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If it's true what they say... | 0:00:02 | 0:00:04 | |
..that you have the power of life and death... | 0:00:07 | 0:00:09 | |
..I need your help. | 0:00:14 | 0:00:16 | |
Ginnie! | 0:00:21 | 0:00:22 | |
I didn't think that you'd come. | 0:00:24 | 0:00:26 | |
Well, if I can help Freddie and sort things out between us... | 0:00:26 | 0:00:31 | |
You can't still be angry with me? | 0:00:33 | 0:00:35 | |
-I don't have eyes in the back of my head... -I trusted you. | 0:00:35 | 0:00:38 | |
And now he's sick. | 0:00:38 | 0:00:41 | |
What if he doesn't get better? If he can't walk? | 0:00:41 | 0:00:44 | |
God forbid, what if he d... | 0:00:45 | 0:00:47 | |
Do you really think I'll be able to forgive you? | 0:00:49 | 0:00:51 | |
We'd better both pray the Standing Stones live up to the myth. | 0:00:53 | 0:00:57 | |
It's getting powerful round here now. | 0:01:00 | 0:01:04 | |
And the closer it gets to Midsummer Night, the stronger they are. | 0:01:04 | 0:01:07 | |
I can feel it. Can you? | 0:01:09 | 0:01:12 | |
Let's just get on with it. | 0:01:12 | 0:01:14 | |
Did you bring the blood? | 0:01:15 | 0:01:17 | |
No, I couldn't cut him. You can use mine. | 0:01:17 | 0:01:19 | |
I don't know if it'll work with yours. | 0:01:19 | 0:01:21 | |
And I haven't got a knife. | 0:01:21 | 0:01:23 | |
Do you know the words? | 0:01:33 | 0:01:34 | |
Give me your hand. | 0:01:37 | 0:01:38 | |
Look, | 0:01:55 | 0:01:58 | |
I should have said this before, but... | 0:01:58 | 0:02:00 | |
You're right. | 0:02:02 | 0:02:04 | |
It WAS my fault. | 0:02:04 | 0:02:06 | |
I'm sorry. | 0:02:06 | 0:02:08 | |
I'd do anything to turn back the clock. | 0:02:08 | 0:02:10 | |
-I think you should go. -No, Ginnie, I... | 0:02:16 | 0:02:19 | |
-I've changed my mind. Just go! -I want you to forgive me. -GO! | 0:02:19 | 0:02:22 | |
FINE! Be like that. | 0:02:22 | 0:02:24 | |
If Freddie does die, don't come crying to me. | 0:02:25 | 0:02:29 | |
It's not my fault your son can't do as he's told. | 0:02:29 | 0:02:31 | |
Huh! | 0:02:31 | 0:02:32 | |
Sylvia Swann, 23, barmaid. | 0:03:06 | 0:03:08 | |
Any ideas what lock this belongs to? | 0:03:10 | 0:03:13 | |
We're about to try her lodgings now, Sir. | 0:03:13 | 0:03:16 | |
Any family? | 0:03:16 | 0:03:18 | |
She turned up about a year ago. | 0:03:18 | 0:03:20 | |
Got some work in the pub. | 0:03:20 | 0:03:22 | |
This can't be anyone from Standing, Sir. | 0:03:23 | 0:03:26 | |
We stick together here. Specially in times like these. | 0:03:26 | 0:03:29 | |
What about the woman who discovered her? | 0:03:29 | 0:03:31 | |
Ginnie Godden? | 0:03:31 | 0:03:33 | |
-Why didn't she come to you first? -Well, she was in shock. | 0:03:33 | 0:03:37 | |
She ran up to the road, and collapsed. | 0:03:37 | 0:03:39 | |
Lucky someone saw her - she might've been next. | 0:03:39 | 0:03:41 | |
Any connection to the deceased? | 0:03:41 | 0:03:44 | |
They worked together behind the bar. Best friends. | 0:03:44 | 0:03:48 | |
Ginnie says she met Sylvia here, they'd separated, | 0:03:49 | 0:03:51 | |
then she heard a scream. | 0:03:51 | 0:03:54 | |
A bit odd, isn't it, that she didn't happen to see any | 0:03:54 | 0:03:57 | |
of this murder or whoever committed it. | 0:03:57 | 0:03:59 | |
What were they doing all the way out here? | 0:03:59 | 0:04:02 | |
Collecting mushrooms. | 0:04:03 | 0:04:05 | |
Mushrooms? By firelight? | 0:04:05 | 0:04:08 | |
Well, it's certainly not the sort of place you'd... | 0:04:10 | 0:04:14 | |
happen to be passing. | 0:04:14 | 0:04:17 | |
Inspector. | 0:04:17 | 0:04:19 | |
I was on my way to Standing and I saw your cars. | 0:04:19 | 0:04:22 | |
-God rest her soul. -It's Sylvia Swann. | 0:04:26 | 0:04:29 | |
Thank you, PC Everett. | 0:04:29 | 0:04:30 | |
I'd like you to leave my crime scene, please. | 0:04:33 | 0:04:36 | |
That's an interesting key. | 0:04:37 | 0:04:39 | |
-Sir! > -Now! | 0:04:39 | 0:04:41 | |
What's that? | 0:04:47 | 0:04:49 | |
Nothing. | 0:04:50 | 0:04:52 | |
And I thought it was just straws you grasped at Father, | 0:04:58 | 0:05:01 | |
-not sticks! -This is no stick. | 0:05:01 | 0:05:05 | |
I know a young parishioner who'd say it's | 0:05:05 | 0:05:07 | |
the beginnings of a rather fine catapult. | 0:05:07 | 0:05:10 | |
Over here! > | 0:05:10 | 0:05:12 | |
Well, that's curious. | 0:05:16 | 0:05:18 | |
Is that blood? | 0:05:20 | 0:05:22 | |
Sergeant! | 0:05:25 | 0:05:27 | |
Yes, sir. | 0:05:27 | 0:05:28 | |
Send a sample of this to the laboratory in Oxford. | 0:05:34 | 0:05:37 | |
I thought Mrs Godden said the first she knew of Miss Swann's injury | 0:05:37 | 0:05:41 | |
was when she heard her scream over there. | 0:05:41 | 0:05:44 | |
-She did, Sir. -Then why is there blood here? | 0:05:44 | 0:05:47 | |
More importantly, why didn't Mrs Godden mention it? | 0:05:47 | 0:05:50 | |
This story isn't adding up. | 0:05:50 | 0:05:53 | |
Ginnie Godden? | 0:05:53 | 0:05:54 | |
But she and Sylvia were best friends. | 0:05:56 | 0:05:59 | |
Ginnie wouldn't have any reason to hurt Sylvia. | 0:05:59 | 0:06:04 | |
Would she? | 0:06:04 | 0:06:05 | |
Late, as usual! | 0:06:13 | 0:06:15 | |
Change of plan. We're not going to the hospital. | 0:06:15 | 0:06:18 | |
But what about the children? | 0:06:18 | 0:06:20 | |
So I have come all this way... | 0:06:20 | 0:06:22 | |
I've just come from the Standing Stones. | 0:06:22 | 0:06:24 | |
Sylvia Swann was killed there last night. | 0:06:24 | 0:06:27 | |
What? At the Stones? | 0:06:27 | 0:06:31 | |
-You don't think... -No, I don't. | 0:06:31 | 0:06:33 | |
But you do know the legend - | 0:06:33 | 0:06:36 | |
that one midsummer midnight, 77 stones got up | 0:06:36 | 0:06:40 | |
and walked, converging on a glade in the wood, | 0:06:40 | 0:06:43 | |
aligning their entrance to the midsummer moon. | 0:06:43 | 0:06:46 | |
Yes. That is the legend. | 0:06:46 | 0:06:49 | |
Yes, but they say that on that one night, | 0:06:49 | 0:06:52 | |
they have the power over life and death. | 0:06:52 | 0:06:56 | |
I've heard of folk praying to the Stones to save the sick. | 0:06:56 | 0:07:00 | |
Who's to say it only works that way round? | 0:07:00 | 0:07:04 | |
What if somebody prayed to the Stones to have Sylvia killed? | 0:07:04 | 0:07:09 | |
Mrs McCarthy... | 0:07:12 | 0:07:13 | |
I know. I know. "Thou shalt not have strange gods before me." | 0:07:13 | 0:07:17 | |
Whoever it was was entirely human. | 0:07:18 | 0:07:21 | |
Well, if we don't have to be here, I'd sooner keep away. | 0:07:22 | 0:07:28 | |
This is not a healthy place. | 0:07:28 | 0:07:30 | |
If we were going to get it, we'd have got it by now. | 0:07:30 | 0:07:33 | |
There are other unsavoury elements in Standing | 0:07:34 | 0:07:37 | |
besides the polio, Father. | 0:07:37 | 0:07:39 | |
Malcolm! | 0:07:39 | 0:07:40 | |
Malcolm! | 0:07:43 | 0:07:45 | |
Leave him be, Father. That one will never see the light. | 0:07:45 | 0:07:49 | |
Anyway, we haven't got time for this. | 0:07:49 | 0:07:51 | |
We need to talk to Ginnie. | 0:07:51 | 0:07:54 | |
Oh, no. | 0:07:54 | 0:07:56 | |
With modern science, there are tests we can do. | 0:08:24 | 0:08:27 | |
If it's blood, we'll find out. | 0:08:27 | 0:08:29 | |
All right, it's blood. | 0:08:29 | 0:08:31 | |
But it's not Sylvia's. It's mine. | 0:08:31 | 0:08:33 | |
And, er...how did it get there? | 0:08:33 | 0:08:36 | |
I fell... | 0:08:36 | 0:08:38 | |
and cut myself - I must've leant on the stone. | 0:08:38 | 0:08:42 | |
So why not say this at the initial interview? | 0:08:42 | 0:08:45 | |
Because I didn't think it was important. | 0:08:45 | 0:08:47 | |
Is this really appropriate? Her son's very sick. | 0:08:47 | 0:08:51 | |
Nurse Shipton, a woman's been killed. | 0:08:51 | 0:08:53 | |
Niceties have to be set to one side. | 0:08:53 | 0:08:55 | |
Ah, Freddie! | 0:08:56 | 0:08:58 | |
Don't worry. We'll pump by hand. | 0:08:59 | 0:09:02 | |
All day, if we have to. | 0:09:02 | 0:09:06 | |
Oh, sweet Lord Jesus. | 0:09:15 | 0:09:17 | |
SHE SOBS | 0:09:17 | 0:09:20 | |
POWER RETURNS | 0:09:24 | 0:09:25 | |
Nurse Shipton, I... | 0:09:34 | 0:09:36 | |
I didn't realise. | 0:09:36 | 0:09:37 | |
He's completely dependent on the machine. | 0:09:37 | 0:09:40 | |
If it stops, he dies. | 0:09:40 | 0:09:42 | |
Tell Mrs Godden we can do this down at the station. | 0:09:42 | 0:09:46 | |
I don't intend to distress her son. | 0:09:46 | 0:09:48 | |
It's the news of the murder, more than anything. | 0:09:48 | 0:09:50 | |
Sylvia sit... Used to sit with Freddie when Ginnie had to work. | 0:09:50 | 0:09:55 | |
He knew her well, then. | 0:09:55 | 0:09:57 | |
We're creating a timeline of her last hours. | 0:09:57 | 0:10:00 | |
Did she sit with him yesterday? | 0:10:00 | 0:10:03 | |
Ginnie wouldn't let her come. | 0:10:03 | 0:10:05 | |
Inspector, we'd like to speak to Mrs Godden. | 0:10:08 | 0:10:11 | |
I thought they were best friends? | 0:10:12 | 0:10:16 | |
Last week, Sylvia was supposed to be watching Freddie, | 0:10:16 | 0:10:19 | |
but he went off playing with the neighbours' children. | 0:10:19 | 0:10:22 | |
-Then they fell ill... -That's how he caught the polio. | 0:10:22 | 0:10:25 | |
Ginnie and Sylvia fell out over it. | 0:10:29 | 0:10:31 | |
Badly. | 0:10:32 | 0:10:35 | |
Did you know this? | 0:10:35 | 0:10:38 | |
What were you thinking, keeping it to yourself? | 0:10:38 | 0:10:40 | |
This is a motive. Mrs Godden... | 0:10:40 | 0:10:43 | |
Why didn't you say you held Miss Swann | 0:10:43 | 0:10:45 | |
responsible for your son's condition? | 0:10:45 | 0:10:48 | |
Inspector, you're making a mistake. | 0:10:48 | 0:10:53 | |
With the evidence as it stands, I have no choice. | 0:10:53 | 0:10:56 | |
Ginnie Godden, I am arresting you on suspicion of the murder | 0:10:57 | 0:11:00 | |
-of Sylvia Swann. -No, you can't do this! | 0:11:00 | 0:11:03 | |
Marjorie will sit with your boy, every second you're away. | 0:11:03 | 0:11:06 | |
You're not obliged to say anything, | 0:11:06 | 0:11:08 | |
but anything you say will be taken down in writing and may be | 0:11:08 | 0:11:10 | |
given in evidence. | 0:11:10 | 0:11:12 | |
No-one hurts my staff and gets away with it. | 0:11:13 | 0:11:16 | |
If you saw anything or anyone, I'm begging you, come forward. | 0:11:18 | 0:11:22 | |
None of that mumbo jumbo, am I clear? | 0:11:23 | 0:11:26 | |
The only way stones can kill someone is when somebody's holding them. | 0:11:26 | 0:11:30 | |
Miss Swann was stabbed. | 0:11:32 | 0:11:36 | |
I don't think we can blame a stone for that. | 0:11:36 | 0:11:38 | |
And the inspector's already made an arrest. Ginnie Godden. | 0:11:38 | 0:11:42 | |
-That's nonsense! I'll go talk to him. -I'm glad you said that. | 0:11:43 | 0:11:47 | |
I find it hard to believe that Ginnie's a murderer. | 0:11:47 | 0:11:50 | |
Also, I just came from the cottage hospital. | 0:11:50 | 0:11:53 | |
Little Mary Harris died this morning. | 0:11:53 | 0:11:56 | |
-What? -Another death. Just this morning. | 0:11:56 | 0:11:59 | |
Make sure the children stop indoors. I'll let you all get home. | 0:11:59 | 0:12:04 | |
If you have any information on Sylvia's murder, | 0:12:05 | 0:12:08 | |
go see Walt at the police house. | 0:12:08 | 0:12:10 | |
Oi! I live upstairs. | 0:12:15 | 0:12:18 | |
The lavs are THAT way! | 0:12:18 | 0:12:20 | |
Walt. | 0:12:21 | 0:12:23 | |
-Sid. -Ola! | 0:12:37 | 0:12:39 | |
Fancy meeting you here. | 0:12:39 | 0:12:42 | |
Returning lost property. What's your excuse? | 0:12:44 | 0:12:48 | |
Who loses a stick? | 0:12:48 | 0:12:50 | |
More to the point, who blinkin' well returns one? | 0:12:50 | 0:12:52 | |
This is not just a stick. | 0:12:52 | 0:12:55 | |
This is a hazel dowsing rod. | 0:12:55 | 0:12:58 | |
It didn't just fall off a tree and where I found it... | 0:12:58 | 0:13:01 | |
There ARE no hazel trees. | 0:13:03 | 0:13:04 | |
Out at the Stones. | 0:13:06 | 0:13:08 | |
Where that murder happened last night? | 0:13:09 | 0:13:11 | |
-You've heard? -Everyone's heard. | 0:13:11 | 0:13:14 | |
Sid? What's all the... Oh, Father Brown. | 0:13:14 | 0:13:17 | |
I'm here to see Malcolm. | 0:13:20 | 0:13:23 | |
I had no idea he was so popular. | 0:13:23 | 0:13:25 | |
Malcolm's my...teacher. | 0:13:25 | 0:13:29 | |
We're studying physical energy together. | 0:13:29 | 0:13:32 | |
-First time I've heard it called that! -Ley lines, Sid. | 0:13:32 | 0:13:35 | |
Dowsing. I do believe Sidney thinks I'm having an affair. | 0:13:35 | 0:13:38 | |
No-one would think that of you, Lady Felicia. | 0:13:39 | 0:13:42 | |
Quite. And in any case... | 0:13:42 | 0:13:44 | |
Malcolm believes that with purity comes strength. | 0:13:44 | 0:13:48 | |
His chastity allows him to commune with Higher Powers. | 0:13:48 | 0:13:52 | |
The Father found Malcolm's stick out at the Stones. | 0:13:56 | 0:13:59 | |
He could have left it there any time. | 0:13:59 | 0:14:01 | |
Anyone who believes in dowsing | 0:14:01 | 0:14:03 | |
wouldn't let their rod out of their sight. | 0:14:03 | 0:14:06 | |
I saw him with this around Kembleford... | 0:14:06 | 0:14:10 | |
late yesterday. | 0:14:10 | 0:14:12 | |
Hang about. | 0:14:12 | 0:14:13 | |
So that means it was dropped sometime between... | 0:14:15 | 0:14:18 | |
then and this morning, which means that Malcolm could be... | 0:14:18 | 0:14:21 | |
-A witness. -..the killer. | 0:14:21 | 0:14:22 | |
Felicia? What...? | 0:14:22 | 0:14:24 | |
Is this what you were looking for, earlier? | 0:14:30 | 0:14:33 | |
Where did you find it? | 0:14:33 | 0:14:35 | |
At the Stones. | 0:14:35 | 0:14:37 | |
You were there last night, weren't you? | 0:14:38 | 0:14:41 | |
When Sylvia was killed? | 0:14:42 | 0:14:44 | |
Stupid girl. | 0:14:51 | 0:14:53 | |
Messing with what didn't concern her. | 0:14:56 | 0:14:59 | |
And what exactly was that? | 0:14:59 | 0:15:00 | |
Those stones are powerful. | 0:15:03 | 0:15:05 | |
She should've known better. | 0:15:09 | 0:15:10 | |
'What if Freddie dies?' | 0:15:22 | 0:15:24 | |
If I'm not there with him, he'll think I've abandoned him. | 0:15:24 | 0:15:27 | |
The Father's working tirelessly for your release. | 0:15:27 | 0:15:30 | |
If there's anything you can tell me, no matter how small... | 0:15:30 | 0:15:34 | |
Ginnie. | 0:15:34 | 0:15:35 | |
I've just come back from the meeting. | 0:15:39 | 0:15:41 | |
The whole village knows, they're all behind you. | 0:15:41 | 0:15:44 | |
You have to do something. | 0:15:44 | 0:15:45 | |
Listen, I'm going to get you out of here. | 0:15:45 | 0:15:47 | |
I'm still a Standing Bobby, I've got influence. | 0:15:47 | 0:15:49 | |
It's just wrong. Why did Sylvia have to die? | 0:15:49 | 0:15:52 | |
Hush, now. | 0:15:52 | 0:15:53 | |
At this rate, you're going to make yourself sick. | 0:15:53 | 0:15:55 | |
Now, Marjorie's going to take care of Freddie. | 0:15:55 | 0:15:57 | |
If you need anything, you let me know. | 0:15:57 | 0:15:59 | |
I can reach you at any time. | 0:15:59 | 0:16:01 | |
I want to see Freddie. | 0:16:01 | 0:16:03 | |
Marjorie will be with him every second of the day and night. | 0:16:04 | 0:16:08 | |
Oh, now that PC Everett is here, I'll be off. | 0:16:10 | 0:16:13 | |
But if there's anything else that I can do... | 0:16:13 | 0:16:15 | |
Yes. Mrs McCarthy, wait. | 0:16:15 | 0:16:16 | |
Would you go and sit with my son, please? | 0:16:17 | 0:16:20 | |
Well, PC Everett said Nurse Marjorie will be with him. | 0:16:20 | 0:16:23 | |
Marjorie's not Catholic. | 0:16:23 | 0:16:26 | |
She doesn't understand last rites. | 0:16:26 | 0:16:28 | |
I want someone there from the church, just in case. | 0:16:28 | 0:16:30 | |
Well, I am very busy, you know. | 0:16:30 | 0:16:33 | |
But I suppose Lady Felicia has time on her hands, | 0:16:33 | 0:16:36 | |
so I will make sure that one or other of us | 0:16:36 | 0:16:39 | |
is with him at all times. | 0:16:39 | 0:16:41 | |
Thank you. | 0:16:41 | 0:16:42 | |
Where did you find it? | 0:16:48 | 0:16:49 | |
I was dowsing near the Stones. | 0:16:49 | 0:16:51 | |
It's the most powerful time of the year. | 0:16:51 | 0:16:53 | |
I was searching for strength and it lead me to...that. | 0:16:53 | 0:16:57 | |
And? | 0:16:57 | 0:16:59 | |
And then I heard the police bells, and I realised it was time I left. | 0:16:59 | 0:17:03 | |
Must've dropped the rod as I went. | 0:17:04 | 0:17:07 | |
Did you see anybody? Anything? | 0:17:07 | 0:17:08 | |
We're going to hand it in. | 0:17:15 | 0:17:17 | |
They'll hang, draw and quarter him! | 0:17:17 | 0:17:19 | |
Malcolm didn't have to show us the knife, he chose to. | 0:17:19 | 0:17:22 | |
That is not the mark of a guilty man. | 0:17:22 | 0:17:24 | |
Are your fingerprints on it? | 0:17:24 | 0:17:26 | |
I was wearing gloves. | 0:17:27 | 0:17:29 | |
I'll tell them it was found at the church. | 0:17:30 | 0:17:33 | |
In return, anything you find, | 0:17:33 | 0:17:36 | |
make sure you bring it to me. | 0:17:36 | 0:17:38 | |
I WILL get to the bottom of this. | 0:17:38 | 0:17:40 | |
You don't believe all that guff, do you? | 0:17:52 | 0:17:54 | |
I believe in innocent until proven guilty. | 0:17:54 | 0:17:57 | |
Oddball does not equal murderer... | 0:17:57 | 0:18:00 | |
or they'd have arrested me. | 0:18:00 | 0:18:03 | |
A bloody murder weapon present at the scene. | 0:18:03 | 0:18:06 | |
Admittedly no motive, apart from being a nutter, but... | 0:18:06 | 0:18:09 | |
I'll keep digging. | 0:18:09 | 0:18:11 | |
Meanwhile, the police can run their tests. | 0:18:11 | 0:18:13 | |
I suspect that this is what will interest them. | 0:18:15 | 0:18:18 | |
Just in here, sir. | 0:18:27 | 0:18:29 | |
Father. | 0:18:40 | 0:18:41 | |
So...where's this murder weapon? | 0:18:41 | 0:18:44 | |
I took the liberty of asking the barmaid | 0:18:47 | 0:18:49 | |
to bring out a kitchen knife. | 0:18:49 | 0:18:51 | |
This is the one she brought, | 0:18:51 | 0:18:53 | |
this is the one left at St Mary's. | 0:18:53 | 0:18:56 | |
Identical. | 0:18:56 | 0:18:57 | |
Apart from the blood, of course. | 0:18:57 | 0:18:59 | |
What's going on? | 0:19:02 | 0:19:04 | |
Father Brown's handing over some rather interesting evidence. | 0:19:04 | 0:19:08 | |
Sergeant, does the key in that lock match the one | 0:19:09 | 0:19:14 | |
that was found round Sylvia's neck? | 0:19:14 | 0:19:16 | |
You need a search warrant for that. | 0:19:28 | 0:19:30 | |
I can get one. | 0:19:30 | 0:19:31 | |
See if your home's any more forthcoming. | 0:19:31 | 0:19:35 | |
I'm expecting to learn that Sylvia had her own key to your lodgings. | 0:19:35 | 0:19:38 | |
If there's something more to say, I suggest you tell it now. | 0:19:40 | 0:19:43 | |
Father. | 0:19:48 | 0:19:49 | |
All right, yes. | 0:19:49 | 0:19:50 | |
Sylv and me, we had something going on. | 0:19:53 | 0:19:57 | |
Sylvia was pregnant. | 0:19:59 | 0:20:01 | |
Presumably she wanted you to marry her. | 0:20:01 | 0:20:04 | |
How did you feel about that? | 0:20:04 | 0:20:05 | |
I wasn't happy about it. | 0:20:06 | 0:20:09 | |
I didn't kill her. | 0:20:09 | 0:20:10 | |
We'll see what the pros sols think about that. | 0:20:10 | 0:20:13 | |
No, we won't. | 0:20:13 | 0:20:15 | |
-I've got an alibi. -Really? | 0:20:15 | 0:20:18 | |
Ask anyone. | 0:20:18 | 0:20:20 | |
HE SMIRKS | 0:20:20 | 0:20:22 | |
Anyone? | 0:20:22 | 0:20:23 | |
We're in an epidemic. | 0:20:23 | 0:20:25 | |
Folks are taking shifts at the cottage hospital, round the clock. | 0:20:25 | 0:20:29 | |
I was there most of last night, along with half the village. | 0:20:29 | 0:20:32 | |
-We'll check that out. -Be my guest. | 0:20:34 | 0:20:36 | |
Isn't this is where you're supposed to reveal | 0:20:43 | 0:20:45 | |
that Malcolm had the knife? | 0:20:45 | 0:20:47 | |
You're going to regret covering for that man. | 0:20:48 | 0:20:51 | |
KNOCK AT DOOR | 0:20:54 | 0:20:56 | |
Come! | 0:20:56 | 0:20:57 | |
The villagers who can corroborate Mr Gastrell's alibi. | 0:21:02 | 0:21:05 | |
But YOU are on this list. | 0:21:14 | 0:21:17 | |
You were at the hospital last night? | 0:21:17 | 0:21:19 | |
Alf can't be the killer. | 0:21:19 | 0:21:22 | |
Inspector, the fingerprints on the knife. | 0:21:22 | 0:21:24 | |
Two sets of prints on the handle. | 0:21:32 | 0:21:34 | |
The victim's and Mrs Godden's. | 0:21:34 | 0:21:38 | |
No, wait a minute. | 0:21:38 | 0:21:39 | |
The knife came from the pub, she worked in the pub. | 0:21:39 | 0:21:41 | |
Of course her prints could be on the knife. | 0:21:41 | 0:21:43 | |
The blood trail suggests Mrs Godden lied about where she found the body. | 0:21:43 | 0:21:47 | |
Her prints are on the murder weapon. | 0:21:47 | 0:21:49 | |
And we know she held Miss Swann responsible for her son's illness. | 0:21:49 | 0:21:52 | |
He's close to death. | 0:21:53 | 0:21:55 | |
Means, motive, opportunity. | 0:21:55 | 0:21:57 | |
Inspector, please, I need to be with my son. | 0:22:00 | 0:22:02 | |
That won't be possible. | 0:22:02 | 0:22:04 | |
Sergeant, get a search warrant for her cottage. | 0:22:04 | 0:22:07 | |
We're charging you with murder. | 0:22:08 | 0:22:10 | |
Apparently I'm supposed to talk to you. | 0:22:17 | 0:22:19 | |
I don't know why Mrs McCarthy sent me. | 0:22:23 | 0:22:25 | |
I'd be no help if you did wake up. | 0:22:27 | 0:22:29 | |
Children and I, we're like... | 0:22:37 | 0:22:39 | |
..a fish with golf clubs. | 0:22:41 | 0:22:42 | |
As Monty will attest. | 0:22:44 | 0:22:45 | |
Give me a thoroughbred any day. | 0:22:46 | 0:22:49 | |
SHE GASPS | 0:22:49 | 0:22:50 | |
Goodness. You gave me a start. | 0:22:51 | 0:22:54 | |
Peepo. | 0:22:59 | 0:23:00 | |
Peep... Oh! | 0:23:03 | 0:23:04 | |
-Where's Father Brown? -I don't know. | 0:23:07 | 0:23:09 | |
I think I know what happened. To Sylvia. | 0:23:09 | 0:23:11 | |
-I think it might happen again. -What? Why? | 0:23:11 | 0:23:14 | |
Father Brown will understand. | 0:23:14 | 0:23:15 | |
Help me find him for me? Please! | 0:23:15 | 0:23:17 | |
Blast! | 0:23:21 | 0:23:22 | |
Someone's got here before us. | 0:23:22 | 0:23:24 | |
This warrant's not worth the paper it's printed on. | 0:23:24 | 0:23:26 | |
-Put it out, cover it up. -Yes, sir. | 0:23:26 | 0:23:29 | |
What are you doing? | 0:23:32 | 0:23:33 | |
I have the same question for you. Burning evidence. | 0:23:33 | 0:23:36 | |
Burning Freddie's things. | 0:23:36 | 0:23:38 | |
This is polio we're dealing with. | 0:23:38 | 0:23:40 | |
Is there a problem, Inspector? | 0:23:47 | 0:23:48 | |
I might've known you'd get here before us, Father. | 0:23:48 | 0:23:52 | |
Clean clothes. | 0:23:52 | 0:23:53 | |
Ginnie will need them until you see the error of your ways | 0:23:53 | 0:23:56 | |
and let her go. | 0:23:56 | 0:23:57 | |
The whole village agrees. Ginnie didn't kill anyone. | 0:23:57 | 0:24:00 | |
We want you to set her free. | 0:24:00 | 0:24:03 | |
I'm with them, sir. Her son's sick. | 0:24:03 | 0:24:05 | |
She's at breaking point. | 0:24:05 | 0:24:07 | |
Did you want something, PC Everett? | 0:24:09 | 0:24:11 | |
The autopsy results for Sylvia Swann are back. | 0:24:13 | 0:24:15 | |
Maybe it's just as well you're here, after all. | 0:24:22 | 0:24:25 | |
I asked the coroner to discover how far her pregnancy was. | 0:24:25 | 0:24:29 | |
What he's told me is she wasn't pregnant. | 0:24:29 | 0:24:31 | |
What? | 0:24:31 | 0:24:33 | |
CAR HORN BEEPS | 0:24:33 | 0:24:35 | |
Father, hop in. | 0:24:37 | 0:24:39 | |
-Um... -I need to take you somewhere. It's important. Please. | 0:24:40 | 0:24:43 | |
-BANGING ON DOOR -Hello! | 0:24:49 | 0:24:50 | |
Somebody, listen to me! | 0:24:51 | 0:24:53 | |
I need to make a confession. | 0:24:58 | 0:25:00 | |
Constable, find the Inspector - now. | 0:25:00 | 0:25:02 | |
Not a police confession. I need Father Brown. | 0:25:02 | 0:25:04 | |
Hello? | 0:25:07 | 0:25:08 | |
I thought you said he was going to meet us here. | 0:25:10 | 0:25:14 | |
He's gone ahead...to the Stones. | 0:25:25 | 0:25:28 | |
He says to read from page 79. | 0:25:28 | 0:25:31 | |
"Sacrifice and the Stones." It talks about healing. | 0:25:37 | 0:25:40 | |
It says, "the only way to save innocent human lives... | 0:25:40 | 0:25:43 | |
"..is to give another innocent human life." | 0:25:44 | 0:25:47 | |
So someone wanted to save the village children | 0:25:49 | 0:25:52 | |
from this frightful epidemic and made Sylvia the sacrifice - | 0:25:52 | 0:25:55 | |
killing the one to save the many. | 0:25:55 | 0:25:57 | |
Except that, by all accounts, no-one thought Sylvia Swann was innocent. | 0:25:57 | 0:26:01 | |
Maybe not Sylvia. | 0:26:02 | 0:26:04 | |
But definitely her unborn child. | 0:26:05 | 0:26:08 | |
Well, then we need to find out who else knew about Sylvia's pregnancy. | 0:26:08 | 0:26:11 | |
Because whoever it is... | 0:26:12 | 0:26:15 | |
is going to try again. | 0:26:15 | 0:26:16 | |
Father, you're needed at the station. M'Lady. | 0:26:17 | 0:26:20 | |
Thank God, Father. | 0:26:27 | 0:26:28 | |
I see. I see. | 0:26:33 | 0:26:35 | |
Mrs Morris' what? | 0:26:38 | 0:26:40 | |
Oh, Mrs Morris' dog! | 0:26:41 | 0:26:44 | |
I'll make a note. | 0:26:44 | 0:26:46 | |
Yeah, goodbye. | 0:26:46 | 0:26:48 | |
Father. | 0:26:48 | 0:26:49 | |
I'm here to see Ginnie Godden. | 0:26:49 | 0:26:51 | |
Mrs Godden, I've got the Father here... | 0:26:51 | 0:26:54 | |
Listen, Alf. If my girlfriend got herself pregnant... | 0:27:01 | 0:27:05 | |
..I can think of a couple of people I might want to get on the blower. | 0:27:06 | 0:27:10 | |
I might have mentioned it to Nurse Shipton | 0:27:10 | 0:27:13 | |
to see if she knew anyone who might...help with the situation. | 0:27:13 | 0:27:18 | |
-But she gave me short shrift. -Anyone else? | 0:27:18 | 0:27:21 | |
That oddball, the herbalist. | 0:27:21 | 0:27:23 | |
I thought he might know some plants that could solve our problem. | 0:27:23 | 0:27:27 | |
Though why he would, when he takes great pleasure | 0:27:27 | 0:27:30 | |
in telling the world he's pure as the driven... | 0:27:30 | 0:27:32 | |
You told Malcolm Sylvia was pregnant? | 0:27:32 | 0:27:35 | |
PHONE RINGS | 0:27:35 | 0:27:37 | |
Knife and Cleaver. | 0:27:39 | 0:27:40 | |
Father Brown, for you. | 0:27:43 | 0:27:44 | |
Felicia speaking. | 0:27:46 | 0:27:48 | |
Oh, no. | 0:27:50 | 0:27:52 | |
No. | 0:27:52 | 0:27:53 | |
-Ginnie Godden's in hospital. -What?! | 0:27:53 | 0:27:55 | |
Attempted suicide. | 0:27:55 | 0:27:57 | |
She tried to hang herself. | 0:27:57 | 0:28:00 | |
But why? | 0:28:00 | 0:28:02 | |
Guilty conscience. Maybe she did kill Sylvia after all. | 0:28:02 | 0:28:05 | |
Who knows? It's the boy I feel sorry for. Poor lad. | 0:28:05 | 0:28:08 | |
-What's going to happen to him now? -Father, listen... | 0:28:08 | 0:28:12 | |
Malcolm knew about Sylvia's pregnancy. | 0:28:12 | 0:28:14 | |
What if I was wrong? | 0:28:15 | 0:28:17 | |
If it was him all along deliberately trying to mislead us. | 0:28:17 | 0:28:21 | |
What if he came to the hospital, not trying to find me | 0:28:21 | 0:28:24 | |
but looking for another innocent sacrifice? | 0:28:24 | 0:28:27 | |
'It's getting dark soon.' | 0:28:27 | 0:28:28 | |
If anything will be happening, it'll be happening at midnight. | 0:28:28 | 0:28:32 | |
I wonder if you could send Sid to meet me at the police station, | 0:28:32 | 0:28:35 | |
we'll go straight to the Stones. | 0:28:35 | 0:28:36 | |
Then, perhaps, you go to the cottage hospital | 0:28:36 | 0:28:39 | |
and make sure the children are safe. Goodbye. | 0:28:39 | 0:28:42 | |
PHONE RINGS | 0:28:42 | 0:28:43 | |
-That's 10. -Johnny? -11. -Charlie? -12. | 0:28:43 | 0:28:47 | |
-And Freddie is, 13. We're one short. -What? | 0:28:47 | 0:28:50 | |
PHONE CONTINUES RINGING | 0:28:50 | 0:28:52 | |
But that's not Freddie. | 0:28:53 | 0:28:55 | |
Then where is he? | 0:28:55 | 0:28:56 | |
Well, I... He was there. | 0:28:56 | 0:28:58 | |
Oh, no. Please, no! | 0:28:58 | 0:28:59 | |
-So what's the plan? -No idea. -Brilliant. | 0:29:09 | 0:29:12 | |
-Tell me everything. When was the last time he...? -Sh! | 0:29:21 | 0:29:24 | |
(When was the last time he was seen?) | 0:29:24 | 0:29:25 | |
Ah, so you didn't get our message. | 0:29:25 | 0:29:28 | |
Of course we did. That's why we're here. | 0:29:28 | 0:29:30 | |
No, the second message. | 0:29:30 | 0:29:31 | |
Inspector... | 0:29:31 | 0:29:33 | |
It turns out his breathing improved so much | 0:29:33 | 0:29:36 | |
they took him off the iron lung. | 0:29:36 | 0:29:38 | |
Well, they needed it for another child. | 0:29:38 | 0:29:41 | |
You didn't think to ascertain this before you called us? | 0:29:41 | 0:29:43 | |
I'm sorry, Inspector - we really thought... | 0:29:43 | 0:29:45 | |
Time was of the essence. | 0:29:45 | 0:29:47 | |
Stand down, men. Go home to your families. | 0:29:47 | 0:29:50 | |
It's about time we called it a day. | 0:29:50 | 0:29:52 | |
Well, what about Father Brown? | 0:29:52 | 0:29:54 | |
He's out in the back of beyond in the middle of the night. | 0:29:54 | 0:29:58 | |
It'll give him time to reflect on the repercussions | 0:29:58 | 0:30:00 | |
of his wild accusations. | 0:30:00 | 0:30:02 | |
My bicycle's outside, I'll go and find him. | 0:30:02 | 0:30:04 | |
We don't need any more accidents. | 0:30:04 | 0:30:07 | |
Unless there are any more innocents you need me to save? | 0:30:07 | 0:30:09 | |
-GROUP: -Fowles in the frith, | 0:30:20 | 0:30:22 | |
The fishes in the flood, | 0:30:22 | 0:30:24 | |
And I mon wax wood... | 0:30:24 | 0:30:25 | |
How many of them are there?! | 0:30:25 | 0:30:27 | |
The prospect of saving all the village's children | 0:30:27 | 0:30:30 | |
is very promising. | 0:30:30 | 0:30:32 | |
Yeah, but to kill a kid to save a kid? | 0:30:32 | 0:30:34 | |
That doesn't make any sense. | 0:30:34 | 0:30:36 | |
Can you make out which one's Malcolm? | 0:30:36 | 0:30:38 | |
Yes, and they are not sacrificing a child. | 0:30:38 | 0:30:41 | |
Right - so what're we going to do? | 0:30:43 | 0:30:44 | |
Two of us against all of them? | 0:30:44 | 0:30:46 | |
Well, I have asked Sergeant Goodfellow | 0:30:46 | 0:30:50 | |
to alert Inspector Sullivan. | 0:30:50 | 0:30:51 | |
Yeah, but if he was coming, he'd be here by now. | 0:30:51 | 0:30:54 | |
You go in the car and get some help. | 0:30:55 | 0:30:58 | |
What about you? | 0:30:58 | 0:31:00 | |
I'll think of something | 0:31:00 | 0:31:02 | |
PHONE RINGS | 0:31:15 | 0:31:16 | |
Kembleford 769. | 0:31:19 | 0:31:21 | |
Yes. Yes, he does house calls, | 0:31:23 | 0:31:26 | |
but you'll need to call the presbytery. | 0:31:26 | 0:31:28 | |
Let me get this straight, | 0:31:30 | 0:31:32 | |
he's not answering the telephone? | 0:31:32 | 0:31:34 | |
"I will fear no evils, for thou art with me. | 0:31:39 | 0:31:43 | |
"Thy rod and thy staff, have comforted me." | 0:31:43 | 0:31:45 | |
The Police. Thank you. | 0:31:52 | 0:31:54 | |
GROUP CONTINUE RITUAL | 0:31:56 | 0:31:58 | |
(Walt! | 0:32:07 | 0:32:08 | |
(No...) | 0:32:10 | 0:32:11 | |
Silence! | 0:32:11 | 0:32:13 | |
Midnight approaches. | 0:32:13 | 0:32:14 | |
-GROUP: -Much sorwe I walke with. | 0:32:15 | 0:32:17 | |
The Solstice begins. | 0:32:18 | 0:32:21 | |
Much sorwe I walke with. | 0:32:21 | 0:32:22 | |
Is the knife sharpened? | 0:32:24 | 0:32:25 | |
Is the knife-bearer ready? | 0:32:27 | 0:32:29 | |
Is the knife-bearer ready? | 0:32:34 | 0:32:36 | |
(We need you to be ready.) | 0:32:46 | 0:32:48 | |
Are you SURE, this time? | 0:32:48 | 0:32:50 | |
It didn't work before. | 0:32:50 | 0:32:52 | |
Because that was the wrong sacrifice. | 0:32:52 | 0:32:54 | |
This is perfect. | 0:32:54 | 0:32:56 | |
-And what if...? -What if we do nothing? | 0:32:57 | 0:32:59 | |
How many more children have to die? | 0:33:00 | 0:33:03 | |
You told me yourself, you couldn't bear another child dying young | 0:33:03 | 0:33:07 | |
-or living maimed! -I can't. | 0:33:07 | 0:33:09 | |
Then you know what you have to do. | 0:33:10 | 0:33:12 | |
This is the last death you need to see. | 0:33:13 | 0:33:17 | |
Everything is in alignment. | 0:33:17 | 0:33:19 | |
It was meant to be. | 0:33:19 | 0:33:20 | |
We're going to be successful this time. | 0:33:23 | 0:33:25 | |
Word of warning. The priest's about. | 0:33:33 | 0:33:35 | |
Just the priest? | 0:33:36 | 0:33:38 | |
HE CHUCKLES | 0:33:38 | 0:33:40 | |
I think we can handle him. | 0:33:40 | 0:33:41 | |
Is the knife-bearer ready? | 0:33:48 | 0:33:50 | |
She is. | 0:33:50 | 0:33:51 | |
Midnight...begin! | 0:33:53 | 0:33:56 | |
No! | 0:33:56 | 0:33:57 | |
-CHUCKLING: -Father Brown. Alone? | 0:34:00 | 0:34:02 | |
Don't worry, Malcolm. | 0:34:08 | 0:34:10 | |
They won't kill you. | 0:34:10 | 0:34:12 | |
No cavalry? | 0:34:12 | 0:34:13 | |
How are you going to stop us? | 0:34:13 | 0:34:15 | |
By offering myself in his place. | 0:34:19 | 0:34:20 | |
If you want to sacrifice an innocent... | 0:34:23 | 0:34:25 | |
..sacrifice me. | 0:34:26 | 0:34:28 | |
Sergeant, you have to call the inspector. | 0:34:28 | 0:34:31 | |
I don't care if you wake him up! | 0:34:31 | 0:34:33 | |
The Father went out to the Stones tonight and... | 0:34:33 | 0:34:37 | |
Would you just be quiet for one minute?! | 0:34:37 | 0:34:40 | |
He went out and it looks like he's never made his way back. | 0:34:40 | 0:34:43 | |
No, he cannot be out on a call! | 0:34:44 | 0:34:47 | |
His pyx bag is here on the table in front of me. | 0:34:47 | 0:34:50 | |
You said you'd let him free. | 0:34:57 | 0:34:59 | |
Later. | 0:34:59 | 0:35:00 | |
We don't want anyone raising the alarm before we're finished. | 0:35:01 | 0:35:04 | |
This can't be interrupted. | 0:35:04 | 0:35:06 | |
You think peace and quiet makes it work? | 0:35:06 | 0:35:08 | |
You were right. We didn't get a true innocent last time. | 0:35:09 | 0:35:13 | |
This time will be different. | 0:35:14 | 0:35:17 | |
Exactly the same. | 0:35:17 | 0:35:19 | |
Another death... | 0:35:19 | 0:35:20 | |
..and no lives given in return. | 0:35:22 | 0:35:24 | |
We'll see about that. | 0:35:25 | 0:35:27 | |
Is that how you think it works? | 0:35:30 | 0:35:32 | |
It's what you believe, isn't it? | 0:35:32 | 0:35:34 | |
Jesus sacrificed himself for our sins. | 0:35:34 | 0:35:37 | |
You preach it every Sunday. | 0:35:37 | 0:35:39 | |
Our Gods are just a bit more...useful. | 0:35:39 | 0:35:41 | |
If you think you'll be able to convert us, | 0:35:43 | 0:35:46 | |
you've got the wrong men. | 0:35:46 | 0:35:48 | |
Marjorie... | 0:35:48 | 0:35:50 | |
you had a strong faith. | 0:35:50 | 0:35:52 | |
And then I saw child after child die, | 0:35:52 | 0:35:55 | |
or live maimed. | 0:35:55 | 0:35:57 | |
I prayed and I prayed, but if your Christian God won't save them, | 0:35:57 | 0:36:02 | |
I want no part of him. | 0:36:02 | 0:36:04 | |
We need to save our children. | 0:36:04 | 0:36:05 | |
That's not quite true of you, Alf, though, is it? | 0:36:06 | 0:36:09 | |
Convenient - get rid of a pregnant girlfriend | 0:36:09 | 0:36:13 | |
you were tired of, wasn't it? | 0:36:13 | 0:36:15 | |
And Freddie? | 0:36:18 | 0:36:20 | |
No-one's done anything to Freddie. | 0:36:20 | 0:36:22 | |
Yet. | 0:36:22 | 0:36:23 | |
Mrs McCarthy was very impressed with Walt's support for Ginnie | 0:36:25 | 0:36:29 | |
when she was in custody... | 0:36:29 | 0:36:31 | |
promising you'd be with her little boy | 0:36:31 | 0:36:33 | |
"every second of the night and day." | 0:36:33 | 0:36:35 | |
With hindsight, that sounds like a threat, wouldn't you say? | 0:36:37 | 0:36:41 | |
That's low. | 0:36:44 | 0:36:45 | |
Very low. | 0:36:47 | 0:36:48 | |
Even if he did say all that, it's just words. | 0:36:51 | 0:36:55 | |
-And Ginnie. -Ginnie did that to herself. | 0:36:57 | 0:36:59 | |
Is that what you think? | 0:36:59 | 0:37:01 | |
I think someone tried to shut her up. | 0:37:01 | 0:37:04 | |
And after tonight, | 0:37:05 | 0:37:07 | |
I think they'll try again. | 0:37:07 | 0:37:10 | |
Ginnie was one of us. | 0:37:10 | 0:37:11 | |
Why would we kill her? | 0:37:11 | 0:37:13 | |
She brought Sylvia here. | 0:37:13 | 0:37:15 | |
But she didn't have the strength to follow it through. | 0:37:15 | 0:37:18 | |
I won't be like that. | 0:37:18 | 0:37:20 | |
And Sylvia. | 0:37:20 | 0:37:22 | |
Killed for nothing. | 0:37:22 | 0:37:23 | |
And now me. | 0:37:24 | 0:37:26 | |
What if I'm killed and nothing changes? | 0:37:26 | 0:37:30 | |
And Sid's missing, too. | 0:37:34 | 0:37:36 | |
Hornby had to bring me over in Monty's car. | 0:37:36 | 0:37:38 | |
What do we do? | 0:37:38 | 0:37:40 | |
Sid! | 0:37:40 | 0:37:42 | |
Call the police. | 0:37:42 | 0:37:43 | |
-Do you think I haven't tried? -And Freddie's safe. | 0:37:43 | 0:37:46 | |
But Malcolm isn't. He's about to be sacrificed. | 0:37:46 | 0:37:48 | |
-What? -And Father Brown's out there by himself. | 0:37:48 | 0:37:50 | |
-Well, let's go. -OK. | 0:37:50 | 0:37:52 | |
Operator? Kembleford Police Station, please. | 0:37:55 | 0:37:57 | |
Not losing your bottle, are you? | 0:38:00 | 0:38:02 | |
Gag him. | 0:38:04 | 0:38:05 | |
SLICING | 0:38:23 | 0:38:24 | |
We need blood. | 0:38:26 | 0:38:27 | |
It's on me. | 0:38:37 | 0:38:38 | |
As his lifeblood drains... | 0:38:39 | 0:38:43 | |
with our eyes closed... | 0:38:43 | 0:38:45 | |
we perform our final chant. | 0:38:45 | 0:38:48 | |
Fowles in the frith! | 0:38:50 | 0:38:51 | |
The fishes in the flood! | 0:38:51 | 0:38:56 | |
-GROUP: -And I mon wax wood, | 0:38:56 | 0:38:59 | |
Much sorwe I walke with... | 0:38:59 | 0:39:01 | |
RITUAL CONTINUES | 0:39:01 | 0:39:02 | |
This is her blood! | 0:39:16 | 0:39:17 | |
She's betrayed us. | 0:39:17 | 0:39:19 | |
Go after him. Shut him up. | 0:39:20 | 0:39:22 | |
What about the sacrifice? | 0:39:22 | 0:39:23 | |
We've run out of time. | 0:39:23 | 0:39:25 | |
This dried-up old spinster will have to do. | 0:39:25 | 0:39:28 | |
Not far now. | 0:39:32 | 0:39:33 | |
Who's that? | 0:39:36 | 0:39:38 | |
The police! Oh, thank God. Where's Father Brown? | 0:39:38 | 0:39:41 | |
He's...up ahead. | 0:39:41 | 0:39:43 | |
We caught them off-guard. | 0:39:43 | 0:39:45 | |
-Lady Felicia, is your car nearby? -Just down the track. | 0:39:45 | 0:39:48 | |
Could I borrow it? I'll go and find him. | 0:39:48 | 0:39:50 | |
-Oh, of course. Sid, the keys. -Stop! Police! | 0:39:50 | 0:39:52 | |
Hey, it's all right, Inspector. I've broken it up. | 0:39:52 | 0:39:55 | |
Everybody's safe now. | 0:39:55 | 0:39:56 | |
Thank you, PC Everett. | 0:39:57 | 0:39:59 | |
All right, men, stand down. | 0:39:59 | 0:40:00 | |
Father Brown! | 0:40:00 | 0:40:02 | |
He's one of Sylvia's killers. | 0:40:03 | 0:40:05 | |
What?! | 0:40:05 | 0:40:06 | |
-Quick! Get after him! -Yes, sir. | 0:40:06 | 0:40:08 | |
What do you mean, "one of"? | 0:40:11 | 0:40:13 | |
Much sorwe I walke with. | 0:40:14 | 0:40:16 | |
Are you really going to stand there and watch this? | 0:40:18 | 0:40:21 | |
Is this what it's come to? | 0:40:22 | 0:40:24 | |
Josaphat? | 0:40:26 | 0:40:29 | |
Simon? | 0:40:29 | 0:40:30 | |
Much sorwe I walke with. | 0:40:32 | 0:40:35 | |
Moira? | 0:40:36 | 0:40:37 | |
Katherine? | 0:40:39 | 0:40:40 | |
They've followed you blindly this far. | 0:40:46 | 0:40:48 | |
They won't follow you over the abyss. | 0:40:49 | 0:40:52 | |
Cowards! | 0:40:52 | 0:40:54 | |
COWARDS! | 0:40:54 | 0:40:57 | |
HE GROANS | 0:40:57 | 0:40:58 | |
No more pointless deaths. | 0:41:02 | 0:41:05 | |
WHISTLE BLOWS | 0:41:05 | 0:41:07 | |
No more. | 0:41:09 | 0:41:10 | |
WHISTLE BLOWS | 0:41:10 | 0:41:11 | |
Malcolm! | 0:41:13 | 0:41:15 | |
Father, I wasn't expecting... | 0:41:27 | 0:41:28 | |
Something from Mrs McCarthy's garden. | 0:41:32 | 0:41:35 | |
(Thank you.) | 0:41:35 | 0:41:36 | |
I thought if you came at all, you'd be bringing the police with you. | 0:41:38 | 0:41:41 | |
You backed out of Sylvia's sacrifice. | 0:41:41 | 0:41:43 | |
You were prepared to tell all. | 0:41:43 | 0:41:44 | |
It's not your fault that Walt got to you. | 0:41:44 | 0:41:47 | |
But I agreed to the plan in the first place. | 0:41:47 | 0:41:50 | |
I lured Sylvia out there to her death. | 0:41:50 | 0:41:52 | |
I was just so desperate. | 0:41:52 | 0:41:55 | |
Standing was a village of desperate people. | 0:41:55 | 0:41:57 | |
We're just grateful for the chance to return to normal. | 0:41:59 | 0:42:03 | |
Not that the publican or the policeman | 0:42:03 | 0:42:04 | |
will be returning any time soon. | 0:42:04 | 0:42:07 | |
Well, at least the polio's burnt itself out. | 0:42:07 | 0:42:09 | |
No new cases for the last seven days. | 0:42:09 | 0:42:12 | |
Thanks to the Father. | 0:42:12 | 0:42:14 | |
Nonsense. Nothing to do with me. | 0:42:14 | 0:42:17 | |
If I'd just read on a few more pages, I'd have known. | 0:42:17 | 0:42:20 | |
The only thing more powerful than an innocent being sacrificed | 0:42:20 | 0:42:24 | |
is an innocent who is willing to be. | 0:42:24 | 0:42:27 | |
Though I wasn't willing to die for them... | 0:42:27 | 0:42:30 | |
because not for a minute did I think that it would have an effect. | 0:42:30 | 0:42:34 | |
So... | 0:42:34 | 0:42:35 | |
Malcolm... | 0:42:37 | 0:42:38 | |
..I was willing to die for YOU. | 0:42:40 | 0:42:42 | |
Every time I see him, I can't believe it. | 0:42:57 | 0:43:00 | |
Thank you so much for letting him stay while he recuperated. | 0:43:01 | 0:43:04 | |
Oh, it's nothing. | 0:43:04 | 0:43:06 | |
That's what the staff are for, after all. | 0:43:06 | 0:43:09 | |
I'm sure Lady Felicia will be glad of the peace and quiet. | 0:43:09 | 0:43:12 | |
Precisely what I was thinking. | 0:43:12 | 0:43:15 | |
I was saying to Monty only last night - | 0:43:15 | 0:43:17 | |
if the past few weeks have shown me anything, | 0:43:17 | 0:43:19 | |
it's how glad I am that we never had children. | 0:43:19 | 0:43:22 | |
So...are you ready to take your son home? | 0:43:28 | 0:43:32 |