Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
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HE GASPS | 0:00:49 | 0:00:51 | |
HE GROANS | 0:01:43 | 0:01:45 | |
BELL RINGING | 0:01:53 | 0:01:56 | |
MEN SHOUTING | 0:01:56 | 0:01:59 | |
HE PANTS | 0:02:14 | 0:02:17 | |
HE SCREAMS Come here. | 0:02:27 | 0:02:30 | |
Shut up. Shut up! | 0:02:30 | 0:02:31 | |
You scream again and I'll cut your throat. | 0:02:31 | 0:02:34 | |
You understand? Do you understand! | 0:02:34 | 0:02:37 | |
HE WHIMPERS | 0:02:37 | 0:02:40 | |
Are you alone? | 0:02:40 | 0:02:42 | |
Talk! Is anyone with you? You talk! | 0:02:42 | 0:02:45 | |
No-one. | 0:02:45 | 0:02:47 | |
Where's your mother and father? | 0:02:47 | 0:02:49 | |
They're dead and buried. | 0:02:49 | 0:02:51 | |
Who are you living with? | 0:02:51 | 0:02:53 | |
Don't gawp at me, boy! Who you living with? | 0:02:53 | 0:02:56 | |
My sister and Joe Gargery. | 0:02:58 | 0:03:00 | |
He a magistrate? A soldier? What is this Joe Gargery? | 0:03:00 | 0:03:03 | |
He's a blacksmith! | 0:03:03 | 0:03:06 | |
A blacksmith. | 0:03:07 | 0:03:09 | |
Is he close by? | 0:03:09 | 0:03:12 | |
HE CRIES OUT | 0:03:12 | 0:03:14 | |
Is he close by? | 0:03:14 | 0:03:16 | |
The marsh road. | 0:03:16 | 0:03:18 | |
A blacksmith. | 0:03:18 | 0:03:20 | |
Do you know what a file is, boy? | 0:03:20 | 0:03:22 | |
This is what we're going to do. | 0:03:22 | 0:03:23 | |
You're going to run back to Joe Gargery's forge. | 0:03:23 | 0:03:25 | |
-And you're going to steal me a file. -I can't steal from Joe. | 0:03:25 | 0:03:28 | |
You're going to steal me a file and bring it back here. | 0:03:28 | 0:03:30 | |
And if you breathe one word, I'll know. | 0:03:30 | 0:03:35 | |
Do you know how I'll know? | 0:03:35 | 0:03:37 | |
Cos I've got a friend, watching you. | 0:03:37 | 0:03:41 | |
He's watching you now. His eyes are always on you. And he's a savage. | 0:03:41 | 0:03:47 | |
And you think of betraying me and he'll get you, | 0:03:47 | 0:03:50 | |
he'll eat your tongue, your liver and your lights. | 0:03:50 | 0:03:54 | |
He'll eat your beatin' heart right in front of you. | 0:03:54 | 0:03:58 | |
Now, you go and fetch me that file and you bring it back here. Get. Get! | 0:03:58 | 0:04:03 | |
What happened to you? | 0:04:44 | 0:04:47 | |
I fell over. | 0:04:47 | 0:04:50 | |
You're frozen. Get by the hearth. | 0:04:53 | 0:04:57 | |
The state of you! Slarted in filth! | 0:04:57 | 0:05:00 | |
-Like I've not enough to do! -It's only a bit o'mud. | 0:05:00 | 0:05:02 | |
Let him 'ave his warm. | 0:05:02 | 0:05:04 | |
He can warm himself working. | 0:05:04 | 0:05:05 | |
Unless you want me to do it all and wear my fingers to the knuckle? | 0:05:05 | 0:05:08 | |
Is that what you want, Mr Gargery? | 0:05:08 | 0:05:10 | |
-Your wife worn to nothing and at Christmas too? -No, Missus. | 0:05:10 | 0:05:14 | |
Coal! Now! And boots off before you come in my parlour! | 0:05:14 | 0:05:18 | |
Best go, Pip. Afore she gets rampageous. | 0:05:20 | 0:05:23 | |
You are chilled to the bone, Uncle. | 0:05:40 | 0:05:42 | |
A hot gin and water is what you need. | 0:05:42 | 0:05:45 | |
What are you doing down there? Get up and fetch the gin. | 0:05:45 | 0:05:48 | |
I have some news, niece. Wonderful news. | 0:05:53 | 0:05:55 | |
Who's died? | 0:05:55 | 0:05:57 | |
Better than death. | 0:05:57 | 0:05:59 | |
This concerns Miss Havisham of Satis House! | 0:05:59 | 0:06:04 | |
Satis House. | 0:06:04 | 0:06:06 | |
She wants a boy. | 0:06:06 | 0:06:09 | |
And you have one. | 0:06:09 | 0:06:11 | |
Where's that gin? | 0:06:20 | 0:06:22 | |
Oh, Uncle Pumblechook! | 0:06:23 | 0:06:26 | |
I feel quite faint! The room's spinning! | 0:06:26 | 0:06:31 | |
I didn't breathe a word! I... I swear! | 0:07:02 | 0:07:05 | |
Come here! | 0:07:08 | 0:07:11 | |
Come here! | 0:07:11 | 0:07:13 | |
CANNON BOOMS IN DISTANCE | 0:07:16 | 0:07:19 | |
HE GROANS | 0:07:19 | 0:07:21 | |
CANNON FIRE CONTINUES | 0:07:21 | 0:07:23 | |
HE GASPS | 0:07:27 | 0:07:28 | |
I didn't tell, I promise. | 0:07:28 | 0:07:30 | |
D'you get the file? | 0:07:30 | 0:07:31 | |
The file, give us it. | 0:07:31 | 0:07:33 | |
Go on! | 0:07:34 | 0:07:36 | |
HE CRIES IN PAIN | 0:07:40 | 0:07:41 | |
HE GROANS AND FILES | 0:07:43 | 0:07:45 | |
It's a bit crumbled from being in my pocket. | 0:07:49 | 0:07:51 | |
HE PANTS | 0:07:54 | 0:07:55 | |
D'you not want it? | 0:08:04 | 0:08:05 | |
I'll have it. | 0:08:11 | 0:08:13 | |
HE PANTS | 0:08:20 | 0:08:23 | |
HE MOANS | 0:08:23 | 0:08:25 | |
What do they call you? | 0:08:36 | 0:08:38 | |
Philip Pirrip. But I get Pip. | 0:08:38 | 0:08:41 | |
Pip. | 0:08:41 | 0:08:43 | |
Aren't you going to save any for your friend? | 0:08:44 | 0:08:46 | |
-Nah, nah, he's not hungry. -He looks hungry. | 0:08:46 | 0:08:50 | |
You have to tell him I didn't breathe a word. | 0:08:51 | 0:08:56 | |
Who looks hungry? | 0:08:56 | 0:08:57 | |
Your friend! The one with the scar. | 0:08:57 | 0:08:59 | |
Where was he? | 0:09:05 | 0:09:07 | |
He was waiting for me back yonder. | 0:09:09 | 0:09:12 | |
You run off home now, Pip. | 0:09:19 | 0:09:22 | |
Don't worry about him. | 0:09:22 | 0:09:23 | |
You run home, go on, fast... get! | 0:09:23 | 0:09:25 | |
A SHOUT IN THE DISTANCE Pip! | 0:09:30 | 0:09:32 | |
There'll be some sport this day. | 0:09:37 | 0:09:39 | |
A man-hunt with guns. | 0:09:39 | 0:09:42 | |
Well, they mighter caught you. How'd you like that? | 0:09:42 | 0:09:45 | |
Gun at your head? Bang! | 0:09:45 | 0:09:49 | |
HE LAUGHS | 0:09:49 | 0:09:52 | |
Should hang 'em all. Hang 'em all like rabbits. Their legs kicking. | 0:09:52 | 0:09:56 | |
-Pip! -Found 'im! | 0:09:56 | 0:09:57 | |
Didn't you hear the cannon? | 0:09:59 | 0:10:01 | |
There's been an escape, there's convicts off the hulks! | 0:10:05 | 0:10:09 | |
You know not to go out when there's a cannon! | 0:10:09 | 0:10:11 | |
Well, I... I lost my scarf. | 0:10:13 | 0:10:16 | |
I... I... I wanted to find my scarf. | 0:10:17 | 0:10:19 | |
I'm sorry, Joe, I'm sorry for what I done. | 0:10:23 | 0:10:27 | |
Pip, old son, it's only a scarf. | 0:10:27 | 0:10:30 | |
Scarves get lost. | 0:10:30 | 0:10:33 | |
Don't go crying over some old scarf. | 0:10:33 | 0:10:35 | |
HE KISSES HIS HEAD | 0:10:39 | 0:10:42 | |
Come on now. Let's get you home. | 0:10:42 | 0:10:45 | |
Good lad, Orlick. | 0:10:48 | 0:10:49 | |
All right. | 0:10:56 | 0:10:58 | |
HE GROANS | 0:11:00 | 0:11:02 | |
THE CHAINS CLINK | 0:11:59 | 0:12:01 | |
Magwitch. | 0:12:10 | 0:12:12 | |
HE CRIES OUT | 0:12:14 | 0:12:16 | |
THEY GROAN AND PANT | 0:12:16 | 0:12:18 | |
HE YELLS AND GROANS | 0:12:20 | 0:12:23 | |
HE SCREAMS | 0:12:32 | 0:12:33 | |
HE CHOKES AND SPLUTTERS | 0:12:46 | 0:12:48 | |
HE GROANS | 0:12:54 | 0:12:56 | |
Teach you to get us out on a day like this. | 0:13:08 | 0:13:11 | |
Drag him out, drag him out. | 0:13:11 | 0:13:14 | |
Did you see her yourself, Uncle? | 0:13:14 | 0:13:16 | |
Not in person - she's a lady. But the message was from her. | 0:13:16 | 0:13:19 | |
As is the quality way. | 0:13:19 | 0:13:21 | |
I don't understand what Miss 'avisham wants a boy for. | 0:13:21 | 0:13:23 | |
That's not for us to ask what a lady wants from a boy. | 0:13:23 | 0:13:26 | |
She wants a boy and dear Uncle Pumblechook has spoken for us! | 0:13:26 | 0:13:30 | |
-Ah! -My food not good enough for you? | 0:13:30 | 0:13:32 | |
It's Christmas, Missus. | 0:13:32 | 0:13:34 | |
If you can't beat a boy at Christmas, when can you beat him? | 0:13:34 | 0:13:36 | |
That's right, Uncle. And you make a better show of yourself | 0:13:36 | 0:13:39 | |
when you go up to the House. Don't you go shaming me! | 0:13:39 | 0:13:42 | |
Us ain't decided if he's going yet. | 0:13:42 | 0:13:44 | |
Of course he's going! It's Satis House, Mr Gargery! Satis House! | 0:13:44 | 0:13:48 | |
Think of what she could do for him! For us! | 0:13:48 | 0:13:51 | |
For me! It could change this family's fortunes. | 0:13:51 | 0:13:54 | |
Raised up, Mr Gargery! All of us! And who's to say where | 0:13:54 | 0:13:58 | |
-we could be raised up to? -She ain't been seen for years. | 0:13:58 | 0:14:01 | |
-Who's to say what she's like? -Well, he can tell us, can't he? | 0:14:01 | 0:14:04 | |
I would dearly like to see inside that house. | 0:14:04 | 0:14:06 | |
PUMBLECHOOK MUMBLES | 0:14:06 | 0:14:08 | |
-Do you want to go, Pip? -What you asking him for? | 0:14:08 | 0:14:10 | |
What he wants don't come into it! He's going for me, | 0:14:10 | 0:14:12 | |
to make up for the mud and dirt and the cleaning of wet clothes | 0:14:12 | 0:14:18 | |
and the toil and the care and the drudgery | 0:14:18 | 0:14:20 | |
that goes with raising a boy by hand in these freezing | 0:14:20 | 0:14:23 | |
god-forsaken flatlands with thieves and villains running wild | 0:14:23 | 0:14:26 | |
as would murder us all in our beds, he's going and there's an end to it! | 0:14:26 | 0:14:30 | |
SHE BANGS HER FIST ON THE TABLE | 0:14:30 | 0:14:32 | |
I made something special, for you, Uncle. To tempt you. | 0:14:35 | 0:14:39 | |
Oh, I couldn't. I've the appetite of a bird. | 0:14:39 | 0:14:42 | |
Just a little morsel, Uncle. | 0:14:42 | 0:14:44 | |
It's your favourite, a mutton pie, bursting with meat! | 0:14:44 | 0:14:48 | |
HE GULPS | 0:14:53 | 0:14:55 | |
SLOW FOOTSTEPS | 0:14:58 | 0:15:00 | |
SHE BREATHES HEAVILY | 0:15:09 | 0:15:12 | |
Missus! | 0:15:16 | 0:15:19 | |
KNOCK AT THE DOOR | 0:15:19 | 0:15:20 | |
Blacksmith, don't bother making a new pin. Just solder 'em shut. | 0:15:21 | 0:15:24 | |
He can wear 'em the whole way. | 0:15:24 | 0:15:26 | |
HE GROANS IN PAIN | 0:15:26 | 0:15:27 | |
What's he done, then? Murderer, is it? | 0:15:27 | 0:15:29 | |
What ain't he done would take less time to tell, Missus. | 0:15:29 | 0:15:34 | |
You see this. That's where you'll end up. | 0:15:34 | 0:15:36 | |
Chained an' flogged an' locked away, bringing shame on me. | 0:15:36 | 0:15:40 | |
Ain't nothing' to be a-feared of, Pip. | 0:15:40 | 0:15:42 | |
Filed 'em straight off. How d'you do it? Someone help ya? Eh? | 0:15:42 | 0:15:46 | |
Cos we'll bear down heavy on 'em when they're caught. | 0:15:46 | 0:15:50 | |
-No help. -Then how d'you get the file? | 0:15:54 | 0:15:57 | |
Hold him! | 0:16:01 | 0:16:02 | |
I pinched it off you, mister. I pinched it off you. | 0:16:07 | 0:16:11 | |
You come in here? | 0:16:12 | 0:16:13 | |
I never noticed anything gone. | 0:16:14 | 0:16:16 | |
Well, you wouldn't. Not with this one. | 0:16:16 | 0:16:19 | |
Varmint nonpareil, as they say. | 0:16:19 | 0:16:21 | |
Bound for the end of the world now. | 0:16:21 | 0:16:23 | |
If he makes it through the storms and the sickness and the cramping. | 0:16:23 | 0:16:26 | |
Hold his leg. | 0:16:26 | 0:16:28 | |
HE MOANS | 0:16:33 | 0:16:34 | |
-He don't feel a thing. -HE CRIES IN PAIN | 0:16:43 | 0:16:47 | |
HE SCREAMS | 0:16:52 | 0:16:54 | |
I pinched somethin' else off you, mister. | 0:16:56 | 0:17:00 | |
A bit of pie. | 0:17:00 | 0:17:02 | |
Oh, we've pie-stealing to add to his list of felonies now! | 0:17:02 | 0:17:05 | |
And very tasty it was, Missus. | 0:17:05 | 0:17:08 | |
Best I ever had. You can bake. | 0:17:08 | 0:17:12 | |
Animal! You should hang! | 0:17:13 | 0:17:16 | |
Uncle! Don't touch that pie! | 0:17:16 | 0:17:18 | |
A dirty convict's had his hands all over it! | 0:17:18 | 0:17:21 | |
You got in my 'ouse? | 0:17:24 | 0:17:26 | |
I would say I was sorry but I ain't | 0:17:27 | 0:17:31 | |
cos I was hungry. | 0:17:31 | 0:17:34 | |
Well, us don't begrudge you a bit of pie. | 0:17:38 | 0:17:43 | |
Us don't begrudge no man a bite, do us, Pip? | 0:17:44 | 0:17:47 | |
-Blacksmith. -Poor business, shacklin' a man. I don't want paying' for it. | 0:17:50 | 0:17:53 | |
Right, well we'll drink to your health then, blacksmith. | 0:17:53 | 0:17:56 | |
Good night, young 'un. Merry Christmas! | 0:17:56 | 0:17:59 | |
All right, get him up, come on. | 0:17:59 | 0:18:02 | |
Come on, lads, give them a kick if they don't step lively. | 0:18:02 | 0:18:05 | |
Don't slouch, boy! | 0:18:29 | 0:18:31 | |
And close your mouth. You look soft-headed. | 0:18:33 | 0:18:36 | |
THE GATES CREAK OPEN | 0:18:36 | 0:18:39 | |
Whoa! | 0:18:52 | 0:18:53 | |
Good day to you, Hannah. | 0:18:58 | 0:19:01 | |
Tradesmen's is round the back, as well you know. | 0:19:01 | 0:19:04 | |
I am expected. | 0:19:04 | 0:19:06 | |
He is. You're not. | 0:19:06 | 0:19:08 | |
This way. | 0:19:21 | 0:19:23 | |
Wait here. | 0:19:30 | 0:19:32 | |
You are Pip from the forge. | 0:20:03 | 0:20:06 | |
Yes, Madam. | 0:20:07 | 0:20:09 | |
I am not Madam. I am not married. | 0:20:09 | 0:20:12 | |
You'll call me Miss Havisham. | 0:20:14 | 0:20:16 | |
Sorry, Miss. | 0:20:18 | 0:20:19 | |
Are your feet not cold, Miss? | 0:20:24 | 0:20:26 | |
All of me is cold. | 0:20:26 | 0:20:28 | |
Come. | 0:20:31 | 0:20:33 | |
Look closer if you wish. | 0:20:52 | 0:20:55 | |
My brother's collection. | 0:21:02 | 0:21:04 | |
He went to the furthest reaches of the earth in his quest | 0:21:06 | 0:21:10 | |
for the purest specimen of beauty. | 0:21:10 | 0:21:12 | |
And when he found it, he stuck a pin through its heart. | 0:21:13 | 0:21:18 | |
He's dead now. | 0:21:22 | 0:21:24 | |
Cholera. In the tropics. | 0:21:24 | 0:21:27 | |
Struck down in his relentless pursuit of beauty. | 0:21:27 | 0:21:31 | |
Perhaps it was beauty's revenge, | 0:21:34 | 0:21:36 | |
to stop his heart when he had stopped so many others. | 0:21:36 | 0:21:40 | |
Do you think beauty is a destroyer of men, Pip? | 0:21:42 | 0:21:45 | |
I can't be sure, Miss. | 0:21:46 | 0:21:48 | |
We must hope so. | 0:21:48 | 0:21:50 | |
Mustn't we, Estella? | 0:21:52 | 0:21:54 | |
Yes, Mother. | 0:21:54 | 0:21:56 | |
Estella is my adopted daughter. | 0:21:58 | 0:22:02 | |
Estella, this is Pip from the forge. | 0:22:03 | 0:22:07 | |
Play. | 0:22:29 | 0:22:30 | |
Do you not play cards, Pip? | 0:22:45 | 0:22:47 | |
No, Miss. | 0:22:47 | 0:22:50 | |
You will learn. | 0:22:55 | 0:22:57 | |
Your people, | 0:22:58 | 0:23:01 | |
-what do they think of you coming here? -They like it, Miss. | 0:23:01 | 0:23:05 | |
Tell me, what do you hope to be in the future? | 0:23:07 | 0:23:11 | |
I want to be a blacksmith, Miss. Like Joe. | 0:23:11 | 0:23:14 | |
SHE SNORTS | 0:23:14 | 0:23:15 | |
You sound awfully certain. | 0:23:17 | 0:23:20 | |
Yes, Miss. | 0:23:20 | 0:23:22 | |
It is wise not to plan the years ahead too completely. | 0:23:22 | 0:23:26 | |
Everything that was certain can change in a heartbeat. | 0:23:26 | 0:23:30 | |
I am told you are an orphan. | 0:23:31 | 0:23:33 | |
I am, Miss. | 0:23:34 | 0:23:36 | |
So am I. | 0:23:36 | 0:23:37 | |
So is Estella. | 0:23:37 | 0:23:39 | |
Are there sisters and brothers? | 0:23:40 | 0:23:42 | |
There's my sister what I live with. | 0:23:44 | 0:23:45 | |
With whom I live. No-one else? | 0:23:45 | 0:23:48 | |
There was five others, Miss. | 0:23:51 | 0:23:54 | |
So they are all dead? | 0:23:54 | 0:23:56 | |
Have you never wonder why you survived, Pip? | 0:23:59 | 0:24:03 | |
Why you were chosen to live? | 0:24:04 | 0:24:07 | |
I do, Miss. | 0:24:09 | 0:24:11 | |
Perhaps you were meant for something special. | 0:24:11 | 0:24:14 | |
Perhaps it is intended that you, | 0:24:16 | 0:24:21 | |
like Estella, | 0:24:21 | 0:24:25 | |
will be different | 0:24:25 | 0:24:28 | |
and extraordinary. | 0:24:28 | 0:24:31 | |
That is all for now. Come again next week to play. SHE RINGS BELL | 0:24:38 | 0:24:42 | |
Hannah will show you out. | 0:24:42 | 0:24:44 | |
Play. | 0:24:55 | 0:24:56 | |
Practise on him. | 0:24:56 | 0:24:58 | |
Adopted daughter? | 0:25:00 | 0:25:01 | |
Did you know about this, Uncle? | 0:25:02 | 0:25:05 | |
A grocer must always be discreet. | 0:25:05 | 0:25:07 | |
She wants him to keep company with her adopted daughter. As equals. | 0:25:07 | 0:25:12 | |
Well, think what this means, Uncle! As equals! | 0:25:12 | 0:25:16 | |
Don't go filling the boy's head with no nonsense, Missus. | 0:25:16 | 0:25:19 | |
Did she say anything else about you, your future? | 0:25:19 | 0:25:21 | |
Pip has a future, he's to be a smith. | 0:25:21 | 0:25:24 | |
Ain't you, Pip? | 0:25:24 | 0:25:25 | |
Oh, cos us is rollin' in coin for his apprenticeship, | 0:25:25 | 0:25:28 | |
ain't we, Joe Gargery? | 0:25:28 | 0:25:29 | |
Us'll find it. | 0:25:31 | 0:25:32 | |
A smith, indeed. | 0:25:32 | 0:25:34 | |
A boy from the marshes don't keep company with a rich lady's daughter, | 0:25:34 | 0:25:37 | |
as equals, and then go back to being a smith! | 0:25:37 | 0:25:40 | |
-She must have said something! -Missus! | 0:25:40 | 0:25:41 | |
She said, maybe I was meant for something special and different! | 0:25:43 | 0:25:47 | |
Special and different. | 0:25:51 | 0:25:53 | |
I always knew I was due more. | 0:25:55 | 0:25:58 | |
Gin. To celebrate. | 0:26:00 | 0:26:03 | |
And get your boots out of my parlour, Joe Gargery! | 0:26:03 | 0:26:06 | |
We are associating with the quality now! | 0:26:06 | 0:26:09 | |
I heard all the clocks is stopped in that house | 0:26:27 | 0:26:30 | |
and she goes around in only her petticoats | 0:26:30 | 0:26:32 | |
and she don't wear no boots and she don't brush her hair. | 0:26:32 | 0:26:34 | |
Is that true? | 0:26:34 | 0:26:36 | |
Ain't your place to ask questions. | 0:26:36 | 0:26:39 | |
Ah! | 0:26:40 | 0:26:41 | |
You're not special yet. | 0:26:41 | 0:26:43 | |
You don't want to go again, you don't have to go. | 0:26:46 | 0:26:50 | |
Missus will rampage like the wrath of God Almighty | 0:26:50 | 0:26:52 | |
but I shall shoulder that. You just say. | 0:26:52 | 0:26:56 | |
No, I... I want to go. | 0:26:57 | 0:26:59 | |
This adopted daughter. | 0:27:05 | 0:27:08 | |
What's she like, then? | 0:27:08 | 0:27:12 | |
Quiet. | 0:27:12 | 0:27:13 | |
Well. Don't seem like much of a life, all shut up with no other young 'uns. | 0:27:13 | 0:27:18 | |
Lonely sort of life, I'd say. So you be friendly. | 0:27:19 | 0:27:23 | |
-D'you know any card games, Joe? -Ooh, I know a few. | 0:27:29 | 0:27:33 | |
You's in charge of the eelin' today. | 0:27:35 | 0:27:38 | |
You'll be coming here regular, then. | 0:27:50 | 0:27:52 | |
You say anything about my lady in that village, you'll answer to me. | 0:27:52 | 0:27:57 | |
Ain't no-one's business. | 0:27:57 | 0:27:58 | |
That's right. No-one's business but ours. | 0:27:58 | 0:28:02 | |
Wait here. | 0:28:02 | 0:28:03 | |
I'm sorry, Miss. The door was open. | 0:28:31 | 0:28:34 | |
You are curious. | 0:28:35 | 0:28:38 | |
What do you think it is? | 0:28:40 | 0:28:42 | |
It... It looks like a wedding cake, Miss. | 0:28:42 | 0:28:47 | |
It is the ghost of a wedding cake. | 0:28:47 | 0:28:51 | |
And I am the ghost of a bride. | 0:28:51 | 0:28:53 | |
Time stands still, and yet everything turns to dust. | 0:28:55 | 0:29:00 | |
Estella is waiting for you. | 0:29:03 | 0:29:06 | |
Jack trumps yours. | 0:29:14 | 0:29:16 | |
He calls knaves jacks. | 0:29:16 | 0:29:18 | |
He can call them what he pleases. He's winning. | 0:29:18 | 0:29:21 | |
SHE GIGGLES Well done, Pip. | 0:29:36 | 0:29:38 | |
Estella, you must concentrate, | 0:29:38 | 0:29:41 | |
if you do not want your opponent to take advantage. | 0:29:41 | 0:29:44 | |
That will be all for this week. | 0:29:45 | 0:29:47 | |
Estella will see you out. | 0:29:47 | 0:29:50 | |
Love her, Pip. | 0:29:57 | 0:29:59 | |
For me. Love her. | 0:29:59 | 0:30:02 | |
Why did you keep smiling at me? | 0:30:12 | 0:30:15 | |
To be friendly. | 0:30:15 | 0:30:19 | |
Do you think I'm pretty, Pip? | 0:30:19 | 0:30:21 | |
Do you? | 0:30:21 | 0:30:23 | |
-Yes. -Do you want to kiss me? | 0:30:23 | 0:30:26 | |
-What's that smell? -What smell? | 0:30:30 | 0:30:32 | |
Dirt. And sweat. | 0:30:32 | 0:30:35 | |
-It's the forge. -It's you. | 0:30:37 | 0:30:39 | |
Why would I want to be friends with you? Your clothes don't fit. | 0:30:39 | 0:30:43 | |
I grew. | 0:30:43 | 0:30:44 | |
They're dirty. Your boots are dirty. | 0:30:44 | 0:30:47 | |
You're dirty. | 0:30:47 | 0:30:48 | |
You don't speak correctly. I can hardly understand what you say. | 0:30:48 | 0:30:51 | |
Why would I want to be friends with you? | 0:30:51 | 0:30:55 | |
I thought you might be lonely. | 0:30:56 | 0:30:59 | |
Ah! | 0:31:00 | 0:31:01 | |
Smile now. | 0:31:03 | 0:31:05 | |
Go on, smile. | 0:31:05 | 0:31:07 | |
-You're crying. -I ain't crying. | 0:31:09 | 0:31:11 | |
Ain't? It's, "I am not crying". | 0:31:11 | 0:31:15 | |
But you are. I made you cry. | 0:31:15 | 0:31:18 | |
And I can make you cry whenever I like. | 0:31:18 | 0:31:21 | |
You ain't ever going to make me cry. | 0:31:23 | 0:31:25 | |
SHE PLAYS PIANO | 0:31:56 | 0:31:57 | |
Do you not have books in your house, Pip? | 0:32:01 | 0:32:04 | |
No, Miss. | 0:32:04 | 0:32:06 | |
None at all? | 0:32:06 | 0:32:08 | |
How very strange. | 0:32:09 | 0:32:11 | |
Still, I suppose your people don't have time | 0:32:12 | 0:32:16 | |
for the wonders of the world. | 0:32:16 | 0:32:18 | |
Picking up some proper manners. | 0:32:22 | 0:32:24 | |
Don't know who I've got sittin' in front of me sometimes. | 0:32:24 | 0:32:29 | |
Do you still wish to be a blacksmith? | 0:32:29 | 0:32:32 | |
I understand. | 0:32:35 | 0:32:37 | |
Your eyes have been opened | 0:32:38 | 0:32:41 | |
and now you cannot close them. | 0:32:42 | 0:32:44 | |
Pip. | 0:32:44 | 0:32:47 | |
She grows prettier every day, does she not? | 0:32:51 | 0:32:56 | |
I was a beauty once. | 0:32:58 | 0:33:00 | |
Am I beautiful still? | 0:33:02 | 0:33:03 | |
SHE STOPS PLAYING | 0:33:06 | 0:33:08 | |
Yes, Miss. | 0:33:09 | 0:33:11 | |
Borrow the atlas, Pip. | 0:33:13 | 0:33:14 | |
And imagine what a world is out there for someone different | 0:33:14 | 0:33:20 | |
and extraordinary. | 0:33:20 | 0:33:23 | |
SHE SLAMS THE LID DOWN | 0:33:23 | 0:33:25 | |
My fingers slipped. | 0:33:25 | 0:33:27 | |
You think you're something, you. But you ain't. | 0:33:36 | 0:33:39 | |
Me and Joe don't need people who thinks they's something in our forge. | 0:33:39 | 0:33:42 | |
What are you doing up there, Orlick? | 0:33:42 | 0:33:44 | |
Pip is studying to be raised up. Get back down here | 0:33:44 | 0:33:48 | |
and do what you're paid to. | 0:33:48 | 0:33:50 | |
Why's it me telling him this? It's always got to be me. | 0:33:50 | 0:33:53 | |
This is ridiculous. | 0:34:14 | 0:34:15 | |
We have come considerable distance at great inconvenience. | 0:34:15 | 0:34:18 | |
I'm sorry, Sir, but you have to wait. | 0:34:18 | 0:34:20 | |
This is making me bilious. I need my tincture. | 0:34:20 | 0:34:22 | |
-Up the stairs. Straight ahead. -Who the hell is that? | 0:34:22 | 0:34:25 | |
-Oh, Mr Pocket, you are not yourself! -Can you blame me? | 0:34:25 | 0:34:28 | |
Forced to wait like a common tradesman | 0:34:28 | 0:34:30 | |
while some country urchin is allowed to roam at will. | 0:34:30 | 0:34:33 | |
It's insult enough that the girl has free rein | 0:34:33 | 0:34:35 | |
-when nobody knows who she is. -Well, Jaggers? | 0:34:35 | 0:34:38 | |
She declines. | 0:34:41 | 0:34:43 | |
But she'll see that boy with his boots! | 0:34:45 | 0:34:47 | |
This is preposterous! | 0:34:47 | 0:34:50 | |
I don't believe you argued for us, Jaggers. | 0:34:50 | 0:34:52 | |
I don't believe you are for us at all. | 0:34:52 | 0:34:54 | |
You are not my clients. | 0:34:54 | 0:34:57 | |
I am for my clients. | 0:34:57 | 0:34:59 | |
-Pip. -Estella. | 0:35:03 | 0:35:05 | |
SHE WHIMPERS | 0:35:11 | 0:35:13 | |
Ain't you well, Miss? | 0:35:15 | 0:35:17 | |
Are The Pockets still here? | 0:35:17 | 0:35:19 | |
There's some people. | 0:35:21 | 0:35:23 | |
If they're the Pockets then yes, they're still here. | 0:35:23 | 0:35:26 | |
My family. | 0:35:28 | 0:35:30 | |
Every year on this day, they come to gloat. | 0:35:33 | 0:35:36 | |
Trumpeting their love and concern. | 0:35:36 | 0:35:38 | |
But I am just carrion to them. | 0:35:40 | 0:35:42 | |
They are crows, | 0:35:42 | 0:35:44 | |
gathered round my corpse, | 0:35:44 | 0:35:47 | |
waiting to feast on me. | 0:35:47 | 0:35:49 | |
But you're not dead, Miss. | 0:35:49 | 0:35:51 | |
Am I not? | 0:35:55 | 0:35:57 | |
Not today. | 0:36:03 | 0:36:05 | |
I should have sent word. | 0:36:05 | 0:36:07 | |
I cannot do this today. | 0:36:07 | 0:36:09 | |
I cannot, I cannot, not today! | 0:36:09 | 0:36:14 | |
Pip, you will have to leave. | 0:36:14 | 0:36:17 | |
Yes, Miss. | 0:36:17 | 0:36:19 | |
I want them to go! | 0:36:19 | 0:36:21 | |
I want to go downstairs, to my room and I cannot while they are here. | 0:36:21 | 0:36:25 | |
When will they go? | 0:36:25 | 0:36:27 | |
Pip, you must leave. | 0:36:32 | 0:36:34 | |
Next week, I shall be quite recovered. | 0:36:34 | 0:36:38 | |
I shall be quite recovered next week. | 0:36:38 | 0:36:42 | |
SHE WHIMPERS | 0:36:50 | 0:36:53 | |
What are you doing? | 0:37:03 | 0:37:05 | |
Ain't your business. | 0:37:05 | 0:37:07 | |
Looking for something to steal, no doubt. | 0:37:07 | 0:37:10 | |
-Explain yourself. -Don't poke me with that. | 0:37:10 | 0:37:12 | |
I am a gentleman. | 0:37:12 | 0:37:15 | |
I can do as I please. | 0:37:15 | 0:37:18 | |
And you, you can't. | 0:37:18 | 0:37:19 | |
So I will poke you with this. | 0:37:19 | 0:37:22 | |
And you will just have to take it. | 0:37:22 | 0:37:23 | |
SHE LAUGHS | 0:37:23 | 0:37:25 | |
Herbert? Herbert! We're leaving! | 0:37:27 | 0:37:30 | |
What in damnation have you done? | 0:37:32 | 0:37:34 | |
I fell. | 0:37:34 | 0:37:36 | |
Useless! | 0:37:36 | 0:37:39 | |
WHIP CRACKS AND HORSE WHINNIES | 0:37:41 | 0:37:45 | |
You hit him! | 0:37:48 | 0:37:50 | |
I'll get in trouble. | 0:37:50 | 0:37:52 | |
No, you won't. He's not going to admit that you hit him! | 0:37:52 | 0:37:56 | |
There's blood! It's on your hand. | 0:37:56 | 0:37:58 | |
Why are you so happy? | 0:37:58 | 0:38:00 | |
You made something happen! | 0:38:00 | 0:38:02 | |
HE LAUGHS | 0:38:04 | 0:38:07 | |
HE SIGHS HAPPILY | 0:38:11 | 0:38:13 | |
It's addressed to you. | 0:38:36 | 0:38:38 | |
Let Uncle Pumblechook read it. | 0:38:40 | 0:38:43 | |
He has the better voice for such writing. | 0:38:43 | 0:38:46 | |
HE CLEARS HIS THROAT | 0:38:46 | 0:38:49 | |
Dear Mr Gargery, | 0:38:49 | 0:38:50 | |
I would be grateful if yourself and Pip | 0:38:51 | 0:38:55 | |
could attend me in Satis House this Sunday. | 0:38:55 | 0:39:00 | |
I wish to discuss the matter of Pip's future. | 0:39:00 | 0:39:05 | |
Sincerely yours. | 0:39:05 | 0:39:08 | |
Oh, this is it. | 0:39:08 | 0:39:10 | |
The reward. | 0:39:10 | 0:39:13 | |
I told you, Mr Gargery, didn't I tell you? | 0:39:13 | 0:39:16 | |
We are all going to be raised up! | 0:39:16 | 0:39:19 | |
I... I'm proud of you... Proud. | 0:39:19 | 0:39:22 | |
Er, get those things away from here, | 0:39:38 | 0:39:40 | |
I don't want 'em dripping on my step! | 0:39:40 | 0:39:43 | |
Didn't bring 'em for you, brought 'em for Joe. | 0:39:43 | 0:39:46 | |
Well, he don't want 'em either. | 0:39:46 | 0:39:49 | |
From now on, we're going to be having the best cuts. | 0:39:55 | 0:39:58 | |
Good beef and pork. We won't be wanting your snared coneys. | 0:39:58 | 0:40:03 | |
And you go your ways too. It's bad enough I've got to look at your face the whole week | 0:40:03 | 0:40:07 | |
without you lurking today when we're celebratin'. | 0:40:07 | 0:40:09 | |
Get gone! | 0:40:09 | 0:40:11 | |
You think you're something, don't you, Missus? | 0:40:11 | 0:40:13 | |
Flapping your mouth. | 0:40:13 | 0:40:16 | |
If us was Joe, us'd put our hand across you long time back. | 0:40:16 | 0:40:20 | |
When Mr Gargery gets back, I shall tell him what you said. | 0:40:22 | 0:40:26 | |
-He gonna send you packing. -Joe'd never get rid of me. | 0:40:27 | 0:40:31 | |
Who d'you think's got his ear? You? | 0:40:31 | 0:40:34 | |
Or his wife? | 0:40:34 | 0:40:36 | |
You're done. Finished. | 0:40:36 | 0:40:39 | |
Mr Gargery. Pip. | 0:41:01 | 0:41:03 | |
Estella is indisposed. | 0:41:06 | 0:41:08 | |
Please sit down. | 0:41:08 | 0:41:09 | |
Mr Gargery, you and Mrs Gargery have been | 0:41:19 | 0:41:24 | |
so generous allowing Pip to come here. | 0:41:24 | 0:41:28 | |
And Pip has been so kind and attentive. | 0:41:28 | 0:41:31 | |
He's an extraordinary young man. | 0:41:32 | 0:41:34 | |
I think so, Miss 'avisham. | 0:41:34 | 0:41:37 | |
There has been no mention of payment for his time here, | 0:41:37 | 0:41:43 | |
but I would like to make a gift. | 0:41:43 | 0:41:45 | |
A significant gift. | 0:41:46 | 0:41:48 | |
I've spent time thinking of | 0:41:49 | 0:41:52 | |
what I could do to ensure Pip's future. | 0:41:52 | 0:41:54 | |
And I know what would make him happy. | 0:41:55 | 0:41:58 | |
I am going to pay for his apprenticeship to you, Mr Gargery. | 0:42:00 | 0:42:06 | |
That's most... | 0:42:09 | 0:42:12 | |
most, most kind of you, Miss 'avisham. | 0:42:12 | 0:42:16 | |
On his very first day, | 0:42:16 | 0:42:19 | |
Pip told me he wanted to be a blacksmith, like you. | 0:42:19 | 0:42:23 | |
Is that not right, Pip? | 0:42:23 | 0:42:26 | |
I have the papers prepared. | 0:42:26 | 0:42:28 | |
I believe Pip will be bound to you for seven years? | 0:42:30 | 0:42:36 | |
He will, Miss 'avisham. | 0:42:36 | 0:42:38 | |
If all goes well and he works 'ard but I know Pip | 0:42:38 | 0:42:43 | |
and ain't a boy works harder. | 0:42:43 | 0:42:45 | |
It's just you to sign now, Pip. | 0:43:10 | 0:43:13 | |
Goodbye, Mr Gargery. | 0:43:47 | 0:43:49 | |
Goodbye, Pip. | 0:43:51 | 0:43:53 | |
You need not trouble yourself to come here again. | 0:43:56 | 0:43:59 | |
You have not learned to control your passions. | 0:44:13 | 0:44:17 | |
You are too unruly. | 0:44:17 | 0:44:19 | |
Has this taught you nothing? | 0:44:21 | 0:44:24 | |
We will begin again. | 0:44:26 | 0:44:28 | |
And this time, you will learn. | 0:44:28 | 0:44:30 | |
-What is beauty? -A destroyer. | 0:44:33 | 0:44:35 | |
-What is happiness? -Deception. | 0:44:35 | 0:44:38 | |
-What is love? -Death. | 0:44:38 | 0:44:41 | |
I know you wanted somethin' else. | 0:44:41 | 0:44:44 | |
I know you got sweet on the girl. | 0:44:44 | 0:44:47 | |
I know it. | 0:44:48 | 0:44:49 | |
But it could never happen, Pip. | 0:44:49 | 0:44:52 | |
This is best. | 0:44:52 | 0:44:55 | |
This is right. Might not feel like it now, but it is. | 0:44:55 | 0:44:59 | |
And now I've to tell Missus | 0:44:59 | 0:45:00 | |
and she'll most likely smash all the china. | 0:45:00 | 0:45:04 | |
Missus! | 0:45:09 | 0:45:11 | |
Missus, my dear! | 0:45:13 | 0:45:14 | |
Get the doctor. | 0:45:16 | 0:45:17 | |
Who'd do such a thing, Joe? | 0:45:30 | 0:45:32 | |
And on a Sunday too? | 0:45:32 | 0:45:33 | |
Thieves looking for something to steal. | 0:45:35 | 0:45:39 | |
Missus can't tell and never will now, doctor says. | 0:45:43 | 0:45:47 | |
Knew I should never have left her alone. | 0:45:47 | 0:45:51 | |
Here. Here. | 0:45:51 | 0:45:54 | |
That's my job. That's what I'm here for. | 0:45:54 | 0:45:58 | |
Go on to the Missus, | 0:46:00 | 0:46:03 | |
let old Orlick look after the forge. | 0:46:03 | 0:46:06 | |
It goes Joe. It goes me. | 0:46:26 | 0:46:30 | |
It goes you. | 0:46:30 | 0:46:31 | |
That's how it goes in this 'ere forge. | 0:46:31 | 0:46:34 | |
Joe. Me. You. | 0:46:34 | 0:46:36 | |
Don't get in my way. | 0:46:38 | 0:46:40 | |
DOOR OPENS | 0:46:50 | 0:46:53 | |
"My dear Pip. I hope this letter finds you well. | 0:47:10 | 0:47:14 | |
"I wonder if I might prevail upon you to visit me." | 0:47:15 | 0:47:19 | |
-You have grown, Pip. -Thank you, Miss. | 0:47:29 | 0:47:33 | |
How does your apprenticeship progress? | 0:47:37 | 0:47:39 | |
It progresses very well, Miss. | 0:47:41 | 0:47:44 | |
Estella was very curious to see you again after so long. | 0:47:44 | 0:47:49 | |
Come down, Estella. | 0:47:52 | 0:47:55 | |
Estella leaves for Paris soon. | 0:48:24 | 0:48:27 | |
Paris? | 0:48:27 | 0:48:28 | |
She requires some finishing touches. | 0:48:28 | 0:48:31 | |
There is an establishment that will hone her accomplishments. | 0:48:33 | 0:48:37 | |
Make her ready. | 0:48:37 | 0:48:40 | |
When are you comin' back? | 0:48:41 | 0:48:43 | |
I will not live here again. | 0:48:43 | 0:48:46 | |
She will go to London, | 0:48:46 | 0:48:49 | |
a lady, and marry a gentleman. | 0:48:49 | 0:48:53 | |
I believe she will make a very good match. | 0:48:55 | 0:48:58 | |
She will have her pick. | 0:49:00 | 0:49:02 | |
Do you not think, Pip, as I do, | 0:49:05 | 0:49:09 | |
that Estella is beautiful? | 0:49:09 | 0:49:11 | |
Yes. | 0:49:22 | 0:49:25 | |
Yes. | 0:49:25 | 0:49:27 | |
How very kind of you to come. | 0:49:29 | 0:49:32 | |
I wish you good fortune. | 0:49:34 | 0:49:37 | |
My jewel, | 0:49:51 | 0:49:54 | |
my prize. | 0:49:54 | 0:49:56 | |
Pip. | 0:50:15 | 0:50:17 | |
Why did you come back? | 0:50:21 | 0:50:22 | |
-She asked me. -Don't come again. | 0:50:22 | 0:50:24 | |
Even if she begs. | 0:50:24 | 0:50:26 | |
-Forget about this house and everyone in it. -Why? | 0:50:26 | 0:50:29 | |
You look well, Pip. | 0:50:36 | 0:50:38 | |
Estella. | 0:50:44 | 0:50:46 | |
Orlick, I can't pay you. | 0:51:05 | 0:51:07 | |
I'm havin' to pay the doctor for Missus and her medicines. | 0:51:07 | 0:51:10 | |
Pip's learned enough now. | 0:51:10 | 0:51:14 | |
I'm sorry. | 0:51:14 | 0:51:15 | |
I was 'ere before him. | 0:51:15 | 0:51:18 | |
-I been with you since I was a young 'un! -I know... | 0:51:18 | 0:51:21 | |
If things were different, you'd be stayin'. But things ain't different. | 0:51:21 | 0:51:25 | |
You send anyone to me and I'll tell 'em how good you are. | 0:51:28 | 0:51:30 | |
I swear to that. | 0:51:30 | 0:51:32 | |
Whoa, there. | 0:51:59 | 0:52:00 | |
Mr Pirrip? | 0:52:08 | 0:52:10 | |
Known as Pip? | 0:52:10 | 0:52:12 | |
My name is Jaggers. Shall we go inside? | 0:52:14 | 0:52:19 | |
What's he done, then? | 0:52:32 | 0:52:34 | |
I am here with an instruction from a client. | 0:52:36 | 0:52:39 | |
And my instruction is to communicate | 0:52:39 | 0:52:42 | |
to Mr Pirrip that he has a benefactor. | 0:52:42 | 0:52:45 | |
And this benefactor has bestowed upon you a handsome property. | 0:52:45 | 0:52:49 | |
What? | 0:52:49 | 0:52:51 | |
Money, Joe. Isn't that right? Money? | 0:52:51 | 0:52:54 | |
A fortune. | 0:52:55 | 0:52:58 | |
Pip 'as a fortune? From who? | 0:52:58 | 0:53:00 | |
The owner of this handsome property also desires that Mr Pirrip | 0:53:00 | 0:53:04 | |
be immediately removed from his present sphere of life, | 0:53:04 | 0:53:08 | |
from his present place and go to London. | 0:53:08 | 0:53:12 | |
Where he is to be instructed in the ways and manners of society, | 0:53:12 | 0:53:16 | |
where he is to live the life of a gentleman, | 0:53:16 | 0:53:20 | |
where, in short, | 0:53:20 | 0:53:22 | |
he is to live as a young fellow of great expectations. | 0:53:22 | 0:53:26 | |
Pip has to leave here? | 0:53:29 | 0:53:32 | |
Leave his home? | 0:53:32 | 0:53:34 | |
There are provisos. | 0:53:35 | 0:53:37 | |
You are to be known and addressed by all as Pip. | 0:53:38 | 0:53:41 | |
If you have any objections to that, speak now. | 0:53:41 | 0:53:46 | |
No. None. | 0:53:46 | 0:53:48 | |
Wait, stop. Who? Who done this? | 0:53:48 | 0:53:52 | |
You must never enquire after the identity of your benefactor. | 0:53:52 | 0:53:55 | |
You are prohibited from making any supposition or wild surmise. | 0:53:55 | 0:54:00 | |
When you reach your majority, the identity will be revealed. | 0:54:00 | 0:54:05 | |
Until then, you are bound by law to the proviso. | 0:54:05 | 0:54:09 | |
-Do you understand? -Yes. | 0:54:09 | 0:54:12 | |
This is for immediate expenses. | 0:54:18 | 0:54:21 | |
Travel. | 0:54:21 | 0:54:24 | |
And appropriate attire. | 0:54:24 | 0:54:26 | |
When you arrive in London, come directly to me. | 0:54:26 | 0:54:30 | |
I shall write to Estella. | 0:54:40 | 0:54:43 | |
She will be most intrigued. | 0:54:43 | 0:54:45 | |
And perhaps, in London, me and 'er will meet again. | 0:54:46 | 0:54:49 | |
Pip, if you are to be a gentleman, you must modulate your speech. | 0:54:49 | 0:54:53 | |
I'll work on that, Miss. | 0:54:55 | 0:54:56 | |
And you must avail yourself of a proper London tailor. | 0:54:56 | 0:55:01 | |
I will, Miss. | 0:55:02 | 0:55:04 | |
I'm a quick learner. I won't let you down. | 0:55:04 | 0:55:07 | |
Thank you, Miss Havisham. | 0:55:08 | 0:55:11 | |
Good luck, Pip. | 0:55:13 | 0:55:15 | |
SHE TAKES SHALLOW BREATHS | 0:55:34 | 0:55:36 | |
HE CHORTLES | 0:55:47 | 0:55:49 | |
And to think I gave you your first opportunity, Mr Pip! | 0:55:49 | 0:55:52 | |
Be happy, Joe. | 0:56:09 | 0:56:11 | |
She means me for Estella! | 0:56:12 | 0:56:14 | |
Raised up, niece. | 0:56:28 | 0:56:29 | |
As we said. | 0:56:29 | 0:56:31 | |
Too late for you. | 0:56:32 | 0:56:35 | |
Not too late for me. | 0:56:35 | 0:56:37 | |
Don't forget about us, Pip! | 0:56:45 | 0:56:47 | |
So, the young gentleman of expectations arrives in London. | 0:57:12 | 0:57:16 | |
Not quite the finished articles, but you will be. | 0:57:16 | 0:57:20 | |
You are very late, Mr Drummle! | 0:57:21 | 0:57:24 | |
-Sir. -You've no call to lay 'ands on me. | 0:57:26 | 0:57:28 | |
Who's there? | 0:57:35 | 0:57:36 | |
Breeding, bloodlines and proven provenance. | 0:57:37 | 0:57:41 | |
Subtitles by Red Bee Media Ltd | 0:57:49 | 0:57:52 | |
E-mail [email protected] | 0:57:52 | 0:57:55 |