Browse content similar to The Two Deaths of Hercule Flambeau. Check below for episodes and series from the same categories and more!
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Requiem aeternam dona eis, Domine. | 0:00:03 | 0:00:06 | |
Et in lux perpetua luceat eis. | 0:00:06 | 0:00:08 | |
Requiescat in pace. | 0:00:10 | 0:00:11 | |
-Amen. ALL: -Amen. | 0:00:11 | 0:00:13 | |
Does anyone want to say a few words? | 0:00:15 | 0:00:16 | |
Then I will ask you all to join with me in a moment's silence | 0:00:19 | 0:00:23 | |
to pray for the departed, | 0:00:23 | 0:00:25 | |
that his troubled soul may find peace. | 0:00:25 | 0:00:27 | |
Good riddance, if you ask me. | 0:00:28 | 0:00:30 | |
God be with you all. | 0:00:43 | 0:00:44 | |
Well, I don't see why I can't take it to the woman on Croft Lane. | 0:01:16 | 0:01:19 | |
Because any self-respecting young lady should know | 0:01:19 | 0:01:22 | |
how to fix a ripped seam! | 0:01:22 | 0:01:24 | |
I can fix a broken fan-belt, | 0:01:24 | 0:01:26 | |
and I can fix an excellent martini. | 0:01:26 | 0:01:28 | |
There's nothing wrong with my self-respect. | 0:01:28 | 0:01:30 | |
It's bound to be another of his tricks. | 0:01:34 | 0:01:36 | |
I'm not so sure. | 0:01:36 | 0:01:37 | |
Flambeau was holding some sort of bomb when the police opened fire. | 0:01:37 | 0:01:40 | |
Oh, spare us the gory details! | 0:01:40 | 0:01:43 | |
Not to speak ill of the dead... | 0:01:43 | 0:01:45 | |
..but why spare that wicked man a second thought? | 0:01:46 | 0:01:49 | |
Flambeau and I crossed paths a number of times. | 0:01:49 | 0:01:52 | |
He was a thief and a troublemaker. | 0:01:52 | 0:01:55 | |
Exactly why I fear for his soul. | 0:01:56 | 0:01:58 | |
I had hoped to lead him to redemption. | 0:01:59 | 0:02:01 | |
Now, it is too late. | 0:02:03 | 0:02:05 | |
You did your best. | 0:02:05 | 0:02:07 | |
And now he's got his comeuppance! | 0:02:07 | 0:02:09 | |
Oh, he wasn't that bad. | 0:02:09 | 0:02:11 | |
Oh, yes, his morals left a little to be desired, | 0:02:11 | 0:02:14 | |
but he was terribly charming. | 0:02:14 | 0:02:16 | |
And one could never accuse him of being boring! | 0:02:16 | 0:02:19 | |
Well, much good did it do him! | 0:02:19 | 0:02:21 | |
Enough talk of Flambeau. | 0:02:22 | 0:02:24 | |
When are we going to Gloucester? | 0:02:24 | 0:02:26 | |
Gloucester? | 0:02:26 | 0:02:28 | |
To the Cathedral. | 0:02:28 | 0:02:30 | |
To see the crown everyone's talking about. | 0:02:30 | 0:02:33 | |
Page three. | 0:02:33 | 0:02:34 | |
Ooh! "The Iron Crown is so called | 0:02:37 | 0:02:39 | |
"because of the single band of metal that holds it together, | 0:02:39 | 0:02:43 | |
"supposedly forged from one of the nails | 0:02:43 | 0:02:45 | |
"at the crucifixion of Christ." | 0:02:45 | 0:02:47 | |
Sounds a little bit morbid as far as head-wear goes. | 0:02:48 | 0:02:51 | |
But a day trip would be fun, wouldn't it? | 0:02:51 | 0:02:54 | |
How about it, Father? | 0:02:54 | 0:02:55 | |
Take your mind off Flambeau being flambeed. | 0:02:55 | 0:02:58 | |
It will go on display in the Lady Chapel tomorrow, | 0:03:10 | 0:03:14 | |
before continuing north on its tour next week. | 0:03:14 | 0:03:17 | |
To think that this very piece of metal | 0:03:18 | 0:03:21 | |
pierced the flesh of our Lord and Saviour. | 0:03:21 | 0:03:24 | |
BISHOP GOLDING COUGHS | 0:03:24 | 0:03:25 | |
The crown is ancient and fragile. | 0:03:25 | 0:03:28 | |
We've been asked not to touch it. | 0:03:28 | 0:03:31 | |
Naturally. It must be treated with the utmost care. | 0:03:31 | 0:03:34 | |
Oh, don't worry, they're your lot. | 0:03:44 | 0:03:46 | |
Sovereign Military Order of Malta. | 0:03:46 | 0:03:49 | |
Been guarding it all the way from Italy. | 0:03:49 | 0:03:51 | |
I imagine you must be expecting quite a crowd. | 0:03:51 | 0:03:54 | |
Oh, yes. | 0:03:54 | 0:03:56 | |
The hoteliers of Gloucester are doing a roaring trade. | 0:03:56 | 0:03:59 | |
All the more kind of you to offer me a bed in the Bishop's Palace. | 0:04:00 | 0:04:02 | |
Will you be staying for the duration? | 0:04:04 | 0:04:08 | |
Oh, while the crown resides here... | 0:04:08 | 0:04:10 | |
My Lord. | 0:04:10 | 0:04:11 | |
..so shall I. | 0:04:11 | 0:04:13 | |
As it is only on loan to the Church of England, | 0:04:14 | 0:04:17 | |
Bishop Reynard wishes for the local Catholic diocese | 0:04:17 | 0:04:20 | |
to be represented at all times. | 0:04:20 | 0:04:22 | |
Excellent. | 0:04:24 | 0:04:25 | |
We always welcome guests from across the great divide. | 0:04:25 | 0:04:30 | |
-FLAMBEAU: -"11:25am, 27th December. | 0:04:42 | 0:04:46 | |
"Dear Father, | 0:04:46 | 0:04:47 | |
"I may be known as the king of thieves, | 0:04:47 | 0:04:49 | |
"but uneasy lies the head that wears the crown. | 0:04:49 | 0:04:51 | |
"There is reason to believe I am in mortal danger. | 0:04:51 | 0:04:54 | |
"I send this key, | 0:04:54 | 0:04:55 | |
"in the hope that you will do me the honour of looking after it. | 0:04:55 | 0:04:58 | |
"I pray to God that it, and I, may be safely delivered. | 0:04:58 | 0:05:02 | |
"In haste, F." | 0:05:02 | 0:05:04 | |
BELLS RINGING Goodbye. | 0:05:19 | 0:05:20 | |
Ah! | 0:05:21 | 0:05:23 | |
Delighted to see a new face at Mass. | 0:05:23 | 0:05:25 | |
Have you recently moved to Kembleford? | 0:05:25 | 0:05:27 | |
Actually, I came here looking for you. | 0:05:27 | 0:05:30 | |
You are just as he described. | 0:05:31 | 0:05:33 | |
He? | 0:05:33 | 0:05:35 | |
Oh, sorry, I should introduce myself. | 0:05:35 | 0:05:36 | |
I am Lisandra Flambeau. | 0:05:36 | 0:05:39 | |
Hercule was my husband. | 0:05:39 | 0:05:40 | |
Hercule said he entrusted the key to a friend. | 0:05:43 | 0:05:46 | |
Only he didn't have any friends. | 0:05:46 | 0:05:49 | |
Except, perhaps, you. | 0:05:49 | 0:05:50 | |
What is the key for? | 0:05:52 | 0:05:53 | |
A safe in Hercule's study, containing his most recent will. | 0:05:53 | 0:05:57 | |
It should secure my inheritance against any counter-claims. | 0:05:58 | 0:06:02 | |
I believe there is a daughter... | 0:06:02 | 0:06:03 | |
Ah, yes. Marianne. | 0:06:03 | 0:06:05 | |
Forgive me for asking... | 0:06:06 | 0:06:07 | |
..but Hercule didn't seem the marrying type. | 0:06:08 | 0:06:11 | |
SHE CHUCKLES | 0:06:11 | 0:06:12 | |
Our love took us both by surprise. | 0:06:12 | 0:06:14 | |
We met at a party, and three weeks later we were married. | 0:06:15 | 0:06:20 | |
Hercule wished to put his criminal past behind him... | 0:06:21 | 0:06:24 | |
..but the authorities had other ideas. | 0:06:25 | 0:06:28 | |
Let's explore! | 0:06:35 | 0:06:36 | |
Explore where? | 0:06:38 | 0:06:39 | |
The city. | 0:06:39 | 0:06:40 | |
You've lived here for years. | 0:06:40 | 0:06:42 | |
But I am no longer Lisandra Perenze. | 0:06:42 | 0:06:44 | |
I am now Lisandra Flambeau. | 0:06:44 | 0:06:46 | |
So I'll be seeing everything for the first time. | 0:06:46 | 0:06:49 | |
Why...would I go sightseeing... | 0:06:50 | 0:06:54 | |
..when I already have the perfect view? | 0:06:55 | 0:06:57 | |
SIREN | 0:07:02 | 0:07:04 | |
What? | 0:07:04 | 0:07:06 | |
Get dressed. | 0:07:06 | 0:07:07 | |
Meet me at the statue in the harbour in one hour. | 0:07:09 | 0:07:11 | |
-Where will you go? -I'll give them the slip. | 0:07:11 | 0:07:13 | |
I've a couple of tricks up my sleeve. | 0:07:13 | 0:07:15 | |
I want to stay with you. | 0:07:15 | 0:07:16 | |
Do as I say. | 0:07:18 | 0:07:20 | |
It's me they're after. | 0:07:20 | 0:07:21 | |
One hour. | 0:07:22 | 0:07:23 | |
I promise. | 0:07:23 | 0:07:25 | |
-MAN: -Gelato! Gelato! | 0:07:40 | 0:07:42 | |
Hey, stop! | 0:07:47 | 0:07:48 | |
Hold your fire, | 0:07:50 | 0:07:52 | |
or we'll all be blown to kingdom come! | 0:07:52 | 0:07:54 | |
EXPLOSION PEOPLE SCREAMING | 0:07:58 | 0:07:59 | |
Hercule! | 0:08:00 | 0:08:02 | |
SHE GASPS | 0:08:02 | 0:08:03 | |
-Mrs Flambeau... -Oh, Lisandra, please. | 0:08:06 | 0:08:08 | |
I don't wish to upset you any further, | 0:08:09 | 0:08:11 | |
but your husband made no mention of you in his letter. | 0:08:11 | 0:08:14 | |
So he did send you the key. | 0:08:15 | 0:08:17 | |
Yes, but... | 0:08:19 | 0:08:22 | |
Forgive me again. | 0:08:22 | 0:08:23 | |
How do I know that you are really his widow? | 0:08:24 | 0:08:26 | |
I... | 0:08:26 | 0:08:27 | |
I don't know. | 0:08:28 | 0:08:29 | |
I should have brought our marriage certificate! | 0:08:31 | 0:08:34 | |
I've come all this way, and... | 0:08:35 | 0:08:36 | |
SHE SIGHS | 0:08:36 | 0:08:38 | |
Sorry. | 0:08:38 | 0:08:39 | |
SNIFFING | 0:08:39 | 0:08:41 | |
Come with me. | 0:08:41 | 0:08:43 | |
BUNTY SIGHS, EXASPERATED | 0:08:46 | 0:08:48 | |
I will find whoever did this, and... | 0:08:48 | 0:08:51 | |
DOOR OPENS | 0:08:51 | 0:08:52 | |
In here! | 0:08:52 | 0:08:54 | |
They must have broken in while we were at Mass. | 0:08:55 | 0:08:58 | |
The police are on their way. | 0:08:58 | 0:08:59 | |
The key has gone. | 0:09:02 | 0:09:03 | |
What key? | 0:09:03 | 0:09:04 | |
It belonged to Flambeau. | 0:09:04 | 0:09:06 | |
Ladies, this is Lisandra Flambeau. Hercule's widow. | 0:09:06 | 0:09:10 | |
Flambeau was married?! | 0:09:10 | 0:09:11 | |
Did you tell anyone about the key? | 0:09:12 | 0:09:14 | |
Not a living soul. | 0:09:15 | 0:09:16 | |
Seen anyone loitering in the area? | 0:09:20 | 0:09:22 | |
Now that you mention it... | 0:09:23 | 0:09:24 | |
..Harold Slow was seen peeking through the window yesterday. | 0:09:25 | 0:09:28 | |
Blind Harry? | 0:09:28 | 0:09:30 | |
He was waving at you! | 0:09:30 | 0:09:32 | |
The poor man's smitten! | 0:09:32 | 0:09:34 | |
Yes, well, even so... | 0:09:34 | 0:09:36 | |
The culprit is not from Kembleford. | 0:09:36 | 0:09:37 | |
How would you know that? | 0:09:38 | 0:09:40 | |
A hunch. | 0:09:40 | 0:09:41 | |
Er, no sign of forced entry, no footprints outside, no witnesses. | 0:09:41 | 0:09:46 | |
Thank you, Sergeant! Opportunists, no doubt. | 0:09:46 | 0:09:49 | |
Realising the place was empty during Mass, | 0:09:49 | 0:09:52 | |
they were looking for any valuables they could pilfer. | 0:09:52 | 0:09:55 | |
No valuables were taken, only the key. | 0:09:55 | 0:09:58 | |
Maybe they were disturbed in the act and snuck out the back. | 0:09:58 | 0:10:01 | |
And naturally you'll be using all resources at your disposal | 0:10:01 | 0:10:05 | |
to apprehend them? | 0:10:05 | 0:10:06 | |
I'm sure the Inspector will do his job. | 0:10:09 | 0:10:11 | |
Now, I must do mine. | 0:10:11 | 0:10:13 | |
Come on, Sergeant. | 0:10:13 | 0:10:14 | |
Let's decide which of our resources to deploy first. | 0:10:14 | 0:10:18 | |
Yes, sir. | 0:10:18 | 0:10:19 | |
I fear that it is no coincidence that the key went missing | 0:10:25 | 0:10:28 | |
when the Crown appears nearby. | 0:10:28 | 0:10:30 | |
But how are they connected? | 0:10:30 | 0:10:31 | |
Flambeau was killed near Monza Cathedral, | 0:10:31 | 0:10:33 | |
the home of the crown for centuries. | 0:10:33 | 0:10:35 | |
And, a few days ago, | 0:10:35 | 0:10:36 | |
I received this. | 0:10:36 | 0:10:38 | |
"Uneasy lies the head that wears the crown." | 0:10:40 | 0:10:43 | |
You think Flambeau was planning to steal the Iron Crown? | 0:10:44 | 0:10:48 | |
And now that he's dead, | 0:10:48 | 0:10:50 | |
someone else is picking up the pieces | 0:10:50 | 0:10:52 | |
-where he left off! -No! | 0:10:52 | 0:10:54 | |
My husband did many bad things, | 0:10:56 | 0:10:58 | |
but he had changed. | 0:10:58 | 0:10:59 | |
Our marriage was a new start. | 0:10:59 | 0:11:01 | |
Nonetheless, I feel it is my duty to go to Gloucester | 0:11:02 | 0:11:05 | |
and warn the Bishop. | 0:11:05 | 0:11:06 | |
What about the key? | 0:11:06 | 0:11:08 | |
My future depends on it! | 0:11:08 | 0:11:10 | |
If my suspicions are correct, | 0:11:10 | 0:11:11 | |
the key is already on its way to Gloucester. | 0:11:11 | 0:11:13 | |
For your journey. | 0:11:17 | 0:11:19 | |
He's only going to Gloucester. They do have food there you know! | 0:11:20 | 0:11:23 | |
You are generous to a fault, Mrs McCarthy. | 0:11:23 | 0:11:25 | |
I made you some tea. | 0:11:26 | 0:11:27 | |
You know, Hercule thought very highly of you. | 0:11:27 | 0:11:30 | |
I shall see you at the Red Lion as soon as I get back. | 0:11:31 | 0:11:33 | |
Good luck. | 0:11:33 | 0:11:35 | |
You're going to miss your train! | 0:11:36 | 0:11:37 | |
Now, you be careful. | 0:11:41 | 0:11:43 | |
If one of Flambeau's associates is behind this... | 0:11:43 | 0:11:45 | |
You know me, Mrs McCarthy. | 0:11:45 | 0:11:47 | |
Always careful. | 0:11:47 | 0:11:48 | |
If only that were true! | 0:11:49 | 0:11:50 | |
Good afternoon. | 0:12:05 | 0:12:06 | |
May I have the cassock back after you've finished with it? | 0:12:07 | 0:12:10 | |
Pity. | 0:12:12 | 0:12:13 | |
I think it rather suits me. | 0:12:13 | 0:12:15 | |
You've hurt my feelings, Father. | 0:12:22 | 0:12:24 | |
How so? | 0:12:24 | 0:12:26 | |
Your occupation involves going to baffling lengths | 0:12:26 | 0:12:28 | |
to celebrate a miraculous resurrection, | 0:12:28 | 0:12:30 | |
yet you don't seem at all impressed by mine. | 0:12:30 | 0:12:32 | |
I deem that rather unfair. | 0:12:32 | 0:12:33 | |
In my defence, I had a clue. | 0:12:35 | 0:12:37 | |
-Clue? -Your letter. | 0:12:37 | 0:12:39 | |
Dated December the 27th, yet it only arrived a few days ago. | 0:12:39 | 0:12:43 | |
International postal services - | 0:12:43 | 0:12:45 | |
so infuriatingly unreliable, don't you find? | 0:12:45 | 0:12:47 | |
And why be so specific as to the time, 11:25, | 0:12:47 | 0:12:51 | |
when you were supposedly writing "in haste"? | 0:12:51 | 0:12:53 | |
One must always make time for correspondence with old friends. | 0:12:53 | 0:12:56 | |
After the key was stolen, I realised... | 0:12:56 | 0:12:58 | |
December the 27th is the feast day of St John The Apostle. | 0:12:58 | 0:13:03 | |
And 11:25 refers to Chapter 11, verse 25. | 0:13:03 | 0:13:06 | |
John 11:25. | 0:13:07 | 0:13:09 | |
"I am the resurrection and the life." | 0:13:10 | 0:13:12 | |
"He that believeth in me, although he be dead, shall live." | 0:13:12 | 0:13:15 | |
Bravo, Father. | 0:13:15 | 0:13:16 | |
So... | 0:13:18 | 0:13:19 | |
..did you miss me? | 0:13:19 | 0:13:21 | |
TRAIN WHISTLES | 0:13:21 | 0:13:22 | |
Ah. | 0:13:22 | 0:13:23 | |
I'm surprised we Anglicans have been entrusted with the Iron Crown, | 0:13:26 | 0:13:30 | |
even temporarily. | 0:13:30 | 0:13:32 | |
You should thank the Archbishop of Milan. | 0:13:32 | 0:13:34 | |
He used his influence on the Holy See to arrange the tour. | 0:13:35 | 0:13:38 | |
To what end? | 0:13:38 | 0:13:39 | |
Ever since the days of the Holy Roman Empire, | 0:13:40 | 0:13:42 | |
the crown has been a symbol of unification. | 0:13:42 | 0:13:45 | |
The Archbishop is keen for our two churches | 0:13:46 | 0:13:48 | |
to put historical conflicts behind us, and work towards... | 0:13:48 | 0:13:52 | |
..common goals. | 0:13:53 | 0:13:54 | |
You don't share this ambition? | 0:13:54 | 0:13:57 | |
Of course I do. | 0:13:57 | 0:13:58 | |
I'm merely concerned about the repercussions... | 0:13:58 | 0:14:01 | |
..should anything go wrong. | 0:14:02 | 0:14:03 | |
Fear not. | 0:14:03 | 0:14:05 | |
The safe was commissioned specially. | 0:14:05 | 0:14:07 | |
Impregnable, apparently. | 0:14:07 | 0:14:09 | |
And the Maltese guards will be watching the crown day and night. | 0:14:09 | 0:14:12 | |
I pray that you're right, Bishop Golding, | 0:14:12 | 0:14:15 | |
else relations between the Church of England and the Vatican | 0:14:15 | 0:14:18 | |
may be set back... | 0:14:18 | 0:14:20 | |
..hundreds of years. | 0:14:21 | 0:14:22 | |
Why fake your own death? | 0:14:27 | 0:14:29 | |
It became requisite to rid myself of some unwanted attention. | 0:14:31 | 0:14:34 | |
So I tipped off the police as to my whereabouts. | 0:14:34 | 0:14:36 | |
All that remained was to rig the alleyway with explosives, | 0:14:36 | 0:14:38 | |
along with enough pig's offal to make them think | 0:14:38 | 0:14:40 | |
I'd been sent to face my eternal damnation. | 0:14:40 | 0:14:43 | |
I hopped down a manhole before the smoke cleared, and voila! | 0:14:43 | 0:14:47 | |
Did it not trouble you to leave a grieving widow? | 0:14:48 | 0:14:51 | |
Double-widow, actually. | 0:14:51 | 0:14:53 | |
Poor Lisandra's first husband joined the choir invisible | 0:14:53 | 0:14:55 | |
when she was 19. | 0:14:55 | 0:14:56 | |
So why marry her if that was your plan? | 0:14:56 | 0:14:59 | |
I can think of a couple of reasons. | 0:14:59 | 0:15:01 | |
Very well! | 0:15:03 | 0:15:04 | |
Shortly after we met, | 0:15:04 | 0:15:05 | |
I had an unfortunate encounter with Lisandra's father. | 0:15:05 | 0:15:08 | |
DOOR CRASHES OPEN | 0:15:08 | 0:15:09 | |
Que? Que? | 0:15:09 | 0:15:11 | |
Sta qui? | 0:15:11 | 0:15:12 | |
Would you believe I'm looking for moths? | 0:15:14 | 0:15:17 | |
Roccu Perenze, current head of the Corsican mafia. | 0:15:17 | 0:15:20 | |
To call it a shotgun wedding would be the grandest of understatements, | 0:15:20 | 0:15:23 | |
yet the debacle proved advantageous. | 0:15:23 | 0:15:26 | |
I persuaded Roccu to apply a little pressure, | 0:15:27 | 0:15:29 | |
in the way that only a notorious sadist can, | 0:15:29 | 0:15:31 | |
and we were awarded special dispensation | 0:15:31 | 0:15:34 | |
to get married in Monza Cathedral. | 0:15:34 | 0:15:36 | |
-The home of the Iron Crown. -Exactly! | 0:15:36 | 0:15:39 | |
A delicious opportunity to acquire the blueprints | 0:15:39 | 0:15:41 | |
for the safe designed to house the crown during its tour. | 0:15:41 | 0:15:44 | |
I was able to recreate the key. | 0:15:46 | 0:15:47 | |
I even had a replica safe built to ensure it worked. | 0:15:48 | 0:15:51 | |
It's surprisingly useful. I keep my paperwork in it. | 0:15:52 | 0:15:55 | |
So, in order to steal the crown, | 0:15:55 | 0:15:58 | |
you married a woman you hardly knew? | 0:15:58 | 0:16:00 | |
I know a great deal about Lisandra. | 0:16:01 | 0:16:03 | |
Such as? | 0:16:03 | 0:16:04 | |
Well... | 0:16:05 | 0:16:06 | |
How did her first husband die? | 0:16:08 | 0:16:10 | |
What's her favourite music? | 0:16:10 | 0:16:12 | |
Such disapproval! | 0:16:12 | 0:16:14 | |
Although our marriage was brief, I'm sure she'll have some fond memories. | 0:16:14 | 0:16:17 | |
I know I certainly will. | 0:16:17 | 0:16:19 | |
Poor woman is heart-broken. | 0:16:19 | 0:16:21 | |
She'll get over me. | 0:16:21 | 0:16:22 | |
Eventually. | 0:16:22 | 0:16:24 | |
Do you really have the audacity to steal | 0:16:25 | 0:16:27 | |
the most famous crown in Europe from the Pope, | 0:16:27 | 0:16:30 | |
while it's under the protection of the Church of England? | 0:16:30 | 0:16:33 | |
Every single Catholic and Anglican in Europe would come after you! | 0:16:34 | 0:16:37 | |
Would I have the audacity?! | 0:16:38 | 0:16:40 | |
Sometimes, Father, I think you barely know me at all. | 0:16:40 | 0:16:43 | |
Of course I'm going to steal it. | 0:16:43 | 0:16:44 | |
That crown has decorated kings and emperors | 0:16:44 | 0:16:46 | |
from Charlemagne to Napoleon! | 0:16:46 | 0:16:48 | |
It will be the piece de resistance of my private collection! | 0:16:48 | 0:16:50 | |
So... | 0:16:51 | 0:16:53 | |
what's to stop me warning the Bishop of your arrival? | 0:16:53 | 0:16:56 | |
Nothing. | 0:16:57 | 0:16:58 | |
I rather hope you will. | 0:16:58 | 0:17:00 | |
That's why I left a clue. | 0:17:00 | 0:17:02 | |
You know I enjoy a challenge. | 0:17:02 | 0:17:03 | |
Anyway, now I have the key, there's no way they can... | 0:17:04 | 0:17:08 | |
HE TRAILS OFF | 0:17:08 | 0:17:09 | |
Forgive me. | 0:17:11 | 0:17:12 | |
I suddenly feel some... | 0:17:14 | 0:17:16 | |
Flambeau? | 0:17:16 | 0:17:17 | |
Are you unwell? | 0:17:17 | 0:17:19 | |
Sorry, Father. | 0:17:30 | 0:17:31 | |
But needs must. | 0:17:31 | 0:17:33 | |
Father? Father? | 0:17:42 | 0:17:43 | |
End of the line. | 0:17:43 | 0:17:45 | |
Thank you, Captain. | 0:17:45 | 0:17:46 | |
HE GROANS | 0:17:48 | 0:17:50 | |
HE SIGHS | 0:17:59 | 0:18:00 | |
Father Brown. To what do we owe this dubious pleasure? | 0:18:14 | 0:18:18 | |
Canon Fox, forgive me. The Iron Crown... | 0:18:18 | 0:18:20 | |
..will be on display to the public tomorrow. Return then. | 0:18:20 | 0:18:23 | |
..is in danger. I must warn Bishop Golding. | 0:18:23 | 0:18:26 | |
Danger? | 0:18:26 | 0:18:28 | |
Someone wants to steal it. | 0:18:28 | 0:18:30 | |
All right, I'm listening. Who's the thief? | 0:18:30 | 0:18:32 | |
Hercule Flambeau. | 0:18:32 | 0:18:33 | |
Flambeau is dead. I read his obituary in The Times. | 0:18:34 | 0:18:37 | |
It's my fear that may have been published somewhat prematurely. | 0:18:37 | 0:18:40 | |
Flambeau has a copy of the key. | 0:18:45 | 0:18:48 | |
Impossible. I have the only copy. | 0:18:48 | 0:18:50 | |
Please, Your Grace. | 0:18:50 | 0:18:52 | |
For my peace of mind. | 0:18:52 | 0:18:53 | |
If you insist. Follow me. | 0:18:56 | 0:18:59 | |
How do you know Flambeau has a key? | 0:19:04 | 0:19:07 | |
He sent it to me, to keep safe. | 0:19:07 | 0:19:09 | |
Only... | 0:19:10 | 0:19:11 | |
..he's stolen it back again. | 0:19:12 | 0:19:14 | |
If the crown isn't still there, | 0:19:16 | 0:19:18 | |
I'm holding you personally responsible! | 0:19:18 | 0:19:22 | |
Even if this Flambeau did have a key, | 0:19:27 | 0:19:31 | |
he'd need the combination. | 0:19:31 | 0:19:32 | |
I hope that puts your mind at rest. | 0:19:38 | 0:19:41 | |
-Please accept my sincerest apologies... -Oh, no need. | 0:19:41 | 0:19:44 | |
I'll warn the guards to be vigilant... | 0:19:46 | 0:19:49 | |
..just in case. | 0:19:50 | 0:19:51 | |
Now, you'd be very welcome to stay for the night. | 0:19:54 | 0:19:58 | |
We have lodgings available in the Bishop's Palace. | 0:19:58 | 0:20:01 | |
-Thank you, that is very kind. -Come. | 0:20:01 | 0:20:03 | |
Ever considered becoming a hermit? | 0:20:06 | 0:20:08 | |
"He would need the combination." | 0:20:24 | 0:20:26 | |
Ever considered becoming a hermit? | 0:20:26 | 0:20:28 | |
MUFFLED SPEECH | 0:20:49 | 0:20:51 | |
Who the blazes is she?! | 0:20:53 | 0:20:54 | |
She is Mrs Flambeau. | 0:20:56 | 0:20:58 | |
The crown! You and Father Brown take that woman to Bishop Golding. | 0:20:59 | 0:21:05 | |
You, come with me! Move, move! | 0:21:05 | 0:21:07 | |
I'm sorry, Father, I tried to stop him. | 0:21:07 | 0:21:09 | |
Where is he? | 0:21:09 | 0:21:11 | |
Gone. He took the crown. | 0:21:11 | 0:21:13 | |
If you hurry, you might still catch him. | 0:21:13 | 0:21:14 | |
Father, could you...? | 0:21:14 | 0:21:17 | |
Admit it, you were only trying to stop him | 0:21:18 | 0:21:21 | |
because you wanted the crown for yourself. | 0:21:21 | 0:21:23 | |
-Er... -This is a crime against God! | 0:21:25 | 0:21:29 | |
I had my reasons. | 0:21:30 | 0:21:32 | |
Avarice! | 0:21:32 | 0:21:34 | |
My husband's motivation, not mine. My cause is nobler. | 0:21:34 | 0:21:38 | |
Cause?! | 0:21:38 | 0:21:39 | |
My father wishes to use the crown to inspire a revolution | 0:21:41 | 0:21:45 | |
that will reunite Corsica and Italy. | 0:21:45 | 0:21:47 | |
I planned to wait until Flambeau had taken the crown, | 0:21:48 | 0:21:51 | |
and then steal it from him. | 0:21:51 | 0:21:53 | |
But he died. Or I thought he died. | 0:21:53 | 0:21:55 | |
So I decided to carry out the heist myself. | 0:21:56 | 0:21:59 | |
Oh, no! | 0:22:06 | 0:22:07 | |
-FLAMBEAU: -The key alone is not enough. | 0:22:07 | 0:22:09 | |
Oh, I should have killed you on the train. | 0:22:12 | 0:22:14 | |
I take it our honeymoon is over? | 0:22:14 | 0:22:16 | |
My father will tear you limb from limb. | 0:22:16 | 0:22:19 | |
Perhaps, but until then you promised to love, honour and obey. | 0:22:19 | 0:22:22 | |
So give me the key. | 0:22:24 | 0:22:25 | |
-CANON FOX: -Where will your husband go? | 0:22:31 | 0:22:33 | |
He'll vanish. I doubt I'll ever see him again. | 0:22:33 | 0:22:36 | |
Pity. | 0:22:36 | 0:22:37 | |
The authorities may have been more lenient | 0:22:37 | 0:22:40 | |
if you'd assisted in his capture. | 0:22:40 | 0:22:42 | |
Please! | 0:22:45 | 0:22:46 | |
Oh, get up. | 0:22:46 | 0:22:48 | |
Forgive me! | 0:22:48 | 0:22:49 | |
Look, this won't help. The police are already on their way. | 0:22:49 | 0:22:53 | |
Oh, but I deserve to face earthly justice. | 0:22:53 | 0:22:56 | |
But it is God's rage I fear. | 0:22:56 | 0:22:58 | |
Be truly repentant, child, and God will forgive you. | 0:22:58 | 0:23:04 | |
-Thank you. -Oh, no, there now, there. | 0:23:04 | 0:23:08 | |
Hmm. If it's absolution you're after, | 0:23:09 | 0:23:12 | |
you're better off speaking to my Catholic guests. | 0:23:12 | 0:23:15 | |
Er, take her to a cell and keep a close eye on her. | 0:23:15 | 0:23:20 | |
Oh, forgive me. I didn't take your warning seriously enough. | 0:23:25 | 0:23:30 | |
Now it will take a miracle to avoid a major diplomatic incident | 0:23:30 | 0:23:35 | |
between the Church of England and the Vatican. | 0:23:35 | 0:23:38 | |
With your permission, I'll attempt to retrieve the crown. | 0:23:38 | 0:23:42 | |
You? Haven't you done enough already? | 0:23:42 | 0:23:45 | |
Flambeau only got hold of the combination | 0:23:45 | 0:23:48 | |
because of your interference, | 0:23:48 | 0:23:50 | |
and you heard the woman, he'll be long gone by now. | 0:23:50 | 0:23:52 | |
I fear Canon Fox is right. | 0:23:52 | 0:23:56 | |
All we can do is work out how to break the news | 0:23:56 | 0:23:59 | |
to the Archbishop of Canterbury. | 0:23:59 | 0:24:01 | |
Return to Kembleford and wait to hear from me. | 0:24:02 | 0:24:06 | |
You might wish to start packing. | 0:24:06 | 0:24:08 | |
KEYS JANGLE | 0:24:13 | 0:24:14 | |
The guards tell me you want me to hear confession? | 0:24:14 | 0:24:17 | |
No time. You need to break me out. | 0:24:17 | 0:24:20 | |
And why would I do that? | 0:24:20 | 0:24:22 | |
Without me, you'll never find him. | 0:24:22 | 0:24:24 | |
And the crown? | 0:24:25 | 0:24:26 | |
Right now, I only want revenge. | 0:24:28 | 0:24:30 | |
Not something I could condone. | 0:24:30 | 0:24:32 | |
Not even if it meant getting your precious crown back? | 0:24:33 | 0:24:37 | |
I'd trade it to see Flambeau in chains. | 0:24:37 | 0:24:39 | |
You know the police will never catch him. | 0:24:39 | 0:24:41 | |
I thought you didn't know where he was. | 0:24:41 | 0:24:44 | |
I lied. He has a safe house in London. | 0:24:44 | 0:24:47 | |
He'll lie low there | 0:24:47 | 0:24:49 | |
while the authorities search the major ports and harbours. | 0:24:49 | 0:24:52 | |
But we have to be quick. | 0:24:52 | 0:24:53 | |
Hercule will make a dash for the continent as soon as possible. | 0:24:55 | 0:24:58 | |
What if you're lying now? | 0:24:58 | 0:24:59 | |
Then you can leave me here to await my judgment. | 0:25:00 | 0:25:03 | |
It's up to you. | 0:25:03 | 0:25:05 | |
I'm doing this only to retrieve the crown. | 0:25:06 | 0:25:10 | |
And as for judgment, God will take care of that. | 0:25:11 | 0:25:15 | |
Help! Help! | 0:25:16 | 0:25:19 | |
Medico! Medico! | 0:25:20 | 0:25:21 | |
Hands up! | 0:25:25 | 0:25:26 | |
I am most terribly sorry about this. | 0:25:28 | 0:25:30 | |
For a man of the cloth, Father, you're an excellent liar. | 0:25:36 | 0:25:40 | |
This is the quickest way out. | 0:25:40 | 0:25:42 | |
I left something in the vault. | 0:25:42 | 0:25:43 | |
What are you still doing here? | 0:25:50 | 0:25:52 | |
Other than admiring the architecture? | 0:25:52 | 0:25:54 | |
-I'm stealing the crown. -I thought you had. | 0:25:54 | 0:25:57 | |
No, it's still in the safe. | 0:25:57 | 0:25:58 | |
We acquired the combination, thanks to you. | 0:25:58 | 0:26:01 | |
And now we've got the real key... thanks to you. | 0:26:01 | 0:26:04 | |
-We? -Yes. -So you were working together after all? | 0:26:04 | 0:26:08 | |
I needed to get in front of the Bishop... | 0:26:08 | 0:26:10 | |
-Oh, thank you. -Oh, now... -Thank you. | 0:26:10 | 0:26:13 | |
..so I allowed myself to get caught. | 0:26:13 | 0:26:15 | |
So the key you sent me was a decoy. | 0:26:17 | 0:26:20 | |
More like bait. | 0:26:20 | 0:26:23 | |
So you didn't come to Kembleford to get the key, you came for me. | 0:26:23 | 0:26:27 | |
Without me, the plan wouldn't have worked. | 0:26:29 | 0:26:31 | |
Exquisite, isn't it? My father will be delighted. | 0:26:31 | 0:26:35 | |
You're giving it to him? | 0:26:35 | 0:26:37 | |
Selling it, to be precise. | 0:26:37 | 0:26:39 | |
At a discounted rate for family, of course. | 0:26:39 | 0:26:42 | |
I'll call the guards. | 0:26:43 | 0:26:45 | |
I wouldn't. | 0:26:47 | 0:26:48 | |
Actually, go ahead. | 0:26:50 | 0:26:52 | |
I doubt they'll hear you anyway. | 0:26:53 | 0:26:55 | |
Don't worry, Father. | 0:26:59 | 0:27:00 | |
It's almost dawn, I'm sure you won't be here long. | 0:27:00 | 0:27:03 | |
DOOR SHUTS | 0:27:05 | 0:27:07 | |
KEY TURNS IN LOCK | 0:27:07 | 0:27:08 | |
HE SIGHS | 0:27:10 | 0:27:11 | |
You were magnificent! | 0:27:15 | 0:27:17 | |
I could just say the same about you. | 0:27:17 | 0:27:18 | |
THEY CHUCKLE | 0:27:18 | 0:27:20 | |
Hold this. | 0:27:27 | 0:27:28 | |
Throw me the crown and I'll pull you up. | 0:27:40 | 0:27:42 | |
What are you doing? | 0:27:52 | 0:27:54 | |
I don't think I'm ready to settle down. | 0:27:54 | 0:27:56 | |
Stop fooling around. | 0:27:56 | 0:27:58 | |
Perhaps we should just be friends? Or pen-pals? | 0:27:58 | 0:28:00 | |
-I'm warning you... -Anyway, an ignoramus like your father | 0:28:00 | 0:28:04 | |
would never fully appreciate the crown. | 0:28:04 | 0:28:06 | |
Pearls before swine. But thank you for a wonderful honeymoon... | 0:28:06 | 0:28:09 | |
This is your last chance. | 0:28:09 | 0:28:11 | |
..and I swear, whenever I gaze upon the crown, I shall think of you. | 0:28:11 | 0:28:15 | |
GUN CLICKS | 0:28:15 | 0:28:16 | |
Hercule? | 0:28:20 | 0:28:21 | |
Hercule! Hercule! | 0:28:21 | 0:28:24 | |
HERCULE! HERCULE! | 0:28:24 | 0:28:27 | |
Gloucestershire Constabulary has decided that no further action | 0:28:29 | 0:28:33 | |
will be taken against you. | 0:28:33 | 0:28:35 | |
Thank you. | 0:28:35 | 0:28:36 | |
Don't thank me. Bishop Golding persuaded them | 0:28:36 | 0:28:39 | |
that you were acting under duress when you let the woman escape. | 0:28:39 | 0:28:43 | |
I did my best to convince them that you're an inveterate troublemaker. | 0:28:43 | 0:28:48 | |
-Any sign of Flambeau? -Not yet. But apparently they've circulated | 0:28:48 | 0:28:51 | |
descriptions of Mr and Mrs Flambeau throughout the country but... | 0:28:51 | 0:28:54 | |
Oh, fat lot of good that will do! | 0:28:54 | 0:28:56 | |
Flambeau could pass himself off as the Duke of Edinburgh | 0:28:56 | 0:28:58 | |
and Scotland Yard would be none the wiser! | 0:28:58 | 0:29:00 | |
Perhaps the Force would have better luck catching criminals | 0:29:00 | 0:29:03 | |
if they weren't aided and abetted by members of the public. | 0:29:03 | 0:29:06 | |
Good day! | 0:29:06 | 0:29:07 | |
I played right into Flambeau's hands. | 0:29:10 | 0:29:13 | |
Well, you weren't to know. | 0:29:13 | 0:29:15 | |
And at least you're back with us safe and sound. | 0:29:15 | 0:29:18 | |
Not for long. | 0:29:18 | 0:29:19 | |
If Canon Fox has his way, Bishop Reynard will transfer me | 0:29:20 | 0:29:23 | |
out of his diocese. | 0:29:23 | 0:29:24 | |
Excuse me. | 0:29:27 | 0:29:28 | |
I thought you would be halfway to Corsica. | 0:29:47 | 0:29:50 | |
I was betrayed. | 0:29:50 | 0:29:52 | |
Life imitating artifice. | 0:29:53 | 0:29:55 | |
I was fortunate to escape the police. | 0:29:55 | 0:29:58 | |
So why are you back here? | 0:29:58 | 0:29:59 | |
To ask you to help me retrieve the crown. | 0:29:59 | 0:30:02 | |
If you have any sense, | 0:30:02 | 0:30:03 | |
you will leave the country before the authorities catch up with you. | 0:30:03 | 0:30:07 | |
Together we can find him. | 0:30:07 | 0:30:08 | |
Very well. | 0:30:14 | 0:30:16 | |
If that's your decision, I'll leave you in peace. | 0:30:16 | 0:30:19 | |
Poison? | 0:30:23 | 0:30:24 | |
If Flambeau brings the crown here by eight o'clock tomorrow night... | 0:30:25 | 0:30:29 | |
..I'll give you the antidote. | 0:30:30 | 0:30:32 | |
I have no way of contacting him. | 0:30:32 | 0:30:34 | |
You're a resourceful man. You have 32 hours. | 0:30:35 | 0:30:38 | |
One hour for each day we were married. | 0:30:40 | 0:30:42 | |
You really loved him. | 0:30:44 | 0:30:45 | |
More fool I! Yes, I loved him. | 0:30:45 | 0:30:47 | |
And I believed that he cared about me... | 0:30:47 | 0:30:50 | |
..but I was wrong. | 0:30:51 | 0:30:52 | |
Now let's see if he cares about you. | 0:30:54 | 0:30:56 | |
DOOR SHUTS | 0:31:01 | 0:31:02 | |
Canon Fox? I wasn't expecting... | 0:31:09 | 0:31:11 | |
Congratulations on your new position, Father. | 0:31:11 | 0:31:14 | |
My new...? | 0:31:16 | 0:31:17 | |
Ever heard of Witherly Island? | 0:31:17 | 0:31:19 | |
Off the north-west coast, somewhere. | 0:31:19 | 0:31:22 | |
A few fisherman's cottages, not much else. | 0:31:22 | 0:31:25 | |
The previous incumbent, Father Protheroe, has passed away | 0:31:26 | 0:31:30 | |
-so his flock are in need of a new protector. -Ah. | 0:31:30 | 0:31:34 | |
You have one week to put your affairs in order. | 0:31:34 | 0:31:37 | |
You can't do this! | 0:31:37 | 0:31:38 | |
Father Brown is needed here! | 0:31:38 | 0:31:40 | |
I must go where the Church feels I am most useful. | 0:31:40 | 0:31:44 | |
Good man. And don't worry, Mrs McCarthy. | 0:31:44 | 0:31:47 | |
We'll find you a replacement in no time. | 0:31:47 | 0:31:50 | |
I'll get straight on the telephone with my uncle. | 0:31:51 | 0:31:53 | |
He can pull some strings. | 0:31:53 | 0:31:55 | |
I have more pressing matters. | 0:31:55 | 0:31:57 | |
What can be more pressing? | 0:31:57 | 0:31:59 | |
I'm dying. | 0:31:59 | 0:32:01 | |
Mrs McCarthy, I wonder if you'd do me a kindness? | 0:32:04 | 0:32:08 | |
Anything. | 0:32:08 | 0:32:10 | |
I need something typing. | 0:32:10 | 0:32:11 | |
Any luck? | 0:32:15 | 0:32:17 | |
Not yet. The symptoms are so vague it could be anything. | 0:32:17 | 0:32:21 | |
You need to keep your strength up! | 0:32:22 | 0:32:24 | |
I can't face it. | 0:32:24 | 0:32:25 | |
Has the newspaper arrived yet? | 0:32:27 | 0:32:29 | |
It's rather hidden away, I'm afraid. Due to short notice. | 0:32:33 | 0:32:36 | |
Um, read it, please. | 0:32:39 | 0:32:41 | |
"Urgent - collector of religious artefacts needed. | 0:32:46 | 0:32:51 | |
"Much beloved possession of St Mary's Church, Kembleford, | 0:32:51 | 0:32:55 | |
"available for one crown. | 0:32:55 | 0:32:57 | |
"In need of repair due to accidental damage by a distressed widow. | 0:32:57 | 0:33:01 | |
"Deadline, 8pm today." | 0:33:01 | 0:33:04 | |
Even if Flambeau sees it and realises it's from you, | 0:33:04 | 0:33:07 | |
what's to say that he'll come? | 0:33:07 | 0:33:10 | |
It is a long shot, yes. | 0:33:10 | 0:33:12 | |
-I want to call the police. -No. | 0:33:12 | 0:33:14 | |
Oh, let us take you to the hospital at least. | 0:33:14 | 0:33:17 | |
No doctors. And no police. | 0:33:17 | 0:33:19 | |
All we can do is pray. | 0:33:21 | 0:33:22 | |
PHONE RINGS | 0:33:23 | 0:33:26 | |
Hello. St Mary's Presbytery? | 0:33:28 | 0:33:31 | |
-POSH ACCENT: -Hello, do you still have the item | 0:33:31 | 0:33:33 | |
listed in the classified? | 0:33:33 | 0:33:34 | |
No, I'm afraid that item is no longer available. Goodbye. | 0:33:34 | 0:33:39 | |
PHONE RINGS | 0:33:41 | 0:33:43 | |
If it's about the advertisement, I... | 0:33:46 | 0:33:48 | |
-FLAMBEAU: -Is it true? | 0:33:48 | 0:33:49 | |
Penelope! Help the Father down here as quick as you can! | 0:33:52 | 0:33:56 | |
Yes, it is true. | 0:33:57 | 0:34:00 | |
He is dying. | 0:34:00 | 0:34:02 | |
Thanks to you! | 0:34:02 | 0:34:03 | |
I want to speak to him. | 0:34:03 | 0:34:05 | |
And he's coming. | 0:34:05 | 0:34:06 | |
Though he's not as light on his feet as once he was, | 0:34:06 | 0:34:10 | |
what with all that poison in his system! | 0:34:10 | 0:34:12 | |
Spare me your indignation. I'm trying to help. | 0:34:12 | 0:34:14 | |
Oh, and you expect me to believe that, do you? | 0:34:14 | 0:34:17 | |
-Flambeau? -You're getting careless, old friend. | 0:34:23 | 0:34:26 | |
Is it too much to hope that you are bringing back the crown? | 0:34:26 | 0:34:29 | |
Evidently. Lisandra is making quite a name for herself. | 0:34:29 | 0:34:33 | |
A woman like that wouldn't want to leave any loose ends. | 0:34:33 | 0:34:36 | |
If I hand her the crown, she'll kill me and let you die anyway. | 0:34:36 | 0:34:39 | |
You cannot be sure of that. | 0:34:39 | 0:34:41 | |
Actually, I can. You were wrong about me, Father. | 0:34:41 | 0:34:44 | |
I do know her. | 0:34:45 | 0:34:46 | |
Her first husband went down with the Bismarck. | 0:34:46 | 0:34:49 | |
Her favourite piece of music is Gershwin's Rhapsody In Blue. | 0:34:49 | 0:34:51 | |
And she is entirely without conscience. | 0:34:52 | 0:34:55 | |
Then why are you calling? | 0:34:55 | 0:34:57 | |
To say sorry. | 0:34:57 | 0:34:58 | |
And good luck. | 0:34:59 | 0:35:01 | |
There's always hope. | 0:35:02 | 0:35:03 | |
-Flambeau?! -He's gone. | 0:35:09 | 0:35:11 | |
Now, now, Mrs McCarthy. | 0:35:17 | 0:35:18 | |
We have been delivered from evil before. | 0:35:20 | 0:35:22 | |
FOOTSTEPS APPROACH | 0:35:29 | 0:35:31 | |
He really is without a heart. | 0:35:39 | 0:35:42 | |
Well... | 0:35:43 | 0:35:45 | |
..it's not yet eight o'clock. | 0:35:46 | 0:35:48 | |
And I believe that somewhere in Hercule Flambeau there is | 0:35:49 | 0:35:53 | |
a tortured soul waiting for redemption. | 0:35:53 | 0:35:55 | |
SHE CHUCKLES | 0:35:55 | 0:35:57 | |
And you must believe the same... | 0:35:57 | 0:35:59 | |
..or you would not have thought that this plan could work. | 0:36:00 | 0:36:03 | |
You and I thought too highly of him and he let us down. | 0:36:06 | 0:36:11 | |
But don't worry, I will avenge us both. | 0:36:14 | 0:36:17 | |
"To refrain from imitation is the best revenge." | 0:36:19 | 0:36:24 | |
Don't spout your Scripture at me. | 0:36:24 | 0:36:27 | |
Actually, I think it's Marcus Aurelius. | 0:36:27 | 0:36:30 | |
Lisandra... | 0:36:30 | 0:36:31 | |
..why would your first husband have been on board the Bismarck? | 0:36:32 | 0:36:36 | |
-What? -The battleship. | 0:36:38 | 0:36:39 | |
That's how he died, isn't it? | 0:36:41 | 0:36:43 | |
My husband was shot during the occupation of Corsica in 1942. | 0:36:43 | 0:36:48 | |
Ah. | 0:36:50 | 0:36:51 | |
My mistake. | 0:36:52 | 0:36:54 | |
Do you like Gershwin? | 0:36:57 | 0:36:58 | |
Not particularly. Why? | 0:36:59 | 0:37:01 | |
No reason. | 0:37:02 | 0:37:03 | |
"There's always hope." | 0:37:05 | 0:37:07 | |
SHE SCOFFS | 0:37:07 | 0:37:08 | |
Lisandra, would you like me to hear your confession now, | 0:37:09 | 0:37:13 | |
before it's too late? | 0:37:13 | 0:37:14 | |
You're the one running out of time, not I. | 0:37:15 | 0:37:18 | |
Lisandra Flambeau... | 0:37:18 | 0:37:20 | |
What is this? | 0:37:20 | 0:37:21 | |
I'm arresting you for the attempted murder of Father Brown | 0:37:21 | 0:37:23 | |
and stealing the Iron Crown of Lombardy. | 0:37:23 | 0:37:26 | |
You're not obliged to say anything, | 0:37:26 | 0:37:27 | |
but anything you say may be given in evidence. | 0:37:27 | 0:37:31 | |
You fool! Perhaps I would have given you the antidote anyway, | 0:37:31 | 0:37:34 | |
but now you'll never know. | 0:37:34 | 0:37:36 | |
My father will break me out, | 0:37:38 | 0:37:39 | |
while your beloved Flambeau has left you to die! | 0:37:39 | 0:37:42 | |
Actually, he's already saved me. | 0:37:42 | 0:37:44 | |
How did you know that she had poisoned you with thallium? | 0:37:53 | 0:37:57 | |
Ah, Flambeau told me that Lisandra's first husband died | 0:37:57 | 0:38:02 | |
when the Bismarck sank, | 0:38:02 | 0:38:03 | |
a ship named after the most famous Prussian of all, | 0:38:03 | 0:38:07 | |
and that her favourite music was Rhapsody In Blue. | 0:38:07 | 0:38:10 | |
Both lies. Or rather clues. | 0:38:11 | 0:38:15 | |
Because the antidote to thallium poisoning is Prussian blue. | 0:38:15 | 0:38:19 | |
Ah. | 0:38:19 | 0:38:20 | |
Even when he's saving my life, he's talking in riddles. | 0:38:21 | 0:38:24 | |
Don't give him too much credit. | 0:38:24 | 0:38:27 | |
If it wasn't for Flambeau, | 0:38:27 | 0:38:28 | |
-you would never have been in danger in the first place. -Hmm. | 0:38:28 | 0:38:32 | |
Well, we must be off. | 0:38:32 | 0:38:35 | |
Visiting hours are nearly over. | 0:38:35 | 0:38:37 | |
We'll come back later. Is there anything you need? | 0:38:37 | 0:38:40 | |
An atlas? I probably should find out where Witherly Island is. | 0:38:40 | 0:38:44 | |
Oh, yes. I'd rather forgotten about all of that. | 0:38:44 | 0:38:48 | |
Don't you worry about that for now. Just concentrate on getting better. | 0:38:48 | 0:38:52 | |
Thank you. | 0:38:53 | 0:38:54 | |
Ah, Doctor. | 0:38:58 | 0:39:00 | |
Everything all right...Doctor? | 0:39:07 | 0:39:09 | |
I'm afraid not. I've been running some tests. | 0:39:10 | 0:39:14 | |
With a magnet. | 0:39:14 | 0:39:15 | |
A magnet? | 0:39:15 | 0:39:17 | |
The metal strip inside the crown, it isn't iron. | 0:39:19 | 0:39:23 | |
Oh. So it wasn't forged with a nail from the crucifixion? | 0:39:24 | 0:39:28 | |
How disappointing for you. | 0:39:28 | 0:39:30 | |
Nevertheless, it still has immeasurable historical | 0:39:30 | 0:39:33 | |
and financial value. | 0:39:33 | 0:39:35 | |
It will sit well enough amongst my other baubles. | 0:39:35 | 0:39:38 | |
I doubt you've come out of hiding to tell me that. | 0:39:38 | 0:39:40 | |
I require a favour. | 0:39:47 | 0:39:49 | |
I did save your life. | 0:39:51 | 0:39:53 | |
Nevertheless... | 0:39:53 | 0:39:54 | |
Hear me out. | 0:39:54 | 0:39:55 | |
Lisandra managed to get a message to her father. | 0:39:55 | 0:39:58 | |
He put a bounty on my head. | 0:39:58 | 0:40:00 | |
Not a man to be trifled with. | 0:40:00 | 0:40:01 | |
Has a reputation for using thallium to dispose of his rivals. | 0:40:01 | 0:40:05 | |
So your tip-off was an educated guess? Like father, like daughter... | 0:40:05 | 0:40:10 | |
-I was right, wasn't I? -Still... | 0:40:11 | 0:40:13 | |
..I don't see how I can protect you from her father? | 0:40:14 | 0:40:18 | |
Protect me? | 0:40:18 | 0:40:19 | |
You're far too late for that. | 0:40:21 | 0:40:22 | |
Nothing as subtle as poison, I'm afraid. | 0:40:30 | 0:40:32 | |
No. No message. | 0:40:34 | 0:40:36 | |
What do you need from me? | 0:41:00 | 0:41:01 | |
I would consider it a great honour if you would conduct my funeral. | 0:41:03 | 0:41:09 | |
On one condition. | 0:41:09 | 0:41:10 | |
Does anyone want to say a few words? | 0:41:15 | 0:41:17 | |
Then I will ask you all to join with me in a moment's silence | 0:41:19 | 0:41:23 | |
to pray for the departed, that his troubled soul may find peace. | 0:41:23 | 0:41:27 | |
In light of recent events, | 0:41:58 | 0:42:01 | |
the Bishop has decided that you are to... | 0:42:01 | 0:42:03 | |
..remain at Kembleford... | 0:42:04 | 0:42:06 | |
..for now. | 0:42:08 | 0:42:09 | |
Thank you, Canon Fox. | 0:42:10 | 0:42:13 | |
And may you pass on my deep gratitude for the Bishop's leniency. | 0:42:14 | 0:42:19 | |
What now? | 0:42:35 | 0:42:36 | |
The crown has been returned. The assassins are off my back. | 0:42:37 | 0:42:40 | |
I believe that makes us square. | 0:42:40 | 0:42:42 | |
I concur. A clean slate. | 0:42:42 | 0:42:45 | |
A new beginning. | 0:42:46 | 0:42:48 | |
But what will you do with it? | 0:42:48 | 0:42:49 | |
The possibilities are endless. | 0:42:50 | 0:42:52 | |
By the way, I think | 0:42:53 | 0:42:55 | |
you might have been a little more effusive with the eulogy. | 0:42:55 | 0:42:58 |