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'I am in love with Estella.' | 0:00:02 | 0:00:04 | |
We were told she was the orphaned child of friends but no friends | 0:00:05 | 0:00:09 | |
anyone had ever heard of. | 0:00:09 | 0:00:11 | |
-Who are you? -I am a gentleman. -Oh, but you're not. | 0:00:11 | 0:00:14 | |
Any more than she is a lady. | 0:00:14 | 0:00:16 | |
Mrs! | 0:00:16 | 0:00:17 | |
Your room's the same from when you left. I put sheets on the bed. | 0:00:17 | 0:00:21 | |
No, Joe, I can't stay. | 0:00:21 | 0:00:24 | |
Compeyson was a con-man, Pip. | 0:00:24 | 0:00:26 | |
On the day of the wedding, | 0:00:26 | 0:00:28 | |
he sent her a note and was never seen again. | 0:00:28 | 0:00:30 | |
You have bills at your club. | 0:00:30 | 0:00:32 | |
They're not unpaid, they're just not paid yet. But they will be. | 0:00:32 | 0:00:35 | |
-Who are you? -Abel Magwitch. | 0:00:35 | 0:00:37 | |
It's me that is your benefactor. You're my gentleman, Pip. | 0:00:40 | 0:00:44 | |
Beautiful, ain't it? | 0:01:33 | 0:01:34 | |
Pick it up, it's yours. | 0:01:37 | 0:01:39 | |
Feel it. Smell it. | 0:01:45 | 0:01:48 | |
That'll set you up for life, boy. | 0:01:48 | 0:01:50 | |
I don't understand. | 0:01:52 | 0:01:53 | |
What's to understand? | 0:01:53 | 0:01:55 | |
You've come of age and here's what you were promised, | 0:01:55 | 0:01:59 | |
what you've been waiting on! | 0:01:59 | 0:02:00 | |
It ain't complicated! | 0:02:00 | 0:02:02 | |
How did you find me? | 0:02:02 | 0:02:04 | |
You didn't take no finding. | 0:02:04 | 0:02:05 | |
I've had my eyes on you the whole while. | 0:02:05 | 0:02:07 | |
Jaggers sent back his reports. | 0:02:07 | 0:02:11 | |
This can't be true, this can't... It can't be you. | 0:02:11 | 0:02:13 | |
I never forgot you, Pip. | 0:02:13 | 0:02:15 | |
You been in there since that first day. I never forgot you. | 0:02:17 | 0:02:20 | |
DOOR OPENS | 0:02:20 | 0:02:23 | |
It's my friend Herbert! Please! | 0:02:29 | 0:02:33 | |
You trust 'im? | 0:02:33 | 0:02:34 | |
With my life! Please! I'm begging you. | 0:02:34 | 0:02:36 | |
-You Pip's friend. -Herbert Pocket. Delighted to meet you. | 0:02:39 | 0:02:42 | |
Are you going to be my friend, Herbert Pocket? | 0:02:42 | 0:02:44 | |
-Do you know how to keep that shut? -Yes, sir. | 0:02:44 | 0:02:46 | |
Good man. | 0:02:53 | 0:02:55 | |
Now you take that down to the bank tomorrow. | 0:02:57 | 0:03:00 | |
We don't want no criminals thieving it off you, do we? | 0:03:00 | 0:03:03 | |
I ain't putting you out? | 0:03:05 | 0:03:06 | |
No, no. Not at all. I'm a married man now. | 0:03:06 | 0:03:09 | |
I don't live here any more. | 0:03:09 | 0:03:10 | |
Oh, what happened before. | 0:03:10 | 0:03:13 | |
It won't happen again. I apologise for that. | 0:03:13 | 0:03:16 | |
Mr Magwitch, forgive my impertinence but | 0:03:16 | 0:03:19 | |
how long do you intend to stay in London? | 0:03:19 | 0:03:21 | |
I've come home for good. | 0:03:23 | 0:03:24 | |
You must be exhausted. Sleep well. | 0:03:28 | 0:03:32 | |
DOOR CLOSES | 0:03:32 | 0:03:33 | |
-Pip, we have a very serious problem. -What are you doing here? | 0:03:39 | 0:03:42 | |
Clara's papa got so drunk | 0:03:42 | 0:03:45 | |
he forgot we're married and chased me away with a stick. | 0:03:45 | 0:03:48 | |
Clara said I should come here until she can talk to him. | 0:03:48 | 0:03:50 | |
Pip, your benefactor is a returned lifer. | 0:03:50 | 0:03:54 | |
We have to consider very carefully what we do now. | 0:03:54 | 0:03:57 | |
He is not my benefactor. You said, it's Miss Havisham. | 0:03:57 | 0:04:00 | |
-I presumed and so did you. We were both wrong. -He's lying. | 0:04:00 | 0:04:03 | |
-He knows Jaggers, where you live, everything about you. -Listen. | 0:04:03 | 0:04:06 | |
Someone has been following me. | 0:04:06 | 0:04:08 | |
-What do you mean, followed? -Someone just behind me, watching. | 0:04:08 | 0:04:11 | |
It's him. That's how he knows. | 0:04:11 | 0:04:13 | |
He's come back, Pip! Do you know what the penalty is? | 0:04:13 | 0:04:16 | |
We cannot discuss this with anyone else, | 0:04:16 | 0:04:18 | |
we have to think of what to do. | 0:04:18 | 0:04:20 | |
It can't be him. | 0:04:21 | 0:04:22 | |
-This is a hoax, I can prove it. -Pip! | 0:04:25 | 0:04:29 | |
Pippity-Pip. | 0:04:55 | 0:04:56 | |
What are you doing here? | 0:05:01 | 0:05:02 | |
Deadly mausoleum, this. Can you smell it? | 0:05:02 | 0:05:06 | |
Rot. Decay. | 0:05:06 | 0:05:08 | |
People who don't take care for their property should be shot in my book. | 0:05:08 | 0:05:12 | |
-I said, what are you doing here? -She stands to inherit it. | 0:05:12 | 0:05:15 | |
Which makes it mine. | 0:05:15 | 0:05:16 | |
Well, I will burn it to the ground. | 0:05:16 | 0:05:19 | |
What did you say? | 0:05:20 | 0:05:22 | |
A woman's inheritance belongs to her husband. | 0:05:22 | 0:05:24 | |
He can do what he likes with her goods. | 0:05:24 | 0:05:26 | |
No. | 0:05:26 | 0:05:28 | |
-She's telling the old woman now of my formal intentions. -No. No. | 0:05:28 | 0:05:31 | |
A quick wedding and then I will remove my wife from London | 0:05:31 | 0:05:35 | |
and the host of undesirables that cluster about her. | 0:05:35 | 0:05:37 | |
No. She'd never wed you. | 0:05:37 | 0:05:41 | |
Wed me? How quaint. Voice really slipped there, Pippy. Slippy Pippy. | 0:05:41 | 0:05:47 | |
Go on, say something else. Amuse me. | 0:05:47 | 0:05:49 | |
Say something in that real voice of yours. It's so entertaining. | 0:05:49 | 0:05:53 | |
To the victor the spoils. | 0:05:56 | 0:05:58 | |
Pip, this is private. | 0:06:13 | 0:06:15 | |
Let him speak, Jaggers. | 0:06:15 | 0:06:17 | |
Don't. Not him. Don't. | 0:06:17 | 0:06:19 | |
I did warn you. | 0:06:19 | 0:06:21 | |
-No, you didn't. -I did. You just weren't listening. | 0:06:21 | 0:06:23 | |
You're meant to marry me. | 0:06:23 | 0:06:25 | |
And when was this decided? | 0:06:25 | 0:06:28 | |
Since always! This is what it's been for, being a gentleman, for you! | 0:06:29 | 0:06:32 | |
Marry me. I love you, I've always loved you. | 0:06:37 | 0:06:39 | |
You were meant to. Everyone's meant to love me. | 0:06:41 | 0:06:44 | |
But I don't love back. I do not have a heart. | 0:06:46 | 0:06:50 | |
I will write. | 0:06:53 | 0:06:54 | |
And I will answer. As ever. Goodbye, Pip. | 0:06:54 | 0:06:56 | |
No, I won't let you do it! | 0:06:56 | 0:06:58 | |
You do not have a say in the matter. | 0:06:58 | 0:06:59 | |
I don't believe you. You kissed me. | 0:06:59 | 0:07:03 | |
I was practising on you. As I was from the very beginning. | 0:07:08 | 0:07:12 | |
Is that not right, Mother? | 0:07:13 | 0:07:15 | |
You brought him here for me to practise on? | 0:07:15 | 0:07:18 | |
Remove your hand. You're staining the silk. | 0:07:27 | 0:07:29 | |
Why do you look away, Mother? | 0:07:33 | 0:07:35 | |
Is this not your training made manifest? Does it not please you? | 0:07:35 | 0:07:41 | |
I said, does it not please you! | 0:07:42 | 0:07:44 | |
It pleases me. | 0:07:48 | 0:07:50 | |
I told you I could make you cry. | 0:08:00 | 0:08:01 | |
If only you had listened. | 0:08:05 | 0:08:07 | |
The agony is exquisite, is it not? | 0:08:21 | 0:08:25 | |
The broken heart. | 0:08:28 | 0:08:30 | |
You think you will die, but you just keep living... | 0:08:31 | 0:08:35 | |
..day, after day, after terrible day. | 0:08:36 | 0:08:40 | |
You have to stop her. He is cruel and arrogant. | 0:08:40 | 0:08:44 | |
He is perfect. | 0:08:44 | 0:08:47 | |
Hand-picked for exactly those reasons. | 0:08:47 | 0:08:51 | |
But she will break him. | 0:08:52 | 0:08:54 | |
He will not have a day's happiness. | 0:08:57 | 0:09:00 | |
His nights spent weeping. | 0:09:00 | 0:09:02 | |
His world a cold and joyless stone. | 0:09:05 | 0:09:09 | |
Is this your revenge? | 0:09:13 | 0:09:15 | |
You think Bentley Drummle will care if his wife does not love him? | 0:09:15 | 0:09:19 | |
You know nothing about men, Miss Havisham. | 0:09:19 | 0:09:22 | |
I know what savages they are. | 0:09:22 | 0:09:24 | |
He will take what he wants and do as he pleases. | 0:09:24 | 0:09:27 | |
And Estella has no-one to protect her. | 0:09:27 | 0:09:30 | |
She will triumph. | 0:09:34 | 0:09:36 | |
Expedite these quickly. | 0:09:41 | 0:09:43 | |
I do not want the wedding delayed for any reason. | 0:09:43 | 0:09:45 | |
You, marry my prize? | 0:09:46 | 0:09:49 | |
What in heaven's name made you think she was meant for you? | 0:09:49 | 0:09:52 | |
You did. You let me think you were my benefactor. | 0:09:52 | 0:09:56 | |
You told me Estella could only ever marry a gentleman | 0:09:56 | 0:09:59 | |
and I was made a gentleman. | 0:09:59 | 0:10:00 | |
You knew I thought it was you. | 0:10:00 | 0:10:02 | |
You are not a gentleman. You are not even a blacksmith. | 0:10:02 | 0:10:05 | |
You did not finish your apprenticeship. | 0:10:07 | 0:10:10 | |
You are merely the boy from the forge. | 0:10:10 | 0:10:13 | |
I gather you have had communication from New South Wales? | 0:10:26 | 0:10:29 | |
I got the news in person. | 0:10:31 | 0:10:33 | |
He's in London? | 0:10:34 | 0:10:35 | |
What do I do? | 0:10:35 | 0:10:36 | |
I cannot advise you on this. | 0:10:36 | 0:10:38 | |
It must be kept away from me. Right away. | 0:10:38 | 0:10:43 | |
-I've been waiting for you. I have to take you somewhere. -Where? | 0:11:15 | 0:11:18 | |
What are we doing here? | 0:11:18 | 0:11:21 | |
-Herbert has arranged a hiding place. -For me? From Magwitch? | 0:11:21 | 0:11:24 | |
No. A hiding place for him. He has your portable property. | 0:11:25 | 0:11:28 | |
As it stands, the property is a little too portable for my liking. | 0:11:28 | 0:11:32 | |
If he is caught with it, the Crown will confiscate every last penny. | 0:11:32 | 0:11:35 | |
That makes me quite dyspeptic, but he will only put it into your hand. | 0:11:35 | 0:11:39 | |
-Caught? -Events have moved very fast. | 0:11:39 | 0:11:42 | |
I heard of a return this morning. | 0:11:42 | 0:11:44 | |
All of Newgate was bubbling with it. | 0:11:44 | 0:11:46 | |
There are eyes watching the ports for those such as him. | 0:11:48 | 0:11:51 | |
Now a reward has been offered, the watching eyes will be ever sharper. | 0:11:51 | 0:11:55 | |
We must get him safely from the country. | 0:11:55 | 0:11:57 | |
He got himself here, he can get out again. He doesn't need my help. | 0:11:57 | 0:12:01 | |
He is a lifer who has defied the law. | 0:12:01 | 0:12:05 | |
There will be no plea, no mitigation, not even a hearing. | 0:12:05 | 0:12:07 | |
He will hang. | 0:12:07 | 0:12:09 | |
This is going to take a little time and there are no guarantees | 0:12:28 | 0:12:31 | |
but we will do all we can to get you out. | 0:12:31 | 0:12:34 | |
I'll start my own Newgate rumours that you've been seen in Southampton | 0:12:34 | 0:12:37 | |
which may draw the soldiers and other interested parties away. | 0:12:37 | 0:12:41 | |
Herbert is going to use his contacts | 0:12:41 | 0:12:43 | |
to find a suitable ship with an amenable captain. | 0:12:43 | 0:12:46 | |
Who would put a price on my head after all these years? | 0:12:46 | 0:12:49 | |
Who would care? | 0:12:49 | 0:12:51 | |
A man named Denby. | 0:12:51 | 0:12:52 | |
I don't know no Denby | 0:12:55 | 0:12:56 | |
and why would he put a reward on my head? | 0:12:56 | 0:12:59 | |
We know a Mr Denby. He's a member of our club, Finches. | 0:12:59 | 0:13:02 | |
-I don't recall him. -You do. He runs all the card games. | 0:13:02 | 0:13:05 | |
He has a scar just... under his eye. | 0:13:05 | 0:13:08 | |
Compeyson. | 0:13:08 | 0:13:10 | |
-Compeyson. -If you go after him, you will be caught. | 0:13:16 | 0:13:20 | |
You cannot risk it, everything you hoped for | 0:13:20 | 0:13:22 | |
-will be gone. -Stop talking, Mr Wemmick. | 0:13:22 | 0:13:25 | |
What price did he put on me? | 0:13:29 | 0:13:31 | |
A thousand pounds. I imagine he always anticipated this day. | 0:13:31 | 0:13:35 | |
He flatters himself if he thinks I've come all this way for him. | 0:13:35 | 0:13:38 | |
If I go, does he still get everything I hoped for? | 0:13:52 | 0:13:56 | |
He does. | 0:13:56 | 0:13:58 | |
-No trouble to him, no danger. -Not if we're circumspect, no. | 0:13:58 | 0:14:00 | |
All right. | 0:14:00 | 0:14:02 | |
You make your plans. | 0:14:02 | 0:14:04 | |
I'll start looking straightaway. | 0:14:04 | 0:14:07 | |
I must emphasise, Mr Magwitch, that you remain out of sight and silent | 0:14:07 | 0:14:10 | |
until you're away and clear - | 0:14:10 | 0:14:12 | |
the shadow of the noose hangs heavy over you. | 0:14:12 | 0:14:14 | |
Has done since I was born, Mr Wemmick. | 0:14:14 | 0:14:17 | |
This is not how I wanted it, Pip. | 0:14:20 | 0:14:23 | |
You've got to believe me, | 0:14:23 | 0:14:25 | |
this is not how I planned it. | 0:14:25 | 0:14:26 | |
You should have stayed in New South Wales. | 0:14:26 | 0:14:29 | |
Pip. | 0:14:40 | 0:14:41 | |
A moment, please, Herbert. | 0:14:43 | 0:14:45 | |
-You must accept the property. -I don't want anything from him. | 0:14:45 | 0:14:48 | |
Might I remind you, you still owe Clarrikers | 0:14:48 | 0:14:51 | |
a substantial sum for Herbert's partnership? | 0:14:51 | 0:14:53 | |
Yes, I'll find it, but I'm not taking his money. | 0:14:53 | 0:14:55 | |
Can that really be the same Compeyson, | 0:15:02 | 0:15:04 | |
the man who ruined Miss Havisham? | 0:15:04 | 0:15:06 | |
Why would he change his name if he were not a villain? | 0:15:06 | 0:15:09 | |
What could there be between them? | 0:15:09 | 0:15:11 | |
Who knows? | 0:15:11 | 0:15:12 | |
Money. Some criminal enterprise gone sour. | 0:15:12 | 0:15:16 | |
Perhaps Magwitch has changed. | 0:15:16 | 0:15:18 | |
I've spent more time with him than you have. | 0:15:18 | 0:15:20 | |
All his concern was for you, not for his own safety. | 0:15:20 | 0:15:23 | |
-People do not just change! -We both did. | 0:15:23 | 0:15:25 | |
And for what? What did I do all that for? | 0:15:25 | 0:15:28 | |
It has all been for nothing. | 0:15:28 | 0:15:30 | |
Estella is marrying Bentley Drummle. | 0:15:32 | 0:15:35 | |
Dear God. | 0:15:35 | 0:15:36 | |
HE SIGHS | 0:15:40 | 0:15:41 | |
I'm very sorry about Estella. | 0:15:43 | 0:15:45 | |
You travelled some distance to discover that you were not wanted. | 0:15:45 | 0:15:49 | |
Magwitch came from the end of the world to find the same. | 0:15:49 | 0:15:53 | |
We cannot turn our backs on him now. | 0:15:53 | 0:15:56 | |
We will see this through together but see it through, we must. | 0:15:56 | 0:16:00 | |
Pip, every scoundrel in London will be chasing that reward. | 0:16:00 | 0:16:06 | |
Men will turn into wolves | 0:16:06 | 0:16:07 | |
and tear each other to shreds for a glass of gin. | 0:16:07 | 0:16:10 | |
What will they do for a thousand pounds? | 0:16:10 | 0:16:13 | |
Sir. | 0:16:16 | 0:16:17 | |
-Sir, sir... -No, really. | 0:16:19 | 0:16:21 | |
DOOR UNLOCKING | 0:16:25 | 0:16:27 | |
Come back! | 0:16:52 | 0:16:54 | |
Go over here. | 0:16:57 | 0:16:59 | |
KNOCKING | 0:17:29 | 0:17:31 | |
It's Pip. | 0:17:31 | 0:17:32 | |
I was hasty. | 0:17:55 | 0:17:57 | |
Compeyson was the second man on the marshes. | 0:17:59 | 0:18:02 | |
-I tried killing him that night. I should have tried harder. -Why? | 0:18:03 | 0:18:07 | |
He owes me. | 0:18:08 | 0:18:10 | |
Were you partners? | 0:18:10 | 0:18:11 | |
-What are you asking for? -I need to know. | 0:18:11 | 0:18:14 | |
Once. | 0:18:15 | 0:18:16 | |
And this once, did you hear of a Miss Havisham of Satis House? | 0:18:16 | 0:18:20 | |
Should I? | 0:18:20 | 0:18:21 | |
That turns your guts, don't it? | 0:18:28 | 0:18:31 | |
You think I murdered for that? I've taken lives for less. | 0:18:31 | 0:18:35 | |
-I don't know what you did to get it. -No, you don't. | 0:18:35 | 0:18:38 | |
Why me? Why do this for me? Because I stole you a file? | 0:18:38 | 0:18:42 | |
I only did that because I was scared. | 0:18:42 | 0:18:43 | |
-You said you'd cut my throat. -I know what I said. | 0:18:43 | 0:18:46 | |
And it weren't the file, it was the pie. | 0:18:46 | 0:18:50 | |
I'd forgotten about the pie. | 0:18:53 | 0:18:55 | |
The file you took because you was scared, but... | 0:18:58 | 0:19:01 | |
..that pie... | 0:19:03 | 0:19:05 | |
that was out of goodness. | 0:19:06 | 0:19:08 | |
Did you think that I'd be grateful? | 0:19:08 | 0:19:10 | |
You take me away from my home, I turn my back on my family | 0:19:10 | 0:19:13 | |
for some mystery benefactor and it turns out to be you. | 0:19:13 | 0:19:16 | |
I don't recall stipulatin' you turn your back on your own. | 0:19:16 | 0:19:19 | |
If you did, it's down to you, don't bring this to my door! | 0:19:19 | 0:19:22 | |
You've made a mess of it, ain't you? | 0:19:32 | 0:19:35 | |
-Yes. -Yeah. | 0:19:39 | 0:19:41 | |
Well, that makes two of us. | 0:19:46 | 0:19:48 | |
So here we are with a mess. | 0:19:57 | 0:19:59 | |
No. I can't. No, I don't want to. I can't. | 0:20:21 | 0:20:23 | |
Compose yourself, my dear. | 0:20:23 | 0:20:25 | |
BELL TOLLS | 0:20:27 | 0:20:29 | |
There. | 0:20:42 | 0:20:43 | |
Aren't you exquisite? | 0:20:45 | 0:20:47 | |
Other men take their work home with them, | 0:21:11 | 0:21:14 | |
but Chambers will never get a foot in the door at Walworth. | 0:21:14 | 0:21:18 | |
It'll be over by now. | 0:21:18 | 0:21:20 | |
Maybe Mr Jaggers raised an objection. | 0:21:21 | 0:21:23 | |
You're asked, aren't you, if anybody has any objection, to speak? | 0:21:23 | 0:21:27 | |
Maybe Jaggers spoke. | 0:21:27 | 0:21:29 | |
He is Miss Havisham's proxy. | 0:21:29 | 0:21:32 | |
He will abide by her wishes. | 0:21:32 | 0:21:35 | |
There is some brandy somewhere. | 0:21:39 | 0:21:41 | |
DOOR CLOSES | 0:21:48 | 0:21:50 | |
I told you not to go. You should not have been there! | 0:22:01 | 0:22:05 | |
But you can't tell me what to do and where to go! | 0:22:05 | 0:22:08 | |
-Look, you ain't the master of me! -Molly... | 0:22:08 | 0:22:11 | |
You said she'd be taken care of. | 0:22:11 | 0:22:13 | |
You made promises. | 0:22:13 | 0:22:15 | |
It's beyond my control. | 0:22:16 | 0:22:18 | |
DOOR SLAMS SHUT | 0:22:45 | 0:22:46 | |
FOOTSTEPS APPROACHING | 0:22:51 | 0:22:53 | |
They've been sent back, Miss. | 0:23:01 | 0:23:03 | |
SOBBING | 0:23:16 | 0:23:19 | |
Estella! | 0:23:20 | 0:23:23 | |
Lazy, ignorant... | 0:23:23 | 0:23:26 | |
The truth is, there's not one ship going out whose captain I trust. | 0:23:41 | 0:23:45 | |
We cannot just give up. | 0:23:46 | 0:23:48 | |
I'm not giving up. | 0:23:49 | 0:23:51 | |
I just don't know if I'm going to find a ship before I go to Cairo. | 0:23:51 | 0:23:54 | |
I wish I had better news. | 0:24:02 | 0:24:05 | |
I did say there were no guarantees. | 0:24:15 | 0:24:17 | |
I have absolute faith in Herbert. | 0:24:17 | 0:24:20 | |
I'm sure that will sustain him when Clarrikers let him go. | 0:24:20 | 0:24:23 | |
They demand the full sum. You have to accept your portable property. | 0:24:23 | 0:24:27 | |
I can't. | 0:24:27 | 0:24:29 | |
Magwitch wants me to be a son to him. I can't be that. | 0:24:29 | 0:24:32 | |
If I take his money, then I'm deceiving him. | 0:24:32 | 0:24:35 | |
I'll sell all this. | 0:24:35 | 0:24:37 | |
You cannot sell what you do not own. | 0:24:37 | 0:24:39 | |
The full sum for Clarrikers... | 0:24:44 | 0:24:46 | |
or Herbert loses everything. | 0:24:47 | 0:24:49 | |
There's a gentleman here to see you, sir. Most urgent. | 0:25:00 | 0:25:04 | |
Excuse me. | 0:25:04 | 0:25:05 | |
Where is he? | 0:25:09 | 0:25:11 | |
Who are you? | 0:25:17 | 0:25:19 | |
It's a sharp night tonight, even for us what's used to it. | 0:25:19 | 0:25:23 | |
How keen it must seem for them returned from hotter climes. | 0:25:23 | 0:25:27 | |
Where is he? | 0:25:37 | 0:25:38 | |
Us don't know that yet. | 0:25:38 | 0:25:40 | |
Then what good are you? | 0:25:40 | 0:25:41 | |
Us knows where he's been. | 0:25:41 | 0:25:43 | |
Us knows who to watch to get to him. | 0:25:43 | 0:25:45 | |
Who? | 0:25:45 | 0:25:46 | |
And how rich are you goin' to make Old Orlick, then? | 0:25:50 | 0:25:53 | |
You find what I'm looking for | 0:25:56 | 0:25:57 | |
and you'll have beef and brandy every day | 0:25:57 | 0:25:59 | |
and a different whore every night. | 0:25:59 | 0:26:02 | |
Miss Havisham? | 0:26:30 | 0:26:31 | |
What are you doing here? | 0:27:01 | 0:27:03 | |
You are not invited. | 0:27:03 | 0:27:05 | |
Where is Hannah? | 0:27:05 | 0:27:07 | |
I sent her away. | 0:27:07 | 0:27:09 | |
You cannot live here alone. | 0:27:09 | 0:27:11 | |
I am the lady of the house. I shall do as I please. | 0:27:11 | 0:27:15 | |
I will have you removed. | 0:27:15 | 0:27:16 | |
What do you want? | 0:27:27 | 0:27:28 | |
I have to ask you for something. | 0:27:28 | 0:27:30 | |
I wish I could ask anyone else, but I can't. | 0:27:30 | 0:27:32 | |
You want money. | 0:27:32 | 0:27:34 | |
It is not for me. | 0:27:34 | 0:27:36 | |
Why should I give you money? You have done very well out of me. | 0:27:36 | 0:27:39 | |
You and Estella both have done very well, | 0:27:39 | 0:27:43 | |
and I have suffered. | 0:27:43 | 0:27:44 | |
Have you heard from Estella? | 0:27:44 | 0:27:46 | |
She left me. | 0:27:52 | 0:27:54 | |
I took her in as an orphan, | 0:27:55 | 0:27:57 | |
I gave her everything, | 0:27:57 | 0:27:58 | |
and this is how she repays me, | 0:27:58 | 0:28:00 | |
by leaving me. | 0:28:00 | 0:28:02 | |
You have had a wasted journey. You will get nothing from me. | 0:28:02 | 0:28:05 | |
I could have made her so happy. We were meant for each other. | 0:28:05 | 0:28:08 | |
This house could have been full of children. You could have been happy. | 0:28:08 | 0:28:13 | |
No. | 0:28:16 | 0:28:17 | |
Don't touch me. | 0:28:17 | 0:28:18 | |
Remember your place. | 0:28:18 | 0:28:21 | |
I want you to go. | 0:28:23 | 0:28:24 | |
If I give you money, will you leave? | 0:28:27 | 0:28:29 | |
Yes. If that's what you want. | 0:28:31 | 0:28:33 | |
Very well. | 0:28:33 | 0:28:35 | |
What is the required amount? | 0:28:50 | 0:28:52 | |
£350, made payable to Mr Clarriker. | 0:28:54 | 0:28:57 | |
Do you not want to know what it is for? | 0:29:01 | 0:29:04 | |
Thank you, Miss Havisham. | 0:29:13 | 0:29:15 | |
I have hurt you. | 0:29:19 | 0:29:21 | |
I wanted to hurt you. | 0:29:25 | 0:29:27 | |
I wanted to hurt everybody. | 0:29:29 | 0:29:31 | |
You forgive me? | 0:29:35 | 0:29:36 | |
Forgive me. | 0:29:40 | 0:29:42 | |
I forgive you, Miss Havisham. | 0:29:45 | 0:29:48 | |
DOOR CLOSES | 0:30:03 | 0:30:05 | |
Come here. | 0:33:46 | 0:33:48 | |
What? | 0:34:01 | 0:34:02 | |
I wish you had not come back because of me. | 0:34:04 | 0:34:08 | |
I wish you had your own family, your own child to give all this to | 0:34:08 | 0:34:11 | |
rather than being in such danger from Compeyson, all because of me. | 0:34:11 | 0:34:14 | |
Do you know how he got this? | 0:34:16 | 0:34:18 | |
Did you give it to him? | 0:34:18 | 0:34:19 | |
Not me, no. | 0:34:19 | 0:34:21 | |
My wife did. | 0:34:23 | 0:34:24 | |
Compeyson had a fancy for her. | 0:34:24 | 0:34:28 | |
I was away in the North so he thought he'd try on his luck. | 0:34:28 | 0:34:32 | |
She marked him for his troubles. | 0:34:32 | 0:34:34 | |
He had her taken for attempted murder. | 0:34:34 | 0:34:37 | |
I come home, | 0:34:37 | 0:34:38 | |
hear my wife's in Newgate... | 0:34:38 | 0:34:41 | |
my child left alone without a mother's protection, dead of fever, | 0:34:41 | 0:34:44 | |
dead and gone, buried in a common pit without a prayer said. | 0:34:44 | 0:34:50 | |
I try to hunt him down... | 0:34:50 | 0:34:52 | |
but he's off... | 0:34:52 | 0:34:54 | |
until... | 0:34:55 | 0:34:57 | |
we get tried for a crime we both did. | 0:34:57 | 0:34:59 | |
I get transportation, he gets two years' soft time. | 0:35:00 | 0:35:04 | |
They think he's a gentleman | 0:35:04 | 0:35:06 | |
who's made a mistake with the company he keeps. | 0:35:06 | 0:35:09 | |
I get chained. He don't. | 0:35:09 | 0:35:11 | |
That long march to the Hulks, he knows I'll do him in. | 0:35:11 | 0:35:16 | |
So he goes over the side to get away from me, | 0:35:16 | 0:35:19 | |
I go after him to rip his black heart out through his lyin' mouth. | 0:35:19 | 0:35:23 | |
And that's where you come in, Pip. | 0:35:23 | 0:35:26 | |
Did you think this was just a felon's dispute? | 0:35:27 | 0:35:30 | |
A little bit of nothing? | 0:35:30 | 0:35:33 | |
Your wife, did she hang? | 0:35:33 | 0:35:34 | |
No, Jaggers was for her. | 0:35:34 | 0:35:35 | |
It was Jaggers who told me about my family. | 0:35:38 | 0:35:40 | |
Because he saved my wife from the drop, | 0:35:40 | 0:35:44 | |
I decided he should have the care of you. | 0:35:44 | 0:35:48 | |
So you see, I did have a child and then I didn't. | 0:35:48 | 0:35:51 | |
And what's left, you fill it up with... | 0:35:51 | 0:35:54 | |
drinkin', fightin' and bein' worse than you was before. | 0:35:54 | 0:35:57 | |
And then I filled it up with you. | 0:35:59 | 0:36:01 | |
Sheep. | 0:36:07 | 0:36:09 | |
It's all from sheep. | 0:36:09 | 0:36:12 | |
It's good wool, good meat. | 0:36:12 | 0:36:13 | |
I worked so bloody hard. | 0:36:14 | 0:36:16 | |
I thought if I could do good by you, I could do good by her. | 0:36:19 | 0:36:23 | |
-You had a daughter. -She was... | 0:36:24 | 0:36:26 | |
..she was a beautiful little girl. | 0:36:32 | 0:36:34 | |
Her and Molly, | 0:36:36 | 0:36:39 | |
they deserved better than me. | 0:36:39 | 0:36:42 | |
Wait! | 0:36:57 | 0:36:59 | |
Mr Wemmick, would you close the door? | 0:37:03 | 0:37:05 | |
Estella's father is Abel Magwitch. | 0:37:12 | 0:37:15 | |
You told him his child was dead. | 0:37:15 | 0:37:17 | |
I did what was best. | 0:37:17 | 0:37:19 | |
She had a new name, a new life. She was settled. | 0:37:20 | 0:37:24 | |
And that is Estella's mother who you saved from the noose. | 0:37:24 | 0:37:27 | |
Did you take her case because she was beautiful? | 0:37:27 | 0:37:31 | |
So the inscrutable Jaggers is a man like any other. | 0:37:31 | 0:37:34 | |
And what did you ask for in lieu of payment? | 0:37:34 | 0:37:36 | |
Because she is not your housekeeper, is she? | 0:37:36 | 0:37:38 | |
And she owes you her life. | 0:37:38 | 0:37:40 | |
She owes me nothing. | 0:37:40 | 0:37:41 | |
She came of her own free will, she stays of her own free will. | 0:37:41 | 0:37:45 | |
No wonder you wanted Magwitch kept away from you. | 0:37:45 | 0:37:47 | |
The fear of being discovered, that you stole his daughter. | 0:37:47 | 0:37:51 | |
All those secrets laid bare. | 0:37:51 | 0:37:54 | |
You have not seen children so young, so tiny in court... | 0:37:54 | 0:38:01 | |
..they have to be lifted up so the judge can see them to pass sentence. | 0:38:03 | 0:38:06 | |
Children, imprisoned, transported... | 0:38:06 | 0:38:10 | |
..dying on those ships, | 0:38:13 | 0:38:14 | |
or on those streets, or in those cells or at the end of a rope, | 0:38:14 | 0:38:18 | |
the result is always the same. | 0:38:18 | 0:38:20 | |
Dead before they have a chance of life. | 0:38:20 | 0:38:24 | |
And here is an innocent child with a mother in prison | 0:38:24 | 0:38:27 | |
-and a father nowhere to be found. -He knew none of it. | 0:38:27 | 0:38:30 | |
She was still alone. | 0:38:30 | 0:38:33 | |
And here is a wealthy client who asks me to find a girl | 0:38:33 | 0:38:36 | |
she can raise as her own. | 0:38:36 | 0:38:38 | |
Stolen? | 0:38:40 | 0:38:42 | |
Saved. | 0:38:42 | 0:38:43 | |
Saved? | 0:38:43 | 0:38:45 | |
She is married to Bentley Drummle. | 0:38:45 | 0:38:47 | |
Even I cannot look into the future. | 0:38:47 | 0:38:49 | |
What damage would the truth do now? | 0:39:05 | 0:39:07 | |
To everyone? | 0:39:09 | 0:39:11 | |
Some secrets are best left. | 0:39:16 | 0:39:18 | |
Time you went. | 0:39:31 | 0:39:33 | |
Herbert has found a ship that sails tomorrow night for the Cape. | 0:40:08 | 0:40:11 | |
The Captain can be trusted. | 0:40:11 | 0:40:13 | |
Herbert did him a favour, | 0:40:13 | 0:40:14 | |
Captain's happy to repay it by looking the other way. | 0:40:14 | 0:40:17 | |
You've always known everything, haven't you? | 0:40:17 | 0:40:21 | |
I'm Mr Jaggers' chief clerk. | 0:40:21 | 0:40:24 | |
Tomorrow night, Pip, | 0:40:24 | 0:40:26 | |
you have to get Magwitch ready. | 0:40:26 | 0:40:28 | |
SHOUTING | 0:40:32 | 0:40:35 | |
The Cape. | 0:41:02 | 0:41:04 | |
Yes. | 0:41:04 | 0:41:05 | |
I swore I was done with boats. | 0:41:08 | 0:41:11 | |
At least this time I won't be chained. | 0:41:11 | 0:41:13 | |
Can I come with you? | 0:41:15 | 0:41:17 | |
I can't go home, not after the things I've said, | 0:41:18 | 0:41:22 | |
the things I've done. | 0:41:22 | 0:41:23 | |
I have to start again. | 0:41:23 | 0:41:25 | |
D'you get seasick? | 0:41:29 | 0:41:30 | |
I don't know. | 0:41:30 | 0:41:32 | |
Well, if you do, stand downwind of me. | 0:41:32 | 0:41:34 | |
"My dearest Joe, | 0:41:46 | 0:41:49 | |
"I'm sorry I don't have the courage to say this to you in person. | 0:41:49 | 0:41:53 | |
"I'm going away. | 0:41:53 | 0:41:54 | |
"Not forever, but for a while. | 0:41:54 | 0:41:56 | |
"I will return a better man | 0:41:58 | 0:41:59 | |
"who can look you in the eye and beg your pardon | 0:41:59 | 0:42:02 | |
"for having treated you as no loving son should ever treat his father. | 0:42:02 | 0:42:06 | |
"Until then, you will always be in my heart." | 0:42:06 | 0:42:09 | |
I should've drowned you when you first come to the forge. | 0:42:16 | 0:42:20 | |
Squallin', 'orrible brat you was. Always in Orlick's way. | 0:42:20 | 0:42:23 | |
Should've drowned you like a runt puppy. | 0:42:23 | 0:42:26 | |
It was you following me. | 0:42:26 | 0:42:28 | |
Magwitch shall dance for them, but you're mine. | 0:42:28 | 0:42:32 | |
I shall stove in your skull like I did your sister's. | 0:42:32 | 0:42:36 | |
You ain't going to be in Orlick's way no more. | 0:42:38 | 0:42:40 | |
I'll disappear you piece by piece. | 0:42:40 | 0:42:42 | |
Joe will think you forgot about him altogether. | 0:42:42 | 0:42:45 | |
But it won't matter because I'll be there. | 0:42:45 | 0:42:48 | |
This is where you need to get to, the London Stone. | 0:43:05 | 0:43:08 | |
It's the end of the city's jurisdiction. | 0:43:08 | 0:43:10 | |
Past that, you're a free man, cannot be touched. | 0:43:10 | 0:43:12 | |
Now, it's a distance, use the tide and you can make it. | 0:43:12 | 0:43:15 | |
BELL TOLLS | 0:43:15 | 0:43:17 | |
When you get beyond the Stone, you wait. | 0:43:21 | 0:43:23 | |
At midnight, the Crown Princess will come through, cut her engines | 0:43:23 | 0:43:26 | |
and drop a ladder starboard. | 0:43:26 | 0:43:28 | |
Then you're away. | 0:43:28 | 0:43:29 | |
At the same time, we'll be boarding our steamer for Cairo, | 0:43:31 | 0:43:34 | |
but the only thing we'll be thinking about is you. | 0:43:34 | 0:43:37 | |
Let's go. | 0:43:37 | 0:43:39 | |
I'll never forget what you've done for us. Never. | 0:43:44 | 0:43:47 | |
Herbert. | 0:43:53 | 0:43:55 | |
What would I have become if I'd not met you? | 0:44:04 | 0:44:07 | |
The London Stone has a beacon. | 0:44:09 | 0:44:11 | |
You cannot miss it. | 0:44:11 | 0:44:13 | |
Write to us. | 0:44:13 | 0:44:15 | |
I'll be afraid until I hear all is well. | 0:44:15 | 0:44:17 | |
Go, you need the tide to help you. Go. | 0:44:19 | 0:44:22 | |
HORSE WHINNIES | 0:44:54 | 0:44:56 | |
SHOUTING | 0:44:56 | 0:44:58 | |
Get away! Get away! | 0:45:00 | 0:45:01 | |
Tie the reins! Tie the reins! | 0:45:01 | 0:45:04 | |
Somebody call for help. | 0:45:05 | 0:45:07 | |
Thank you. | 0:45:59 | 0:46:01 | |
You all right, Pip. | 0:46:05 | 0:46:08 | |
No regrets? | 0:46:08 | 0:46:09 | |
Only one and there's nothing I can do about it. | 0:46:09 | 0:46:12 | |
It's the London Stone. We're there! | 0:46:24 | 0:46:26 | |
You're a free man, Magwitch. | 0:46:26 | 0:46:28 | |
Yeah. | 0:46:28 | 0:46:30 | |
Pull. | 0:46:30 | 0:46:31 | |
What are you doing? We're nearly there. | 0:46:39 | 0:46:41 | |
It's moving. | 0:46:44 | 0:46:45 | |
Hard about! | 0:46:51 | 0:46:53 | |
Magwitch, what are you doing? | 0:46:53 | 0:46:56 | |
It's him. | 0:46:56 | 0:46:59 | |
I know it. | 0:46:59 | 0:47:00 | |
Quickly! | 0:47:00 | 0:47:02 | |
You be lucky, Pip. | 0:47:07 | 0:47:09 | |
Magwitch! | 0:47:11 | 0:47:12 | |
-Magwitch! -Don't move. Don't move! | 0:47:14 | 0:47:17 | |
Get him here! Pull him in! | 0:47:24 | 0:47:27 | |
Get him in! | 0:47:27 | 0:47:30 | |
-No! -Don't move. | 0:47:30 | 0:47:32 | |
Please. | 0:47:32 | 0:47:33 | |
Stop it, you'll kill him. | 0:47:35 | 0:47:36 | |
No! | 0:47:40 | 0:47:42 | |
KNOCKING AT DOOR | 0:48:13 | 0:48:16 | |
Mr Pirrip? Borrit from the Bailiffs. | 0:48:16 | 0:48:19 | |
Come to recoup. | 0:48:19 | 0:48:20 | |
Help yourself. | 0:48:22 | 0:48:24 | |
Move yourself. | 0:48:32 | 0:48:34 | |
In there. | 0:48:40 | 0:48:41 | |
Let him in. | 0:48:53 | 0:48:55 | |
HE GASPS | 0:49:05 | 0:49:07 | |
GRUNTING | 0:49:18 | 0:49:22 | |
And the rest. | 0:49:40 | 0:49:43 | |
Pip. | 0:49:47 | 0:49:49 | |
'There has to be some leniency for Magwitch, he's dying.' | 0:49:52 | 0:49:56 | |
They cannot hang a dying man. | 0:49:56 | 0:49:58 | |
It's decided. His sentence is set. | 0:49:58 | 0:50:00 | |
He cannot walk. Is he to be dragged to the gallows through the crowds? | 0:50:00 | 0:50:04 | |
It's just the way it is, Pip, it's just the law. | 0:50:04 | 0:50:06 | |
Then the law's a bastard. | 0:50:06 | 0:50:09 | |
The rooms are all cleared. Present yourself at the bailiff's. | 0:50:09 | 0:50:12 | |
-There's still a pound owing. -I don't have it. | 0:50:12 | 0:50:14 | |
Have you got the money? | 0:50:26 | 0:50:28 | |
Is the money safe? | 0:50:28 | 0:50:30 | |
Yes. | 0:50:30 | 0:50:31 | |
Get some horses. You've got to have horses. | 0:50:33 | 0:50:35 | |
I'll get a coach and four. | 0:50:37 | 0:50:38 | |
High-steppers - everyone will look. | 0:50:38 | 0:50:40 | |
They're coming for me, ain't they? | 0:50:48 | 0:50:51 | |
They are. | 0:50:51 | 0:50:54 | |
They shan't have me. | 0:50:54 | 0:50:56 | |
Abel, can you hear me? | 0:51:02 | 0:51:05 | |
Look, squeeze my hand if you can hear me. | 0:51:05 | 0:51:08 | |
Your little girl didn't die. | 0:51:13 | 0:51:15 | |
She's alive. | 0:51:15 | 0:51:17 | |
I know who she is. | 0:51:17 | 0:51:19 | |
She was adopted by a rich lady. | 0:51:19 | 0:51:22 | |
She grew up so beautiful. | 0:51:22 | 0:51:24 | |
But believe me, she lives. | 0:51:26 | 0:51:27 | |
And she's loved. | 0:51:27 | 0:51:29 | |
I love her. | 0:51:31 | 0:51:33 | |
I always have and always will. | 0:51:34 | 0:51:38 | |
Look, can you hear me, Abel? | 0:51:38 | 0:51:39 | |
She's so very loved. | 0:51:39 | 0:51:41 | |
Where will you go now? | 0:52:55 | 0:52:57 | |
To hand myself in to the bailiff. | 0:52:59 | 0:53:01 | |
It's been paid. | 0:53:01 | 0:53:03 | |
I wrote to Mr Gargery, he sent a guinea. | 0:53:03 | 0:53:08 | |
Joe paid it? | 0:53:08 | 0:53:09 | |
There's, uh... | 0:53:09 | 0:53:10 | |
..a shilling over. | 0:53:12 | 0:53:14 | |
I wish you good fortune, Pip. | 0:53:21 | 0:53:24 | |
Anything but that, Mr Wemmick. | 0:53:24 | 0:53:27 | |
CLANGING OF METAL | 0:53:51 | 0:53:54 | |
There's a shilling over. | 0:54:17 | 0:54:21 | |
A guinea, Joe. | 0:54:21 | 0:54:24 | |
It's all you would have had. | 0:54:24 | 0:54:26 | |
I don't deserve it. | 0:54:29 | 0:54:31 | |
I don't deserve you. | 0:54:34 | 0:54:36 | |
There, there. | 0:54:52 | 0:54:53 | |
Best of friends as ever we were. | 0:54:53 | 0:54:57 | |
PIP SOBS | 0:54:57 | 0:54:59 | |
Whoa! | 0:55:17 | 0:55:19 | |
Ah, Pip. | 0:55:19 | 0:55:21 | |
Trainee Commissioner for Oaths. | 0:55:21 | 0:55:25 | |
Ink and dust. | 0:55:25 | 0:55:27 | |
Your poor sister would have wept at the waste. | 0:55:27 | 0:55:29 | |
People will always need the law. | 0:55:29 | 0:55:32 | |
But as one family star falls, | 0:55:32 | 0:55:35 | |
another is in the ascendant. | 0:55:35 | 0:55:38 | |
Satis House has renewed its weekly order. | 0:55:38 | 0:55:41 | |
Mrs Drummle has come back. | 0:55:41 | 0:55:43 | |
And come back a widow. | 0:55:43 | 0:55:46 | |
She inherits two fortunes! | 0:55:46 | 0:55:49 | |
Pumblechook is a grocer of quality to the quality once more! | 0:55:49 | 0:55:53 | |
Walk on, Jen. | 0:55:53 | 0:55:54 | |
Good girl! | 0:55:54 | 0:55:56 | |
That's it. Good girl, good girl. | 0:55:58 | 0:56:01 | |
Subtitles by Red Bee Media Ltd | 0:58:03 | 0:58:06 | |
E-mail [email protected] | 0:58:06 | 0:58:09 |