0:07:32 | |
Otherwise, how could I have borne it, | 0:07:32 | 0:07:35 | |
saying goodbye to all them people over the years? | 0:07:35 | 0:07:39 | |
Oh! | 0:07:40 | 0:07:41 | |
Well, I'd better be getting along. Open up the laundrette. | 0:07:41 | 0:07:45 | |
You will...take good care of your mother, won't you, Phil? | 0:07:47 | 0:07:53 | |
'Course. | 0:07:55 | 0:07:56 | |
Goodbye, Peggy. | 0:07:59 | 0:08:00 | |
Bye, Dot. | 0:08:05 | 0:08:06 | |
Thank you for coming. | 0:08:06 | 0:08:08 | |
And I'm starting right now. | 0:08:19 | 0:08:23 | |
Get your gladrags on. What? What for? | 0:08:23 | 0:08:26 | |
I thought we could, you know, get something to eat, | 0:08:26 | 0:08:28 | |
maybe go and see a show, do some shopping | 0:08:28 | 0:08:31 | |
and I'm not taking no for an answer, all right? | 0:08:31 | 0:08:33 | |
Now, you've got 20 minutes to get yourself ready. | 0:08:33 | 0:08:36 | |
KNOCK AT DOOR | 0:08:41 | 0:08:42 | |
So, are you going to tell us? | 0:08:46 | 0:08:48 | |
Tell you what? | 0:08:48 | 0:08:49 | |
What's happening with Phil and Peggy? Shirley! | 0:08:49 | 0:08:51 | |
Is it his liver? What? | 0:08:51 | 0:08:53 | |
Is that why Peggy's back? | 0:08:53 | 0:08:55 | |
And why are you doing this, all of a sudden? | 0:08:55 | 0:08:57 | |
Sharon, we've lived with Phil through all this, too, you know. | 0:08:57 | 0:09:00 | |
My son still lives with him. | 0:09:00 | 0:09:02 | |
If there's something wrong, we've got a right to know. | 0:09:02 | 0:09:05 | |
Peggy's cancer's come back. | 0:09:07 | 0:09:08 | |
And this time, it's terminal. | 0:09:10 | 0:09:13 | |
But that doesn't mean there's nothing can be done. | 0:09:13 | 0:09:15 | |
Treatment, drugs, things to prolong her life. | 0:09:15 | 0:09:18 | |
But? | 0:09:18 | 0:09:20 | |
But she doesn't want to know. | 0:09:20 | 0:09:22 | |
It's like it's all so sudden. | 0:09:22 | 0:09:24 | |
She's just giving up. | 0:09:24 | 0:09:26 | |
But that doesn't mean to say WE have to give up, does it? | 0:09:27 | 0:09:30 | |
Right. | 0:09:31 | 0:09:33 | |
So why don't we help, too, then? | 0:09:33 | 0:09:35 | |
You're doing the full monty, right? Starter, main, pud? | 0:09:37 | 0:09:40 | |
Yeah, over at Phil's. | 0:09:40 | 0:09:42 | |
Right. Well, I'll do the starter. | 0:09:42 | 0:09:43 | |
Looks like you've got the main already sorted. | 0:09:43 | 0:09:46 | |
You can knock up a cake, can't you, Shirl? | 0:09:46 | 0:09:48 | |
Yeah. | 0:09:48 | 0:09:50 | |
Save the best till last. | 0:09:50 | 0:09:51 | |
Mum, you ready? | 0:10:12 | 0:10:14 | |
Yeah, yeah. Coming, darlin'! | 0:10:14 | 0:10:17 | |
You sure about this? | 0:10:33 | 0:10:35 | |
Lovely motor, ain't it? | 0:10:35 | 0:10:36 | |
I'm not talking about the motor, I'm talking about me, ain't I? | 0:10:36 | 0:10:39 | |
What's all this? Something to eat, you said. | 0:10:45 | 0:10:48 | |
A bit of shopping. | 0:10:48 | 0:10:50 | |
Well, there's no reason we can't do it in style, is there? | 0:10:50 | 0:10:53 | |
Oh, Phil! | 0:10:53 | 0:10:54 | |
I mean, this is all very lovely, but I... | 0:10:54 | 0:10:56 | |
I wasn't expecting this. What are you up to, hey? | 0:10:56 | 0:11:01 | |
Right, let's go, shall we? | 0:11:05 | 0:11:06 | |
Yeah, please, let's go. | 0:11:06 | 0:11:08 | |
Before I die of embarrassment. | 0:11:08 | 0:11:09 | |
There's worse ways. | 0:11:09 | 0:11:11 | |
Caster sugar. | 0:11:24 | 0:11:26 | |
Yeah, got it. | 0:11:26 | 0:11:28 | |
Cherries. | 0:11:30 | 0:11:31 | |
Yeah. | 0:11:31 | 0:11:32 | |
Got any of them hundreds and thousands? | 0:11:34 | 0:11:36 | |
Icing sugar. | 0:11:39 | 0:11:40 | |
And all this is for Phil, yeah? | 0:11:42 | 0:11:45 | |
And Peggy. | 0:11:45 | 0:11:47 | |
It's just I wouldn't go to all this trouble for one of my exes. | 0:11:47 | 0:11:50 | |
Your exes? | 0:11:50 | 0:11:51 | |
I'm not surprised. | 0:11:53 | 0:11:54 | |
I've booked us afternoon tea. | 0:12:05 | 0:12:07 | |
Got a table at the Ritz. | 0:12:07 | 0:12:09 | |
And I've booked one of them pod things, you know, on the Eye. | 0:12:09 | 0:12:13 | |
Can't believe all the years we've lived here | 0:12:13 | 0:12:15 | |
and never done that, have we? | 0:12:15 | 0:12:17 | |
Then I thought we could swing by Selfridges. | 0:12:17 | 0:12:20 | |
Stop here, Billy. | 0:12:22 | 0:12:23 | |
Mum, we agreed. | 0:12:28 | 0:12:30 | |
No! | 0:12:30 | 0:12:31 | |
You told me what we were doing, then you plonked me in this thing. | 0:12:31 | 0:12:34 | |
I mean, a day out's all very lovely, Phil, but... | 0:12:34 | 0:12:37 | |
But what? | 0:12:37 | 0:12:38 | |
Well, can't I chose what we do? | 0:12:38 | 0:12:40 | |
What do you want to do? | 0:12:42 | 0:12:43 | |
Well, I'll show you. | 0:12:43 | 0:12:44 | |
Look, we're Londoners and this is the way Londoners travel. | 0:12:44 | 0:12:49 | |
Well, come on, then. Don't keep your old mum waiting. | 0:12:53 | 0:12:57 | |
Oi! So what am I supposed to do now? | 0:13:01 | 0:13:04 | |
So you're helping out Sharon, yeah? | 0:13:11 | 0:13:14 | |
Well, she's doing a big family meal, you know, over at Phil's. | 0:13:14 | 0:13:17 | |
Oh, so it's... So it's Phil you're really helping out? | 0:13:17 | 0:13:20 | |
Well, it's more for Ben, really. | 0:13:20 | 0:13:22 | |
Oh. | 0:13:24 | 0:13:25 | |
Well, he's always loved Peggy. | 0:13:25 | 0:13:27 | |
So this is nothing at all to do with Phil? | 0:13:28 | 0:13:30 | |
Oh, look, I'm sorry, Jane. I've got to rush. | 0:13:30 | 0:13:33 | |
# Wherever you're goin'... # | 0:13:36 | 0:13:42 | |
Only way, isn't it? | 0:13:42 | 0:13:44 | |
To really see London. | 0:13:44 | 0:13:47 | |
# Two drifters, off to see the world | 0:13:50 | 0:13:57 | |
# There's such a lot of world to see | 0:14:00 | 0:14:07 | |
# We're after... # | 0:14:10 | 0:14:14 | |
SHE GIGGLES | 0:14:14 | 0:14:17 | |
Woo! | 0:14:17 | 0:14:20 | |
Nowhere in the world has got a bridge like that. | 0:14:21 | 0:14:24 | |
When you're in the middle of it all, | 0:14:26 | 0:14:28 | |
you can't really see anything, can you? | 0:14:28 | 0:14:30 | |
I mean, you need to stand back and take the whole place in. | 0:14:30 | 0:14:34 | |
# Moon River | 0:14:34 | 0:14:39 | |
# And me... # | 0:14:39 | 0:14:42 | |
You used to take us down the river all the time | 0:14:42 | 0:14:44 | |
when we were kids, didn't you? Remember? | 0:14:44 | 0:14:46 | |
Course, I do, darlin'. | 0:14:46 | 0:14:48 | |
Remember that, over there? | 0:14:48 | 0:14:50 | |
Where? | 0:14:50 | 0:14:51 | |
Dead Man's Hole. Oh! | 0:14:51 | 0:14:52 | |
You told us about it once. | 0:14:52 | 0:14:54 | |
You said that if you chucked a body | 0:14:54 | 0:14:56 | |
anywhere from Tower Bridge down to the Prospect of Whitby, | 0:14:56 | 0:14:58 | |
that's where it'd end up. | 0:14:58 | 0:15:00 | |
You said it's to do with the tides or something. | 0:15:00 | 0:15:02 | |
Yeah, I only think I said it to frighten you. | 0:15:02 | 0:15:06 | |
I never dared ask you how you knew that. | 0:15:06 | 0:15:08 | |
I miss it, don't you? | 0:15:11 | 0:15:13 | |
Yeah. | 0:15:13 | 0:15:14 | |
I do. | 0:15:14 | 0:15:15 | |
Well, it's here for you, Mum. | 0:15:17 | 0:15:19 | |
And it always will be. | 0:15:19 | 0:15:21 | |
Any time you want it. | 0:15:22 | 0:15:24 | |
# Two drifters... # | 0:15:24 | 0:15:27 | |
Aw... | 0:15:27 | 0:15:28 | |
# Off to see the world | 0:15:28 | 0:15:31 | |
# There's such a lot of world | 0:15:33 | 0:15:37 | |
# To see | 0:15:37 | 0:15:40 | |
# We're after... | 0:15:42 | 0:15:46 | |
# The same rainbow's end... # | 0:15:48 | 0:15:55 | |
So, this is what you wanted to do, is it? Go sightseeing? | 0:15:55 | 0:15:57 | |
# Waiting round the bend... # | 0:15:57 | 0:15:59 | |
Not just sightseeing. | 0:15:59 | 0:16:01 | |
Meaning? | 0:16:02 | 0:16:03 | |
# My Huckleberry fiend... # | 0:16:03 | 0:16:05 | |
Phil, we're going home. | 0:16:06 | 0:16:08 | |
# Moon River | 0:16:08 | 0:16:12 | |
# And me... # | 0:16:14 | 0:16:17 | |
RADIO: 'That was Moon River by Frank Sinatra...' | 0:16:23 | 0:16:25 | |
So what is Phil actually doing with her? | 0:16:25 | 0:16:29 | |
It'll be all right. | 0:16:31 | 0:16:32 | |
I ain't Mary Berry, OK? | 0:16:32 | 0:16:34 | |
And I can't work that oven. | 0:16:34 | 0:16:36 | |
He's trying to make her see that life's worth living. | 0:16:36 | 0:16:38 | |
That there are things in life worth fighting for. | 0:16:38 | 0:16:41 | |
She'll see through that straight away. | 0:16:41 | 0:16:43 | |
Still worth a try, isn't it? Wish I'd been more like that with my mum. | 0:16:43 | 0:16:47 | |
Tried to make her see there was more to life than the bottom of a bottle. | 0:16:47 | 0:16:51 | |
My mother can't even remember her own name. Hardly remember mine. | 0:16:51 | 0:16:54 | |
Pete's mum was always more of a mother to me than my own was. | 0:16:54 | 0:16:57 | |
That old battle-axe? | 0:16:57 | 0:16:59 | |
Even my old man was terrified of Lou Beale. THEY LAUGH | 0:16:59 | 0:17:02 | |
Do you know, I... | 0:17:04 | 0:17:05 | |
I told Peggy to get out the Vic once. No way. | 0:17:05 | 0:17:09 | |
I told her, "If you don't stop waving that polished finger in my face, | 0:17:09 | 0:17:13 | |
"you'll be picking your false eyelashes out of the ice bucket." | 0:17:13 | 0:17:16 | |
I bet that went down well. | 0:17:16 | 0:17:17 | |
I walked back to the hall, everyone was staring at us, you know, | 0:17:17 | 0:17:20 | |
no-one said a word. | 0:17:20 | 0:17:22 | |
Just before I got there, I stopped and... | 0:17:22 | 0:17:25 | |
I turned round, cos I couldn't resist. | 0:17:25 | 0:17:27 | |
And I thought, finally, finally, | 0:17:27 | 0:17:30 | |
I've shut up old Ma Mitchell. | 0:17:30 | 0:17:32 | |
And? | 0:17:32 | 0:17:34 | |
She squirted me all over with a soda siphon. | 0:17:34 | 0:17:36 | |
THEY LAUGH | 0:17:36 | 0:17:37 | |
PEGGY: Well, I have to say, it looks lovely, the street. Don't it? | 0:17:39 | 0:17:42 | |
Yeah. This is what I can't believe, | 0:17:42 | 0:17:44 | |
seeing big cars like this outside. Yeah. | 0:17:44 | 0:17:47 | |
You remember that little banger you had? | 0:17:47 | 0:17:49 | |
I had a load of bangers. THEY LAUGH | 0:17:49 | 0:17:51 | |
We are talking about cars, aren't we? | 0:17:51 | 0:17:53 | |
Yeah, them an' all. | 0:17:53 | 0:17:55 | |
Yeah. | 0:17:55 | 0:17:56 | |
Here we are. There's the neighbours. Oh, yeah. | 0:17:56 | 0:17:59 | |
Well, someone's doing a roaring trade in knockers, aren't they? | 0:18:01 | 0:18:04 | |
THEY LAUGH | 0:18:04 | 0:18:06 | |
You know what I mean. | 0:18:06 | 0:18:08 | |
Here we go. Oh... | 0:18:10 | 0:18:12 | |
Home sweet home. I got a little funny feeling. | 0:18:12 | 0:18:15 | |
Have ya? Yeah, yeah. | 0:18:15 | 0:18:17 | |
I wonder what it's like inside. | 0:18:17 | 0:18:20 | |
Shall we take a look around? | 0:18:21 | 0:18:23 | |
No, no, we can't, we can't. It's a dentist now, innit? | 0:18:23 | 0:18:25 | |
It's closed for the day. | 0:18:25 | 0:18:28 | |
Did you know it was going to be closed? | 0:18:28 | 0:18:30 | |
Nothing stays the same, does it? | 0:18:31 | 0:18:33 | |
Well, I know one thing that ain't changed. | 0:18:34 | 0:18:37 | |
What's that? | 0:18:37 | 0:18:38 | |
Come with me. Oh. | 0:18:38 | 0:18:40 | |
Go on, then. What's this? Another surprise? | 0:18:40 | 0:18:43 | |
THEY LAUGH | 0:18:43 | 0:18:45 | |
Is it supposed to look like that? Mmm. | 0:18:48 | 0:18:51 | |
It's fine. | 0:18:51 | 0:18:53 | |
It's supposed to cheer her up, not finish her off. | 0:18:53 | 0:18:56 | |
Do you know, I remember the first time, you know. | 0:19:01 | 0:19:04 | |
First time what? | 0:19:04 | 0:19:05 | |
She found out she had cancer. | 0:19:05 | 0:19:07 | |
Phil and Grant, | 0:19:10 | 0:19:11 | |
they were inches away from losing it, you could tell, | 0:19:11 | 0:19:14 | |
but Peggy, you know, she just told us, simple, | 0:19:14 | 0:19:18 | |
what was happening, when she was going into hospital, | 0:19:18 | 0:19:21 | |
how long she was going to be in there for. | 0:19:21 | 0:19:23 | |
And Phil... | 0:19:25 | 0:19:27 | |
he looked at her and he said, "You'll be all right, Mum." | 0:19:27 | 0:19:30 | |
And I remember Peggy, she looked across at Tiff, | 0:19:30 | 0:19:33 | |
who was pregnant with Courtney at the time. | 0:19:33 | 0:19:36 | |
And she said, "Well, course I will. | 0:19:36 | 0:19:39 | |
"I've got me grandchild to look forward to, ain't I?" | 0:19:39 | 0:19:41 | |
And now there's Ben and Louise, | 0:19:41 | 0:19:43 | |
so there's even more reason to keep going, isn't there? | 0:19:43 | 0:19:46 | |
Oh, I should've got you and your brother well away, shouldn't I? | 0:19:56 | 0:20:00 | |
No. Wasn't such a bad place. | 0:20:00 | 0:20:03 | |
No. From your dad, I mean. | 0:20:03 | 0:20:05 | |
You'd never have left him, Mum. | 0:20:07 | 0:20:09 | |
No, I didn't, but I should have. | 0:20:09 | 0:20:11 | |
Believe me, if I had my time again, I would. | 0:20:11 | 0:20:14 | |
He was such a pig of a man, weren't he? | 0:20:15 | 0:20:17 | |
Why I put up with him all those years, I still do not understand. | 0:20:17 | 0:20:20 | |
And here was me thinking this was all about the good old days. | 0:20:20 | 0:20:23 | |
Well... | 0:20:23 | 0:20:25 | |
there were good ones as well. Course there were. | 0:20:25 | 0:20:28 | |
Reading you and Grant your bedtime stories, you know. | 0:20:28 | 0:20:31 | |
Bringing you cocoa when you were poorly. | 0:20:31 | 0:20:34 | |
Grant got the cocoa. | 0:20:36 | 0:20:37 | |
Ah! Excuse me, you did too. | 0:20:37 | 0:20:39 | |
Yeah, but I never liked it. | 0:20:39 | 0:20:41 | |
I used to give Grant mine. | 0:20:41 | 0:20:43 | |
Now you tell me! You should've said at the time, eh? | 0:20:43 | 0:20:47 | |
You looked so pleased with yourself when you used to bring it in. | 0:20:47 | 0:20:50 | |
Anyway, Grant got double rations, so he thought he'd had a right result. | 0:20:50 | 0:20:54 | |
He should be told, Mum. | 0:20:57 | 0:20:59 | |
No. | 0:21:00 | 0:21:02 | |
I can't deal with Grant as well. Listen... Not yet, love. | 0:21:02 | 0:21:07 | |
I'm not doing this. | 0:21:07 | 0:21:08 | |
I'm not saying goodbye to you before I have to. | 0:21:08 | 0:21:11 | |
Mum, your time's going to come. | 0:21:12 | 0:21:14 | |
I know that and I'll hate it when it does, but, | 0:21:14 | 0:21:17 | |
but at least I'll know that I could've done nothing more | 0:21:17 | 0:21:19 | |
and there's nothing else anyone could have done, either. | 0:21:19 | 0:21:22 | |
Right now, there is and I just can't handle that. | 0:21:22 | 0:21:24 | |
Who are you really thinking about here, Phil, eh? | 0:21:24 | 0:21:26 | |
Me or you? Both of us. | 0:21:26 | 0:21:29 | |
You'll be gone before you need to | 0:21:29 | 0:21:31 | |
and I'll be left here, thinking I should've done something. | 0:21:31 | 0:21:34 | |
You can't do anything. | 0:21:34 | 0:21:36 | |
No-one can, I've been everywhere, haven't I? | 0:21:36 | 0:21:39 | |
I've consulted everyone, and Phil, listen to me, there is no hope. | 0:21:39 | 0:21:44 | |
Listen, you're still here. So there's still hope. | 0:21:44 | 0:21:47 | |
I'm fighting for my life too, remember that. Mum... | 0:21:48 | 0:21:52 | |
You wouldn't just let me give up and wave goodbye to me, would you? | 0:21:52 | 0:21:56 | |
No. Because you, you've still got so much ahead of you. | 0:21:57 | 0:22:02 | |
And so might you, Mum. | 0:22:03 | 0:22:05 | |
Please, darling, you don't need me any more, | 0:22:05 | 0:22:08 | |
you don't need me to help you fight, neither. | 0:22:08 | 0:22:10 | |
I mean, you've got your own family to help you now... | 0:22:10 | 0:22:12 | |
Listen to me, you are not leaving me, not like this. | 0:22:12 | 0:22:15 | |
I am not going to let it happen, OK? | 0:22:15 | 0:22:18 | |
Yeah, well... | 0:22:21 | 0:22:23 | |
One thing doesn't change, does it? | 0:22:23 | 0:22:26 | |
You. | 0:22:27 | 0:22:28 | |
You're always here for me, aren't you? | 0:22:28 | 0:22:31 | |
No matter what. | 0:22:31 | 0:22:32 | |
The only person in my life | 0:22:34 | 0:22:36 | |
who's never let me down. | 0:22:36 | 0:22:38 | |
Mum... | 0:22:40 | 0:22:42 | |
there's a way forward. | 0:22:42 | 0:22:43 | |
I know you can't see it right now | 0:22:44 | 0:22:47 | |
and I'm not sure what it is, either, | 0:22:47 | 0:22:49 | |
but there is... a way forward for you. | 0:22:49 | 0:22:53 | |
For all of us. | 0:22:55 | 0:22:56 | |
Look, c'mon. Why don't you call Billy, eh? | 0:22:59 | 0:23:03 | |
Tell him to come and pick us up, you know. | 0:23:03 | 0:23:05 | |
I, er, want to go back to the Square. | 0:23:05 | 0:23:08 | |
Maybe it'll look better when you put the cherries on. | 0:23:14 | 0:23:16 | |
Look even better when she bins it. | 0:23:16 | 0:23:18 | |
SHE CHUCKLES | 0:23:18 | 0:23:20 | |
I'm not sure about all this, anyway. | 0:23:21 | 0:23:24 | |
About all what? | 0:23:24 | 0:23:25 | |
All this. | 0:23:27 | 0:23:28 | |
What we're doing for Peggy, it's not going to work. | 0:23:28 | 0:23:31 | |
You don't know her, not really. | 0:23:32 | 0:23:35 | |
She gave me my first job when I came to the Square. | 0:23:38 | 0:23:41 | |
Cleaning in the Vic. | 0:23:42 | 0:23:43 | |
Well, she always could pick out a good scrubber. | 0:23:43 | 0:23:47 | |
Yeah, but this ain't just about Peggy, though, is it? | 0:23:47 | 0:23:49 | |
It's about Phil, too. | 0:23:49 | 0:23:51 | |
He's going to fall apart. You know that, don't you? | 0:23:51 | 0:23:54 | |
I mean, us three, we've come and gone, | 0:23:54 | 0:23:57 | |
but there's only one woman who's ever really had Phil's heart. | 0:23:57 | 0:24:00 | |
Are we really doing him any favours? | 0:24:04 | 0:24:06 | |
Say if Phil does persuade Peggy to get the treatment... | 0:24:08 | 0:24:11 | |
..you said yourself, it's terminal this time. | 0:24:13 | 0:24:16 | |
It's not really going to change anything, is it? | 0:24:19 | 0:24:21 | |
DOOR OPENS | 0:24:21 | 0:24:23 | |
What are you doing? | 0:24:23 | 0:24:25 | |
It's like I said on the phone, meal for your gran. | 0:24:25 | 0:24:28 | |
Yeah, but you didn't say you were doing it mob-handed. | 0:24:28 | 0:24:32 | |
Did you know about this? | 0:24:32 | 0:24:33 | |
What? It ain't just going to be us tonight, | 0:24:33 | 0:24:36 | |
it's going to be the Bitches of Eastwick, too. Why don't you shut your mouth? | 0:24:36 | 0:24:39 | |
I don't care, all right? I'm starving. | 0:24:39 | 0:24:42 | |
Er, I ain't eating that, though. | 0:24:42 | 0:24:44 | |
Here, you should have made one yourself, Shirl. | 0:24:44 | 0:24:47 | |
Cheers, Bill. | 0:25:11 | 0:25:12 | |
Mum? | 0:25:19 | 0:25:21 | |
Mum. | 0:25:23 | 0:25:25 | |
Just resting my eyes, darling. | 0:25:25 | 0:25:27 | |
You little fibber. | 0:25:29 | 0:25:31 | |
Right, they're on their way. | 0:25:47 | 0:25:48 | |
I'm not shouting surprise. No-one's asking you to. C'mon. | 0:25:48 | 0:25:51 | |
What are you all doing here, anyway? | 0:25:51 | 0:25:53 | |
Peggy. | 0:26:00 | 0:26:02 | |
Oh. | 0:26:05 | 0:26:07 | |
This is unexpected. | 0:26:16 | 0:26:18 | |
Oh, doesn't it...? Don't it look nice? | 0:26:24 | 0:26:28 | |
Well... | 0:26:31 | 0:26:32 | |
most of it, anyway. | 0:26:32 | 0:26:34 | |
THEY CHUCKLE | 0:26:34 | 0:26:36 | |
Did you make this? | 0:26:36 | 0:26:37 | |
Thought so! | 0:26:39 | 0:26:40 | |
Phil... | 0:26:50 | 0:26:52 | |
Phil, can I have a word, please? | 0:26:52 | 0:26:54 | |
Mum? | 0:26:54 | 0:26:56 | |
Just a little word, you and me, eh? | 0:26:56 | 0:26:58 | |
Please. | 0:26:58 | 0:27:00 | |
They know, don't they? | 0:27:09 | 0:27:11 | |
Why else would they be making all this kind of fuss? | 0:27:11 | 0:27:14 | |
I talked to Sharon, but nobody else knows. | 0:27:16 | 0:27:19 | |
Oh, I trusted you, Phil, | 0:27:19 | 0:27:22 | |
and there's no-one else I can trust, not really. | 0:27:22 | 0:27:25 | |
And there's no-one I can ask, either. | 0:27:28 | 0:27:30 | |
What's happening? I don't know. | 0:27:35 | 0:27:38 | |
Well, I know one thing - I was right, this isn't going to work. | 0:27:38 | 0:27:41 | |
Oh, what? So we just give up? | 0:27:41 | 0:27:43 | |
What you said back in that cafe, you were right - | 0:27:46 | 0:27:49 | |
there is a way forward - | 0:27:49 | 0:27:51 | |
and now I need you to do what you've always done for me, Phil. | 0:27:51 | 0:27:54 | |
I need you to be there for me. | 0:27:57 | 0:27:59 | |
I'm tired and I'm hurting, but please believe me when I tell you | 0:28:00 | 0:28:05 | |
I know what I'm doing, it's just that the very thought... | 0:28:05 | 0:28:08 | |
..of being on my own... | 0:28:09 | 0:28:11 | |
..I need you to help me, darling. | 0:28:13 | 0:28:15 | |
I want you there with me. | 0:28:19 | 0:28:21 | |
PHONE RINGS | 0:28:51 | 0:28:53 | |
'Apos o sinal, grave a sua mensagem. | 0:28:58 | 0:29:01 | |
'Para terminar, marque cardinal.' | 0:29:01 | 0:29:03 | |
ANSAPHONE BEEPS | 0:29:03 | 0:29:04 | |
Hi, it's Sharon. | 0:29:04 | 0:29:06 | |
I don't even know if this is your number, but, erm... | 0:29:08 | 0:29:11 | |
..something's happened. | 0:29:12 | 0:29:15 | |
Your family needs you and... | 0:29:15 | 0:29:16 | |
Well, you really should be here. | 0:29:18 | 0:29:20 | |
THE KILLS: # It's the last goodbye | 0:30:27 | 0:30:31 | |
# I swear | 0:30:31 | 0:30:34 | |
# I can't survive | 0:30:34 | 0:30:38 | |
# On a half-hearted love | 0:30:38 | 0:30:41 | |
# That will never be whole... # | 0:30:41 | 0:30:45 |