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They kicked the shit out of him. | 0:00:03 | 0:00:05 | |
You haven't got the balls. | 0:00:05 | 0:00:06 | |
'Then we'd be walking out to the patrol car. | 0:00:07 | 0:00:10 | |
'He'd turn to me and say, "Ready to do some good?"' | 0:00:10 | 0:00:13 | |
When this is all over, I want you to concentrate on yourself. | 0:00:13 | 0:00:17 | |
Find something to make you smile. | 0:00:17 | 0:00:18 | |
Cassie. | 0:00:18 | 0:00:19 | |
You look nice. | 0:00:19 | 0:00:21 | |
I have a life and I like it. I don't need you in it! | 0:00:21 | 0:00:25 | |
'Me dad thinks I should have a girlfriend.' | 0:00:25 | 0:00:29 | |
Would it change what WE do? | 0:00:29 | 0:00:31 | |
You think about being a copper, locked up. | 0:00:31 | 0:00:34 | |
Aaagh! | 0:00:34 | 0:00:35 | |
I haven't told anyone. I swear to God! | 0:00:35 | 0:00:37 | |
Callum Rose was an associate of Noel Finch, who was also shot. | 0:00:38 | 0:00:41 | |
-Was it the same gun? -No comment. | 0:00:41 | 0:00:44 | |
Cal told me he'd just earned 10K for carrying boxes | 0:00:44 | 0:00:47 | |
-out of a dead man's flat. -Who's the dead man? | 0:00:47 | 0:00:50 | |
I just saw Jonjo Heinz getting into a car. What's going on? | 0:00:50 | 0:00:53 | |
He was there. He's part of that crew. | 0:00:53 | 0:00:54 | |
Should hard evidence emerge to link Mr Heinz with the murder, then we'll act upon it. | 0:00:54 | 0:00:59 | |
Received. Hard evidence required. | 0:01:00 | 0:01:03 | |
Come on then, lad! We'll race yer! | 0:02:11 | 0:02:13 | |
Eh! | 0:02:13 | 0:02:15 | |
On your marks! | 0:02:15 | 0:02:17 | |
Get set! | 0:02:17 | 0:02:19 | |
Tell her, I'll have her next time! | 0:02:19 | 0:02:22 | |
Lima One. Lima One. This is Alpha Two-One, over. | 0:02:26 | 0:02:28 | |
All units, eyes out for a dark-coloured dirt bike. | 0:02:30 | 0:02:34 | |
'Registration Mike, X-ray, One, One, Lima, Mike, Juliette. | 0:02:34 | 0:02:38 | |
'Two riders wearing black or dark casual gear, | 0:02:38 | 0:02:42 | |
'heading south on Commercial Road. | 0:02:42 | 0:02:44 | |
'It's them. We've had another one.' | 0:02:44 | 0:02:47 | |
Nearly done, Lucy. Just a few more checks. | 0:02:49 | 0:02:51 | |
And then we'll get you off to hospital, OK? | 0:02:51 | 0:02:54 | |
-Lucy, is that OK with you? -Yeah. | 0:02:54 | 0:02:56 | |
Good girl. | 0:02:56 | 0:02:58 | |
Brave girl. | 0:02:58 | 0:03:00 | |
This way, Lucy. Look at me. | 0:03:00 | 0:03:02 | |
-Has she said anything? -No. | 0:03:02 | 0:03:04 | |
You should see her arms, her hands. She put up a fight. | 0:03:04 | 0:03:07 | |
OK, Lucy, let's get you strapped in. | 0:03:07 | 0:03:11 | |
We're going to stay with you, OK, Lucy? | 0:03:11 | 0:03:13 | |
Until you're settled, we're going nowhere. | 0:03:13 | 0:03:14 | |
I don't like these two. | 0:03:18 | 0:03:20 | |
I'm struggling to see them as people. | 0:03:20 | 0:03:24 | |
All right, Sav? | 0:03:34 | 0:03:36 | |
Liam. | 0:03:36 | 0:03:37 | |
It's that time of the day. I need some sugar. | 0:03:37 | 0:03:40 | |
Let any killers go free lately? | 0:03:41 | 0:03:43 | |
If you're talking about Jonjo Heinz, we haven't forgotten about him. | 0:03:44 | 0:03:47 | |
Glad to hear it. | 0:03:48 | 0:03:50 | |
Sav, listen to me. We haven't forgotten. | 0:03:50 | 0:03:53 | |
If there's any evidence there, we'll find it. | 0:03:53 | 0:03:56 | |
He's right-footed, by the way. Stamped all over Andy's head with his right foot. | 0:03:56 | 0:04:00 | |
-Yeah, well, watch this space. -No rush! It's only been a week. | 0:04:02 | 0:04:05 | |
Forgotten where he lives? | 0:04:05 | 0:04:07 | |
MOBILE RINGS | 0:04:27 | 0:04:29 | |
Yeah? | 0:04:36 | 0:04:37 | |
Surprised? | 0:04:39 | 0:04:41 | |
'Who's this?' | 0:04:41 | 0:04:42 | |
Who's that? | 0:04:42 | 0:04:43 | |
Jonjo? | 0:04:43 | 0:04:45 | |
Who's that? | 0:04:47 | 0:04:49 | |
'It's not Callum Rose and it's not Noel Finch.' | 0:04:49 | 0:04:53 | |
But I have met them. Guess who's next? | 0:04:53 | 0:04:57 | |
What is it? | 0:06:39 | 0:06:41 | |
Back gate's open. | 0:06:41 | 0:06:43 | |
Leave it. | 0:06:43 | 0:06:45 | |
Put something against it. | 0:07:11 | 0:07:13 | |
Laura, I just shit meself then! | 0:07:13 | 0:07:15 | |
It's always like that. It needs a new lock. | 0:07:15 | 0:07:18 | |
Well, I don't do DIY. | 0:07:18 | 0:07:19 | |
No putting your cold feet on me! | 0:07:55 | 0:07:58 | |
KEY RATTLES IN THE LOCK | 0:08:02 | 0:08:05 | |
-Did you bolt the back door? -Oh! | 0:08:34 | 0:08:37 | |
-I'll do it. -I'll do it. | 0:08:37 | 0:08:40 | |
Jonjo, will you bring me a glass of water? | 0:08:58 | 0:09:00 | |
Yeah. | 0:09:00 | 0:09:01 | |
HAMMER CLICKS | 0:09:05 | 0:09:07 | |
-What are you doing down here? -I missed yer. | 0:09:14 | 0:09:16 | |
THEY KISS Get to bed, you. | 0:09:16 | 0:09:19 | |
Police! | 0:10:08 | 0:10:09 | |
Up the stairs! Everyone clear! | 0:10:15 | 0:10:17 | |
-You were out early. -Needed a walk. | 0:11:15 | 0:11:19 | |
In your car? | 0:11:19 | 0:11:21 | |
I drove down to the front. | 0:11:22 | 0:11:25 | |
So was it high tide or low tide? | 0:11:25 | 0:11:28 | |
Middle tide. | 0:11:30 | 0:11:32 | |
You tell me. You're the sailor. Or is it detective now? | 0:11:32 | 0:11:35 | |
You know, I don't mind you looking a little bit like me, | 0:11:35 | 0:11:39 | |
but I do object to you being moody like me. | 0:11:39 | 0:11:42 | |
So can we cut it out, please? | 0:11:42 | 0:11:44 | |
Sorry. It's in the genes. | 0:11:44 | 0:11:47 | |
OK, there IS a girl. | 0:11:54 | 0:11:57 | |
Trouble is, she doesn't want to know. | 0:11:58 | 0:12:01 | |
Then move on. | 0:12:03 | 0:12:04 | |
Can't. | 0:12:05 | 0:12:06 | |
And just how hopeless is it? | 0:12:08 | 0:12:09 | |
Very. | 0:12:10 | 0:12:12 | |
Does she know how you feel? | 0:12:13 | 0:12:15 | |
Not really. | 0:12:15 | 0:12:16 | |
Then tell her. | 0:12:16 | 0:12:19 | |
It's times like this when I wish I'd read more romance. | 0:12:21 | 0:12:24 | |
More? | 0:12:24 | 0:12:26 | |
Some. | 0:12:27 | 0:12:28 | |
What's her name? | 0:12:29 | 0:12:31 | |
Cassandra. | 0:12:31 | 0:12:33 | |
Greek. | 0:12:33 | 0:12:35 | |
Is she pretty? | 0:12:35 | 0:12:36 | |
Again, very. | 0:12:38 | 0:12:40 | |
Oh, I don't know, son. | 0:12:40 | 0:12:42 | |
When in doubt, go with the truth. | 0:12:43 | 0:12:45 | |
And when she kicks you in the plums, you'll have something to hate her for. | 0:12:45 | 0:12:49 | |
SEAGULLS CRY | 0:13:00 | 0:13:03 | |
"You win"? | 0:13:40 | 0:13:41 | |
What does that mean? What do I win? | 0:13:43 | 0:13:47 | |
It means, please come and talk to me. | 0:13:50 | 0:13:53 | |
If I had put "please come and talk to me", | 0:13:56 | 0:13:58 | |
would you be here? | 0:13:58 | 0:14:00 | |
Do we have anythin' to talk about? | 0:14:00 | 0:14:03 | |
Can't we just start with the weather? | 0:14:04 | 0:14:07 | |
The sky's full of it. | 0:14:07 | 0:14:09 | |
Are you missing the Florida sunshine? | 0:14:15 | 0:14:17 | |
No. Not especially. | 0:14:18 | 0:14:21 | |
I missed the cold when we were there. | 0:14:23 | 0:14:26 | |
I missed wearing hats, scarves, gloves. | 0:14:27 | 0:14:31 | |
I like wearing layers. | 0:14:31 | 0:14:34 | |
I like coming here when it's blowing a gale and the tide's in, | 0:14:37 | 0:14:40 | |
and the water's bouncing off the walls. | 0:14:40 | 0:14:43 | |
I stand on the railings and pretend I'm on a ship. | 0:14:44 | 0:14:47 | |
So where's this ship you're on sailing to? | 0:14:48 | 0:14:51 | |
No idea. No imagination. | 0:14:51 | 0:14:53 | |
I did well to find a boat. | 0:14:54 | 0:14:57 | |
I am sorry, Cass. | 0:15:06 | 0:15:09 | |
It's... It's gone. | 0:15:09 | 0:15:11 | |
It happened. | 0:15:11 | 0:15:14 | |
Are you a family, Cass? | 0:15:16 | 0:15:18 | |
You, the guy, | 0:15:18 | 0:15:20 | |
Libby? | 0:15:20 | 0:15:22 | |
Are you all together? | 0:15:22 | 0:15:24 | |
What if we were? | 0:15:24 | 0:15:26 | |
Do you love him? | 0:15:26 | 0:15:28 | |
What if we were...a family? | 0:15:30 | 0:15:32 | |
Then that's good. | 0:15:32 | 0:15:34 | |
For you, that's good. | 0:15:36 | 0:15:38 | |
I would love it for me dad to know he had a granddaughter. | 0:15:40 | 0:15:43 | |
He deserves to be remembered by someone better than me. | 0:15:46 | 0:15:50 | |
What about you, John Paul, what do you want? | 0:15:51 | 0:15:56 | |
What is it that you think you deserve from all of this? | 0:15:56 | 0:16:01 | |
Nothing. | 0:16:01 | 0:16:03 | |
Absolutely, nothing. | 0:16:03 | 0:16:05 | |
What I want... | 0:16:07 | 0:16:09 | |
is for you to be OK. | 0:16:10 | 0:16:12 | |
First and foremost. | 0:16:12 | 0:16:14 | |
If that means me walking away, | 0:16:17 | 0:16:19 | |
staying away, I will. | 0:16:19 | 0:16:22 | |
I want your daughter to be my daughter. | 0:16:29 | 0:16:33 | |
I want to hold her hand on this beach. | 0:16:38 | 0:16:41 | |
I want to stop her from standing on jellyfish. | 0:16:44 | 0:16:46 | |
None of which I deserve. | 0:16:51 | 0:16:53 | |
That's it. | 0:16:56 | 0:16:58 | |
That's all I've got, Cass. | 0:16:58 | 0:17:00 | |
What I really want... | 0:17:13 | 0:17:16 | |
is to be around to keep her safe. | 0:17:16 | 0:17:19 | |
BELL RINGS, DOOR BUZZES | 0:17:36 | 0:17:39 | |
Thanks, Sarge. | 0:17:40 | 0:17:41 | |
I heard there was an arrest warrant served this morning on Jonjo Heinz. | 0:17:43 | 0:17:46 | |
Was it a hit? | 0:17:46 | 0:17:47 | |
-It was. -Is he still here? -He is. | 0:17:47 | 0:17:50 | |
Mind if I take a peek? | 0:17:50 | 0:17:53 | |
-Remind meself what a twat looks like. -Number three. | 0:17:53 | 0:17:55 | |
Cheers, Sarge. | 0:17:55 | 0:17:57 | |
DOOR BUZZES | 0:17:59 | 0:18:01 | |
What? | 0:18:04 | 0:18:05 | |
Yeah, that's right. | 0:18:08 | 0:18:10 | |
Have a good look. | 0:18:11 | 0:18:12 | |
Walk away, you, yer little fanny! | 0:18:14 | 0:18:16 | |
MOBILE RINGS | 0:18:22 | 0:18:25 | |
All right, Dad. I'm just about to go on parade. | 0:18:25 | 0:18:27 | |
I was just about to start Crime And Punishment, | 0:18:27 | 0:18:30 | |
but if you'd rather we did a Barbara Cartland. | 0:18:30 | 0:18:32 | |
Thanks very much. What happened to the sympathetic ear? | 0:18:32 | 0:18:35 | |
'I'm serious, son.' | 0:18:35 | 0:18:36 | |
I don't know anything about women. | 0:18:36 | 0:18:39 | |
And it appears you know even less. | 0:18:39 | 0:18:41 | |
Ah! Justine's here. Shall I ask her? | 0:18:41 | 0:18:44 | |
No, that's negative. | 0:18:44 | 0:18:46 | |
'John Paul wants to know how to woo...' | 0:18:46 | 0:18:49 | |
-..a woman. -Is that right? | 0:18:49 | 0:18:51 | |
-Dad, pack it in. -'Tell him a romantic dinner for two...' | 0:18:51 | 0:18:54 | |
..never goes out of fashion. | 0:18:54 | 0:18:56 | |
Did you hear that? | 0:18:56 | 0:18:57 | |
Hi, bollocks. | 0:18:58 | 0:18:59 | |
'Look, I'm joking, son.' | 0:18:59 | 0:19:01 | |
If you think she's worth making a fool of yourself for, | 0:19:01 | 0:19:04 | |
then you do it. | 0:19:04 | 0:19:05 | |
'Oh, and I appreciate you asking me for my advice, | 0:19:05 | 0:19:09 | |
'even though it's not worth a carrot.' | 0:19:09 | 0:19:11 | |
Yeah, you're right. Right, I've got to go. | 0:19:11 | 0:19:14 | |
-'Well, you be careful out there.' -Will do. | 0:19:14 | 0:19:16 | |
Speak to you later, Pop. | 0:19:16 | 0:19:18 | |
How is your dad? | 0:19:18 | 0:19:20 | |
-Is he all right? -Yeah, he's good, thanks. | 0:19:20 | 0:19:23 | |
Must be close to hell on earth though, | 0:19:23 | 0:19:25 | |
having to sit in your house all day. | 0:19:25 | 0:19:28 | |
-Well, he's got his books. -That's what you need, innit? | 0:19:28 | 0:19:30 | |
A good book to while away the years. | 0:19:30 | 0:19:33 | |
-Eh, I went for a drink with Amanda last night. -Oh, well done. | 0:19:34 | 0:19:38 | |
She can drink! And she was saying how she loves working with you. | 0:19:38 | 0:19:44 | |
Good. | 0:19:44 | 0:19:45 | |
Are you interested, you know, romantically? | 0:19:46 | 0:19:50 | |
-Romantically, what...? -If you want me to be crude, I'll be crude. | 0:19:50 | 0:19:53 | |
I've told you, she's another copper, that's all, a mate. | 0:19:53 | 0:19:56 | |
If you want to step in, then go ahead. | 0:19:56 | 0:19:58 | |
-She's out of your league, but... -PHIL LAUGHS | 0:19:58 | 0:20:00 | |
By all means make a fool out of yourself. | 0:20:00 | 0:20:02 | |
Yeah, well, if you don't ask, you don't get. You tosser. | 0:20:02 | 0:20:06 | |
Sal... DCI Costello was asking after you. | 0:20:06 | 0:20:10 | |
-I told him we'd be along after parade. -We? | 0:20:10 | 0:20:12 | |
Yeah, WE. | 0:20:12 | 0:20:14 | |
Last night, we had another attack on a female. Same MO. | 0:20:17 | 0:20:21 | |
Lone female, two white males and a stolen dirt bike. | 0:20:21 | 0:20:25 | |
How many's that now? | 0:20:25 | 0:20:27 | |
Six. Last night, a 19-year-old student. | 0:20:27 | 0:20:30 | |
Fractured cheekbone, collarbone and ribs. All happened in the space of a minute. | 0:20:30 | 0:20:33 | |
And they enjoyed it, all of it - the attack and the chase. | 0:20:33 | 0:20:37 | |
-You gave chase? -On foot until the bike arrived. | 0:20:37 | 0:20:39 | |
-And did you get a good look at him? -No. | 0:20:39 | 0:20:42 | |
Any local intel, Sarge? | 0:20:42 | 0:20:43 | |
Nothing yet. Community bobbies are pushing it, as should we. | 0:20:43 | 0:20:46 | |
-Any contacts we have on the ground should be used. -Traffic cameras? | 0:20:46 | 0:20:50 | |
No, limited and useless. | 0:20:50 | 0:20:53 | |
The facts are, the level of violence is increasing. | 0:20:53 | 0:20:57 | |
Something much more serious is just around the corner | 0:20:57 | 0:21:00 | |
and we CAN'T let it happen. | 0:21:00 | 0:21:03 | |
Which is why Constable Morgan's been asked, | 0:21:03 | 0:21:06 | |
and agreed, to pose as a student, later tonight, a special op. | 0:21:06 | 0:21:11 | |
What, a goat on a rope? Whose idea was that? | 0:21:11 | 0:21:14 | |
I think she should dress provocatively, Sarge, like she's on a slut walk. | 0:21:14 | 0:21:17 | |
-You're not funny! -I'm telling you, bees need honey. | 0:21:17 | 0:21:20 | |
From 2100 hours, the entire block | 0:21:20 | 0:21:22 | |
-will be in and around the student area of the city. -Just the block, Sarge? | 0:21:22 | 0:21:26 | |
-No support? -Two CID officers will be involved. | 0:21:26 | 0:21:29 | |
-Two? -At the moment, two. | 0:21:29 | 0:21:31 | |
The Chief Inspector will be advising the details at a pre-op briefing. | 0:21:31 | 0:21:34 | |
These guys don't give any warning. From the word go, they attack. | 0:21:34 | 0:21:38 | |
-You saw what he did to the girl last night. -I know. | 0:21:38 | 0:21:40 | |
-And you're comfortable with that? -I don't intend to be passive. | 0:21:40 | 0:21:42 | |
-If you don't see the first punch, you can't defend it. -What's the alternative! | 0:21:42 | 0:21:46 | |
-Put Philly in a frock? -Have we got the chopper? | 0:21:46 | 0:21:49 | |
Can't afford it and...it's not our turn. | 0:21:49 | 0:21:53 | |
This gets better! This is a bad idea, Sarge. | 0:21:53 | 0:21:56 | |
-And you're a mug for going along with it! -It's my decision. | 0:21:56 | 0:21:58 | |
-There's better ways to get commendations! -OK, Sav! That's enough! | 0:21:58 | 0:22:01 | |
- Yeah, more than enough! - You've made your point. | 0:22:01 | 0:22:03 | |
The idea will be to maintain visual contact with Amanda at all times. | 0:22:03 | 0:22:08 | |
As I said, the details will be covered in a later briefing. | 0:22:08 | 0:22:12 | |
KNOCK AT DOOR | 0:22:18 | 0:22:20 | |
-Sir. -Yeah. Come in. | 0:22:20 | 0:22:22 | |
Sit down. | 0:22:24 | 0:22:24 | |
I'm told you went to see an arrest of mine, Jonjo Heinz. | 0:22:36 | 0:22:40 | |
Yes. | 0:22:40 | 0:22:42 | |
Why? | 0:22:42 | 0:22:43 | |
To see him for meself. | 0:22:43 | 0:22:45 | |
And to wind him up. | 0:22:45 | 0:22:48 | |
We only took him in this morning. | 0:22:49 | 0:22:52 | |
How did you know he was in the cells? | 0:22:52 | 0:22:54 | |
Your shift started half an hour ago. | 0:22:56 | 0:22:58 | |
The truth? | 0:22:59 | 0:23:01 | |
Sir, I was sitting outside his house when the warrant was executed. | 0:23:05 | 0:23:09 | |
You were sitting outside his house at 5.30 this morning? | 0:23:14 | 0:23:17 | |
I couldn't sleep, sir. | 0:23:17 | 0:23:20 | |
Don't be clever, Sav. The hole's big enough as it is. | 0:23:20 | 0:23:24 | |
I thought about knocking on his door meself. | 0:23:26 | 0:23:28 | |
And then what? | 0:23:28 | 0:23:30 | |
Don't know. | 0:23:30 | 0:23:31 | |
Hit him. Knock him out. | 0:23:31 | 0:23:34 | |
-I found the idea of him getting away with murder difficult to swallow. -Your mate being killed | 0:23:34 | 0:23:39 | |
is no excuse for stupid, irrational, suspicious behaviour! | 0:23:39 | 0:23:43 | |
Apologies. | 0:23:43 | 0:23:44 | |
Did you sit outside Noel Finch's house, Callum Rose's house? | 0:23:45 | 0:23:49 | |
No, sir. | 0:23:49 | 0:23:50 | |
What are you, Rocksavage? | 0:23:50 | 0:23:53 | |
A witness? A weakness? | 0:23:53 | 0:23:56 | |
A suspect? | 0:23:56 | 0:23:57 | |
What would we find if we knocked on your door? | 0:23:59 | 0:24:03 | |
A cup of tea and a biscuit, sir. | 0:24:03 | 0:24:05 | |
You're very welcome to knock on my door any time you like. | 0:24:05 | 0:24:08 | |
But you're right, going to his house was a stupid thing to do. | 0:24:08 | 0:24:12 | |
Is Heinz going to be charged, sir? | 0:24:14 | 0:24:17 | |
Thank you, Sergeant. Sorry for disrupting your day. | 0:24:23 | 0:24:27 | |
Not a problem. | 0:24:27 | 0:24:29 | |
-Is Heinz going to be charged, sir? -It's none of your business, Sav. | 0:24:30 | 0:24:34 | |
Actually, Sergeant, it is. | 0:24:34 | 0:24:36 | |
Because although we can prove he was with Finch's mob, | 0:24:38 | 0:24:42 | |
the day that PC Stockwell was murdered, | 0:24:42 | 0:24:45 | |
what we can't do is we can't prove he was at the house when the killing occurred. | 0:24:45 | 0:24:49 | |
What we need to do that is a reliable witness! | 0:24:49 | 0:24:52 | |
Key word being "reliable"! | 0:24:54 | 0:24:57 | |
Not some obsessive, compulsive, bell-end | 0:24:58 | 0:25:01 | |
who enjoys sitting outside a suspect's house | 0:25:01 | 0:25:04 | |
for no GOOD REASON! | 0:25:04 | 0:25:06 | |
Heinz is on a drugs charge. It will do for now! | 0:25:11 | 0:25:15 | |
But you damage this investigation any further | 0:25:15 | 0:25:18 | |
and I swear I will damage you! | 0:25:18 | 0:25:20 | |
Get him out of here before I throw something! | 0:25:22 | 0:25:25 | |
You heard the man, Sav. Let's go. | 0:25:25 | 0:25:28 | |
Sav! | 0:25:33 | 0:25:34 | |
What's going on inside that thick head? What are you playing at? | 0:25:46 | 0:25:49 | |
Privacy cupboard. | 0:25:49 | 0:25:51 | |
Your turn to say something. Make it good. | 0:25:57 | 0:25:59 | |
Heinz is going to end up getting away with this, or on a lesser charge. | 0:25:59 | 0:26:03 | |
We don't know that. If it happens, you deal with it. | 0:26:03 | 0:26:07 | |
At best, we'll get manslaughter and he'll be out in five years tops! I can't handle that. | 0:26:07 | 0:26:12 | |
Do you know what, Sav? I don't think you're up to a shift. | 0:26:12 | 0:26:16 | |
I should pull you. | 0:26:16 | 0:26:18 | |
You can't. | 0:26:18 | 0:26:19 | |
Yes, I CAN. | 0:26:19 | 0:26:21 | |
If I don't think your head's in the right place, | 0:26:21 | 0:26:24 | |
I can do anything I like. | 0:26:24 | 0:26:26 | |
How long have you been a bobby? | 0:26:26 | 0:26:29 | |
How long? | 0:26:29 | 0:26:30 | |
Seven years. | 0:26:30 | 0:26:32 | |
-How many pats on the back? -A few. -More than a few. | 0:26:32 | 0:26:36 | |
But all that's in danger of flying out the window. | 0:26:36 | 0:26:38 | |
Forget about MIT. | 0:26:38 | 0:26:41 | |
Forget about CPS. Forget about what you cannot do. | 0:26:41 | 0:26:45 | |
Concentrate on what you can do. | 0:26:45 | 0:26:47 | |
And tonight, that should be looking after Amanda, | 0:26:47 | 0:26:50 | |
not slagging her off for stepping up to the plate. | 0:26:50 | 0:26:53 | |
Tonight, she needs you. | 0:26:53 | 0:26:57 | |
-Took your time! -Am I worth the wait? | 0:27:01 | 0:27:04 | |
Amanda, listen. | 0:27:07 | 0:27:09 | |
-I swear I won't say another word about you volunteering. -Yeah, you will. | 0:27:09 | 0:27:13 | |
-OK, I probably will. -Does this mean you care? | 0:27:13 | 0:27:16 | |
No. I'd say the same thing to Philly. | 0:27:16 | 0:27:20 | |
Maybe not. | 0:27:20 | 0:27:21 | |
I don't know. | 0:27:30 | 0:27:32 | |
I didn't really look at him. I was too busy... | 0:27:32 | 0:27:36 | |
shouting and screaming and waving my arms about. | 0:27:36 | 0:27:39 | |
Which you did brilliantly, by the way. | 0:27:39 | 0:27:41 | |
If you didn't see his face, | 0:27:41 | 0:27:44 | |
what did you see? Anything, anything at all? | 0:27:44 | 0:27:47 | |
Erm... | 0:27:48 | 0:27:50 | |
An earring. One of them diamond stud types. | 0:27:50 | 0:27:54 | |
-Like the footballers wear. -Blingy. -Yeah. | 0:27:54 | 0:27:58 | |
In his left ear. | 0:27:58 | 0:27:59 | |
Was it round or square? | 0:27:59 | 0:28:01 | |
Er... | 0:28:01 | 0:28:03 | |
Square. | 0:28:03 | 0:28:04 | |
-Excellent. -He put his hand over my mouth | 0:28:04 | 0:28:07 | |
and I bit him really hard. | 0:28:07 | 0:28:09 | |
-Nice one. -I hope they give you a tetanus jab. | 0:28:09 | 0:28:11 | |
That's all. | 0:28:13 | 0:28:15 | |
That's all. I really was just concentrating on making as much noise as possible. | 0:28:15 | 0:28:20 | |
Sorry. | 0:28:20 | 0:28:22 | |
Sorry for what? You've got every right to be upset. | 0:28:22 | 0:28:26 | |
But you stood up to that bastard, Lucy, and you won. | 0:28:26 | 0:28:29 | |
-You hear me? -Yeah. | 0:28:29 | 0:28:31 | |
-What are you studying? -Law. | 0:28:31 | 0:28:34 | |
Rather you than me. | 0:28:34 | 0:28:36 | |
Don't let this knock you off course, OK? | 0:28:38 | 0:28:40 | |
We will find him. | 0:28:40 | 0:28:42 | |
Sorry, it's stupid and wrong, | 0:28:44 | 0:28:46 | |
but I don't think I want you to find him. | 0:28:46 | 0:28:50 | |
I just want it to be over. | 0:28:50 | 0:28:52 | |
I want it to be over and I want him to be gone for good. | 0:28:52 | 0:28:57 | |
Does he know we can see him? | 0:29:04 | 0:29:06 | |
I'm not sure. | 0:29:06 | 0:29:08 | |
I'll wait in the car. | 0:29:08 | 0:29:10 | |
-All right there, Constable. -Kyle, what are you doing? | 0:29:14 | 0:29:17 | |
Meeting you. | 0:29:17 | 0:29:18 | |
You're trying out car doors. You can see me watching you and you're still doing it. Why? | 0:29:18 | 0:29:23 | |
-I don't know. Habit? -And what if one was open? | 0:29:23 | 0:29:25 | |
You're your own worst enemy. | 0:29:25 | 0:29:27 | |
-I can't help it. I wouldn't have taken anything. -Yes, you would. | 0:29:27 | 0:29:32 | |
-You'd have waited for me to leave and then you'd have taken something. -Sav, swear to God, I wouldn't. | 0:29:32 | 0:29:36 | |
-Anyway, I need a favour. -If I can. | 0:29:36 | 0:29:39 | |
-It's important. -OK. | 0:29:39 | 0:29:42 | |
I'm looking for two mates. Two pieces of shit who go round on a dirt bike. | 0:29:42 | 0:29:47 | |
-What colour? -The bike's dark. I think black. They're attacking young women. | 0:29:47 | 0:29:51 | |
Assault, sexual assault and robbery, so far. | 0:29:51 | 0:29:54 | |
It's getting worse each time. | 0:29:54 | 0:29:56 | |
-That's bad that. That's scum. -Yeah, it is bad. | 0:29:56 | 0:29:59 | |
I don't necessarily need names. An area would be nice, a street name even better. | 0:29:59 | 0:30:03 | |
Any ideas yourself about where they hang out? | 0:30:03 | 0:30:07 | |
I'm thinking the Brow maybe. They seem to know that area. Will you keep your eyes out? | 0:30:07 | 0:30:11 | |
-Ear to the ground? -Yeah. | 0:30:11 | 0:30:14 | |
-20. It's all I've got. -Sav, Sav. | 0:30:15 | 0:30:18 | |
I don't want your money, lad. I'm not a grass. | 0:30:18 | 0:30:20 | |
But you'll do it? | 0:30:20 | 0:30:22 | |
Yeah. I said I would, didn't I? | 0:30:22 | 0:30:24 | |
I'm a citizen. I've got sisters. | 0:30:24 | 0:30:27 | |
You're a good lad, Kyle. So when are you gonna stop the thieving? | 0:30:27 | 0:30:31 | |
Ah, I dunno. I think I'm flawed. | 0:30:31 | 0:30:34 | |
HE LAUGHS | 0:30:34 | 0:30:36 | |
Hey, have you done it with her yet? | 0:30:36 | 0:30:39 | |
See you later. | 0:30:39 | 0:30:40 | |
I would! | 0:30:40 | 0:30:42 | |
Kyle! | 0:30:48 | 0:30:49 | |
I can see yer! Stop! | 0:30:49 | 0:30:51 | |
'Alpha Two-One. Assistance required... | 0:30:58 | 0:31:00 | |
'..Investigating suspicious apartment...' | 0:31:04 | 0:31:06 | |
-Are you meeting Christopher Tomley? -That's right, yeah. -That's me. | 0:31:07 | 0:31:11 | |
I've got a spare key for the apartment. | 0:31:11 | 0:31:14 | |
I am the keeper of the keys. | 0:31:14 | 0:31:16 | |
I'm trying to give up. | 0:31:16 | 0:31:18 | |
Again! This way. | 0:31:18 | 0:31:20 | |
The block chairman has a spare key for all the flats. | 0:31:20 | 0:31:23 | |
The rule is that it can't be used in the absence of the owner, | 0:31:23 | 0:31:26 | |
without express permission of a nominated person, or the police. | 0:31:26 | 0:31:31 | |
-Who's the nominated person? -In Mr Grey's case, there wasn't one. | 0:31:31 | 0:31:35 | |
Which is why you're here. | 0:31:35 | 0:31:37 | |
-Are the security cameras working? -Oh, yeah. | 0:31:46 | 0:31:49 | |
Pointless if they're not. Everything works. | 0:31:49 | 0:31:52 | |
When was the last time you saw Mr Grey? | 0:31:52 | 0:31:54 | |
I was thinking about that. It must be two, three weeks maybe. | 0:31:54 | 0:31:59 | |
-Is that unusual? -Not really. But something's wrong. I think I'm right. | 0:31:59 | 0:32:03 | |
There's a definite smell. Are police allowed to wear make-up? | 0:32:03 | 0:32:08 | |
A bit. | 0:32:08 | 0:32:09 | |
Never knew. | 0:32:09 | 0:32:11 | |
-Are you getting the whiff now? -Not yet. | 0:32:11 | 0:32:14 | |
It's there. Peppermint. | 0:32:14 | 0:32:17 | |
Here we go. | 0:32:17 | 0:32:19 | |
Dear God! I think we can rule out a mouse. | 0:32:20 | 0:32:23 | |
You wait at the door, please. | 0:32:26 | 0:32:28 | |
-OK? -Mm-hm. | 0:32:40 | 0:32:41 | |
Oh! | 0:32:49 | 0:32:50 | |
Jesus Christ! | 0:32:52 | 0:32:54 | |
Lima One, Lima One. This is Alpha Two-One, over. | 0:32:58 | 0:33:01 | |
'Go ahead, Alpha Two-One.' | 0:33:01 | 0:33:02 | |
Serious but non-urgent, Debs. | 0:33:02 | 0:33:05 | |
There's been a shooting. One fatality. West Street apartments. | 0:33:05 | 0:33:08 | |
Number 235. | 0:33:08 | 0:33:11 | |
Looks and smells like the shooting occurred a number of weeks ago. | 0:33:11 | 0:33:13 | |
-Require MIT and private ambulance. Over. -'Roger that, Sav.' | 0:33:13 | 0:33:17 | |
I take it he's dead? | 0:33:18 | 0:33:20 | |
Can you wait outside, please? | 0:33:20 | 0:33:23 | |
Mr Tomley. | 0:33:24 | 0:33:25 | |
Can you wait outside, please? | 0:33:25 | 0:33:27 | |
And don't touch anything. | 0:33:27 | 0:33:30 | |
The name on the tenancy agreement is Martin Paul Grey. | 0:33:33 | 0:33:36 | |
He'd been living here alone since March 2008. | 0:33:36 | 0:33:38 | |
Not many visitors. Works from home, possibly as an accountant. | 0:33:38 | 0:33:42 | |
But I'm guessing from the books on tax law, VAT. | 0:33:42 | 0:33:44 | |
I've had a cursory look around and there seems to be a few things missing. | 0:33:44 | 0:33:48 | |
-Like what? -There's no sign of a computer or a phone. | 0:33:48 | 0:33:51 | |
And the filing cabinet's mostly empty. | 0:33:51 | 0:33:53 | |
His client list might be interesting. | 0:33:53 | 0:33:56 | |
All right. Thanks, Sav. | 0:33:56 | 0:33:58 | |
-Is it true you've only got Jonjo Heinz on a drugs charge? -Possession and supply. | 0:34:00 | 0:34:05 | |
Sav, it's a start. | 0:34:05 | 0:34:08 | |
It got us into his girlfriend's house for a good look around. | 0:34:08 | 0:34:11 | |
OK. Are we needed? | 0:34:13 | 0:34:15 | |
I'll ask. | 0:34:15 | 0:34:17 | |
Definitely matches, yeah? | 0:34:17 | 0:34:19 | |
I'm guessing, not. | 0:34:19 | 0:34:21 | |
Had to be you, didn't it? - who discovered the body. | 0:34:27 | 0:34:31 | |
We were nearest, sir. | 0:34:31 | 0:34:33 | |
Do you know what this is? | 0:34:33 | 0:34:36 | |
Same bullet type that killed Noel Finch AND Callum Rose. | 0:34:36 | 0:34:41 | |
-Same gun? -Possibly. So we could be looking at Finch's work. | 0:34:41 | 0:34:46 | |
And that could be the reason why he went back into the house, to fetch a murder weapon. | 0:34:46 | 0:34:50 | |
So the next question is, | 0:34:50 | 0:34:53 | |
who controlled Finch? Who authorised this kill? | 0:34:53 | 0:34:56 | |
-And the answer, Constable Rocksavage, is none of your business. -No, sir. | 0:34:56 | 0:35:01 | |
So you go and do your job. Let me do mine. | 0:35:01 | 0:35:03 | |
Is that what you'll be saying when we're knocking on doors, sir? I thought we were part of a team. | 0:35:03 | 0:35:08 | |
Tell your sergeant, | 0:35:10 | 0:35:12 | |
I do not want this copper anywhere near my incident room. Is that clear? | 0:35:12 | 0:35:15 | |
-You've made your point, sir. -I hope so. | 0:35:15 | 0:35:17 | |
Thank you. | 0:35:19 | 0:35:21 | |
LOCK BEEPS | 0:35:27 | 0:35:28 | |
I need a cig. I'm fumin'. | 0:35:40 | 0:35:42 | |
Is he allowed to talk to us like that? | 0:35:42 | 0:35:44 | |
-It's me he's got the problem with. -I don't care. It's bad manners. | 0:35:44 | 0:35:47 | |
-He's all excited about the idea of a turf war. -Oh, he's a gobshite! | 0:35:47 | 0:35:52 | |
Enjoying that? | 0:35:59 | 0:36:00 | |
I'm a kissogram. No tax pennies being wasted. | 0:36:00 | 0:36:05 | |
Are you on your own? | 0:36:20 | 0:36:22 | |
If you're coming in, I'm not. | 0:36:22 | 0:36:24 | |
How do I look? Studious? | 0:36:24 | 0:36:28 | |
I'd occupy the refectory with you, yeah. | 0:36:28 | 0:36:30 | |
What you're doing is top drawer. | 0:36:34 | 0:36:36 | |
I mean it. | 0:36:36 | 0:36:38 | |
But you're still a goat on a rope. | 0:36:38 | 0:36:41 | |
Between you and me, I'm bricking it. | 0:36:42 | 0:36:45 | |
-My stomach's doing flips. -It's bound to. | 0:36:45 | 0:36:48 | |
-I won't be too far away. -You better not be. | 0:36:48 | 0:36:51 | |
Ready to do some good? | 0:36:51 | 0:36:53 | |
Group hug? | 0:36:55 | 0:36:56 | |
You might be aware of this, but if you kick a man in the nuts it makes his eyes water. | 0:37:00 | 0:37:03 | |
Noted. | 0:37:04 | 0:37:05 | |
-You can change your mind. -No, I can't. | 0:37:08 | 0:37:12 | |
SIRENS BLARE | 0:37:14 | 0:37:18 | |
SARGE: 'Base to goat, over.' | 0:37:30 | 0:37:32 | |
Hear you loud and clear, base, over. | 0:37:32 | 0:37:35 | |
'Base to all units, comms check. Stand by. Base to goat. | 0:37:35 | 0:37:38 | |
-'Advise position, over.' -Goat to all units. Passing Concert Square. | 0:37:38 | 0:37:43 | |
Going in the direction of Slater Street and Berry Street, over. | 0:37:43 | 0:37:46 | |
Anyone out there? Over. | 0:37:47 | 0:37:50 | |
'Alpha Two-One received.' | 0:37:50 | 0:37:52 | |
-Alpha Two-Two received. -'Alpha Two-Three with a roger.' | 0:37:52 | 0:37:57 | |
'Taxi one, roger. Right behind you, goat.' | 0:38:10 | 0:38:13 | |
SARGE: 'Amanda. | 0:38:46 | 0:38:47 | |
'Ten minutes there, then we'll move on to area three. | 0:38:47 | 0:38:50 | |
'Then we go round again. And we keep going round.' | 0:38:50 | 0:38:54 | |
Roger, base. | 0:38:54 | 0:38:56 | |
SARGE: 'Whenever you're ready, goat.' | 0:39:14 | 0:39:17 | |
Going round again, base. | 0:39:17 | 0:39:19 | |
'Roger, we're always close.' | 0:39:19 | 0:39:22 | |
'Lima One, to all units. Reports of a disturbance at the Firewall nightclub.' | 0:39:30 | 0:39:35 | |
'Alpha Two-Three. Are we clear to respond to the Firewall shout? We're just around the corner.' | 0:39:35 | 0:39:40 | |
Let it go, Gaz. | 0:39:40 | 0:39:43 | |
SARGE: 'Stand by, Alpha Two-Three.' | 0:39:43 | 0:39:45 | |
We stay put. | 0:39:47 | 0:39:49 | |
'Alpha Two-Three, you're clear to respond to Firewall. | 0:39:49 | 0:39:52 | |
'Base to goat. | 0:39:52 | 0:39:54 | |
'We're going to call it a night.' | 0:39:54 | 0:39:56 | |
Received that base. Can't say I'm disappointed. | 0:39:56 | 0:40:00 | |
MOTORBIKE REVS | 0:40:00 | 0:40:03 | |
To all units, I've just had sight of a dirt bike, over. It could be something or nothing. | 0:40:03 | 0:40:08 | |
Over. | 0:40:08 | 0:40:09 | |
Aaah! | 0:40:09 | 0:40:10 | |
She's been hit! She's been hit! | 0:40:10 | 0:40:12 | |
Aah! Aah! | 0:40:12 | 0:40:14 | |
Aah! Strike! | 0:40:14 | 0:40:15 | |
Help! | 0:40:15 | 0:40:17 | |
Aah! | 0:40:17 | 0:40:18 | |
'All units, girl under attack in Liverpool one.' | 0:40:18 | 0:40:20 | |
Aaah! | 0:40:20 | 0:40:21 | |
Aaah! | 0:40:21 | 0:40:23 | |
SIREN BLARES | 0:40:23 | 0:40:25 | |
Aaah! | 0:40:25 | 0:40:26 | |
Police! | 0:40:26 | 0:40:27 | |
Amanda! | 0:40:32 | 0:40:34 | |
SIREN BLARES | 0:40:34 | 0:40:36 | |
Alpha Two-One to base and all units. Trials bike spotted headed south on Commercial Road. | 0:40:36 | 0:40:41 | |
'That's south on Commercial Road.' | 0:40:41 | 0:40:43 | |
Amanda. | 0:40:43 | 0:40:44 | |
SIREN BLARES | 0:40:45 | 0:40:47 | |
'Ambulance required, Pilgrim's Lane. We'll stay with her.' | 0:40:47 | 0:40:50 | |
Dirt bike has collected a passenger. I'm staying with them. | 0:40:50 | 0:40:52 | |
-SARGE: 'Request speed and location.' -Turning right into Hoxton Road. | 0:40:52 | 0:40:56 | |
SIREN BLARES | 0:40:56 | 0:40:59 | |
SARGE: 'Keep feeding speed and location, Sav. | 0:41:07 | 0:41:09 | |
'Alpha Two-One, request speed and location.' | 0:41:09 | 0:41:13 | |
Onto the Dock Road. | 0:41:14 | 0:41:16 | |
He's pushing 60 or more. Accelerating. | 0:41:16 | 0:41:18 | |
70. | 0:41:19 | 0:41:20 | |
-Accelerating. Staying with them. 75. -SARGE: 'Alpha Two-One, pull back.' | 0:41:21 | 0:41:26 | |
-Staying with them to 80. -'End pursuit, over. | 0:41:26 | 0:41:28 | |
'Sav, do you read? Sav! Sav! It's too fast. | 0:41:28 | 0:41:32 | |
'And too dangerous! You know the rule. We CANNOT endanger life. | 0:41:32 | 0:41:35 | |
'End the pursuit! Sav! | 0:41:36 | 0:41:38 | |
-'Last chance, Sav! -Sav, for God's sake call it off! | 0:41:38 | 0:41:43 | |
'There'll be a next time! Please! Sav!' | 0:41:43 | 0:41:46 | |
What's the fucking point?! | 0:41:51 | 0:41:54 | |
Cheers, mate. | 0:42:01 | 0:42:02 | |
-Here's Sarge. -Oh, here's your bollocking. | 0:42:02 | 0:42:05 | |
And he's walking with purpose. | 0:42:05 | 0:42:08 | |
-How is she? -She's OK. | 0:42:08 | 0:42:10 | |
She's sitting up. | 0:42:10 | 0:42:13 | |
I'll save our discussion till tomorrow, shall I? | 0:42:13 | 0:42:15 | |
-Do it now, if you like. -We can make ourselves scarce. | 0:42:15 | 0:42:18 | |
I'm more concerned than disappointed. | 0:42:30 | 0:42:33 | |
I think you're looking at time off and a trip to the psych. | 0:42:33 | 0:42:37 | |
-I don't need time off. -You don't have any say in the matter. | 0:42:37 | 0:42:40 | |
Par for the course. | 0:42:40 | 0:42:41 | |
What was the point in tonight if all we were going to do at the end of it is let them go? | 0:42:42 | 0:42:46 | |
Amanda almost gets killed and we do nothing! | 0:42:46 | 0:42:49 | |
Andy did get killed and all MIT are interested in is who killed the bastards who killed Andy! | 0:42:49 | 0:42:55 | |
She'd like to see you. | 0:42:59 | 0:43:01 | |
Have a look in and then meet me outside. | 0:43:01 | 0:43:04 | |
I'll give you a life home or... to collect your car. | 0:43:04 | 0:43:09 | |
No need to report tomorrow. | 0:43:09 | 0:43:11 | |
You NEED to rest. | 0:43:11 | 0:43:14 | |
My hero. | 0:43:41 | 0:43:43 | |
Hey. | 0:43:43 | 0:43:44 | |
Looking good. | 0:43:45 | 0:43:47 | |
You suit a little bit of colour on your face. | 0:43:47 | 0:43:49 | |
Funny man. | 0:43:51 | 0:43:52 | |
I see he had you by the throat. | 0:43:53 | 0:43:55 | |
The siren saved me. | 0:43:59 | 0:44:01 | |
You were right. The first punch and my head was spinning. | 0:44:03 | 0:44:07 | |
No, you did good. You recovered and you got your call out. | 0:44:07 | 0:44:12 | |
It was a shit plan. | 0:44:13 | 0:44:15 | |
Yeah. | 0:44:15 | 0:44:17 | |
It was a shit plan. | 0:44:18 | 0:44:20 | |
What was going on with the pursuit? | 0:44:29 | 0:44:32 | |
You don't want to know. | 0:44:32 | 0:44:35 | |
Yeah, I do. | 0:44:36 | 0:44:38 | |
That's why I asked. | 0:44:38 | 0:44:40 | |
I had them. | 0:44:40 | 0:44:42 | |
I was right on their tail. | 0:44:42 | 0:44:46 | |
All I had to do was touch their back wheel. | 0:44:46 | 0:44:49 | |
And I was going to do it. | 0:44:49 | 0:44:52 | |
Problem solved. | 0:44:52 | 0:44:55 | |
But end of career. | 0:44:55 | 0:44:57 | |
It wouldn't have mattered. | 0:44:57 | 0:44:59 | |
I wouldn't have cared. | 0:44:59 | 0:45:02 | |
It's a jail sentence. | 0:45:03 | 0:45:05 | |
Suspended. | 0:45:05 | 0:45:07 | |
I still wouldn't have cared. | 0:45:07 | 0:45:10 | |
They'll do it again. | 0:45:10 | 0:45:12 | |
They had a great time. | 0:45:12 | 0:45:15 | |
They're laughing and joking about it right now. | 0:45:15 | 0:45:18 | |
It's not worth a good man going to jail. | 0:45:18 | 0:45:22 | |
You know, next time, Amanda, | 0:45:28 | 0:45:31 | |
they WILL kill. | 0:45:31 | 0:45:33 | |
You know it. I know it. They know it. They will kill. | 0:45:35 | 0:45:39 | |
And we will get them. | 0:45:39 | 0:45:41 | |
When? | 0:45:41 | 0:45:43 | |
Before or after? | 0:45:43 | 0:45:45 | |
Eh... | 0:45:48 | 0:45:49 | |
I was half copper, half dog tonight. | 0:46:18 | 0:46:21 | |
I chased a motorbike. | 0:46:25 | 0:46:27 | |
Did you catch it? | 0:46:27 | 0:46:30 | |
Almost. | 0:46:31 | 0:46:32 | |
-Do you want this? -Yeah. | 0:46:32 | 0:46:35 | |
There's two guys riding round attacking women | 0:46:40 | 0:46:45 | |
for something to do. | 0:46:45 | 0:46:47 | |
Nasty. | 0:46:49 | 0:46:50 | |
You OK? | 0:46:51 | 0:46:53 | |
What would you think if I said, | 0:46:53 | 0:46:56 | |
I caught them and killed them? | 0:46:56 | 0:47:00 | |
What do you mean, what would I think? | 0:47:00 | 0:47:03 | |
What would you think? | 0:47:03 | 0:47:05 | |
Would you think I was a hero? | 0:47:05 | 0:47:08 | |
A tool? | 0:47:08 | 0:47:09 | |
You wouldn't be a hero. | 0:47:09 | 0:47:11 | |
-You wouldn't think they deserved it? -No. -Why not? | 0:47:11 | 0:47:16 | |
Why? | 0:47:16 | 0:47:17 | |
Because they've got no idea of what it's like to be a proper human being. | 0:47:17 | 0:47:21 | |
No compassion, no thought. | 0:47:21 | 0:47:24 | |
So they deserve to die? | 0:47:24 | 0:47:27 | |
-Who'd miss them? -That's not the point. | 0:47:28 | 0:47:32 | |
You kill them and you're no different. | 0:47:32 | 0:47:34 | |
I'm a nurse. What did you expect me to say? | 0:47:36 | 0:47:40 | |
You'll have to tell me how you do it. | 0:47:44 | 0:47:46 | |
Keep your life in these little boxes. | 0:47:48 | 0:47:51 | |
A minute at a time. | 0:47:51 | 0:47:53 | |
But if you want me to stay a bit longer and listen, I will. | 0:47:57 | 0:48:01 | |
No. Not required. I want to follow you home though. | 0:48:01 | 0:48:05 | |
Make sure you get there safely. | 0:48:05 | 0:48:08 | |
It's a nice thought... | 0:48:09 | 0:48:12 | |
but, no, never. | 0:48:12 | 0:48:15 | |
WATER RUNS INTO A GLASS | 0:48:57 | 0:49:00 | |
A DISTANT SIREN WAILS | 0:49:21 | 0:49:24 | |
MOTORBIKE DRONES | 0:49:27 | 0:49:29 | |
"He scarcely looked at the passers-by. | 0:49:35 | 0:49:37 | |
"Tried to escape looking at their faces at all. | 0:49:37 | 0:49:40 | |
"And to be as little noticeable as possible. | 0:49:40 | 0:49:43 | |
"When he had happened to imagine all this beforehand, | 0:49:43 | 0:49:46 | |
"he had sometimes thought he would be very much afraid. | 0:49:46 | 0:49:50 | |
"But he was not very much afraid now. | 0:49:50 | 0:49:52 | |
"He was not afraid at all. Indeed, his mind..." | 0:49:52 | 0:49:55 | |
MOBILE RINGS | 0:49:55 | 0:49:57 | |
Sorry, Dad. | 0:49:58 | 0:49:59 | |
It can't be helped. | 0:49:59 | 0:50:01 | |
Sorry, let me... | 0:50:01 | 0:50:04 | |
PHONE CONTINUES TO RING | 0:50:04 | 0:50:06 | |
I'll pretend I'm watching an ad break, shall I? | 0:50:06 | 0:50:10 | |
PHONE RINGS AGAIN | 0:50:12 | 0:50:14 | |
-Kyle. -'I know it's late.' | 0:50:15 | 0:50:17 | |
But those two lads on a dirt bike. | 0:50:17 | 0:50:19 | |
'I'm looking at them right now. | 0:50:19 | 0:50:22 | |
'Are you still interested? | 0:50:22 | 0:50:24 | |
'Hello, Sav.' | 0:50:25 | 0:50:27 | |
Yeah. Tell me where and get yourself off the streets and home. | 0:50:27 | 0:50:31 | |
You understand? | 0:50:31 | 0:50:33 | |
All right, lad. I'll see you later. | 0:50:49 | 0:50:52 | |
KNOCK-KNOCK-KNOCK | 0:51:24 | 0:51:25 | |
Who's that? | 0:51:27 | 0:51:29 | |
Police. | 0:51:29 | 0:51:30 | |
Open up. | 0:51:30 | 0:51:32 | |
Come on. We haven't got all night. | 0:51:36 | 0:51:38 | |
Have you got any ID? | 0:51:38 | 0:51:40 | |
Open up and you can see all the ID you want. | 0:51:41 | 0:51:43 | |
Armed police, did I say? | 0:51:53 | 0:51:55 | |
Changing our MO are we? | 0:51:56 | 0:51:59 | |
From bike to van. | 0:51:59 | 0:52:01 | |
The bike's not mine. | 0:52:01 | 0:52:04 | |
What's the plan now? | 0:52:04 | 0:52:07 | |
Drag them in the back, abduction? | 0:52:07 | 0:52:10 | |
Knock them senseless at your leisure? | 0:52:10 | 0:52:12 | |
Bring them back here and then what? | 0:52:12 | 0:52:15 | |
Rape? Inflict a bit of pain? | 0:52:15 | 0:52:18 | |
A bit of terror? Cos you're tough like that, aren't you? | 0:52:18 | 0:52:21 | |
I know you enjoy that. And then what? | 0:52:21 | 0:52:25 | |
A knife? | 0:52:25 | 0:52:27 | |
No. You like the bare-handed approach, don't you? | 0:52:27 | 0:52:31 | |
I said, DON'T YER? | 0:52:31 | 0:52:32 | |
I haven't got a clue what you're talking about, but I know you're not police! | 0:52:32 | 0:52:34 | |
Oh yes, I am. | 0:52:34 | 0:52:36 | |
Turn your head to the right. | 0:52:37 | 0:52:40 | |
-What? -Turn your head to the right!! | 0:52:40 | 0:52:42 | |
I know all about you. | 0:52:44 | 0:52:46 | |
-I'm right about you enjoying it, aren't I? -This going all over my head! | 0:52:46 | 0:52:50 | |
-You can't leave it alone, can yer? -I don't know what you're talking about! | 0:52:50 | 0:52:54 | |
You've got to keep pushing and pushing. Next time it will be for keeps, right? | 0:52:54 | 0:52:57 | |
Next time, you'll kill! | 0:52:57 | 0:52:59 | |
Then again and again and again! | 0:52:59 | 0:53:02 | |
Listen, lad, right. I haven't understood a word... | 0:53:02 | 0:53:05 | |
You had your hands around a friend of mine's neck! She was half your size! | 0:53:05 | 0:53:08 | |
-You squeezed... -Wrong! It wasn't me! | 0:53:08 | 0:53:12 | |
It never is, is it? | 0:53:12 | 0:53:14 | |
KYLE GASPS FOR AIR | 0:53:20 | 0:53:23 | |
Aah! | 0:53:41 | 0:53:42 | |
Sav... | 0:53:43 | 0:53:45 | |
Sav, I won't say nothin'. | 0:53:45 | 0:53:48 | |
Call an ambulance. | 0:53:48 | 0:53:50 | |
I'm not a grass. | 0:53:50 | 0:53:52 | |
KYLE STRUGGLES FOR BREATH | 0:53:54 | 0:53:58 | |
Sav, Sav, Sav... I'm not a grass. | 0:54:08 | 0:54:10 | |
I know, Kyle. | 0:54:12 | 0:54:14 | |
I know. | 0:54:14 | 0:54:16 | |
I told you to go home. | 0:54:19 | 0:54:21 | |
I told you to GO HOME!!! | 0:54:24 | 0:54:26 | |
DOOR CLOSES, KEYS RATTLE | 0:54:46 | 0:54:49 | |
HE BREATHES HEAVILY | 0:54:55 | 0:54:59 | |
Aah! | 0:55:10 | 0:55:12 | |
John Paul! | 0:55:53 | 0:55:55 | |
BUZZER SOUNDS | 0:56:00 | 0:56:03 | |
"She began slowly backing away from him into the corner, | 0:56:13 | 0:56:17 | |
"staring intently, persistently at him. | 0:56:17 | 0:56:21 | |
"But still uttered no sound, | 0:56:21 | 0:56:24 | |
"as though she could not get breath to scream. | 0:56:24 | 0:56:27 | |
"He rushed at her with the axe. Her mouth twitched piteously. | 0:56:32 | 0:56:36 | |
"And this hapless Lizaveta was so simple | 0:56:36 | 0:56:40 | |
"and had been so thoroughly crushed and scared | 0:56:40 | 0:56:44 | |
"that she did not even raise a hand to guard her face." | 0:56:44 | 0:56:48 | |
John Paul... | 0:56:52 | 0:56:53 | |
What is it? | 0:56:56 | 0:56:58 | |
Long day. | 0:57:03 | 0:57:05 | |
Never endin'. | 0:57:07 | 0:57:09 | |
AAAAAGGGH!!!! | 0:57:36 | 0:57:38 | |
Subtitles by Red Bee Media Ltd | 0:58:02 | 0:58:04 |