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WALTZ MUSIC PLAYING | 0:00:05 | 0:00:09 | |
There she is! | 0:00:20 | 0:00:21 | |
Walgrave, get your claws off this vision of beauty. | 0:00:21 | 0:00:26 | |
You can't possibly appreciate her. | 0:00:26 | 0:00:28 | |
Behave! | 0:00:28 | 0:00:30 | |
And why break the habit of a lifetime? | 0:00:30 | 0:00:32 | |
We're practising. | 0:00:33 | 0:00:34 | |
Well, I want to discuss a little wager with him. | 0:00:34 | 0:00:38 | |
Why don't you run along and help Merryn settle into her room? | 0:00:38 | 0:00:42 | |
-Oliver... -It's all right. Thank you, Lucy. | 0:00:42 | 0:00:44 | |
You look exquisite. | 0:00:47 | 0:00:48 | |
I know. | 0:00:49 | 0:00:50 | |
So, here's the deal... | 0:00:53 | 0:00:56 | |
..if I win the competition, then you give up dancing. | 0:00:58 | 0:01:01 | |
Let me have my fiance back. | 0:01:02 | 0:01:05 | |
She's done enough charity work being your dance partner. | 0:01:05 | 0:01:08 | |
And if I win? | 0:01:08 | 0:01:09 | |
Well, then I'll give you something money can't buy. | 0:01:09 | 0:01:13 | |
I'll tell you who took your sight. | 0:01:14 | 0:01:15 | |
I must say, Lady Johnton... | 0:01:47 | 0:01:48 | |
Call me Lady Rose. | 0:01:48 | 0:01:49 | |
I must say, Lady Rose, | 0:01:49 | 0:01:51 | |
it's very generous of you to help with the appeal. | 0:01:51 | 0:01:54 | |
Oh, not at all. | 0:01:54 | 0:01:55 | |
Last year, we donated the proceeds to Major Peterson's | 0:01:55 | 0:01:59 | |
Historical Re-enactment Society. | 0:01:59 | 0:02:01 | |
At least a church roof has a purpose. | 0:02:01 | 0:02:03 | |
We have two days of classes | 0:02:05 | 0:02:06 | |
and practice sessions planned, | 0:02:06 | 0:02:09 | |
and then the competition | 0:02:09 | 0:02:10 | |
is on Sunday night. | 0:02:10 | 0:02:11 | |
-Oh. -Oh, a sjambok! -Indeed. | 0:02:11 | 0:02:15 | |
A what? | 0:02:17 | 0:02:18 | |
African whip made of hippopotamus hide. | 0:02:18 | 0:02:21 | |
How troubled should I be that you know that? | 0:02:21 | 0:02:23 | |
Where did you get it? | 0:02:24 | 0:02:26 | |
I picked up all of these things on my travels. | 0:02:26 | 0:02:28 | |
-I'll show you to the ballroom. -Oh. | 0:02:30 | 0:02:33 | |
I do hope you'll all be joining in. | 0:02:35 | 0:02:38 | |
Oh, you obviously have never seen Father Brown dance. | 0:02:38 | 0:02:41 | |
Not my natural form of expression, I admit. | 0:02:41 | 0:02:44 | |
Miss Windermere, you look like a ballroom dancer. | 0:02:44 | 0:02:47 | |
Oh, I'm afraid I've always found it rather tedious. | 0:02:47 | 0:02:50 | |
Follow me. | 0:02:52 | 0:02:53 | |
On the other hand... | 0:03:12 | 0:03:14 | |
Somebody has perked up! | 0:03:16 | 0:03:18 | |
Alexander is one of my star pupils. | 0:03:18 | 0:03:21 | |
I know it's not the done thing for a lady to ask for a dance, | 0:03:22 | 0:03:25 | |
but I wondered if you could make my being here worthwhile? | 0:03:25 | 0:03:29 | |
I'd love to dance with you. | 0:03:29 | 0:03:31 | |
Terrific. | 0:03:31 | 0:03:32 | |
-Can you? -Of course. | 0:03:35 | 0:03:37 | |
Tell me when we're approaching the edge. | 0:03:47 | 0:03:49 | |
Oh, turn. Turn now! | 0:03:50 | 0:03:52 | |
You don't need to shout. | 0:03:53 | 0:03:54 | |
So, when do you start? | 0:03:58 | 0:03:59 | |
Three weeks' time. I'll be teaching the new second form. | 0:03:59 | 0:04:04 | |
Mm! Sounds a hoot. | 0:04:04 | 0:04:06 | |
I just felt like I needed to do something a bit more | 0:04:06 | 0:04:09 | |
-meaningful with my life. -Hm. | 0:04:09 | 0:04:12 | |
Where did you get that? | 0:04:16 | 0:04:18 | |
It was a present. Do you like it? | 0:04:18 | 0:04:21 | |
I think it's important to always look your best, don't you? | 0:04:22 | 0:04:25 | |
Now, there's a gentleman that's bound to dance with you. | 0:04:38 | 0:04:41 | |
Who? | 0:04:41 | 0:04:42 | |
Holy Mother! | 0:04:46 | 0:04:47 | |
You're a wonderful dancer. | 0:04:51 | 0:04:52 | |
So are you. | 0:04:52 | 0:04:54 | |
-What's your name? -Bunty. | 0:04:54 | 0:04:55 | |
I'm Alexander. | 0:04:55 | 0:04:57 | |
How did you learn to dance like that? | 0:04:57 | 0:04:59 | |
Patient teachers. | 0:04:59 | 0:05:00 | |
-ANOTHER SONG STARTS -Shall we? | 0:05:04 | 0:05:05 | |
-Oh, yes. -Alexander! | 0:05:05 | 0:05:07 | |
This is my competition partner, Lucy Dawes. | 0:05:07 | 0:05:10 | |
Bunty Windermere. | 0:05:10 | 0:05:11 | |
A pleasure. Alexander, we must practise. | 0:05:11 | 0:05:14 | |
Oliver has been putting in the hours, and we need to do the same. | 0:05:14 | 0:05:16 | |
Yes. I'm sorry, Bunty. Thank you for the dance. | 0:05:16 | 0:05:20 | |
Isn't that Merryn Tyrell? | 0:05:29 | 0:05:31 | |
Yes. | 0:05:31 | 0:05:33 | |
Oh, such a sad business about her father. | 0:05:33 | 0:05:35 | |
I guess I should take you for a spin. | 0:05:41 | 0:05:43 | |
Lucy! | 0:05:46 | 0:05:47 | |
Give me a moment. | 0:05:49 | 0:05:50 | |
What's that? I didn't give it to you. | 0:05:52 | 0:05:54 | |
Oliver, we're practising! | 0:05:54 | 0:05:56 | |
I buy you nice jewellery - expensive jewellery. | 0:05:56 | 0:05:59 | |
I'll wear what I like! | 0:05:59 | 0:06:01 | |
Everything all right? | 0:06:09 | 0:06:12 | |
Oh! | 0:06:12 | 0:06:13 | |
I'm sorry! I'm sorry! | 0:06:14 | 0:06:16 | |
Are you all right? | 0:06:17 | 0:06:19 | |
Just lead me to the door. | 0:06:19 | 0:06:20 | |
I can find my way from there. | 0:06:20 | 0:06:21 | |
What's wrong? | 0:06:31 | 0:06:32 | |
Why are you wearing that? | 0:06:33 | 0:06:34 | |
It goes with my eyes. | 0:06:35 | 0:06:37 | |
Show some respect. | 0:06:37 | 0:06:39 | |
Everything is just a game to you, isn't it? | 0:06:49 | 0:06:51 | |
Oh, you've become so worthy since you took that job. | 0:06:51 | 0:06:55 | |
You wouldn't catch Lucy doing something so vulgar. Shall we? | 0:06:55 | 0:07:00 | |
Where are you going? | 0:07:06 | 0:07:07 | |
Anywhere but here. The girls are in a strop. | 0:07:07 | 0:07:09 | |
How is Alexander? | 0:07:13 | 0:07:15 | |
Embarrassed. | 0:07:15 | 0:07:17 | |
Father Brown, take me in a close hold. | 0:07:17 | 0:07:20 | |
It's time to get you dancing. | 0:07:21 | 0:07:22 | |
Now, count one to four. | 0:07:26 | 0:07:29 | |
One, two, three, four. | 0:07:30 | 0:07:32 | |
In time to the music. And..one... | 0:07:32 | 0:07:36 | |
Lucy? Are you there? | 0:07:56 | 0:07:59 | |
Slow, slow, quick, quick, slow. | 0:08:06 | 0:08:11 | |
Thank you. | 0:08:11 | 0:08:13 | |
I did warn you I'm not a natural. | 0:08:13 | 0:08:15 | |
Well, she is tenacious - I'll give her that. | 0:08:15 | 0:08:17 | |
Yes. | 0:08:17 | 0:08:18 | |
Mrs McCarthy, would you do me the honour? | 0:08:21 | 0:08:24 | |
How can I say no? | 0:08:27 | 0:08:28 | |
It's like all my Christmases have come at once. | 0:08:28 | 0:08:31 | |
Help! I need help! | 0:08:34 | 0:08:36 | |
In nomine Patris et Filii et Spiritus Sancti. | 0:08:55 | 0:08:58 | |
Sergeant, what are all these people doing here? | 0:09:01 | 0:09:04 | |
Ballroom dancing competition, Sir. | 0:09:04 | 0:09:06 | |
Why were you here? | 0:09:06 | 0:09:08 | |
Um... Go through, Constable. | 0:09:08 | 0:09:10 | |
Oh, no! | 0:09:12 | 0:09:13 | |
I had an aunt that taught me, Sir. | 0:09:13 | 0:09:15 | |
Look, please don't tell the lads down at the station. | 0:09:15 | 0:09:18 | |
I always suspected you had a dark secret, but this... | 0:09:18 | 0:09:22 | |
It's bad enough my sergeant thinks he's Fred Astaire | 0:09:29 | 0:09:31 | |
-without finding you in here, Padre! -Inspector. | 0:09:31 | 0:09:34 | |
You should know the drill by now. Crime scene, get out, comprende? | 0:09:34 | 0:09:39 | |
Downstairs, she was wearing a necklace. Now she isn't. | 0:09:39 | 0:09:41 | |
So robbery was the motive. Very good. Now go! | 0:09:41 | 0:09:44 | |
Sir, the gentleman here discovered the body. | 0:09:46 | 0:09:50 | |
Please, I need to tell you something. | 0:09:50 | 0:09:52 | |
I heard the killer leaving. | 0:09:52 | 0:09:54 | |
But you didn't see anything? | 0:09:54 | 0:09:56 | |
I'm blind. | 0:09:57 | 0:09:58 | |
So we're looking for someone with feet at a dancing competition. | 0:10:00 | 0:10:04 | |
-Very helpful! -I know who did this. | 0:10:04 | 0:10:06 | |
We'll take your statement later. | 0:10:06 | 0:10:07 | |
Now, if you'll excuse me, I've a murder to solve. | 0:10:07 | 0:10:10 | |
Inspector... | 0:10:10 | 0:10:11 | |
Penelope, why don't you introduce me to your new friend? | 0:10:11 | 0:10:15 | |
This is Father Brown. | 0:10:17 | 0:10:18 | |
Alexander Walgrave. | 0:10:20 | 0:10:21 | |
Pleased to meet you. | 0:10:21 | 0:10:23 | |
Now, why don't we go somewhere quiet, | 0:10:23 | 0:10:25 | |
and you can tell me what you heard? | 0:10:25 | 0:10:26 | |
After I fell, I needed a few moments to gather myself, so I sat out here. | 0:10:35 | 0:10:40 | |
It's hard to identify someone from their footsteps, | 0:10:41 | 0:10:44 | |
but there is one person whose sound is entirely distinctive. | 0:10:44 | 0:10:48 | |
Lady Rose - she walks with a stick. | 0:10:48 | 0:10:50 | |
I heard her leaving Lucy's bedroom. | 0:10:50 | 0:10:52 | |
I realised Lucy must be in her room. | 0:10:53 | 0:10:55 | |
Lucy? | 0:10:59 | 0:11:01 | |
I was worried that she might blame herself for my fall, | 0:11:06 | 0:11:09 | |
so I went to reassure her. | 0:11:09 | 0:11:10 | |
Lady Rose must have been the last person to see her alive. | 0:11:17 | 0:11:20 | |
We have to make Mallory listen. | 0:11:22 | 0:11:24 | |
Oh, please, Inspector, these people are my guests! | 0:11:27 | 0:11:30 | |
And one of them is a killer. | 0:11:30 | 0:11:31 | |
Until we find the murder weapon, no-one is going anywhere. | 0:11:31 | 0:11:34 | |
Thank you, Sir. | 0:11:34 | 0:11:36 | |
Don't even think about laying your paws on me, Sergeant! | 0:11:36 | 0:11:39 | |
No pockets. You're all right. | 0:11:40 | 0:11:41 | |
This can't be happening, not to my Lucy. | 0:11:43 | 0:11:46 | |
Sir. | 0:11:48 | 0:11:49 | |
Is this the necklace the deceased was wearing? | 0:11:51 | 0:11:54 | |
She had a name. | 0:11:54 | 0:11:55 | |
Did you remove this from her body? | 0:11:57 | 0:12:00 | |
No, I took it from Lucy's bag - the black one in the corner. | 0:12:00 | 0:12:04 | |
-LADY ROSE: -But that's my bag. | 0:12:04 | 0:12:06 | |
What? | 0:12:06 | 0:12:08 | |
After all I've done for you, this is how you repay me? | 0:12:08 | 0:12:11 | |
Lies and false accusations? | 0:12:11 | 0:12:13 | |
I thought it was Lucy's. | 0:12:13 | 0:12:15 | |
It got knocked over, and I saw the necklace in it. | 0:12:15 | 0:12:18 | |
Why did you take it? | 0:12:18 | 0:12:19 | |
I thought it was a gift from one of her admirers. | 0:12:20 | 0:12:23 | |
Everyone wanted her, and she loved rubbing my face in it. | 0:12:23 | 0:12:28 | |
I just thought I would take it to teach her a lesson. | 0:12:28 | 0:12:31 | |
So you stole the necklace to punish her? | 0:12:31 | 0:12:34 | |
No! She was my fiance. I loved her. | 0:12:34 | 0:12:36 | |
You don't know the meaning of the word! | 0:12:37 | 0:12:39 | |
I'm arresting you for the murder of Lucy Dawes. | 0:12:42 | 0:12:44 | |
You're not obliged to say anything, unless you wish to do so, | 0:12:44 | 0:12:46 | |
but whatever you say may be put in writing and given in evidence. | 0:12:46 | 0:12:49 | |
FATHER BROWN: You wanted to talk to us. | 0:12:57 | 0:13:00 | |
I've no love for Oliver, but he didn't do this. | 0:13:00 | 0:13:04 | |
I know what I heard. | 0:13:04 | 0:13:05 | |
Lady Rose left the bedroom just before I found Lucy's body. | 0:13:05 | 0:13:10 | |
But we've no way of proving that. | 0:13:10 | 0:13:12 | |
After I lost my sight, Lucy fought to help me rebuild my life. | 0:13:12 | 0:13:17 | |
She gave me back my confidence, even helped me learn to dance again. | 0:13:17 | 0:13:22 | |
I've no doubt that she's meant a lot to you. | 0:13:22 | 0:13:25 | |
-But that doesn't... -I have to get justice for her. | 0:13:25 | 0:13:28 | |
I can't do it alone. | 0:13:28 | 0:13:29 | |
How can we help? | 0:13:34 | 0:13:35 | |
Help me gather evidence to convince the police. | 0:13:35 | 0:13:39 | |
Do you have any idea where we should look? | 0:13:39 | 0:13:41 | |
I think so. I'll need Bunty's help. | 0:13:41 | 0:13:46 | |
Very well. And I will talk to Lady Rose. | 0:13:46 | 0:13:50 | |
Just be careful. | 0:13:50 | 0:13:51 | |
Lady Rose is at the heart of the local establishment. | 0:13:51 | 0:13:55 | |
She'll turn on anyone who displeases her. | 0:13:55 | 0:13:58 | |
Yes, I think we saw that already in the ballroom. | 0:13:58 | 0:14:00 | |
I'm not scared of her. | 0:14:00 | 0:14:01 | |
You should be. | 0:14:01 | 0:14:02 | |
Sergeant Goodfellow's there. | 0:14:08 | 0:14:10 | |
I'll get rid of him. | 0:14:12 | 0:14:13 | |
Sorry, Sir, you can't come this way. | 0:14:23 | 0:14:25 | |
I'm looking for my room. | 0:14:25 | 0:14:26 | |
Well, it's not down here. | 0:14:26 | 0:14:28 | |
I don't know where to go. I'm lost. | 0:14:28 | 0:14:30 | |
It may be on the next landing. | 0:14:31 | 0:14:33 | |
Here, let me help you. | 0:14:36 | 0:14:37 | |
-KNOCK ON DOOR -Come! | 0:14:54 | 0:14:56 | |
Am I intruding? | 0:15:01 | 0:15:02 | |
I can't face telephoning Lucy's parents. | 0:15:04 | 0:15:07 | |
Ah. | 0:15:09 | 0:15:10 | |
What comfort could I possibly offer? | 0:15:10 | 0:15:12 | |
Do you know them well? | 0:15:12 | 0:15:14 | |
-Oh, we have some shared business interests. -Oh? | 0:15:14 | 0:15:17 | |
Nothing serious - just the idle rich passing the time. | 0:15:17 | 0:15:21 | |
This must be a terrible shock for you. | 0:15:22 | 0:15:24 | |
I don't have any children of my own, | 0:15:26 | 0:15:28 | |
so the young dancers are very dear to me. | 0:15:28 | 0:15:30 | |
I love having them come to stay, | 0:15:31 | 0:15:33 | |
but the thought that Oliver could do such a thing - it sickens me. | 0:15:33 | 0:15:37 | |
You think he is responsible? | 0:15:37 | 0:15:38 | |
Oh, yes! The liar certainly didn't take Lucy's necklace from my bag. | 0:15:38 | 0:15:44 | |
I hear Miss Dawes was a remarkable young woman. | 0:15:46 | 0:15:48 | |
I gather she helped Mr Walgrave after he lost his sight. | 0:15:50 | 0:15:55 | |
She spent countless hours with him. Nobody could have done more. | 0:15:55 | 0:15:58 | |
Do you know what happened to Alexander? | 0:15:59 | 0:16:01 | |
I'm sorry, I should make this telephone call. | 0:16:04 | 0:16:08 | |
It won't get any easier. | 0:16:08 | 0:16:09 | |
Of course. Thank you. | 0:16:09 | 0:16:12 | |
-KNOCK ON DOOR -Come in. | 0:16:17 | 0:16:19 | |
Bunty. | 0:16:22 | 0:16:23 | |
-How could you tell? -Your perfume. | 0:16:23 | 0:16:25 | |
-Did you find it? -Yes. | 0:16:25 | 0:16:27 | |
-Was there a case with it? -Yes. | 0:16:27 | 0:16:30 | |
And the name on it? | 0:16:30 | 0:16:31 | |
-Westwood & Peel, I think. -I knew it! | 0:16:31 | 0:16:33 | |
What does it mean? | 0:16:33 | 0:16:35 | |
For years, there have been rumours that Lady Rose | 0:16:35 | 0:16:39 | |
had a child out of wedlock. | 0:16:39 | 0:16:41 | |
They say she paid off the couple who took the child in | 0:16:41 | 0:16:43 | |
with items from a very exclusive jeweller - | 0:16:43 | 0:16:47 | |
Westwood & Peel. | 0:16:47 | 0:16:49 | |
So you think Lucy is Lady Rose's illegitimate daughter? | 0:16:50 | 0:16:54 | |
Suppose Lucy had been threatening to tell the truth? | 0:16:54 | 0:16:57 | |
The scandal would ruin Lady Rose's reputation, | 0:16:57 | 0:17:00 | |
so that gives her a motive. | 0:17:00 | 0:17:02 | |
How could she do this? | 0:17:03 | 0:17:05 | |
I should, um... I should find Father Brown. | 0:17:16 | 0:17:18 | |
Thank you for coming. | 0:17:32 | 0:17:34 | |
How are you coping in here? | 0:17:34 | 0:17:35 | |
I can't sleep a wink. | 0:17:36 | 0:17:38 | |
Every time I close my eyes, I can see Lucy's face. | 0:17:38 | 0:17:42 | |
You're still in shock. | 0:17:42 | 0:17:43 | |
I know we had our ups and downs, | 0:17:45 | 0:17:48 | |
that I could be difficult, | 0:17:48 | 0:17:51 | |
but so could she. | 0:17:51 | 0:17:52 | |
You whispered something to her yesterday, | 0:17:54 | 0:17:56 | |
just before Mr Walgrave's fall. | 0:17:56 | 0:17:58 | |
Whatever you said upset her. | 0:18:00 | 0:18:01 | |
Just a lover's tiff, nothing important. | 0:18:03 | 0:18:05 | |
OLIVER CLEARS THROAT | 0:18:09 | 0:18:10 | |
The whole God thing... | 0:18:10 | 0:18:12 | |
..I don't, um... | 0:18:14 | 0:18:15 | |
But...would you say a... | 0:18:18 | 0:18:22 | |
I will say a prayer for her. | 0:18:23 | 0:18:24 | |
Can I ask something else of you? | 0:18:28 | 0:18:31 | |
Would you deliver a message for me? | 0:18:31 | 0:18:33 | |
I'm a priest, Mr Dewitt, not a courier. | 0:18:33 | 0:18:37 | |
What message? | 0:18:41 | 0:18:43 | |
Sergeant, do you know how Mr Walgrave lost his sight? | 0:18:48 | 0:18:53 | |
When I mentioned it to Lady Rose, she was evasive. | 0:18:53 | 0:18:56 | |
Mm. Reckon she feels guilty. Happened in her house, you see. | 0:18:56 | 0:19:00 | |
-When? -Three years ago. | 0:19:00 | 0:19:02 | |
Her top pupils were all staying over. | 0:19:05 | 0:19:07 | |
One night, Alexander couldn't sleep. | 0:19:07 | 0:19:09 | |
He went downstairs to get himself a drink. | 0:19:09 | 0:19:12 | |
But as he was heading back to his bedroom, he came across an intruder. | 0:19:12 | 0:19:16 | |
Before he could raise the alarm, he was pushed down the stairs. | 0:19:16 | 0:19:18 | |
It was a miracle he didn't break his neck. | 0:19:21 | 0:19:23 | |
But when he came round, he couldn't see a thing. | 0:19:23 | 0:19:27 | |
The doctors said he'd hurt the part of his brain that lets you see. | 0:19:27 | 0:19:30 | |
Did he remember what happened? | 0:19:30 | 0:19:31 | |
No. | 0:19:31 | 0:19:32 | |
Lady Rose found a broken window round the back of the house. | 0:19:32 | 0:19:36 | |
Did the intruder take anything? | 0:19:36 | 0:19:38 | |
No. He must have panicked, got out as soon as he could. | 0:19:38 | 0:19:41 | |
Padre! | 0:19:45 | 0:19:47 | |
Are you here to learn a pas de deux from our resident Nutcracker? | 0:19:47 | 0:19:50 | |
No, just passing. Good day. | 0:19:51 | 0:19:54 | |
Fetch me a cup of tea and a Garibaldi, will you, Twinkletoes? | 0:19:59 | 0:20:02 | |
Why didn't the intruder take anything? | 0:20:08 | 0:20:11 | |
That house is full of valuable things. | 0:20:11 | 0:20:13 | |
He could have filled a bag without even going upstairs. | 0:20:13 | 0:20:16 | |
Well, the dancing competition is going ahead. | 0:20:18 | 0:20:21 | |
That hardly seems appropriate. | 0:20:21 | 0:20:24 | |
At least it gives us an opportunity | 0:20:25 | 0:20:27 | |
to go back to the house and ask questions. | 0:20:27 | 0:20:30 | |
And it gives you an opportunity to see your latest admirer. | 0:20:30 | 0:20:33 | |
I have male friends, you know. | 0:20:34 | 0:20:37 | |
And I have fairies at the bottom of my garden. | 0:20:37 | 0:20:40 | |
He's a lovely man, | 0:20:41 | 0:20:44 | |
but nothing romantic is going to happen between us. | 0:20:44 | 0:20:47 | |
Because he's blind? | 0:20:48 | 0:20:50 | |
No! | 0:20:50 | 0:20:51 | |
Maybe. | 0:20:53 | 0:20:54 | |
If we are going to ingratiate ourselves with the dancers, | 0:20:57 | 0:20:59 | |
then you do realise we will have to participate? | 0:20:59 | 0:21:02 | |
MRS MCCARTHY CHUCKLES | 0:21:02 | 0:21:03 | |
No! | 0:21:03 | 0:21:04 | |
And one, two, three. One, two, three. | 0:21:06 | 0:21:10 | |
Perfect. There you go, you're waltzing. | 0:21:10 | 0:21:13 | |
Ow! My foot! | 0:21:14 | 0:21:15 | |
Perhaps we should take a break. | 0:21:15 | 0:21:17 | |
We were surprised to hear that you're going ahead | 0:21:22 | 0:21:25 | |
with the competition. | 0:21:25 | 0:21:26 | |
Well, I discussed it with Lucy's parents, | 0:21:27 | 0:21:30 | |
and we agreed that we would dedicate the event to her memory. | 0:21:30 | 0:21:34 | |
Oh, that's a nice idea. | 0:21:34 | 0:21:37 | |
How are the others coping? | 0:21:37 | 0:21:38 | |
Must have been a blow for Miss Tyrell, | 0:21:38 | 0:21:40 | |
coming so soon after her father's death. | 0:21:40 | 0:21:44 | |
-I don't think that Merryn and Lucy were close. -Why not? | 0:21:44 | 0:21:49 | |
I don't think that Lucy was happy | 0:21:49 | 0:21:51 | |
when Merryn started dancing with her fiance. | 0:21:51 | 0:21:53 | |
If it bothered her, | 0:21:56 | 0:21:57 | |
why didn't she start dancing with him again herself? | 0:21:57 | 0:22:00 | |
Lucy was committed to helping rehabilitate Alexander. | 0:22:00 | 0:22:04 | |
But I also think she was used to being the centre of attention. | 0:22:05 | 0:22:09 | |
She must have known that somebody else would end up | 0:22:09 | 0:22:12 | |
dancing with Oliver? | 0:22:12 | 0:22:13 | |
Yes, but I think that she thought Merryn was enjoying it | 0:22:13 | 0:22:16 | |
a little too much. | 0:22:16 | 0:22:17 | |
Were they more than dance partners? | 0:22:19 | 0:22:21 | |
Who can say? | 0:22:23 | 0:22:24 | |
Once the others have gone to bed, we'll be able to explore properly. | 0:22:26 | 0:22:29 | |
Bunty can't stay here with a killer on the loose! | 0:22:29 | 0:22:32 | |
I'll protect her with my life. | 0:22:32 | 0:22:33 | |
I can look after myself. | 0:22:33 | 0:22:35 | |
Oh, Oliver Dewitt sent a message. | 0:22:35 | 0:22:38 | |
He told me to tell you that the wager is still on. | 0:22:39 | 0:22:41 | |
Do you know what he means? | 0:22:41 | 0:22:43 | |
Alexander? | 0:22:45 | 0:22:46 | |
We had a bet on the outcome of the competition. | 0:22:47 | 0:22:51 | |
If he won, then I agreed I'd give up dancing. | 0:22:51 | 0:22:54 | |
And if you won? | 0:22:54 | 0:22:55 | |
He said he could tell me who blinded me. | 0:22:55 | 0:22:57 | |
An intruder, I gather? | 0:22:57 | 0:22:59 | |
Yes. | 0:22:59 | 0:23:00 | |
And how does Oliver know who this person was? | 0:23:00 | 0:23:02 | |
He met a man in the Red Lion who claimed to be responsible. | 0:23:02 | 0:23:05 | |
And do you really believe that? | 0:23:05 | 0:23:07 | |
If there's even a chance that it's true, then I have to know. | 0:23:08 | 0:23:11 | |
And what will you do when you find this man? | 0:23:12 | 0:23:15 | |
Forgive him. I've come to terms with what happened. | 0:23:15 | 0:23:18 | |
Perhaps he hasn't. | 0:23:18 | 0:23:21 | |
I can't see how your bet with Oliver can go ahead | 0:23:21 | 0:23:23 | |
when he's still locked up. | 0:23:23 | 0:23:24 | |
I rather think that is the real message. | 0:23:26 | 0:23:28 | |
He wants you to find the killer. | 0:23:30 | 0:23:32 | |
Once we find proof that Lady Rose was responsible, | 0:23:32 | 0:23:36 | |
they'll set him free. | 0:23:36 | 0:23:37 | |
And maybe then he'll tell me what I need to know. | 0:23:37 | 0:23:40 | |
It's here. | 0:23:57 | 0:23:59 | |
This is where Lady Rose keeps everything important. | 0:24:08 | 0:24:11 | |
Anything incriminating won't be easy to find. | 0:24:15 | 0:24:18 | |
Good point. | 0:24:20 | 0:24:22 | |
I wish I could help. | 0:24:26 | 0:24:28 | |
You are. | 0:24:29 | 0:24:31 | |
-Ah! -What is it? | 0:24:44 | 0:24:46 | |
Letters. | 0:24:48 | 0:24:50 | |
Lucy is threatening to reveal that Lady Rose is her mother. | 0:24:52 | 0:24:56 | |
She was blackmailing her. | 0:24:56 | 0:24:59 | |
This is exactly what we've been looking for. | 0:24:59 | 0:25:01 | |
BROKEN GLASS TINKLES | 0:25:18 | 0:25:19 | |
What's wrong? | 0:25:19 | 0:25:22 | |
BICYCLE BELL RINGS | 0:25:28 | 0:25:29 | |
-Good morning. -Father! | 0:25:40 | 0:25:42 | |
I heard you'd returned home, I came to see how you were getting on. | 0:25:42 | 0:25:45 | |
Mother needed me. | 0:25:45 | 0:25:47 | |
Ah. How is your mother coping with the death of your father? | 0:25:47 | 0:25:50 | |
Mrs McCarthy said you'd moved out here. | 0:25:52 | 0:25:55 | |
We couldn't afford to carry on living the way we used to. | 0:25:55 | 0:25:58 | |
I'm sorry to hear that. | 0:25:58 | 0:26:00 | |
My father made some bad investments before he passed away. | 0:26:00 | 0:26:03 | |
We sold off what we could, but it wasn't enough. | 0:26:03 | 0:26:05 | |
Which is why you took the job at the school. | 0:26:05 | 0:26:08 | |
I saw Oliver Dewitt yesterday. | 0:26:09 | 0:26:12 | |
-How is he? -Fearful. | 0:26:13 | 0:26:15 | |
-You were his dancing partner? -Yes. | 0:26:16 | 0:26:19 | |
Did Miss Dawes mind? | 0:26:20 | 0:26:22 | |
You mean, did I kill Lucy so I could have Oliver for myself? | 0:26:23 | 0:26:27 | |
SHE LAUGHS | 0:26:27 | 0:26:29 | |
Oliver is one of the most selfish people I've ever met. | 0:26:31 | 0:26:34 | |
I don't know how Lucy put up with him. | 0:26:34 | 0:26:36 | |
I only tolerated him because he was a good dancer. | 0:26:36 | 0:26:39 | |
The police think he's responsible for what happened. | 0:26:39 | 0:26:42 | |
He'd faint at the first sight of blood. | 0:26:42 | 0:26:44 | |
Mind you, the way the police are going, | 0:26:44 | 0:26:46 | |
we'll never know who was really responsible. | 0:26:46 | 0:26:48 | |
Why do you say that? | 0:26:48 | 0:26:50 | |
The house is full of weapons Lady Rose collected on her travels. | 0:26:50 | 0:26:55 | |
Why haven't they found the one that killed Lucy? | 0:26:55 | 0:26:57 | |
Maybe she was killed with something else? | 0:26:57 | 0:26:59 | |
Or perhaps they just haven't looked hard enough. | 0:26:59 | 0:27:02 | |
BELL RINGS | 0:27:02 | 0:27:04 | |
I should get back to her. | 0:27:04 | 0:27:06 | |
Of course. Thank you. | 0:27:06 | 0:27:08 | |
Shall we go down for breakfast? | 0:27:16 | 0:27:19 | |
You don't know what I look like. | 0:27:21 | 0:27:23 | |
Does it matter? | 0:27:24 | 0:27:26 | |
I could be hideous. | 0:27:26 | 0:27:28 | |
You aren't to me. | 0:27:28 | 0:27:30 | |
What happens to us after this weekend? | 0:27:33 | 0:27:35 | |
I don't tend to go in for prolonged romances. | 0:27:38 | 0:27:41 | |
And you'd never make any exceptions? | 0:27:41 | 0:27:43 | |
Not usually. | 0:27:46 | 0:27:47 | |
Did you give Xander the message? | 0:27:52 | 0:27:54 | |
Yes. | 0:27:54 | 0:27:55 | |
And he told me your stake in the wager. | 0:27:55 | 0:27:58 | |
Oh. | 0:28:00 | 0:28:02 | |
You claim to have overheard a conversation about the attack | 0:28:02 | 0:28:05 | |
in a pub. | 0:28:05 | 0:28:06 | |
That seems like an extraordinary coincidence. | 0:28:07 | 0:28:10 | |
The world is full of them. | 0:28:10 | 0:28:12 | |
By all accounts, Miss Dawes wasn't a particularly altruistic type, | 0:28:13 | 0:28:19 | |
except when it came to Mr Walgrave. | 0:28:19 | 0:28:21 | |
She always liked a lost cause. | 0:28:21 | 0:28:23 | |
I think that she was in some way responsible for what happened to him. | 0:28:24 | 0:28:28 | |
And you've known it all along. | 0:28:30 | 0:28:32 | |
That's outrageous. | 0:28:35 | 0:28:36 | |
I don't believe you killed her, but the Inspector does. | 0:28:40 | 0:28:44 | |
I may be able to help you, but only if you start being honest with me. | 0:28:45 | 0:28:50 | |
Now. | 0:28:50 | 0:28:52 | |
She didn't mean to hurt him. | 0:28:55 | 0:28:56 | |
Ah... | 0:28:56 | 0:28:58 | |
They got into an argument. | 0:29:00 | 0:29:01 | |
He was trying to go upstairs to see Lady Rose. | 0:29:01 | 0:29:04 | |
..then he shouldn't be allowed to take part. | 0:29:04 | 0:29:06 | |
-You mustn't tell her. -Let me past. -No! | 0:29:06 | 0:29:08 | |
Lucy blocked him, but he lost his footing. | 0:29:09 | 0:29:12 | |
What were they arguing about? | 0:29:18 | 0:29:20 | |
She'd let slip that I'd tried to bribe one of the judges. | 0:29:23 | 0:29:25 | |
And that cost him his sight? | 0:29:28 | 0:29:31 | |
When we went to the hospital, he had no memory of what happened. | 0:29:34 | 0:29:39 | |
We saw a way out. | 0:29:40 | 0:29:42 | |
So you smashed the window to make it look as if | 0:29:44 | 0:29:47 | |
an intruder had been inside the house. | 0:29:47 | 0:29:49 | |
Once Lady Rose found it, the police filled in the blanks. | 0:29:50 | 0:29:53 | |
Miss Dawes felt guilty, | 0:29:55 | 0:29:57 | |
then tried to make amends by being a good friend | 0:29:57 | 0:30:01 | |
to the man she had blinded. | 0:30:01 | 0:30:03 | |
If Alexander had won your bet... | 0:30:07 | 0:30:09 | |
..would you have told him the truth? | 0:30:11 | 0:30:13 | |
You asked me what I whispered to Lucy. | 0:30:16 | 0:30:18 | |
I told her about the bet. | 0:30:21 | 0:30:24 | |
One way or another, she would have ensured they lost. | 0:30:24 | 0:30:27 | |
Because she believed you would tell. | 0:30:28 | 0:30:31 | |
It was the last thing I said to her. | 0:30:33 | 0:30:35 | |
-Will you tell Alexander? -No. | 0:30:40 | 0:30:43 | |
Because I'm not the one who has the opportunity to make amends. | 0:30:43 | 0:30:47 | |
We should talk to the police. | 0:30:52 | 0:30:53 | |
No. We need to know more. | 0:30:53 | 0:30:55 | |
We don't want to make Lady Rose suspicious. | 0:30:55 | 0:30:57 | |
There was broken glass in your bed, Alexander. | 0:30:57 | 0:31:00 | |
Good morning. | 0:31:00 | 0:31:01 | |
I see we had an extra guest last night. | 0:31:02 | 0:31:05 | |
Will you join me? | 0:31:05 | 0:31:07 | |
-No, we... -Of course. | 0:31:07 | 0:31:08 | |
Did you sleep well? | 0:31:14 | 0:31:16 | |
Oh, I think it's safe to say that the bed was rather...uncomfortable. | 0:31:17 | 0:31:21 | |
-Is something wrong? -No. | 0:31:21 | 0:31:24 | |
If Alexander had been alone, then he wouldn't have seen the glass | 0:31:25 | 0:31:28 | |
and he could have been seriously hurt. | 0:31:28 | 0:31:29 | |
I don't have the faintest idea what you're talking about. | 0:31:29 | 0:31:32 | |
We've seen the letters. From Lucy. | 0:31:33 | 0:31:36 | |
Your daughter. | 0:31:37 | 0:31:38 | |
What letters? I don't have a daughter. | 0:31:38 | 0:31:41 | |
That's exactly what you wanted people to think. | 0:31:41 | 0:31:43 | |
How dare you?! | 0:31:43 | 0:31:45 | |
We'll make sure that everyone knows what you did to silence her. | 0:31:45 | 0:31:49 | |
SHE SIGHS DEEPLY | 0:31:51 | 0:31:54 | |
When I was young and reckless, | 0:31:54 | 0:31:57 | |
a lover passed something on to me | 0:31:57 | 0:31:59 | |
which stayed in my system, and it meant that I couldn't conceive. | 0:31:59 | 0:32:03 | |
So, if there's nothing else you'd like to accuse me of, | 0:32:05 | 0:32:08 | |
I'd like to finish my tea. | 0:32:08 | 0:32:09 | |
Of course, we only have her word for it. | 0:32:18 | 0:32:20 | |
There must be a piece of the puzzle we're missing. | 0:32:20 | 0:32:23 | |
We'll find it. | 0:32:23 | 0:32:25 | |
What is it, Father? What's the matter? | 0:32:27 | 0:32:29 | |
Alexander, even before you heard Oliver Dewitt's message, | 0:32:31 | 0:32:36 | |
you had us investigating Lady Rose. | 0:32:36 | 0:32:38 | |
Because she's guilty. | 0:32:38 | 0:32:40 | |
What exactly are you saying? | 0:32:40 | 0:32:41 | |
Everything we know about Lady Rose we know | 0:32:42 | 0:32:44 | |
because of what Mr Walgrave here has told us, | 0:32:44 | 0:32:47 | |
and the story about her illegitimate daughter, | 0:32:47 | 0:32:50 | |
we now know to be unlikely at best. | 0:32:50 | 0:32:53 | |
That's not true. We've seen the blackmail letters. | 0:32:53 | 0:32:56 | |
Typed and conveniently easy to find. | 0:32:56 | 0:32:59 | |
And who pointed us towards them? | 0:32:59 | 0:33:02 | |
This is outrageous! And I expected better from you, Father. | 0:33:03 | 0:33:06 | |
Come on, Alexander. | 0:33:06 | 0:33:07 | |
Alexander? | 0:33:11 | 0:33:13 | |
I'm sorry. | 0:33:14 | 0:33:15 | |
What? | 0:33:20 | 0:33:21 | |
Is this true? | 0:33:24 | 0:33:25 | |
You had us framing an innocent woman? | 0:33:28 | 0:33:30 | |
No! I swear, I heard her leaving Lucy's bedroom. | 0:33:30 | 0:33:36 | |
I was sure that if we looked hard enough, we'd find real proof. | 0:33:36 | 0:33:39 | |
Who put the glass in your bed? | 0:33:42 | 0:33:44 | |
Why would you do this? | 0:33:47 | 0:33:49 | |
Because he wanted to spend more time with you, Bunty. | 0:33:49 | 0:33:52 | |
Everyone thought I was worthless because I couldn't see. | 0:33:54 | 0:33:56 | |
But with you, I was useful again. | 0:33:58 | 0:34:01 | |
You listened to me, you took me seriously. | 0:34:01 | 0:34:03 | |
Bunty, you do not have to be here. | 0:34:17 | 0:34:19 | |
He lied to us, he led us down the wrong path. | 0:34:20 | 0:34:23 | |
Isn't that what the killer would do? | 0:34:23 | 0:34:25 | |
I know you are angry with him... | 0:34:25 | 0:34:26 | |
We need to stop him from hurting anyone else. He's dangerous. | 0:34:26 | 0:34:29 | |
I fear you may be right. | 0:34:29 | 0:34:31 | |
So please, do not get left alone with him. | 0:34:31 | 0:34:33 | |
WALTZ MUSIC PLAYS | 0:34:36 | 0:34:38 | |
She's here. | 0:34:53 | 0:34:54 | |
Ladies and gentlemen, can I have your attention? | 0:35:06 | 0:35:09 | |
I'm sure you've all heard about the terrible tragedy | 0:35:14 | 0:35:17 | |
that happened here on Friday night. | 0:35:17 | 0:35:20 | |
It is for that reason that we have decided to dedicate | 0:35:20 | 0:35:23 | |
tonight's event to the memory of Lucy Dawes. | 0:35:23 | 0:35:26 | |
Now, to happier matters. | 0:35:29 | 0:35:32 | |
The rules of the competition are simple. | 0:35:32 | 0:35:34 | |
If one of the judges taps you on the shoulder, | 0:35:34 | 0:35:37 | |
then please move to the side of the dance floor. | 0:35:37 | 0:35:40 | |
We will begin with a waltz. | 0:35:40 | 0:35:41 | |
Now don't forget, one, two, three... | 0:35:46 | 0:35:48 | |
SPEECH INAUDIBLE | 0:36:03 | 0:36:05 | |
Why has he not been tapped on the shoulder? | 0:36:30 | 0:36:33 | |
I'm afraid we didn't make the final cut. | 0:36:40 | 0:36:43 | |
It's the taking part that counts. | 0:36:43 | 0:36:45 | |
I wondered if you'd put my mind at ease about something. | 0:36:47 | 0:36:50 | |
Yes? | 0:36:50 | 0:36:52 | |
I was wondering why Oliver Dewitt found the necklace in your bag. | 0:36:52 | 0:36:56 | |
I hope you're not implying that | 0:36:57 | 0:36:59 | |
I had anything to do with what happened. | 0:36:59 | 0:37:01 | |
No. | 0:37:01 | 0:37:03 | |
It was a busy room, anyone could have placed it in there. | 0:37:03 | 0:37:06 | |
Indeed. | 0:37:06 | 0:37:08 | |
That cursed necklace has caused nothing but trouble. | 0:37:08 | 0:37:11 | |
Lucy should never have worn it in the first place. | 0:37:11 | 0:37:15 | |
Was it a gift from an admirer? | 0:37:16 | 0:37:18 | |
No, her father gave it to her. | 0:37:18 | 0:37:20 | |
It was something we acquired as part of a recent business deal. | 0:37:20 | 0:37:24 | |
Now, you'll have to excuse me. | 0:37:24 | 0:37:27 | |
I can hear you, Bunty. | 0:37:33 | 0:37:35 | |
Why are you following me? | 0:37:37 | 0:37:39 | |
To stop you from hurting anyone else. | 0:37:39 | 0:37:41 | |
You really think I could do something like that? | 0:37:42 | 0:37:45 | |
I don't know what to believe about you any more. | 0:37:45 | 0:37:47 | |
Then you shouldn't have come out here alone. | 0:37:49 | 0:37:51 | |
Congratulations to everyone who made it through to the next round, | 0:37:54 | 0:37:57 | |
which will be a tango. | 0:37:57 | 0:37:59 | |
I wonder if I might have a word. | 0:38:01 | 0:38:03 | |
We're about to start again. | 0:38:03 | 0:38:05 | |
The deal your father lost his money on. | 0:38:05 | 0:38:07 | |
Was it one of Lady Rose's business ventures? | 0:38:08 | 0:38:11 | |
Perhaps we should talk privately? | 0:38:15 | 0:38:18 | |
I just don't understand how you could do that to Lady Rose. | 0:38:24 | 0:38:27 | |
She killed my friend. | 0:38:27 | 0:38:29 | |
I know I shouldn't have lied, but you saw how the police treated me. | 0:38:29 | 0:38:33 | |
I needed your help. | 0:38:33 | 0:38:34 | |
You could have been honest with me. | 0:38:34 | 0:38:36 | |
I know. | 0:38:36 | 0:38:38 | |
And it will be one of the biggest regrets of my life. | 0:38:38 | 0:38:40 | |
You must be cold out here. | 0:38:50 | 0:38:51 | |
Please don't be kind to me. | 0:39:01 | 0:39:03 | |
When I organised your father's funeral, | 0:39:07 | 0:39:09 | |
the coroner recorded his death with an open verdict. | 0:39:09 | 0:39:13 | |
I've sometimes known him do this as an act of kindness... | 0:39:14 | 0:39:18 | |
..for someone who has committed suicide. | 0:39:19 | 0:39:21 | |
Was it the shame of not providing for his family? | 0:39:25 | 0:39:27 | |
I'm so sorry. | 0:39:29 | 0:39:30 | |
Lady Rose deliberately gave my father a bad tip. | 0:39:32 | 0:39:36 | |
Then, when it ruined us, | 0:39:37 | 0:39:39 | |
she swooped in with Lucy's family to buy up our assets for a pittance. | 0:39:39 | 0:39:43 | |
It was all just a jolly wheeze to them. | 0:39:44 | 0:39:47 | |
The necklace belonged to you? | 0:39:49 | 0:39:51 | |
My mother's. | 0:39:51 | 0:39:53 | |
I can't imagine what you must have felt when you saw Lucy wearing it. | 0:39:54 | 0:39:58 | |
She was shameless. | 0:39:58 | 0:40:01 | |
Rubbing my face in it. | 0:40:01 | 0:40:03 | |
Mr Walgrave swears he heard Lady Rose leaving the room. | 0:40:04 | 0:40:08 | |
But it wasn't her, was it? | 0:40:09 | 0:40:11 | |
It was you. | 0:40:11 | 0:40:12 | |
Lady Rose only uses the cane when she needs to walk any distance. | 0:40:16 | 0:40:20 | |
When she danced with me, she left it propped against the wall. | 0:40:21 | 0:40:24 | |
You knew you had to act quickly. | 0:40:31 | 0:40:34 | |
And that Mr Walgrave was nearby and would recognise the sound, | 0:40:35 | 0:40:39 | |
so you went to Lucy's room and you killed her. | 0:40:39 | 0:40:42 | |
Then you took the necklace and made sure Mr Walgrave heard you leaving. | 0:40:46 | 0:40:51 | |
Returning the cane to the ballroom, | 0:41:01 | 0:41:04 | |
you put the necklace in Lady Rose's bag. | 0:41:04 | 0:41:07 | |
Another piece of evidence against her. | 0:41:08 | 0:41:10 | |
How could I know Oliver would take it? | 0:41:11 | 0:41:14 | |
I know you regret it. | 0:41:14 | 0:41:15 | |
You are not a bad person. | 0:41:18 | 0:41:21 | |
Sometimes good people do terrible things. | 0:41:22 | 0:41:24 | |
You told me the police hadn't paid enough attention | 0:41:26 | 0:41:30 | |
to the weapons that Lady Rose had on display. | 0:41:30 | 0:41:32 | |
Were you trying to point me at something? | 0:41:32 | 0:41:34 | |
She's so proud of her collection. | 0:41:34 | 0:41:36 | |
APPLAUSE | 0:41:36 | 0:41:39 | |
Not everything is what it seems. | 0:41:39 | 0:41:41 | |
Shall I show you? | 0:41:42 | 0:41:44 | |
Hey! | 0:41:51 | 0:41:52 | |
Don't... | 0:41:52 | 0:41:53 | |
She killed my father! | 0:41:53 | 0:41:56 | |
This is revenge, not justice. | 0:41:56 | 0:41:58 | |
Let her do what she needs to. | 0:41:58 | 0:42:01 | |
I probably deserve it. | 0:42:01 | 0:42:03 | |
Repent and the Lord will forgive you. | 0:42:03 | 0:42:06 | |
-I doubt that. -I don't. | 0:42:06 | 0:42:09 | |
I'll pay the price for killing Lucy, why not finish the job? | 0:42:09 | 0:42:12 | |
Your father! Would he have wanted this? | 0:42:12 | 0:42:16 | |
And your mother? | 0:42:18 | 0:42:19 | |
If you kill Lady Rose, you will hang for certain. | 0:42:20 | 0:42:24 | |
How will your mother live with that? | 0:42:26 | 0:42:27 | |
SHE SOBS | 0:42:33 | 0:42:36 | |
Alexander? | 0:42:52 | 0:42:53 | |
Mr Dewitt is here, he's looking for you. | 0:42:55 | 0:42:59 | |
Oh. | 0:42:59 | 0:43:00 | |
He's waiting for you in the house. | 0:43:00 | 0:43:02 | |
He has something he wants to tell you. | 0:43:02 | 0:43:04 | |
Half the guests have gone home already, | 0:43:06 | 0:43:08 | |
so perhaps we should go too. | 0:43:08 | 0:43:10 | |
I'll drive us. | 0:43:10 | 0:43:12 | |
Actually, there is something we have to do, isn't there, Mrs McCarthy? | 0:43:12 | 0:43:15 | |
Is there? | 0:43:15 | 0:43:17 | |
Oh, yes. Yes, there is. | 0:43:18 | 0:43:20 | |
Yes. | 0:43:20 | 0:43:21 | |
Well, that was subtle. | 0:43:24 | 0:43:25 | |
I know you've no reason to trust me, | 0:43:28 | 0:43:30 | |
but everything I felt about you was true. | 0:43:30 | 0:43:33 | |
You're the most enchanting woman I've ever met. | 0:43:33 | 0:43:36 | |
Alexander, I can't be with you. | 0:43:37 | 0:43:39 | |
-Because I'm blind? -No. | 0:43:39 | 0:43:42 | |
Because you lied to me. | 0:43:42 | 0:43:44 | |
Will you do me one last favour? | 0:43:48 | 0:43:50 |