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You've dropped another one. | 0:00:02 | 0:00:03 | |
I don't see why we couldn't just catch the bus like any normal person. | 0:00:03 | 0:00:07 | |
I could give you a piggyback? | 0:00:08 | 0:00:10 | |
And what would the Adamses say | 0:00:11 | 0:00:13 | |
if we turned up at Ruby's birthday like that? | 0:00:13 | 0:00:16 | |
Well, it was good enough for St Christopher. | 0:00:16 | 0:00:18 | |
Anyway, you can't be the best pastry chef this side of Paris | 0:00:18 | 0:00:21 | |
and maintain peak fitness. Nobody's perfect. | 0:00:21 | 0:00:25 | |
Not that you'd know it if you met the Adams. They're the model family. | 0:00:25 | 0:00:30 | |
Nobody's perfect. | 0:00:30 | 0:00:31 | |
Here, darling. | 0:00:53 | 0:00:54 | |
Let me. | 0:00:55 | 0:00:57 | |
Mm. | 0:00:59 | 0:01:00 | |
HE SNIFFS | 0:01:08 | 0:01:10 | |
It's just a little one. | 0:01:12 | 0:01:14 | |
It's my daughter's birthday, I'm allowed a little one. | 0:01:14 | 0:01:17 | |
-You promised me! -We're going to be late. | 0:01:20 | 0:01:22 | |
-I won't have Ruby see you like this. -You're hurting me! | 0:01:22 | 0:01:25 | |
You know what I said, if you went back on the drink - I meant it! | 0:01:25 | 0:01:28 | |
-I want a divorce. -Have you forgotten what YOU promised? | 0:01:31 | 0:01:36 | |
Catholic marriage is till death do us part. | 0:01:36 | 0:01:38 | |
Yours will be sooner rather than later, the way you're going. | 0:01:38 | 0:01:42 | |
-Is that a threat? -No. -Well, it ought to be. | 0:01:42 | 0:01:45 | |
The only way I leave this marriage... | 0:01:45 | 0:01:47 | |
..is in a coffin. | 0:01:48 | 0:01:50 | |
DELIGHTED LAUGHTER | 0:02:03 | 0:02:06 | |
Does your godmother get a birthday kiss, too? Don't worry. | 0:02:32 | 0:02:36 | |
I don't want to give your poor father a coronary. | 0:02:36 | 0:02:39 | |
-Your secret's safe with me. -It's not a secret. | 0:02:39 | 0:02:42 | |
We're making the announcement today. John and I are engaged. | 0:02:42 | 0:02:46 | |
-Over my dead body. -Mum... -CAPTAIN ADAMS: Engaged to the tutor? | 0:02:46 | 0:02:50 | |
-My daughter is not marrying a lowlife Trot like you. -You think? | 0:02:50 | 0:02:56 | |
-What will you do about it? -She's not herself, she'll come round. -Like hell I will. | 0:02:56 | 0:03:00 | |
She needs my permission to marry. And I'm not giving it. | 0:03:00 | 0:03:03 | |
So you can whistle for your wedding. | 0:03:03 | 0:03:06 | |
Oh, and Mr Van Ert... | 0:03:06 | 0:03:08 | |
you're fired. | 0:03:08 | 0:03:10 | |
Egyptian, this one. | 0:03:14 | 0:03:16 | |
What kind of a cheapskate puts a foreign coin in a church collection? | 0:03:16 | 0:03:20 | |
-Better than a button. -I don't know. | 0:03:20 | 0:03:22 | |
I came across some rather nice ones this morning, Father. | 0:03:22 | 0:03:25 | |
When I get six that match, they're going on one of my cardies. | 0:03:25 | 0:03:29 | |
Perhaps you can mend the hole in my pocket while you're at it. | 0:03:29 | 0:03:33 | |
I am the parish secretary, not your seamstress. | 0:03:33 | 0:03:37 | |
Why are we bringing these? | 0:03:38 | 0:03:40 | |
The colonel travels. He might be able to give you some real money | 0:03:40 | 0:03:44 | |
for them, waste not want not. | 0:03:44 | 0:03:47 | |
-ANNE-MARIE: -Leave me alone! I won't put up with this! | 0:03:47 | 0:03:51 | |
Are we late? Or has the play started early? | 0:03:52 | 0:03:56 | |
DOORBELL RINGS | 0:04:00 | 0:04:02 | |
-IN FOREIGN ACCENT: -Father, you didn't see notice on the gate? | 0:04:06 | 0:04:09 | |
We cut across the fields. | 0:04:09 | 0:04:11 | |
Party's cancelled. Mrs Adams is...unwell. | 0:04:11 | 0:04:15 | |
-Father, I'm sorry you've come all this way. -The play's off. | 0:04:15 | 0:04:19 | |
-Did you hear Ann-Marie...? -Rehearsing. | 0:04:19 | 0:04:22 | |
-She didn't want to let people down. -But the fever's too strong. | 0:04:22 | 0:04:27 | |
Well... As we're here... | 0:04:27 | 0:04:30 | |
The least we can do is help you clear up. | 0:04:32 | 0:04:35 | |
-I've just finished. -But there's masses of cake in the kitchen. | 0:04:35 | 0:04:38 | |
You can certainly help us with that. | 0:04:38 | 0:04:40 | |
-Where are you going? -This is very decent of you. | 0:04:51 | 0:04:54 | |
I'm glad you understand our position. | 0:04:54 | 0:04:56 | |
-Dad, you can't make him go. -No-one's making me do anything. | 0:04:56 | 0:04:59 | |
-John? -I'm not leaving Ruby - just your house. | 0:04:59 | 0:05:02 | |
-I don't stay where I'm not wanted. -What about us? -There is no "us". | 0:05:02 | 0:05:06 | |
Your mother and I can't bless this engagement, | 0:05:08 | 0:05:10 | |
and without our consent, marriage isn't an option. | 0:05:10 | 0:05:13 | |
-Then, we'll just wait a year. -We don't even have to do that. | 0:05:13 | 0:05:17 | |
This is the '50s. Who says we need to get married? | 0:05:17 | 0:05:19 | |
You step over this threshold, you're never coming back. | 0:05:24 | 0:05:28 | |
I HATE you. | 0:05:30 | 0:05:31 | |
And don't think your mother will say any differently! | 0:05:33 | 0:05:36 | |
Certainly not in the state SHE'S in. | 0:05:37 | 0:05:40 | |
POLICE SIREN BLARES | 0:06:16 | 0:06:20 | |
Now, dear, come on. You drink this. | 0:06:39 | 0:06:43 | |
It's all right. | 0:06:43 | 0:06:46 | |
Where's that blanket? She's frozen. | 0:06:46 | 0:06:48 | |
Wrap it around her, quickly. | 0:06:49 | 0:06:51 | |
Not a word about the argument, all right? | 0:06:53 | 0:06:56 | |
I don't want her remembered like that, Ruby. | 0:06:56 | 0:06:59 | |
Deal? | 0:07:00 | 0:07:01 | |
There's nothing we could have done. She's already stiff. | 0:07:03 | 0:07:07 | |
-I... I really... -It's an unfortunate accident. Nothing more. | 0:07:09 | 0:07:13 | |
What about the scratches around her neck? | 0:07:15 | 0:07:18 | |
Probably from twigs and weeds in the water. | 0:07:19 | 0:07:22 | |
You can stand down now, Father. I'm satisfied everything's in order. | 0:07:24 | 0:07:28 | |
Unless this is a clue? | 0:07:30 | 0:07:33 | |
Italian, by the look of it. | 0:07:34 | 0:07:36 | |
That must narrow down our pool of suspects, eh, Father? | 0:07:36 | 0:07:39 | |
That? Er...no. | 0:07:39 | 0:07:42 | |
That must be mine. | 0:07:42 | 0:07:44 | |
It seems like everyone is hiding something. | 0:07:47 | 0:07:49 | |
If I tell you, you must promise to let it drop, on your honour. | 0:07:49 | 0:07:55 | |
If it's not criminal, I promise. | 0:07:55 | 0:07:58 | |
She was tight. | 0:07:59 | 0:08:01 | |
She'd had most of a bottle of vodka. | 0:08:02 | 0:08:04 | |
-I'm amazed she didn't fall over sooner. -She was an alcoholic. | 0:08:04 | 0:08:08 | |
Now you know why Reginald didn't want the whole world to know. | 0:08:08 | 0:08:12 | |
Speaking of peccadilloes... | 0:08:12 | 0:08:15 | |
if that's the quality of mourner around here, | 0:08:15 | 0:08:17 | |
I'll be dropping by more often. Who's that? | 0:08:17 | 0:08:20 | |
I don't know. | 0:08:20 | 0:08:21 | |
Felicia. Welcome to Kembleford. | 0:08:25 | 0:08:29 | |
-Planning a long visit? -I am now. | 0:08:29 | 0:08:32 | |
Father Brown. My condolences. | 0:08:32 | 0:08:36 | |
Mr... Short? | 0:08:37 | 0:08:39 | |
Oh, no. My old nanny. | 0:08:39 | 0:08:42 | |
Chrysanthemums always were her favourite. | 0:08:42 | 0:08:45 | |
But she was the Adams' nanny. | 0:08:45 | 0:08:47 | |
You aren't Anne-Marie's brother? | 0:08:49 | 0:08:51 | |
-On my way to see the family now. -Are they expecting you? | 0:08:51 | 0:08:55 | |
Everybody loves a surprise, don't they? | 0:08:55 | 0:08:57 | |
I came straight from London airport, flew in from Nairobi this morning. | 0:08:57 | 0:09:02 | |
-So, you haven't heard? -Heard what? | 0:09:02 | 0:09:04 | |
Scared the hell out of me. Thought you were a robber or a brigand. | 0:09:16 | 0:09:21 | |
Maybe I am. I think I've rather a talent for it. | 0:09:21 | 0:09:24 | |
-I can't see any harm in it anyhow. -How can you even say that? | 0:09:25 | 0:09:29 | |
I want to steal YOU away. Is that a crime? | 0:09:29 | 0:09:32 | |
-Then, why didn't you come back after we found Mum? I needed you. -I did! | 0:09:32 | 0:09:38 | |
The place was full of police. | 0:09:38 | 0:09:40 | |
Your dad said he'd have me arrested for trespass. | 0:09:40 | 0:09:43 | |
-What? And you just went? -I'm not a citizen. I can't risk it. | 0:09:43 | 0:09:47 | |
Run away with me, Ruby, and leave them all behind. | 0:09:48 | 0:09:52 | |
Dad's falling apart, he needs me. | 0:09:53 | 0:09:56 | |
-Now is not a good time. -Well, when is? | 0:09:56 | 0:09:58 | |
At least your mom isn't going to make any problems any more. | 0:10:01 | 0:10:05 | |
I didn't mean it like that! | 0:10:05 | 0:10:07 | |
You sound like you're glad she's dead. | 0:10:07 | 0:10:09 | |
Eternal rest grant unto her, O Lord. | 0:10:13 | 0:10:17 | |
ALL: And let perpetual light shine upon her. | 0:10:17 | 0:10:20 | |
And may she rest in peace. | 0:10:20 | 0:10:22 | |
ALL: Amen. | 0:10:22 | 0:10:24 | |
I'm sorry. I was... | 0:10:26 | 0:10:28 | |
-Who are you? -Ruby, don't be so rude. | 0:10:32 | 0:10:34 | |
There's no reason for her to recognise me. | 0:10:34 | 0:10:37 | |
Even I have very few photographs of me and your mum. | 0:10:37 | 0:10:40 | |
But I want you to have this. | 0:10:40 | 0:10:42 | |
Some things never change. | 0:10:46 | 0:10:49 | |
We were rehearsing for some play she'd come up with. | 0:10:49 | 0:10:53 | |
-Look at the get-up I was in. -Uncle James? | 0:10:53 | 0:10:57 | |
Not looking too bad for two decades in the Kenyan sun. | 0:10:57 | 0:11:00 | |
Happy Valley must have lived up to its name. | 0:11:00 | 0:11:04 | |
I can't complain. | 0:11:04 | 0:11:05 | |
Apart from arriving back here too late. | 0:11:05 | 0:11:09 | |
What happened? I heard the bare bones but... | 0:11:09 | 0:11:13 | |
The jetty's very slippery. | 0:11:13 | 0:11:16 | |
I have been meaning to shorten the rope on the boat | 0:11:16 | 0:11:18 | |
but maybe she tripped on the mooring. | 0:11:18 | 0:11:21 | |
Or lost her balance on the boat. | 0:11:21 | 0:11:23 | |
Here we are, Father. | 0:11:25 | 0:11:27 | |
Not a patch on mine, but edible. | 0:11:28 | 0:11:32 | |
Since you sell it so well, I'll pass. | 0:11:32 | 0:11:35 | |
Hold the fort, would you, please, Mrs M? Call of nature. | 0:11:35 | 0:11:40 | |
Father. Father, what are you doing? | 0:11:53 | 0:11:57 | |
Didn't you hear Ruby? | 0:11:57 | 0:11:58 | |
That's probably what happened to poor Anne-Marie. | 0:11:58 | 0:12:02 | |
There's blood, under this oar. | 0:12:06 | 0:12:09 | |
Well, maybe she fell into the boat | 0:12:10 | 0:12:13 | |
and then hit her head on the oar in there. | 0:12:13 | 0:12:16 | |
That's impossible. | 0:12:16 | 0:12:18 | |
But the oars were right there when Ruby found her mother. | 0:12:18 | 0:12:22 | |
Which tells us that Anne-Marie was hit by the oar | 0:12:22 | 0:12:26 | |
and then the oar was put back. | 0:12:26 | 0:12:29 | |
-Can I tempt you to some more Barolo? -Oh. | 0:12:32 | 0:12:35 | |
Come on, let's send her off the way she lived. | 0:12:41 | 0:12:44 | |
-To my sister. -Anne-Marie. | 0:12:44 | 0:12:47 | |
ALL: Mrs Adams. | 0:12:47 | 0:12:49 | |
Father, police are here. I'm sorry, they ask questions. | 0:12:51 | 0:12:55 | |
Inspector. May I speak to you outside? | 0:12:56 | 0:13:01 | |
I've just come from the lake. I need to speak to the colonel. | 0:13:01 | 0:13:04 | |
-Valentine? -I need to speak to you urgently about Mrs Adams' death. | 0:13:07 | 0:13:11 | |
-I don't think so. -It is rather important. | 0:13:11 | 0:13:14 | |
What could be so important now? | 0:13:14 | 0:13:16 | |
I believe it was murder. I believe you were involved. | 0:13:16 | 0:13:20 | |
Where's the motive? This is ridiculous, Valentine, even for you. | 0:13:23 | 0:13:28 | |
Susie Jasinski works for you, too, am I right, Father? | 0:13:28 | 0:13:31 | |
She's my housekeeper but I don't see... | 0:13:31 | 0:13:33 | |
And you consider her trustworthy? | 0:13:33 | 0:13:35 | |
-Yes, but... -Miss Jasinski's just told me that, | 0:13:35 | 0:13:38 | |
minutes before the murder, she heard you threatening Mrs Adams' life. | 0:13:38 | 0:13:42 | |
-What? -But that's preposterous. -He asked for a divorce. | 0:13:42 | 0:13:47 | |
It can't be murder, it can't! | 0:13:47 | 0:13:49 | |
And even if it were, it certainly wasn't Reginald! | 0:13:49 | 0:13:51 | |
What scares me is, in that case, the real killer is still walking free. | 0:13:51 | 0:13:56 | |
Is it just me who's thinking it? | 0:13:56 | 0:13:59 | |
She'd just fired Van Ert, forbidden your marriage. | 0:13:59 | 0:14:02 | |
No way. Not John. | 0:14:02 | 0:14:04 | |
They say most murders are committed by someone known to the victim. | 0:14:04 | 0:14:07 | |
-Who is this...Van Ert? -Ruby's old tutor. | 0:14:07 | 0:14:10 | |
He was thrown out of the States for being a Red. | 0:14:10 | 0:14:13 | |
-A Communist? -Yeah. -He must hate the aristocracy. | 0:14:13 | 0:14:16 | |
The unfairness of people living in a pile like this. | 0:14:16 | 0:14:19 | |
Maybe HE was after the diamonds. | 0:14:20 | 0:14:22 | |
That's what they're all about - redistribution of wealth. | 0:14:22 | 0:14:25 | |
It's true, he left pretty sharpish after she died. | 0:14:25 | 0:14:28 | |
Because he'd just been sacked! | 0:14:28 | 0:14:30 | |
I'm sorry, Ruby, but it has to be Van Ert. | 0:14:30 | 0:14:32 | |
Do you deny that after she told you marriage was till death do you part, | 0:14:34 | 0:14:39 | |
you said, "Well, yours is going to be sooner rather than later"? | 0:14:39 | 0:14:43 | |
Yes! | 0:14:43 | 0:14:44 | |
Well, no, but I didn't mean I'd kill her! | 0:14:46 | 0:14:49 | |
We'd have come to an arrangement, worked something out. | 0:14:51 | 0:14:54 | |
Mrs Adams was one of your lot. | 0:14:54 | 0:14:56 | |
Would she ever have agreed to a divorce? | 0:14:56 | 0:14:58 | |
As a devout Catholic, no, she would never... | 0:14:58 | 0:15:00 | |
So we know the colonel wanted out and his wife would never have let him go. | 0:15:00 | 0:15:05 | |
We have motive, means AND opportunity. | 0:15:05 | 0:15:08 | |
Colonel, I'm arresting you on suspicion of murder. | 0:15:10 | 0:15:13 | |
You are not obliged to say anything unless you wish to do so | 0:15:13 | 0:15:16 | |
but whatever you say will be taken down in writing | 0:15:16 | 0:15:19 | |
and may be given in evidence. | 0:15:19 | 0:15:21 | |
They have to let Dad out - | 0:15:23 | 0:15:24 | |
it's Mum's funeral, for heaven's sake. | 0:15:24 | 0:15:26 | |
-The solicitor's doing everything he can. -I'll try calling him again. | 0:15:26 | 0:15:30 | |
You look... | 0:15:32 | 0:15:34 | |
Like a dog's dinner. | 0:15:34 | 0:15:36 | |
It's very kind of the colonel to lend me his things, | 0:15:36 | 0:15:39 | |
but the suit's too short and, | 0:15:39 | 0:15:41 | |
as I said when I called, his shoes are huge. | 0:15:41 | 0:15:44 | |
-Like clown feet. -Size eight, right? | 0:15:44 | 0:15:46 | |
You're lucky my husband's not a big man. | 0:15:48 | 0:15:50 | |
Perfect. It all feels like a costume. | 0:16:02 | 0:16:05 | |
Annie always did love a bit of theatre. | 0:16:05 | 0:16:08 | |
-It's a shame her last play never got performed. -It didn't? | 0:16:08 | 0:16:11 | |
It was supposed to go on the night she... | 0:16:11 | 0:16:15 | |
The evening of the... | 0:16:15 | 0:16:17 | |
-I'm sorry... -Hey, don't do that. I can't stand tears. | 0:16:17 | 0:16:22 | |
I'm forced to do the most terrible, | 0:16:22 | 0:16:24 | |
-out-of-character things to try and stop them. -Such as? | 0:16:24 | 0:16:27 | |
CHURCH ORGAN PLAYS SOLEMNLY | 0:16:36 | 0:16:38 | |
-We have to talk. -Not now, John. | 0:16:55 | 0:16:57 | |
Don't look at me like that. | 0:16:58 | 0:17:00 | |
Half the village is giving me that expression. | 0:17:00 | 0:17:03 | |
You don't really believe I killed her. Do you? | 0:17:03 | 0:17:06 | |
-Of course not. -Then, I need your help. | 0:17:06 | 0:17:09 | |
Your mother's death, a community like this, | 0:17:15 | 0:17:17 | |
it's always going to blame the outsider. | 0:17:17 | 0:17:19 | |
-What are you saying? -If you love me... | 0:17:19 | 0:17:22 | |
..I need an alibi. | 0:17:23 | 0:17:24 | |
Well, there's a turn-up for the books. | 0:17:27 | 0:17:30 | |
Colonel, I'm sorry I talked to Inspector. | 0:17:42 | 0:17:44 | |
I didn't mean to make trouble. | 0:17:44 | 0:17:47 | |
We all want the same thing, Susie - | 0:17:47 | 0:17:49 | |
to see my wife's killer put away. | 0:17:49 | 0:17:52 | |
It wasn't me. Do you believe me? | 0:17:52 | 0:17:55 | |
Am I fired? | 0:17:57 | 0:17:58 | |
At least you're upfront. | 0:18:00 | 0:18:02 | |
Colonel Adams, welcome. | 0:18:08 | 0:18:10 | |
-You let him go? -For now. He's been given bail. We had to. | 0:18:19 | 0:18:23 | |
Doesn't mean I think he's innocent. | 0:18:23 | 0:18:25 | |
If you would like to say a few words, please let me know. | 0:18:33 | 0:18:36 | |
You will, of course, be a pallbearer. | 0:18:37 | 0:18:41 | |
You can take Albert's place. | 0:18:41 | 0:18:43 | |
I couldn't possibly disturb things now they've set things up. | 0:18:43 | 0:18:46 | |
-Well, nonsense. It's no trouble. -Besides, I'm in uniform. | 0:18:46 | 0:18:50 | |
-It wouldn't match. -I don't see... -Father, my eulogy, may I ask? | 0:18:50 | 0:18:54 | |
I take your point about uniform. Excuse me. | 0:19:09 | 0:19:14 | |
-It wasn't Colonel Adams. -What?! | 0:19:19 | 0:19:21 | |
Lady Felicia just told me, his back's shot - war wound. | 0:19:21 | 0:19:26 | |
He couldn't carry the coffin. | 0:19:26 | 0:19:28 | |
-He couldn't have lifted and swung that oar. -Poppycock! | 0:19:28 | 0:19:32 | |
Look at him, his posture's perfect. Anyway, he would've told me. | 0:19:32 | 0:19:36 | |
What, and have the whole town know he wears a girdle? | 0:19:37 | 0:19:40 | |
He's a proud man. | 0:19:46 | 0:19:48 | |
He may be a foolish man but he could not have killed Anne-Marie. | 0:19:48 | 0:19:52 | |
But then, who did? | 0:19:52 | 0:19:54 | |
"I do declare this day that I, Anne-Marie Adams, | 0:20:10 | 0:20:14 | |
"being of sound mind..." | 0:20:14 | 0:20:17 | |
FATHER BROWN CLEARS HIS THROAT | 0:20:17 | 0:20:19 | |
Sorry. Sorry I'm late. | 0:20:19 | 0:20:22 | |
-Apologies to all. Mr Higgins. -Father. | 0:20:22 | 0:20:25 | |
What's the priest doing here? | 0:20:25 | 0:20:27 | |
We'll come to that, it's in the order of business. | 0:20:27 | 0:20:30 | |
We'll start with a few special clauses. | 0:20:30 | 0:20:32 | |
"Firstly, to my best friend, Felicia Montague, I leave various | 0:20:32 | 0:20:37 | |
"mementos and trinkets of sentimental value." | 0:20:37 | 0:20:43 | |
Oh! | 0:20:44 | 0:20:45 | |
"And to my beloved daughter, Ruby..." | 0:20:46 | 0:20:50 | |
-The police returned them this morning. -Those stones are dazzling. | 0:20:57 | 0:21:02 | |
Ah, the Trewlove family heritage. The Flying Stars. | 0:21:02 | 0:21:07 | |
KNOCKING AT DOOR | 0:21:07 | 0:21:08 | |
MAID: Colonel, you asked for tea. | 0:21:12 | 0:21:14 | |
They're so cold. Mum died in them, I don't want to wear them. | 0:21:19 | 0:21:24 | |
-What shall I do with them, then? -Put them in the safe. | 0:21:26 | 0:21:29 | |
They should be locked away. | 0:21:31 | 0:21:33 | |
I'm left some sentimental items, books and photographs. | 0:21:34 | 0:21:39 | |
The rest of her estate has been left in its entirety... | 0:21:40 | 0:21:44 | |
..to the church. | 0:21:46 | 0:21:47 | |
This is...most unexpected and very generous. | 0:21:56 | 0:22:00 | |
Did Anne-Marie not leave anything for her brother? | 0:22:00 | 0:22:04 | |
Well, I don't need her money. I can't wear her jewels. | 0:22:04 | 0:22:09 | |
Actually, I'm interested in a different kind of legacy. Her play. | 0:22:09 | 0:22:14 | |
-What do you mean? -It was cancelled the day she died. | 0:22:14 | 0:22:18 | |
I want to restage it. Get everybody on board. Family, friends, servants. | 0:22:18 | 0:22:23 | |
-Make it a celebration of Annie's life. -But... | 0:22:23 | 0:22:26 | |
We can't let her killer stop us | 0:22:26 | 0:22:28 | |
-performing the last thing she ever wrote. -He's right. | 0:22:28 | 0:22:31 | |
Uncle James, you could take John's role and, Felicia, | 0:22:31 | 0:22:34 | |
you could stand in for Mum. | 0:22:34 | 0:22:36 | |
It'll be a bit of a scramble but I think we can make it happen, | 0:22:36 | 0:22:39 | |
-by the end of the week? -Saturday it is. | 0:22:39 | 0:22:44 | |
-I don't understand. -It's perfect. Everybody in the house will be | 0:22:47 | 0:22:50 | |
watching so no-one will see. I'll leave the stage in Act Two | 0:22:50 | 0:22:53 | |
and they won't look for me till curtain call. | 0:22:53 | 0:22:56 | |
So we're really going to do it? We're eloping? | 0:22:56 | 0:23:01 | |
If you'll take me without a penny to my name. | 0:23:01 | 0:23:05 | |
I wouldn't have it any other way. | 0:23:05 | 0:23:07 | |
I have never understood how you can play chess against yourself. | 0:23:22 | 0:23:26 | |
This is not a game. | 0:23:26 | 0:23:28 | |
Yes, Father, that's what my Frank used to say about poker. | 0:23:28 | 0:23:31 | |
These are not pieces, these are suspects. We can discount | 0:23:31 | 0:23:34 | |
-the colonel and John Van Ert. -Why the tutor? | 0:23:34 | 0:23:39 | |
-He's a Communist. -Oh, obviously, why didn't I think of that(?) | 0:23:39 | 0:23:44 | |
Communism, Socialism. It's all Greek to me. | 0:23:44 | 0:23:48 | |
Who wants to socialise with the working classes anyway? | 0:23:48 | 0:23:52 | |
I don't see the attraction of spending my nights off with | 0:23:52 | 0:23:55 | |
chimney sweeps and the like. | 0:23:55 | 0:23:58 | |
A Communist doesn't have to go drinking with chimney sweeps. | 0:23:58 | 0:24:01 | |
He wants the chimney swept and the sweeps paid. | 0:24:01 | 0:24:04 | |
But he won't allow you to own your own soot. | 0:24:05 | 0:24:08 | |
From the marks on Anne-Marie's neck, | 0:24:09 | 0:24:11 | |
we know that the murderer was after her jewels. | 0:24:11 | 0:24:14 | |
But the one thing we know for sure about John Van Ert | 0:24:14 | 0:24:18 | |
is that he's not interested in worldly goods. | 0:24:18 | 0:24:21 | |
So, who else is there? | 0:24:23 | 0:24:26 | |
Lady Felicia was at the scene. | 0:24:29 | 0:24:33 | |
-And Ruby. -Yes. | 0:24:33 | 0:24:35 | |
But neither of them have sufficient motive. | 0:24:36 | 0:24:39 | |
Which leaves one last possibility. | 0:24:41 | 0:24:44 | |
James. | 0:24:47 | 0:24:50 | |
We know he and his sister fell out so badly | 0:24:50 | 0:24:52 | |
that they didn't talk to each other for 20-odd years, | 0:24:52 | 0:24:56 | |
and she cut him out of her will. There must be real animosity there. | 0:24:56 | 0:25:01 | |
Sure, he wasn't even in the country. | 0:25:01 | 0:25:03 | |
Well, we only have his word for that. | 0:25:03 | 0:25:08 | |
-Boo! -HE LAUGHS | 0:25:27 | 0:25:29 | |
-Why are you here? -Well, it's not for the sparkling conversation. | 0:25:29 | 0:25:33 | |
You've got no reason to be hanging around. | 0:25:33 | 0:25:35 | |
Really, do you reckon? Cos I hear they've got | 0:25:35 | 0:25:38 | |
-this really pretty new parlour maid. -Hmm. | 0:25:38 | 0:25:40 | |
And I just brought a couple of rabbits. | 0:25:40 | 0:25:42 | |
Just waiting for my one and six. | 0:25:42 | 0:25:44 | |
-Earning an honest penny? Not like you. -Mm. | 0:25:44 | 0:25:48 | |
What are you really here for, hmm? | 0:25:48 | 0:25:50 | |
FOOTSTEPS APPROACH | 0:25:52 | 0:25:53 | |
Quick, someone's coming. Kiss me. | 0:25:53 | 0:25:55 | |
Hang on. You have excuse for why you're here. | 0:25:58 | 0:26:02 | |
Yeah, but it was fun, though, wasn't it? | 0:26:02 | 0:26:05 | |
Wasn't that Uncle just slipping out? And up to no good. | 0:26:05 | 0:26:10 | |
Well, that IS interesting. | 0:26:11 | 0:26:12 | |
-Susie told me this morning. -She saw James herself? | 0:26:16 | 0:26:20 | |
Bit of gusto, Dad, please? | 0:26:20 | 0:26:22 | |
And Mrs McCarthy rang London Airport and there WASN'T | 0:26:22 | 0:26:25 | |
a flight from Nairobi on the morning of the wake. | 0:26:25 | 0:26:29 | |
So what do you think? | 0:26:29 | 0:26:30 | |
I think you're being too suspicious. He's a decent man. | 0:26:30 | 0:26:34 | |
Interesting, educated - you should hear him on...the Vatican. | 0:26:34 | 0:26:39 | |
He probably knows as much about it as you do. | 0:26:39 | 0:26:43 | |
Don't you think that's strange in a man who spent two decades in Africa? | 0:26:43 | 0:26:47 | |
I think it's commendable. | 0:26:47 | 0:26:50 | |
OBJECTS SCATTER ON FLOOR | 0:26:50 | 0:26:52 | |
Help, police, the safe's been broken into! | 0:26:53 | 0:26:57 | |
Oh, erm, five minutes, Inspector? | 0:26:57 | 0:26:59 | |
Go from seeing the empty safe, Dad. We need real horror. | 0:27:00 | 0:27:03 | |
-Looks who's here. -Help, police, the safe's been broken into! | 0:27:03 | 0:27:08 | |
-Excuse me. -Much better. -Don't raise your suspicions about James with him. | 0:27:08 | 0:27:12 | |
You'll just make a fool of yourself. | 0:27:12 | 0:27:14 | |
-And when has that ever bothered me? -Father... | 0:27:14 | 0:27:19 | |
I don't know about the flights | 0:27:19 | 0:27:21 | |
but the reason he's been creeping about at night...is to see me. | 0:27:21 | 0:27:26 | |
-Felicia, your cue. -I hope I can rely on your discretion. | 0:27:26 | 0:27:29 | |
As the next scene begins, the stage is dark. | 0:27:33 | 0:27:36 | |
Police! I know you're in there. Come out and... | 0:27:38 | 0:27:40 | |
-I wouldn't do that. -SHE GASPS | 0:27:40 | 0:27:42 | |
Keep your hands up where I can see them. | 0:27:42 | 0:27:44 | |
You! I never thought for a second it would be you. | 0:27:44 | 0:27:47 | |
-I'll take that as a compliment. -You'll never get away with this. | 0:27:47 | 0:27:51 | |
BOTH STRUGGLE | 0:27:51 | 0:27:52 | |
Oh, Felicia, don't forget the ketchup. | 0:27:52 | 0:27:54 | |
There's a bag for under your clothes, this needs to look real. | 0:27:54 | 0:27:58 | |
We'll see about that. | 0:27:58 | 0:28:00 | |
Not investigating, I hope, Father. | 0:28:00 | 0:28:02 | |
Let's make the next scene-change really seamless. | 0:28:02 | 0:28:04 | |
Apparently my spare cassock has a starring role. | 0:28:04 | 0:28:08 | |
We'll see about that. | 0:28:08 | 0:28:11 | |
James Trewlove is off the suspect list. | 0:28:12 | 0:28:15 | |
-I've already checked him out. -But what about the flights? | 0:28:15 | 0:28:19 | |
He was definitely still in Nairobi when Anne-Marie died. | 0:28:19 | 0:28:22 | |
I have confirmation from the Chief of Police. | 0:28:22 | 0:28:25 | |
And how does the Chief of Police know? | 0:28:25 | 0:28:28 | |
Um...they were having dinner. | 0:28:28 | 0:28:30 | |
How long have you worked here? | 0:28:34 | 0:28:36 | |
Yeah, uh-huh, uh-huh, mm. | 0:28:46 | 0:28:49 | |
-When am I next on? -Dad, I've stuck your cues up here. | 0:28:53 | 0:28:57 | |
I put costumes out. Please, no-one mess up. | 0:28:57 | 0:29:00 | |
-HE SNIFFS Where have these been? -Attic. | 0:29:00 | 0:29:04 | |
Some of it dates back as far as YOUR day, so if it stinks, | 0:29:04 | 0:29:06 | |
-you know who to blame. -The hall's filling up, | 0:29:06 | 0:29:09 | |
take your positions. Is everybody ready? | 0:29:09 | 0:29:11 | |
Amore mio, mi sto innamorando di te. | 0:29:14 | 0:29:18 | |
That's beautiful. I wish I knew what it meant. | 0:29:18 | 0:29:21 | |
THAT would be telling. | 0:29:21 | 0:29:22 | |
How did you manage to learn Italian, anyway? Out in Africa? | 0:29:22 | 0:29:26 | |
Well, that... | 0:29:26 | 0:29:28 | |
..would be telling...too! | 0:29:30 | 0:29:33 | |
I suppose we should, or Felicia will never talk to me again. | 0:29:40 | 0:29:44 | |
-How much? -A shilling. | 0:29:44 | 0:29:47 | |
Daylight robbery! | 0:29:47 | 0:29:49 | |
No good. Lira. Italian. | 0:29:52 | 0:29:56 | |
Oh, like a bad penny. | 0:29:56 | 0:29:58 | |
I should have left it where I dropped it by the lake. | 0:29:58 | 0:30:01 | |
You didn't drop THIS one, Father. | 0:30:01 | 0:30:03 | |
I'm collecting Italian coins for my pilgrimage to Rome. | 0:30:03 | 0:30:06 | |
Well, the lira never leave the presbytery. | 0:30:06 | 0:30:09 | |
Father. | 0:30:12 | 0:30:14 | |
I didn't think theatre was your thing. | 0:30:14 | 0:30:17 | |
I'm not here for the show. Not that one, anyway. | 0:30:17 | 0:30:20 | |
-(We're about to make an arrest.) -Who? | 0:30:20 | 0:30:23 | |
-Not John? -Not Van Ert, no. He's got an alibi. | 0:30:23 | 0:30:27 | |
When I spoke to Ruby earlier, she, erm... | 0:30:27 | 0:30:30 | |
-HE COUGHS -..vouched for him. | 0:30:30 | 0:30:33 | |
Are you telling me they were having sex? | 0:30:33 | 0:30:37 | |
I do know what sex is, Inspector. | 0:30:37 | 0:30:40 | |
And she won't be the first girl who lied for her lover. | 0:30:40 | 0:30:44 | |
So who is your chief suspect? | 0:30:44 | 0:30:46 | |
For once, we may be singing the same song. | 0:30:46 | 0:30:48 | |
I am here for Lady Felicia. | 0:30:48 | 0:30:52 | |
When she comes off stage, I'm taking her in for questioning. | 0:30:52 | 0:30:55 | |
-Have you gone...? -I've got witnesses who have seen her at the house | 0:30:55 | 0:30:59 | |
-in the small hours. -Yes, but... -That gives me clear motive. | 0:30:59 | 0:31:03 | |
Her affair with the colonel, her best friend's husband. | 0:31:03 | 0:31:06 | |
The colonel? No, that's not right. | 0:31:06 | 0:31:08 | |
-James Trewlove saw them together. -James did?! | 0:31:08 | 0:31:10 | |
MUSIC BEGINS | 0:31:10 | 0:31:12 | |
APPLAUSE | 0:31:24 | 0:31:26 | |
Are you sitting comfortably? Then, we'll begin. | 0:31:30 | 0:31:32 | |
-Here's a list of what I need... -(Susie, where are James' shoes? | 0:31:36 | 0:31:39 | |
-(He needs heels with that dress.) -I couldn't find any. Feet too big. | 0:31:39 | 0:31:42 | |
He's an eight. He could squeeze into Annie's. | 0:31:42 | 0:31:45 | |
Not eight. 11. Very big. Huge. | 0:31:45 | 0:31:48 | |
Those shoes you gave him for the funeral swamped him. | 0:31:48 | 0:31:51 | |
Shoes I put out were Mr Trewlove's. | 0:31:51 | 0:31:53 | |
Nonsense, James didn't bring any formal shoes. | 0:31:53 | 0:31:56 | |
Not from suitcase. From attic. | 0:31:56 | 0:31:59 | |
20 years old, yes, but unless his feet have shrunk... | 0:31:59 | 0:32:02 | |
Here. | 0:32:02 | 0:32:03 | |
See yourself. | 0:32:06 | 0:32:08 | |
ON STAGE: 'Well, good. Call me when it's ready. | 0:32:08 | 0:32:10 | |
-'Until then, I'll be in my study. -Phew! That was close!' | 0:32:10 | 0:32:15 | |
LAUGHTER | 0:32:15 | 0:32:17 | |
-Cue coming up - where are the heels? -Here. | 0:32:21 | 0:32:25 | |
Those are the best I could do. | 0:32:28 | 0:32:30 | |
No, I'll have to wear mine. | 0:32:37 | 0:32:39 | |
ON STAGE: Help! Police! The safe's been broken into! | 0:32:39 | 0:32:43 | |
And we're on. Come on! Go on! You're going to be great! | 0:32:43 | 0:32:49 | |
Police! Oh, you're here! Help, police! | 0:32:52 | 0:32:56 | |
I wouldn't do that if I were you. Put your hands up, don't say a word. | 0:32:56 | 0:33:00 | |
-Why would you do this to me? -Didn't you hear me? I said shut up, or I'll shut you up! | 0:33:00 | 0:33:04 | |
-HE LOADS GUN, AUDIENCE GASPS -You and anyone trying to help. | 0:33:04 | 0:33:08 | |
I always thought she was a little actress! | 0:33:08 | 0:33:10 | |
You'll never get away with this. Help me! Help me! | 0:33:10 | 0:33:13 | |
GUNSHOT, SCREAMING | 0:33:13 | 0:33:15 | |
No! | 0:33:15 | 0:33:17 | |
Isn't she brilliant?! | 0:33:20 | 0:33:21 | |
-We'll see about that! -Excuse me. | 0:33:24 | 0:33:26 | |
Dad, hadn't you better get changed? You're on again in five. | 0:33:26 | 0:33:29 | |
I can't believe he'd betray us! Everything's lost! | 0:33:32 | 0:33:35 | |
My dowry, my future... | 0:33:35 | 0:33:36 | |
Cancel the wedding! I can hardly get married now! | 0:33:36 | 0:33:39 | |
-The safe's been broken into! -Er, Dad... -The safe's been broken into! | 0:33:39 | 0:33:42 | |
-We've done that scene! -Listen, I'm not acting. | 0:33:42 | 0:33:45 | |
We've been burgled. The Stars have gone! | 0:33:45 | 0:33:47 | |
AUDIENCE GASPS | 0:33:47 | 0:33:49 | |
Woman in dark clothing came out the front door and got in a cab. | 0:33:55 | 0:33:58 | |
-Which way did she go? -Down the drive. | 0:33:58 | 0:34:02 | |
I'm relying on you to have overheard where to. | 0:34:02 | 0:34:05 | |
Even if I knew where he was, do you think I'd hand him over? | 0:34:13 | 0:34:16 | |
He's a thief, Ruby. Don't you see? He's betrayed you. | 0:34:16 | 0:34:19 | |
He'd never do that. I hope you never catch him. | 0:34:19 | 0:34:22 | |
-Come on, this is ridiculous! -Got him! -No, it's not him! | 0:34:22 | 0:34:25 | |
Don't you see - if I wanted to steal the diamonds, | 0:34:25 | 0:34:28 | |
-I could have done! They're mine! -But Van Ert couldn't. | 0:34:28 | 0:34:31 | |
And the countess? | 0:34:31 | 0:34:32 | |
Well, the fact that she's run means she's got something to hide. | 0:34:33 | 0:34:38 | |
Solving a theft and a murder in one day, that's not a bad innings. | 0:34:39 | 0:34:43 | |
Inspector, before he left, Father ask me to give you message. | 0:34:43 | 0:34:47 | |
He said you must let Lady Felicia go. | 0:34:47 | 0:34:50 | |
What is it with that priest? | 0:34:52 | 0:34:53 | |
I don't turn up on Sundays to give his sermon! | 0:34:53 | 0:34:56 | |
It's all right, dear. I haven't caught her yet. | 0:34:58 | 0:35:01 | |
These were upstairs, packed and ready to go. | 0:35:05 | 0:35:08 | |
Looks like your daughter was eloping. | 0:35:08 | 0:35:11 | |
We were running away together, yes. It's not a crime! | 0:35:11 | 0:35:14 | |
I'm sorry, darling, but it's obvious. | 0:35:14 | 0:35:16 | |
He planned to steal the Stars, and leave without you. | 0:35:16 | 0:35:19 | |
So, tell me. If you're right, where are the diamonds now? | 0:35:19 | 0:35:22 | |
TRAIN WHISTLES | 0:35:25 | 0:35:28 | |
Excuse me, sir. Excuse me. | 0:35:29 | 0:35:32 | |
Excuse me. Excuse me. | 0:35:36 | 0:35:40 | |
On my life, it isn't him. There must be others without alibis! | 0:35:41 | 0:35:45 | |
-All watching the play. -Except for the people in it! -All accounted for. | 0:35:45 | 0:35:48 | |
Apart from Felicia. Where's she? | 0:35:48 | 0:35:50 | |
I believe the countess could kill, but for love, not money. | 0:35:51 | 0:35:55 | |
I don't believe she'd steal diamonds. That's not why she ran. | 0:35:55 | 0:35:58 | |
-Ran? You think she left? -Well, she's not here. | 0:35:58 | 0:36:00 | |
I was outside waiting for Ruby until the moment you had me arrested. | 0:36:00 | 0:36:04 | |
-Lady Felicia didn't leave the building. -Then... | 0:36:04 | 0:36:07 | |
..where is she? | 0:36:08 | 0:36:10 | |
Excuse me. I do beg your pardon. | 0:36:18 | 0:36:20 | |
You won't get away with it. | 0:36:45 | 0:36:46 | |
And if you wanted to pass incognito, | 0:36:46 | 0:36:50 | |
you really should have changed your shoes. | 0:36:50 | 0:36:53 | |
I'm keeping the diamonds. | 0:36:53 | 0:36:54 | |
Leave the compartment, get off at the next stop, and nobody gets hurt. | 0:36:54 | 0:36:58 | |
But somebody already has been hurt, haven't they? You killed Anne-Marie. | 0:36:58 | 0:37:02 | |
-HE LAUGHS -That's absurd! | 0:37:02 | 0:37:05 | |
I wasn't even in the country. | 0:37:05 | 0:37:07 | |
And why on earth would I murder my own sister? | 0:37:07 | 0:37:09 | |
But she WASN'T your sister, was she? | 0:37:09 | 0:37:12 | |
Yours, I believe? You weren't in Africa. | 0:37:14 | 0:37:18 | |
You were in Italy before you came to Kembleford, | 0:37:18 | 0:37:22 | |
fought with Anne-Marie Adams on the day of Ruby's birthday, | 0:37:22 | 0:37:25 | |
and then dropped that coin in the struggle. | 0:37:25 | 0:37:27 | |
Father, you have a real talent for fiction. | 0:37:27 | 0:37:30 | |
The photograph was a clever touch. That had me flummoxed for a while. | 0:37:30 | 0:37:34 | |
How could I possibly fake that? | 0:37:34 | 0:37:37 | |
You didn't. But those clothes weren't a costume. | 0:37:37 | 0:37:40 | |
They were what you would have been wearing, | 0:37:40 | 0:37:43 | |
as the nanny's son. | 0:37:43 | 0:37:45 | |
I had it right the first time we met, didn't I? Mr Short? | 0:37:45 | 0:37:49 | |
It must have been terrible for you, | 0:37:50 | 0:37:52 | |
coming back from the Continent, discovering your mother had died. | 0:37:52 | 0:37:55 | |
Visiting her grave and finding her buried like a pauper. | 0:37:55 | 0:37:58 | |
-Did you blame Anne-Marie for her death? -This is nonsense! | 0:37:58 | 0:38:02 | |
I suspect you must have thought the Adamses owed her more than that. | 0:38:02 | 0:38:06 | |
Aged retainers should be pensioned off, | 0:38:06 | 0:38:09 | |
not thrown out with the rubbish. | 0:38:09 | 0:38:11 | |
-But Anne-Marie couldn't give you a penny. -WOULDN'T! | 0:38:11 | 0:38:14 | |
So you decided to take the diamonds. She fought back and you killed her. | 0:38:14 | 0:38:20 | |
-It was an accident. -But it wasn't an accident | 0:38:20 | 0:38:23 | |
when you then decided to stand in as her brother, | 0:38:23 | 0:38:26 | |
and take whatever he was set to inherit. | 0:38:26 | 0:38:28 | |
The only person who suspected anything was Lady Felicia. | 0:38:28 | 0:38:33 | |
I don't know what she spotted, | 0:38:33 | 0:38:34 | |
but when she came on stage, she called for the police. | 0:38:34 | 0:38:37 | |
Police! Oh, you're here! Help! Police! | 0:38:37 | 0:38:43 | |
I wouldn't do that if I were you. Put your hands up. | 0:38:43 | 0:38:47 | |
But that can't have been her line. She WAS the police. | 0:38:47 | 0:38:50 | |
Shut up, or I'll shut you up! | 0:38:50 | 0:38:53 | |
You'll never get away with this. Help me! Help! Oh! | 0:38:53 | 0:38:57 | |
GUNSHOT, SCREAMING | 0:38:57 | 0:39:00 | |
I only hope that was chloroform I smelt on your hanky, | 0:39:00 | 0:39:03 | |
and that you haven't really hurt her. | 0:39:03 | 0:39:05 | |
SHE GASPS | 0:39:10 | 0:39:11 | |
-Is she really hurt? -No, please! | 0:39:13 | 0:39:17 | |
Tomato. | 0:39:23 | 0:39:24 | |
I didn't harm Felicia. I just had to shut her up. As for Anne-Marie... | 0:39:27 | 0:39:33 | |
I didn't mean to hurt her. She deserved everything she got. | 0:39:33 | 0:39:37 | |
She deserved to die? For not paying your mother's pension? | 0:39:37 | 0:39:42 | |
Mum worked for them for 45 years! | 0:39:42 | 0:39:45 | |
She brought up two generations of that family. | 0:39:45 | 0:39:48 | |
They saw more of her than I ever did! | 0:39:48 | 0:39:51 | |
And then when she got old, | 0:39:51 | 0:39:54 | |
they turned her out without a penny. | 0:39:54 | 0:39:57 | |
That's what killed her. Anne-Marie's the murderer, not me! | 0:39:57 | 0:40:00 | |
But she didn't have a penny to give. | 0:40:00 | 0:40:03 | |
They were as much paupers as your mother was. | 0:40:04 | 0:40:07 | |
But...the will, the bequests! | 0:40:10 | 0:40:13 | |
After the diamonds, her estate was bequeathed to the church. | 0:40:13 | 0:40:17 | |
So we got a rather nice icon, a Bible, and two rosaries. | 0:40:17 | 0:40:21 | |
The financial value of the bequest was precisely zero. | 0:40:22 | 0:40:26 | |
Why didn't she just tell me? | 0:40:28 | 0:40:30 | |
You hit a nerve. And I hear she had been drinking. | 0:40:30 | 0:40:35 | |
She was plastered. I just wanted the money Mum was owed. | 0:40:35 | 0:40:39 | |
Enough for a proper gravestone, for a start. | 0:40:40 | 0:40:43 | |
You will give me what she is owed! | 0:40:43 | 0:40:46 | |
You think you can tell me what to do, but you can't! | 0:40:46 | 0:40:49 | |
-If you won't give it to me, I'll take it! -SHE SCREAMS | 0:40:49 | 0:40:53 | |
Leave me alone! | 0:40:55 | 0:40:58 | |
I won't put up with this! | 0:40:58 | 0:40:59 | |
Why didn't you go in, try to save her? | 0:41:17 | 0:41:19 | |
I can't swim. | 0:41:20 | 0:41:23 | |
Yes, I was angry, but I didn't want her dead. | 0:41:25 | 0:41:29 | |
I loved her. | 0:41:32 | 0:41:33 | |
Give me the diamonds. I'll return them to Ruby. | 0:41:35 | 0:41:38 | |
As for Anne-Marie...give yourself up, pay for your crimes. | 0:41:38 | 0:41:45 | |
-You mean hang. -No, it's manslaughter, not murder. | 0:41:45 | 0:41:49 | |
It'll mean prison, | 0:41:49 | 0:41:50 | |
but you'll give the father and the daughter justice. | 0:41:50 | 0:41:54 | |
I suppose I don't have much choice. | 0:41:56 | 0:41:58 | |
Better to give yourself up. Come quietly. | 0:41:58 | 0:42:01 | |
HE SIGHS | 0:42:04 | 0:42:05 | |
Afternoon. | 0:42:07 | 0:42:08 | |
Let me help you with the clasp. | 0:42:14 | 0:42:16 | |
What are you waiting for?! | 0:42:23 | 0:42:25 | |
Why didn't you stop him? | 0:43:09 | 0:43:11 | |
You're always trying to save their souls. | 0:43:11 | 0:43:13 | |
He lost his when he ran. You were trying to take him to the police. | 0:43:13 | 0:43:17 | |
So Ruby could get her inheritance back. | 0:43:17 | 0:43:19 | |
HE LAUGHS | 0:43:19 | 0:43:21 | |
Oh, any idiot could see | 0:43:21 | 0:43:23 | |
your precious Flying Stars were as fake as HE was. | 0:43:23 | 0:43:26 | |
You heard about Uncle... | 0:43:36 | 0:43:38 | |
..about the impostor? | 0:43:39 | 0:43:41 | |
Mmm. | 0:43:43 | 0:43:44 | |
Shouldn't be sad, should I? But, somehow... | 0:43:44 | 0:43:46 | |
I guess the good news is, I still have an uncle. | 0:43:49 | 0:43:52 | |
Even if he IS still in Nairobi. | 0:43:52 | 0:43:54 | |
Dad, please, don't look like that! | 0:43:56 | 0:43:59 | |
I'm sorry I was running away. I didn't think I had a choice. | 0:43:59 | 0:44:03 | |
It's not just that. | 0:44:03 | 0:44:04 | |
We're in debt. | 0:44:06 | 0:44:08 | |
Up to our eyeballs. | 0:44:09 | 0:44:11 | |
This place is about to be repossessed. | 0:44:12 | 0:44:15 | |
Why didn't you tell me? | 0:44:15 | 0:44:16 | |
I'll sell the Stars when they find them. | 0:44:17 | 0:44:19 | |
-They're crushed to dust. -Diamonds don't crumble. -No. | 0:44:21 | 0:44:25 | |
But paste does. | 0:44:25 | 0:44:27 | |
I might as well tell you now. | 0:44:28 | 0:44:30 | |
I put the Stars in hock ten years ago. | 0:44:32 | 0:44:34 | |
The necklace your mum left you was a good copy. | 0:44:36 | 0:44:38 | |
But paste, nonetheless. | 0:44:40 | 0:44:42 | |
I-I don't understand. If you're in that much debt, | 0:44:42 | 0:44:45 | |
how could you ever hope to pay it off? | 0:44:45 | 0:44:48 | |
Only by your marrying well. | 0:44:48 | 0:44:49 | |
I wasn't against John because he was a tutor, | 0:44:52 | 0:44:55 | |
or even because he's a Communist. | 0:44:55 | 0:44:57 | |
But he can't provide for you. | 0:45:01 | 0:45:02 | |
And nor can I. | 0:45:04 | 0:45:05 | |
So what choice is there? | 0:45:07 | 0:45:10 | |
You SHOULD be celebrating. | 0:45:35 | 0:45:37 | |
Being taken for a fool? | 0:45:40 | 0:45:41 | |
Losing my daughter? | 0:45:43 | 0:45:44 | |
Having to admit we're close to losing our home? | 0:45:45 | 0:45:48 | |
-Gaining freedom. -Sorry? -Perhaps the truth is, | 0:45:48 | 0:45:52 | |
this house is a burden to the next generation, not a legacy. | 0:45:52 | 0:45:56 | |
Do you want to weigh your daughter down as you've been your whole life? | 0:45:56 | 0:46:01 | |
And of course, you have another gain. | 0:46:01 | 0:46:03 | |
A son-in-law. He's not a gold-digger. | 0:46:05 | 0:46:07 | |
He would have taken her with nothing. | 0:46:07 | 0:46:09 | |
I suppose you want my blessing, | 0:46:09 | 0:46:11 | |
-so you can marry them? -Oh, I'll marry them | 0:46:11 | 0:46:14 | |
with your blessing or without it. | 0:46:14 | 0:46:16 | |
But why go all the way to Gretna Green | 0:46:16 | 0:46:18 | |
when we have a perfectly good church here? | 0:46:18 | 0:46:20 | |
Come on, Colonel - what do you say? | 0:46:22 | 0:46:24 | |
CHURCH BELLS PEAL | 0:46:28 | 0:46:30 | |
APPLAUSE | 0:46:30 | 0:46:32 | |
Nice catch. | 0:46:42 | 0:46:44 | |
-Beautiful day for it. -Reminds me of MY wedding day. Oh! | 0:46:50 | 0:46:56 | |
Such a shame. | 0:46:57 | 0:46:58 | |
Why do I always pick the wrong 'uns? | 0:47:02 | 0:47:04 | |
So...spill the beans! Who's that? | 0:47:06 | 0:47:11 | |
That's the REAL Uncle James. | 0:47:16 | 0:47:18 | |
Ooh! | 0:47:18 | 0:47:20 | |
Excuse me. Excuse me. | 0:47:21 | 0:47:23 | |
Subtitles by Red Bee Media Ltd | 0:48:12 | 0:48:16 |