Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
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Do you not want it? | 0:00:02 | 0:00:03 | |
Varmint nonpareil, as they say. | 0:00:03 | 0:00:05 | |
Bound for the end of the world now. | 0:00:05 | 0:00:08 | |
Perhaps you, like Estella, will be extraordinary. | 0:00:08 | 0:00:13 | |
-Why would -I -want to be friends with YOU? | 0:00:13 | 0:00:16 | |
Thought you might be lonely. | 0:00:16 | 0:00:17 | |
Missus! | 0:00:17 | 0:00:18 | |
Do you not think, Pip, that Estella is beautiful? | 0:00:19 | 0:00:23 | |
Pip has a fortune. | 0:00:23 | 0:00:25 | |
The owner of this handsome property also desires | 0:00:25 | 0:00:28 | |
that Mr Pirrip immediately go to London, | 0:00:28 | 0:00:30 | |
where he is to live as a young fellow of great expectations. | 0:00:30 | 0:00:36 | |
London and Inns of Court! | 0:01:43 | 0:01:45 | |
-Thank you. -Sir. | 0:01:46 | 0:01:48 | |
Where's Mr Jaggers' office? | 0:02:02 | 0:02:03 | |
I'm first. I'm first! I've been waiting longer than anyone! | 0:02:03 | 0:02:07 | |
-I'm first! -Amelia, I have told you, over and over, | 0:02:07 | 0:02:09 | |
I know enough of your husband to keep him from the drop. | 0:02:09 | 0:02:11 | |
I do not want to know the truth, the law does not require it! | 0:02:11 | 0:02:15 | |
And you, sir, must pay Wemmick the full cost, | 0:02:15 | 0:02:17 | |
only then can we discuss the mitigation of your circumstances. | 0:02:17 | 0:02:20 | |
I can pay you double! | 0:02:20 | 0:02:22 | |
If you'll be for my brother, I can pay you double! | 0:02:22 | 0:02:24 | |
It is too late. | 0:02:24 | 0:02:25 | |
I am already on the other side of the floor. | 0:02:25 | 0:02:29 | |
You are against him? | 0:02:29 | 0:02:31 | |
Follow. | 0:02:31 | 0:02:32 | |
-Have mercy! -Mr Jaggers! -Mr Jaggers! | 0:02:32 | 0:02:36 | |
CROWD CLAMOURS | 0:02:36 | 0:02:38 | |
Follow. | 0:02:57 | 0:02:58 | |
So the young gentleman of expectations arrives in London. | 0:03:06 | 0:03:11 | |
Every Friday, you and other young men of means | 0:03:11 | 0:03:15 | |
for whose families I perform the function of guardian, | 0:03:15 | 0:03:18 | |
will come here to receive your allowance for that week. | 0:03:18 | 0:03:22 | |
Are you listening? | 0:03:22 | 0:03:24 | |
Yes, Mr Jaggers. | 0:03:26 | 0:03:28 | |
This will continue until you come of age | 0:03:30 | 0:03:32 | |
and receive your fortune, | 0:03:32 | 0:03:34 | |
which you may carefully preserve for posterity | 0:03:34 | 0:03:36 | |
or squander inside a calendar month. | 0:03:36 | 0:03:40 | |
At that point, you may do as you will, | 0:03:40 | 0:03:42 | |
because you are no longer under my charge. | 0:03:42 | 0:03:44 | |
Until then, you do... | 0:03:44 | 0:03:47 | |
as I say. | 0:03:47 | 0:03:48 | |
What's for lunch? | 0:03:51 | 0:03:53 | |
A kidney pie, Mr Jaggers. The gravy is most fragrant. | 0:03:53 | 0:03:56 | |
Rooms have been arranged for you at Barnard's Inn, | 0:03:59 | 0:04:02 | |
where you are to share with young Mr Pocket. | 0:04:02 | 0:04:04 | |
Herbert Pocket? | 0:04:04 | 0:04:06 | |
Mr Pocket has been engaged to help habituate you to your new life. | 0:04:06 | 0:04:09 | |
This can't be right. | 0:04:09 | 0:04:10 | |
Herbert's related to Miss Havisham and she's... | 0:04:10 | 0:04:12 | |
The proviso, Pip. | 0:04:12 | 0:04:14 | |
You do not discuss or speculate as to the identity | 0:04:15 | 0:04:18 | |
of your benefactor until they themselves reveal their identity | 0:04:18 | 0:04:21 | |
at your majority or very soon after. | 0:04:21 | 0:04:23 | |
I know but... | 0:04:23 | 0:04:24 | |
But nothing! | 0:04:24 | 0:04:26 | |
Young Mr Pocket has been cut off from his family. | 0:04:33 | 0:04:36 | |
He is Mr Wemmick's suggestion. If it proves unsatisfactory, | 0:04:36 | 0:04:39 | |
we will endeavour to find someone more suitable. | 0:04:39 | 0:04:42 | |
Mr Wemmick will give you the first instalment of your allowance. | 0:04:48 | 0:04:51 | |
Be prudent with it. Do NOT fall into debt. | 0:04:51 | 0:04:54 | |
HE GARGLES | 0:04:56 | 0:04:58 | |
Questions? | 0:05:04 | 0:05:05 | |
I wondered if Miss Havisham had told you | 0:05:06 | 0:05:08 | |
when Estella might be comin' to London? | 0:05:08 | 0:05:10 | |
And why would I be furnished | 0:05:10 | 0:05:12 | |
with the details of that young lady's itinerary? | 0:05:12 | 0:05:14 | |
-I just thought that... -Do not think, Pip. | 0:05:14 | 0:05:17 | |
It never leads to anywhere edifying. | 0:05:17 | 0:05:20 | |
Back to the Bailey! | 0:05:21 | 0:05:23 | |
DOOR CLOSES | 0:05:28 | 0:05:29 | |
What's that head, Mr Wemmick? | 0:05:29 | 0:05:31 | |
One lost to the drop. | 0:05:34 | 0:05:35 | |
The cast taken when he was fresh down. | 0:05:35 | 0:05:37 | |
Why does Mr Jaggers keep it? | 0:05:39 | 0:05:41 | |
It was the man's request. | 0:05:42 | 0:05:44 | |
He ended up in the common pit. | 0:05:44 | 0:05:46 | |
No marker, no stone to say he'd ever existed. | 0:05:46 | 0:05:49 | |
And he was one of the best at his trade until the law did for him. | 0:05:49 | 0:05:52 | |
He wanted to be remembered. Jaggers honoured his final wish. | 0:05:52 | 0:05:55 | |
-It's horrible. -It is his sentinel. | 0:05:55 | 0:05:57 | |
Memento mori. | 0:05:59 | 0:06:00 | |
Sign here, please. | 0:06:14 | 0:06:16 | |
Mike? | 0:06:21 | 0:06:22 | |
Show Mr Pip the way to Barnard's Inn and introduce him to the watchman. | 0:06:23 | 0:06:28 | |
It's not Mr Pip, it's just Pip. | 0:06:30 | 0:06:32 | |
It's in the proviso. | 0:06:34 | 0:06:35 | |
Just Pip. | 0:06:35 | 0:06:37 | |
Just Pip. | 0:06:37 | 0:06:38 | |
New one for you. | 0:06:53 | 0:06:55 | |
Put your hand in your pocket and give the man some money. | 0:06:55 | 0:06:58 | |
Number two, sir. | 0:07:09 | 0:07:10 | |
-STREET VENDOR: -Hot and fresh! Fresh today! | 0:07:11 | 0:07:14 | |
Hot and fresh! | 0:07:14 | 0:07:16 | |
I guessed it was you! | 0:08:03 | 0:08:05 | |
And once Mr Jaggers had said where you were from | 0:08:05 | 0:08:08 | |
and that there was a connection to Satis House, I was certain. | 0:08:08 | 0:08:13 | |
You do remember me, don't you? | 0:08:13 | 0:08:14 | |
I hit you. | 0:08:17 | 0:08:18 | |
Yes. Rather hard, if I recall. | 0:08:18 | 0:08:20 | |
I'd like to apologise for my contemptible behaviour that day. | 0:08:23 | 0:08:26 | |
Something about that house brings out the worst in people. | 0:08:26 | 0:08:29 | |
I more than asked to receive a bloody nose. | 0:08:29 | 0:08:32 | |
I assure you I am a much changed man, | 0:08:32 | 0:08:33 | |
though I understand if you're not comfortable. | 0:08:33 | 0:08:36 | |
It's just...you knew me before. | 0:08:36 | 0:08:38 | |
And...I don't want before to follow me here. | 0:08:38 | 0:08:42 | |
I don't want before to follow me, either. | 0:08:42 | 0:08:44 | |
Let's start again. | 0:08:46 | 0:08:47 | |
Every gentleman belongs to a club and Finches is one of the best. | 0:08:50 | 0:08:55 | |
I keep expecting to be turned away. | 0:08:55 | 0:08:57 | |
You have every right to be here. | 0:08:57 | 0:08:59 | |
They're grateful you've set foot on their carpet. | 0:08:59 | 0:09:02 | |
Sorry. | 0:09:19 | 0:09:20 | |
Mr Jaggers said you'd been cut off? Why? | 0:09:31 | 0:09:34 | |
I met a girl. | 0:09:35 | 0:09:38 | |
Clara. | 0:09:38 | 0:09:39 | |
And when my family found out that her family was of no significance, | 0:09:39 | 0:09:43 | |
they forbade any further association. | 0:09:43 | 0:09:45 | |
So I defied their judgment and am, in consequence, quite cut off. | 0:09:45 | 0:09:49 | |
Not a penny. So, now, I look about me. | 0:09:49 | 0:09:53 | |
-You look about you? -For employment. | 0:09:53 | 0:09:55 | |
To support Clara and the many children we will have | 0:09:55 | 0:09:58 | |
when I can afford for us to marry. | 0:09:58 | 0:10:00 | |
In the interim, Mr Wemmick is kind enough to suggest ways in which I can make myself useful. | 0:10:00 | 0:10:04 | |
Your wine, sir. | 0:10:06 | 0:10:09 | |
Thank you. | 0:10:09 | 0:10:10 | |
Herbert, you ain't... haven't asked how I came by my good fortune. | 0:10:22 | 0:10:28 | |
Well, I gather there are legal conditions. | 0:10:29 | 0:10:32 | |
One cannot help but draw conclusions... | 0:10:35 | 0:10:37 | |
You must have made a very great impression at Satis House. | 0:10:38 | 0:10:41 | |
You don't mind? | 0:10:43 | 0:10:44 | |
Pip, the last person I'd like to have influence over my life is Miss Havisham. | 0:10:44 | 0:10:49 | |
-But if it's what you want. -It is. | 0:10:49 | 0:10:51 | |
Then I'm very happy for you. | 0:10:51 | 0:10:52 | |
Put this hand on, um, on my waist. | 0:10:55 | 0:10:58 | |
No, lightly, Pip. No gripping, no grasping. | 0:10:58 | 0:11:02 | |
And you take the other hand, like so... | 0:11:02 | 0:11:05 | |
Gently! Pip, this is not a knuckle-crushing competition. | 0:11:05 | 0:11:09 | |
And... | 0:11:11 | 0:11:12 | |
One, two, three. | 0:11:12 | 0:11:15 | |
One, two, three. One... | 0:11:15 | 0:11:18 | |
One... Foot! ..two, three. | 0:11:18 | 0:11:20 | |
My foot again! ..two, three. | 0:11:20 | 0:11:23 | |
One, two, three. Elbow, two, three. | 0:11:30 | 0:11:32 | |
Ow! Two, three. | 0:11:32 | 0:11:34 | |
Backwards...and forwards. | 0:11:35 | 0:11:37 | |
And then you raise your left hand gracefully, like this. | 0:11:37 | 0:11:41 | |
Left foot, and right foot. | 0:11:41 | 0:11:44 | |
And twir... Whoa! | 0:11:44 | 0:11:45 | |
Maybe not quite so hard. | 0:11:46 | 0:11:47 | |
Twirl me. | 0:12:03 | 0:12:05 | |
That was not bad at all! | 0:12:07 | 0:12:10 | |
THEY LAUGH | 0:12:12 | 0:12:14 | |
Take one to Mr Denby with my compliments. | 0:12:18 | 0:12:20 | |
Of course, sir. | 0:12:20 | 0:12:21 | |
-I want to be invited to one of his card games. -This is very expensive, Pip. | 0:12:24 | 0:12:28 | |
It's a crucial part of my education. We'll be more sober next week. | 0:12:28 | 0:12:31 | |
You said that last week! | 0:12:31 | 0:12:32 | |
I'm supposed to be looking about me, I'm so terribly drunk. | 0:12:32 | 0:12:36 | |
Try harder with your drunkenness and you won't be so terrible at it. | 0:12:36 | 0:12:39 | |
You're not allowed in here. This is a gentleman's club. | 0:12:40 | 0:12:43 | |
You're alive, then. | 0:12:43 | 0:12:45 | |
Us was wondering. | 0:12:45 | 0:12:46 | |
-Sir... -You've no call to lay 'ands on me. Tell 'em, Pip. | 0:12:46 | 0:12:51 | |
There's no problem here, thank you. | 0:12:53 | 0:12:56 | |
Herbert Pocket. | 0:12:58 | 0:12:59 | |
Would you like to sit down, Mr...? | 0:13:00 | 0:13:02 | |
Gargery. | 0:13:02 | 0:13:04 | |
You take some seeking out. | 0:13:23 | 0:13:25 | |
First off, went to that Jaggers. | 0:13:27 | 0:13:32 | |
They told me where you was livin', went there, you weren't in, | 0:13:32 | 0:13:35 | |
went back and they told me you might be here. | 0:13:35 | 0:13:37 | |
I been all over the place but found you at last. | 0:13:41 | 0:13:44 | |
Lucky the marshes breeds us determined, eh? | 0:13:46 | 0:13:49 | |
Nothing to say to me, Pip? | 0:13:54 | 0:13:56 | |
Let's go. | 0:13:58 | 0:14:00 | |
DOOR SLAMS | 0:14:13 | 0:14:15 | |
Stop running now, can we? | 0:14:20 | 0:14:22 | |
I wasn't running. | 0:14:23 | 0:14:24 | |
You'll want coffee. I'll send for some coffee. | 0:14:25 | 0:14:29 | |
Don't care about no coffee. | 0:14:29 | 0:14:31 | |
I want to see you. | 0:14:34 | 0:14:35 | |
You look...different. | 0:14:40 | 0:14:43 | |
It's just a suit. | 0:14:43 | 0:14:45 | |
You talk different. | 0:14:45 | 0:14:47 | |
Not a word, Pip. | 0:14:50 | 0:14:52 | |
Not one word to say you're safe, you're well. | 0:14:55 | 0:14:59 | |
I've been very busy. I haven't noticed the time going by. | 0:14:59 | 0:15:02 | |
Well, it has gone by. | 0:15:02 | 0:15:03 | |
Months have passed. | 0:15:04 | 0:15:06 | |
And you is missed. | 0:15:07 | 0:15:09 | |
Forge is empty, house is empty without you. | 0:15:09 | 0:15:12 | |
I'm sorry, but as you can see, I'm quite well. | 0:15:12 | 0:15:15 | |
Missus lives to hear from you. | 0:15:15 | 0:15:18 | |
Lives for it. | 0:15:18 | 0:15:20 | |
What else has she got but starin' at the wall every day? | 0:15:22 | 0:15:25 | |
-Write to her. -And who would read it? | 0:15:27 | 0:15:29 | |
Pumblechook could read it to her and to me both. | 0:15:29 | 0:15:31 | |
He merely wants to brag about how he gave me my first opportunity. | 0:15:31 | 0:15:35 | |
He's a idiot, let him brag, doesn't do you any hurt. | 0:15:35 | 0:15:38 | |
Does it not? | 0:15:38 | 0:15:39 | |
I will write when I am less busy. | 0:15:41 | 0:15:43 | |
You're shamed. | 0:15:48 | 0:15:49 | |
Shamed of home, shamed of where you come from. | 0:15:51 | 0:15:55 | |
Shamed of me. | 0:15:56 | 0:15:58 | |
Ain't even looked at me proper. | 0:15:58 | 0:16:01 | |
In the eye. | 0:16:01 | 0:16:02 | |
Like a man. | 0:16:04 | 0:16:06 | |
Joe, you don't understand. | 0:16:09 | 0:16:11 | |
I understand. | 0:16:25 | 0:16:27 | |
You're here, too. | 0:17:27 | 0:17:28 | |
I thought it was just going to be myself and Mr Jaggers. | 0:17:28 | 0:17:31 | |
Oh, no, it is. I'm just waiting... | 0:17:31 | 0:17:33 | |
Here she is! | 0:17:33 | 0:17:34 | |
SHE CHUCKLES | 0:17:37 | 0:17:39 | |
Pip, this is my fiancee, Clara. Clara, this is Pip. | 0:17:39 | 0:17:43 | |
I'm very pleased to meet you at last. | 0:17:43 | 0:17:45 | |
We're going to Mr Wemmick's in Walworth for our chess night. | 0:17:45 | 0:17:48 | |
He has me in check, but I'm hoping Clara can get me out of it. | 0:17:48 | 0:17:51 | |
Chess nights with Mr Wemmick? I didn't know you had chess nights. | 0:17:51 | 0:17:56 | |
To Walworth! | 0:17:59 | 0:18:01 | |
There are sausages for supper and rhubarb pie with rhubarb from my own garden | 0:18:01 | 0:18:05 | |
and then, Herbert, I shall take your king in three moves. | 0:18:05 | 0:18:08 | |
Ah, we shall see about that, Mr Wemmick. | 0:18:08 | 0:18:10 | |
I sense a humiliating defeat. | 0:18:10 | 0:18:12 | |
THEY LAUGH | 0:18:12 | 0:18:13 | |
Pip, Mr Jaggers is waiting for you. | 0:18:13 | 0:18:16 | |
Mike! Mind the shop. | 0:18:16 | 0:18:18 | |
-Come on, you two! -I won't be late. | 0:18:18 | 0:18:20 | |
I have some delicious hedgerow wine, Herbert. | 0:18:23 | 0:18:25 | |
If you can keep clear head after THAT... | 0:18:25 | 0:18:27 | |
Still no sign? | 0:18:30 | 0:18:31 | |
None, Mr Jaggers. | 0:18:33 | 0:18:35 | |
You're early, Pip. | 0:18:36 | 0:18:38 | |
No matter, since my previous appointment has failed to appear. | 0:18:39 | 0:18:42 | |
Follow. | 0:18:42 | 0:18:44 | |
I apologise. It's just I saw Estella's name. | 0:19:02 | 0:19:05 | |
Miss Havisham Senior. | 0:19:05 | 0:19:07 | |
They have the same name? But I thought Estella was adopted. | 0:19:07 | 0:19:10 | |
-She is. -Then how is it that they have the same name? | 0:19:10 | 0:19:14 | |
I can understand the Havisham but Estella | 0:19:14 | 0:19:15 | |
was surely not born with the name Estella. | 0:19:15 | 0:19:17 | |
How insatiably curious you are about those two ladies. | 0:19:17 | 0:19:20 | |
Curiosity is natural under the circumstances. | 0:19:20 | 0:19:24 | |
Curiosity killed the cat. And nature can be most brutal. | 0:19:24 | 0:19:26 | |
Sit. | 0:19:26 | 0:19:27 | |
This is a very kind invitation, Mr Jaggers. | 0:19:33 | 0:19:36 | |
Kindness has nothing to do with it. | 0:19:36 | 0:19:38 | |
I am obliged as guardian to meet with those in my care | 0:19:38 | 0:19:41 | |
and send reports as to how they do. | 0:19:41 | 0:19:43 | |
And what would you say of me? | 0:19:43 | 0:19:45 | |
I would scarcely have known you. | 0:19:48 | 0:19:50 | |
Thank you, Molly. | 0:20:00 | 0:20:01 | |
You have a lot of unpaid bills. | 0:20:15 | 0:20:17 | |
I don't. | 0:20:19 | 0:20:20 | |
I mean, I do. | 0:20:20 | 0:20:22 | |
But they're not unpaid, they're just not paid yet. But they will be. | 0:20:22 | 0:20:25 | |
You have bills at your club, with your tailor, | 0:20:25 | 0:20:28 | |
bills for furniture... | 0:20:28 | 0:20:29 | |
A pianoforte?! | 0:20:30 | 0:20:32 | |
-Yes. -Your allowance is plentiful. Be more prudent. | 0:20:32 | 0:20:35 | |
Mr Jaggers, you're unfair. You say it is plentiful but it doesn't go anywhere. | 0:20:35 | 0:20:39 | |
I do not recall inviting you to enter a plea of mitigation. | 0:20:39 | 0:20:42 | |
But it's true. | 0:20:42 | 0:20:43 | |
You have to write a report to my benefactor and she... | 0:20:43 | 0:20:45 | |
My benefactor, whoever they may be, needs to know that I am making... improvements, | 0:20:47 | 0:20:51 | |
that I am changing and if I stay within my allowance, I won't improve or change. | 0:20:51 | 0:20:55 | |
So all my expenses are very reasonable and necessary. | 0:20:55 | 0:20:58 | |
Debt is debt and you are being profligate. | 0:20:58 | 0:21:01 | |
I have already advocated caution | 0:21:01 | 0:21:03 | |
and I am NOT in the habit of repeating myself. | 0:21:03 | 0:21:06 | |
And you are very late, Mr Drummle. | 0:21:06 | 0:21:09 | |
I am, aren't I? | 0:21:09 | 0:21:10 | |
Mike will let you out. | 0:21:18 | 0:21:20 | |
Who are you? | 0:21:24 | 0:21:25 | |
I'm Pip. | 0:21:29 | 0:21:30 | |
Pip? | 0:21:32 | 0:21:34 | |
I left my glove... | 0:21:44 | 0:21:46 | |
It is time you stopped acting like a child and started behaving like a gentleman. | 0:21:51 | 0:21:55 | |
There have been too many regrettable and unpleasant incidents. | 0:21:55 | 0:21:58 | |
There's a threat of charges being brought. | 0:21:58 | 0:22:00 | |
Throw some coins at the charges and they will disappear. | 0:22:00 | 0:22:03 | |
For heaven's sake, Jaggers, don't bother me with such trifles. | 0:22:03 | 0:22:06 | |
You will learn to curb your excesses, Mr Drummle, | 0:22:06 | 0:22:11 | |
or I will write to your father and wash my hands of you! | 0:22:11 | 0:22:14 | |
I...lost my glove. | 0:22:16 | 0:22:18 | |
Thank you, Molly. | 0:22:29 | 0:22:32 | |
MISS HAVISHAM: 'My dear Pip, | 0:22:38 | 0:22:40 | |
'I wonder if you might visit me. | 0:22:40 | 0:22:43 | |
'Estella is returned and requires an escort to Richmond. | 0:22:43 | 0:22:49 | |
'And I am keen to see your transformation first-hand.' | 0:22:49 | 0:22:53 | |
Pip. | 0:24:06 | 0:24:07 | |
How very handsome you look. | 0:24:10 | 0:24:12 | |
Thank you, Miss Havisham. | 0:24:14 | 0:24:17 | |
I was not expecting you so soon. | 0:24:17 | 0:24:19 | |
I thought you might want to visit your people. | 0:24:21 | 0:24:23 | |
But of course, what was fit company for you once | 0:24:25 | 0:24:31 | |
is not fit now. | 0:24:31 | 0:24:32 | |
As is only right. | 0:24:34 | 0:24:35 | |
Here is Estella. | 0:24:38 | 0:24:40 | |
Well, look at you both. | 0:24:58 | 0:25:02 | |
Not quite the finished articles. | 0:25:03 | 0:25:06 | |
But you will be. Soon. | 0:25:06 | 0:25:08 | |
And I shall be very proud. | 0:25:09 | 0:25:13 | |
Goodbye, Mother. | 0:25:17 | 0:25:19 | |
I will write. | 0:25:20 | 0:25:22 | |
And you will respond promptly. | 0:25:22 | 0:25:25 | |
Of course. | 0:25:25 | 0:25:27 | |
Miss Havisham, if I may be so bold, your gatekeeper, Dolge Orlick. | 0:25:34 | 0:25:39 | |
What of him? | 0:25:39 | 0:25:40 | |
I know him. | 0:25:40 | 0:25:42 | |
He is not trustworthy. | 0:25:42 | 0:25:44 | |
He should not be allowed the care of a lady. | 0:25:46 | 0:25:49 | |
How very vigilant you are on my behalf. | 0:25:49 | 0:25:54 | |
Almost proprietorial. | 0:25:54 | 0:25:56 | |
He will be dismissed and someone else found. | 0:25:56 | 0:26:00 | |
Miss Havisham. | 0:26:01 | 0:26:03 | |
SHE BREATHES HALTINGLY | 0:26:15 | 0:26:18 | |
Weren't my last words to you not to come back here? | 0:26:49 | 0:26:52 | |
To forget about this house and everyone in it? | 0:26:52 | 0:26:55 | |
There was a change in my circumstances. | 0:26:55 | 0:26:57 | |
A very great change. | 0:26:57 | 0:26:59 | |
So I can see. | 0:27:00 | 0:27:02 | |
-Who do you stay with in Richmond? -A Mrs Brandley. | 0:27:09 | 0:27:11 | |
She is to be my chaperone. | 0:27:11 | 0:27:14 | |
One more stranger given the charge of me. | 0:27:15 | 0:27:18 | |
I am happy there'll be one familiar face. | 0:27:22 | 0:27:24 | |
I hope we shall be together often. | 0:27:24 | 0:27:26 | |
I'm starting to despair. | 0:27:35 | 0:27:38 | |
It seems every bank and insurer... | 0:27:38 | 0:27:40 | |
In fact, every business in London's getting on fine without me. | 0:27:40 | 0:27:43 | |
Herbert, you know if you need anything, you only have to ask. | 0:27:43 | 0:27:46 | |
I want to work. I want to marry. | 0:27:46 | 0:27:48 | |
At the moment, all I'm doing is proving my family right, | 0:27:48 | 0:27:51 | |
that I'd never make a thing of myself without them. | 0:27:51 | 0:27:54 | |
I'm sorry, Pip. I'm being very miserable. | 0:27:54 | 0:27:58 | |
It's a special occasion. | 0:28:03 | 0:28:05 | |
I have something to tell you. | 0:28:05 | 0:28:07 | |
I've kept it to myself, but I can't any longer. | 0:28:07 | 0:28:10 | |
I'm in love. | 0:28:15 | 0:28:17 | |
That's very good news! Does the lady have a name? | 0:28:18 | 0:28:21 | |
Estella. I'm in love with Estella. | 0:28:22 | 0:28:25 | |
Well? Would you not be happy for me? | 0:28:27 | 0:28:30 | |
That house... | 0:28:30 | 0:28:32 | |
Does it not feel haunted to you? Poisoned, somehow? | 0:28:32 | 0:28:36 | |
If Miss Havisham keeps her fiance's memory alive, | 0:28:36 | 0:28:38 | |
I don't call that poison, I call that love. | 0:28:38 | 0:28:40 | |
Compeyson didn't die. | 0:28:40 | 0:28:41 | |
It would have been better if he had. | 0:28:41 | 0:28:44 | |
He was a con man, Pip. | 0:28:44 | 0:28:45 | |
He asked Miss Havisham to settle money on him. | 0:28:46 | 0:28:48 | |
A great deal of money. | 0:28:48 | 0:28:51 | |
And on the day of the wedding, he sent her a note. | 0:28:51 | 0:28:54 | |
He was never seen again. | 0:28:54 | 0:28:55 | |
He jilted her. | 0:28:55 | 0:28:56 | |
And a little while after... | 0:28:58 | 0:29:00 | |
it was heard that she had adopted a little girl. | 0:29:00 | 0:29:03 | |
That day we met, I heard your father say something about Estella, | 0:29:03 | 0:29:07 | |
that no-one knows who she is? | 0:29:07 | 0:29:09 | |
We were told she was the orphaned child of friends. | 0:29:09 | 0:29:12 | |
No friends anyone had ever heard of. | 0:29:12 | 0:29:15 | |
Is that why you're not happy for me, because no-one knows where Estella is from? I expected better from you. | 0:29:15 | 0:29:19 | |
No, that's not it at all! | 0:29:19 | 0:29:22 | |
Compeyson's betrayal hangs around Satis House like a curse. | 0:29:22 | 0:29:26 | |
It festers and Miss Havisham lets it fester. | 0:29:26 | 0:29:29 | |
Estella has grown up with that, | 0:29:29 | 0:29:32 | |
surrounded by its influence every single day. | 0:29:32 | 0:29:36 | |
You do not know Estella! | 0:29:36 | 0:29:39 | |
I love her. | 0:29:40 | 0:29:42 | |
When I reach my majority, we will be married. | 0:29:42 | 0:29:45 | |
Just tread carefully, Pip. Be cautious. | 0:29:45 | 0:29:47 | |
Everyone is telling me to be cautious these days. I am sick of caution. | 0:29:47 | 0:29:51 | |
Quite right, Pip. Caution is very boring. | 0:29:51 | 0:29:54 | |
Pocket. | 0:29:54 | 0:29:56 | |
Drummle. | 0:29:56 | 0:29:57 | |
You know each other? | 0:29:59 | 0:30:01 | |
We schooled together. Didn't we, Herbert? | 0:30:01 | 0:30:04 | |
Goodbye. | 0:30:05 | 0:30:06 | |
Dear old Empty Pocket. | 0:30:13 | 0:30:16 | |
I wonder if he didn't cut himself off from his family | 0:30:16 | 0:30:19 | |
for some girl in order to make himself the tiniest bit memorable. | 0:30:19 | 0:30:22 | |
Where did you school, Pip? | 0:30:24 | 0:30:27 | |
Privately. At home. | 0:30:30 | 0:30:32 | |
Lucky you. | 0:30:32 | 0:30:34 | |
I appear to be drinking all your champagne, how fearfully rude of me. | 0:30:35 | 0:30:39 | |
Yes, well, we'll get another. It would be my pleasure. | 0:30:39 | 0:30:42 | |
I do like new people. | 0:30:42 | 0:30:44 | |
Mr Wemmick? | 0:31:31 | 0:31:33 | |
It is not the day for your allowance. | 0:31:34 | 0:31:36 | |
I know, I wanted to speak to you on a private matter. | 0:31:36 | 0:31:38 | |
Make an appointment with the clerks to see Mr Jaggers. | 0:31:38 | 0:31:41 | |
This isn't something I'd wish to discuss with Mr Jaggers. | 0:31:41 | 0:31:44 | |
-I thought you'd be more suitable. -No-one more suitable than Jaggers. | 0:31:44 | 0:31:47 | |
-If you'd just hear me out. We could have luncheon at my club. -Luncheon? | 0:31:47 | 0:31:51 | |
I'm too busy for luncheon at your club or anywhere else. | 0:31:51 | 0:31:53 | |
Then I'd be happy to come to Walworth when you'd have more leisure to listen... | 0:31:53 | 0:31:58 | |
Make an appointment with the clerks. | 0:31:58 | 0:32:00 | |
Now you'll excuse me, I have urgent business to conduct. | 0:32:00 | 0:32:04 | |
You really don't like me very much, do you, Mr Wemmick? | 0:32:06 | 0:32:10 | |
I don't know who you are. | 0:32:13 | 0:32:15 | |
SHOUTING | 0:32:22 | 0:32:24 | |
Down there. | 0:32:24 | 0:32:26 | |
And what will happen to your property when you are dropped? | 0:32:26 | 0:32:30 | |
Pondering your immortal soul and how you will explain yourself to the Almighty, that's all very well, | 0:32:30 | 0:32:35 | |
but these chickens need water, grain, a coop. | 0:32:35 | 0:32:38 | |
You're condemned but they can be saved, if you bequeath them to me. | 0:32:38 | 0:32:41 | |
HE LAUGHS | 0:32:43 | 0:32:44 | |
Yep. | 0:32:44 | 0:32:46 | |
They'll join my flock at Walworth and be well looked after. | 0:32:46 | 0:32:50 | |
I wish you a good ending. The ropeman is Noakes. | 0:32:50 | 0:32:53 | |
Ties a strong knot. | 0:32:53 | 0:32:55 | |
-What are you doing here? -If I must follow you to Newgate to have an audience with you, I will. | 0:32:55 | 0:33:00 | |
-Did you just take his chickens? -I accepted his bequest. | 0:33:00 | 0:33:03 | |
And he has no further need of them. What is this matter then? | 0:33:03 | 0:33:07 | |
-Herbert still hasn't found a situation. -That is because he requires capital to buy into a firm. | 0:33:07 | 0:33:12 | |
-Capital that Herbert doesn't have. -But I do. | 0:33:12 | 0:33:15 | |
Or I will have. | 0:33:15 | 0:33:16 | |
Mr Wemmick, I want to use my expectations to help Herbert | 0:33:16 | 0:33:18 | |
but it has to be completely secret and I don't know how to go about it. | 0:33:18 | 0:33:22 | |
So I...thought of you. | 0:33:22 | 0:33:23 | |
I would counsel very strongly against such help being given. | 0:33:23 | 0:33:27 | |
Such dissolution of your portable property is most ill-advised. | 0:33:27 | 0:33:30 | |
You see these? | 0:33:30 | 0:33:32 | |
You see these? | 0:33:32 | 0:33:33 | |
These are all part of my portable property | 0:33:35 | 0:33:37 | |
and I do not give one piece of it away. | 0:33:37 | 0:33:39 | |
Nor should you yours. | 0:33:39 | 0:33:41 | |
This is the advice of Mr Wemmick, Jaggers' chief clerk? | 0:33:41 | 0:33:44 | |
It is. | 0:33:44 | 0:33:45 | |
And what does the Mr Wemmick who grows his own rhubarb say? | 0:33:45 | 0:33:49 | |
They're a firm of shipping insurers. Venerable and well respected. | 0:33:51 | 0:33:55 | |
-Herbert had written to them some time ago. -That would be perfect. | 0:33:55 | 0:33:58 | |
How will they explain why they're giving him this opportunity when he's penniless? | 0:33:58 | 0:34:02 | |
I've thought of that. | 0:34:02 | 0:34:03 | |
Old Mr Clarriker will tell Herbert he was touched by his obvious passion for ships | 0:34:03 | 0:34:07 | |
and wants to support a young man looking to strike out on his own | 0:34:07 | 0:34:10 | |
-without the cushion of family money. -It's a terrible lie. | 0:34:10 | 0:34:13 | |
For a very good cause. I've rather enjoyed my mission. | 0:34:13 | 0:34:16 | |
The cloak and dagger. Without the dagger. | 0:34:16 | 0:34:20 | |
The capital required is £500. | 0:34:20 | 0:34:22 | |
Can you pay a portion of that from what is in my allowance? | 0:34:22 | 0:34:25 | |
I can, but what will you live on? | 0:34:25 | 0:34:27 | |
I am going to inherit a fortune, Mr Wemmick. A fortune! | 0:34:27 | 0:34:30 | |
Money is not a concern. Tell Clarrikers they will receive the full amount on my majority. | 0:34:30 | 0:34:34 | |
-They understand that Herbert must never know? -They're a business. | 0:34:34 | 0:34:37 | |
As long as they get their capital, they're happy with any conditions. I shall close the deal. | 0:34:37 | 0:34:42 | |
It seems not everything in this world is venal. | 0:34:45 | 0:34:48 | |
-Mrs Brandley. -My dear. | 0:34:54 | 0:34:56 | |
The whirligig of the season is upon us once more. | 0:34:56 | 0:35:00 | |
-And these are your daughters? -Yes. | 0:35:00 | 0:35:03 | |
-Such beauties! -Thank you. | 0:35:03 | 0:35:05 | |
Surely you are not nervous? | 0:35:07 | 0:35:09 | |
I am sick of being looked at. | 0:35:09 | 0:35:11 | |
I am sick of being evaluated. | 0:35:11 | 0:35:13 | |
And the women are the very worst. | 0:35:15 | 0:35:17 | |
None of them can hold a candle to you, Estella. | 0:35:20 | 0:35:23 | |
May I introduce Mr Pirrip and Miss Estella Havisham? | 0:35:23 | 0:35:27 | |
-Ladies. -Mr Pirrip. | 0:35:28 | 0:35:30 | |
Miss Havisham, I've called several times but you are always indisposed. | 0:35:35 | 0:35:40 | |
How have I insulted you? I don't know what I've done. | 0:35:40 | 0:35:43 | |
You are making a spectacle of yourself, Sir. | 0:35:43 | 0:35:46 | |
-(Did you see that? -I did.) | 0:35:52 | 0:35:55 | |
Bidding will be very fierce this year. | 0:35:55 | 0:35:57 | |
CHATTERING | 0:36:02 | 0:36:03 | |
Mr Pirrip, you are being much admired. | 0:36:03 | 0:36:08 | |
Do take an interest or their doting mama will be most offended. | 0:36:08 | 0:36:14 | |
I am flattered by their interest but I am clearly escorting another lady. | 0:36:17 | 0:36:20 | |
This is a market, Mr Pirrip. | 0:36:20 | 0:36:22 | |
All the stock must be assessed. | 0:36:22 | 0:36:25 | |
CHATTERING | 0:36:25 | 0:36:29 | |
We are friends. | 0:36:32 | 0:36:33 | |
Indeed? | 0:36:33 | 0:36:35 | |
He is quite the bachelor du jour. | 0:36:35 | 0:36:37 | |
A baronet, will inherit the title and the estate. | 0:36:37 | 0:36:41 | |
Breeding, bloodlines and proven provenance. | 0:36:41 | 0:36:46 | |
You said you and Mr Drummle were friends. I wonder. | 0:36:49 | 0:36:53 | |
Drummle. | 0:37:04 | 0:37:05 | |
Pip. You've been seeing my tailor. | 0:37:05 | 0:37:09 | |
We could almost be twins. | 0:37:09 | 0:37:11 | |
How charming to see you again, Miss Havisham. | 0:37:11 | 0:37:14 | |
Excuse me. | 0:37:14 | 0:37:15 | |
HE EXHALES | 0:37:19 | 0:37:20 | |
I wondered if we might talk later. | 0:37:20 | 0:37:24 | |
We could go to Finches? | 0:37:27 | 0:37:29 | |
Oh, I think we can do better than Finches. | 0:37:29 | 0:37:31 | |
I'm going to my other club tonight. | 0:37:31 | 0:37:33 | |
You'll like it there. | 0:37:35 | 0:37:36 | |
We are both gentlemen, are we not? | 0:37:42 | 0:37:45 | |
We are, yes. | 0:37:45 | 0:37:46 | |
Then, speak freely. | 0:37:46 | 0:37:48 | |
There is an understanding between myself and Miss Estella Havisham. | 0:37:51 | 0:37:54 | |
There has been for some years. | 0:37:54 | 0:37:57 | |
I would not wish for you to become attached and then be disappointed. | 0:37:57 | 0:38:01 | |
Well, that's very decent of you to let me know, Pip. | 0:38:03 | 0:38:06 | |
Very decent indeed. | 0:38:06 | 0:38:08 | |
Glad you understand. | 0:38:09 | 0:38:11 | |
Pip. | 0:38:11 | 0:38:13 | |
What sort of a name is Pip? Who calls a man Pip? Pippety Pip. | 0:38:14 | 0:38:19 | |
Gentlemen. | 0:38:25 | 0:38:27 | |
Her and her. | 0:38:39 | 0:38:41 | |
You like to spend, don't you? So, spend. | 0:38:45 | 0:38:49 | |
You can have what you like and no-one cares. | 0:38:49 | 0:38:52 | |
Whatever your impulses demand. | 0:38:52 | 0:38:54 | |
No? | 0:38:56 | 0:38:58 | |
I shouldn't be here. | 0:38:58 | 0:38:59 | |
Oh, dear. Ladies, it seems that my friend Pippy is a virgin. | 0:38:59 | 0:39:04 | |
LAUGHTER | 0:39:04 | 0:39:06 | |
Poor little virgin. He doesn't know what to do! | 0:39:06 | 0:39:08 | |
Just copy me, Pippy. Isn't that how you get by? Isn't that how you pass? | 0:39:08 | 0:39:12 | |
By throwing your money around and copying me, Pippety Pippety Pip? | 0:39:12 | 0:39:16 | |
-Stop calling me that. -I know exactly what you are. | 0:39:16 | 0:39:19 | |
You're not one of us. | 0:39:19 | 0:39:21 | |
You know I know, don't you, Pip? | 0:39:22 | 0:39:24 | |
Who's there? | 0:39:43 | 0:39:44 | |
How well do you know Bentley Drummle? | 0:40:00 | 0:40:02 | |
You should not worry about Mr Drummle. | 0:40:02 | 0:40:04 | |
He will not get a moment's joy from me. | 0:40:05 | 0:40:08 | |
He is not what he says he is. | 0:40:08 | 0:40:11 | |
None of us are. | 0:40:11 | 0:40:13 | |
Not you. | 0:40:14 | 0:40:16 | |
Not me. | 0:40:16 | 0:40:18 | |
Estella... | 0:40:22 | 0:40:24 | |
Do you remember anything about your life before Satis House? | 0:40:25 | 0:40:28 | |
I'm not sure. | 0:40:34 | 0:40:35 | |
MRS BRANDLEY SNORES | 0:40:37 | 0:40:38 | |
THEY LAUGH | 0:40:42 | 0:40:44 | |
I know it was you. | 0:42:46 | 0:42:47 | |
I'll never say. | 0:42:49 | 0:42:51 | |
Thank you, Pip. | 0:42:55 | 0:42:57 | |
You're a good, good friend. | 0:42:57 | 0:42:59 | |
Go and congratulate him. | 0:43:01 | 0:43:03 | |
'Estella, at last! Why did you not come sooner?' | 0:43:16 | 0:43:19 | |
I've been waiting and waiting. Look! See, I keep them all. | 0:43:19 | 0:43:24 | |
I read them over and over, | 0:43:24 | 0:43:26 | |
but they're not detailed enough, Estella. | 0:43:26 | 0:43:30 | |
Can I not at least remove my gloves? | 0:43:30 | 0:43:33 | |
I must hear. | 0:43:33 | 0:43:34 | |
Come. Come. Tell me everything, | 0:43:34 | 0:43:37 | |
I must hear it all. | 0:43:37 | 0:43:40 | |
Get him whatever he wants! | 0:43:41 | 0:43:43 | |
FAINT VOICES ARGUE | 0:44:01 | 0:44:04 | |
I don't want to read them, read them to yourself. | 0:44:04 | 0:44:06 | |
That's the least I deserve after all I've given you. | 0:44:06 | 0:44:09 | |
-I've done all you've asked for and more. -Where are you going? -I'm tired. I want to rest. | 0:44:09 | 0:44:13 | |
-I've told you everything. -Tell me again! | 0:44:13 | 0:44:15 | |
What did he look like? did he weep? Tell me! | 0:44:15 | 0:44:19 | |
How can you be so cold? | 0:44:20 | 0:44:22 | |
It's what you trained me to be. | 0:44:22 | 0:44:24 | |
Leave me alone. | 0:44:24 | 0:44:25 | |
No! I will not let you leave me! | 0:44:25 | 0:44:29 | |
You will not leave me! | 0:44:29 | 0:44:31 | |
Where is Miss Havisham? | 0:45:15 | 0:45:17 | |
She retired early. | 0:45:19 | 0:45:21 | |
There was an argument. | 0:45:23 | 0:45:25 | |
She wants me to love her. | 0:45:27 | 0:45:29 | |
But I cannot. | 0:45:31 | 0:45:32 | |
Why? | 0:45:38 | 0:45:39 | |
Because I do not have a heart. | 0:45:45 | 0:45:47 | |
That's not true, Estella. | 0:45:49 | 0:45:52 | |
I know it's not true. | 0:45:56 | 0:45:58 | |
'Are you a gentleman yet?' | 0:46:05 | 0:46:07 | |
That is for you to tell me, Miss Havisham. | 0:46:07 | 0:46:10 | |
You look the part. | 0:46:10 | 0:46:12 | |
You sound the part. | 0:46:13 | 0:46:16 | |
Your good opinion's all that matters to me, Miss Havisham. | 0:46:16 | 0:46:19 | |
And I reach my majority soon. | 0:46:20 | 0:46:22 | |
The time goes by quickly. | 0:46:23 | 0:46:25 | |
Your destiny approaches. | 0:46:25 | 0:46:27 | |
I will write. As usual. | 0:46:28 | 0:46:30 | |
Tell you of my progress. | 0:46:30 | 0:46:32 | |
So cold. | 0:46:32 | 0:46:33 | |
I am what you designed me to be. | 0:46:37 | 0:46:40 | |
I am your blade. | 0:46:40 | 0:46:42 | |
You cannot now complain if you also feel the hurt. | 0:46:42 | 0:46:45 | |
Miss Havisham. | 0:46:54 | 0:46:56 | |
'My dear Pip. This is your Uncle Pumblechook, | 0:47:04 | 0:47:10 | |
'making so bold as to convey with the deepest regrets | 0:47:10 | 0:47:13 | |
'that your sister is dead.' | 0:47:13 | 0:47:15 | |
Sad day, Joe. | 0:47:39 | 0:47:40 | |
I'll wait for you. | 0:47:47 | 0:47:49 | |
She had been sinking fast, Mr Pip. | 0:47:53 | 0:47:57 | |
In many ways, it's a blessed relief. | 0:47:58 | 0:48:01 | |
Now Joe can start working again. The forge has been completely idle. | 0:48:03 | 0:48:07 | |
Is this bespoke, Mr Pip? Of course it's bespoke! | 0:48:07 | 0:48:10 | |
It is the quality way now to only wear bespoke. | 0:48:10 | 0:48:13 | |
What do you mean, working again? The forge, idle? | 0:48:13 | 0:48:16 | |
He couldn't run the forge and do everything your dear sister needed. | 0:48:16 | 0:48:21 | |
Not all alone. | 0:48:21 | 0:48:23 | |
You do cut a dash, Mr Pip. A dash indeed. | 0:48:23 | 0:48:26 | |
I've arranged the wake. | 0:48:26 | 0:48:29 | |
A lot of people excited to see you. | 0:48:29 | 0:48:31 | |
In the end, I had to ticket the event, such was the demand. | 0:48:31 | 0:48:35 | |
I can now get a new pony for the trap. | 0:48:35 | 0:48:37 | |
She was your niece and you charged people to go to her wake? | 0:48:37 | 0:48:40 | |
It's what she would have wanted. | 0:48:42 | 0:48:44 | |
We shall see you there, Mr Pip, Sir. | 0:48:44 | 0:48:47 | |
There's boiled ham and a plum duff. | 0:48:47 | 0:48:49 | |
Tried to keep up the house but just ain't got the touch Missus had. | 0:49:21 | 0:49:26 | |
-She was a terror for dust. -Joe, you did everything you could. | 0:49:30 | 0:49:33 | |
No man could have done more. | 0:49:33 | 0:49:35 | |
You'll be wanted at the wake. | 0:49:37 | 0:49:40 | |
I'm not going to that. | 0:49:40 | 0:49:42 | |
Your room's the same from when you left. I put sheets on the bed. | 0:49:44 | 0:49:48 | |
No, Joe, I can't stay. | 0:49:48 | 0:49:50 | |
I have to go back to London. | 0:49:50 | 0:49:53 | |
I'm taking Estella to a ball. I...promised. | 0:49:53 | 0:49:55 | |
MUSIC PLAYS | 0:50:13 | 0:50:16 | |
APPLAUSE | 0:51:00 | 0:51:04 | |
May I? | 0:51:10 | 0:51:12 | |
MUSIC PLAYS | 0:51:26 | 0:51:30 | |
You should move swiftly, Mr Pirrip. | 0:51:47 | 0:51:50 | |
He is most taken with her | 0:51:50 | 0:51:52 | |
and he's very used to getting what he wants. | 0:51:52 | 0:51:55 | |
Then want must be his master. | 0:51:57 | 0:51:59 | |
Ladies. | 0:52:15 | 0:52:17 | |
Swine-herd? Bird scarer? | 0:52:22 | 0:52:25 | |
-To what do you refer? -I'm trying to guess what you did before you got your money. | 0:52:25 | 0:52:29 | |
-Do the voice, Pippety-Pip. -What voice? | 0:52:29 | 0:52:33 | |
The voice you had before you worked so hard to get this one. | 0:52:33 | 0:52:37 | |
Where are you from, Pippy? Who are you? | 0:52:37 | 0:52:39 | |
-I am a gentleman. -Oh, but you're not. | 0:52:39 | 0:52:42 | |
Any more than she is a lady. | 0:52:42 | 0:52:44 | |
Something about the pair of you doesn't smell quite right. | 0:52:44 | 0:52:47 | |
But at least she doesn't curdle the milk. | 0:52:47 | 0:52:49 | |
Shepherd? | 0:52:49 | 0:52:51 | |
Or did you pick stones out of fields to earn your meagre crust? | 0:52:51 | 0:52:55 | |
-Will you take me to my carriage? I wish to go home. -Miss Havisham. | 0:52:55 | 0:52:59 | |
Pip. | 0:53:01 | 0:53:02 | |
Thank you for rescuing me. | 0:53:08 | 0:53:09 | |
I shall have to try and avoid him in future. | 0:53:09 | 0:53:12 | |
The season will be over and he will go back to his estate | 0:53:12 | 0:53:16 | |
a married man and you will not have to see him again. | 0:53:16 | 0:53:19 | |
How do you know? | 0:53:19 | 0:53:21 | |
It is the sort of thing I know. | 0:53:21 | 0:53:23 | |
We shall all be married soon. | 0:53:26 | 0:53:28 | |
Indeed we shall. | 0:53:29 | 0:53:30 | |
LAUGHTER | 0:53:32 | 0:53:33 | |
I would like to say a few words. | 0:53:35 | 0:53:37 | |
HE CLEARS HIS THROAT | 0:53:37 | 0:53:38 | |
First of all, I would like to thank Clara's dear Papa | 0:53:38 | 0:53:41 | |
for allowing me to marry his beloved daughter, finally. | 0:53:41 | 0:53:45 | |
LAUGHTER | 0:53:45 | 0:53:47 | |
I will treasure her, Sir. | 0:53:47 | 0:53:49 | |
And I would like to thank you, my friends, for celebrating with us. | 0:53:49 | 0:53:53 | |
And I would like to thank my wife, for marrying me | 0:53:53 | 0:53:57 | |
and making me the most blessed man in the world. | 0:53:57 | 0:53:59 | |
APPLAUSE | 0:53:59 | 0:54:03 | |
And...and I have an announcement. | 0:54:03 | 0:54:07 | |
Clarrikers are opening a new office in Cairo. | 0:54:07 | 0:54:10 | |
And I've been asked to help set it up. And I've accepted. | 0:54:12 | 0:54:16 | |
So, to friends, to Cairo and to Mrs Clara Pocket! | 0:54:16 | 0:54:22 | |
-Mrs Clara Pocket! -Thank you. | 0:54:22 | 0:54:25 | |
Good night! | 0:54:27 | 0:54:29 | |
Cairo. | 0:54:32 | 0:54:33 | |
It's not the ends of the earth. You can visit. | 0:54:33 | 0:54:37 | |
He's very happy, Pip. | 0:54:37 | 0:54:40 | |
As you should be. You come into your majority tomorrow. | 0:54:40 | 0:54:43 | |
I'll find out the identity of my benefactor. | 0:54:44 | 0:54:46 | |
You will receive your portable property. | 0:54:46 | 0:54:49 | |
No more waiting. | 0:54:49 | 0:54:51 | |
Your life will begin in earnest. | 0:54:51 | 0:54:53 | |
Life begins. | 0:55:01 | 0:55:03 | |
Get out! Get out or I'll strike you! | 0:55:55 | 0:55:58 | |
You don't want to do that, Pip. | 0:55:58 | 0:56:00 | |
How do you know my name? | 0:56:01 | 0:56:02 | |
Who are you? | 0:56:02 | 0:56:04 | |
You know me, boy. | 0:56:04 | 0:56:05 | |
Abel Magwitch. | 0:56:18 | 0:56:20 | |
Don't be scared. I mean you no harm. | 0:56:26 | 0:56:29 | |
What are you doing here? What do you want from me? | 0:56:29 | 0:56:31 | |
I brought you something. | 0:56:31 | 0:56:33 | |
Something you been waiting on. | 0:56:35 | 0:56:36 | |
What's this? | 0:56:48 | 0:56:50 | |
It's your fortune. | 0:56:50 | 0:56:52 | |
Your fortune what was promised. | 0:56:53 | 0:56:55 | |
It's me that done this for you. | 0:56:58 | 0:57:00 | |
It's me that is your benefactor. | 0:57:02 | 0:57:04 | |
You're my gentleman, Pip. | 0:57:06 | 0:57:09 | |
It's not how I wanted it, Pip. | 0:57:25 | 0:57:27 | |
You should have stayed in New South Wales. | 0:57:27 | 0:57:29 | |
No, I won't let you do it! | 0:57:29 | 0:57:31 | |
He is a lifer who has defied the law. He will hang. | 0:57:33 | 0:57:37 | |
You could have been happy. | 0:57:37 | 0:57:39 | |
Oh! Don't touch me. | 0:57:39 | 0:57:41 | |
You know nothing about men, Miss Havisham. | 0:57:47 | 0:57:50 | |
WOMAN SCREAMS | 0:57:53 | 0:57:57 | |
Subtitles by Red Bee Media Ltd | 0:58:20 | 0:58:23 | |
E-mail [email protected] | 0:58:23 | 0:58:26 |