Browse content similar to The Eye of Apollo. Check below for episodes and series from the same categories and more!
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CREEPY MUSIC AND THUNDER | 0:00:02 | 0:00:06 | |
OWL HOOTS | 0:00:39 | 0:00:41 | |
Nie. | 0:00:47 | 0:00:48 | |
Nie! | 0:01:03 | 0:01:05 | |
SHE SHOUTS IN POLISH | 0:01:05 | 0:01:08 | |
I reckon the storm caused a surge in the power grid | 0:01:36 | 0:01:39 | |
because the whole of Kembleford went ka-blooey last night. | 0:01:39 | 0:01:42 | |
I'm sure I've seen that symbol somewhere before. | 0:01:42 | 0:01:46 | |
Oh, probably Satanists, Father. | 0:01:46 | 0:01:48 | |
And the Lord said, "Let there be light." | 0:01:48 | 0:01:51 | |
Wahey! | 0:01:51 | 0:01:52 | |
"And the light shineth in darkness, | 0:01:52 | 0:01:55 | |
"and the darkness recognised it not." | 0:01:55 | 0:01:58 | |
-Well, at last. -Sorry, Father. | 0:02:00 | 0:02:03 | |
Not to worry. Everything all right? | 0:02:03 | 0:02:05 | |
-Yes, but... -Your list of chores. | 0:02:05 | 0:02:08 | |
Father, why are you going? | 0:02:10 | 0:02:11 | |
You not had one of these? The whole town's been deluged with them. | 0:02:11 | 0:02:16 | |
-Yeah... -Your chores! | 0:02:16 | 0:02:18 | |
Right, Father, let's go and find out what all this nonsense is about. | 0:02:18 | 0:02:23 | |
You stupid girl. I have spent a whole hour alphabetising those. | 0:02:24 | 0:02:30 | |
-You sure everything's all right? -Yes, I'm fine. | 0:02:31 | 0:02:33 | |
Have a good day. | 0:02:35 | 0:02:37 | |
I make...I make tea? | 0:02:40 | 0:02:44 | |
Oh, wish I could, darling, but, you know, four more jobs today. | 0:02:44 | 0:02:47 | |
Storm damage. Terrible thing. | 0:02:47 | 0:02:50 | |
HE LAUGHS | 0:02:50 | 0:02:52 | |
CELLO MUSIC | 0:03:05 | 0:03:08 | |
We come in peace. | 0:03:47 | 0:03:49 | |
Looks like they've come in their pyjamas. | 0:04:19 | 0:04:22 | |
And is that supposed to be music? | 0:04:22 | 0:04:25 | |
Let's both try and keep an open mind, shall we? | 0:04:26 | 0:04:29 | |
GONG CLANGS | 0:04:37 | 0:04:38 | |
Good people of Kembleford, our founder and leader, Kalon. | 0:04:43 | 0:04:48 | |
What a glorious sight. | 0:05:01 | 0:05:03 | |
Welcome. | 0:05:04 | 0:05:05 | |
Welcome, all. | 0:05:07 | 0:05:09 | |
I was covered in mud. I was broken, bloodied. | 0:05:12 | 0:05:17 | |
There were shells exploding all around me, | 0:05:17 | 0:05:19 | |
bullets whizzing past my ear. | 0:05:19 | 0:05:21 | |
I was engulfed in pain, I was paralysed by fear. | 0:05:21 | 0:05:25 | |
And then it happened. | 0:05:25 | 0:05:28 | |
A sniper's bullet... | 0:05:29 | 0:05:30 | |
..through my brain and out through the back of my head. | 0:05:32 | 0:05:34 | |
And I fell back, staring into the noonday sun, in the mud, | 0:05:35 | 0:05:41 | |
and barely had I registered what had happened to me, | 0:05:41 | 0:05:44 | |
when in a burst of pure joy, | 0:05:44 | 0:05:48 | |
the knowledge of millennia was delivered into my brain. | 0:05:48 | 0:05:51 | |
From the astral ancestors dwelling within the fiery core of the sun, | 0:05:53 | 0:05:57 | |
to the deepest recesses of my soul... | 0:05:57 | 0:05:59 | |
..transported on a ribbon of energy, | 0:06:01 | 0:06:04 | |
93 million miles across empty space. | 0:06:04 | 0:06:09 | |
And as this beautiful knowledge, it filled me up, I was pure peace. | 0:06:10 | 0:06:14 | |
Pure joy. | 0:06:16 | 0:06:17 | |
Pure hope. | 0:06:19 | 0:06:20 | |
So much hope. | 0:06:30 | 0:06:31 | |
I was given a purpose that day - to carry this wisdom to the rest of | 0:06:43 | 0:06:48 | |
humanity. For the path to happiness lies within the life-giving sun. | 0:06:48 | 0:06:53 | |
By harnessing its eternal energies... | 0:06:55 | 0:06:58 | |
..we chase away the demons, we vanquish the loneliness, | 0:07:00 | 0:07:04 | |
we reach a higher plane where spiritual, emotional and physical | 0:07:04 | 0:07:10 | |
healing can belong to us all. | 0:07:10 | 0:07:14 | |
Of course, I don't expect you to take my word for it. | 0:07:19 | 0:07:22 | |
But I can offer you something that other religions, | 0:07:24 | 0:07:27 | |
in my experience, can never provide. | 0:07:27 | 0:07:29 | |
Proof. | 0:07:36 | 0:07:37 | |
You. | 0:07:40 | 0:07:41 | |
Come, come forward. Don't be afraid. Come. | 0:07:44 | 0:07:48 | |
Follow the light, come. | 0:07:53 | 0:07:55 | |
She can't have finished those chores already. | 0:07:56 | 0:07:59 | |
I'll be having words with her. | 0:07:59 | 0:08:00 | |
Welcome. What is your name? | 0:08:05 | 0:08:09 | |
Susie. | 0:08:11 | 0:08:12 | |
Susie? | 0:08:13 | 0:08:15 | |
That's how everybody calls me. | 0:08:15 | 0:08:18 | |
But your family? | 0:08:18 | 0:08:19 | |
They called me Zuzanna. | 0:08:20 | 0:08:24 | |
Zuzanna, what a beautiful name. | 0:08:25 | 0:08:28 | |
Trust me, Zuzanna. All I want is to open your eyes. | 0:08:30 | 0:08:35 | |
The astral spirits are with us today. | 0:08:37 | 0:08:40 | |
They are with us now. I can feel them. | 0:08:41 | 0:08:43 | |
Sit. Sit. | 0:08:46 | 0:08:49 | |
Trust me, Zuzanna. | 0:08:51 | 0:08:52 | |
Sense the sun on your skin. | 0:08:55 | 0:08:57 | |
Close your eyes. | 0:09:01 | 0:09:03 | |
Take a deep breath. | 0:09:04 | 0:09:06 | |
HE INHALES | 0:09:06 | 0:09:08 | |
Let it go. | 0:09:08 | 0:09:09 | |
Feel the sun's energy filling you up. | 0:09:11 | 0:09:13 | |
There is a lonely place inside of you, Zuzanna. | 0:09:16 | 0:09:19 | |
It's been there a long time. | 0:09:21 | 0:09:24 | |
Since you were a child. | 0:09:24 | 0:09:25 | |
Your father....gave his life in battle, yes? | 0:09:27 | 0:09:31 | |
-Yes. -And your mother passed away, too. -Yes. | 0:09:31 | 0:09:34 | |
Oh, Zuzanna. Know that the astral spirits of your mother | 0:09:34 | 0:09:39 | |
and father, your parents, are here now. I can see their faces. | 0:09:39 | 0:09:44 | |
Oh, Zuzanna. | 0:09:44 | 0:09:46 | |
They miss you so much. | 0:09:47 | 0:09:49 | |
They love you so deeply. Can you feel them? | 0:09:49 | 0:09:52 | |
I.... I... | 0:09:54 | 0:09:56 | |
Can you feel them? | 0:09:56 | 0:09:58 | |
Their love? Their warmth? Their joy? Their light? Do you feel them? | 0:09:58 | 0:10:03 | |
-SHOUTING: Can you feel them? -Yes. -Yes. Yes, yes. | 0:10:03 | 0:10:07 | |
Mostly Barnum statements. | 0:10:15 | 0:10:17 | |
Plus some cold reasoning, | 0:10:17 | 0:10:20 | |
a few high probability deductions... | 0:10:20 | 0:10:22 | |
..the power of suggestion. | 0:10:23 | 0:10:25 | |
So you're saying he's a charlatan? | 0:10:25 | 0:10:28 | |
That I'm not sure of yet. Either he is, | 0:10:28 | 0:10:31 | |
or he really thinks he has a gift. | 0:10:31 | 0:10:34 | |
What if I genuinely have a gift. Is that not also a possibility? | 0:10:35 | 0:10:40 | |
Many things are possible. The question is, what's probable? | 0:10:40 | 0:10:44 | |
Might I ask what is the meaning of the symbol? | 0:10:47 | 0:10:50 | |
It represents the duality of night and day, delivered to me | 0:10:50 | 0:10:54 | |
in a vision by the astral spirits. | 0:10:54 | 0:10:55 | |
I see. | 0:10:56 | 0:10:58 | |
Father, surely, you of all people, | 0:10:58 | 0:10:59 | |
believe in the transcendence of the spirit. | 0:10:59 | 0:11:03 | |
This is my astral partner, Dominique. | 0:11:03 | 0:11:06 | |
That's like a wife, is it? | 0:11:06 | 0:11:08 | |
Oh, so much more. A symbiosis of souls, an amalgamation of destiny. | 0:11:08 | 0:11:14 | |
Oh, right you are. | 0:11:14 | 0:11:15 | |
The transcendence of the spirit I'm all for, but turning someone's | 0:11:16 | 0:11:20 | |
grief into a theatrical event, that I find somewhat dubious. | 0:11:20 | 0:11:24 | |
I lost my husband and sons in the war. | 0:11:24 | 0:11:27 | |
Kalon has been my salvation from grief, as he has for everyone here. | 0:11:27 | 0:11:32 | |
What exactly do you find dubious about that, Father? | 0:11:34 | 0:11:37 | |
I was hoping for a little ecumenical goodwill. | 0:11:37 | 0:11:40 | |
I'm truly sorry about your family. | 0:11:42 | 0:11:45 | |
But understand, I am merely looking after the interests of my flock. | 0:11:45 | 0:11:50 | |
-And I'm the Big Bad Wolf? -Precisely. | 0:11:51 | 0:11:54 | |
Nobody's being preyed upon. | 0:11:54 | 0:11:56 | |
Then might I ask, how much does it cost | 0:11:58 | 0:12:02 | |
to join your order? | 0:12:02 | 0:12:04 | |
Nothing. Everything the religion needs, it gets from me. | 0:12:04 | 0:12:08 | |
Dominique's family is absurdly rich. Banking and such like. | 0:12:08 | 0:12:10 | |
So you see, our intentions here are completely benign. | 0:12:10 | 0:12:14 | |
We're not here to swindle your parishioners or steal your souls. | 0:12:14 | 0:12:18 | |
All we're asking for is a quiet corner of the world | 0:12:18 | 0:12:20 | |
to practise our faith. Now, that is not too much to ask, is it? | 0:12:20 | 0:12:23 | |
Will you excuse me? | 0:12:23 | 0:12:24 | |
So.... | 0:12:31 | 0:12:33 | |
How long have you two been amalgamated? | 0:12:33 | 0:12:36 | |
I want to thank you for volunteering. | 0:12:42 | 0:12:46 | |
Astral communion can be an overwhelming experience, | 0:12:46 | 0:12:48 | |
especially the first time. | 0:12:48 | 0:12:51 | |
I should like to personally invite you to join us | 0:12:51 | 0:12:54 | |
-to greet the sun tomorrow morning. -Greet the sun? | 0:12:54 | 0:12:56 | |
Yes, it is a ritual, the way we start the day. | 0:12:56 | 0:12:58 | |
-Oh. -Zuzanna. | 0:12:58 | 0:13:01 | |
I have done hundreds of readings for hundreds of people and not | 0:13:03 | 0:13:07 | |
since Dominique have I felt a spirit so vibrant, so primed for change. | 0:13:07 | 0:13:10 | |
Give yourself the chance to be whatever it is you want to be. | 0:13:12 | 0:13:15 | |
-I don't know. -Trust me. | 0:13:18 | 0:13:20 | |
Everything you could ever want is in there. | 0:13:24 | 0:13:27 | |
With time you will be able to communicate with the | 0:13:27 | 0:13:31 | |
astral spirits of your father and mother | 0:13:31 | 0:13:34 | |
all by yourself. You will never feel alone again. | 0:13:34 | 0:13:37 | |
5:00 AM. | 0:13:41 | 0:13:42 | |
All right? | 0:13:54 | 0:13:56 | |
Yes, I'm fine. See you tomorrow. | 0:13:56 | 0:13:59 | |
We greet the sun with humble reverence, | 0:14:59 | 0:15:02 | |
we pay our respects to the ancient astral spirits and thank them | 0:15:02 | 0:15:06 | |
for showing us the way and for blessing me, | 0:15:06 | 0:15:09 | |
their humble servant, with the gift of their message. | 0:15:09 | 0:15:13 | |
We greet thee, we greet thee, we greet thee. | 0:15:13 | 0:15:18 | |
ALL: We greet thee, we greet thee, we greet thee. | 0:15:18 | 0:15:21 | |
ALL: We greet thee, we greet thee, we greet thee. | 0:15:22 | 0:15:26 | |
We greet thee, we greet thee, we greet thee. | 0:15:26 | 0:15:31 | |
We greet thee, we greet thee, we greet thee. | 0:15:31 | 0:15:36 | |
We greet thee, we greet thee, we greet thee. | 0:15:36 | 0:15:40 | |
Father, will you stop playing with your food? | 0:15:45 | 0:15:48 | |
CHURCH BELLS TOLL | 0:15:49 | 0:15:51 | |
And she's late again. | 0:15:51 | 0:15:53 | |
-I'll take a stroll down to the camp. -And what time do you call this? | 0:15:57 | 0:16:00 | |
Susie's gone. | 0:16:00 | 0:16:02 | |
What's the matter? Why aren't you communing? | 0:16:08 | 0:16:12 | |
I... | 0:16:12 | 0:16:14 | |
-I can't concentrate. -Don't force it. | 0:16:14 | 0:16:18 | |
Let each thought come and go as it pleases. | 0:16:18 | 0:16:21 | |
You can do it. | 0:16:22 | 0:16:24 | |
-What's the point? -Excuse me? | 0:16:25 | 0:16:28 | |
Ten months I'm here. I can still barely sleep, | 0:16:28 | 0:16:31 | |
still hobbling about like a cripple. | 0:16:31 | 0:16:33 | |
You can't expect the transitioning to happen overnight. | 0:16:33 | 0:16:36 | |
Then when? How much longer do I have to be like this? | 0:16:36 | 0:16:39 | |
Kalon says it's when your body and spirit... | 0:16:39 | 0:16:41 | |
-I don't care what Kalon says. -Adam? -He's.... | 0:16:41 | 0:16:44 | |
Adam! | 0:16:47 | 0:16:48 | |
This is a delicate time. | 0:16:50 | 0:16:52 | |
She needs to be free of negative influences. | 0:16:52 | 0:16:54 | |
Negative influences? | 0:16:54 | 0:16:56 | |
I realise you care about her, but whether you choose to admit it | 0:16:56 | 0:16:59 | |
or not, you don't want her to change. | 0:16:59 | 0:17:01 | |
She fulfils a role in your life. | 0:17:02 | 0:17:04 | |
She makes you feel secure, comfortable. | 0:17:04 | 0:17:06 | |
More Barnum statements. | 0:17:06 | 0:17:08 | |
I am normally a very placid man, Father, | 0:17:08 | 0:17:10 | |
but you are beginning to irritate me. | 0:17:10 | 0:17:12 | |
Then, trust me, the quickest way to get rid of me is to give in. | 0:17:12 | 0:17:16 | |
-All I ask is ten minutes. -Come back in a few days... | 0:17:16 | 0:17:20 | |
..after her initiation. | 0:17:21 | 0:17:23 | |
Kalon is a vessel for ancient wisdom. | 0:17:37 | 0:17:40 | |
-How can you be so blind? -That's enough. | 0:17:40 | 0:17:42 | |
Or do you just look the other way on purpose? | 0:17:42 | 0:17:44 | |
-I don't know what you're talking about. -Yes, you do. | 0:17:44 | 0:17:47 | |
Lisa, Daisy. | 0:17:47 | 0:17:50 | |
Those girls were disruptive to the harmony of the community. | 0:17:50 | 0:17:52 | |
-So you said at the time. -This is none of your business. | 0:17:52 | 0:17:55 | |
I think it's the business of everyone here to know | 0:17:55 | 0:17:58 | |
they're being led by a man of low moral character. | 0:17:58 | 0:18:00 | |
Kalon is a great man, but he's still a man. | 0:18:00 | 0:18:04 | |
Yes, I sent those girls away, but I did it before he could be tempted. | 0:18:04 | 0:18:08 | |
-They wanted him. -Is that right? -Yes. | 0:18:08 | 0:18:13 | |
And what about the new girl? | 0:18:13 | 0:18:14 | |
The way he looks at her? | 0:18:15 | 0:18:17 | |
There's more going on in his head than spiritual enlightenment. | 0:18:18 | 0:18:21 | |
What are you doing? | 0:18:29 | 0:18:30 | |
So this is why you're making up lies? Pathetic. | 0:18:32 | 0:18:36 | |
Right, what I say is we sneak in, we grab her. | 0:18:59 | 0:19:01 | |
Once we've got her, we can talk some sense into her. | 0:19:01 | 0:19:04 | |
-There's a word for that. -Brilliant? -Kidnapping. That's it. | 0:19:04 | 0:19:07 | |
Breaks one of those law-thingies | 0:19:07 | 0:19:08 | |
you may have heard about from time to time. | 0:19:08 | 0:19:10 | |
Wait here. Keep a look-out. | 0:19:14 | 0:19:17 | |
Father! Father. | 0:19:51 | 0:19:54 | |
You have to leave. | 0:19:54 | 0:19:56 | |
After those gymnastics? I think not. | 0:19:56 | 0:19:59 | |
With these people? Really? | 0:20:22 | 0:20:25 | |
I'm sorry, I know how that sounded. | 0:20:27 | 0:20:28 | |
It's just, they're so... | 0:20:30 | 0:20:31 | |
..I really want to say barmy, but I know I'll get into trouble. | 0:20:33 | 0:20:37 | |
It's no more barmy than any other religion. | 0:20:37 | 0:20:41 | |
I'm only trying to protect you. You know nothing about this Kalon. | 0:20:41 | 0:20:45 | |
I suspect that's not even his real name. | 0:20:45 | 0:20:48 | |
He...he's a great man. | 0:20:48 | 0:20:52 | |
He has gift. | 0:20:52 | 0:20:54 | |
I believe there's a rational explanations for his gift. | 0:20:54 | 0:20:57 | |
You believe what you want, I'll believe what I want. | 0:20:57 | 0:21:00 | |
What are you doing here? Please leave, now. | 0:21:00 | 0:21:02 | |
WOMAN SCREAMS | 0:21:02 | 0:21:05 | |
Dominique! | 0:21:07 | 0:21:09 | |
It's locked. Dominique! | 0:21:12 | 0:21:15 | |
I've got some spare keys in the office, down the hallway, | 0:21:15 | 0:21:17 | |
on the key rack. Dominique! Please, please, hurry! | 0:21:17 | 0:21:21 | |
Dominique. | 0:21:23 | 0:21:24 | |
DOMINIQUE SCREAMS | 0:21:31 | 0:21:33 | |
Dominique! Dominique, please. | 0:21:37 | 0:21:39 | |
Dominique? | 0:21:45 | 0:21:46 | |
So, you say there was no-one in the room? | 0:22:09 | 0:22:12 | |
No other way out? | 0:22:15 | 0:22:17 | |
Unless the killer could fly. | 0:22:18 | 0:22:20 | |
Mr...Kalon, is it? | 0:22:24 | 0:22:27 | |
I'm sorry to ask this, but is there any chance your wife could have... | 0:22:30 | 0:22:34 | |
-It was suicide? -Was she depressed? | 0:22:37 | 0:22:39 | |
She was full of sunlight. You ask anyone. | 0:22:41 | 0:22:44 | |
We did hear her screaming for help. | 0:22:45 | 0:22:49 | |
She didn't jump. She was pushed. | 0:22:49 | 0:22:52 | |
She came flying out of window. | 0:22:52 | 0:22:54 | |
-But you didn't see anyone? -Inspector? | 0:22:54 | 0:22:58 | |
That must be the master key. | 0:22:58 | 0:23:00 | |
Right, let's see this room. | 0:23:12 | 0:23:15 | |
Five-lever mortice, near enough unpickable. | 0:23:27 | 0:23:31 | |
Check with the groundskeepers there's no other copies. | 0:23:32 | 0:23:35 | |
Don't touch anything. | 0:23:39 | 0:23:41 | |
Blood. | 0:23:47 | 0:23:48 | |
There's no way anyone could have hidden behind the door? | 0:23:50 | 0:23:52 | |
Under the bed? | 0:23:52 | 0:23:54 | |
No secret passages? | 0:23:54 | 0:23:56 | |
Ah! More blood. | 0:24:00 | 0:24:02 | |
I may be mistaken, but I think that that is paint. | 0:24:04 | 0:24:07 | |
Now, that on the other hand, that is blood. | 0:24:07 | 0:24:11 | |
I think we may deduce that she took a bath to wash off the paint | 0:24:11 | 0:24:15 | |
and then when whatever happened, happened. | 0:24:15 | 0:24:17 | |
Adam. Dominique's novice. He's a painter. | 0:24:17 | 0:24:21 | |
He has mental disturbances, shell shock. | 0:24:22 | 0:24:24 | |
That doesn't necessarily mean he's a murderer. | 0:24:24 | 0:24:27 | |
Sounds like a good place to start. | 0:24:27 | 0:24:30 | |
-No! -Ah, Mr Watkins. -I didn't do it. | 0:24:30 | 0:24:32 | |
What are you doing? | 0:24:33 | 0:24:35 | |
Unlock this door, now! | 0:24:35 | 0:24:37 | |
Looks like we've found our man. | 0:24:40 | 0:24:41 | |
< Officer! | 0:24:41 | 0:24:43 | |
Perhaps. | 0:24:43 | 0:24:45 | |
Well, he won't get very far with that limp. | 0:24:49 | 0:24:51 | |
CREEPY MUSIC | 0:24:54 | 0:24:56 | |
Are you all right? | 0:24:59 | 0:25:01 | |
She's in the light. I see her. | 0:25:01 | 0:25:04 | |
She's at peace. | 0:25:06 | 0:25:07 | |
She forgives. | 0:25:09 | 0:25:10 | |
-It was you. -Calm down, Mr Watkins. | 0:25:36 | 0:25:38 | |
-You did it. -How dare you? | 0:25:38 | 0:25:41 | |
You wanted her out of the way so you could.... Ask him. | 0:25:41 | 0:25:44 | |
Ask him about the girls. Lisa, Daisy, ask him! | 0:25:44 | 0:25:46 | |
-What's he talking about? -It's a private matter. | 0:25:46 | 0:25:49 | |
Not today, I'm afraid. | 0:25:49 | 0:25:50 | |
My Dominique had a morbid fear of abandonment, which is not surprising, | 0:25:52 | 0:25:55 | |
given her loss. But it made her paranoid. | 0:25:55 | 0:25:57 | |
-She imagined relations. -Imagined? | 0:25:57 | 0:25:59 | |
Yes, imagined relations between | 0:25:59 | 0:26:00 | |
myself and certain young women in our community. | 0:26:00 | 0:26:03 | |
I had to tell them to leave for Dominique's peace of mind. | 0:26:03 | 0:26:06 | |
-He's lying! He's lying! -Besides, I was nowhere near her. | 0:26:06 | 0:26:08 | |
And Father Brown can attest to that. | 0:26:10 | 0:26:12 | |
Problem, Father Brown? | 0:26:15 | 0:26:16 | |
Groundskeepers confirm there are no other keys. | 0:26:19 | 0:26:22 | |
Maybe Mr Watkins can enlighten us to how he disappeared into thin air. | 0:26:22 | 0:26:26 | |
-When will you leave us to mourn? -Forensics are almost finished. | 0:26:26 | 0:26:29 | |
Once we've taken statements, we'll be off. | 0:26:29 | 0:26:32 | |
But don't leave town. Investigation's not over yet. | 0:26:32 | 0:26:35 | |
You obviously have something on your mind, Father. | 0:26:51 | 0:26:54 | |
You let an innocent man pay for your crime? | 0:26:54 | 0:26:57 | |
-Who of us is truly innocent? -Then you admit it. | 0:26:57 | 0:27:00 | |
How did I do it? Split myself in two? | 0:27:05 | 0:27:07 | |
Well, I haven't fathomed out the details yet. | 0:27:07 | 0:27:09 | |
but I know the eyes of a murderer. | 0:27:09 | 0:27:11 | |
I see, that's your proof, is it? My eyes. | 0:27:11 | 0:27:13 | |
Windows of the soul. | 0:27:13 | 0:27:15 | |
Then look deeply. | 0:27:15 | 0:27:18 | |
See that I won't let anything or anyone | 0:27:18 | 0:27:20 | |
get in the way of spreading the word of the ancients. | 0:27:20 | 0:27:23 | |
That's why you killed her. | 0:27:23 | 0:27:25 | |
Because she stood in your way. | 0:27:26 | 0:27:28 | |
You are not my confessor. | 0:27:28 | 0:27:31 | |
Then tell me, what sort of a man | 0:27:31 | 0:27:35 | |
covets another woman on the day of his wife's murder? | 0:27:35 | 0:27:38 | |
Finally, we get to what this is really about. | 0:27:39 | 0:27:42 | |
Jealousy. | 0:27:44 | 0:27:45 | |
I understand you want her back. | 0:27:46 | 0:27:48 | |
But know this - as surely as night follows day, | 0:27:48 | 0:27:51 | |
what happened to Dominique was destiny. | 0:27:51 | 0:27:53 | |
She made way for a brighter spirit, a light | 0:27:53 | 0:27:56 | |
so pure that it outshines even hers. | 0:27:56 | 0:27:59 | |
And you will not have her. | 0:27:59 | 0:28:03 | |
Now get off my property. | 0:28:05 | 0:28:07 | |
Malcolm. Gather everyone. I have an announcement. | 0:28:16 | 0:28:19 | |
Father, I heard. What an awful, hideous thing. | 0:28:27 | 0:28:30 | |
I'll put the kettle on and you can tell me all about it. | 0:28:31 | 0:28:35 | |
Five-lever mortice lock. Practically unpickable. | 0:28:35 | 0:28:38 | |
No other keys. Which means what? | 0:28:38 | 0:28:41 | |
He's been like this since we left the manor. | 0:28:44 | 0:28:46 | |
She started screaming when we were in the garden. | 0:28:46 | 0:28:50 | |
It's about 20 seconds to the bedroom door. | 0:28:52 | 0:28:55 | |
Father, I made you a nice shepherd's pie. | 0:28:57 | 0:29:00 | |
And I zipped through all of Susie's chores. | 0:29:00 | 0:29:04 | |
I have no idea what takes her so long. | 0:29:04 | 0:29:06 | |
Plus, I managed to re-alphabetise all those files, | 0:29:06 | 0:29:11 | |
and I still had time to bake some of my award-winning strawberry scones. | 0:29:11 | 0:29:14 | |
Files! We're going back. | 0:29:14 | 0:29:17 | |
I hate it when he does that. | 0:29:22 | 0:29:24 | |
You're glowing. | 0:29:32 | 0:29:33 | |
Give us a moment, please, Rose. | 0:29:35 | 0:29:37 | |
I want you to have this. | 0:29:44 | 0:29:46 | |
Dominique wore it on her initiation. | 0:29:46 | 0:29:49 | |
-I...I couldn't. -She wants you to. | 0:29:49 | 0:29:51 | |
You're troubled. | 0:29:57 | 0:29:58 | |
Zuzanna, what is that fear broiling in the pit of your stomach? | 0:30:02 | 0:30:05 | |
What's it about? | 0:30:05 | 0:30:06 | |
Let me tell you. | 0:30:09 | 0:30:10 | |
It is the fear of change, of transformation. | 0:30:13 | 0:30:17 | |
Allow yourself that feeling. | 0:30:20 | 0:30:23 | |
Don't be afraid. Befriend it. | 0:30:23 | 0:30:26 | |
Shake hands with it. | 0:30:27 | 0:30:29 | |
Let it go. | 0:30:31 | 0:30:32 | |
If Kalon won't tell us about those girls, maybe something in here will. | 0:30:56 | 0:31:00 | |
-Where is everyone? -Lisa... | 0:31:04 | 0:31:06 | |
..and Daisy. | 0:31:09 | 0:31:10 | |
Family records. | 0:31:12 | 0:31:14 | |
Medical records. | 0:31:14 | 0:31:16 | |
Dietary requirements. | 0:31:18 | 0:31:20 | |
-Nothing untoward. -Now what? | 0:31:21 | 0:31:24 | |
Wait a minute. | 0:31:40 | 0:31:41 | |
They're leaving. | 0:32:00 | 0:32:01 | |
Susie. | 0:32:10 | 0:32:12 | |
-What are you doing here? -Just listen, that's all I ask. | 0:32:12 | 0:32:15 | |
If afterwards, you want to stay, I won't stand in your way. | 0:32:15 | 0:32:18 | |
I give you my word. Adam was right about Kalon. | 0:32:18 | 0:32:21 | |
And apparently, he's a keen photographer. | 0:32:21 | 0:32:23 | |
Got quite the collection. | 0:32:23 | 0:32:24 | |
He's sick, Susie. | 0:32:28 | 0:32:29 | |
He is sick? | 0:32:38 | 0:32:40 | |
He? No. | 0:32:40 | 0:32:43 | |
-You are. Both of you. -But the proof's right there! | 0:32:43 | 0:32:47 | |
You only see what you want. | 0:32:47 | 0:32:48 | |
He captures our light. | 0:32:50 | 0:32:53 | |
-Our spirit. -SID LAUGHS | 0:32:53 | 0:32:55 | |
See? | 0:32:55 | 0:32:57 | |
It's...it's not sick. | 0:32:57 | 0:33:00 | |
It's beautiful. | 0:33:00 | 0:33:02 | |
Susie, they're planning on leaving. | 0:33:02 | 0:33:03 | |
I know. I go with them. | 0:33:05 | 0:33:07 | |
You don't think that's suspicious? | 0:33:10 | 0:33:12 | |
Would you like to live in house where murder happened? | 0:33:13 | 0:33:15 | |
-It casts shadow. -Now she's talking like one of them. | 0:33:17 | 0:33:20 | |
Susie, if you will abscond, | 0:33:21 | 0:33:22 | |
Inspector Valentine will definitely... | 0:33:22 | 0:33:24 | |
He knows. They are charging Adam. We are free to go. | 0:33:24 | 0:33:29 | |
You said you'd leave. | 0:33:31 | 0:33:32 | |
You gave your word. | 0:33:34 | 0:33:35 | |
-I did. -How very touching. Now let me show you the door. | 0:33:37 | 0:33:40 | |
Goodbye, Father. | 0:33:47 | 0:33:48 | |
She prefers my faith to yours. Can you blame her? | 0:34:18 | 0:34:21 | |
KEY TURNS IN LOCK | 0:34:27 | 0:34:29 | |
GONG CLANGS | 0:34:43 | 0:34:44 | |
Zuzanna, the sun is setting on your old life. | 0:34:55 | 0:34:59 | |
-Are you ready to be born anew? -Yes. | 0:34:59 | 0:35:02 | |
Do you open your heart to the ancient astral ancestors? | 0:35:02 | 0:35:05 | |
Do you embrace their wisdom? Do you accept their truth? | 0:35:06 | 0:35:11 | |
-Yes. -Then behold the light! | 0:35:11 | 0:35:13 | |
GONG CLANGS | 0:35:13 | 0:35:15 | |
By the power of the light, the holy sun, I baptise you. | 0:35:15 | 0:35:21 | |
Sounds to me like she's found her calling and you just don't like it. | 0:35:43 | 0:35:47 | |
We are deeply concerned about her safety. | 0:35:49 | 0:35:53 | |
The pros sols have the final say. There's nothing I can do. | 0:35:53 | 0:35:56 | |
Has he confessed? | 0:35:56 | 0:35:57 | |
Mr Watkins was in love with the victim. He's confessed to that. | 0:35:57 | 0:36:01 | |
-But not to murder? -They rarely do. | 0:36:01 | 0:36:04 | |
What about my suspicions regarding the lock? | 0:36:04 | 0:36:06 | |
They're suspicions, not proof, not evidence. | 0:36:07 | 0:36:10 | |
KNOCK ON DOOR | 0:36:10 | 0:36:11 | |
Come. | 0:36:11 | 0:36:13 | |
Thanks, Sergeant. | 0:36:16 | 0:36:18 | |
Is that the file on Kalon? | 0:36:21 | 0:36:23 | |
I am not sharing police information with you. | 0:36:25 | 0:36:28 | |
Susie has been brainwashed. | 0:36:29 | 0:36:31 | |
She is under the influence of what I believe is a deeply disturbed man. | 0:36:33 | 0:36:37 | |
The least you can do is give us a chance to help her. | 0:36:38 | 0:36:41 | |
Please. | 0:36:45 | 0:36:46 | |
It's too early for all this. | 0:36:51 | 0:36:52 | |
I'm going to get myself a cup of coffee. | 0:36:52 | 0:36:54 | |
I'll trust you not to touch anything on my desk. | 0:36:56 | 0:36:59 | |
Gerald Firth. | 0:37:12 | 0:37:14 | |
He wasn't lying about his war injury. Spent two months at a | 0:37:15 | 0:37:19 | |
military hospital in Kent. Bullet wound to the head. | 0:37:19 | 0:37:22 | |
Most of that time, delirious, paranoid delusions. | 0:37:22 | 0:37:24 | |
Does that mean he's a conman or he's just nuts? | 0:37:24 | 0:37:26 | |
Well, I... | 0:37:26 | 0:37:28 | |
What? What is it? | 0:37:34 | 0:37:37 | |
I need to speak to Kalon. Now. | 0:37:37 | 0:37:39 | |
They've gone. We've missed her! | 0:37:47 | 0:37:51 | |
Perhaps not. | 0:38:02 | 0:38:04 | |
The master bible. Written over 40 days and 40 nights. | 0:38:11 | 0:38:16 | |
The wisdom of the ancients pouring out of me in a ceaseless torrent. | 0:38:16 | 0:38:20 | |
I don't usually allow anyone to touch this. | 0:38:23 | 0:38:26 | |
What is this? | 0:38:42 | 0:38:45 | |
One last-ditch attempt to vanquish me? | 0:38:45 | 0:38:47 | |
Something along those lines, yes. | 0:38:48 | 0:38:50 | |
What about the small matter of your being my alibi? | 0:38:52 | 0:38:54 | |
I'll deal with method. Motive, first. | 0:38:57 | 0:38:59 | |
-Father, please. -I'm sorry, Susie. I have to do this. | 0:38:59 | 0:39:02 | |
No, Zuzanna. Let us hear his insinuations for the last time. | 0:39:02 | 0:39:07 | |
Something happened yesterday, did it not... | 0:39:09 | 0:39:11 | |
that made Dominique realise that you | 0:39:12 | 0:39:14 | |
-would never change your lecherous ways. -Is that so? | 0:39:14 | 0:39:17 | |
In all likelihood, to do with Susie. | 0:39:19 | 0:39:21 | |
Enough to make Dominique threaten the thing you cared most about. | 0:39:23 | 0:39:29 | |
The thing you told me yourself that you would do anything to protect - | 0:39:29 | 0:39:33 | |
-your religion. -He's grasping at straws. | 0:39:33 | 0:39:36 | |
What happened? What did she see? | 0:39:37 | 0:39:40 | |
Spinning fantasies out of thin air. | 0:39:40 | 0:39:42 | |
From the moment you saw Susie, you desired her. | 0:39:44 | 0:39:47 | |
And Dominique knew that. | 0:39:48 | 0:39:49 | |
Father, this is becoming embarrassing. | 0:39:52 | 0:39:56 | |
Susie? | 0:39:56 | 0:39:58 | |
I remember. | 0:40:02 | 0:40:04 | |
I didn't think of it at the time. | 0:40:16 | 0:40:19 | |
That's because there was nothing to think about. | 0:40:19 | 0:40:21 | |
You went to Dominique's room, yes? | 0:40:30 | 0:40:33 | |
-No. -Yes. | 0:40:33 | 0:40:35 | |
KNOCK ON DOOR | 0:40:42 | 0:40:44 | |
-Who is it? -It's me. | 0:40:44 | 0:40:46 | |
You argued with her. | 0:40:59 | 0:41:01 | |
I just wanted to capture her light. | 0:41:02 | 0:41:04 | |
-What? Like the others? -Dominique, please. -It's over. | 0:41:04 | 0:41:07 | |
-Meaning? -Meaning, by the time I'm finished with you, | 0:41:09 | 0:41:11 | |
you won't have a penny to your name. | 0:41:11 | 0:41:13 | |
You'll be ridiculed as a lecherous crank. You disgust me. | 0:41:13 | 0:41:17 | |
SHOUTING: Why? | 0:41:18 | 0:41:20 | |
The blood on the rug was from the first time you hit her. | 0:41:22 | 0:41:26 | |
The blood on the door of the bathroom | 0:41:27 | 0:41:30 | |
was when you tried to make it look like an accident. | 0:41:30 | 0:41:32 | |
From far-fetched to outlandish! | 0:41:34 | 0:41:38 | |
I haven't even started yet. | 0:41:38 | 0:41:40 | |
Because she wasn't dead, was she? | 0:41:41 | 0:41:44 | |
Your plan to discover her corpse was thwarted... | 0:41:49 | 0:41:51 | |
DOMINIQUE SCREAMS | 0:41:51 | 0:41:54 | |
..when she started screaming. | 0:41:54 | 0:41:55 | |
So you did the only thing possible, you feigned a locked door. | 0:41:59 | 0:42:03 | |
It's locked. There are spare keys in the office down the hallway, | 0:42:03 | 0:42:06 | |
on the key rack. Please hurry! Dominique! Please. | 0:42:06 | 0:42:09 | |
And when I went to fetch the spare key, you dashed in... | 0:42:12 | 0:42:16 | |
..you threw her out of a window. | 0:42:18 | 0:42:20 | |
HE SHOUTS | 0:42:20 | 0:42:22 | |
SHE SCREAMS | 0:42:22 | 0:42:23 | |
Dominique! Dominique, please. | 0:42:28 | 0:42:30 | |
Pure...showmanship. | 0:42:35 | 0:42:38 | |
No, no, no, he just wants you for himself. He's jealous. | 0:42:38 | 0:42:41 | |
Susie. Zuzanna. | 0:42:41 | 0:42:43 | |
Admit it. | 0:42:50 | 0:42:53 | |
One man of faith to another. Unburden yourself. | 0:42:54 | 0:42:58 | |
-Why? So you can arrest me? -I only care about your soul. | 0:42:58 | 0:43:01 | |
Then, you of all people, should understand that this was | 0:43:01 | 0:43:03 | |
meant it be, it was ordained. The astral spirits... | 0:43:03 | 0:43:06 | |
There are no astral spirits! | 0:43:06 | 0:43:09 | |
Says the man who believes in virgin births. | 0:43:09 | 0:43:12 | |
Sorry. | 0:43:15 | 0:43:17 | |
-That's you, Gerald. -That's not my name. -But it is. | 0:43:32 | 0:43:36 | |
It says so, there. | 0:43:38 | 0:43:40 | |
Look at the doctor... | 0:43:42 | 0:43:43 | |
..what he's wearing. | 0:43:45 | 0:43:46 | |
It's the last piece of the puzzle that's been nagging away at me | 0:43:49 | 0:43:51 | |
since you first arrived. | 0:43:51 | 0:43:53 | |
I saw plenty of those when I was a chaplain in the army, | 0:43:54 | 0:43:59 | |
but I never put it together until now. | 0:43:59 | 0:44:01 | |
You incorporated the stethoscope into your fantasy. | 0:44:03 | 0:44:06 | |
It became the symbol that the astral aliens planted in your brain. | 0:44:10 | 0:44:15 | |
No. | 0:44:15 | 0:44:16 | |
Yes. | 0:44:16 | 0:44:18 | |
Proof. | 0:44:18 | 0:44:19 | |
You were in a terrible place. | 0:44:23 | 0:44:25 | |
Broken. Helpless. Lost. | 0:44:25 | 0:44:28 | |
You needed a refuge. | 0:44:28 | 0:44:31 | |
And you created this. | 0:44:31 | 0:44:33 | |
You dare to come into my house of worship | 0:44:33 | 0:44:36 | |
and tell me that my god is false? | 0:44:36 | 0:44:39 | |
SHOUTING: No. No. No! No! No! No! Nooo! | 0:44:39 | 0:44:47 | |
Oh, God, Dominique. Dominique. | 0:44:49 | 0:44:53 | |
SHOUTING: I'm sorry! | 0:44:53 | 0:44:57 | |
I'm so sorry! | 0:44:57 | 0:44:59 | |
-Do you have anywhere to stay? -Think I might just wander a while. | 0:45:19 | 0:45:23 | |
Name of a local hostel and if you ever need to talk at all, | 0:45:27 | 0:45:31 | |
I will be in St Mary's. | 0:45:31 | 0:45:32 | |
-Mr Firth? -Quiet as a church mouse. | 0:45:40 | 0:45:42 | |
How'd you know his real name? | 0:45:46 | 0:45:47 | |
Don't know. Must've read it somewhere. | 0:45:49 | 0:45:52 | |
Cup of tea? | 0:46:01 | 0:46:03 | |
I prefer to be alone. Thank you. | 0:46:05 | 0:46:08 | |
I will see you tomorrow. | 0:46:10 | 0:46:11 | |
Mind if I join you? | 0:46:28 | 0:46:30 | |
All I have left. | 0:46:37 | 0:46:39 | |
I try to picture their faces. But they slip away. | 0:46:41 | 0:46:44 | |
Maybe the trick is not to try. Let them come to you. | 0:46:44 | 0:46:48 | |
I just wanted to talk to them. | 0:46:49 | 0:46:51 | |
You don't need Kalon for that. | 0:46:53 | 0:46:55 | |
Carry them in your heart, and you can talk to them whenever you want. | 0:46:57 | 0:47:01 | |
You can talk to me. I'm always here. | 0:47:03 | 0:47:06 | |
-Time for elevenses. -I have chores. | 0:47:09 | 0:47:12 | |
Scones first. Chores later. | 0:47:12 | 0:47:15 | |
Tea and award-winning strawberry scones. What could be better? | 0:47:16 | 0:47:21 | |
Rumour has it you pinched your scone recipe from Mrs O'Boyle. | 0:47:21 | 0:47:25 | |
You wash your mouth out with soap, Sid Carter. | 0:47:25 | 0:47:28 | |
-Just saying what I heard. -I heard same thing. | 0:47:28 | 0:47:31 | |
Well, I'll have that back, then. And yours, too. | 0:47:31 | 0:47:34 | |
Subtitles by Red Bee Media Ltd | 0:48:21 | 0:48:24 |