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SURF BREAKS, BIRDS CALL | 0:00:02 | 0:00:03 | |
PERCUSSION MUSIC | 0:00:03 | 0:00:05 | |
Papa Legba! | 0:00:05 | 0:00:06 | |
ALL SING AND CHANT | 0:00:06 | 0:00:09 | |
THUNDER RUMBLES | 0:00:10 | 0:00:12 | |
ALL ULULATE | 0:00:12 | 0:00:15 | |
SINGING | 0:00:15 | 0:00:16 | |
Papa Legba! | 0:00:16 | 0:00:18 | |
SINGING | 0:00:18 | 0:00:21 | |
SHE GASPS | 0:00:23 | 0:00:24 | |
MUSIC STOPS | 0:00:27 | 0:00:29 | |
Papa Legba... | 0:00:29 | 0:00:30 | |
-ouvre baye pou mwen, ago eh! -METAL SCRAPES | 0:00:30 | 0:00:33 | |
Baron Samdi, | 0:00:33 | 0:00:35 | |
I offer you food and rum. | 0:00:35 | 0:00:37 | |
I offer you incense. | 0:00:37 | 0:00:39 | |
I call on you to grace us with your presence. | 0:00:41 | 0:00:44 | |
THUNDER CRASHES | 0:00:44 | 0:00:46 | |
Papa Legba! | 0:00:46 | 0:00:48 | |
ALL SING | 0:00:48 | 0:00:51 | |
THUNDER RUMBLES | 0:00:59 | 0:01:01 | |
SHE GURGLES | 0:01:01 | 0:01:03 | |
DISTORTED GROWLS | 0:01:05 | 0:01:07 | |
MUSIC CONTINUES | 0:01:07 | 0:01:10 | |
SHE YELLS | 0:01:10 | 0:01:13 | |
Ayibobo! | 0:01:15 | 0:01:18 | |
SHE GRUNTS | 0:01:18 | 0:01:21 | |
THUNDER RUMBLES | 0:01:21 | 0:01:23 | |
DISTORTED VOICE: She has forsaken you. Let her go. | 0:01:29 | 0:01:31 | |
-I can't. -You are weak. | 0:01:33 | 0:01:35 | |
She has been beguiled. | 0:01:36 | 0:01:38 | |
SHE CACKLES | 0:01:38 | 0:01:41 | |
By an Englishman? | 0:01:41 | 0:01:42 | |
Yes. | 0:01:43 | 0:01:45 | |
What do you want from me? | 0:01:45 | 0:01:46 | |
Your blessing... | 0:01:46 | 0:01:48 | |
SHE GRUNTS | 0:01:48 | 0:01:49 | |
..for what I'm about to do. | 0:01:49 | 0:01:52 | |
I want that Englishman gone. | 0:01:52 | 0:01:54 | |
Death? | 0:01:54 | 0:01:55 | |
No. | 0:01:55 | 0:01:56 | |
Something worse. | 0:01:59 | 0:02:01 | |
THUNDER CRASHES | 0:02:01 | 0:02:04 | |
COW MOOS NEARBY | 0:02:38 | 0:02:39 | |
Maybe we can do a gig here. | 0:02:39 | 0:02:41 | |
Morning! | 0:02:41 | 0:02:42 | |
Yeah, I'm sure this lot love a bit of jazz... | 0:02:44 | 0:02:48 | |
FAINT DRUMMING | 0:02:48 | 0:02:49 | |
You all right? | 0:02:49 | 0:02:51 | |
-Yeah, I'm fine. -Come on, then. | 0:02:54 | 0:02:57 | |
I love the English. So open-hearted(!) | 0:03:08 | 0:03:11 | |
-It's why I came here. -I'm having words. -DOOR SLAMS | 0:03:11 | 0:03:14 | |
URGENT KNOCKING Welcome to Kembleford. | 0:03:14 | 0:03:16 | |
I'm not sure your welcome is shared by everyone, you know, Father. | 0:03:16 | 0:03:19 | |
I can only apologise. | 0:03:19 | 0:03:21 | |
-Does your apology come with a place to stay? -Our car broke down. | 0:03:21 | 0:03:24 | |
Because this clod didn't check the engine properly, did you, son? | 0:03:24 | 0:03:27 | |
Don't be so hard on the boy. | 0:03:27 | 0:03:29 | |
-Where are you heading? -Birmingham. We've got a gig tomorrow. | 0:03:29 | 0:03:33 | |
Well, I suppose we could find room for you in the presbytery. | 0:03:35 | 0:03:38 | |
As long as some of you don't mind sleeping on the floor... | 0:03:38 | 0:03:41 | |
For us, that's The Ritz, Father. | 0:03:41 | 0:03:43 | |
There is one condition. | 0:03:44 | 0:03:46 | |
DOUBLE BASS INTRO | 0:03:47 | 0:03:49 | |
# All of me | 0:03:51 | 0:03:54 | |
# Why not take all of me? | 0:03:54 | 0:03:59 | |
# Can't you see | 0:03:59 | 0:04:02 | |
# I'm no good without you? | 0:04:02 | 0:04:07 | |
# Take my lips | 0:04:08 | 0:04:11 | |
# I want to lose them | 0:04:11 | 0:04:16 | |
-# Take my arms, I'll never use... # -MUSIC STUMBLES AND STOPS | 0:04:16 | 0:04:20 | |
What on earth is going on? | 0:04:20 | 0:04:23 | |
-You have got to be joking! -It's only for one night. | 0:04:26 | 0:04:29 | |
Where are they going to sleep? | 0:04:29 | 0:04:31 | |
Um, the settee, the floor! | 0:04:31 | 0:04:33 | |
-They're complete strangers. -All the more reason for making them welcome. | 0:04:33 | 0:04:36 | |
Make yourself at home. | 0:04:38 | 0:04:40 | |
Mrs McCarthy will find blankets, | 0:04:40 | 0:04:42 | |
and I think that I've got some spare dressing gowns somewhere | 0:04:42 | 0:04:46 | |
because it can get quite chilly in here at night. | 0:04:46 | 0:04:48 | |
-Sid's on the phone to the garage about your car. -Grand. | 0:04:49 | 0:04:53 | |
I heard him tutting a lot, I wouldn't hold out much hope. | 0:04:53 | 0:04:56 | |
So if there's anything I can do to make your stay more comfortable? | 0:04:56 | 0:05:00 | |
That's very kind of you, isn't it, love? | 0:05:00 | 0:05:02 | |
How did you two meet? | 0:05:04 | 0:05:06 | |
KNOCK AT DOOR | 0:05:06 | 0:05:08 | |
We were touring Haiti a couple of months ago. Port-au-Prince. | 0:05:08 | 0:05:11 | |
When I heard Yveline sing, I knew we had to have her. | 0:05:11 | 0:05:14 | |
-EMMANUEL: -I wonder if I could speak to Miss Lafond. | 0:05:14 | 0:05:17 | |
-< Who? -I believe she's here. -Um... | 0:05:17 | 0:05:20 | |
What are you doing here? | 0:05:25 | 0:05:27 | |
I wanted to see with my own eyes what this cochon has over you. | 0:05:29 | 0:05:33 | |
Who's this? | 0:05:33 | 0:05:35 | |
How could you? | 0:05:35 | 0:05:37 | |
-How could you just go? -I... | 0:05:38 | 0:05:40 | |
No goodbye? Not to your family... | 0:05:40 | 0:05:42 | |
Your friends... Me? | 0:05:42 | 0:05:45 | |
What can I say? | 0:05:45 | 0:05:46 | |
I swept her off her feet. | 0:05:46 | 0:05:48 | |
-Now, who the hell are you? -You must come with me. | 0:05:48 | 0:05:51 | |
-No. -We belong together. -Hang on a minute, sunshine. | 0:05:51 | 0:05:54 | |
DON'T...touch me! | 0:05:54 | 0:05:57 | |
Let's just calm down, shall we? | 0:05:57 | 0:06:00 | |
I don't know what it was you think you had with Yveline, | 0:06:00 | 0:06:02 | |
but it's over. | 0:06:02 | 0:06:04 | |
She's mine now. | 0:06:04 | 0:06:06 | |
In fact... | 0:06:07 | 0:06:08 | |
-..we're getting married. -What? | 0:06:10 | 0:06:12 | |
When did this happen? | 0:06:12 | 0:06:13 | |
Is this true? | 0:06:15 | 0:06:17 | |
Emmanuel... | 0:06:22 | 0:06:23 | |
please, | 0:06:23 | 0:06:25 | |
let me go. | 0:06:25 | 0:06:27 | |
Baron Samdi will judge you. | 0:06:27 | 0:06:29 | |
I take it that man was your ex-boyfriend? | 0:06:39 | 0:06:42 | |
Yes. | 0:06:42 | 0:06:43 | |
He was also my houngan. | 0:06:43 | 0:06:45 | |
-"Houngan"? -Voodoo priest. | 0:06:45 | 0:06:47 | |
Voodoo?! | 0:06:49 | 0:06:50 | |
There is a saying, in Haiti the population is 80% Catholic, | 0:06:50 | 0:06:54 | |
20% Protestant, and 100% Voodoo. | 0:06:54 | 0:06:56 | |
-Why didn't you tell me about him? -I didn't think it was important. | 0:06:57 | 0:07:00 | |
It was important enough for him | 0:07:00 | 0:07:02 | |
to have chased you halfway round the world. | 0:07:02 | 0:07:04 | |
Do you still do the voodoo? | 0:07:04 | 0:07:07 | |
I haven't given up on my faith... | 0:07:07 | 0:07:09 | |
..Catholic or voodoo. | 0:07:10 | 0:07:12 | |
I don't see how anyone can belong to two religions at the same time. | 0:07:12 | 0:07:16 | |
Voodoo's a syncretic religion - it combines belief systems. | 0:07:16 | 0:07:20 | |
Tommy's become quite the aficionado since Yveline joined the band. | 0:07:20 | 0:07:23 | |
I've got a book on it if you want. | 0:07:24 | 0:07:26 | |
-No, thank you. -Yes, please! | 0:07:26 | 0:07:28 | |
Right, I've just got off the phone to the garage. | 0:07:28 | 0:07:31 | |
It's bad news, I'm afraid. Your carburettor's shot. | 0:07:31 | 0:07:33 | |
So, you'll not get that back for at least a couple of days. | 0:07:33 | 0:07:36 | |
-There goes our gig. -And we're out of pocket. | 0:07:36 | 0:07:39 | |
I wonder if there's anything we can do to help. | 0:07:40 | 0:07:42 | |
No offence... | 0:07:42 | 0:07:44 | |
I don't think jazz is appropriate for church. | 0:07:44 | 0:07:47 | |
-All that...swaying of hips. -I've an idea. | 0:07:47 | 0:07:50 | |
I've a chum who's opening a luxury hotel. | 0:07:50 | 0:07:52 | |
He's already booked a pianist, but I'm sure I can persuade him | 0:07:52 | 0:07:55 | |
to take on a few more instrumentalists. | 0:07:55 | 0:07:57 | |
"Luxury hotel"? I think we could manage that. | 0:07:57 | 0:07:59 | |
Have you got a telephone? I'll tell them we can't make it. | 0:07:59 | 0:08:02 | |
In the study. | 0:08:02 | 0:08:03 | |
Well, I think you're all missing the point - | 0:08:05 | 0:08:08 | |
what about that mad voodoo priest? | 0:08:08 | 0:08:10 | |
Sorry, voodoo? Have I missed something? | 0:08:10 | 0:08:13 | |
-Do you think Emmanuel means to do you harm? -No. | 0:08:14 | 0:08:17 | |
Who is Baron Samdi? | 0:08:20 | 0:08:22 | |
He's a Lwa. | 0:08:23 | 0:08:24 | |
A spirit. | 0:08:25 | 0:08:27 | |
What sort of spirit? | 0:08:28 | 0:08:30 | |
The spirit of the dead. | 0:08:31 | 0:08:32 | |
Apologies again. | 0:08:39 | 0:08:41 | |
Just one of those things, I'm afraid. | 0:08:41 | 0:08:43 | |
I didn't say "yes". | 0:08:47 | 0:08:49 | |
You said you'd think about it. | 0:08:49 | 0:08:50 | |
That's not the same as a "yes"! | 0:08:50 | 0:08:52 | |
What else you going to do? | 0:08:52 | 0:08:54 | |
Go back to Haiti? | 0:08:54 | 0:08:56 | |
We'll be happy. | 0:08:58 | 0:09:00 | |
We can settle down. | 0:09:00 | 0:09:01 | |
-Have kids. Don't you want that? -FOOTSTEPS APPROACH | 0:09:01 | 0:09:04 | |
What happens to the band? | 0:09:04 | 0:09:05 | |
When you get married? | 0:09:06 | 0:09:08 | |
-All good things come to an end. -Not this! | 0:09:08 | 0:09:11 | |
This is too important. | 0:09:11 | 0:09:13 | |
Get over it, Lloydy. | 0:09:13 | 0:09:14 | |
It's more than music! | 0:09:14 | 0:09:16 | |
It's what we stand for! | 0:09:16 | 0:09:17 | |
Overcoming barriers. | 0:09:17 | 0:09:19 | |
-What, you want to destroy that, over some saviour kick? -What? | 0:09:19 | 0:09:24 | |
Everything all right? | 0:09:26 | 0:09:28 | |
-I'm going to look for your priest. -What? | 0:09:29 | 0:09:31 | |
-And what do you intend to do when you find him? -I'll improvise, Vicar. | 0:09:31 | 0:09:35 | |
-I insist on mediating. -I'm coming, too. -No, you're not. | 0:09:35 | 0:09:38 | |
I will not be treated like the "little woman". | 0:09:39 | 0:09:41 | |
This involves me, too. | 0:09:42 | 0:09:43 | |
BIRDSONG | 0:09:57 | 0:09:59 | |
FIRE CRACKLES | 0:09:59 | 0:10:01 | |
Where are you? | 0:10:02 | 0:10:04 | |
Maybe he went to take a leak. | 0:10:04 | 0:10:06 | |
BIRDS FLUTTER CLOSE BY | 0:10:08 | 0:10:10 | |
Show yourself! | 0:10:11 | 0:10:14 | |
Come on, show yourself, you little cochon! | 0:10:14 | 0:10:16 | |
I think that was a squirrel. | 0:10:17 | 0:10:19 | |
And in any case, you stand a better chance | 0:10:19 | 0:10:21 | |
of reaching a peaceful resolution if you just calm down. | 0:10:21 | 0:10:25 | |
I'm not going to calm down while some maniac's stalking my fiance. | 0:10:25 | 0:10:28 | |
He's not a maniac. | 0:10:28 | 0:10:30 | |
He's a man with a broken heart, | 0:10:30 | 0:10:32 | |
and he deserves some understanding. | 0:10:32 | 0:10:34 | |
Just wait till tomorrow. That's all I'm asking. | 0:10:36 | 0:10:38 | |
I'll drive you back after the gig at the hotel. | 0:10:38 | 0:10:41 | |
FIRE FIZZES | 0:10:48 | 0:10:50 | |
CLATTERING | 0:10:50 | 0:10:52 | |
Should you really be letting her do that in here? | 0:11:05 | 0:11:08 | |
Do what? | 0:11:08 | 0:11:09 | |
-The voodoo?! -It's fascinating. | 0:11:09 | 0:11:12 | |
Their creator God is called Bondye. | 0:11:13 | 0:11:15 | |
What Yveline's doing is called "illuminasyon". | 0:11:16 | 0:11:19 | |
The Immaculate Heart of Mary | 0:11:19 | 0:11:21 | |
has a corresponding Lwa... | 0:11:21 | 0:11:24 | |
Well, if you find it all so fascinating, why don't you convert? | 0:11:24 | 0:11:28 | |
If you don't mind, may I have another slice of your sweet pie? | 0:11:29 | 0:11:33 | |
-Yes, of course, dear. That's what it's there for. -Thank you. | 0:11:33 | 0:11:36 | |
This is exactly what I'm talking about. | 0:11:45 | 0:11:48 | |
She has just offered my Bakewell tart to a voodoo spirit! | 0:11:48 | 0:11:51 | |
SHE SIGHS | 0:11:51 | 0:11:53 | |
Lwa Erzulie Balianne helps people forget their past loves. | 0:11:58 | 0:12:01 | |
I'm going to ask her to watch over Emmanuel. | 0:12:01 | 0:12:04 | |
Heal his pain. | 0:12:06 | 0:12:07 | |
It's the only way he will have peace. | 0:12:08 | 0:12:10 | |
The only way we will be free of him. | 0:12:12 | 0:12:13 | |
"Je vous salue, Marie, | 0:12:16 | 0:12:18 | |
"pleine de grace. | 0:12:18 | 0:12:20 | |
"Le Seigneur est avec vous. | 0:12:20 | 0:12:22 | |
"Vous etes benie entre toutes les femmes, | 0:12:22 | 0:12:25 | |
"et Jesus, le fruit de vos entrailles, est beni..." | 0:12:25 | 0:12:28 | |
Amen. | 0:12:28 | 0:12:30 | |
GLASS SMASHES | 0:12:35 | 0:12:37 | |
WIND HOWLS | 0:12:46 | 0:12:48 | |
Father? | 0:12:48 | 0:12:50 | |
What's going on? | 0:12:51 | 0:12:53 | |
SHE GASPS | 0:12:53 | 0:12:55 | |
Glass is all on the inside. | 0:13:00 | 0:13:02 | |
Looks like someone broke the window, reached in, unlocked the door, | 0:13:02 | 0:13:05 | |
-and dumped the chicken. -Well done, Sherlock(!) | 0:13:05 | 0:13:07 | |
Why don't you get out there and start looking for this nutcase | 0:13:07 | 0:13:10 | |
instead of standing around stating the bleeding obvious? | 0:13:10 | 0:13:13 | |
Sir, until I ask you a question, | 0:13:13 | 0:13:15 | |
I must kindly ask you to shut your mouth! Thank you very much. | 0:13:15 | 0:13:18 | |
-Anyone see anything? -No. | 0:13:18 | 0:13:19 | |
I saw someone. | 0:13:19 | 0:13:22 | |
Running away, through the window. | 0:13:22 | 0:13:24 | |
Description? | 0:13:24 | 0:13:26 | |
It was too dark. | 0:13:26 | 0:13:27 | |
That's not very helpful, is it(?) | 0:13:27 | 0:13:29 | |
And this bloke, he's a...a what? | 0:13:30 | 0:13:33 | |
A houngan. | 0:13:33 | 0:13:34 | |
A voodoo priest. | 0:13:34 | 0:13:35 | |
I knew I shouldn't have stayed in bed this morning! | 0:13:37 | 0:13:39 | |
So, this is...some sort of... | 0:13:39 | 0:13:42 | |
-..voodoo sacrifice? -No. | 0:13:44 | 0:13:46 | |
Animal sacrifices only take place during ceremonies. | 0:13:46 | 0:13:49 | |
This...was a warning. | 0:13:50 | 0:13:53 | |
SERGEANT SIGHS | 0:13:55 | 0:13:57 | |
FOOTSTEPS APPROACH | 0:14:07 | 0:14:09 | |
Sir! Sir... | 0:14:12 | 0:14:13 | |
Be careful, sir. | 0:14:14 | 0:14:16 | |
Careful? | 0:14:16 | 0:14:17 | |
The way he was looking at me. | 0:14:17 | 0:14:19 | |
I think he was doing something...voodoo. | 0:14:19 | 0:14:22 | |
"Something voodoo"? | 0:14:24 | 0:14:26 | |
Your sergeant scares easily. | 0:14:35 | 0:14:37 | |
You'll be glad to hear I don't. | 0:14:38 | 0:14:40 | |
-Where were you last night, around 1:20am? -Asleep in my tent. | 0:14:41 | 0:14:45 | |
Farmer adjacent to the field you're staying | 0:14:47 | 0:14:49 | |
-reported one of his chickens stolen last night. -That's unfortunate. | 0:14:49 | 0:14:54 | |
Isn't it? | 0:14:54 | 0:14:56 | |
Where'd you get your car? | 0:14:56 | 0:14:59 | |
I paid for it when I arrived in London. | 0:14:59 | 0:15:01 | |
Didn't know voodoo priests could afford cars. | 0:15:02 | 0:15:06 | |
We are all ignorant of some things, Inspector. | 0:15:06 | 0:15:09 | |
You got proof? | 0:15:09 | 0:15:11 | |
Of your ignorance? | 0:15:11 | 0:15:12 | |
Of the car. | 0:15:12 | 0:15:14 | |
You know what's strange? | 0:15:15 | 0:15:16 | |
I've owned the car for only two days now, | 0:15:18 | 0:15:20 | |
and yet, you are the third officer to ask to prove ownership. | 0:15:20 | 0:15:25 | |
I wonder why that is. | 0:15:27 | 0:15:28 | |
SLAMS TABLE | 0:15:32 | 0:15:33 | |
I am not a thief. | 0:15:33 | 0:15:35 | |
We could play this game if you want. | 0:15:38 | 0:15:40 | |
I ask you questions, you tell me lies. We go round in circles. | 0:15:40 | 0:15:43 | |
But I can't be bothered with all that, | 0:15:43 | 0:15:46 | |
so I'll tell you what's going to happen. | 0:15:46 | 0:15:48 | |
You're going to get into your car, | 0:15:48 | 0:15:50 | |
and you're going to drive out of Kembleford, | 0:15:50 | 0:15:52 | |
and never come back. | 0:15:52 | 0:15:54 | |
Understand? | 0:15:55 | 0:15:56 | |
DOOR SLAMS | 0:16:05 | 0:16:08 | |
JAZZ INTRO PLAYS | 0:16:08 | 0:16:10 | |
# All of me | 0:16:25 | 0:16:28 | |
# Why not take all of me? | 0:16:28 | 0:16:32 | |
# Can't you see | 0:16:33 | 0:16:36 | |
# I'm no good without you? | 0:16:36 | 0:16:40 | |
# Take my lips | 0:16:42 | 0:16:44 | |
# I want to lose them. | 0:16:44 | 0:16:49 | |
# Take my arms... # | 0:16:49 | 0:16:51 | |
Poor turn-out! | 0:16:51 | 0:16:53 | |
# ..I'll never use them... # | 0:16:53 | 0:16:57 | |
At least that means there's plenty of booze. | 0:16:57 | 0:16:58 | |
It's a dress rehearsal. | 0:16:58 | 0:17:00 | |
The guests will arrive later, so please try to restrain yourself. | 0:17:00 | 0:17:04 | |
What must it cost to stay in a place like this? | 0:17:04 | 0:17:07 | |
-Upwards of £20 a night. -£20 a night! | 0:17:07 | 0:17:10 | |
One has to pay for the finer things in life. | 0:17:10 | 0:17:13 | |
Easy enough, I suppose, when you're born with a silver spoon. | 0:17:13 | 0:17:17 | |
Let's just listen to the... | 0:17:17 | 0:17:20 | |
# ..Take the rest... # | 0:17:20 | 0:17:21 | |
..music. | 0:17:21 | 0:17:23 | |
# ..Baby, take all of me. # | 0:17:23 | 0:17:29 | |
SONG ENDS | 0:17:29 | 0:17:32 | |
No, he scarpered. | 0:17:37 | 0:17:39 | |
Hm. | 0:17:39 | 0:17:40 | |
-< JOSEPH: -When I get my hands on him! | 0:17:40 | 0:17:42 | |
< GLASS SMASHES | 0:17:42 | 0:17:43 | |
Just cos you're stronger than him, doesn't mean he won't beat you. | 0:17:46 | 0:17:49 | |
-Is that right? -He's a voodoo priest. | 0:17:49 | 0:17:51 | |
You don't know what he's capable of. | 0:17:51 | 0:17:53 | |
Of course, cos you're the voodoo expert(!) | 0:17:53 | 0:17:56 | |
Tell you what, if he casts a spell, I'll come and get you. | 0:17:56 | 0:17:58 | |
-You can wave your little wand(!) -I'm coming with you. | 0:17:58 | 0:18:01 | |
I DON'T need any more mediation, Father. | 0:18:03 | 0:18:06 | |
Hey! Cochon! | 0:18:18 | 0:18:20 | |
Where are you?! | 0:18:21 | 0:18:23 | |
BIRDS CAW | 0:18:28 | 0:18:31 | |
FAINT DRUMMING | 0:18:31 | 0:18:33 | |
FAINT ULULATING SINGING | 0:18:33 | 0:18:36 | |
RUMBLING | 0:18:38 | 0:18:40 | |
The gardens are divine, don't you think? | 0:18:41 | 0:18:44 | |
Edmund brought in a Parisian designer specially. | 0:18:44 | 0:18:46 | |
Oh, indeed. | 0:18:46 | 0:18:48 | |
My box hedges have been compared favourably to those at Versailles. | 0:18:48 | 0:18:52 | |
SHE SHRIEKS | 0:18:52 | 0:18:55 | |
MURMURING | 0:18:55 | 0:18:57 | |
BIRDS CAW | 0:19:13 | 0:19:14 | |
Police surgeon thinks he drowned. | 0:19:16 | 0:19:18 | |
He wouldn't drown in a swimming pool. | 0:19:18 | 0:19:20 | |
Maybe that priest used his voodoo magic! | 0:19:20 | 0:19:23 | |
froze his legs and arms, | 0:19:23 | 0:19:25 | |
-and then just pushed him in. -Is that possible? | 0:19:25 | 0:19:28 | |
Sergeant, here's a tip. | 0:19:28 | 0:19:30 | |
Make a note. | 0:19:30 | 0:19:31 | |
When asking questions, try to make them sensible! | 0:19:31 | 0:19:35 | |
Father, where are you going? | 0:19:35 | 0:19:37 | |
To research your theory. | 0:19:38 | 0:19:40 | |
"Poison derived from the puffer fish... | 0:19:53 | 0:19:55 | |
"Potent neurotoxin sometimes used | 0:19:55 | 0:19:57 | |
"to punish those who violate social..." | 0:19:57 | 0:19:59 | |
CREAKING NEARBY | 0:19:59 | 0:20:01 | |
How did you get in here? | 0:20:03 | 0:20:05 | |
Magic. | 0:20:05 | 0:20:06 | |
I picked the lock. | 0:20:09 | 0:20:11 | |
I'm quite handy at that. | 0:20:11 | 0:20:13 | |
Perhaps we're kindred spirits. | 0:20:13 | 0:20:15 | |
You were right. | 0:20:22 | 0:20:24 | |
I am heartbroken. | 0:20:24 | 0:20:25 | |
I'm sorry you're so unhappy. | 0:20:26 | 0:20:28 | |
The last two months, all I could think of was getting her back. | 0:20:30 | 0:20:33 | |
Every waking moment. | 0:20:33 | 0:20:35 | |
By killing Joseph? | 0:20:35 | 0:20:36 | |
HE SCOFFS | 0:20:36 | 0:20:38 | |
My plan was not to kill him. | 0:20:38 | 0:20:40 | |
Then what? | 0:20:40 | 0:20:42 | |
Enslave him. | 0:20:42 | 0:20:43 | |
"Enslave him"? | 0:20:45 | 0:20:46 | |
I followed them from London... | 0:20:49 | 0:20:50 | |
..waiting for an opportunity to give him this. | 0:20:51 | 0:20:54 | |
In large doses, it kills. | 0:20:56 | 0:20:58 | |
In small doses, it can make a man appear dead. | 0:20:58 | 0:21:02 | |
But there is a spot. | 0:21:03 | 0:21:05 | |
A sweet spot. | 0:21:05 | 0:21:06 | |
Not too much. Not too little. | 0:21:06 | 0:21:08 | |
But just right. | 0:21:08 | 0:21:10 | |
The man is neither dead nor alive. | 0:21:11 | 0:21:12 | |
He can't speak. He has no feeling. | 0:21:13 | 0:21:16 | |
He walks without thought. | 0:21:16 | 0:21:18 | |
Good for nothing more than ploughing the fields. | 0:21:18 | 0:21:21 | |
And presumably, he can't love, either. | 0:21:22 | 0:21:26 | |
Exactly. | 0:21:26 | 0:21:27 | |
How can a man love | 0:21:28 | 0:21:29 | |
without a soul? | 0:21:29 | 0:21:31 | |
Zombification. | 0:21:31 | 0:21:33 | |
Your word, | 0:21:33 | 0:21:34 | |
not ours. | 0:21:34 | 0:21:35 | |
What happened at the hotel? | 0:21:37 | 0:21:39 | |
When I saw her on stage... | 0:21:42 | 0:21:44 | |
She looked so... | 0:21:47 | 0:21:48 | |
..free. | 0:21:50 | 0:21:51 | |
I couldn't go through with it. | 0:21:54 | 0:21:55 | |
I couldn't remove that smile from her face. | 0:21:56 | 0:21:59 | |
-DOOR OPENS -Father, I... | 0:21:59 | 0:22:02 | |
No need to worry. | 0:22:02 | 0:22:03 | |
-Are you all right, Father? -Absolutely. | 0:22:04 | 0:22:07 | |
-How did you...? -Oh, Mr Mugridge gave me a lift. | 0:22:07 | 0:22:11 | |
Yes, thank you... | 0:22:11 | 0:22:12 | |
Good old Mr Mugridge. | 0:22:18 | 0:22:19 | |
-In all likelihood, she will call the police. -What for? | 0:22:19 | 0:22:22 | |
I haven't done anything. | 0:22:22 | 0:22:24 | |
You don't know about Joseph, do you? | 0:22:26 | 0:22:28 | |
He's dead. | 0:22:28 | 0:22:30 | |
What? | 0:22:32 | 0:22:34 | |
Possibly poisoned. | 0:22:34 | 0:22:35 | |
-It wasn't me. -Then you should tell that to the police. | 0:22:36 | 0:22:40 | |
You think they'll believe me? | 0:22:42 | 0:22:43 | |
Father, I'm not going to hang for something I didn't do. | 0:22:44 | 0:22:48 | |
Emmanuel, please, this will just make things worse. | 0:22:49 | 0:22:53 | |
-BELLS RING -That's him. | 0:23:00 | 0:23:03 | |
BELLS RING | 0:23:03 | 0:23:04 | |
TYRES SCREECH | 0:23:04 | 0:23:06 | |
BIRDSONG | 0:23:10 | 0:23:12 | |
I bet you didn't think you'd be chasing a voodoo priest | 0:23:18 | 0:23:21 | |
around the countryside when you came to Kembleford, sir. | 0:23:21 | 0:23:23 | |
Didn't have many of them in Durham, no. | 0:23:23 | 0:23:26 | |
Come on! | 0:23:28 | 0:23:29 | |
ENGINE REVS | 0:23:29 | 0:23:31 | |
TYRES SCREECH | 0:23:36 | 0:23:39 | |
He's going to hit the tree! | 0:23:40 | 0:23:42 | |
EXPLOSION | 0:23:42 | 0:23:43 | |
He's hit the tree. | 0:23:43 | 0:23:45 | |
FIRE CRACKLES | 0:23:47 | 0:23:51 | |
HE GROANS | 0:23:56 | 0:23:58 | |
Stay still. | 0:24:02 | 0:24:03 | |
-You'll kill yourself. -I'll call for an ambulance. | 0:24:03 | 0:24:06 | |
HE GROANS | 0:24:06 | 0:24:09 | |
I didn't do it. | 0:24:12 | 0:24:14 | |
That'll be for the court to decide... | 0:24:14 | 0:24:17 | |
HE WHIMPERS | 0:24:17 | 0:24:19 | |
'He died at the scene.' | 0:24:33 | 0:24:35 | |
Oh, my God! | 0:24:35 | 0:24:37 | |
This was in his pocket. | 0:24:39 | 0:24:40 | |
We haven't tested it yet, but we suspect it's some kind of poison. | 0:24:40 | 0:24:43 | |
Must've paralysed him. | 0:24:43 | 0:24:45 | |
So, my theory was right. | 0:24:45 | 0:24:47 | |
One thing we can't understand is how he gave it to him. | 0:24:47 | 0:24:50 | |
There were no puncture marks on Mr Sinclair's body. | 0:24:50 | 0:24:53 | |
That's assuming that it took effect immediately. | 0:24:53 | 0:24:56 | |
If it was slow-acting, he could've ingested it before... | 0:24:56 | 0:24:59 | |
I don't need your help, Padre, thank you. | 0:24:59 | 0:25:01 | |
Anyone see him eat or drink anything at the hotel? | 0:25:01 | 0:25:05 | |
We were on stage as soon as we got there. | 0:25:05 | 0:25:07 | |
Weren't even offered a biscuit! | 0:25:07 | 0:25:08 | |
Which means he probably ingested the poison while he was on stage. | 0:25:10 | 0:25:14 | |
The break-in! | 0:25:35 | 0:25:36 | |
That's what he came here to do! | 0:25:36 | 0:25:38 | |
Dead chicken was just a diversion. | 0:25:38 | 0:25:40 | |
This is what he was really up to. We'll need to take this. | 0:25:40 | 0:25:43 | |
Well, that's a relief that's all over. | 0:25:45 | 0:25:46 | |
-TEARFULLY: -Excuse me... | 0:25:48 | 0:25:50 | |
Inspector, I spoke to Emmanuel. | 0:25:56 | 0:25:59 | |
He told me he didn't do it. | 0:26:00 | 0:26:01 | |
Told me the same thing. Funny - killers often say things like that. | 0:26:01 | 0:26:04 | |
I believe he was telling the truth. | 0:26:04 | 0:26:06 | |
He loved Yveline. | 0:26:06 | 0:26:08 | |
Yes. Enough to kill her boyfriend. | 0:26:08 | 0:26:11 | |
-Enough to let her go. -You're a soft touch, Padre. | 0:26:11 | 0:26:13 | |
At least consider the possibility! | 0:26:15 | 0:26:16 | |
This case is closed! Stick your oar out. | 0:26:16 | 0:26:20 | |
You all right? | 0:26:37 | 0:26:39 | |
I'm sorry about your father. | 0:26:42 | 0:26:44 | |
Don't worry about me. | 0:26:45 | 0:26:47 | |
You are so sweet. | 0:26:48 | 0:26:49 | |
-SHE GASPS -Tommy... No. | 0:26:51 | 0:26:53 | |
What are you doing? | 0:27:12 | 0:27:13 | |
If you're still looking for clues... | 0:27:14 | 0:27:18 | |
That means you think the voodoo priest was innocent? | 0:27:18 | 0:27:21 | |
-His name was Emmanuel. -Oh... | 0:27:22 | 0:27:24 | |
If he broke in last night, then why did he pick the lock today? | 0:27:25 | 0:27:30 | |
Why not come in the same way? | 0:27:30 | 0:27:32 | |
I can't believe I didn't see it before. | 0:27:35 | 0:27:38 | |
-Didn't see what exactly? -None of us did. | 0:27:38 | 0:27:40 | |
We were too preoccupied with the notion | 0:27:40 | 0:27:43 | |
that Emmanuel was the intruder. | 0:27:43 | 0:27:44 | |
Father! | 0:27:46 | 0:27:47 | |
DOG BARKS OUTSIDE | 0:27:47 | 0:27:50 | |
Oh! | 0:27:50 | 0:27:51 | |
Mind you don't cut yourself. | 0:27:51 | 0:27:53 | |
Unless the intruder had extendable arms... | 0:27:53 | 0:27:56 | |
..he didn't unlock the door from the outside. | 0:27:57 | 0:28:00 | |
Must've unlocked it from the inside. | 0:28:01 | 0:28:04 | |
Are you telling me that one of the people living in your house | 0:28:11 | 0:28:15 | |
is a homicidal poisoner? | 0:28:15 | 0:28:17 | |
It would appear so. | 0:28:17 | 0:28:18 | |
I warned you! Didn't I warn you? | 0:28:18 | 0:28:21 | |
Strangers! | 0:28:21 | 0:28:23 | |
-I take it you won't be asking them to stay another night. -HE SIGHS | 0:28:23 | 0:28:27 | |
But their car won't be fixed until tomorrow. | 0:28:27 | 0:28:30 | |
And I stand a better chance of working out who did it | 0:28:30 | 0:28:33 | |
if I keep them close. | 0:28:33 | 0:28:35 | |
And a better chance of getting yourself killed! | 0:28:35 | 0:28:38 | |
-I'll be... -I'm staying tonight. | 0:28:40 | 0:28:43 | |
-That won't... -I'm staying tonight. | 0:28:43 | 0:28:45 | |
And where will you sleep? | 0:28:45 | 0:28:47 | |
The question isn't where will I sleep. | 0:28:47 | 0:28:50 | |
The question is where will you sleep. | 0:28:50 | 0:28:52 | |
LOUD SNORING | 0:28:54 | 0:28:56 | |
SHE GROANS | 0:28:56 | 0:28:57 | |
Snore, snore, snore! | 0:28:57 | 0:29:00 | |
LOUD SNORING | 0:29:02 | 0:29:04 | |
CREAKING | 0:29:04 | 0:29:05 | |
-FOOTSTEPS -Did you hear that?! | 0:29:05 | 0:29:08 | |
HE SNORTS | 0:29:08 | 0:29:10 | |
It's a good thing one of us was awake. | 0:29:11 | 0:29:13 | |
I'm sorry, I didn't mean to wake you. | 0:29:17 | 0:29:21 | |
Quite all right. | 0:29:22 | 0:29:24 | |
Herbal tea. | 0:29:24 | 0:29:25 | |
Good for insomnia. | 0:29:27 | 0:29:28 | |
So, you and the old lady? | 0:29:29 | 0:29:32 | |
Most certainly not! | 0:29:33 | 0:29:35 | |
And who are you calling "old"? | 0:29:35 | 0:29:36 | |
Mrs McCarthy, why don't you wait in the bedroom? | 0:29:38 | 0:29:40 | |
I'm not leaving you alone with that. | 0:29:40 | 0:29:43 | |
I'll be all right. | 0:29:43 | 0:29:44 | |
Um... | 0:29:44 | 0:29:45 | |
Please. | 0:29:45 | 0:29:46 | |
You said you saw someone running away the night of the break-in? | 0:30:01 | 0:30:03 | |
-That's right. -Thing is, I have evidence | 0:30:03 | 0:30:06 | |
that the break-in was staged. | 0:30:06 | 0:30:09 | |
-You accusing me of being a liar, Father? -Distorting the truth. | 0:30:09 | 0:30:12 | |
-You think I'm a murderer, too? -I don't know. | 0:30:12 | 0:30:14 | |
I'm not. | 0:30:14 | 0:30:15 | |
Then why lie about seeing an intruder? | 0:30:17 | 0:30:19 | |
HE SIGHS | 0:30:22 | 0:30:24 | |
Because you're protecting whoever did it. | 0:30:24 | 0:30:26 | |
-You saw the killer put the poison on the saxophone, didn't you? -No. | 0:30:29 | 0:30:33 | |
But you saw something. | 0:30:34 | 0:30:36 | |
I saw them running back into the lounge after breaking the window. | 0:30:37 | 0:30:41 | |
I didn't know what was going on. | 0:30:41 | 0:30:42 | |
If I'd known they'd put poison on the saxophone, | 0:30:42 | 0:30:45 | |
I would have said something. | 0:30:45 | 0:30:47 | |
-Who was it? -What have you to gain? | 0:30:49 | 0:30:52 | |
A man is dead. | 0:30:52 | 0:30:53 | |
Two men! | 0:30:53 | 0:30:54 | |
And now, you want to send someone else to the executioner? | 0:30:54 | 0:30:57 | |
-Whoever did this could easily do it again. -I doubt it. | 0:30:57 | 0:31:00 | |
-Why? -Because... | 0:31:00 | 0:31:02 | |
it was personal. | 0:31:02 | 0:31:03 | |
Let it lie, Father. | 0:31:07 | 0:31:08 | |
Looking for me? | 0:31:25 | 0:31:26 | |
I just wanted to say... | 0:31:28 | 0:31:29 | |
Ow! | 0:31:29 | 0:31:30 | |
That's sharp! | 0:31:31 | 0:31:33 | |
Um, how sorry I am about your father. | 0:31:37 | 0:31:39 | |
Thank you, Father. | 0:31:41 | 0:31:42 | |
-Goodnight. -Goodnight. | 0:31:45 | 0:31:47 | |
Not while there's a poisoner in the house. | 0:32:06 | 0:32:09 | |
And look how much you've drunk already. | 0:32:09 | 0:32:11 | |
-But I made it myself! -I don't care. | 0:32:11 | 0:32:14 | |
And I hope you rinsed your toothbrush before you used it. | 0:32:17 | 0:32:20 | |
We can't afford to take any chances. | 0:32:20 | 0:32:22 | |
Where are you going now? | 0:32:31 | 0:32:33 | |
We have a gig coming up in Soho. | 0:32:33 | 0:32:36 | |
So, the band's staying together? | 0:32:37 | 0:32:39 | |
-We're not sure yet. -What do you mean? | 0:32:41 | 0:32:43 | |
-You're not leaving. -I don't know. | 0:32:44 | 0:32:47 | |
What you going to do instead? Clean toilets? | 0:32:47 | 0:32:49 | |
That's all you'll get in this country. | 0:32:49 | 0:32:51 | |
Morning all, good news! Car's ready, wahey! | 0:32:52 | 0:32:55 | |
Bad news is, you have to pick it up. | 0:32:55 | 0:32:57 | |
I'll drive you down whenever you're ready. | 0:32:57 | 0:32:59 | |
-Thank you so much, Father. -You've been a godsend. | 0:33:00 | 0:33:03 | |
Tommy, before you go, | 0:33:05 | 0:33:07 | |
can I have a word... | 0:33:07 | 0:33:08 | |
in the garden? | 0:33:08 | 0:33:10 | |
Of course. | 0:33:11 | 0:33:12 | |
You wanted to say something, Father? | 0:33:21 | 0:33:23 | |
I'm so sorry. | 0:33:26 | 0:33:27 | |
For what? | 0:33:27 | 0:33:28 | |
For the way your father treated you. He was a bully. | 0:33:30 | 0:33:33 | |
All your life, I imagine. | 0:33:33 | 0:33:34 | |
It's his voice in your head | 0:33:35 | 0:33:37 | |
when you don't feel you're good enough. Not worthy. | 0:33:37 | 0:33:40 | |
So, you brought me out here to what? Psychoanalyse me? | 0:33:40 | 0:33:44 | |
And then, there's Yveline. | 0:33:44 | 0:33:46 | |
You're in love with her. | 0:33:46 | 0:33:47 | |
It must've hurt you deeply when your father announced their engagement. | 0:33:48 | 0:33:53 | |
You think I killed him. | 0:33:53 | 0:33:54 | |
Well we both saw the shard of glass on your arm. | 0:33:54 | 0:33:57 | |
That could've come from anywhere. | 0:33:57 | 0:33:58 | |
It came from when you used your elbow to break the kitchen window. | 0:33:58 | 0:34:02 | |
You took the poison from Emmanuel's tent, didn't you? | 0:34:03 | 0:34:06 | |
When we went looking for him. | 0:34:06 | 0:34:08 | |
'Afterwards, you stole the chicken, killed it...' | 0:34:22 | 0:34:25 | |
And then, when everyone was asleep, | 0:34:26 | 0:34:28 | |
you put poison on your father's saxophone... | 0:34:28 | 0:34:30 | |
'..then staged the break-in,' | 0:34:37 | 0:34:38 | |
left the dead chicken to make it look as if it was Emmanuel. | 0:34:38 | 0:34:43 | |
GLASS SMASHES | 0:34:43 | 0:34:44 | |
HE PANTS | 0:34:47 | 0:34:49 | |
HE GROANS | 0:34:49 | 0:34:51 | |
It wasn't even a plan when I took the phial. | 0:34:55 | 0:34:58 | |
But I knew what it was. | 0:35:00 | 0:35:02 | |
And I knew I wanted to be free. | 0:35:04 | 0:35:05 | |
I knew she wanted to be free, too. | 0:35:09 | 0:35:11 | |
She never loved him. | 0:35:12 | 0:35:14 | |
He would've made just as lousy a husband as he did a father. | 0:35:16 | 0:35:18 | |
And for that, he deserved to die? | 0:35:22 | 0:35:24 | |
You just said what a terrible father he was. | 0:35:24 | 0:35:26 | |
That doesn't mean I condone what you did, | 0:35:26 | 0:35:29 | |
or that you shouldn't seek forgiveness. | 0:35:29 | 0:35:31 | |
The first step to that is telling the police the truth. | 0:35:31 | 0:35:35 | |
I'm not going to do that. | 0:35:35 | 0:35:37 | |
And you're not going to tell on me either. | 0:35:37 | 0:35:39 | |
You won't be able to. | 0:35:39 | 0:35:41 | |
Not after the poison I gave you. | 0:35:42 | 0:35:44 | |
WIND WHISTLES | 0:35:52 | 0:35:54 | |
BIRDS CAW | 0:35:54 | 0:35:55 | |
Oh. | 0:35:56 | 0:35:57 | |
-I made my own tea. -It wasn't in the tea. | 0:35:59 | 0:36:02 | |
It was on your toothbrush. | 0:36:02 | 0:36:04 | |
Mrs McCarthy was right. | 0:36:04 | 0:36:05 | |
Never expected those to be my last words. | 0:36:10 | 0:36:13 | |
HE CHUCKLES | 0:36:13 | 0:36:14 | |
FAINT DRUMMING | 0:36:14 | 0:36:16 | |
Father Brown's collapsed! | 0:36:29 | 0:36:31 | |
Father?! | 0:36:36 | 0:36:37 | |
Father! Father? | 0:36:40 | 0:36:42 | |
Father...Father...? | 0:36:42 | 0:36:44 | |
He's dead. | 0:36:46 | 0:36:47 | |
No! | 0:36:49 | 0:36:51 | |
-Father! -No! | 0:36:51 | 0:36:52 | |
It can't be! | 0:36:52 | 0:36:53 | |
Father! | 0:36:53 | 0:36:55 | |
No-one leaves. | 0:37:02 | 0:37:04 | |
-I want a postmortem straightaway. -Yes, sir. | 0:37:04 | 0:37:07 | |
Toxicology report. Everything. | 0:37:07 | 0:37:09 | |
I'm so sorry. | 0:37:10 | 0:37:11 | |
There's something I need to show you! | 0:37:12 | 0:37:14 | |
-Well, I'll be...! -He told you, didn't he? | 0:37:27 | 0:37:30 | |
He told you Emmanuel wasn't the killer. | 0:37:30 | 0:37:33 | |
But would you listen?! No! | 0:37:33 | 0:37:35 | |
And now he's dead. | 0:37:36 | 0:37:37 | |
And it's your fault. It's YOUR fault. | 0:37:37 | 0:37:40 | |
-Now, look, I know you're upset... -She's not wrong, though, is she? | 0:37:40 | 0:37:43 | |
-You are nothing but a Keystone Cop. -Now, look here! | 0:37:44 | 0:37:48 | |
A useless, incompetent, lazy... | 0:37:48 | 0:37:51 | |
-You watch it. -Why? What are you going to do? You going to arrest me? | 0:37:51 | 0:37:53 | |
Sidney, stop it. This isn't helping. | 0:37:53 | 0:37:55 | |
THEY SIGH | 0:37:55 | 0:37:57 | |
His blood is on your hands. | 0:37:57 | 0:37:59 | |
His blood is on the hands of whoever killed him. | 0:37:59 | 0:38:02 | |
And I promise you all, I'm going to find out who that was. | 0:38:03 | 0:38:06 | |
And make sure they hang. | 0:38:06 | 0:38:08 | |
You're all suspects in the murders of Joseph Sinclair and Father Brown. | 0:38:12 | 0:38:18 | |
My sergeant's going to search you and your belongings, | 0:38:19 | 0:38:22 | |
and whichever one of you did it, | 0:38:22 | 0:38:24 | |
I'm personally going to see that you hang. | 0:38:24 | 0:38:28 | |
-How could you? How could you? A priest! -What's this? | 0:38:28 | 0:38:32 | |
-Tommy? -I don't know what he's talking about. -I saw him that night! | 0:38:32 | 0:38:35 | |
-He staged the break-in. -I love you! | 0:38:35 | 0:38:37 | |
YVELINE GASPS | 0:38:37 | 0:38:39 | |
HE GRUNTS | 0:38:43 | 0:38:45 | |
-Let me at him! I'll kill him! -Tommy Sinclair, | 0:38:45 | 0:38:47 | |
I'm arresting you for the murders of Joseph... | 0:38:47 | 0:38:50 | |
-Wait! He's not dead. -Who? -Father Brown. | 0:38:50 | 0:38:52 | |
I just gave him enough to knock him out for a few hours | 0:38:52 | 0:38:54 | |
while I could get away. It wasn't enough to kill him. | 0:38:54 | 0:38:57 | |
Well, you did kill him, didn't you? | 0:38:57 | 0:38:58 | |
You don't understand. It only slows his heart. | 0:38:58 | 0:39:01 | |
It doesn't stop it. He's not dead. | 0:39:01 | 0:39:03 | |
Call the police station! Get them to tell the surgeon! | 0:39:05 | 0:39:08 | |
CHANTING | 0:39:11 | 0:39:14 | |
TELEPHONE RINGS | 0:39:24 | 0:39:26 | |
TELEPHONE RINGS | 0:39:42 | 0:39:44 | |
BELLS RING | 0:39:48 | 0:39:50 | |
TELEPHONE RINGS | 0:39:54 | 0:39:56 | |
TYRES SCREECH | 0:39:56 | 0:39:58 | |
DOORS SLAM | 0:39:58 | 0:39:59 | |
SURGEON YELLS | 0:40:00 | 0:40:02 | |
Oh! Are you with me, Padre? | 0:40:02 | 0:40:04 | |
Tell me you're all right. How many fingers am I holding up? | 0:40:04 | 0:40:07 | |
Sir Winston Churchill. | 0:40:10 | 0:40:12 | |
Even half-dead you're a pain in the neck! | 0:40:18 | 0:40:20 | |
HE SNORES | 0:40:27 | 0:40:29 | |
Now don't get used to this. | 0:40:31 | 0:40:34 | |
Just because we all thought you were dead | 0:40:34 | 0:40:36 | |
doesn't mean you get to stuff your face every day. | 0:40:36 | 0:40:40 | |
Noted. | 0:40:40 | 0:40:41 | |
-How are you feeling? -Glad to be alive. -So say we all. | 0:40:41 | 0:40:45 | |
It would've been frightfully dull without you. | 0:40:45 | 0:40:47 | |
Not to mention half my handyman work comes from you, Father, | 0:40:47 | 0:40:49 | |
so where would that have left me? | 0:40:49 | 0:40:51 | |
Well, it's nice to know I would've been missed! | 0:40:51 | 0:40:54 | |
Look who found on the way here. | 0:40:54 | 0:40:55 | |
-I didn't mean to interrupt your party. -Not at all. | 0:40:55 | 0:40:58 | |
This is for you. | 0:40:59 | 0:41:01 | |
Ohh... | 0:41:01 | 0:41:03 | |
Haitian sweet potato pudding cake. | 0:41:03 | 0:41:05 | |
And I wanted you to have this. | 0:41:05 | 0:41:07 | |
Lwa Gran Bwa. | 0:41:09 | 0:41:10 | |
Syncretised with Saint Christopher. | 0:41:13 | 0:41:15 | |
He will help your healing. | 0:41:15 | 0:41:17 | |
And how are you? | 0:41:20 | 0:41:21 | |
Lloyd and me have joined a new band. | 0:41:23 | 0:41:25 | |
I'm still singing. | 0:41:25 | 0:41:26 | |
I'm happy. | 0:41:27 | 0:41:29 | |
I'll get a knife to cut this. | 0:41:30 | 0:41:32 | |
-I think we all know what to do with that. -It was a gift. | 0:41:37 | 0:41:41 | |
No more voodoo for you. | 0:41:41 | 0:41:43 | |
Padre! | 0:41:44 | 0:41:45 | |
These are for you... | 0:41:45 | 0:41:47 | |
From the staff, like. Not just from me. | 0:41:49 | 0:41:51 | |
But, you know...from me, too. | 0:41:51 | 0:41:53 | |
Inspector Mallory, not feeling guilty, are we? | 0:41:53 | 0:41:56 | |
You should be. | 0:41:56 | 0:41:57 | |
-Quite. -Hear, hear. | 0:41:57 | 0:41:58 | |
Look. I'm sorry for what happened. | 0:41:58 | 0:42:01 | |
But whatever I did or didn't do wrong - | 0:42:02 | 0:42:04 | |
and I'm not saying I did anything wrong... | 0:42:04 | 0:42:06 | |
..in the end, I did save your bacon. | 0:42:08 | 0:42:11 | |
And you wouldn't be here enjoying tea with the padre | 0:42:12 | 0:42:15 | |
if it weren't for me. So, you know, swings and roundabouts. | 0:42:15 | 0:42:19 | |
That is the worst apology I've ever heard. | 0:42:19 | 0:42:21 | |
Besides, think what it's going to do for your church numbers. | 0:42:21 | 0:42:25 | |
You're the priest that came back from the dead! | 0:42:26 | 0:42:29 | |
That is a rumour we don't want spreading. | 0:42:35 | 0:42:38 | |
Noted. | 0:42:40 | 0:42:41 |