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I die at peace, knowing I am innocent of my husband's murder... | 0:00:13 | 0:00:17 | |
..and that the Lord will wait for me on the other side. | 0:00:19 | 0:00:22 | |
I have only one request... | 0:00:25 | 0:00:26 | |
Tell Father Brown I forgive him. | 0:00:29 | 0:00:32 | |
We thought you might require some sustenance. | 0:00:45 | 0:00:48 | |
Most kind. | 0:00:52 | 0:00:54 | |
You mustn't let this get to you. | 0:00:54 | 0:00:57 | |
Katherine Corven's execution is a result of my actions. | 0:00:57 | 0:01:01 | |
Oh, poppycock! She's the one who killed her husband. | 0:01:01 | 0:01:04 | |
-That evil witch is getting what she deserves! -Penelope! | 0:01:04 | 0:01:07 | |
Oh, don't "Penelope" me! You know you feel exactly the same. | 0:01:07 | 0:01:11 | |
Well, it's true... The world will be a safer place without her. | 0:01:11 | 0:01:15 | |
If you don't mind, I'd like to be alone. | 0:01:17 | 0:01:19 | |
I would like to pray for her. | 0:01:21 | 0:01:22 | |
For all the good that'll do. | 0:01:22 | 0:01:24 | |
PHONE RINGS | 0:01:26 | 0:01:28 | |
Hello, St Mary's Presbytery. | 0:01:36 | 0:01:38 | |
Yes, it is. | 0:01:40 | 0:01:41 | |
I see. | 0:01:42 | 0:01:46 | |
Thank you for telling me. | 0:01:46 | 0:01:47 | |
Goodbye. | 0:01:48 | 0:01:50 | |
They're letting her go. | 0:01:57 | 0:01:59 | |
Miss Hamsley! | 0:02:31 | 0:02:33 | |
A good, clean shot of Mrs Corven for the front page, | 0:02:34 | 0:02:36 | |
and a few quotes if possible. | 0:02:36 | 0:02:39 | |
Yes, Mr Gladwell. | 0:02:39 | 0:02:40 | |
EXCITED CLAMOUR | 0:02:49 | 0:02:50 | |
Calm! | 0:02:52 | 0:02:54 | |
Thank you all for welcoming me back into civilisation. | 0:02:56 | 0:02:59 | |
I never abandoned hope that the truth would come out. | 0:03:01 | 0:03:04 | |
How did it come out, Mrs Corven? | 0:03:04 | 0:03:06 | |
Hearing of my imminent execution, | 0:03:06 | 0:03:10 | |
my husband's murderer finally decided to confess. | 0:03:10 | 0:03:13 | |
And do you have anything to say to those who locked you up | 0:03:13 | 0:03:16 | |
for a crime you didn't commit? | 0:03:16 | 0:03:18 | |
God saved me to do His good work. | 0:03:18 | 0:03:21 | |
Those that wronged me shall answer to Him. | 0:03:21 | 0:03:24 | |
This way, please. | 0:03:24 | 0:03:26 | |
Mrs Corven, one more thing! | 0:03:26 | 0:03:28 | |
It was the Corvens' cleaner, Vivienne Hubb. | 0:03:30 | 0:03:33 | |
Apparently Katherine's husband, Bertrand, | 0:03:33 | 0:03:36 | |
sacked Mrs Hubb over some petty grievance. | 0:03:36 | 0:03:39 | |
She was left destitute and murdered Mr Corven in revenge. | 0:03:39 | 0:03:42 | |
Why confess now? | 0:03:42 | 0:03:44 | |
Mrs Hubb is old and sick. | 0:03:44 | 0:03:46 | |
She didn't want to die with it on her conscience. | 0:03:47 | 0:03:49 | |
Or she went doolally. | 0:03:49 | 0:03:51 | |
We all know Katherine killed her husband. | 0:03:51 | 0:03:55 | |
Mrs Hubb gave a detailed description of the crime, | 0:03:55 | 0:03:58 | |
beyond anything in the public domain. | 0:03:58 | 0:04:01 | |
Perhaps Mrs Corven coerced her into taking responsibility. | 0:04:01 | 0:04:04 | |
From her prison cell?! More likely you made a mistake! | 0:04:04 | 0:04:08 | |
You can't just let that evil woman wander the streets unchecked! | 0:04:09 | 0:04:14 | |
What if she goes after Father Brown? | 0:04:14 | 0:04:16 | |
The-powers-that-be have deemed Katherine Corven | 0:04:16 | 0:04:19 | |
fit to re-enter society, at least until her appeal. | 0:04:19 | 0:04:23 | |
Anyway, I doubt she'll bother you if she's locked away in a convent. | 0:04:23 | 0:04:26 | |
SHE GIGGLES | 0:04:26 | 0:04:27 | |
Sorry, I thought you said "convent"! | 0:04:29 | 0:04:31 | |
Haven't you heard? | 0:04:33 | 0:04:35 | |
Our numbers have dwindled, but we march on. | 0:04:37 | 0:04:40 | |
We lead simple lives here. | 0:04:40 | 0:04:42 | |
It's exactly what I wish for. | 0:04:42 | 0:04:44 | |
Is this really what you want? | 0:04:44 | 0:04:45 | |
After all you've been through, why not take some time... | 0:04:46 | 0:04:49 | |
I've had plenty of time. | 0:04:49 | 0:04:51 | |
As a postulant, you would be expected to obey all our rules. | 0:04:51 | 0:04:55 | |
You'd have to leave the sins of the past behind. | 0:04:55 | 0:04:58 | |
I want to leave the past behind. | 0:04:58 | 0:05:00 | |
I've made so many mistakes, I've done such foolish things... | 0:05:02 | 0:05:05 | |
Ah, none of us are without blemish. | 0:05:05 | 0:05:06 | |
You ask if I'm certain? | 0:05:08 | 0:05:09 | |
Like Ruth, I know the answer. | 0:05:11 | 0:05:13 | |
"Be not against me, to desire that I should leave thee and depart, | 0:05:16 | 0:05:20 | |
"for whithersoever thou shalt go, I will go, | 0:05:20 | 0:05:24 | |
"and where thou shalt dwell, I also will dwell. | 0:05:24 | 0:05:28 | |
"Thy people shall be my people, and thy God my God." | 0:05:28 | 0:05:33 | |
In that case... Welcome to Saint Augustine's! | 0:05:38 | 0:05:43 | |
Mr Slow. | 0:05:55 | 0:05:57 | |
No, thank you. | 0:06:01 | 0:06:02 | |
Thought you might need it. | 0:06:02 | 0:06:04 | |
Heard about that bad one being let out. | 0:06:04 | 0:06:08 | |
I've known Viv Hubb For donkey's years. | 0:06:09 | 0:06:12 | |
Fierce tongue, but a murderer? Don't be daft. | 0:06:12 | 0:06:15 | |
You want to watch your back now that Corven woman's out. | 0:06:16 | 0:06:19 | |
Hell hath no fury, and all that. | 0:06:19 | 0:06:21 | |
It's not MY back I'm worried about. | 0:06:22 | 0:06:24 | |
Knowing Katherine Corven, she will want to torment me. | 0:06:25 | 0:06:29 | |
All those I care about are possible targets. | 0:06:30 | 0:06:33 | |
You care about everyone, Father. | 0:06:33 | 0:06:35 | |
That's your problem. | 0:06:35 | 0:06:36 | |
And some may be in greater danger than others. | 0:06:38 | 0:06:40 | |
Oh, here you are, Father! | 0:06:40 | 0:06:42 | |
You're late for parish council. | 0:06:42 | 0:06:44 | |
Ah, I confess it completely slipped my mind. | 0:06:44 | 0:06:47 | |
Mr Slow. You're looking... | 0:06:47 | 0:06:50 | |
well. | 0:06:50 | 0:06:51 | |
And you are shimmering like | 0:06:51 | 0:06:53 | |
the sunshine on a duck pond, Mrs McCarthy. | 0:06:53 | 0:06:55 | |
Sorry, Father, there's someone here to see you. | 0:06:55 | 0:06:58 | |
Eddie Hamsley, Kembleford Gazette. | 0:06:58 | 0:07:00 | |
Hoping to get an interview about your role | 0:07:00 | 0:07:02 | |
in the miscarriage of justice involving Katherine Corven. | 0:07:02 | 0:07:05 | |
What?! | 0:07:05 | 0:07:07 | |
The only "miscarriage of justice" is that evil woman being released. | 0:07:07 | 0:07:10 | |
Evil? Katherine's the innocent victim of a flawed legal system. | 0:07:10 | 0:07:14 | |
Yet she shows no bitterness. She's quite extraordinary. | 0:07:14 | 0:07:18 | |
Extraordinary, indeed. | 0:07:18 | 0:07:20 | |
Mrs Corven has a particular talent | 0:07:20 | 0:07:22 | |
for manipulating how she is perceived by others. | 0:07:22 | 0:07:25 | |
Katherine was wronged, Father, by you especially. | 0:07:27 | 0:07:31 | |
It's my duty to tell the world how it happened. | 0:07:31 | 0:07:34 | |
Father Brown's already late for an appointment. | 0:07:34 | 0:07:36 | |
I'm starting to wonder what you have to hide, Father! | 0:07:41 | 0:07:43 | |
Mrs McCarthy, please make my apologies to the Parish Council. | 0:07:49 | 0:07:53 | |
I'm going to find out what Katherine is plotting | 0:07:53 | 0:07:56 | |
before she does any damage. | 0:07:56 | 0:07:57 | |
And how exactly will you manage that?! | 0:07:57 | 0:08:00 | |
Do you remember that wardress? | 0:08:00 | 0:08:02 | |
Frances Whittaker. She spent more time with Katherine | 0:08:02 | 0:08:05 | |
than anybody over the last year or so. | 0:08:05 | 0:08:08 | |
I'll start with her. | 0:08:08 | 0:08:09 | |
At least let me come with you. | 0:08:09 | 0:08:11 | |
About what happened when we went for a walk by the canal... | 0:08:16 | 0:08:20 | |
Mr Slow, I've told you, I would prefer if that was never, | 0:08:20 | 0:08:23 | |
ever mentioned again. | 0:08:23 | 0:08:25 | |
Now, if you'll excuse me. | 0:08:25 | 0:08:28 | |
Perhaps she's at work? | 0:08:43 | 0:08:45 | |
She resigned from the prison. | 0:08:45 | 0:08:46 | |
I can't see anything. Something's in front of the door. | 0:08:53 | 0:08:56 | |
We're too late. | 0:08:56 | 0:08:58 | |
Police surgeon reckons she's been dead since late last night. | 0:09:04 | 0:09:08 | |
The front door was barricaded from the inside. | 0:09:08 | 0:09:11 | |
Back door locked, key in situ. | 0:09:11 | 0:09:13 | |
Windows bolted. No other exit. | 0:09:13 | 0:09:15 | |
In short, she hanged herself. | 0:09:15 | 0:09:17 | |
Are you sure? | 0:09:17 | 0:09:18 | |
Then there's the empty bottle of Scotch | 0:09:19 | 0:09:21 | |
and the note in which she confesses her "overwhelming guilt" | 0:09:21 | 0:09:24 | |
at Katherine Corven's unjust incarceration. | 0:09:24 | 0:09:27 | |
And you said she left her job? | 0:09:28 | 0:09:30 | |
She fell in love with another warder. George something... | 0:09:32 | 0:09:35 | |
She left her husband | 0:09:35 | 0:09:37 | |
and resigned from the prison service to be with him. | 0:09:37 | 0:09:40 | |
I'm guessing the happy-ever-after didn't last long? | 0:09:40 | 0:09:43 | |
I believe George went back to his wife. | 0:09:43 | 0:09:45 | |
Nevertheless, to die so soon after Katherine Corven's release... | 0:09:47 | 0:09:50 | |
Please tell me you're not sullying Katherine's name again, Father? | 0:09:50 | 0:09:53 | |
No reporters! This is a closed crime scene! | 0:09:53 | 0:09:56 | |
Then what are they doing here? | 0:09:56 | 0:09:58 | |
Excellent point. All three of you, sling your hooks! | 0:10:00 | 0:10:03 | |
What'll it take to convince you that Katherine's innocent? | 0:10:04 | 0:10:08 | |
Not possible. We know her too well. | 0:10:08 | 0:10:09 | |
Out of interest, what convinced you? | 0:10:09 | 0:10:13 | |
Someone else confessed! | 0:10:13 | 0:10:14 | |
And I know how men like you love to subjugate strong-minded women. | 0:10:15 | 0:10:19 | |
You don't know anything about Father Brown! | 0:10:19 | 0:10:23 | |
Not yet, but I intend to. | 0:10:23 | 0:10:26 | |
Maybe you should know what it's like | 0:10:26 | 0:10:28 | |
to have your name dragged through the mud! | 0:10:28 | 0:10:31 | |
Well, she doesn't seem to like priests much. | 0:10:34 | 0:10:38 | |
So what now? | 0:10:38 | 0:10:39 | |
I stop postponing the inevitable. | 0:10:39 | 0:10:42 | |
-Katherine. -There's no need to apologise, Father. -Apologise? | 0:10:56 | 0:11:00 | |
Without my tribulations, I would never have found my true vocation. | 0:11:00 | 0:11:04 | |
You're not fooling anyone! | 0:11:04 | 0:11:05 | |
When did you last see your wardress, Frances Whittaker? | 0:11:07 | 0:11:11 | |
Ah, a few months ago. The day she left the prison. | 0:11:14 | 0:11:17 | |
Why? Have you been looking for her? | 0:11:17 | 0:11:18 | |
She died. Last night. | 0:11:18 | 0:11:20 | |
Oh, how terrible. Please offer my condolences to her family. | 0:11:20 | 0:11:25 | |
God is watching you, every moment. | 0:11:25 | 0:11:28 | |
I pray for it. | 0:11:28 | 0:11:30 | |
So, you have no knowledge of Frances's death? | 0:11:30 | 0:11:34 | |
I said, Katherine's been at the convent since her release. | 0:11:34 | 0:11:37 | |
Yes. | 0:11:37 | 0:11:39 | |
I know you bore her a grudge. | 0:11:40 | 0:11:42 | |
I was upset by her cruel treatment of me. | 0:11:44 | 0:11:48 | |
And her language was terribly coarse, but... | 0:11:48 | 0:11:51 | |
You murdered her, admit it! | 0:11:51 | 0:11:54 | |
I've heard enough of your baseless accusations. Please leave. | 0:11:54 | 0:11:57 | |
Not until she tells the truth! | 0:11:57 | 0:12:00 | |
We'll see ourselves out. | 0:12:04 | 0:12:06 | |
How is dear old Mrs McCarthy? | 0:12:11 | 0:12:13 | |
I do hope she's in good health. | 0:12:14 | 0:12:16 | |
Forgive me, I should... | 0:12:21 | 0:12:23 | |
It's all right. He made up his mind about me long ago. | 0:12:23 | 0:12:25 | |
There is something I must tell you about Father Brown. | 0:12:29 | 0:12:32 | |
Something I've never told anyone. | 0:12:34 | 0:12:36 | |
Frances Whittaker was found dead this morning. | 0:12:44 | 0:12:47 | |
Good morning. Frances Whittaker? | 0:12:47 | 0:12:49 | |
Used to be a wardress at Sonning Prison. Suicide. | 0:12:49 | 0:12:53 | |
I could spice it up by linking it to the Katherine Corven case. | 0:12:53 | 0:12:57 | |
A woman is dead. | 0:12:57 | 0:12:59 | |
That isn't something to be "spiced up". | 0:12:59 | 0:13:01 | |
I'll put together a short obituary. | 0:13:01 | 0:13:04 | |
Yes, Mr Gladwell. | 0:13:05 | 0:13:06 | |
What do you know about Father Brown? | 0:13:12 | 0:13:14 | |
That he's a better investigator than both of us put together. Why? | 0:13:14 | 0:13:19 | |
He's blaming Katherine Corven for Frances Whittaker's death | 0:13:19 | 0:13:23 | |
even though she couldn't possibly have been involved. | 0:13:23 | 0:13:26 | |
It's like he's pursuing some personal vendetta. | 0:13:26 | 0:13:29 | |
Hear me out. | 0:13:29 | 0:13:31 | |
Father Brown played an active part in Katherine's original conviction. | 0:13:31 | 0:13:34 | |
He even testified at her trial. | 0:13:34 | 0:13:36 | |
I recall. I was there. Look, Eddie... | 0:13:36 | 0:13:39 | |
You've only been here a few weeks | 0:13:39 | 0:13:41 | |
and you've already managed to upset the butcher on Dowlands Street, | 0:13:41 | 0:13:44 | |
the tuba player for the marching band and the whole of the WI. | 0:13:44 | 0:13:47 | |
That art competition was fixed! | 0:13:47 | 0:13:49 | |
We need proof of any wrongdoing, | 0:13:49 | 0:13:51 | |
particularly when it comes to the clergy. | 0:13:51 | 0:13:53 | |
Now, I'm sure you have real work to be doing. | 0:13:53 | 0:13:54 | |
How did your assignment in Hambleston go last night? | 0:13:54 | 0:13:57 | |
Nothing to report. | 0:13:57 | 0:13:59 | |
Shame. Well, you'd better get back to the grindstone. | 0:13:59 | 0:14:02 | |
PHONE RINGS | 0:14:04 | 0:14:05 | |
Kembleford Gazette. | 0:14:07 | 0:14:09 | |
Mother Superior? | 0:14:11 | 0:14:12 | |
Even when Katherine gave her consent for me to contact you, | 0:14:15 | 0:14:18 | |
I was conflicted. | 0:14:18 | 0:14:21 | |
We value our privacy here | 0:14:21 | 0:14:23 | |
and I've heard great things about Father Brown. | 0:14:23 | 0:14:26 | |
But hearing him accuse Katherine of such horrors... | 0:14:26 | 0:14:30 | |
Katherine told me something that happened to her a while ago. | 0:14:31 | 0:14:35 | |
Before her husband died. | 0:14:35 | 0:14:37 | |
Go on. | 0:14:40 | 0:14:41 | |
You should hear it directly from her. | 0:14:42 | 0:14:44 | |
I warn you, it is most distressing. | 0:14:45 | 0:14:49 | |
Oh! Do not sneak up on a body like that, Father! | 0:15:04 | 0:15:07 | |
Apologies. I was thinking.... | 0:15:07 | 0:15:10 | |
With Katherine Corven at large, perhaps it would be wise | 0:15:10 | 0:15:13 | |
if we all took... precautions. | 0:15:13 | 0:15:16 | |
Precautions? | 0:15:16 | 0:15:18 | |
I don't wish to alarm you, but she mentioned your name. | 0:15:18 | 0:15:20 | |
These hands have been kneading dough for more years than | 0:15:22 | 0:15:25 | |
I care to remember. | 0:15:25 | 0:15:27 | |
So, they are well able to cope with a young slip of a thing like that! | 0:15:27 | 0:15:30 | |
At least promise me you'll keep your eyes peeled. | 0:15:32 | 0:15:35 | |
I promise and I'm sure there's nothing to worry about. | 0:15:35 | 0:15:38 | |
And maybe, maybe she really has found God. | 0:15:39 | 0:15:43 | |
I wish I could believe it. | 0:15:45 | 0:15:46 | |
PHONE RINGS | 0:15:56 | 0:15:57 | |
-St Mary's Presbytery. -Help! | 0:16:04 | 0:16:06 | |
Who is this? | 0:16:07 | 0:16:09 | |
-IRISH ACCENT: -Father! | 0:16:09 | 0:16:11 | |
Mrs McCarthy? Is that you? | 0:16:11 | 0:16:13 | |
PHONE SLAMS DOWN | 0:16:13 | 0:16:15 | |
Mrs McCarthy?! | 0:16:15 | 0:16:16 | |
LINE GOES DEAD | 0:16:16 | 0:16:18 | |
The Inspector said he'd be here presently, Father. | 0:16:26 | 0:16:28 | |
I just got your message. Have you checked her house? | 0:16:31 | 0:16:33 | |
Not a sign of her. | 0:16:33 | 0:16:35 | |
Perhaps you should go back there, just in case. | 0:16:35 | 0:16:37 | |
If Katherine's touched one hair on Mrs M's head... | 0:16:37 | 0:16:40 | |
Let's not get ahead of ourselves. | 0:16:40 | 0:16:43 | |
I was at a dinner party for my mother-in-law's 70th. | 0:16:48 | 0:16:51 | |
Now, you're certain Katherine Corven has kidnapped Mrs McCarthy? | 0:16:51 | 0:16:55 | |
Or worse. | 0:16:55 | 0:16:56 | |
I know you think I'm over-reacting... | 0:16:58 | 0:17:00 | |
I want all officers out looking for her. | 0:17:01 | 0:17:04 | |
-If they've gone home, get them back here. -Yes, sir. | 0:17:04 | 0:17:06 | |
I know we don't always meet eye-to-eye, Padre, | 0:17:06 | 0:17:09 | |
but if Mrs McCarthy is in danger, | 0:17:09 | 0:17:11 | |
then we won't rest until we've found her. | 0:17:11 | 0:17:13 | |
Thank you. I know where to start. | 0:17:13 | 0:17:15 | |
I trust there's an impeccable reason for this intrusion? | 0:17:21 | 0:17:23 | |
Where's Mrs Corven? | 0:17:23 | 0:17:25 | |
Sleeping. Come back tomorrow. | 0:17:25 | 0:17:27 | |
It can't wait. | 0:17:27 | 0:17:28 | |
This is a place of sanctuary. | 0:17:28 | 0:17:30 | |
While that woman is under your roof, none of you are safe. | 0:17:30 | 0:17:33 | |
We both know you pose more of a threat than Katherine does! | 0:17:33 | 0:17:36 | |
-Him?! -Katherine's told me everything | 0:17:36 | 0:17:38 | |
and I will not have my postulants dragged from their beds. | 0:17:38 | 0:17:41 | |
A life is in danger! | 0:17:41 | 0:17:43 | |
Whatever's the fuss? | 0:17:44 | 0:17:45 | |
Where is Mrs McCarthy? | 0:17:45 | 0:17:48 | |
-How should I know? -See?! | 0:17:48 | 0:17:50 | |
Tell the truth! | 0:17:50 | 0:17:52 | |
Father, I don't have the foggiest idea what you're talking about. | 0:17:52 | 0:17:55 | |
Everybody satisfied? Good. Now leave. | 0:17:55 | 0:17:58 | |
Unless you wish to end up back in prison... | 0:17:58 | 0:18:01 | |
-SERGEANT: -Inspector! | 0:18:01 | 0:18:03 | |
We've found her! | 0:18:03 | 0:18:04 | |
Is she hurt? | 0:18:04 | 0:18:06 | |
Not a scratch, Father. | 0:18:06 | 0:18:07 | |
She was at a meeting for the Festival Committee. | 0:18:07 | 0:18:09 | |
It overran, apparently. | 0:18:09 | 0:18:11 | |
That lot never use one word if they can use a hundred! | 0:18:11 | 0:18:14 | |
What a relief! | 0:18:15 | 0:18:16 | |
Now that's cleared up, Father, I trust you'll apologise | 0:18:16 | 0:18:20 | |
to Katherine and then leave the premises immediately! | 0:18:20 | 0:18:23 | |
I feel responsible. | 0:18:35 | 0:18:37 | |
I should've stopped that pompous editor from droning on | 0:18:37 | 0:18:41 | |
about his ideas for next year's Festival. | 0:18:41 | 0:18:44 | |
Are you sure that the phone call couldn't have been a bad dream? | 0:18:44 | 0:18:47 | |
Well, you have been known to doze off at your desk. | 0:18:50 | 0:18:53 | |
It was very real. | 0:18:53 | 0:18:55 | |
It was Katherine's way of discrediting me, and I fell for it. | 0:18:55 | 0:18:58 | |
Sergeant Goodfellow? | 0:18:58 | 0:18:59 | |
Message from the Mother Superior, Father. | 0:19:01 | 0:19:04 | |
Stay away from Saint Augustine's. | 0:19:04 | 0:19:06 | |
You're no longer welcome. | 0:19:06 | 0:19:07 | |
Hardly surprising. | 0:19:07 | 0:19:09 | |
Just to say, I don't believe one word, Father. | 0:19:09 | 0:19:13 | |
Oh, not her again. | 0:19:16 | 0:19:17 | |
Father, I've come to offer you a chance | 0:19:17 | 0:19:20 | |
to tell your side of the story. | 0:19:20 | 0:19:22 | |
What story would that be? | 0:19:22 | 0:19:23 | |
The one on the front page of today's Gazette. | 0:19:23 | 0:19:26 | |
We haven't seen it. | 0:19:26 | 0:19:28 | |
Now leave Father Brown alone, or your only further contribution | 0:19:28 | 0:19:31 | |
to journalism will be a short paragraph in the obituaries column! | 0:19:31 | 0:19:35 | |
Please excuse Miss Windermere. We had a disturbed night. | 0:19:35 | 0:19:38 | |
I heard! Accusing Katherine of all sorts again. | 0:19:38 | 0:19:42 | |
Now everyone will know why, Father! | 0:19:45 | 0:19:48 | |
"Local priest accused of framing Katherine Corven | 0:19:48 | 0:19:51 | |
"after she rejected his amorous advances." | 0:19:51 | 0:19:54 | |
What possessed you to write such tripe?! | 0:19:57 | 0:19:59 | |
It isn't tripe. | 0:19:59 | 0:20:01 | |
Let me guess - "no comment"? | 0:20:01 | 0:20:04 | |
Mrs M is worried you're not eating. | 0:20:23 | 0:20:25 | |
Thank you, but I'm not hungry. | 0:20:25 | 0:20:27 | |
She wants to go and see Mr Gladwell, the editor. | 0:20:30 | 0:20:32 | |
Demand he retracts the story. | 0:20:32 | 0:20:34 | |
The damage is done. | 0:20:34 | 0:20:36 | |
The only way to discredit Katherine is to prove | 0:20:36 | 0:20:38 | |
she was involved with Frances's murder. | 0:20:38 | 0:20:41 | |
Any clues? | 0:20:41 | 0:20:43 | |
Nothing. | 0:20:43 | 0:20:44 | |
I can't work out how someone could hang Frances | 0:20:45 | 0:20:48 | |
and then get out of this house. | 0:20:48 | 0:20:50 | |
Maybe it was a suicide? | 0:20:52 | 0:20:54 | |
Katherine was responsible. | 0:20:54 | 0:20:56 | |
And she will not rest until she has got her revenge. | 0:20:56 | 0:20:59 | |
Well, you've been here for hours. Maybe... | 0:20:59 | 0:21:01 | |
Inspector. | 0:21:03 | 0:21:05 | |
I should've known! | 0:21:05 | 0:21:06 | |
When I read that story about you in the Gazette, | 0:21:08 | 0:21:12 | |
I didn't believe a word. | 0:21:12 | 0:21:15 | |
Oh, you're a royal pain in the backside, yes. | 0:21:15 | 0:21:17 | |
But trying it on with that woman, and then framing her for murder? | 0:21:18 | 0:21:22 | |
-Not you. -Well, I appreciate your... | 0:21:23 | 0:21:26 | |
But then I got this niggling doubt. | 0:21:26 | 0:21:28 | |
How come Father Brown always finds some key piece of evidence | 0:21:30 | 0:21:36 | |
just at the right time? | 0:21:36 | 0:21:38 | |
Because he's a better detective than you? | 0:21:38 | 0:21:40 | |
OR because he puts it there himself! | 0:21:40 | 0:21:43 | |
I would never... | 0:21:44 | 0:21:46 | |
Why not?! You're so sure you've got God on your side. | 0:21:46 | 0:21:50 | |
You'd simply be making sure the bad guys got their just deserts. | 0:21:50 | 0:21:55 | |
And with Katherine Corven saying all these...horrible things... | 0:21:55 | 0:22:00 | |
..I bet you'd be cock-a-hoop to see her back behind bars. | 0:22:03 | 0:22:06 | |
Her incarceration would give me no joy. | 0:22:06 | 0:22:08 | |
And what WOULD bring you joy? | 0:22:08 | 0:22:10 | |
Her execution? | 0:22:10 | 0:22:12 | |
Is that why you're here? | 0:22:13 | 0:22:15 | |
Planting evidence to ensure she has a date with the noose after all? | 0:22:15 | 0:22:19 | |
Of course not! | 0:22:19 | 0:22:20 | |
I'd understand, believe me! | 0:22:20 | 0:22:23 | |
Her lies must make you very angry. | 0:22:25 | 0:22:29 | |
I only wish her to find God's love and repent her sins. | 0:22:29 | 0:22:35 | |
I'll give you the benefit of the doubt, this once. | 0:22:36 | 0:22:39 | |
Now get out! | 0:22:40 | 0:22:42 | |
Or I'll throw you in a cell... | 0:22:43 | 0:22:45 | |
..again. | 0:22:51 | 0:22:53 | |
I need to go to the prison. | 0:22:55 | 0:22:57 | |
Ask for permission to speak to other prisoners. | 0:22:57 | 0:22:59 | |
-You need to sleep. -Yes, but what if... | 0:22:59 | 0:23:01 | |
Maybe this is her plan? | 0:23:01 | 0:23:03 | |
That she sits back and does nothing | 0:23:03 | 0:23:05 | |
and you chase shadows and drive yourself mad? | 0:23:05 | 0:23:07 | |
Yes. Maybe you're right. | 0:23:07 | 0:23:10 | |
Listen, eat and sleep. | 0:23:10 | 0:23:12 | |
I'll come back in the morning and we'll tackle this with fresh minds. | 0:23:12 | 0:23:15 | |
Yes. | 0:23:17 | 0:23:19 | |
TWIG SNAPS | 0:23:29 | 0:23:30 | |
SHE SCREAMS | 0:23:30 | 0:23:32 | |
PHONE RINGS | 0:23:32 | 0:23:34 | |
St Mary's... | 0:23:36 | 0:23:38 | |
Father? | 0:23:38 | 0:23:39 | |
Katherine, if this is another one of your tricks... | 0:23:39 | 0:23:41 | |
-Father, it's me. -Bunty? | 0:23:41 | 0:23:44 | |
-Father, hang up. Don't listen... -MUFFLED SPEECH | 0:23:44 | 0:23:46 | |
Bunty!? What's happening? | 0:23:46 | 0:23:48 | |
Be quiet, Father. Don't interrupt. | 0:23:48 | 0:23:51 | |
Now, I'm sure you've seen the story in the newspaper. | 0:23:51 | 0:23:54 | |
I love the press, don't you? | 0:23:54 | 0:23:57 | |
Useful for all sorts of dirty little jobs. | 0:23:57 | 0:23:59 | |
Anyway, you're going to tell the congregation that the story's true. | 0:23:59 | 0:24:04 | |
You threw yourself at me in a moment of wild passion | 0:24:04 | 0:24:07 | |
and, when I refused to succumb, you framed me for murder. | 0:24:07 | 0:24:10 | |
Then, your reputation in tatters, | 0:24:10 | 0:24:12 | |
you'll announce to your congregation and the bishop | 0:24:12 | 0:24:15 | |
that you're leaving the priesthood. | 0:24:15 | 0:24:16 | |
Katherine, wait... | 0:24:16 | 0:24:18 | |
If not, your precious Bunty will die. | 0:24:18 | 0:24:21 | |
Shame - such a pretty thing. | 0:24:21 | 0:24:24 | |
You have 12 hours. | 0:24:24 | 0:24:26 | |
Which is more important to you, your vocation or your friend's life? | 0:24:26 | 0:24:31 | |
LINE GOES DEAD | 0:24:31 | 0:24:33 | |
What's in it for me? | 0:24:34 | 0:24:35 | |
We're appealing to your better nature. | 0:24:35 | 0:24:38 | |
I'm 'appy you think I 'ave one. | 0:24:38 | 0:24:40 | |
You know Viv Hubb, | 0:24:40 | 0:24:42 | |
the woman who confessed to the murder of Katherine's husband? | 0:24:42 | 0:24:46 | |
She's locked up. Word is she's refusing all visitors. | 0:24:46 | 0:24:49 | |
I need you to talk to her family, neighbours, | 0:24:49 | 0:24:52 | |
anyone who saw her in the few days before Katherine's release. | 0:24:52 | 0:24:56 | |
Find out how Katherine persuaded her to take the blame. | 0:24:56 | 0:24:59 | |
I can try, I suppose. | 0:24:59 | 0:25:01 | |
Thank you, Harold. | 0:25:01 | 0:25:03 | |
I'll go to Saint Augustine's, | 0:25:03 | 0:25:05 | |
-I'm afraid you are persona non grata there. -Yes. | 0:25:05 | 0:25:10 | |
So what'll you be doin', Father, while I'm labourin' on your behalf? | 0:25:10 | 0:25:14 | |
Looking for Bunty. | 0:25:14 | 0:25:16 | |
Katherine must have taken her | 0:25:16 | 0:25:17 | |
somewhere where she wouldn't be seen. | 0:25:17 | 0:25:19 | |
a remote farm, abandoned building, that sort of thing. | 0:25:19 | 0:25:23 | |
In Kembleford? Needle in a haystack. | 0:25:23 | 0:25:26 | |
Yes. But I must try. | 0:25:26 | 0:25:29 | |
Our friend is missing. | 0:25:32 | 0:25:34 | |
If there is even a chance that Katherine was involved... | 0:25:34 | 0:25:36 | |
There isn't. She was here the whole time. | 0:25:36 | 0:25:39 | |
She telephoned Father Brown and... | 0:25:39 | 0:25:42 | |
The only telephone is here in my office, which is kept locked. | 0:25:42 | 0:25:45 | |
When did this alleged conversation take place? | 0:25:45 | 0:25:48 | |
At seven o'clock this morning. | 0:25:48 | 0:25:50 | |
Katherine was at morning prayers. She was by my side the whole time. | 0:25:50 | 0:25:55 | |
-But... -Father Brown is either mistaken or lying. | 0:25:55 | 0:25:59 | |
Either way, my patience has run out and I will be contacting the Bishop. | 0:25:59 | 0:26:04 | |
And tell Father Brown to seek forgiveness for his own sins | 0:26:04 | 0:26:08 | |
and stop accusing others! | 0:26:08 | 0:26:10 | |
Bad news, Father. | 0:26:23 | 0:26:25 | |
Katherine has an alibi for the time of your telephone conversation. | 0:26:25 | 0:26:29 | |
Then somebody is lying for her. | 0:26:29 | 0:26:32 | |
It was the Mother Superior herself. | 0:26:32 | 0:26:34 | |
Ah. | 0:26:34 | 0:26:36 | |
Any luck here? | 0:26:36 | 0:26:38 | |
Not yet. | 0:26:38 | 0:26:40 | |
I've been to the old Corven house | 0:26:40 | 0:26:43 | |
and the cottage of Katherine's former lover, Raymond Worrall. | 0:26:43 | 0:26:47 | |
Nothing. But I have been thinking... | 0:26:47 | 0:26:51 | |
What if Katherine has an accomplice? | 0:26:51 | 0:26:54 | |
Someone doing everything on the outside, | 0:26:54 | 0:26:56 | |
while she sits in the convent pulling the strings? | 0:26:56 | 0:26:59 | |
-Yes, but who? -That I don't know. | 0:26:59 | 0:27:02 | |
Don't suppose the kettle's on? | 0:27:04 | 0:27:06 | |
Please tell us you have found something useful. | 0:27:06 | 0:27:09 | |
The next-door neighbour reckons Viv had a visit from a young lass | 0:27:09 | 0:27:12 | |
a few days before she confessed. | 0:27:12 | 0:27:14 | |
Katherine was still in prison. | 0:27:14 | 0:27:16 | |
Not the bad 'un. I showed them her picture from the paper and they reckoned it was someone else. | 0:27:16 | 0:27:21 | |
That reporter! | 0:27:21 | 0:27:23 | |
She arrived at Frances Whittaker's house | 0:27:23 | 0:27:24 | |
before anyone knew what had happened. | 0:27:24 | 0:27:26 | |
So you think she might be the accomplice? | 0:27:26 | 0:27:29 | |
-If it helps, I know where to find her. -Oh. | 0:27:29 | 0:27:33 | |
Looking for something? | 0:27:39 | 0:27:41 | |
A photograph of Father Brown for my next article. | 0:27:41 | 0:27:45 | |
Our readers want to know all about his wicked ways. | 0:27:45 | 0:27:48 | |
Speaking of wickedness, | 0:27:48 | 0:27:49 | |
how did you know so quickly about Frances Whittaker's death? | 0:27:49 | 0:27:53 | |
Accusing me now? | 0:27:53 | 0:27:56 | |
For your information, I live on the same street. | 0:27:56 | 0:27:59 | |
I was returning from an all-night assignment | 0:27:59 | 0:28:02 | |
and saw the police cars outside. | 0:28:02 | 0:28:03 | |
So you thought you'd come and have a nosey around? | 0:28:03 | 0:28:06 | |
I'm a reporter. It's what I do. | 0:28:06 | 0:28:10 | |
Say "Cheese"! | 0:28:10 | 0:28:11 | |
Follow her, please, Mr Slow, and find out where she goes. | 0:28:15 | 0:28:19 | |
There's a bottle of scotch and a hot meal in it. | 0:28:19 | 0:28:21 | |
You had me at the Holy Spirit, Father. | 0:28:21 | 0:28:23 | |
An hour to go. | 0:28:32 | 0:28:34 | |
-Perhaps Blind 'Arry has been waylaid somewhere. -Oh. | 0:28:34 | 0:28:38 | |
I should get ready for Mass. | 0:28:38 | 0:28:40 | |
Please tell me you're not going to do what that evil woman asked. | 0:28:40 | 0:28:45 | |
How do you know she won't kill Penelope anyhow? | 0:28:45 | 0:28:48 | |
I don't. DOOR BANGS | 0:28:48 | 0:28:50 | |
At last! | 0:28:50 | 0:28:52 | |
Harold, is that you?! | 0:28:52 | 0:28:54 | |
Oh! | 0:28:54 | 0:28:56 | |
-Happy?! Katherine has left the convent. -When? | 0:28:57 | 0:29:00 | |
Just now. Said she couldn't find peace there. | 0:29:00 | 0:29:03 | |
She feared the other sisters believed your lies about her! | 0:29:03 | 0:29:06 | |
Where did she go? | 0:29:06 | 0:29:07 | |
She mentioned visiting an old friend. | 0:29:07 | 0:29:10 | |
You think she'll attend Mass? | 0:29:10 | 0:29:12 | |
Or she's waiting with Bunty to carry out her threat. | 0:29:12 | 0:29:15 | |
What threat?! | 0:29:15 | 0:29:16 | |
Either way, what choice do I have? | 0:29:16 | 0:29:19 | |
Is there nothing I can say to make you change your mind? | 0:29:27 | 0:29:30 | |
I fear not. | 0:29:30 | 0:29:31 | |
Mr Gladwell, have you converted to Catholicism since your divorce? | 0:29:31 | 0:29:36 | |
We had a tip-off this particular Mass was not to be missed. | 0:29:36 | 0:29:40 | |
You should be ashamed of yourselves, printing that filth. | 0:29:40 | 0:29:44 | |
We'd assumed you were dead in some ditch! | 0:29:46 | 0:29:48 | |
Or possibly just dead drunk. | 0:29:48 | 0:29:50 | |
Did what you asked. Followed that reporter | 0:29:50 | 0:29:52 | |
back to one of the old paper houses. | 0:29:52 | 0:29:54 | |
She didn't budge all afternoon till she came 'ere. | 0:29:54 | 0:29:57 | |
Paper houses? So you have been drinking! | 0:29:57 | 0:30:00 | |
A sip, maybe. | 0:30:00 | 0:30:02 | |
I was talking about that row of little old houses on Mabel Drive. | 0:30:02 | 0:30:06 | |
That's what we always called 'em. Paper houses. | 0:30:06 | 0:30:08 | |
Cos they was built by the newspaper company. | 0:30:08 | 0:30:11 | |
Frances lived in Mabel Drive. | 0:30:11 | 0:30:14 | |
The reporter already told us she lives on the same street. | 0:30:14 | 0:30:17 | |
This just confirms her story. | 0:30:17 | 0:30:20 | |
Well, this might be my last Mass. | 0:30:20 | 0:30:24 | |
I probably shouldn't be late. | 0:30:24 | 0:30:26 | |
THEY MUTTER | 0:30:37 | 0:30:39 | |
Today, I must depart from my prepared homily | 0:30:47 | 0:30:51 | |
to talk about a personal matter. | 0:30:51 | 0:30:53 | |
Many of you will have seen the most recent Gazette. | 0:30:55 | 0:30:58 | |
I'm not sure how to say this... | 0:31:01 | 0:31:03 | |
BIRD CAWS | 0:31:03 | 0:31:05 | |
Oh. | 0:31:05 | 0:31:07 | |
It seems we have a feathered visitor. | 0:31:07 | 0:31:10 | |
Many say a jackdaw in the eaves is an omen of death. | 0:31:13 | 0:31:16 | |
BIRD CAWS | 0:31:18 | 0:31:21 | |
Excuse me. | 0:31:22 | 0:31:24 | |
-Hold the fort. -But where are you...? | 0:31:30 | 0:31:33 | |
THEY MUTTER | 0:31:33 | 0:31:34 | |
Looking for divine inspiration, Father? | 0:31:54 | 0:31:56 | |
Ah! Harold. | 0:31:56 | 0:31:58 | |
Take these, and find a ladder, please. | 0:31:58 | 0:32:01 | |
Perfect escape route. | 0:32:19 | 0:32:21 | |
Bad news. | 0:32:54 | 0:32:56 | |
My little bird just told me Father Brown failed in his task. | 0:32:56 | 0:32:59 | |
MUFFLED SPEECH | 0:33:02 | 0:33:03 | |
Let's get ready to have some fun, shall we? | 0:33:03 | 0:33:06 | |
SHE WHIMPERS | 0:33:06 | 0:33:07 | |
Miss Hamsley? Are you down there? | 0:33:22 | 0:33:25 | |
God? | 0:33:26 | 0:33:28 | |
No. | 0:33:28 | 0:33:29 | |
Just one of his humble servants. | 0:33:29 | 0:33:31 | |
Are you going to explain what you were doing in my attic? | 0:33:35 | 0:33:38 | |
Discovering how Frances's murderer got out of her house | 0:33:38 | 0:33:42 | |
with the front door barricaded from the inside. | 0:33:42 | 0:33:45 | |
I wasn't even here that night! | 0:33:47 | 0:33:49 | |
I remember. On an all-night assignment. | 0:33:49 | 0:33:52 | |
Given to you by your editor, Robin Gladwell, I presume? | 0:33:52 | 0:33:54 | |
He had me staking out some warehouse in Hambleston. | 0:33:54 | 0:33:58 | |
Total waste of time. | 0:33:58 | 0:34:00 | |
Not for him. | 0:34:00 | 0:34:02 | |
He used the opportunity | 0:34:02 | 0:34:04 | |
to gain access to Frances's house through your attic. | 0:34:04 | 0:34:08 | |
Then he murdered her. | 0:34:09 | 0:34:12 | |
As you rent your house from the newspaper company, | 0:34:12 | 0:34:15 | |
it would have been easy for him to get hold of a key. | 0:34:15 | 0:34:17 | |
But, Mr Gladwell?! | 0:34:20 | 0:34:22 | |
He didn't even know the woman! | 0:34:22 | 0:34:24 | |
Didn't he? | 0:34:24 | 0:34:26 | |
I never met his wife. | 0:34:26 | 0:34:28 | |
At least, I thought I hadn't. | 0:34:28 | 0:34:31 | |
It appears Whittaker was her maiden name. | 0:34:37 | 0:34:41 | |
She reverted to it after she left him. | 0:34:41 | 0:34:45 | |
But why kill her? | 0:34:45 | 0:34:48 | |
Because she left him for another man. | 0:34:48 | 0:34:50 | |
And because Katherine Corven persuaded him to. | 0:34:50 | 0:34:54 | |
Not this Katherine rubbish again! | 0:34:54 | 0:34:57 | |
He was there at the original trial. | 0:34:57 | 0:35:01 | |
Every day. | 0:35:01 | 0:35:03 | |
At first, I thought it was just professional interest, | 0:35:03 | 0:35:07 | |
but now I think he'd fallen for her. | 0:35:07 | 0:35:10 | |
A fact she used to manipulate him. | 0:35:10 | 0:35:13 | |
She convinced him that he could get revenge on his ex-wife | 0:35:13 | 0:35:17 | |
without ever being caught. | 0:35:17 | 0:35:19 | |
You're only saying this | 0:35:19 | 0:35:20 | |
because Katherine has ruined your reputation. | 0:35:20 | 0:35:22 | |
Right now, I couldn't care less about my reputation. | 0:35:22 | 0:35:25 | |
All I want to do is save my friend. Help me. Please. | 0:35:25 | 0:35:29 | |
Just give me one hour to prove that Katherine is behind all this. | 0:35:30 | 0:35:33 | |
One hour, or I print a story about you sneaking into my attic | 0:35:35 | 0:35:39 | |
so you could watch me getting changed! | 0:35:39 | 0:35:41 | |
I assure you, I never saw a thing. | 0:35:41 | 0:35:44 | |
-Print... -What? -That's it. | 0:35:46 | 0:35:50 | |
I think I know where she's taken Bunty. | 0:35:50 | 0:35:53 | |
This building used to house the printing press. | 0:35:55 | 0:35:57 | |
Katherine said it herself - | 0:35:57 | 0:35:59 | |
"the press - useful for all sorts of dirty little jobs". | 0:35:59 | 0:36:03 | |
I think it was a clue and I think she wants to be found. | 0:36:03 | 0:36:07 | |
-So it's a trap? -Probably. | 0:36:07 | 0:36:10 | |
Well, if that's the case, perhaps someone should inform the Inspector? | 0:36:10 | 0:36:13 | |
This one's on the house! | 0:36:16 | 0:36:18 | |
What are we waiting for then? | 0:36:19 | 0:36:21 | |
Erm, perhaps you should stay here, Mrs McCarthy. Keep guard. | 0:36:21 | 0:36:24 | |
Might be dangerous. | 0:36:24 | 0:36:26 | |
Sometimes you speak complete codswallop! | 0:36:26 | 0:36:29 | |
Anybody there? | 0:36:37 | 0:36:40 | |
Penelope? | 0:36:40 | 0:36:42 | |
-FEEDBACK FROM SPEAKER -Father Brown! | 0:36:42 | 0:36:44 | |
Just in time. | 0:36:44 | 0:36:47 | |
Let Bunty go. | 0:36:47 | 0:36:49 | |
Why would I do that? | 0:36:49 | 0:36:52 | |
Because the police are coming. | 0:36:52 | 0:36:54 | |
The police? | 0:36:54 | 0:36:56 | |
For little old me? | 0:36:56 | 0:36:58 | |
I know you recruited Mr Gladwell, the newspaper editor, | 0:37:04 | 0:37:07 | |
to kill Frances Whittaker. | 0:37:07 | 0:37:10 | |
It's possible he did it to please me. | 0:37:10 | 0:37:12 | |
My Robin is such a devoted bird. | 0:37:12 | 0:37:14 | |
My guess is you both came here | 0:37:20 | 0:37:22 | |
the day you were released from prison | 0:37:22 | 0:37:24 | |
and used the newspaper's recording apparatus so that later, | 0:37:24 | 0:37:29 | |
Mr Gladwell could kidnap Bunty and deliver your ultimatum to me | 0:37:29 | 0:37:33 | |
whilst you were surrounded by witnesses at the convent. | 0:37:33 | 0:37:38 | |
Oh, all right, then. I admit it. | 0:37:38 | 0:37:40 | |
Congratulations, Father! | 0:37:40 | 0:37:42 | |
I knew you wouldn't disappoint me. | 0:37:42 | 0:37:44 | |
TAPE REWINDS | 0:37:44 | 0:37:46 | |
You have 12 hours. | 0:37:47 | 0:37:49 | |
Which is more important to you, your vocation or your friend's life? | 0:37:49 | 0:37:52 | |
By the way, did you like my impression of Mrs McCarthy? | 0:37:52 | 0:37:56 | |
My Robin kept Mrs McCarthy occupied, | 0:37:56 | 0:37:58 | |
while I sowed the seed of panic in your mind. | 0:37:58 | 0:38:01 | |
PHONE RINGS | 0:38:01 | 0:38:02 | |
St Mary's Presbytery. | 0:38:04 | 0:38:06 | |
Help! | 0:38:06 | 0:38:08 | |
Who is this? | 0:38:08 | 0:38:09 | |
-IN IRISH ACCENT: -Father! | 0:38:09 | 0:38:10 | |
Mrs McCarthy? Is that you? | 0:38:10 | 0:38:14 | |
Mrs McCarthy?! | 0:38:14 | 0:38:16 | |
THUD | 0:38:16 | 0:38:18 | |
You speak as though all this were just a game. | 0:38:24 | 0:38:27 | |
Haven't you worked it out yet? | 0:38:27 | 0:38:29 | |
It is a game! | 0:38:29 | 0:38:31 | |
Or perhaps we should call it a test. | 0:38:31 | 0:38:34 | |
Just how good are you? | 0:38:34 | 0:38:37 | |
Open that box on the floor. | 0:38:37 | 0:38:38 | |
I'm holding one just like it. | 0:38:43 | 0:38:46 | |
You have 30 seconds to find me and kill me, | 0:38:46 | 0:38:48 | |
or I'm going to shoot Bunty in the head. | 0:38:48 | 0:38:51 | |
-Don't do this. -And... go! | 0:38:51 | 0:38:53 | |
30 seconds starts now. | 0:38:53 | 0:38:55 | |
I don't understand. | 0:38:55 | 0:38:57 | |
Why would she give you the chance to kill her? | 0:38:57 | 0:39:00 | |
To destroy me. | 0:39:00 | 0:39:01 | |
If I kill Katherine, it's a mortal sin. | 0:39:01 | 0:39:04 | |
If I let Bunty die, I will live with that on my conscience forever. | 0:39:04 | 0:39:08 | |
Couldn't have put it better myself! | 0:39:08 | 0:39:09 | |
To kill or not to kill, that is the question. | 0:39:09 | 0:39:14 | |
You've already sent me to the scaffold once. | 0:39:14 | 0:39:16 | |
But are you prepared to pull the trigger yourself? | 0:39:16 | 0:39:19 | |
20 seconds. | 0:39:19 | 0:39:22 | |
Right, let's find her. | 0:39:22 | 0:39:26 | |
They're in here! | 0:39:31 | 0:39:33 | |
Ten...nine... | 0:39:33 | 0:39:36 | |
-Do something! -Eight... -I can't take a life. | 0:39:36 | 0:39:39 | |
Even to save one? | 0:39:39 | 0:39:41 | |
Seven... No closer. | 0:39:41 | 0:39:45 | |
It's me you want to hurt. | 0:39:45 | 0:39:46 | |
Actually, I'd quite happily hurt both of you. Six... | 0:39:46 | 0:39:48 | |
-Please, Father! -Five... Such a hypocrite! | 0:39:48 | 0:39:53 | |
You were quite happy for the hangman do it for you. | 0:39:53 | 0:39:55 | |
-Four... -Just shoot her. | 0:39:55 | 0:39:57 | |
-Three... -Don't do this. | 0:39:57 | 0:39:59 | |
-Two... Stop me. -Father! | 0:39:59 | 0:40:01 | |
-Please, Father! -One... | 0:40:01 | 0:40:03 | |
That's not... | 0:40:05 | 0:40:06 | |
I'll do it! | 0:40:06 | 0:40:07 | |
What have you done?! | 0:40:10 | 0:40:12 | |
Penelope! | 0:40:21 | 0:40:23 | |
So, this was your plan? | 0:40:23 | 0:40:26 | |
To goad me into shooting my own friend. | 0:40:27 | 0:40:30 | |
Father Brown, the murderer. | 0:40:32 | 0:40:34 | |
Can't blame a girl for trying. | 0:40:34 | 0:40:37 | |
Let me die. | 0:40:39 | 0:40:41 | |
I have no intention of going back to jail. | 0:40:41 | 0:40:43 | |
Then tell me one thing. | 0:40:44 | 0:40:47 | |
How did you get Vivienne Hubb to confess to killing your husband? | 0:40:47 | 0:40:52 | |
One of the less-civilised girls at the cell-block was due for release. | 0:40:56 | 0:41:01 | |
I got her to deliver a letter to Mrs Hubb | 0:41:01 | 0:41:04 | |
offering a small fortune for her family if she confessed. | 0:41:04 | 0:41:10 | |
If she refused, my friend was going to pay a visit to her grandchildren. | 0:41:10 | 0:41:14 | |
The old bat was dying. She had nothing to lose. | 0:41:14 | 0:41:17 | |
I said, let me die. | 0:41:19 | 0:41:21 | |
Not until you have sought God's forgiveness. | 0:41:23 | 0:41:26 | |
Dear Father Brown. | 0:41:27 | 0:41:29 | |
Still trying to save me. | 0:41:29 | 0:41:31 | |
Without people like me, | 0:41:35 | 0:41:37 | |
what's the point of you? | 0:41:37 | 0:41:39 | |
Katherine! Katherine! | 0:41:48 | 0:41:52 | |
Get away from her! | 0:41:56 | 0:41:58 | |
Look what they've done to you. | 0:42:00 | 0:42:02 | |
What do you mean, what we've done?! I think you'll find... | 0:42:02 | 0:42:05 | |
Be quiet! | 0:42:05 | 0:42:07 | |
Fear not, my love. | 0:42:10 | 0:42:11 | |
I'll get your revenge. | 0:42:12 | 0:42:14 | |
Not today you won't. | 0:42:19 | 0:42:21 | |
Father, help me persuade her to go to the hospital. | 0:42:24 | 0:42:28 | |
Mrs McCarthy's right. | 0:42:28 | 0:42:30 | |
Who knows what she used to knock you out? | 0:42:30 | 0:42:32 | |
Don't fuss! It's nothing a double gin and tonic won't fix. | 0:42:32 | 0:42:36 | |
Thanks for not shooting me, by the way, Father. | 0:42:36 | 0:42:38 | |
I think it's fair to say that Father Brown passed the test. | 0:42:38 | 0:42:42 | |
I'm sorry if I put you in any danger. | 0:42:42 | 0:42:45 | |
You know perfectly well, I wouldn't have had it any other way. | 0:42:45 | 0:42:48 | |
The Whittaker family are gathering at The Red Lion. | 0:43:00 | 0:43:03 | |
Yes. | 0:43:03 | 0:43:05 | |
Erm, I asked Harold to come with us, to say thank you for his assistance. | 0:43:05 | 0:43:09 | |
Mrs McCarthy! | 0:43:09 | 0:43:10 | |
Hope you don't mind me tagging along? | 0:43:10 | 0:43:13 | |
Mind? Why ever would I mind? | 0:43:13 | 0:43:15 | |
A free drink and the company of a beautiful woman? | 0:43:15 | 0:43:18 | |
I should do God's work more often! | 0:43:18 | 0:43:21 | |
-Whatever happened between you two...? -Penelope! -I'm sorry. | 0:43:21 | 0:43:24 | |
What's wrong, Father? | 0:43:26 | 0:43:27 | |
Without your help, Frances Whittaker would have been declared a suicide. | 0:43:31 | 0:43:35 | |
She wouldn't have had a proper Catholic burial. | 0:43:35 | 0:43:38 | |
And as for Katherine... well, you won! | 0:43:38 | 0:43:42 | |
-Won? -You foiled her plan. | 0:43:42 | 0:43:45 | |
Katherine wanted to destroy my soul and I wanted to save hers. | 0:43:45 | 0:43:49 | |
We both lost. | 0:43:49 | 0:43:51 | |
There isn't a priest alive that could've saved that woman's soul. | 0:43:51 | 0:43:55 | |
And I, for one, think you're a hero. | 0:43:55 | 0:43:58 | |
Come on. | 0:43:58 | 0:43:59 | |
BIRD CAWS | 0:44:07 | 0:44:10 |