Browse content similar to The Mask of the Demon. Check below for episodes and series from the same categories and more!
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THUNDER CRACKS | 0:00:02 | 0:00:03 | |
THUNDER CRACKS | 0:00:27 | 0:00:29 | |
THUNDER CRACKS | 0:00:42 | 0:00:44 | |
HE CHANTS IN LATIN | 0:00:46 | 0:00:50 | |
THUNDER CRACKS | 0:00:56 | 0:00:58 | |
Argh! | 0:00:58 | 0:01:00 | |
Evening, sir. | 0:01:35 | 0:01:36 | |
The new librarian, miss. | 0:01:47 | 0:01:49 | |
Henry Cavendish. How do you do? | 0:01:54 | 0:01:56 | |
I'm Virginia Lewthwaite, Lord Hellion's fiancee. | 0:01:56 | 0:02:00 | |
He's been called away to London | 0:02:00 | 0:02:01 | |
so I'm afraid I must suffice in his absence. | 0:02:01 | 0:02:04 | |
I shall try not to keep you from your occupations. | 0:02:04 | 0:02:08 | |
On the contrary, | 0:02:08 | 0:02:10 | |
I'd welcome the company. | 0:02:10 | 0:02:11 | |
We're very isolated here, Mr Cavendish. | 0:02:11 | 0:02:14 | |
I fear you'll be bored. | 0:02:14 | 0:02:17 | |
I welcome the seclusion. | 0:02:17 | 0:02:19 | |
It gives me time to write. | 0:02:19 | 0:02:21 | |
You're an author? | 0:02:21 | 0:02:22 | |
I only claim to be budding. | 0:02:22 | 0:02:24 | |
I think... | 0:02:24 | 0:02:26 | |
there will be plenty here to inspire me. | 0:02:26 | 0:02:28 | |
Is the wedding imminent? | 0:02:31 | 0:02:32 | |
The 6th of June. | 0:02:33 | 0:02:36 | |
A very small affair, as my fiance lost his first two wives. | 0:02:36 | 0:02:40 | |
Line. | 0:02:45 | 0:02:46 | |
'In tragic circumstances.' | 0:02:46 | 0:02:48 | |
'Cut!' | 0:02:48 | 0:02:49 | |
If Ms Fontaine would deign to learn her lines | 0:02:49 | 0:02:52 | |
before coming on set, | 0:02:52 | 0:02:54 | |
it would save us all a lot of time, | 0:02:54 | 0:02:56 | |
which, as you know, means money. | 0:02:56 | 0:02:59 | |
Something that is in painfully short supply. | 0:02:59 | 0:03:02 | |
And do try and inject some ingenuousness. | 0:03:02 | 0:03:05 | |
You're meant to be a virgin bride. | 0:03:05 | 0:03:07 | |
I've seen more innocence on a ten bob tart. | 0:03:09 | 0:03:12 | |
You would know, darling. | 0:03:12 | 0:03:14 | |
Miss Swain, | 0:03:16 | 0:03:18 | |
may I borrow you for a moment, please? | 0:03:18 | 0:03:21 | |
Could you demonstrate to Ms Fontaine | 0:03:24 | 0:03:27 | |
what innocence sounds like? | 0:03:27 | 0:03:30 | |
I'm Virginia Lewthwaite, | 0:03:30 | 0:03:32 | |
Lord Hellion's fiancee. | 0:03:32 | 0:03:34 | |
He's been called to London, so I'm afraid I must suffice... | 0:03:35 | 0:03:38 | |
I'd murder the little tart before taking acting lessons from her. | 0:03:38 | 0:03:41 | |
-Ms Fontaine! -Reset. | 0:03:43 | 0:03:44 | |
Let's try again. | 0:03:44 | 0:03:46 | |
They were forced to move out of their last place | 0:03:47 | 0:03:50 | |
because of complaints about noise. | 0:03:50 | 0:03:53 | |
And this film, | 0:03:53 | 0:03:54 | |
The Demon Brides. | 0:03:54 | 0:03:56 | |
In the name of all that's unholy... | 0:03:56 | 0:03:58 | |
And you such a movie buff, Mrs M. | 0:03:59 | 0:04:02 | |
I like a proper one, | 0:04:02 | 0:04:03 | |
like, oh, Casablanca or The Prisoner Of Zenda, | 0:04:03 | 0:04:09 | |
but this rubbish is just an excuse for blasphemy and... | 0:04:09 | 0:04:12 | |
..and scantily-clad women. | 0:04:14 | 0:04:16 | |
Isn't that right, Father? | 0:04:16 | 0:04:17 | |
We rather enjoyed Virgin Vampires at the Odeon last month. | 0:04:17 | 0:04:20 | |
Isn't that right, Father? | 0:04:20 | 0:04:21 | |
It raised some interesting theological questions. | 0:04:21 | 0:04:25 | |
Well, I do hope you'll sign the petition | 0:04:25 | 0:04:27 | |
on behalf of the parish council. | 0:04:27 | 0:04:28 | |
Not so fast, Mrs McCarthy. | 0:04:28 | 0:04:30 | |
One of the actors is a chum, and I've asked him round | 0:04:30 | 0:04:33 | |
to answer any parochial concerns you may have. | 0:04:33 | 0:04:36 | |
-KNOCK ON DOOR -There he is now. | 0:04:36 | 0:04:37 | |
If she thinks I'm going to let my opinion be swayed | 0:04:40 | 0:04:42 | |
by some B-list actor... | 0:04:42 | 0:04:45 | |
Hello. I'm Rex Bishop. | 0:04:45 | 0:04:47 | |
Ooh! | 0:04:47 | 0:04:48 | |
Hello. Father Brown. | 0:04:52 | 0:04:54 | |
And this is our Parish Secretary. | 0:04:54 | 0:04:56 | |
Mrs McCarthy is one of your greatest fans. | 0:04:56 | 0:04:58 | |
And... | 0:05:01 | 0:05:03 | |
cut! | 0:05:03 | 0:05:04 | |
That was wonderful, darling. | 0:05:06 | 0:05:08 | |
Care to explain, Billy? | 0:05:14 | 0:05:16 | |
We're spreading. | 0:05:16 | 0:05:17 | |
Vivian wanted cuts. | 0:05:17 | 0:05:19 | |
I'll have no lines left at this rate. | 0:05:19 | 0:05:21 | |
He might as well have hired a cleavage. | 0:05:21 | 0:05:23 | |
This is her. | 0:05:24 | 0:05:25 | |
The old hag would stop at nothing to sabotage my career. | 0:05:25 | 0:05:28 | |
Get me a martini. | 0:05:28 | 0:05:30 | |
I need some lubrication for all that screaming. | 0:05:30 | 0:05:32 | |
-I hate this place. -Ditto. | 0:05:32 | 0:05:35 | |
There's only one thing for it. | 0:05:35 | 0:05:37 | |
We'll have to run away together. | 0:05:37 | 0:05:38 | |
Sweet William. | 0:05:38 | 0:05:40 | |
But then we'd have to live in a garret and I don't want that. | 0:05:40 | 0:05:43 | |
I want what she's got. | 0:05:44 | 0:05:46 | |
Careful, Billy. | 0:05:49 | 0:05:51 | |
That girl will break your heart. | 0:05:51 | 0:05:53 | |
So I said, "Madam, I am sorely tempted, | 0:05:55 | 0:05:58 | |
"but your husband | 0:05:58 | 0:05:59 | |
"is the middleweight boxing champion of the world | 0:05:59 | 0:06:02 | |
"and my face is my fortune." | 0:06:02 | 0:06:04 | |
You're a long way from Hollywood, Mr Bishop. | 0:06:06 | 0:06:08 | |
Los Angeles is hot and sticky. | 0:06:08 | 0:06:11 | |
And you can't get a proper cup of tea. | 0:06:11 | 0:06:13 | |
Oh, and another scone, Mr Bishop? | 0:06:13 | 0:06:16 | |
I thought you'd never ask, and call me Rex. | 0:06:16 | 0:06:18 | |
If I may call you... | 0:06:18 | 0:06:20 | |
Rex! Bridget! | 0:06:20 | 0:06:22 | |
Bridget, the Celtic goddess of fire and wisdom, and... | 0:06:22 | 0:06:28 | |
creator of the finest strawberry scone I've ever tasted. | 0:06:28 | 0:06:32 | |
Do tell us what the film is about, Rex. | 0:06:32 | 0:06:35 | |
Well, it's about a demon lord | 0:06:35 | 0:06:38 | |
who sacrifices his wives to the devil on their wedding night | 0:06:38 | 0:06:41 | |
and reincarnates them as demon brides. | 0:06:41 | 0:06:45 | |
Hardly Chekhov, I'm afraid. | 0:06:45 | 0:06:47 | |
Sounds jolly good fun. | 0:06:47 | 0:06:48 | |
Although I'm not sure Mrs McCarthy would approve. | 0:06:48 | 0:06:50 | |
-Oh, no! -Why don't you see for yourselves? | 0:06:50 | 0:06:53 | |
As my guests tomorrow. The full tour. | 0:06:53 | 0:06:56 | |
Oh! | 0:06:56 | 0:06:57 | |
Pull back. Pull back. | 0:07:00 | 0:07:02 | |
And if Ms Fontaine could try and look like she's in a drugged stupor. | 0:07:02 | 0:07:06 | |
It shouldn't be too much of a stretch. | 0:07:06 | 0:07:08 | |
And cue, darling. | 0:07:08 | 0:07:11 | |
Exto malikus. | 0:07:11 | 0:07:13 | |
Exto vascatis. | 0:07:13 | 0:07:16 | |
-BOTH: -Exta invero Hellion. | 0:07:16 | 0:07:18 | |
DOOR BANGS Oh, cut! Cut! Cut! | 0:07:18 | 0:07:22 | |
For the last time, this is a closed set! | 0:07:22 | 0:07:25 | |
These are the representatives of the Parish Council. | 0:07:25 | 0:07:28 | |
I don't care if it's the Pope and his entourage. | 0:07:28 | 0:07:30 | |
What are they doing here? | 0:07:30 | 0:07:31 | |
You invited them. | 0:07:31 | 0:07:33 | |
Told Rex to do his bit for PR, | 0:07:33 | 0:07:35 | |
or, to use your words, schmooze the local yokels. | 0:07:35 | 0:07:38 | |
I do apologise for my oaf of a husband. | 0:07:41 | 0:07:44 | |
Bebe Fontaine. | 0:07:44 | 0:07:46 | |
-Hello. -Hello. | 0:07:46 | 0:07:48 | |
Welcome to hell. | 0:07:48 | 0:07:50 | |
And now the local lunatic fringe are getting up a petition. | 0:08:01 | 0:08:06 | |
And, to cap it all, I've been receiving death threats. | 0:08:06 | 0:08:10 | |
Some maniac calling himself Arulus. | 0:08:10 | 0:08:13 | |
Seems to think I'm the devil reincarnated. | 0:08:13 | 0:08:17 | |
Can't think what gave him that idea. | 0:08:17 | 0:08:19 | |
Interesting choice of objets d'art. | 0:08:19 | 0:08:21 | |
Now, that is the death mask of the demon lord. | 0:08:21 | 0:08:25 | |
Must be a non-speaking part. | 0:08:25 | 0:08:27 | |
Hasn't got a mouth. | 0:08:27 | 0:08:29 | |
His face has been melted with holy water. | 0:08:29 | 0:08:31 | |
Will that work, Father? | 0:08:31 | 0:08:32 | |
Don't think so, no. | 0:08:32 | 0:08:34 | |
Billy Neville. Author of this masterpiece. | 0:08:34 | 0:08:37 | |
Put a priest into the castle. | 0:08:37 | 0:08:39 | |
What for? | 0:08:39 | 0:08:41 | |
Oh, add some colour. Bells and smells. | 0:08:41 | 0:08:44 | |
He can turn wine into blood, | 0:08:44 | 0:08:46 | |
bread into flesh. | 0:08:46 | 0:08:48 | |
Why would a demon lord | 0:08:48 | 0:08:49 | |
have a Catholic priest living under his roof? | 0:08:49 | 0:08:52 | |
You're the writer, think of something, | 0:08:52 | 0:08:54 | |
and I want it by four. | 0:08:54 | 0:08:56 | |
What's she doing here? | 0:08:56 | 0:08:58 | |
She, my darling, is entertaining our guests, | 0:08:58 | 0:09:01 | |
which is more than can be said for you. | 0:09:01 | 0:09:03 | |
May I introduce Miss Paulette Swain, | 0:09:03 | 0:09:07 | |
one of our fastest rising stars? | 0:09:07 | 0:09:11 | |
And what part do you play? | 0:09:11 | 0:09:12 | |
A foul demoness in thrall to a devil. | 0:09:12 | 0:09:15 | |
I'm something of a writer myself. | 0:09:15 | 0:09:18 | |
You must tell me where you get your inspiration from. | 0:09:19 | 0:09:21 | |
From everything around me. | 0:09:21 | 0:09:24 | |
Ars vitam imitator. | 0:09:24 | 0:09:25 | |
Art imitates life. | 0:09:26 | 0:09:28 | |
This isn't art. | 0:09:28 | 0:09:29 | |
You must leave, Virginia. | 0:09:33 | 0:09:35 | |
Are you mad? | 0:09:35 | 0:09:36 | |
I'm due to be married tomorrow. | 0:09:36 | 0:09:38 | |
Yes, I'm mad. I can't be sane when I'm with you. | 0:09:38 | 0:09:41 | |
My father is deeply indebted to Lord Hellion. | 0:09:44 | 0:09:48 | |
If this marriage doesn't take place tomorrow, | 0:09:48 | 0:09:50 | |
he'll be ruined | 0:09:50 | 0:09:51 | |
and my family dishonoured. | 0:09:51 | 0:09:53 | |
Cut! | 0:09:58 | 0:10:00 | |
Is it too much to ask for you people to learn your damn lines | 0:10:00 | 0:10:03 | |
before stepping onto my set? You're costing me a fortune! | 0:10:03 | 0:10:07 | |
Principles to their dressing rooms now! | 0:10:07 | 0:10:11 | |
I want you word perfect by five. | 0:10:11 | 0:10:14 | |
We're in detention, I'm afraid. | 0:10:16 | 0:10:17 | |
I don't have trouble remembering my lines. | 0:10:17 | 0:10:20 | |
You don't have any lines. | 0:10:20 | 0:10:21 | |
-Feel free to stay and we'll reconvene later. -Yes. | 0:10:21 | 0:10:24 | |
Universal Studios! | 0:10:26 | 0:10:28 | |
They've offered me a movie starting in the spring. | 0:10:28 | 0:10:30 | |
Escape the garret, Billy. Clever boy. | 0:10:30 | 0:10:32 | |
Nicholas Ray's directing and Robert Mitchum's lined up for the lead. | 0:10:32 | 0:10:35 | |
You seem to forget that you're contracted to me | 0:10:35 | 0:10:38 | |
for your next two movies. | 0:10:38 | 0:10:40 | |
In your own words, any typewriter monkey could churn out this dross. | 0:10:40 | 0:10:44 | |
I don't want any monkey. | 0:10:44 | 0:10:46 | |
I want the monkey I've got. | 0:10:46 | 0:10:48 | |
So you can just get back to Universal | 0:10:48 | 0:10:50 | |
and tell them that you're not available. | 0:10:50 | 0:10:52 | |
And I want those amendments by four. | 0:10:52 | 0:10:54 | |
Till then, I'm watching rushes. | 0:10:56 | 0:10:59 | |
Do not disturb... | 0:10:59 | 0:11:01 | |
under pain of death! | 0:11:01 | 0:11:03 | |
Ergh! | 0:11:08 | 0:11:09 | |
Oh! Jesus, Mary and J... | 0:11:09 | 0:11:11 | |
-Sid. -And now he's got X-ray eyes. How did you know it was me? | 0:11:11 | 0:11:15 | |
Brylcreem, Gold Flake and engine oil. | 0:11:15 | 0:11:17 | |
And what exactly do you think you're doing, Sidney Carter? | 0:11:17 | 0:11:20 | |
I'm earning ten bob a day as an extra, Mrs M. | 0:11:20 | 0:11:23 | |
Ladies. | 0:11:23 | 0:11:24 | |
Tough job, | 0:11:25 | 0:11:26 | |
but someone's got to do it. Ta-ta. | 0:11:26 | 0:11:29 | |
-Ooh-ho-ho-ho! -THEY GIGGLE | 0:11:29 | 0:11:31 | |
'Foul demoness! You're nothing... | 0:11:40 | 0:11:42 | |
'You're nothing but a foul... You're nothing but a foul demoness. | 0:11:42 | 0:11:46 | |
-'You're nothing...' -'Take one.' | 0:11:46 | 0:11:48 | |
'If divorce were an option, I'd have done it years ago. | 0:11:50 | 0:11:53 | |
'Yes. Well...' | 0:11:54 | 0:11:56 | |
Yes. No. No, it's not still a possibility. | 0:11:56 | 0:11:59 | |
He's got a ten-year option on my contract | 0:11:59 | 0:12:02 | |
and you can bet your boots | 0:12:02 | 0:12:04 | |
I'll never work in this or any other town again. | 0:12:04 | 0:12:06 | |
No, trust me, darling, the only way I'll escape my caro marito | 0:12:09 | 0:12:14 | |
is with one of us in a box. | 0:12:14 | 0:12:15 | |
THUNDER CRACKS | 0:12:18 | 0:12:20 | |
KNOCKING | 0:12:34 | 0:12:36 | |
Argh! | 0:12:54 | 0:12:56 | |
KNOCK ON DOOR | 0:12:56 | 0:12:58 | |
Are you going to tell us what happens? | 0:13:09 | 0:13:11 | |
And spoil the ending for when we see it at the cinema? | 0:13:11 | 0:13:14 | |
Oh, somebody's changed their tune. | 0:13:14 | 0:13:17 | |
This is a morality tale | 0:13:17 | 0:13:18 | |
where the godly triumph over the forces of evil. | 0:13:18 | 0:13:22 | |
Nothing blasphemous in that now is there, Father? | 0:13:22 | 0:13:24 | |
Morning, Father. | 0:13:27 | 0:13:29 | |
-Shall we say our goodbyes? -Yes. | 0:13:32 | 0:13:34 | |
Vivian, open up. | 0:13:37 | 0:13:39 | |
I got here at four as ordered and the door was locked. | 0:13:40 | 0:13:42 | |
And apparently he hasn't left the wing. | 0:13:42 | 0:13:44 | |
-Perhaps he's had a heart attack. -I'll break it down. Vivian! | 0:13:44 | 0:13:48 | |
SHE COUGHS | 0:13:52 | 0:13:54 | |
A good secretary always keeps a spare. | 0:13:54 | 0:13:58 | |
What a woman! | 0:13:58 | 0:13:59 | |
Oh, Jesus, Mary and Joseph. | 0:14:06 | 0:14:08 | |
SHE SCREAMS | 0:14:08 | 0:14:11 | |
I'll call the police. | 0:14:11 | 0:14:12 | |
What happened? Is he dead? | 0:14:16 | 0:14:18 | |
Per istam sanctam unctionem et suam... | 0:14:25 | 0:14:27 | |
If you're praying for his soul then you're wasting your time. | 0:14:27 | 0:14:31 | |
KNOCK ON DOOR | 0:14:41 | 0:14:42 | |
Sir. | 0:14:42 | 0:14:44 | |
Did no-one tell them it's a day of rest? | 0:14:49 | 0:14:51 | |
To Vivian. May he rot in hell. | 0:14:58 | 0:15:01 | |
Shut up, Bebe. | 0:15:01 | 0:15:03 | |
Medicinal. For the shock. | 0:15:03 | 0:15:05 | |
Thank you, Billy. | 0:15:05 | 0:15:07 | |
Oh, please. You'd think you were grieving. | 0:15:07 | 0:15:09 | |
We all know you loathed him as much as the rest of us. | 0:15:09 | 0:15:12 | |
Try to keep it together, old girl. | 0:15:12 | 0:15:14 | |
So, what happens now? | 0:15:14 | 0:15:16 | |
I suppose the show must go on. | 0:15:16 | 0:15:18 | |
I'd rather be on a yacht in the south of France. | 0:15:18 | 0:15:20 | |
Wouldn't we all? But have you forgotten | 0:15:20 | 0:15:22 | |
that you are the new owner of Cardinal? | 0:15:22 | 0:15:24 | |
Hardly. The first person she telephoned was Vivian's lawyer. | 0:15:24 | 0:15:27 | |
What am I supposed to do? | 0:15:27 | 0:15:29 | |
Appointing a new director would be a start. | 0:15:29 | 0:15:32 | |
Fine. Rex is new director. | 0:15:32 | 0:15:35 | |
There, now. Wasn't that easy? | 0:15:39 | 0:15:40 | |
At least the killer was good enough to leave a signature. | 0:15:44 | 0:15:48 | |
Any idea on this Arulus? | 0:15:48 | 0:15:50 | |
The victim's been receiving death threats. | 0:15:50 | 0:15:53 | |
"Your fate approaches. Apocalypse 20:10." | 0:15:53 | 0:15:56 | |
How's your Bible knowledge, sir? | 0:15:56 | 0:15:59 | |
-Hazard a guess. -Erm... | 0:15:59 | 0:16:01 | |
Apocalypse 20:10: "And the false prophet | 0:16:01 | 0:16:05 | |
"shall be tormented by day and by night for ever and ever." | 0:16:05 | 0:16:09 | |
It's like I said a prayer and there you were. | 0:16:09 | 0:16:12 | |
Thank you, Padre. | 0:16:13 | 0:16:15 | |
And now my sergeant here will escort you from my crime scene. | 0:16:15 | 0:16:19 | |
It's just that I was here when the body was discovered and I think | 0:16:19 | 0:16:22 | |
I may have inadvertently removed a significant piece of evidence. | 0:16:22 | 0:16:25 | |
A piece of wax. | 0:16:27 | 0:16:28 | |
Wax? | 0:16:28 | 0:16:30 | |
From a gothic horror film set? What next? | 0:16:30 | 0:16:34 | |
A coal from Newcastle? | 0:16:34 | 0:16:35 | |
But it's an unusual shape, don't you think? | 0:16:37 | 0:16:39 | |
Leave it with one of my men | 0:16:39 | 0:16:41 | |
and I'll see it gets the attention it's due. | 0:16:41 | 0:16:44 | |
-KNOCK AT DOOR -Sir? | 0:16:44 | 0:16:45 | |
In you come, Constable. The padre was just leaving. | 0:16:45 | 0:16:49 | |
Inspector Mallory. Kembleford Police. | 0:16:56 | 0:16:58 | |
I'm sorry for your loss, Mrs Wolsey. | 0:16:59 | 0:17:01 | |
Well, that makes one of us. I prefer Ms Fontaine. | 0:17:01 | 0:17:05 | |
Did my husband suffer, Inspector? | 0:17:06 | 0:17:08 | |
I do hope so. | 0:17:08 | 0:17:10 | |
I'd like you all to account for your movements | 0:17:16 | 0:17:19 | |
between two and four this afternoon. | 0:17:19 | 0:17:21 | |
Shouldn't you be looking for this Arulus fellow? | 0:17:21 | 0:17:23 | |
I could, but I'd be wasting my time, as it wasn't him. | 0:17:23 | 0:17:27 | |
Because of the death threats, | 0:17:29 | 0:17:31 | |
Mr Wolsey stationed extra security guards on the wing | 0:17:31 | 0:17:34 | |
who are adamant that nobody entered or left the building | 0:17:34 | 0:17:38 | |
between two, when his secretary went home, | 0:17:38 | 0:17:41 | |
and 4:15, when the body was discovered. | 0:17:41 | 0:17:43 | |
Are you saying it was one of us? | 0:17:43 | 0:17:46 | |
I'm saying that as the only people in this part of the building | 0:17:46 | 0:17:51 | |
at the time in question, | 0:17:51 | 0:17:52 | |
I'd like you all to account for your movements. | 0:17:52 | 0:17:55 | |
I was in my office doing amendments for Vivian. | 0:17:55 | 0:17:58 | |
-I was learning lines in my dressing room. -Me too. | 0:17:58 | 0:18:00 | |
Me three. On Vivian's orders, I hasten. | 0:18:00 | 0:18:03 | |
During this time, did anyone see or speak to Mr Wolsey? | 0:18:04 | 0:18:08 | |
Oh, dear. | 0:18:11 | 0:18:12 | |
I think somebody is lying. | 0:18:12 | 0:18:14 | |
When you're ready, Ms Fontaine. | 0:18:18 | 0:18:21 | |
I opened my dressing room door to put my shoes out for wardrobe | 0:18:23 | 0:18:27 | |
and somebody was going into my husband's office. | 0:18:27 | 0:18:31 | |
Isn't that right, Miss Swain? | 0:18:32 | 0:18:34 | |
Is this true? | 0:18:34 | 0:18:36 | |
Yes. | 0:18:37 | 0:18:39 | |
And you lied because...? | 0:18:39 | 0:18:41 | |
Because it was confidential. | 0:18:41 | 0:18:43 | |
I was signing a contract for my part in his next movie. | 0:18:43 | 0:18:45 | |
What part? | 0:18:45 | 0:18:47 | |
My part. | 0:18:49 | 0:18:51 | |
Oh, you little tramp! | 0:18:52 | 0:18:55 | |
What time was this? | 0:18:55 | 0:18:57 | |
Around three. | 0:18:57 | 0:18:58 | |
Vivian thought it required someone...youthful. | 0:18:58 | 0:19:01 | |
Yet not someone who can act. | 0:19:01 | 0:19:03 | |
And what time did you leave? | 0:19:03 | 0:19:04 | |
You're sacked! | 0:19:04 | 0:19:06 | |
About ten minutes later, when I can assure you he was alive and kicking. | 0:19:06 | 0:19:09 | |
You can't sack me. I've got a contract. | 0:19:09 | 0:19:11 | |
In that case, I'll just have to content myself | 0:19:11 | 0:19:14 | |
with making your life a misery. | 0:19:14 | 0:19:15 | |
I mean, talk about a catfight. | 0:19:20 | 0:19:22 | |
Half the crew heard it. | 0:19:22 | 0:19:25 | |
Anyway, Mallory's convinced it was an inside job. | 0:19:25 | 0:19:28 | |
Mrs McCarthy's our resident movie expert - | 0:19:29 | 0:19:32 | |
what do you know about Bebe Fontaine? | 0:19:32 | 0:19:35 | |
What I know is that she was born Ursula Donnell | 0:19:35 | 0:19:39 | |
and educated by the Sacred Heart Sisters in Dublin. | 0:19:39 | 0:19:42 | |
So, a good Catholic Irish girl. | 0:19:42 | 0:19:45 | |
Oh, not so you'd notice now. | 0:19:45 | 0:19:47 | |
She was married at 17 to Vivian Wolsey | 0:19:48 | 0:19:51 | |
and he old enough to be her father. | 0:19:51 | 0:19:54 | |
And they didn't live happily ever after. | 0:19:54 | 0:19:56 | |
Rumour has it, she wanted a divorce, | 0:19:56 | 0:19:59 | |
but that would have been the end of her career. | 0:19:59 | 0:20:02 | |
See, she was contracted to the Cardinal Studios, | 0:20:02 | 0:20:05 | |
so none of the other studios would have touched her. | 0:20:05 | 0:20:09 | |
Oh, motive aplenty, I'd say. | 0:20:09 | 0:20:11 | |
I doubt it was Paulette Swain. | 0:20:11 | 0:20:12 | |
How do you figure that, milady? | 0:20:12 | 0:20:14 | |
She'd just landed her first leading role. | 0:20:14 | 0:20:16 | |
She's hardly going to kill the golden goose. | 0:20:16 | 0:20:18 | |
That young writer looked pretty murderous | 0:20:18 | 0:20:20 | |
when Vivian refused to release him from his contract. | 0:20:20 | 0:20:24 | |
What do you think, Father? | 0:20:24 | 0:20:25 | |
I think that the problem with three actors | 0:20:26 | 0:20:28 | |
and a writer is that they all lie for a living. | 0:20:28 | 0:20:31 | |
Well, I'm certain it isn't Rex Bishop. | 0:20:32 | 0:20:34 | |
Mmm, he is hiding something. | 0:20:34 | 0:20:37 | |
Yes. | 0:20:37 | 0:20:39 | |
Like why is he starring in a Cardinal B-movie in Kembleford? | 0:20:39 | 0:20:43 | |
In sickness and in health, | 0:20:45 | 0:20:48 | |
to love and to cherish... | 0:20:48 | 0:20:51 | |
..till death do us part. | 0:20:52 | 0:20:54 | |
THEY COUGH AND SPLUTTER | 0:20:56 | 0:20:58 | |
And cut. Thank you, everybody. | 0:20:58 | 0:21:01 | |
Let's go again with a little less smoke this time. | 0:21:01 | 0:21:04 | |
Ms Fontaine, may I have a word. | 0:21:04 | 0:21:07 | |
I was wondering if you could be a little more bereft. | 0:21:07 | 0:21:11 | |
Hardly an emotion I'm familiar with. | 0:21:12 | 0:21:14 | |
Just try to bear in mind that you're being bound in matrimony | 0:21:14 | 0:21:17 | |
to a man you don't love while the man that you do love | 0:21:17 | 0:21:20 | |
-has gone inexplicably AWOL. -Mr Bishop. | 0:21:20 | 0:21:22 | |
Can I prevail on you to accompany me to the cutting room? | 0:21:25 | 0:21:28 | |
Demon Bride. Scene 25. | 0:21:38 | 0:21:40 | |
Take three. | 0:21:40 | 0:21:41 | |
Closer on the cleavage. | 0:21:43 | 0:21:46 | |
Closer! | 0:21:46 | 0:21:47 | |
And action! | 0:21:49 | 0:21:50 | |
Henry's aroused. | 0:21:53 | 0:21:55 | |
Can we get some arousal in here? | 0:21:55 | 0:21:57 | |
Which means try and look like you're enjoying it! | 0:21:57 | 0:21:59 | |
All right, that's enough! Please stop that now. | 0:21:59 | 0:22:02 | |
I'd like a word in private, please. | 0:22:02 | 0:22:05 | |
If you don't mind, ladies. | 0:22:06 | 0:22:07 | |
You might get a better performance | 0:22:12 | 0:22:14 | |
if you refrained from bawling me out in front of the cast and crew. | 0:22:14 | 0:22:17 | |
It's putting me off my stride, old chap. | 0:22:17 | 0:22:19 | |
You're not in Hollywood now, old chap. | 0:22:19 | 0:22:21 | |
Clearly, but manners costeth nothing, as my nanny used to say. | 0:22:21 | 0:22:26 | |
Did Nanny tell you that photographs do? | 0:22:26 | 0:22:29 | |
Which means for the duration of our arrangement | 0:22:29 | 0:22:31 | |
you will do things my way. | 0:22:31 | 0:22:32 | |
Good boy. | 0:22:34 | 0:22:35 | |
Reset. We'll go again. | 0:22:35 | 0:22:37 | |
Not if I kill you first. | 0:22:38 | 0:22:39 | |
It was a trifle. An artistic disagreement. | 0:22:46 | 0:22:48 | |
And these photographs? | 0:22:49 | 0:22:51 | |
Publicity shots. They were shocking. | 0:22:51 | 0:22:54 | |
I demanded new ones. | 0:22:54 | 0:22:55 | |
This is an unusual project for Rex Bishop to attach himself to. | 0:22:57 | 0:23:01 | |
I was homesick for Blighty, | 0:23:01 | 0:23:03 | |
fancied a change of scene amidst the glories of the Cotswolds. | 0:23:03 | 0:23:07 | |
You've gone on record describing Cardinal Productions as... | 0:23:07 | 0:23:11 | |
..boils on the backside of the movie industry. | 0:23:12 | 0:23:15 | |
Have I really? I say, that's rather good. | 0:23:15 | 0:23:18 | |
This isn't a joke, Mr Bishop. | 0:23:20 | 0:23:21 | |
Clearly not, Inspector, | 0:23:21 | 0:23:23 | |
which is why I would appreciate you getting to the point. | 0:23:23 | 0:23:26 | |
I think Vivian Wolsey was blackmailing you. | 0:23:26 | 0:23:30 | |
-You've no proof of that. -Yet. | 0:23:33 | 0:23:35 | |
But I've applied for a warrant to search Mr Wolsey's personal files | 0:23:35 | 0:23:38 | |
and when I find something incriminating, | 0:23:38 | 0:23:41 | |
that gives you the hat-trick - | 0:23:41 | 0:23:43 | |
means, motive and opportunity. | 0:23:43 | 0:23:45 | |
So until then, Mr Bishop, don't go anywhere. | 0:23:45 | 0:23:48 | |
Lady Felicia. Looking delectable as ever. | 0:23:51 | 0:23:55 | |
If only I could return the compliment, Inspector. | 0:23:55 | 0:23:58 | |
What's going on, Rex? | 0:24:02 | 0:24:03 | |
Vivian was blackmailing you? | 0:24:06 | 0:24:08 | |
I don't think anyone believes I'm here of my own volition. | 0:24:08 | 0:24:11 | |
Because you're homosexual. | 0:24:11 | 0:24:13 | |
How did you know? | 0:24:16 | 0:24:17 | |
Despite certain encouragements, | 0:24:17 | 0:24:19 | |
you've never tried to get me into bed. | 0:24:19 | 0:24:22 | |
The only other explanation is I'm losing my allure... | 0:24:22 | 0:24:25 | |
I think we both know that isn't the case. | 0:24:25 | 0:24:27 | |
SHE CHUCKLES | 0:24:27 | 0:24:28 | |
If the police find those photographs I'll end up in prison. | 0:24:28 | 0:24:33 | |
Nonsense, we'll think of something. | 0:24:33 | 0:24:35 | |
I need a miracle. | 0:24:35 | 0:24:36 | |
I can't promise you that, | 0:24:36 | 0:24:39 | |
but I might have the next best thing. | 0:24:39 | 0:24:41 | |
Ah, Mrs McCarthy, just the woman. | 0:24:47 | 0:24:50 | |
Dress suiting a saint, eight letters. | 0:24:50 | 0:24:53 | |
Two letters, requiring urgent reply - | 0:24:53 | 0:24:56 | |
Bishop Talbot and the bank manager. | 0:24:56 | 0:24:59 | |
If you're not too busy. | 0:24:59 | 0:25:00 | |
I'll give them my immediate attention. | 0:25:00 | 0:25:03 | |
Ignatius. | 0:25:08 | 0:25:09 | |
Beg your pardon? | 0:25:10 | 0:25:11 | |
Dress suiting a saint. It's an anagram. | 0:25:11 | 0:25:15 | |
Hello? | 0:25:15 | 0:25:16 | |
Of course it is. You're a genius, Mrs M! | 0:25:16 | 0:25:19 | |
Father! May we have a word, please? | 0:25:19 | 0:25:21 | |
In private. | 0:25:23 | 0:25:24 | |
Vivian got his hands on some negatives, | 0:25:33 | 0:25:36 | |
taken when I was younger and considerably less wise. | 0:25:36 | 0:25:41 | |
And which... | 0:25:44 | 0:25:46 | |
You can speak freely in front of Father Brown. | 0:25:46 | 0:25:48 | |
And which involved another man. | 0:25:50 | 0:25:52 | |
I thought you might like some tea and one of my scones. | 0:25:52 | 0:25:57 | |
How wonderful, Bridget. | 0:25:57 | 0:25:59 | |
Shall I be mother...? | 0:25:59 | 0:26:01 | |
I can manage. | 0:26:01 | 0:26:03 | |
Thank you, Mrs McCarthy. | 0:26:03 | 0:26:05 | |
But I.... | 0:26:05 | 0:26:06 | |
So, you see what this means, Father. | 0:26:09 | 0:26:11 | |
Yes. | 0:26:11 | 0:26:12 | |
Inspector Mallory's got the bit between his teeth, | 0:26:12 | 0:26:15 | |
and he won't rest until he finds the negatives. | 0:26:15 | 0:26:18 | |
Even if he can't make a murder charge stick, you face ruin... | 0:26:18 | 0:26:21 | |
..and imprisonment. | 0:26:22 | 0:26:23 | |
I'll kill myself first. | 0:26:23 | 0:26:25 | |
That won't be necessary. | 0:26:25 | 0:26:26 | |
Because if Inspector Mallory finds the real killer, | 0:26:26 | 0:26:29 | |
he'll call off the hunt. | 0:26:29 | 0:26:31 | |
KNOCK AT DOOR | 0:26:37 | 0:26:39 | |
What can I do for you, Father? | 0:26:39 | 0:26:41 | |
May I? | 0:26:42 | 0:26:44 | |
I was wondering if you'd like prayers said for you husband's soul. | 0:26:53 | 0:26:56 | |
Vivian didn't have a soul and he wasn't a Catholic. | 0:26:57 | 0:27:01 | |
But you are. | 0:27:01 | 0:27:02 | |
And you of all people should know that he may have been seeking God | 0:27:02 | 0:27:06 | |
up to the moment of his death. | 0:27:06 | 0:27:07 | |
I assure you he'd have hated it. | 0:27:09 | 0:27:11 | |
In which case, you have my blessing. | 0:27:13 | 0:27:15 | |
He was your husband. | 0:27:16 | 0:27:17 | |
He broke every one of our wedding vows - | 0:27:17 | 0:27:20 | |
-except for "till death do us part". -Did you kill him? | 0:27:20 | 0:27:23 | |
Sadly, no. | 0:27:25 | 0:27:27 | |
But you did send the death threats. | 0:27:28 | 0:27:31 | |
-Why would you say that? -Arulus. | 0:27:31 | 0:27:32 | |
It's an anagram. You couldn't resist using your real name. | 0:27:34 | 0:27:38 | |
"Ursula" Donnell. | 0:27:39 | 0:27:41 | |
-IRISH ACCENT: -Well, to be sure, I wouldn't be lying | 0:27:41 | 0:27:44 | |
to a man of the cloth. | 0:27:44 | 0:27:45 | |
It was only me little joke | 0:27:48 | 0:27:50 | |
because I knew it would scare the bejesus out of him. | 0:27:50 | 0:27:53 | |
-NORMAL ACCENT: -And it worked. | 0:27:53 | 0:27:55 | |
Like all bullies he was a coward. | 0:27:55 | 0:27:57 | |
That much hatred will destroy your soul. | 0:27:58 | 0:28:01 | |
It's too late for that. I sold it to the devil. | 0:28:01 | 0:28:04 | |
And the irony is I did it for God. | 0:28:04 | 0:28:07 | |
How so? | 0:28:07 | 0:28:08 | |
SHE SIGHS | 0:28:09 | 0:28:11 | |
Vivian had a fearsome reputation. King of the casting couch. | 0:28:11 | 0:28:16 | |
They said he used to have a hidden camera in his office | 0:28:16 | 0:28:20 | |
to film his conquests. | 0:28:20 | 0:28:22 | |
I was 17 years old and fresh out of convent school. | 0:28:22 | 0:28:27 | |
And I turned him down. | 0:28:27 | 0:28:29 | |
That must have taken a lot of courage. | 0:28:29 | 0:28:31 | |
It was my downfall. | 0:28:33 | 0:28:35 | |
No-one says no to Vivian. | 0:28:35 | 0:28:37 | |
SHE CHUCKLES | 0:28:37 | 0:28:40 | |
Now conquest wasn't enough, he wanted ownership. | 0:28:40 | 0:28:43 | |
And a wedding ring proved both cheap currency and good publicity. | 0:28:43 | 0:28:49 | |
So you see, Father, | 0:28:49 | 0:28:51 | |
that's where being a good little Catholic girl got me. | 0:28:51 | 0:28:54 | |
And now... | 0:28:54 | 0:28:57 | |
I am lost. | 0:28:57 | 0:28:58 | |
No, no. | 0:28:58 | 0:29:00 | |
God doesn't give up that easily. | 0:29:02 | 0:29:04 | |
I'm past penance, so what do you suggest? | 0:29:05 | 0:29:08 | |
I think... | 0:29:09 | 0:29:11 | |
..that you should love yourself, as much as He loves you. | 0:29:12 | 0:29:15 | |
Ms Fontaine, we're ready for you on set. | 0:29:18 | 0:29:21 | |
What's this. A deputation? | 0:29:27 | 0:29:29 | |
My Universal offer is still on the table. | 0:29:29 | 0:29:31 | |
We want to be released from our contracts | 0:29:31 | 0:29:33 | |
when The Demon Brides is finished. | 0:29:33 | 0:29:35 | |
-Both of you? -I'm going with him. | 0:29:35 | 0:29:37 | |
You think I'd want to stay here after everything that's happened? | 0:29:37 | 0:29:40 | |
Consider yourself terminated. | 0:29:40 | 0:29:42 | |
But you, Billy, you're special. | 0:29:42 | 0:29:45 | |
Too damn good for Cardinal, but why should I let you go? | 0:29:45 | 0:29:49 | |
Because you're not your husband. | 0:29:49 | 0:29:51 | |
Go, then. | 0:29:54 | 0:29:55 | |
As for her, good riddance. | 0:29:56 | 0:29:58 | |
We're going to Hollywood. | 0:29:59 | 0:30:00 | |
We sure are, pardner! | 0:30:00 | 0:30:02 | |
What are you doing here, Father? | 0:30:09 | 0:30:11 | |
Don't answer that. Stupid question. | 0:30:11 | 0:30:13 | |
And action. | 0:30:13 | 0:30:15 | |
Right, Bebe. | 0:30:15 | 0:30:16 | |
Virginia begins to undress, ready for her wedding night. | 0:30:16 | 0:30:19 | |
She's all alone, or so she thinks. | 0:30:19 | 0:30:21 | |
Pan off to the painting. That's it. | 0:30:21 | 0:30:23 | |
-Action, Cooper! Eyes. -Aye, aye! | 0:30:23 | 0:30:26 | |
Good, good. And...cut! | 0:30:26 | 0:30:29 | |
Sid. With me. | 0:30:29 | 0:30:30 | |
So... | 0:30:42 | 0:30:43 | |
..what are we looking for? | 0:30:45 | 0:30:46 | |
Vivian Wolsey was a voyeur... | 0:30:54 | 0:30:57 | |
..and a leopard doesn't change his spots. | 0:30:58 | 0:31:01 | |
Sorry. You've lost me. | 0:31:01 | 0:31:02 | |
Why isn't the screen facing the projector? | 0:31:04 | 0:31:07 | |
Hmm. | 0:31:09 | 0:31:10 | |
Film is an illusion. | 0:31:11 | 0:31:13 | |
And he was a master of making the real look fake... | 0:31:15 | 0:31:18 | |
..and the fake look real. | 0:31:19 | 0:31:21 | |
BOOKCASE CREAKS | 0:31:37 | 0:31:39 | |
Shut the door, please, Sid. | 0:31:47 | 0:31:48 | |
I assume you know someone who can develop this film. | 0:32:00 | 0:32:03 | |
A hidden camera? What on earth for? | 0:32:03 | 0:32:06 | |
Oh, dear God. | 0:32:07 | 0:32:08 | |
That was quick. | 0:32:10 | 0:32:11 | |
I called in a favour. | 0:32:12 | 0:32:13 | |
So, at three o'clock, Paulette Swain visits the boss | 0:32:13 | 0:32:16 | |
to sign for a starring role in his next movie. | 0:32:16 | 0:32:18 | |
And an hour later, he was dead. | 0:32:18 | 0:32:20 | |
The village hall projector's ready in the study. | 0:32:20 | 0:32:23 | |
Thank you, Mrs McCarthy. | 0:32:25 | 0:32:26 | |
And cut! | 0:32:29 | 0:32:31 | |
Check the gate! | 0:32:31 | 0:32:32 | |
Thank you very much, Paulette, that was a thing of beauty. | 0:32:32 | 0:32:37 | |
Gate clear! | 0:32:38 | 0:32:40 | |
Print it! | 0:32:40 | 0:32:41 | |
Mrs Wolsey. | 0:32:42 | 0:32:44 | |
I have a warrant to search your husband's personal files. | 0:32:44 | 0:32:48 | |
I take that to mean you are no closer to finding his killer. | 0:32:48 | 0:32:50 | |
I wouldn't say that, Madam. | 0:32:52 | 0:32:54 | |
Set up for scene 14! | 0:33:01 | 0:33:02 | |
To my leading lady. | 0:33:08 | 0:33:09 | |
I don't understand. | 0:33:10 | 0:33:12 | |
No-one's ever believed in me like this, Vivian. | 0:33:12 | 0:33:14 | |
I don't know how to thank you. | 0:33:14 | 0:33:16 | |
You're not that innocent. | 0:33:16 | 0:33:17 | |
Darling, the camera loves you. | 0:33:21 | 0:33:23 | |
And I'm going to make you a star. | 0:33:25 | 0:33:27 | |
No, no! I've changed my... | 0:33:29 | 0:33:31 | |
No! Get off! | 0:33:31 | 0:33:33 | |
Good! A little bit of resistance, I like that. | 0:33:33 | 0:33:36 | |
No, no, I won't! | 0:33:36 | 0:33:38 | |
Oh, no, you don't. | 0:33:39 | 0:33:41 | |
Nothing in this life is free. | 0:33:44 | 0:33:47 | |
I own you now! | 0:33:47 | 0:33:50 | |
-THUD -Ah! | 0:33:50 | 0:33:52 | |
Why haven't you taken this to the police? | 0:33:58 | 0:34:00 | |
Because it's not the whole story. | 0:34:01 | 0:34:04 | |
What happened afterwards - | 0:34:04 | 0:34:06 | |
the mask, the desecration of the body - | 0:34:06 | 0:34:09 | |
wasn't the act of a frightened young woman. | 0:34:09 | 0:34:12 | |
It was cool-headed, it was meditated. | 0:34:13 | 0:34:15 | |
It required strength, | 0:34:15 | 0:34:18 | |
imagination... | 0:34:18 | 0:34:19 | |
..a flair for the dramatic. | 0:34:21 | 0:34:23 | |
In fact, it required a writer. | 0:34:23 | 0:34:25 | |
I don't deny it was me. | 0:34:27 | 0:34:28 | |
I killed him. Oh, God, what's going to happen to me? | 0:34:32 | 0:34:35 | |
Nothing. Go, clean yourself up. | 0:34:39 | 0:34:42 | |
Say nothing and trust me. | 0:34:42 | 0:34:45 | |
Trust me and no-one will know anything. Go! | 0:34:45 | 0:34:47 | |
Have we a key to this? | 0:34:59 | 0:35:01 | |
No, sir. But I can find the secretary and ask. | 0:35:01 | 0:35:03 | |
Seems our Mr Wolsey liked to eavesdrop. | 0:35:11 | 0:35:14 | |
'You arranged the body | 0:35:14 | 0:35:16 | |
'and then tried to put the blame on Arulus.' | 0:35:16 | 0:35:18 | |
-Isn't that Father...? -Ssh! | 0:35:18 | 0:35:20 | |
'So now you know the truth. What are you going to do?' | 0:35:20 | 0:35:23 | |
But this isn't the truth. | 0:35:23 | 0:35:25 | |
Not even half of it. | 0:35:25 | 0:35:27 | |
I expect you wondered where this had got to. | 0:35:28 | 0:35:31 | |
What the hell is that? | 0:35:31 | 0:35:33 | |
"At first," Dostoevsky said, "art imitates life. | 0:35:34 | 0:35:38 | |
"Then life imitates art. | 0:35:40 | 0:35:42 | |
"Then life takes its very existence from art." | 0:35:43 | 0:35:49 | |
I have no idea what you're talking about. | 0:35:49 | 0:35:51 | |
It's all in here, isn't it, Billy? | 0:35:54 | 0:35:57 | |
The beautiful young innocent in thrall to the devil. | 0:35:59 | 0:36:03 | |
The heroic young scribe who rescues her by killing the demon. | 0:36:03 | 0:36:07 | |
"Henry flung the holy water in Lord Hellion's face | 0:36:09 | 0:36:13 | |
"and it solidified like wax, suffocating his screams." | 0:36:13 | 0:36:17 | |
If you're praying for his soul then you're wasting your time. | 0:36:19 | 0:36:23 | |
'I suppose you removed its partner when you took off the mask.' | 0:36:23 | 0:36:27 | |
'I don't understand.' | 0:36:29 | 0:36:30 | |
You didn't kill Vivian. | 0:36:32 | 0:36:34 | |
He was alive when you left the room. | 0:36:34 | 0:36:37 | |
Oh, God, what's going to happen to me? | 0:36:38 | 0:36:40 | |
Nothing. Go, clean yourself up. | 0:36:43 | 0:36:46 | |
Say nothing and trust me. | 0:36:46 | 0:36:48 | |
Trust me and no-one will know anything. Go! | 0:36:48 | 0:36:51 | |
The impediment to all your hopes injured, but not fatally. | 0:36:54 | 0:36:58 | |
So you decided to finish the job. | 0:37:01 | 0:37:03 | |
Wax to suffocate a demon. | 0:37:06 | 0:37:08 | |
A simple matter of blocking up the air holes. | 0:37:10 | 0:37:12 | |
'And then you locked the door and waited while he suffocated to death.' | 0:37:14 | 0:37:20 | |
He's good, isn't he, sir? | 0:37:20 | 0:37:22 | |
I hope you're taking this down. | 0:37:22 | 0:37:24 | |
'If you ever leave the priesthood, I see a future for you as a writer.' | 0:37:24 | 0:37:27 | |
'But this isn't a work of imagination. | 0:37:27 | 0:37:30 | |
'I'm sure that if the police fit this to the mask | 0:37:30 | 0:37:33 | |
'they'll find an exact...' | 0:37:33 | 0:37:35 | |
THUD ON RECORDING | 0:37:35 | 0:37:37 | |
-PAULETTE: -'What are you doing!?' -Let's go, Sergeant. -Yeah, right. | 0:37:37 | 0:37:40 | |
-Erm, where to, sir? -Am I psychic?! | 0:37:40 | 0:37:43 | |
Get every available man and spread out till we find them. | 0:37:43 | 0:37:47 | |
Help! Somebody help me! | 0:37:53 | 0:37:55 | |
With me! | 0:37:55 | 0:37:56 | |
Oh! Oh! | 0:37:56 | 0:37:59 | |
Oh, for God's sake! | 0:37:59 | 0:38:00 | |
Begging your pardon, Madam. | 0:38:01 | 0:38:03 | |
-Goodfellow! -Ma'am. | 0:38:07 | 0:38:08 | |
Celluloid. It'll go up like dynamite. | 0:38:12 | 0:38:16 | |
An unfortunate accident. | 0:38:16 | 0:38:17 | |
You're crazy. You made me think that I was a murderer. | 0:38:17 | 0:38:20 | |
Vivian had us both trapped. I saw a way of escape. | 0:38:20 | 0:38:24 | |
I did it for us. | 0:38:24 | 0:38:25 | |
There is no us, Billy. | 0:38:25 | 0:38:27 | |
We're going to Hollywood. You said you'd come with me. | 0:38:27 | 0:38:30 | |
Only to escape my crime. | 0:38:30 | 0:38:33 | |
I needed to get as far from here as possible. | 0:38:33 | 0:38:35 | |
Lies! You wanted to be with me. | 0:38:35 | 0:38:37 | |
I was grateful. That's all. | 0:38:37 | 0:38:40 | |
I killed that devil for you. | 0:38:41 | 0:38:43 | |
You killed him for yourself. | 0:38:44 | 0:38:46 | |
And now you are the demon. | 0:38:46 | 0:38:48 | |
It's all over, Billy. | 0:38:49 | 0:38:50 | |
But it's not too late to save your soul. | 0:38:51 | 0:38:54 | |
My soul doesn't belong to me any more. | 0:38:55 | 0:38:57 | |
You can change your mind. | 0:38:59 | 0:39:01 | |
Go to hell, Billy. | 0:39:02 | 0:39:04 | |
Then you go together. | 0:39:05 | 0:39:07 | |
I'll have that. | 0:39:11 | 0:39:13 | |
You're under arrest. You are not obliged to speak... | 0:39:13 | 0:39:15 | |
Get off me! | 0:39:15 | 0:39:16 | |
You're lucky I was here, Padre. | 0:39:19 | 0:39:22 | |
Thank you. | 0:39:23 | 0:39:25 | |
Thank you. | 0:39:25 | 0:39:26 | |
And action! | 0:39:30 | 0:39:33 | |
HE CHANTS | 0:39:35 | 0:39:40 | |
"Save me, Henry..." | 0:39:42 | 0:39:44 | |
Save me, Henry. | 0:39:44 | 0:39:46 | |
My hero, Henry. | 0:39:46 | 0:39:49 | |
Can you explain to me why I am spouting these inanities? | 0:39:49 | 0:39:53 | |
Because it's the end of the movie. | 0:39:53 | 0:39:55 | |
Well, I want a different ending. | 0:39:59 | 0:40:01 | |
HE WHISPERS | 0:40:03 | 0:40:05 | |
Given the evidence on film, I doubt charges will be pressed. | 0:40:13 | 0:40:16 | |
You're no good to anyone frozen to death. | 0:40:21 | 0:40:24 | |
At least your photos are still undiscovered. | 0:40:25 | 0:40:28 | |
Until they fall into a different pair of wrong hands. | 0:40:28 | 0:40:32 | |
Well, in a manner of speaking, they already have. | 0:40:32 | 0:40:35 | |
Vivian's secret cubbyhole contained more than a camera. | 0:40:35 | 0:40:38 | |
So where are they now? | 0:40:38 | 0:40:39 | |
Well, I suppose you'd call it tampering with the evidence. | 0:40:41 | 0:40:44 | |
I burnt the negatives. | 0:40:44 | 0:40:46 | |
It seemed the prudent thing to do. | 0:40:46 | 0:40:48 | |
That is remarkable. I don't know how to thank you, Father. | 0:40:49 | 0:40:52 | |
Ah! Well, there is something. | 0:40:54 | 0:40:57 | |
"Directed by Bebe Fontaine." | 0:41:28 | 0:41:30 | |
Well, Rex was a liability, so someone had to. | 0:41:30 | 0:41:34 | |
Turns out it's much more fun than acting. | 0:41:34 | 0:41:36 | |
And if Muriel Box can do it... | 0:41:36 | 0:41:38 | |
A woman director. I say. | 0:41:38 | 0:41:41 | |
-Cardinal's next production will star Paulette Swain. -Ah! | 0:41:41 | 0:41:44 | |
I'm glad to see you have put your past behind you. | 0:41:48 | 0:41:51 | |
Well, we had more in common than I realised. | 0:41:51 | 0:41:54 | |
Any girl that says no to Vivian has my respect. | 0:41:54 | 0:41:56 | |
Our leading ladies are required for their photo call | 0:41:56 | 0:41:59 | |
but I do hope the rest of you enjoy the movie. | 0:41:59 | 0:42:01 | |
Oh, yes. | 0:42:01 | 0:42:03 | |
Thank you. | 0:42:03 | 0:42:05 | |
Thank you so much for inviting us. | 0:42:05 | 0:42:08 | |
It was the least I could do, Father. | 0:42:08 | 0:42:11 | |
You have my eternal gratitude. | 0:42:11 | 0:42:12 | |
Eternal gratitude for what exactly? | 0:42:16 | 0:42:19 | |
Oh, Father, I know how you like to keep things to yourself | 0:42:21 | 0:42:25 | |
but I'm curious to know the secret | 0:42:25 | 0:42:27 | |
that is fit for everyone else's ears but mine. | 0:42:27 | 0:42:30 | |
Well, I shouldn't be surprised. | 0:42:32 | 0:42:34 | |
The truth is... | 0:42:34 | 0:42:36 | |
Father Brown helped Rex recover some...photographs. | 0:42:36 | 0:42:40 | |
And you couldn't tell me that because...? | 0:42:40 | 0:42:42 | |
Because we didn't want to disappoint you. | 0:42:42 | 0:42:45 | |
Cos the other party involved was, | 0:42:45 | 0:42:48 | |
I'm sorry to say... | 0:42:48 | 0:42:50 | |
married. | 0:42:50 | 0:42:51 | |
Not... | 0:42:52 | 0:42:55 | |
Not Lana Turner. There have been rumours. | 0:42:55 | 0:42:58 | |
My lips are sealed. | 0:42:58 | 0:43:00 | |
And I know I can rely on you to be the soul of discretion, Mrs M - | 0:43:00 | 0:43:04 | |
after all, you're not one to gossip. | 0:43:04 | 0:43:08 | |
Sidney. | 0:43:08 | 0:43:09 | |
CHANTING | 0:43:17 | 0:43:19 | |
THUNDERCLAP | 0:43:19 | 0:43:21 | |
-Virginia. -Henry! | 0:43:25 | 0:43:27 | |
What kept you? | 0:43:37 | 0:43:38 | |
I had to wait for reinforcements. | 0:43:38 | 0:43:40 |