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Providing a much-needed window for Northern Rhodesian painters, | 0:00:02 | 0:00:05 | |
the Lusaka Art Society held a most interesting exhibition. | 0:00:05 | 0:00:08 | |
It had a completely comprehensive nature, | 0:00:08 | 0:00:10 | |
ranging from this most striking sculpture by Miss Jean Warrington | 0:00:10 | 0:00:14 | |
to this vivid depiction of an African village | 0:00:14 | 0:00:16 | |
by Lady Felicia Montague. | 0:00:16 | 0:00:18 | |
And here she is now. | 0:00:18 | 0:00:20 | |
Patron of the Lusaka Art Society, | 0:00:21 | 0:00:23 | |
Lady Felicia's a pretty picture herself | 0:00:23 | 0:00:26 | |
and always the epitome of grace and decorum. | 0:00:26 | 0:00:29 | |
One thing's for certain, | 0:00:29 | 0:00:30 | |
his Excellency, the Governor Montgomery Montague | 0:00:30 | 0:00:33 | |
is a lucky man to have such a beautiful and devoted wife. | 0:00:33 | 0:00:36 | |
-HE MAKES KNOCKING SOUND -Why do you always do that? | 0:00:41 | 0:00:44 | |
Because it makes you laugh. | 0:00:44 | 0:00:46 | |
-Stop it. -It makes you look happy. | 0:00:46 | 0:00:48 | |
Have you thought any more about...? | 0:00:58 | 0:01:00 | |
It's all I can think about. | 0:01:00 | 0:01:01 | |
And? | 0:01:01 | 0:01:03 | |
You're asking me to give up my whole life. | 0:01:09 | 0:01:11 | |
My marriage. Everything. | 0:01:13 | 0:01:15 | |
To live happily ever after... | 0:01:16 | 0:01:18 | |
..more or less. | 0:01:21 | 0:01:22 | |
You're mad. | 0:01:24 | 0:01:26 | |
What would everybody think? | 0:01:26 | 0:01:27 | |
This isn't about what people think. | 0:01:27 | 0:01:29 | |
-And Monty? -You're just an accessory to him. | 0:01:29 | 0:01:31 | |
I am not an accessory! | 0:01:31 | 0:01:33 | |
That's why you need someone who can see that. | 0:01:34 | 0:01:36 | |
Don't make the same mistake twice. | 0:01:38 | 0:01:41 | |
How dare you suggest my marriage was a mistake. | 0:01:41 | 0:01:44 | |
Do you love him? Are you happy? | 0:01:45 | 0:01:48 | |
Felicia? | 0:01:50 | 0:01:51 | |
You're as naive and reckless now as you were ten years ago. | 0:01:56 | 0:01:59 | |
Maybe that's why I turned you down. | 0:01:59 | 0:02:01 | |
You turned me down because you were scared, | 0:02:01 | 0:02:03 | |
like you are now. | 0:02:03 | 0:02:04 | |
We love each other, don't we? | 0:02:11 | 0:02:12 | |
Don't we? | 0:02:15 | 0:02:17 | |
Then call me an old romantic | 0:02:17 | 0:02:18 | |
but I don't think anything should get in the way of that. | 0:02:18 | 0:02:21 | |
I know what I'm asking. | 0:02:21 | 0:02:23 | |
This could be the most terrifying thing you've ever done. But... | 0:02:24 | 0:02:28 | |
..it could also make you the happiest you've ever been. | 0:02:28 | 0:02:31 | |
Yes. | 0:02:35 | 0:02:37 | |
-Yes? -Yes. -Yes! | 0:02:37 | 0:02:40 | |
I love you. | 0:02:55 | 0:02:58 | |
SHE LAUGHS | 0:02:58 | 0:02:59 | |
Ooooh! | 0:03:30 | 0:03:32 | |
Uh, uh, not yet! | 0:03:32 | 0:03:34 | |
What's the camera for? | 0:03:34 | 0:03:36 | |
Homes and Garden Magazine | 0:03:36 | 0:03:38 | |
are holding a "Queen of the Kitchen" competition. | 0:03:38 | 0:03:40 | |
Oh, maybe I could pose for it. | 0:03:40 | 0:03:43 | |
You can't boil an egg. | 0:03:43 | 0:03:45 | |
-Father, would you do the honours? -Of course. | 0:03:45 | 0:03:48 | |
Oooh, very good. | 0:03:51 | 0:03:54 | |
Very regal. | 0:03:54 | 0:03:55 | |
Finished? | 0:03:57 | 0:03:58 | |
Yes. Now you may eat. | 0:03:58 | 0:04:01 | |
Typical. We show up after all this time | 0:04:01 | 0:04:04 | |
and the first thing we see is you gorging yourselves! | 0:04:04 | 0:04:07 | |
Sid! Lady Felicia! | 0:04:07 | 0:04:10 | |
Don't all talk at once. It's not a pretty picture. | 0:04:10 | 0:04:13 | |
Oooh, I've missed these! | 0:04:13 | 0:04:16 | |
-Father Brown. -You may have two. | 0:04:16 | 0:04:18 | |
Why didn't you tell us you were coming? | 0:04:18 | 0:04:20 | |
It was a last minute decision. | 0:04:20 | 0:04:22 | |
We felt like a change from the Rhodesian climate. | 0:04:22 | 0:04:24 | |
And there's nothing quite like the Kembleford rain. | 0:04:24 | 0:04:26 | |
For your information, the weather here has been beautiful. | 0:04:26 | 0:04:28 | |
Oh, every day in Kembleford is like a day in paradise. | 0:04:28 | 0:04:31 | |
That was actually quite convincing. | 0:04:31 | 0:04:33 | |
Thank you! I'm thinking of becoming an actress. | 0:04:33 | 0:04:35 | |
ALL: No! | 0:04:35 | 0:04:36 | |
So there I was, in the jungle... | 0:04:36 | 0:04:38 | |
-In the garden. -..face-to-face with this lion... | 0:04:38 | 0:04:40 | |
-Cub. -It was not a cub. -How big are we talking? | 0:04:40 | 0:04:43 | |
-Big enough it could've ripped me to shreds. -So, cat-sized then? | 0:04:43 | 0:04:45 | |
-It was bigger than a cat. -But smaller than a fox. | 0:04:45 | 0:04:47 | |
-A most magnificent gift. -Ah... | 0:04:51 | 0:04:54 | |
I used to keep it for best, but now I never go anywhere without it. | 0:04:54 | 0:04:58 | |
-Thank you. -It makes you look positively regal. | 0:04:58 | 0:05:00 | |
Oh! | 0:05:00 | 0:05:02 | |
You do know that this is the exact same handbag that the Duchess of... | 0:05:02 | 0:05:05 | |
Windsor. | 0:05:05 | 0:05:07 | |
Well, you have mentioned it a couple of times. | 0:05:07 | 0:05:10 | |
Oh! | 0:05:10 | 0:05:11 | |
So how long have we got you? | 0:05:11 | 0:05:13 | |
I'm not entirely sure yet, which reminds me... | 0:05:13 | 0:05:16 | |
..I have a train to catch. | 0:05:16 | 0:05:17 | |
-But we've hardly seen you. -I'm meeting Monty in London. | 0:05:17 | 0:05:20 | |
He's there on business, but I should be back tomorrow. Sid... | 0:05:20 | 0:05:23 | |
She runs me ragged. | 0:05:24 | 0:05:25 | |
Yes, when you're not lounging by the pool with a beer in your hand. | 0:05:25 | 0:05:28 | |
It gets hot out there. | 0:05:28 | 0:05:29 | |
You've got to keep cool. It's health and safety. | 0:05:29 | 0:05:31 | |
Is everything all right? | 0:05:32 | 0:05:33 | |
Absolutely. | 0:05:34 | 0:05:36 | |
Ta-ta. | 0:05:38 | 0:05:40 | |
From the look of undisguised loathing on your face, | 0:05:50 | 0:05:52 | |
I take it you remember me. | 0:05:52 | 0:05:53 | |
-What do you want? -A moment of your time. | 0:05:53 | 0:05:55 | |
I'm catching a train. | 0:05:55 | 0:05:57 | |
-To see your husband? -Yes. | 0:05:57 | 0:05:58 | |
To tell him about your lover, Benedict Northam? | 0:05:58 | 0:06:01 | |
I don't know what you're talking about. | 0:06:04 | 0:06:06 | |
"Call me an old romantic, | 0:06:06 | 0:06:07 | |
"but I don't think anything should stand in the way of our love. | 0:06:07 | 0:06:11 | |
-"I understand this would be the most terrifying thing..." -Stop. | 0:06:11 | 0:06:14 | |
It was very moving. I almost shed a tear. | 0:06:14 | 0:06:18 | |
I'm not surprised you said yes. | 0:06:18 | 0:06:20 | |
You said it several times, in fact, | 0:06:20 | 0:06:23 | |
during the rest of your stay in his room that afternoon. | 0:06:23 | 0:06:26 | |
-Would you like to see the transcript? -Why? | 0:06:26 | 0:06:29 | |
I'll explain everything in the car. | 0:06:29 | 0:06:30 | |
Trust me, it's in your best interests. | 0:06:30 | 0:06:33 | |
A Soviet Spy? | 0:07:11 | 0:07:12 | |
We've been tracking him for months. His diplomatic missions are a cover. | 0:07:12 | 0:07:16 | |
So why haven't you had him arrested? | 0:07:16 | 0:07:18 | |
Two weeks ago, we discovered an infiltrator | 0:07:18 | 0:07:20 | |
at the Ministry of Defence - one of our scientists. | 0:07:20 | 0:07:24 | |
Under interrogation, he confessed to photographing certain blueprints. | 0:07:24 | 0:07:28 | |
We believe that Benedict will take possession of that film tomorrow | 0:07:28 | 0:07:31 | |
at an arts fundraiser he's holding at his house. | 0:07:31 | 0:07:34 | |
You want me to be YOUR spy. | 0:07:36 | 0:07:37 | |
Duplicity is one of your strengths, is it not? | 0:07:38 | 0:07:41 | |
If you see an opportunity, | 0:07:42 | 0:07:44 | |
you're to replace the original film with this duplicate. | 0:07:44 | 0:07:48 | |
It contains misinformation, | 0:07:48 | 0:07:49 | |
it'll have them chasing their tails for months. | 0:07:49 | 0:07:52 | |
Bring the original to me. | 0:07:52 | 0:07:53 | |
Benedict is not a traitor. | 0:07:53 | 0:07:56 | |
There's only one way for you to find out. | 0:07:56 | 0:07:57 | |
You can't blackmail me into doing your dirty work | 0:07:57 | 0:08:00 | |
every time it suits you. | 0:08:00 | 0:08:01 | |
My dear, the stakes for you are far higher | 0:08:01 | 0:08:05 | |
-than your reputation and marriage. -Meaning? | 0:08:05 | 0:08:07 | |
Meaning that if you don't co-operate, it might give us | 0:08:07 | 0:08:10 | |
cause to suspect you of collusion with the enemy. | 0:08:10 | 0:08:13 | |
I would hate to see your pretty face distended at the end of a rope. | 0:08:13 | 0:08:16 | |
Now, be a good girl, do your job. | 0:08:17 | 0:08:20 | |
If not for me, then for Queen and country. | 0:08:20 | 0:08:24 | |
-Yes? -I'm looking for Benedict Northam. | 0:08:45 | 0:08:48 | |
Have you got an appointment? | 0:08:48 | 0:08:50 | |
Appointment? | 0:08:50 | 0:08:52 | |
Felicia! | 0:08:52 | 0:08:54 | |
I wasn't expecting you until tomorrow. | 0:08:54 | 0:08:56 | |
Surprise! | 0:08:56 | 0:08:58 | |
-Have I come at a bad time? -No, not at all. | 0:08:58 | 0:09:01 | |
Sir, we still have to finalise the details for the fundraiser. | 0:09:01 | 0:09:05 | |
The guest lists, the catering... | 0:09:05 | 0:09:07 | |
Well, I rely entirely on your judgement, Ms Winslow. | 0:09:07 | 0:09:09 | |
I suddenly find myself preoccupied. | 0:09:09 | 0:09:11 | |
Yes, of course. | 0:09:12 | 0:09:14 | |
My private secretary. | 0:09:15 | 0:09:17 | |
-HE WHISPERS: -She's madly in love with me. | 0:09:17 | 0:09:19 | |
Naturally. | 0:09:19 | 0:09:21 | |
Not here. | 0:09:21 | 0:09:22 | |
You haven't told Monty. | 0:09:22 | 0:09:24 | |
He was tied up in meetings. He couldn't see me. | 0:09:24 | 0:09:27 | |
Well, send him a telegram. | 0:09:27 | 0:09:29 | |
"I'm leaving you. Stop. Marriage over. Stop." | 0:09:29 | 0:09:31 | |
This isn't a joke. | 0:09:33 | 0:09:34 | |
I'm sorry. | 0:09:34 | 0:09:37 | |
Oh, what's wrong? | 0:09:49 | 0:09:51 | |
Nothing. | 0:09:51 | 0:09:52 | |
I can always tell when your smile doesn't reach your eyes. | 0:09:52 | 0:09:55 | |
I don't know whether to find that romantic or... | 0:09:56 | 0:09:59 | |
Or what? | 0:09:59 | 0:10:00 | |
Unsettling that you observe me so closely. | 0:10:00 | 0:10:03 | |
I can't help myself. | 0:10:03 | 0:10:06 | |
Cold feet? | 0:10:06 | 0:10:07 | |
How do I know that I can trust you? | 0:10:09 | 0:10:11 | |
I would never betray you. | 0:10:11 | 0:10:12 | |
Well, those are just words. They don't mean anything. | 0:10:12 | 0:10:16 | |
And what about that? Does that mean anything? | 0:10:20 | 0:10:22 | |
If you think one kiss can just magically... | 0:10:23 | 0:10:26 | |
-All night? -Well, the bed's not been slept in. | 0:10:38 | 0:10:41 | |
He's got her up to no good, I guarantee it. | 0:10:41 | 0:10:43 | |
I say call the police. | 0:10:43 | 0:10:46 | |
Police? What are you all doing here? | 0:10:46 | 0:10:49 | |
Where have you been? | 0:10:49 | 0:10:50 | |
London. I told you. | 0:10:50 | 0:10:52 | |
We were worried about you. | 0:10:52 | 0:10:55 | |
I saw you leave the station with Daniel Whittaker. | 0:10:55 | 0:10:57 | |
Lady Felicia, what's going on? | 0:10:57 | 0:10:59 | |
It's a personal matter, Father. | 0:10:59 | 0:11:01 | |
-Oh, between you and MI5? -Are you in danger? | 0:11:01 | 0:11:04 | |
Of course not. | 0:11:04 | 0:11:05 | |
Then why do you look so uneasy? | 0:11:05 | 0:11:07 | |
I appreciate your concern, all of you, | 0:11:07 | 0:11:10 | |
but I would ask that you don't pry any further. | 0:11:10 | 0:11:12 | |
We are not prying. | 0:11:12 | 0:11:14 | |
We are trying to help. | 0:11:14 | 0:11:16 | |
Why? So you can gossip it all over Kembleford? | 0:11:16 | 0:11:19 | |
I'm sorry. It's been a trying morning. | 0:11:21 | 0:11:24 | |
But I don't need your help | 0:11:26 | 0:11:27 | |
and, at the risk of sounding rude, I'd rather be alone. | 0:11:27 | 0:11:30 | |
I have a fundraiser to attend this evening | 0:11:30 | 0:11:32 | |
and I need...40 winks. | 0:11:32 | 0:11:35 | |
I'll go alone. I'll be less conspicuous. | 0:12:11 | 0:12:13 | |
Says the man in a cassock. | 0:12:13 | 0:12:15 | |
Well, I'm not waiting in the car if my aunt is in danger. | 0:12:15 | 0:12:17 | |
Me neither, in case you need some muscle. | 0:12:17 | 0:12:20 | |
-Muscle?! -Well, in that case, | 0:12:20 | 0:12:21 | |
I'm not staying here like a lost lemon. | 0:12:21 | 0:12:24 | |
SOFT PIANO MUSIC PLAYS | 0:12:28 | 0:12:30 | |
-BACKGROUND CHATTER -I'm so glad you could make it. | 0:12:32 | 0:12:35 | |
You know how fond I am of the arts. | 0:12:38 | 0:12:39 | |
Three more donations, almost £500 in total. | 0:12:43 | 0:12:47 | |
Splendid. | 0:12:47 | 0:12:48 | |
Just excuse me for a moment. | 0:12:49 | 0:12:50 | |
You can't keep your eyes off him, can you? | 0:12:59 | 0:13:01 | |
How do you know Mr Northam? | 0:13:03 | 0:13:05 | |
I guarantee, it'll be worth a fortune after I'm dead. | 0:13:06 | 0:13:10 | |
Oh, it's a shame it isn't true while you're alive. | 0:13:10 | 0:13:13 | |
Well? | 0:13:13 | 0:13:14 | |
That's not really any of your business. | 0:13:15 | 0:13:17 | |
This man is one of the greatest sculptors I have ever met, | 0:13:17 | 0:13:20 | |
and yet he insists on giving me the ugliest creation he can muster. | 0:13:20 | 0:13:25 | |
What can I say? I'm a sadist. | 0:13:25 | 0:13:27 | |
I do hope you'll give it pride of place. | 0:13:27 | 0:13:30 | |
Put this in my study, | 0:13:31 | 0:13:33 | |
-under a blanket! -THEY CHUCKLE | 0:13:33 | 0:13:35 | |
What are you doing here? | 0:13:41 | 0:13:43 | |
-We were concerned for your safety. -Then please leave. | 0:13:43 | 0:13:46 | |
So you are in trouble? | 0:13:46 | 0:13:47 | |
-Let's just get you out of here. -I am perfectly safe! | 0:13:47 | 0:13:49 | |
I know Daniel Whittaker. He's a man on a crusade. | 0:13:49 | 0:13:52 | |
That makes him dangerous. | 0:13:52 | 0:13:54 | |
I don't disagree that he is a loathsome human being, | 0:13:54 | 0:13:58 | |
but this is more complicated than you understand. | 0:13:58 | 0:14:00 | |
He's blackmailing you. | 0:14:00 | 0:14:02 | |
Will you all please just...go away! | 0:14:03 | 0:14:08 | |
-We cannot leave her here. -Agreed. | 0:14:09 | 0:14:11 | |
We'll split up, keep an eye on. | 0:14:11 | 0:14:13 | |
Thank you so much for coming. | 0:14:17 | 0:14:18 | |
Ah, another tally, Ms Winslow? | 0:14:28 | 0:14:30 | |
I know who you are. | 0:14:30 | 0:14:31 | |
Excuse me? | 0:14:31 | 0:14:33 | |
I've known for months. | 0:14:33 | 0:14:35 | |
-I don't know what you're talking... -A spy. | 0:14:35 | 0:14:38 | |
An enemy agent. | 0:14:38 | 0:14:39 | |
Can I help it if I accidentally | 0:14:40 | 0:14:42 | |
overhear your telephone conversations? | 0:14:42 | 0:14:44 | |
And what exactly is it you think you've heard, Ms Winslow? | 0:14:44 | 0:14:48 | |
It's not me you have to worry about. | 0:14:49 | 0:14:52 | |
It's her... | 0:14:52 | 0:14:53 | |
..your floozy. | 0:14:54 | 0:14:55 | |
She's after whatever it is you've got hidden in that statue. | 0:14:57 | 0:15:00 | |
She's betraying you. | 0:15:01 | 0:15:02 | |
I want to join you. | 0:15:04 | 0:15:05 | |
Your cause. | 0:15:07 | 0:15:08 | |
I was trying to help! | 0:15:13 | 0:15:14 | |
SOFT PIANO MUSIC PLAYS | 0:15:19 | 0:15:21 | |
Who are you working for? | 0:15:54 | 0:15:56 | |
The Russians? MI5? | 0:15:58 | 0:16:01 | |
So it's true. | 0:16:01 | 0:16:03 | |
You're a traitor! | 0:16:03 | 0:16:05 | |
What were you looking for in that statue? Answer me. | 0:16:06 | 0:16:10 | |
What are you looking for? | 0:16:10 | 0:16:12 | |
Was it this? | 0:16:12 | 0:16:13 | |
Tell me who you're working for. | 0:16:15 | 0:16:17 | |
Or what? You'll shoot? | 0:16:17 | 0:16:19 | |
Don't test me, Felicia. | 0:16:20 | 0:16:23 | |
Answer the question. | 0:16:23 | 0:16:25 | |
MI5. | 0:16:28 | 0:16:30 | |
I'm afraid this is Mr Northam's private study. | 0:16:35 | 0:16:37 | |
I won't be a moment. | 0:16:37 | 0:16:39 | |
I just wish to ensure my glorious work of art is displayed | 0:16:39 | 0:16:42 | |
with the prominence it so richly deserves. | 0:16:42 | 0:16:45 | |
Who in MI5? | 0:16:48 | 0:16:50 | |
Daniel Whittaker. | 0:16:50 | 0:16:51 | |
What in the blazes... My God, man, what are you doing? | 0:16:53 | 0:16:57 | |
I tried to stop him. | 0:16:57 | 0:16:58 | |
Is this some kind of joke? | 0:16:58 | 0:16:59 | |
It's not a joke. | 0:16:59 | 0:17:01 | |
Put that thing down or I'll call the police. | 0:17:01 | 0:17:03 | |
I'm afraid I can't do that. | 0:17:04 | 0:17:06 | |
Ms Winslow, please wait outside and make sure no-one else comes in. | 0:17:07 | 0:17:10 | |
Yes, Mr Northam. | 0:17:10 | 0:17:12 | |
What's going on? | 0:17:15 | 0:17:16 | |
He's a Soviet Spy. | 0:17:17 | 0:17:19 | |
What? | 0:17:19 | 0:17:21 | |
Alfred... | 0:17:28 | 0:17:30 | |
No sign of her. | 0:17:57 | 0:17:59 | |
Let's check outside. | 0:17:59 | 0:18:00 | |
GUNSHOT | 0:18:00 | 0:18:02 | |
Lady Felicia. | 0:18:02 | 0:18:04 | |
Excuse me. | 0:18:04 | 0:18:05 | |
SHE GROANS | 0:18:06 | 0:18:09 | |
I'll call an ambulance. | 0:18:11 | 0:18:13 | |
No, it's not my blood. We need to leave. Now. | 0:18:13 | 0:18:17 | |
Sidney, my bag... | 0:18:17 | 0:18:19 | |
Excuse me. Excuse me. | 0:18:23 | 0:18:25 | |
Oh, my Lord! | 0:18:27 | 0:18:28 | |
-I'm all right. -Your head is bleeding. | 0:18:28 | 0:18:30 | |
We are taking you to hospital. | 0:18:30 | 0:18:31 | |
-No! -Mrs McCarthy, please find Bunty. We are going home. -Yes. | 0:18:31 | 0:18:36 | |
Keep this safe. | 0:18:37 | 0:18:39 | |
WOMAN SCREAMS | 0:18:44 | 0:18:47 | |
Alfred Lane. | 0:18:54 | 0:18:56 | |
He was a sculptor. | 0:18:56 | 0:18:57 | |
Is this one of his works? | 0:18:57 | 0:19:00 | |
I believe so. | 0:19:00 | 0:19:02 | |
Looks like someone wasn't too fond of it. | 0:19:02 | 0:19:04 | |
I doubt that was the motive for his murder, Sergeant. | 0:19:04 | 0:19:07 | |
Oh, I don't know, sir. | 0:19:07 | 0:19:08 | |
You know what some of those art critics are like. | 0:19:08 | 0:19:11 | |
Mr Whittaker! | 0:19:11 | 0:19:12 | |
Sergeant. Daniel Whittaker, MI5. I'm taking charge of this investigation. | 0:19:12 | 0:19:17 | |
Excuse me? | 0:19:17 | 0:19:19 | |
It's not here. Search the house and everyone in it. | 0:19:24 | 0:19:27 | |
No-one's to leave. | 0:19:27 | 0:19:28 | |
-Would you mind telling me what's going on? -What happened here? | 0:19:28 | 0:19:30 | |
I'm the one asking the questions. | 0:19:30 | 0:19:32 | |
Either cooperate, or I'll have you back in uniform before you know what's hit you. | 0:19:32 | 0:19:35 | |
Do you understand? | 0:19:35 | 0:19:36 | |
Yes, sir. | 0:19:38 | 0:19:39 | |
And you are? | 0:19:40 | 0:19:42 | |
Benedict Northam's personal secretary. | 0:19:42 | 0:19:44 | |
How personal? | 0:19:44 | 0:19:46 | |
Our relationship is purely professional. | 0:19:46 | 0:19:49 | |
And where is your employer now? | 0:19:49 | 0:19:51 | |
The last time I saw him he was...with a lady friend. | 0:19:51 | 0:19:56 | |
Felicia Montague? Bring her in. | 0:19:56 | 0:19:58 | |
You think she did it? | 0:19:59 | 0:20:01 | |
Well, as far as I'm concerned, she's your prime suspect. Now find her. | 0:20:01 | 0:20:04 | |
Sir. | 0:20:09 | 0:20:10 | |
What's on it? | 0:20:21 | 0:20:23 | |
Something worth killing for. | 0:20:23 | 0:20:25 | |
What happened in that study? | 0:20:26 | 0:20:28 | |
Who killed that man? | 0:20:30 | 0:20:31 | |
I don't know. | 0:20:32 | 0:20:35 | |
I can't... | 0:20:35 | 0:20:36 | |
KNOCKING | 0:20:36 | 0:20:38 | |
How cosy. | 0:21:02 | 0:21:03 | |
We're just having a nightcap. | 0:21:03 | 0:21:05 | |
We're looking for Lady Felicia. | 0:21:05 | 0:21:07 | |
Well, she's in Northern Rhodesia. | 0:21:07 | 0:21:10 | |
Apparently not. | 0:21:10 | 0:21:11 | |
We've checked the Montague House and the presbytery... | 0:21:12 | 0:21:16 | |
And thought perhaps she could be hiding here. | 0:21:16 | 0:21:19 | |
Hiding? | 0:21:19 | 0:21:21 | |
She's wanted, for murder. | 0:21:21 | 0:21:23 | |
Holy Mother! | 0:21:23 | 0:21:26 | |
Well, that is surprising, but I'm sure Lady Felicia... | 0:21:26 | 0:21:29 | |
She's the prime suspect, according to MI5. | 0:21:29 | 0:21:32 | |
We haven't seen her. | 0:21:32 | 0:21:34 | |
Witnesses say there was a priest at the party. | 0:21:34 | 0:21:38 | |
Lot of us about. | 0:21:38 | 0:21:40 | |
At parties? | 0:21:42 | 0:21:43 | |
You'd be surprised. | 0:21:43 | 0:21:45 | |
If she contacts you, you are to inform us immediately. Understand? | 0:21:50 | 0:21:54 | |
I'll show you out. | 0:21:55 | 0:21:57 | |
DOOR CLOSES | 0:22:03 | 0:22:05 | |
Whittaker wants that film. | 0:22:08 | 0:22:10 | |
I have been trying to talk her out of it, but will she listen? | 0:22:37 | 0:22:41 | |
Nice dress, Aunt Fliss. | 0:22:41 | 0:22:42 | |
Not quite my style, but... | 0:22:42 | 0:22:44 | |
Humble apologies if my wardrobe isn't up to your haute couture standard. | 0:22:44 | 0:22:48 | |
It's quite lovely, | 0:22:48 | 0:22:49 | |
and has the distinct advantage of not being covered in blood. | 0:22:49 | 0:22:52 | |
Thank you, Bunty. | 0:22:52 | 0:22:54 | |
Talk you out of what? | 0:22:55 | 0:22:57 | |
I've decided to give Whittaker the film. | 0:22:58 | 0:23:00 | |
Once he has it, my part in his scheme is over. | 0:23:00 | 0:23:03 | |
You don't know that for certain. | 0:23:03 | 0:23:05 | |
Do you remember what happened to me? Locked up. False charges. | 0:23:05 | 0:23:07 | |
You can not trust him. | 0:23:07 | 0:23:09 | |
Perhaps I should speak to him first. | 0:23:10 | 0:23:12 | |
That's exactly what I said. | 0:23:12 | 0:23:14 | |
I appreciate your concern, but I've involved you all long enough. | 0:23:14 | 0:23:17 | |
I got myself into this. I'll get myself out. | 0:23:17 | 0:23:20 | |
-I think you're forgetting something. -What? | 0:23:20 | 0:23:22 | |
You're not in this alone. | 0:23:22 | 0:23:23 | |
Keep an eye on that. I won't be long. | 0:23:27 | 0:23:30 | |
Father Brown! I was wondering when you'd turn up. | 0:24:33 | 0:24:37 | |
I wouldn't want to let you down. | 0:24:37 | 0:24:39 | |
If I recall, you were rather helpful during our last encounter. | 0:24:39 | 0:24:44 | |
-Perhaps you'll prove just as useful this time. -I do hope so. | 0:24:44 | 0:24:47 | |
Where is she? | 0:24:47 | 0:24:48 | |
Haven't the foggiest. | 0:24:48 | 0:24:50 | |
I'm going to assume you're lying. | 0:24:50 | 0:24:52 | |
That would be uncharitable. | 0:24:52 | 0:24:54 | |
Does she have it? | 0:24:54 | 0:24:55 | |
Have what? | 0:24:55 | 0:24:56 | |
And if you get what you want...? | 0:24:59 | 0:25:01 | |
Then it's all over. Lady Felicia is a free woman. | 0:25:01 | 0:25:04 | |
As opposed to what she is now? Your puppet? | 0:25:04 | 0:25:07 | |
Then cut the strings, Father. Give me that film. | 0:25:07 | 0:25:11 | |
Excuse me, but I've had enough. | 0:25:11 | 0:25:13 | |
I've been here all night, as have the guests. | 0:25:13 | 0:25:17 | |
We've been searched and questioned. What more do you want? | 0:25:17 | 0:25:19 | |
All right, let them go. Except for you. | 0:25:21 | 0:25:23 | |
What? | 0:25:23 | 0:25:25 | |
I'd like to discuss your relationship with | 0:25:25 | 0:25:27 | |
Mr Northam at greater length. | 0:25:27 | 0:25:28 | |
Wait in the drawing room. | 0:25:28 | 0:25:30 | |
This is unacceptable. | 0:25:30 | 0:25:31 | |
Feel free to contact our complaints department. | 0:25:31 | 0:25:34 | |
We haven't finished. | 0:25:37 | 0:25:39 | |
Lady Felicia's innocent. That's all you need to know. | 0:25:39 | 0:25:42 | |
Innocent of murder, perhaps, but little else. | 0:25:42 | 0:25:45 | |
Is that what this is about? Your judgment of her? | 0:25:45 | 0:25:49 | |
It's about protecting this country. | 0:25:49 | 0:25:51 | |
At any cost? | 0:25:51 | 0:25:52 | |
There are casualties in every war, Father. | 0:25:52 | 0:25:55 | |
Yes. I know. | 0:25:55 | 0:25:57 | |
I was there, standing next to some of the most honourable men | 0:25:57 | 0:26:02 | |
I've ever met. | 0:26:02 | 0:26:03 | |
Are you questioning my honour? | 0:26:03 | 0:26:06 | |
No, I'm questioning your motive. | 0:26:06 | 0:26:08 | |
Are you an honourable officer doing his duty | 0:26:10 | 0:26:12 | |
or are you a zealot, cursed with tunnel-vision, blinding you... | 0:26:12 | 0:26:17 | |
Lessons on zealotry from a Catholic priest. | 0:26:17 | 0:26:20 | |
I do hope you see the irony. | 0:26:20 | 0:26:22 | |
Blinding you to the humanity in others. | 0:26:23 | 0:26:27 | |
Then I'll leave it to you, shall I, to scream, | 0:26:27 | 0:26:30 | |
"Oh, the humanity, the humanity..." | 0:26:30 | 0:26:32 | |
when the Soviets drop nuclear bombs on our cities? | 0:26:32 | 0:26:35 | |
You're terrified. | 0:26:36 | 0:26:38 | |
We should all be terrified. | 0:26:38 | 0:26:40 | |
There's nothing better for the nerves | 0:26:47 | 0:26:49 | |
than a good, strong cup of tea. | 0:26:49 | 0:26:51 | |
And a nab of whisky, I find. | 0:26:51 | 0:26:53 | |
-Ah! -OK. | 0:26:53 | 0:26:55 | |
CREAKING | 0:26:56 | 0:26:58 | |
Father? | 0:26:58 | 0:26:59 | |
Don't take another step. | 0:27:06 | 0:27:08 | |
I'm not a spy. At least, not the way you think I am. | 0:27:09 | 0:27:12 | |
Then who are you? | 0:27:12 | 0:27:14 | |
I say we turn him in. | 0:27:16 | 0:27:18 | |
For once, maybe Inspector Mallory will come in handy. | 0:27:18 | 0:27:22 | |
I work for a secret department within the Ministry of Defence. | 0:27:22 | 0:27:25 | |
Even Whittaker doesn't know about it. | 0:27:25 | 0:27:27 | |
It's the truth. | 0:27:27 | 0:27:28 | |
Or a lie from a cold-blooded traitor who just murdered an innocent man. | 0:27:28 | 0:27:32 | |
Alfred was my friend. | 0:27:33 | 0:27:34 | |
The one you were pointing the gun at? As you were me? | 0:27:34 | 0:27:37 | |
-I didn't know whether I could trust you. -Well, the feeling's mutual. | 0:27:37 | 0:27:40 | |
-I didn't kill him. -Then who did? | 0:27:40 | 0:27:42 | |
It was my devoted secretary. | 0:27:44 | 0:27:45 | |
No! | 0:27:55 | 0:27:56 | |
Don't worry, Mr Northam. | 0:27:56 | 0:27:58 | |
Give that to me. | 0:28:01 | 0:28:03 | |
Don't worry. I'll take care of everything. | 0:28:03 | 0:28:05 | |
-Lara! -We're in this together. | 0:28:05 | 0:28:07 | |
Felicia. | 0:28:19 | 0:28:20 | |
Oh... | 0:28:26 | 0:28:27 | |
I was going to go after her, when... | 0:28:27 | 0:28:29 | |
When you realised that I had this. | 0:28:29 | 0:28:32 | |
If there's one thing I know about Whittaker, | 0:28:34 | 0:28:37 | |
he uses the oldest tricks in the book. | 0:28:37 | 0:28:39 | |
I couldn't be sure whether you had the original, but you have. | 0:28:39 | 0:28:42 | |
It is, right? | 0:28:42 | 0:28:43 | |
Is that why you're here? For this? | 0:28:43 | 0:28:46 | |
Or for me? | 0:28:48 | 0:28:50 | |
Both. | 0:28:50 | 0:28:51 | |
Don't listen to a word he says. | 0:28:51 | 0:28:53 | |
I know a player when I see one. | 0:28:53 | 0:28:55 | |
I wouldn't betray my country. And I wouldn't betray you, either. | 0:28:55 | 0:28:59 | |
I love you both. | 0:29:00 | 0:29:02 | |
Mr Whittaker? | 0:29:23 | 0:29:25 | |
Wait there. | 0:29:42 | 0:29:44 | |
-Where do you think you're going? -I'm a busy woman. You have my details. | 0:29:46 | 0:29:50 | |
-I saw you take the film from the planter. -Your handbag, please. | 0:29:50 | 0:29:54 | |
-Who are you working for? -I already told you. Benedict Northam. | 0:29:57 | 0:30:01 | |
But stealing government secrets for your boss - | 0:30:01 | 0:30:04 | |
is that within your job description? | 0:30:04 | 0:30:06 | |
Loyalty is everything in a personal assistant. | 0:30:06 | 0:30:09 | |
Go ahead. | 0:30:09 | 0:30:11 | |
Take it to him. | 0:30:11 | 0:30:12 | |
We promise not to follow you. | 0:30:12 | 0:30:14 | |
What aren't you telling me? | 0:30:21 | 0:30:23 | |
Tell me! | 0:30:25 | 0:30:26 | |
The film's a fake. | 0:30:26 | 0:30:28 | |
-What are you doing? -Saving your life. | 0:30:28 | 0:30:30 | |
Is this true? | 0:30:30 | 0:30:31 | |
-I don't know what he's talking about. -They were switched. | 0:30:31 | 0:30:34 | |
You stole a duplicate. | 0:30:34 | 0:30:36 | |
Where's the real one? | 0:30:36 | 0:30:39 | |
Get in the car. | 0:30:44 | 0:30:45 | |
Stay back. | 0:30:48 | 0:30:50 | |
Well, even if he does turn out to be a traitor, I have to say, | 0:31:07 | 0:31:10 | |
he is gorgeous. | 0:31:10 | 0:31:12 | |
Thank you, Bunty, that's just what I needed to hear. | 0:31:12 | 0:31:15 | |
Obviously, I can't condone anyone who would betray their wedding vows, | 0:31:15 | 0:31:19 | |
but when he declared his love for you, it was like Bogart and Bacall. | 0:31:19 | 0:31:24 | |
-Oh! -I do not believe this! | 0:31:24 | 0:31:26 | |
This guy flashes his lashes and you all fall for it hook, line and sinker! | 0:31:26 | 0:31:29 | |
-May we have a moment alone? -No, you can't! -It's all right, Sidney. | 0:31:30 | 0:31:34 | |
I'm hunting the leader of a spy ring. | 0:31:44 | 0:31:46 | |
No-one knows his identity other than he's a businessman with | 0:31:46 | 0:31:50 | |
ties to the Soviet Union. I need the film to infiltrate his network. | 0:31:50 | 0:31:53 | |
Without that, I... | 0:31:53 | 0:31:54 | |
I was about to give up my whole life for a lie! | 0:31:54 | 0:31:57 | |
How I feel about you isn't a lie. | 0:31:58 | 0:32:02 | |
I've loved you... | 0:32:02 | 0:32:04 | |
Oh, spare me the flowery declaration! | 0:32:04 | 0:32:06 | |
We both know why you're here - you just said so yourself. | 0:32:06 | 0:32:08 | |
How important is it to you? Enough to rip it from my hand? | 0:32:08 | 0:32:12 | |
-And what if I didn't let go? Would you beat it from me? -I wouldn't... | 0:32:12 | 0:32:15 | |
How do I know? How do I know anything about you? | 0:32:15 | 0:32:18 | |
I would never force anything from you. | 0:32:18 | 0:32:20 | |
-I want to believe you. -But? | 0:32:23 | 0:32:26 | |
You lie for a living. | 0:32:26 | 0:32:29 | |
PHONE RINGS | 0:32:29 | 0:32:31 | |
You all right? | 0:32:35 | 0:32:37 | |
-Hello. -Mrs McCarthy. | 0:32:37 | 0:32:39 | |
-Father Brown! -Please listen carefully. | 0:32:39 | 0:32:42 | |
I'm being held at gunpoint by Mr Northam's secretary. | 0:32:42 | 0:32:46 | |
Please put Lady Felicia on the telephone. | 0:32:46 | 0:32:49 | |
He's being held at gunpoint. He wants to talk to you. | 0:32:49 | 0:32:53 | |
Father Brown? | 0:32:55 | 0:32:56 | |
The film in exchange for your friend's life. Understand? | 0:32:59 | 0:33:02 | |
-Yes. -There's a valley south of Hambleston. | 0:33:02 | 0:33:05 | |
-A crop of woods at the peak. Know it? -Yes. | 0:33:05 | 0:33:09 | |
Come alone. | 0:33:09 | 0:33:11 | |
Thank you. | 0:33:11 | 0:33:12 | |
-You all right? -Give it to me. | 0:33:50 | 0:33:53 | |
FOOTSTEPS | 0:33:59 | 0:34:01 | |
Lara. | 0:34:01 | 0:34:03 | |
You found me! | 0:34:04 | 0:34:06 | |
-I never lost you from sight. -She stole the film! | 0:34:06 | 0:34:10 | |
I got it back for you. | 0:34:10 | 0:34:12 | |
-I saved your mission. -You risked everything for me. | 0:34:12 | 0:34:15 | |
I killed for you. | 0:34:16 | 0:34:18 | |
I'm sorry if I ever underappreciated your talents, Lara. | 0:34:18 | 0:34:22 | |
I believe that belongs to me, too. | 0:34:22 | 0:34:24 | |
Wait a minute... How did you find me? | 0:34:30 | 0:34:34 | |
How did you know where I... | 0:34:36 | 0:34:38 | |
-Traitor. -I don't understand. | 0:34:40 | 0:34:44 | |
No! You love me! | 0:34:44 | 0:34:46 | |
I hate to be the one to break it to you, Miss Winslow, but you are deluded. | 0:34:46 | 0:34:49 | |
No!!! | 0:34:49 | 0:34:50 | |
Don't shoot! He's British Intelligence! | 0:34:54 | 0:34:57 | |
No! | 0:34:58 | 0:35:00 | |
Don't worry - it's a flesh wound. | 0:35:00 | 0:35:02 | |
He's no good for interrogation if he's dead. | 0:35:02 | 0:35:04 | |
Find him. | 0:35:11 | 0:35:12 | |
How did you find us? | 0:35:14 | 0:35:16 | |
Mr Whittaker had us combing the area. I spotted Miss Winslow's car. | 0:35:16 | 0:35:20 | |
-I believe I was the one who spotted her car. -If you say so, sir. | 0:35:20 | 0:35:24 | |
-Inspector Mallory, arrest this woman for offences under the Official Secrets Act. -What? | 0:35:24 | 0:35:28 | |
That is entirely unnecessary. | 0:35:28 | 0:35:31 | |
I have no doubt that in the ensuing trial, your husband and the world | 0:35:31 | 0:35:35 | |
will be stunned to discover all of your dirty little secrets. | 0:35:35 | 0:35:39 | |
-No-one is to see her, Padre. -Orders from above, Father. | 0:36:06 | 0:36:11 | |
We found Lara Winslow. Shot in the head. Film stolen. | 0:36:14 | 0:36:18 | |
I think we can safely assume this is Northam's work. | 0:36:18 | 0:36:21 | |
Naturally, I will be pressing for | 0:36:21 | 0:36:23 | |
-the maximum sentence for Lady Felicia. -Lady Felicia is innocent. | 0:36:23 | 0:36:26 | |
-She passed top secret information. -No, she didn't. | 0:36:26 | 0:36:30 | |
-This is the original. I switched it for a duplicate. -Why on Earth... | 0:36:30 | 0:36:35 | |
In case anyone tried to steal it. | 0:36:35 | 0:36:37 | |
So... | 0:36:38 | 0:36:41 | |
Lady Felicia. | 0:36:41 | 0:36:42 | |
You'll cut the strings? | 0:36:42 | 0:36:45 | |
If the film is genuine. | 0:36:45 | 0:36:46 | |
Then again, she pushed Northam out of my line of fire. | 0:36:51 | 0:36:55 | |
-He only escaped because of her. -She was there because of you. | 0:36:55 | 0:36:59 | |
Sorry, Father. No dice. A judge and jury will decide her fate. | 0:36:59 | 0:37:03 | |
You've got what you wanted! Now let her go. | 0:37:10 | 0:37:13 | |
It would be the honourable thing to do. | 0:37:13 | 0:37:15 | |
Is this the part where you tell me I'm lacking in humanity? | 0:37:15 | 0:37:18 | |
-I never said that. -I will not be patronised. | 0:37:18 | 0:37:20 | |
-I was not trying to patronise you. -Then what? -Trying to understand. | 0:37:20 | 0:37:24 | |
Understand? | 0:37:24 | 0:37:25 | |
We see things only through the clouded lens of our own | 0:37:25 | 0:37:28 | |
perspective, then we are doomed. | 0:37:28 | 0:37:30 | |
Then understand this - we are fighting a war! | 0:37:30 | 0:37:33 | |
-Toby James. -What? | 0:37:37 | 0:37:39 | |
Young man I knew during the war. | 0:37:41 | 0:37:43 | |
-I haven't got time for your old war stories. -Sweet, gentle boy. | 0:37:43 | 0:37:49 | |
Didn't belong there. None of us did. | 0:37:49 | 0:37:51 | |
And then when he fell...for one brief, terrible moment, | 0:37:53 | 0:37:58 | |
the only thing I felt in my heart was hatred for the enemy. | 0:37:58 | 0:38:02 | |
So I understand, Mr Whittaker. I really do. | 0:38:03 | 0:38:07 | |
But...then I thought about the boy that had killed him. | 0:38:11 | 0:38:14 | |
Same age, probably. | 0:38:16 | 0:38:18 | |
How scared he was. | 0:38:18 | 0:38:20 | |
And then that hatred left me. | 0:38:23 | 0:38:25 | |
I do believe that we can be so much better than our basest feelings. | 0:38:27 | 0:38:32 | |
Don't you? | 0:38:33 | 0:38:35 | |
Welcome home! | 0:38:39 | 0:38:41 | |
-Oh, thank you! This is lovely! -So no more trouble! | 0:38:41 | 0:38:45 | |
-No more secret missions. -And no more dramas. | 0:38:45 | 0:38:48 | |
I'm headed back to Northern Rhodesia with Monty next week. | 0:38:48 | 0:38:51 | |
-No more dramas. -Oh, how dull! | 0:38:51 | 0:38:53 | |
Kembleford is never dull! | 0:38:53 | 0:38:55 | |
Which reminds me, | 0:38:55 | 0:38:57 | |
Sid, I have a very long list of jobs for you at the presbytery. | 0:38:57 | 0:39:01 | |
-Oh, thank you very much, Father. -Any news of... | 0:39:01 | 0:39:05 | |
Well, I'm sure he's all right. | 0:39:05 | 0:39:07 | |
He looked like the kind of man who knew how to take care of himself. | 0:39:07 | 0:39:10 | |
-Telegram, my lady. -Excuse me, Mrs M. | 0:39:10 | 0:39:13 | |
Thank you, Hornby. | 0:39:14 | 0:39:15 | |
Is your answer still yes? | 0:40:19 | 0:40:20 | |
Did you kill Lara? | 0:40:24 | 0:40:26 | |
No. | 0:40:26 | 0:40:27 | |
The film's gone. Mission's a failure. | 0:40:27 | 0:40:30 | |
I feel at least partially responsible. I'm sorry. | 0:40:32 | 0:40:35 | |
Is that why you've come? To apologise? | 0:40:37 | 0:40:39 | |
I came because I had to see you. | 0:40:40 | 0:40:42 | |
You still haven't answered my question. | 0:40:43 | 0:40:45 | |
This might sound strange, but... | 0:40:48 | 0:40:50 | |
..you've always been my path not taken. | 0:40:53 | 0:40:57 | |
It's tortured me, I think, without my even realising it, and now... | 0:40:59 | 0:41:04 | |
It doesn't. | 0:41:04 | 0:41:05 | |
Let's just say the reality was a lot more dangerous than I'd anticipated. | 0:41:07 | 0:41:13 | |
-I'd give it all up. -And do what? | 0:41:15 | 0:41:17 | |
-A desk job? -Yes. | 0:41:19 | 0:41:21 | |
-Why not? -Because you'd hate it! | 0:41:22 | 0:41:24 | |
-And eventually, you'd hate me. -Never! | 0:41:26 | 0:41:29 | |
Oh, I'm no picnic! | 0:41:29 | 0:41:32 | |
And you love what you do. | 0:41:32 | 0:41:33 | |
You live for it. | 0:41:36 | 0:41:38 | |
Admit it. | 0:41:38 | 0:41:39 | |
I can't take that away from you. | 0:41:41 | 0:41:44 | |
Felicia... | 0:41:44 | 0:41:45 | |
My answer is no. | 0:41:45 | 0:41:47 | |
It has to be. | 0:41:48 | 0:41:49 | |
Let's just remember this for what it was. | 0:41:53 | 0:41:56 | |
What it is. | 0:41:57 | 0:41:59 | |
Something beautiful. | 0:42:00 | 0:42:02 | |
So beautiful... | 0:42:04 | 0:42:06 | |
that it couldn't last. | 0:42:06 | 0:42:08 | |
So beautiful that we could only hold on to it for a moment. | 0:42:09 | 0:42:12 | |
But that even that...even the briefest of moments... | 0:42:14 | 0:42:19 | |
Can last a lifetime. | 0:42:19 | 0:42:21 | |
Comrade. | 0:43:16 | 0:43:18 |