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Russula emetica! | 0:00:02 | 0:00:04 | |
Are you casting a spell? | 0:00:04 | 0:00:05 | |
Common name, the Sickener. | 0:00:05 | 0:00:07 | |
Sounds delicious. | 0:00:07 | 0:00:09 | |
Oh, we can't eat this. | 0:00:09 | 0:00:11 | |
I only wanted something to put in my pie, | 0:00:11 | 0:00:13 | |
I wasn't planning to spend the morning traipsing around after you. | 0:00:13 | 0:00:18 | |
So I am going to go to the grocer's to buy some mushrooms. | 0:00:18 | 0:00:22 | |
Look. | 0:00:24 | 0:00:26 | |
What's wrong? | 0:00:26 | 0:00:27 | |
It's...it's a head. | 0:00:36 | 0:00:40 | |
I think you should stay here. | 0:00:40 | 0:00:41 | |
Please stay away. Please stay back. | 0:00:43 | 0:00:47 | |
I just want to offer my prayers for the deceased. | 0:00:47 | 0:00:50 | |
The branch was blocking the road at head height. | 0:00:50 | 0:00:53 | |
He hit it at speed. | 0:00:53 | 0:00:55 | |
It'll only take a few minutes. | 0:00:55 | 0:00:57 | |
I'm afraid not. | 0:00:59 | 0:01:01 | |
BELLS RING | 0:01:44 | 0:01:46 | |
I am so sorry for your loss. | 0:01:48 | 0:01:51 | |
Alexander said he'd always be there for me. | 0:01:51 | 0:01:53 | |
And he still is, Ian. | 0:01:53 | 0:01:55 | |
Just...in a different way. | 0:01:55 | 0:01:57 | |
Now, you're going to have to be very brave today. | 0:02:01 | 0:02:04 | |
I need to see him. | 0:02:07 | 0:02:09 | |
Mrs Moore. | 0:02:10 | 0:02:11 | |
I think that it is best that you remember him as he was. | 0:02:15 | 0:02:18 | |
SHE GROANS | 0:02:28 | 0:02:29 | |
SHE WEEPS | 0:02:32 | 0:02:34 | |
I'm sorry. | 0:02:36 | 0:02:37 | |
Alexander Moore was a popular young man, | 0:02:39 | 0:02:42 | |
a regular member of this congregation. | 0:02:42 | 0:02:45 | |
He worked hard in the family business, | 0:02:45 | 0:02:48 | |
rising early to bake fresh bread. | 0:02:48 | 0:02:51 | |
His delicious Chelsea buns | 0:02:53 | 0:02:54 | |
were responsible for many a guilty glance in the mirror. | 0:02:54 | 0:02:58 | |
MURMUR OF LAUGHTER | 0:02:58 | 0:02:59 | |
His mother, Ruth... | 0:03:01 | 0:03:03 | |
..would like to say a few words. | 0:03:07 | 0:03:09 | |
Alexan... | 0:03:19 | 0:03:20 | |
My Alexander was the perfect older brother to Ian. He was... | 0:03:25 | 0:03:31 | |
Get out. | 0:03:34 | 0:03:35 | |
Get him out. | 0:03:37 | 0:03:38 | |
Oh, dear God, no. | 0:03:41 | 0:03:42 | |
Get out! Get away from here! | 0:03:42 | 0:03:45 | |
Mr Blackstone. | 0:03:45 | 0:03:46 | |
I'm sorry. I only wanted to offer my condolences. | 0:03:46 | 0:03:50 | |
We commend our brother to the Lord. | 0:04:13 | 0:04:16 | |
May He embrace him in His peace | 0:04:16 | 0:04:18 | |
and bring his body to life again on the last day. | 0:04:18 | 0:04:22 | |
-Amen. -Amen. | 0:04:24 | 0:04:25 | |
Where have you been? | 0:04:47 | 0:04:48 | |
Just in the village. | 0:04:48 | 0:04:50 | |
It's quiet out, lots of people have gone to the funeral. | 0:04:50 | 0:04:52 | |
I know. | 0:04:52 | 0:04:53 | |
You didn't? | 0:04:55 | 0:04:56 | |
I simply went to pay my respects. | 0:04:56 | 0:04:58 | |
Did she cause a scene? | 0:04:59 | 0:05:00 | |
She'll have the police round. | 0:05:02 | 0:05:04 | |
I haven't done anything wrong. | 0:05:04 | 0:05:06 | |
You provoked her. | 0:05:06 | 0:05:07 | |
After the lies she told about your mother, she deserves all she gets. | 0:05:07 | 0:05:11 | |
You're better than that. | 0:05:11 | 0:05:13 | |
You need to eat something. | 0:05:18 | 0:05:19 | |
If you want to talk about anything come and find me. | 0:05:21 | 0:05:23 | |
Even if it's the middle of the night. | 0:05:23 | 0:05:26 | |
VEHICLE PASSES | 0:05:40 | 0:05:42 | |
Guess. | 0:06:06 | 0:06:08 | |
Bad luck. | 0:06:14 | 0:06:16 | |
Maybe next time, though, we could add some money into the equation, | 0:06:16 | 0:06:19 | |
make it a little bit more interesting? | 0:06:19 | 0:06:20 | |
It's already quite interesting enough, thank you very much. | 0:06:20 | 0:06:23 | |
But I do admire your sleight of hand. | 0:06:23 | 0:06:25 | |
What's happened? | 0:06:29 | 0:06:31 | |
You'd better come and see. | 0:06:31 | 0:06:32 | |
And this is the lad who lost his head on Tuesday? | 0:06:45 | 0:06:48 | |
Yes. | 0:06:48 | 0:06:49 | |
Not been his week, has it? | 0:06:49 | 0:06:51 | |
It's not a laughing matter. | 0:06:52 | 0:06:54 | |
Have some tea. | 0:06:55 | 0:06:56 | |
Thank you. | 0:06:58 | 0:06:59 | |
I apologise... | 0:07:00 | 0:07:03 | |
but this is an unspeakable crime. | 0:07:03 | 0:07:06 | |
People are laid to REST in this church. | 0:07:06 | 0:07:09 | |
Let's treat this with the respect it deserves. | 0:07:11 | 0:07:14 | |
Absolutely, Padre. | 0:07:14 | 0:07:15 | |
Could it be grave robbers? | 0:07:19 | 0:07:22 | |
No. That vile practice died out in the last century. | 0:07:22 | 0:07:25 | |
I heard the mother had an outburst at the funeral? | 0:07:25 | 0:07:29 | |
Ruth Moore and Peter Blackstone have been at each other's throats | 0:07:29 | 0:07:33 | |
for as long as anyone can remember. | 0:07:33 | 0:07:35 | |
He's the undertaker? | 0:07:35 | 0:07:37 | |
Yes. But he didn't do this burial, for obvious reasons. | 0:07:37 | 0:07:40 | |
What's their problem with each other? | 0:07:40 | 0:07:42 | |
No-one knows any more. | 0:07:42 | 0:07:44 | |
Or much cares. | 0:07:44 | 0:07:45 | |
I'd best go and let the mother know what's happened. | 0:07:46 | 0:07:50 | |
Inspector, I wondered if I might be permitted to break the news to her? | 0:07:50 | 0:07:54 | |
She is part of our congregation. | 0:07:54 | 0:07:56 | |
Be my guest. I'll talk to her once she's calmed down. | 0:07:56 | 0:08:01 | |
Oh, you're all heart. | 0:08:01 | 0:08:03 | |
Might take me a while to find a vehicle to move the coffin. | 0:08:05 | 0:08:09 | |
In the meantime, | 0:08:09 | 0:08:10 | |
if there's anything else make sure I'm the first to know. | 0:08:10 | 0:08:13 | |
As always, Inspector. | 0:08:13 | 0:08:15 | |
What happens if this is just the beginning? | 0:08:20 | 0:08:23 | |
If whoever did this comes back another night? | 0:08:23 | 0:08:26 | |
I'm sure those Blackstones are involved. | 0:08:26 | 0:08:29 | |
That girl was smiling when she saw the accident. | 0:08:29 | 0:08:33 | |
Doesn't prove anything. | 0:08:33 | 0:08:34 | |
Oh, so she just happened to be passing? | 0:08:34 | 0:08:36 | |
Perhaps. Sid, can you find somewhere discreet to store the coffin? | 0:08:36 | 0:08:42 | |
And see what you can find out about the Blackstones. | 0:08:42 | 0:08:45 | |
Don't talk to them yet, just have a nose about. | 0:08:45 | 0:08:48 | |
There's something unpleasant going on here. | 0:08:50 | 0:08:53 | |
I've let you down. | 0:09:01 | 0:09:03 | |
No, I don't blame you. | 0:09:03 | 0:09:05 | |
You don't have to, he blames himself. | 0:09:05 | 0:09:08 | |
I think we all know who did this. | 0:09:08 | 0:09:10 | |
Please, Ruth. | 0:09:11 | 0:09:12 | |
There's only one person who hates my family enough | 0:09:12 | 0:09:15 | |
to do something so unspeakable. | 0:09:15 | 0:09:17 | |
It may be coincidence that it was Alexander's body that they, erm, | 0:09:19 | 0:09:24 | |
they took. | 0:09:24 | 0:09:26 | |
The soil was freshly turned, it would be the easiest grave to dig. | 0:09:27 | 0:09:32 | |
How will you manage in the bakery? | 0:09:32 | 0:09:34 | |
It'll be hard. | 0:09:36 | 0:09:37 | |
We were losing money as it was, | 0:09:37 | 0:09:39 | |
and I didn't have to pay Alexander the going rate. | 0:09:39 | 0:09:43 | |
If you find yourself short, | 0:09:43 | 0:09:45 | |
the Parish Committee may be able to help. | 0:09:45 | 0:09:47 | |
We have a small fund.... | 0:09:47 | 0:09:48 | |
I don't need charity. Thank you. | 0:09:48 | 0:09:51 | |
I just wanted you to know it's there, if you need it. | 0:09:52 | 0:09:57 | |
We should be able to manage. | 0:09:57 | 0:09:58 | |
Alexander had taken out a life insurance policy. | 0:09:58 | 0:10:01 | |
Oh, that was...fortunate. | 0:10:02 | 0:10:04 | |
He always felt a duty to look after us after my husband died. | 0:10:05 | 0:10:09 | |
It won't be much but... | 0:10:11 | 0:10:14 | |
but it should be enough to tide us over | 0:10:14 | 0:10:16 | |
until I can...work out... | 0:10:16 | 0:10:21 | |
I'm sorry, I feel very hot. | 0:10:21 | 0:10:23 | |
I need to get some air. | 0:10:24 | 0:10:26 | |
We'll leave you in peace. | 0:10:26 | 0:10:27 | |
I promise to get to the bottom of this. | 0:10:38 | 0:10:41 | |
You mustn't wait for me like this, all right? Do you understand? | 0:11:01 | 0:11:04 | |
-Why? -Listen to me - you mustn't wait for me. | 0:11:04 | 0:11:07 | |
It's best if you keep away from me. | 0:11:07 | 0:11:09 | |
It's Ian, isn't it? Sidney. | 0:11:14 | 0:11:16 | |
Sorry to hear about your brother. | 0:11:16 | 0:11:19 | |
They all talk like he's dead, but he's not. | 0:11:19 | 0:11:21 | |
You what? | 0:11:21 | 0:11:22 | |
He came back. | 0:11:22 | 0:11:24 | |
Back? Back to life? | 0:11:24 | 0:11:26 | |
He wants to be with his girlfriend. | 0:11:27 | 0:11:28 | |
You sure you're not mistaken? | 0:11:30 | 0:11:31 | |
I'm not a liar! | 0:11:31 | 0:11:33 | |
Peter! Peter Blackstone! | 0:11:46 | 0:11:49 | |
Come out here. Tell me how you could do this. | 0:11:49 | 0:11:53 | |
Do you know what he did? That father of yours. | 0:11:54 | 0:11:56 | |
He hasn't done anything. | 0:11:56 | 0:11:57 | |
He dug up my boy! | 0:11:57 | 0:11:59 | |
Ruth, go home. | 0:11:59 | 0:12:00 | |
Is this where you took him? | 0:12:00 | 0:12:03 | |
Catherine. | 0:12:03 | 0:12:04 | |
Yes, run and hide. | 0:12:04 | 0:12:06 | |
Ruth. | 0:12:07 | 0:12:08 | |
You can't talk to her when she's like that. | 0:12:11 | 0:12:14 | |
It doesn't achieve anything. | 0:12:14 | 0:12:15 | |
Did you hear what she was accusing me of? | 0:12:15 | 0:12:17 | |
The very thought! | 0:12:17 | 0:12:18 | |
DOOR OPENS | 0:12:18 | 0:12:19 | |
Hello? | 0:12:19 | 0:12:21 | |
-Now what? -I'll go. | 0:12:21 | 0:12:23 | |
Who died? | 0:12:23 | 0:12:24 | |
Nobody. | 0:12:24 | 0:12:25 | |
SHE SCREAMS | 0:12:31 | 0:12:32 | |
What have you done? | 0:12:38 | 0:12:40 | |
Nothing. | 0:12:41 | 0:12:43 | |
Please. He hasn't done anything wrong. | 0:12:46 | 0:12:49 | |
I telephoned you myself as soon as we discovered the body. | 0:12:49 | 0:12:52 | |
-Didn't I, Father? -Take him to the station. | 0:12:52 | 0:12:54 | |
Don't go far. | 0:12:54 | 0:12:55 | |
Catherine, Mrs McCarthy said she saw you in the woods, | 0:12:57 | 0:13:02 | |
when Alexander had his accident. | 0:13:02 | 0:13:03 | |
I don't know what you're talking about. | 0:13:05 | 0:13:07 | |
I should find a quieter patch - like the centre of Glasgow. | 0:13:15 | 0:13:18 | |
Inspector, there's a slight problem. | 0:13:18 | 0:13:21 | |
Now what? | 0:13:21 | 0:13:22 | |
You have got to be kidding me. | 0:13:27 | 0:13:29 | |
Thank you for coming, Lady Felicia. | 0:13:30 | 0:13:32 | |
-Ah. -You really do prepare for the worst, don't you? | 0:13:35 | 0:13:38 | |
Sid was supposed to store it somewhere discreet. | 0:13:38 | 0:13:41 | |
Shall we? | 0:13:41 | 0:13:42 | |
I'm not sure I can relax with that thing looming over me. | 0:13:44 | 0:13:48 | |
I'll get Sid to move it later. | 0:13:50 | 0:13:53 | |
Any luck with Doctor Harris? | 0:13:53 | 0:13:55 | |
No. He wouldn't take my telephone calls, | 0:13:55 | 0:13:57 | |
and then when I went round to the surgery | 0:13:57 | 0:13:59 | |
the receptionist pretended he had left for the day. | 0:13:59 | 0:14:02 | |
What has Dr Harris got to do with this? | 0:14:02 | 0:14:04 | |
He was in the woods when Alexander had his accident. | 0:14:04 | 0:14:07 | |
For now we have a more pressing problem - | 0:14:07 | 0:14:10 | |
the security of the graveyard. | 0:14:10 | 0:14:12 | |
We have to allow for the possibility | 0:14:12 | 0:14:14 | |
that what happened to Alexander was not an isolated incident. | 0:14:14 | 0:14:18 | |
I've drawn up the rota for guard duty. | 0:14:18 | 0:14:21 | |
You expect us to camp out in the graveyard all night? | 0:14:21 | 0:14:24 | |
I wouldn't ask you to do anything I'm not prepared to do myself. | 0:14:24 | 0:14:28 | |
I care about this community, even if nobody else does. | 0:14:28 | 0:14:31 | |
Oh, I don't mind mucking in. | 0:14:31 | 0:14:33 | |
Dunkirk spirit, and all of that. | 0:14:33 | 0:14:36 | |
Actually, it could be terrific research. | 0:14:36 | 0:14:38 | |
For what? | 0:14:38 | 0:14:40 | |
I've never written a ghost story before. | 0:14:40 | 0:14:42 | |
On behalf of the world, I'd like to thank you for that. | 0:14:42 | 0:14:44 | |
I can see it now - The Phantom And The Farmer. | 0:14:44 | 0:14:48 | |
The tragic tale of the ghost of a princess who falls in love | 0:14:48 | 0:14:51 | |
with a humble dairy farmer. | 0:14:51 | 0:14:53 | |
-You shouldn't joke about such things. -Farmers? | 0:14:53 | 0:14:56 | |
-Ghosts. -People enjoy a spooky story. It gives them hope. | 0:14:56 | 0:14:59 | |
That you'll stop writing books? | 0:14:59 | 0:15:01 | |
That they'll see the people that they love again. | 0:15:01 | 0:15:03 | |
That death isn't the end. | 0:15:03 | 0:15:05 | |
It isn't. | 0:15:05 | 0:15:06 | |
I notice that you've taken the earlier slot, | 0:15:09 | 0:15:11 | |
while it's still light. | 0:15:11 | 0:15:13 | |
It was random. | 0:15:13 | 0:15:14 | |
So you won't mind swapping for 3am? | 0:15:14 | 0:15:17 | |
Please! I don't want anyone out there alone. | 0:15:18 | 0:15:22 | |
If somebody comes back it would be dangerous to confront them. | 0:15:23 | 0:15:26 | |
We'll all be there together. | 0:15:26 | 0:15:28 | |
Isn't that a little over-zealous? | 0:15:28 | 0:15:30 | |
I've already let one family down. | 0:15:30 | 0:15:32 | |
I don't want the same thing to happen to another. | 0:15:32 | 0:15:34 | |
I have no idea how it got there. | 0:15:37 | 0:15:40 | |
Perhaps you should ask Ruth Moore? | 0:15:40 | 0:15:42 | |
Why? | 0:15:42 | 0:15:44 | |
There's no depth that woman won't sink to. | 0:15:44 | 0:15:46 | |
She once paid someone | 0:15:46 | 0:15:48 | |
to try and seduce my daughter then brag about it. | 0:15:48 | 0:15:51 | |
Fortunately, Catherine saw through him. | 0:15:51 | 0:15:53 | |
What sort of idiots do you take us for? | 0:15:54 | 0:15:57 | |
Did you think we wouldn't notice? | 0:15:57 | 0:15:59 | |
I don't know what you mean. | 0:16:01 | 0:16:02 | |
The body. | 0:16:02 | 0:16:04 | |
What about it? | 0:16:04 | 0:16:05 | |
If their parents knew that they were courting, they'd be furious. | 0:16:06 | 0:16:11 | |
Though, if you think about it, maybe he made it all up. | 0:16:11 | 0:16:14 | |
Who knows what's going on in the poor kid's head? | 0:16:14 | 0:16:16 | |
He's away with the fairies at the best of times. | 0:16:16 | 0:16:18 | |
Anyway, now I've moved the coffin, am I done? | 0:16:18 | 0:16:21 | |
Er, yes. But I would appreciate your help this evening. | 0:16:21 | 0:16:27 | |
No can do, I'm afraid. | 0:16:27 | 0:16:29 | |
Promised to help out at the Red Lion. | 0:16:29 | 0:16:31 | |
Oh. | 0:16:31 | 0:16:32 | |
I've given my word. | 0:16:32 | 0:16:34 | |
You know me, Father, I'd never break that under any circumstances. | 0:16:34 | 0:16:38 | |
Well, I'll have to have a word with Mrs McCarthy, | 0:16:38 | 0:16:41 | |
but, what if I offered a week of free meals for your efforts? | 0:16:41 | 0:16:45 | |
Hot meals? | 0:16:45 | 0:16:47 | |
Yes. All lovingly home cooked. | 0:16:47 | 0:16:49 | |
Deal. | 0:16:53 | 0:16:55 | |
Excellent. | 0:16:55 | 0:16:56 | |
You know I can't resist Mrs M's pies. | 0:16:56 | 0:16:58 | |
I'll see what I can do. | 0:16:58 | 0:16:59 | |
Anything to report, McCarthy? | 0:17:11 | 0:17:13 | |
SHE GASPS | 0:17:13 | 0:17:15 | |
OWL HOOTS | 0:17:15 | 0:17:16 | |
HE IMITATES AN OWL HOOT | 0:17:21 | 0:17:23 | |
Do you think it was Felicia? | 0:17:24 | 0:17:26 | |
It was probably just another owl. | 0:17:26 | 0:17:29 | |
Perhaps not the best choice of night-time recognition signals. | 0:17:29 | 0:17:33 | |
Come on. | 0:17:33 | 0:17:34 | |
Lady Felicia? | 0:17:40 | 0:17:42 | |
Lady F... | 0:17:46 | 0:17:47 | |
Who disturbs me? | 0:17:47 | 0:17:49 | |
Hold that thought! | 0:17:50 | 0:17:52 | |
How does it feel to be threatened by a spirit from beyond? | 0:17:52 | 0:17:55 | |
This is a place of rest, not your-your personal playground. | 0:17:55 | 0:17:59 | |
Quickly, before the fear passes. Describe it to me. | 0:17:59 | 0:18:02 | |
-I was not afraid! -RATTLING | 0:18:02 | 0:18:04 | |
What was that? | 0:18:04 | 0:18:05 | |
What? Oh, probably just another one of your ridiculous stunts? | 0:18:05 | 0:18:09 | |
I'm standing right here. | 0:18:09 | 0:18:11 | |
Um... Stay close. Follow me. | 0:18:13 | 0:18:15 | |
RATTLING | 0:18:20 | 0:18:21 | |
STONES RATTLE | 0:18:22 | 0:18:23 | |
What's going on? | 0:18:23 | 0:18:25 | |
Come on, here it is! | 0:18:27 | 0:18:29 | |
OK? | 0:18:32 | 0:18:33 | |
-LIGHTER CLICKS -Can I help you, fellas? | 0:18:34 | 0:18:36 | |
STONES RATTLE | 0:18:39 | 0:18:40 | |
STONES RATTLE | 0:18:43 | 0:18:45 | |
Ah, hardly the most sophisticated diversion, | 0:18:49 | 0:18:53 | |
but I suppose you weren't expecting company. | 0:18:53 | 0:18:55 | |
Father! Father! | 0:18:57 | 0:18:59 | |
Let me go! | 0:19:03 | 0:19:05 | |
No, please don't hurt me! | 0:19:05 | 0:19:07 | |
They've got away. | 0:19:07 | 0:19:09 | |
Not to worry. They were familiar faces - | 0:19:09 | 0:19:11 | |
the undertakers from Alexander's funeral. | 0:19:11 | 0:19:13 | |
And what were you doing here? | 0:19:13 | 0:19:14 | |
-They were after the coffin. -Really? | 0:19:14 | 0:19:16 | |
-Why? -HE GROANS | 0:19:16 | 0:19:18 | |
Sid, Sid! We don't do things like that. | 0:19:18 | 0:19:20 | |
Thank you. | 0:19:20 | 0:19:22 | |
Oh, don't think you're going anywhere | 0:19:22 | 0:19:24 | |
until you've told us exactly what you were doing here. | 0:19:24 | 0:19:27 | |
I, well, um... | 0:19:28 | 0:19:30 | |
I've done a terrible thing. | 0:19:32 | 0:19:34 | |
And what was that? | 0:19:34 | 0:19:36 | |
I falsified the death certificate. Alexander Moore. | 0:19:36 | 0:19:40 | |
Why? | 0:19:40 | 0:19:41 | |
I had to. Catherine didn't give me a choice. | 0:19:41 | 0:19:44 | |
Oh. | 0:19:44 | 0:19:46 | |
What is it? | 0:19:46 | 0:19:47 | |
You can go. | 0:19:48 | 0:19:50 | |
The law will punish you. | 0:19:50 | 0:19:52 | |
What did you do that for? | 0:19:59 | 0:20:00 | |
Well, everything we needed was right before our eyes. | 0:20:03 | 0:20:07 | |
What we saw in the woods, and at the funeral, it was all theatre. | 0:20:07 | 0:20:13 | |
Alexander wasn't dead. | 0:20:16 | 0:20:17 | |
We buried an empty coffin. | 0:20:19 | 0:20:21 | |
What are you doing? | 0:20:29 | 0:20:31 | |
Getting Alexander's things for him. | 0:20:31 | 0:20:33 | |
Stop it. | 0:20:34 | 0:20:35 | |
He'll need them. | 0:20:35 | 0:20:37 | |
He won't, Ian. He's dead. | 0:20:37 | 0:20:39 | |
Put it back. He's gone! | 0:20:42 | 0:20:44 | |
I'm sorry. I didn't mean to upset you. | 0:20:46 | 0:20:49 | |
Ian! | 0:20:49 | 0:20:50 | |
KNOCK ON DOOR | 0:20:52 | 0:20:53 | |
Mrs Moore? I need to talk to you. | 0:21:05 | 0:21:08 | |
What is it? | 0:21:09 | 0:21:10 | |
Well, the good news is we found your son's body. | 0:21:12 | 0:21:16 | |
I've just been trying to clarify what happened. | 0:21:16 | 0:21:19 | |
Where was he? | 0:21:20 | 0:21:21 | |
Peter Blackstone's workshop. | 0:21:23 | 0:21:25 | |
I knew it. | 0:21:25 | 0:21:27 | |
If the police had listened all those times he harassed me, | 0:21:27 | 0:21:30 | |
this would never would have happened. | 0:21:30 | 0:21:31 | |
There's something else. | 0:21:31 | 0:21:33 | |
I don't really know how to say this. | 0:21:35 | 0:21:37 | |
His head's back on. | 0:21:39 | 0:21:40 | |
Before the Mass, | 0:21:44 | 0:21:47 | |
Ruth and I opened the lid and saw Alexander's body. | 0:21:47 | 0:21:52 | |
SID GROANS | 0:21:52 | 0:21:53 | |
-Behave! -Sorry. | 0:21:56 | 0:21:58 | |
Then, I closed the lid. | 0:21:58 | 0:22:01 | |
Are you all right in there? | 0:22:01 | 0:22:03 | |
Hurry up, it's dark! I don't like it! | 0:22:03 | 0:22:05 | |
Then we said a mass for the dead. | 0:22:07 | 0:22:09 | |
Meanwhile... | 0:22:09 | 0:22:10 | |
Sid? | 0:22:13 | 0:22:14 | |
Give me a minute. | 0:22:14 | 0:22:16 | |
Ah, ladies! | 0:22:18 | 0:22:21 | |
Do take a seat. | 0:22:22 | 0:22:24 | |
COFFIN RATTLES | 0:22:28 | 0:22:30 | |
BOTH SCREAM | 0:22:30 | 0:22:31 | |
Don't worry, it's only Sid. | 0:22:31 | 0:22:34 | |
-LAUGHS: -It's only me! | 0:22:34 | 0:22:35 | |
What on earth are you doing in there? | 0:22:37 | 0:22:39 | |
Well, I couldn't find the catch. | 0:22:39 | 0:22:41 | |
Catch? | 0:22:41 | 0:22:42 | |
Ready for another try? | 0:22:42 | 0:22:44 | |
These dinners you promised me better be good. | 0:22:44 | 0:22:46 | |
What we saw in the woods | 0:22:51 | 0:22:52 | |
was just an attempt to make credible witnesses for Alexander's death. | 0:22:52 | 0:22:56 | |
We saw a body. | 0:22:56 | 0:22:58 | |
Not at close quarters. | 0:22:58 | 0:22:59 | |
We could have seen a mannequin and an empty helmet. | 0:22:59 | 0:23:02 | |
You saw Alexander at the funeral. | 0:23:02 | 0:23:04 | |
Only for a few seconds and the undertakers choreographed it | 0:23:04 | 0:23:07 | |
so that Ruth would not be alone with the body. | 0:23:07 | 0:23:10 | |
-MUFFLED: -Do you maybe want to have this conversation | 0:23:10 | 0:23:12 | |
when I'm not suffocating? | 0:23:12 | 0:23:14 | |
If you don't talk, Sid, you use less oxygen. | 0:23:14 | 0:23:16 | |
You ready this time? | 0:23:16 | 0:23:18 | |
Go! | 0:23:18 | 0:23:19 | |
Oof - that hurt. | 0:23:22 | 0:23:24 | |
It was hinged. | 0:23:25 | 0:23:26 | |
All Alexander had to do was wait underneath the cloth | 0:23:26 | 0:23:29 | |
until the undertakers took the coffin outside. | 0:23:29 | 0:23:32 | |
Then he could escape unseen. | 0:23:32 | 0:23:33 | |
But why would he do all of this? | 0:23:33 | 0:23:35 | |
The question is, what went wrong? | 0:23:35 | 0:23:37 | |
Between the sham funeral and the following morning, | 0:23:37 | 0:23:41 | |
Alexander did die. | 0:23:41 | 0:23:42 | |
The good news is that I believe that our graveyard | 0:23:44 | 0:23:47 | |
is free from further interference. | 0:23:47 | 0:23:49 | |
And what's the bad news? | 0:23:49 | 0:23:50 | |
There's a killer on the loose. | 0:23:50 | 0:23:52 | |
Please. | 0:23:55 | 0:23:56 | |
Would you like a drink? | 0:23:58 | 0:24:00 | |
No, thank you. Bit early, even for me. | 0:24:01 | 0:24:05 | |
I'm worried about my father. | 0:24:06 | 0:24:08 | |
Of course. | 0:24:08 | 0:24:09 | |
I keep thinking about your reaction when you saw Alexander's body. | 0:24:11 | 0:24:15 | |
I was shocked. | 0:24:15 | 0:24:17 | |
More than that. You recoiled when you touched his skin. | 0:24:17 | 0:24:21 | |
You didn't expect it to be cold. | 0:24:22 | 0:24:24 | |
You thought he was still alive. | 0:24:24 | 0:24:26 | |
After all, you knew that the funeral was a sham. | 0:24:26 | 0:24:31 | |
What are you accusing me of? | 0:24:31 | 0:24:33 | |
Falling in love. | 0:24:33 | 0:24:34 | |
It must have been very hard for you, hiding your feelings for him. | 0:24:36 | 0:24:39 | |
And then seeing him, like that. | 0:24:39 | 0:24:41 | |
It was like someone had sucked all the air out of the room. | 0:24:43 | 0:24:46 | |
This terrible thing was happening right in front of me, | 0:24:48 | 0:24:51 | |
and then suddenly the police were blaming Father. | 0:24:51 | 0:24:54 | |
It wasn't fair. | 0:24:54 | 0:24:56 | |
What were you and Alexander going to do after the funeral? | 0:24:56 | 0:24:59 | |
I'm moving to London in a month to train as a nurse. | 0:24:59 | 0:25:03 | |
Alexander was going to meet me there. | 0:25:03 | 0:25:06 | |
You know, leave this stupid feud behind us. | 0:25:06 | 0:25:09 | |
Alexander felt guilty, especially about leaving Ian. | 0:25:10 | 0:25:14 | |
But he loved you more. | 0:25:14 | 0:25:16 | |
At least this way, with the insurance, | 0:25:16 | 0:25:18 | |
he could make sure they were properly looked after. | 0:25:18 | 0:25:21 | |
How did you persuade Dr Harris and the undertakers to help you? | 0:25:21 | 0:25:24 | |
Oh, I know all about Dr Harris and his wandering hands. | 0:25:24 | 0:25:29 | |
But his wife doesn't. | 0:25:29 | 0:25:30 | |
I see. | 0:25:32 | 0:25:33 | |
He paid the undertakers on our behalf. | 0:25:33 | 0:25:35 | |
Did you see Alexander after the funeral? | 0:25:36 | 0:25:39 | |
No. I waited till the morning, but...he never showed up. | 0:25:39 | 0:25:45 | |
So you were here all the time? | 0:25:46 | 0:25:47 | |
Not at first. | 0:25:49 | 0:25:50 | |
I was getting ready to go downstairs | 0:25:51 | 0:25:53 | |
when I saw his brother out of the window. | 0:25:53 | 0:25:55 | |
I didn't have the heart to leave him. | 0:25:56 | 0:25:58 | |
He'd seen Alexander in the street. | 0:25:58 | 0:26:01 | |
Ian had run out after Alexander but he had already gone. | 0:26:01 | 0:26:05 | |
When I spoke to him, | 0:26:05 | 0:26:06 | |
he actually thought his brother had come back from the dead. | 0:26:06 | 0:26:11 | |
Poor boy. | 0:26:11 | 0:26:12 | |
What did you say to him? | 0:26:13 | 0:26:15 | |
I couldn't tell him the truth, could I? | 0:26:15 | 0:26:18 | |
It would have ruined everything. | 0:26:18 | 0:26:20 | |
I told him that he was right. | 0:26:21 | 0:26:23 | |
That Alexander had come back from the dead to be with me. | 0:26:24 | 0:26:29 | |
That if he wanted Alexander to be happy, | 0:26:29 | 0:26:32 | |
he'd have to keep it a secret. | 0:26:32 | 0:26:34 | |
HE SIGHS | 0:26:34 | 0:26:35 | |
I'm afraid he didn't keep his part of THAT bargain. | 0:26:35 | 0:26:39 | |
I know. I'm sorry. | 0:26:39 | 0:26:41 | |
It's not me you should be apologising to. | 0:26:44 | 0:26:47 | |
Have you any idea why your father hates Mrs Moore so much? | 0:26:54 | 0:27:00 | |
No, he won't talk about it. | 0:27:00 | 0:27:03 | |
He only says that everything would have been easier | 0:27:03 | 0:27:05 | |
if she'd never been born. | 0:27:05 | 0:27:07 | |
Here she is. Her date of birth, and... | 0:27:24 | 0:27:26 | |
What? | 0:27:28 | 0:27:29 | |
Look at that. | 0:27:29 | 0:27:31 | |
Have you come to read me my last rites? | 0:27:35 | 0:27:38 | |
I know Ruth Moore is your sister. | 0:27:38 | 0:27:40 | |
Is this a joke? | 0:27:40 | 0:27:41 | |
Let's not play games. Mrs McCarthy has checked the Parish Records. | 0:27:41 | 0:27:46 | |
Is this what it's about, all these years? | 0:27:46 | 0:27:51 | |
Our parents couldn't afford to keep more than one child... | 0:27:53 | 0:27:57 | |
..and they wanted someone to take over the family business. | 0:27:59 | 0:28:03 | |
A son. | 0:28:03 | 0:28:04 | |
They gave her away. | 0:28:06 | 0:28:07 | |
I can just about remember Mother being pregnant, | 0:28:08 | 0:28:12 | |
but there was never a baby. | 0:28:12 | 0:28:14 | |
I was very young, I don't think I understood what had happened. | 0:28:15 | 0:28:19 | |
When did you find out the truth? | 0:28:19 | 0:28:22 | |
Not until after we were adults. | 0:28:22 | 0:28:24 | |
My parents had died by then. | 0:28:24 | 0:28:26 | |
Ruth had managed to trace me. | 0:28:26 | 0:28:28 | |
She came to tell me that the family who adopted her had been...unkind. | 0:28:30 | 0:28:35 | |
And she blamed you for that? | 0:28:37 | 0:28:39 | |
I was a child when they gave her away. | 0:28:39 | 0:28:41 | |
It wasn't my responsibility. | 0:28:41 | 0:28:43 | |
What did you say when she came to you? | 0:28:46 | 0:28:49 | |
She...wanted a share of my inheritance. | 0:28:49 | 0:28:54 | |
I had my own family to think of by then, | 0:28:55 | 0:28:58 | |
I couldn't let her interfere with our livelihood. | 0:28:58 | 0:29:00 | |
You turned her away? | 0:29:01 | 0:29:03 | |
I...hoped she'd leave Kembleford, start over somewhere new. | 0:29:03 | 0:29:08 | |
But she stayed here, to spite me. | 0:29:10 | 0:29:14 | |
From that day, she's been a constant thorn in my side. | 0:29:16 | 0:29:19 | |
Did you know Alexander and Catherine were having a sexual relationship? | 0:29:21 | 0:29:25 | |
That can't be. They're... | 0:29:27 | 0:29:28 | |
Cousins. Yes. | 0:29:28 | 0:29:29 | |
How could they? | 0:29:32 | 0:29:33 | |
Because they didn't know. | 0:29:33 | 0:29:35 | |
Because their parents preferred to live surrounded by lies. | 0:29:35 | 0:29:39 | |
I have come here to PLEAD with you to END this. | 0:29:40 | 0:29:45 | |
Sergeant! | 0:29:49 | 0:29:50 | |
We're finished here. | 0:29:51 | 0:29:53 | |
DOOR LOCK RATTLES | 0:29:56 | 0:29:57 | |
Hello, Ian. | 0:30:12 | 0:30:13 | |
What are you doing here? | 0:30:14 | 0:30:16 | |
Sid told me that you saw your brother after his funeral. | 0:30:18 | 0:30:24 | |
I've been waiting for Alexander to come back again. | 0:30:24 | 0:30:27 | |
He hasn't yet. I brought his things. | 0:30:28 | 0:30:31 | |
He might need them. | 0:30:32 | 0:30:34 | |
That's very thoughtful of you. What did you bring him? | 0:30:34 | 0:30:37 | |
Clothes, books. His watch. | 0:30:39 | 0:30:43 | |
WATCH CHAIN RATTLES | 0:30:43 | 0:30:44 | |
Can I see? | 0:30:46 | 0:30:47 | |
Where did you find his watch? | 0:31:00 | 0:31:03 | |
Mother had it in her bedroom. | 0:31:03 | 0:31:05 | |
It must have been frightening, seeing Alexander. | 0:31:08 | 0:31:12 | |
No. He's my brother. | 0:31:13 | 0:31:16 | |
Ian... | 0:31:19 | 0:31:20 | |
Alexander won't be coming back again. | 0:31:22 | 0:31:24 | |
They said he was dead the other night, but they were wrong. | 0:31:26 | 0:31:31 | |
I checked. | 0:31:31 | 0:31:32 | |
How did you check? | 0:31:38 | 0:31:39 | |
I thought I might be imagining things, | 0:31:41 | 0:31:44 | |
so I had to make sure. | 0:31:44 | 0:31:46 | |
Ian, did you dig up your brother's grave? | 0:31:48 | 0:31:51 | |
The coffin was empty. He'd already risen up. | 0:31:51 | 0:31:55 | |
What I saw was real. | 0:31:55 | 0:31:57 | |
It must have taken you hours. | 0:31:57 | 0:31:58 | |
Am I in trouble? | 0:32:01 | 0:32:02 | |
No. | 0:32:02 | 0:32:03 | |
YOU haven't done anything wrong. | 0:32:06 | 0:32:08 | |
Catherine didn't tell you the whole story. | 0:32:10 | 0:32:12 | |
She lied to me? | 0:32:15 | 0:32:16 | |
Yes. | 0:32:16 | 0:32:18 | |
Ian, wait, please. | 0:32:22 | 0:32:25 | |
My son paid his premiums. You have to honour it... | 0:32:31 | 0:32:34 | |
Listen to me, we need this money. | 0:32:34 | 0:32:37 | |
I have another son, he needs food, clothes. | 0:32:37 | 0:32:40 | |
My business will not support us... | 0:32:40 | 0:32:42 | |
I don't care what the police said. | 0:32:42 | 0:32:44 | |
There was nothing suspicious... | 0:32:44 | 0:32:46 | |
My son died. | 0:32:47 | 0:32:48 | |
Isn't that enough for you? | 0:32:48 | 0:32:50 | |
Don't you think my family have suffered enough? | 0:32:50 | 0:32:53 | |
Wait, I don't have any more coins... | 0:32:55 | 0:32:58 | |
Wait, please. | 0:32:58 | 0:33:00 | |
LINE GOES DEAD | 0:33:00 | 0:33:01 | |
Please... | 0:33:01 | 0:33:03 | |
BANGING ON DOOR | 0:33:14 | 0:33:15 | |
SHE GASPS | 0:33:17 | 0:33:19 | |
The priest said you lied to me. | 0:33:27 | 0:33:29 | |
Is that true? | 0:33:29 | 0:33:31 | |
BANGING | 0:33:58 | 0:34:00 | |
HISSING | 0:34:01 | 0:34:03 | |
You put the idea in my head and I made up a story. | 0:34:04 | 0:34:09 | |
A silly ghost story. | 0:34:10 | 0:34:12 | |
But I saw him. | 0:34:13 | 0:34:15 | |
We were going to run away together, that was real. | 0:34:15 | 0:34:18 | |
But Alexander was still alive. | 0:34:19 | 0:34:21 | |
There was a funeral. | 0:34:23 | 0:34:25 | |
They buried an empty box. It was a trick. | 0:34:26 | 0:34:30 | |
But then... | 0:34:32 | 0:34:33 | |
He died for real. | 0:34:34 | 0:34:35 | |
I'm so sorry. | 0:34:40 | 0:34:42 | |
HE SOBS | 0:34:52 | 0:34:53 | |
Sh... Sh. | 0:34:57 | 0:34:59 | |
Ian. | 0:35:00 | 0:35:01 | |
Oh. | 0:35:03 | 0:35:05 | |
Keep back. It's filling with gas. | 0:35:05 | 0:35:07 | |
Why, Ruth? | 0:35:07 | 0:35:09 | |
The insurance firm won't pay out. | 0:35:10 | 0:35:12 | |
I'm going to lose everything and it's all his fault! | 0:35:13 | 0:35:16 | |
This conflict has already cost one life. Let it stop now. | 0:35:16 | 0:35:22 | |
Why? I'm already damned. | 0:35:22 | 0:35:24 | |
It's never too late to ask for forgiveness. | 0:35:25 | 0:35:28 | |
And I know that you are carrying a great burden. | 0:35:28 | 0:35:31 | |
What, what burden? | 0:35:33 | 0:35:35 | |
You're responsible for Alexander's death. | 0:35:36 | 0:35:38 | |
No. | 0:35:40 | 0:35:42 | |
He was buried wearing his pocket watch. | 0:35:42 | 0:35:44 | |
Then when we found the body again, it was missing. | 0:35:46 | 0:35:49 | |
Ian took it from your bedroom this morning. | 0:35:49 | 0:35:52 | |
The only way that you could have had it was | 0:35:52 | 0:35:54 | |
if you saw Alexander after the funeral. | 0:35:54 | 0:35:57 | |
Put the matches away. | 0:35:59 | 0:36:00 | |
I think death might be a release! | 0:36:01 | 0:36:03 | |
Is this where it happened? | 0:36:10 | 0:36:12 | |
Alexander's body was found in the workshop, | 0:36:14 | 0:36:16 | |
but I don't think you were strong enough to have carried it far, | 0:36:16 | 0:36:19 | |
so it must have happened nearby. | 0:36:19 | 0:36:21 | |
I didn't mean to hurt him. | 0:36:21 | 0:36:24 | |
I believe that. | 0:36:24 | 0:36:25 | |
At first, I thought I was going mad. | 0:36:29 | 0:36:32 | |
What are you? | 0:36:45 | 0:36:47 | |
It's me. | 0:36:49 | 0:36:51 | |
Just me. | 0:36:52 | 0:36:53 | |
See? | 0:36:57 | 0:36:59 | |
Flesh and blood. | 0:36:59 | 0:37:02 | |
How did you find me? | 0:37:09 | 0:37:11 | |
I was looking for Ian, I saw you in the street. | 0:37:12 | 0:37:16 | |
We had to do it this way, so you wouldn't know. | 0:37:16 | 0:37:19 | |
I'm sorry. | 0:37:19 | 0:37:21 | |
You wanted to get away from me? | 0:37:22 | 0:37:25 | |
I do love you, Mother. | 0:37:25 | 0:37:26 | |
What do you mean "we"? | 0:37:29 | 0:37:31 | |
Not her. Please. | 0:37:37 | 0:37:39 | |
I love her. | 0:37:39 | 0:37:41 | |
Not her. You can't. | 0:37:41 | 0:37:42 | |
I don't know what your problem with her father is, | 0:37:42 | 0:37:44 | |
-but we've had enough of it. -She's your cousin. | 0:37:44 | 0:37:46 | |
What? | 0:37:48 | 0:37:49 | |
You're related. Too closely related. | 0:37:49 | 0:37:52 | |
You see now? What would people think? | 0:37:52 | 0:37:54 | |
We'd be outcasts. | 0:37:54 | 0:37:55 | |
Come back home. We'll make it right. | 0:37:55 | 0:37:57 | |
Just keep away from her. | 0:37:57 | 0:37:59 | |
Ian will be so pleased to see you. | 0:37:59 | 0:38:01 | |
Alexander? | 0:38:01 | 0:38:02 | |
I'm not coming. I'm meant to be with her. | 0:38:03 | 0:38:06 | |
Don't say that! | 0:38:06 | 0:38:08 | |
It's true. | 0:38:08 | 0:38:09 | |
This can't happen. Not now you know the truth. | 0:38:09 | 0:38:12 | |
Mother, I don't care. | 0:38:12 | 0:38:13 | |
HE SCREAMS | 0:38:13 | 0:38:14 | |
SHE SCREAMS | 0:38:18 | 0:38:20 | |
Why did you take his pocket watch? | 0:38:20 | 0:38:22 | |
It was a present for Alexander's 18th birthday. | 0:38:23 | 0:38:27 | |
He cherished it, he always carried it on him. | 0:38:27 | 0:38:29 | |
What else do I have of him now? | 0:38:29 | 0:38:31 | |
Your memories. | 0:38:31 | 0:38:33 | |
You have to believe me, this whole thing was an accident. | 0:38:33 | 0:38:36 | |
Perhaps his death was, | 0:38:36 | 0:38:39 | |
but then you tried to frame Peter for his murder. | 0:38:39 | 0:38:44 | |
THAT was deliberate. | 0:38:44 | 0:38:46 | |
Do you know what he did, that father of yours? | 0:38:46 | 0:38:48 | |
He hasn't done anything. | 0:38:48 | 0:38:50 | |
He dug up my boy! | 0:38:50 | 0:38:51 | |
This whole feud is Peter's fault. | 0:38:51 | 0:38:53 | |
I just wanted to be accepted by the family. MY family! | 0:38:53 | 0:38:57 | |
Do you know that Ian spent the whole night | 0:38:59 | 0:39:04 | |
digging up his brother's grave | 0:39:04 | 0:39:06 | |
because he couldn't bear to be parted from him? | 0:39:06 | 0:39:09 | |
What? | 0:39:09 | 0:39:10 | |
No! | 0:39:10 | 0:39:11 | |
If you light that match... | 0:39:14 | 0:39:16 | |
..we will die, | 0:39:18 | 0:39:19 | |
and then what will happen to Ian | 0:39:19 | 0:39:21 | |
when he's lost his mother and his brother? | 0:39:21 | 0:39:24 | |
Move away. | 0:39:28 | 0:39:30 | |
If there's anyone in the house, come out. It's not safe. | 0:39:32 | 0:39:39 | |
DOOR OPENS | 0:39:39 | 0:39:40 | |
Ian! | 0:39:42 | 0:39:43 | |
SHE SOBS | 0:39:45 | 0:39:46 | |
I've done a terrible thing. And I blamed you for it. | 0:39:57 | 0:40:01 | |
I'm sorry. | 0:40:04 | 0:40:05 | |
It was me. | 0:40:08 | 0:40:10 | |
-I -left Alexander's body in your workshop. | 0:40:10 | 0:40:13 | |
I wanted to see you blamed for it. | 0:40:16 | 0:40:18 | |
Is this a trick? Some way to get money from me? | 0:40:21 | 0:40:25 | |
I don't care about your damn money! | 0:40:25 | 0:40:28 | |
This whole thing started | 0:40:28 | 0:40:29 | |
because you wanted to try and stake a claim on my inheritance. | 0:40:29 | 0:40:33 | |
No! I only ever wanted a family. | 0:40:33 | 0:40:35 | |
MY family. | 0:40:37 | 0:40:39 | |
You turned me away! | 0:40:43 | 0:40:44 | |
I'm going to tell the police my story, | 0:40:51 | 0:40:53 | |
but I think you should hear it first. | 0:40:53 | 0:40:55 | |
'Did you tell him everything?' | 0:41:09 | 0:41:11 | |
Yes. | 0:41:11 | 0:41:13 | |
And things have changed. | 0:41:13 | 0:41:15 | |
How? | 0:41:15 | 0:41:16 | |
He's... He's going to try and help me keep afloat. | 0:41:18 | 0:41:21 | |
Get my business back to the way it used to be. | 0:41:21 | 0:41:24 | |
I thought you'd have more to talk about than money. | 0:41:25 | 0:41:28 | |
Peter is going to tell the police | 0:41:29 | 0:41:31 | |
that he found Alexander at the bottom of the stairs. | 0:41:31 | 0:41:33 | |
Panicked and tried to hide the body. | 0:41:33 | 0:41:35 | |
So he'll take the blame for you? | 0:41:35 | 0:41:37 | |
The police can't prove anyone else was there when Alexander fell. | 0:41:38 | 0:41:42 | |
He could have just been meddling where he shouldn't have been. | 0:41:42 | 0:41:46 | |
I realise you know the truth. | 0:41:50 | 0:41:52 | |
All I can do is beg you to keep it to yourself. | 0:41:53 | 0:41:59 | |
Peter isn't going to lie for my sake, it's for Ian. | 0:42:01 | 0:42:03 | |
He doesn't want him to grow up without his mother. | 0:42:03 | 0:42:06 | |
Father? | 0:42:10 | 0:42:11 | |
I can only follow my conscience, and I think that someone... | 0:42:13 | 0:42:16 | |
..needs to give your family a chance to heal its wounds. | 0:42:19 | 0:42:22 | |
Thank you. | 0:42:27 | 0:42:29 | |
Thank you. | 0:42:31 | 0:42:32 | |
"The princess knew that love could overcome even death, | 0:42:37 | 0:42:42 | |
"but would the dairy farmer... | 0:42:42 | 0:42:45 | |
"would the dairy farmer ever notice her? | 0:42:45 | 0:42:48 | |
"He was a man of simple tastes, | 0:42:48 | 0:42:51 | |
"more used to the company of cows than royalty." | 0:42:51 | 0:42:55 | |
I envy him. Right, I'll be off. | 0:42:55 | 0:42:58 | |
Sorry? Where are you going? | 0:42:58 | 0:42:59 | |
Home. | 0:42:59 | 0:43:01 | |
I've got this lovely chicken and mushroom pie waiting for me. | 0:43:01 | 0:43:04 | |
-Yum, yum. -Hang about. What about mine? | 0:43:04 | 0:43:06 | |
Doesn't anybody want to know how it ends? | 0:43:06 | 0:43:08 | |
Perhaps it's best listened to in instalments. Like Dickens. | 0:43:08 | 0:43:12 | |
You may be right. It is a very intense tale. | 0:43:12 | 0:43:15 | |
Sorry, where's my supper? | 0:43:15 | 0:43:18 | |
It's nearly ready. | 0:43:18 | 0:43:19 | |
I'm dining Chez Westwoods. | 0:43:19 | 0:43:21 | |
Bon appetit. | 0:43:21 | 0:43:22 | |
Au revoir. | 0:43:22 | 0:43:24 | |
Shall we see how it's going? | 0:43:25 | 0:43:26 | |
This is not what we agreed. | 0:43:26 | 0:43:28 | |
Free meals every day for a week. | 0:43:28 | 0:43:32 | |
FATHER BROWN COUGHS | 0:43:36 | 0:43:37 | |
Is that done? | 0:43:44 | 0:43:46 | |
Only...I don't really know. | 0:43:46 | 0:43:49 | |
Not to worry. | 0:43:52 | 0:43:54 | |
I'll get the hang of it by the end of the week. | 0:43:55 | 0:43:57 |