Browse content similar to Episode 1. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some strong language. | 0:00:02 | 0:00:04 | |
-DIAL TONE -'This is the help desk. May I have your client ID?' | 0:00:04 | 0:00:08 | |
'Whisky Bravo 08 20 19'. | 0:00:08 | 0:00:12 | |
TYRES SCREECH | 0:00:15 | 0:00:18 | |
-'Are you calling on a secure line?' -'Negative.' | 0:00:24 | 0:00:27 | |
'Wait one moment for security.' | 0:00:29 | 0:00:32 | |
'Line secured. For verification, may I have values one, | 0:00:33 | 0:00:37 | |
'four and eight of your protocol?' | 0:00:37 | 0:00:40 | |
'Tango, Foxtrot, Tango.' | 0:00:40 | 0:00:43 | |
THEY SPEAK FRENCH | 0:00:53 | 0:00:56 | |
Mark? GROANING | 0:00:58 | 0:01:00 | |
POLICE SIRENS | 0:01:00 | 0:01:02 | |
'You are verified. How may we help?' | 0:01:02 | 0:01:05 | |
'Progress report on job number three, eight, two, two. | 0:01:05 | 0:01:10 | |
-'Golf, Delta, Sierra, Bravo, two.' -'Please hold.' | 0:01:10 | 0:01:14 | |
'Thank you for waiting. I will read that job number back to you.' | 0:01:31 | 0:01:35 | |
'Three, eight, two, two, Golf, Delta, | 0:01:35 | 0:01:38 | |
'Sierra, Bravo, Two. Confirm please'. | 0:01:38 | 0:01:41 | |
'That is correct.' | 0:01:41 | 0:01:44 | |
'The viruses have been quarantined | 0:01:44 | 0:01:46 | |
'and our engineers are on site. We await further updates.' | 0:01:46 | 0:01:49 | |
'Thank you.' | 0:01:49 | 0:01:51 | |
DOORBELL RINGS | 0:01:55 | 0:01:58 | |
What are you doing? | 0:02:29 | 0:02:31 | |
I don't know what to say. Erm, sorry. | 0:02:37 | 0:02:41 | |
When did you decide this? | 0:02:41 | 0:02:44 | |
-Frances, er... -When? | 0:02:48 | 0:02:50 | |
WHEN?! | 0:02:52 | 0:02:55 | |
I don't know. It wasn't an instant thing. | 0:02:58 | 0:03:01 | |
-Look, I've got back-to-back appointments, er... -Appointments?! | 0:03:06 | 0:03:10 | |
You're talking about appointments?! This is my life, Harry! | 0:03:10 | 0:03:14 | |
I'm Gina Hawkes. I have an 11 o'clock appointment with Mr Venn. | 0:03:31 | 0:03:36 | |
-HE SIGHS -Er, Mr Venn's 10:30 is running a little over. | 0:03:36 | 0:03:41 | |
WOMAN NEXT DOOR: I'm not going to let you ruin my life! | 0:03:41 | 0:03:44 | |
-Why don't I see if I can find you another appointment? -I'll wait. | 0:03:44 | 0:03:48 | |
-PHONE RINGS -Don't answer that. | 0:03:59 | 0:04:01 | |
HE SIGHS | 0:04:10 | 0:04:12 | |
Let go. | 0:04:12 | 0:04:14 | |
Do you think he'll pull it off? | 0:04:36 | 0:04:38 | |
Worsley? The coalition? | 0:04:38 | 0:04:41 | |
I really don't know. | 0:04:42 | 0:04:44 | |
Are you really going to give this up? | 0:04:47 | 0:04:49 | |
Frances, look, you don't have to do this. | 0:04:49 | 0:04:53 | |
Are you? | 0:04:53 | 0:04:55 | |
You'll catch cold. | 0:04:56 | 0:04:58 | |
Are you sure you don't want to make another appointment? | 0:04:58 | 0:05:00 | |
It's essential I see Mr Venn as soon as possible. | 0:05:00 | 0:05:04 | |
I've had enough of this! You're pathetic, Harry! | 0:05:04 | 0:05:07 | |
HE SIGHS | 0:05:14 | 0:05:16 | |
-This is Ms Hawkes, your 11 o'clock. -Please, come into my office. | 0:05:32 | 0:05:35 | |
Erm, I'd, I'd rather go out if that's OK? | 0:05:35 | 0:05:39 | |
Sure, please. | 0:05:41 | 0:05:44 | |
RADIO: 'It's 11 o'clock on Tuesday, 5th July. | 0:05:48 | 0:05:51 | |
'The headlines this morning. Sensational allegations | 0:05:51 | 0:05:54 | |
'linking Prime Minister Brian Worsley | 0:05:54 | 0:05:56 | |
'to two secret offshore bank accounts have been leaked to a national newspaper. | 0:05:56 | 0:06:00 | |
'The claims come at a critical time for the Prime Minister | 0:06:00 | 0:06:03 | |
'in his ongoing attempts to form a new government, | 0:06:03 | 0:06:05 | |
'while rioting continues in the capital as tens of thousands | 0:06:05 | 0:06:08 | |
'turn out daily to protest at proposed austerity measures. | 0:06:08 | 0:06:11 | |
'Up to 70 protesters have been injured...' | 0:06:11 | 0:06:13 | |
I should warn you. The coffee's terrible. | 0:06:13 | 0:06:17 | |
I've drunk worse. | 0:06:20 | 0:06:21 | |
-You're a brave woman. What can I do for you? -I have a client. | 0:06:21 | 0:06:26 | |
-He's on a murder charge. -You're a lawyer? Interesting case? | 0:06:26 | 0:06:31 | |
It has a couple of unusual features, | 0:06:31 | 0:06:33 | |
the first being that my client appears to be innocent. | 0:06:33 | 0:06:36 | |
-What you mean, really innocent? -As in, he didn't do it. | 0:06:36 | 0:06:40 | |
-Now that is unusual. -His name's Steven Quirke. | 0:06:40 | 0:06:43 | |
-Stevie Quirke? What, Little Stevie? What's this all about? -I told you. | 0:06:47 | 0:06:53 | |
Hey, listen, I don't get it. | 0:06:53 | 0:06:55 | |
An expensive lawyer acting for a career criminal | 0:06:55 | 0:06:57 | |
like Stevie Quirke? How did that happen? | 0:06:57 | 0:07:00 | |
In the usual way...he called my office. | 0:07:00 | 0:07:02 | |
He told me he was innocent, I believe him. | 0:07:02 | 0:07:05 | |
I'm thinking of sending the brief to Nigel Fountain. | 0:07:08 | 0:07:12 | |
You don't approve of my choice of counsel? | 0:07:13 | 0:07:16 | |
Well, shouldn't that be SIR Nigel Fountain? No, I approve very much. | 0:07:16 | 0:07:19 | |
I'm just wondering where all the money's coming from? | 0:07:19 | 0:07:22 | |
Mr Quirke's innocence is not the only unusual feature. | 0:07:22 | 0:07:25 | |
He also turned himself in. | 0:07:25 | 0:07:27 | |
So Stevie turned himself in, he confessed, but he's innocent? | 0:07:30 | 0:07:35 | |
I was getting to that. | 0:07:35 | 0:07:36 | |
Well, if you could you get to it a little bit faster, Gina, | 0:07:36 | 0:07:39 | |
because I'm getting sort of confused here. | 0:07:39 | 0:07:41 | |
He confessed because he's terrified. | 0:07:41 | 0:07:44 | |
So terrified, in fact, that he'd rather be in prison. | 0:07:44 | 0:07:47 | |
-And what's he terrified of? -He won't tell me. He wants you to help him. | 0:07:47 | 0:07:53 | |
-How? -He wants you to find someone for him. | 0:07:54 | 0:07:58 | |
Look. You're a smart woman. | 0:08:00 | 0:08:03 | |
I can tell you're smart because you're not drinking the coffee. | 0:08:03 | 0:08:07 | |
But I'm just a high street solicitor. You need an enquiry agent. | 0:08:07 | 0:08:10 | |
I'd be more than happy to recommend one. | 0:08:10 | 0:08:12 | |
Mr Quirke wants you to find Joseph Francis Collins. I believe you know him. | 0:08:12 | 0:08:16 | |
HE LAUGHS | 0:08:16 | 0:08:19 | |
Stevie Quirke and Joe Collins? | 0:08:19 | 0:08:21 | |
You're building a case on them? | 0:08:21 | 0:08:24 | |
Actually you don't need an enquiry agent, Gina, | 0:08:24 | 0:08:27 | |
what you need is a bloody magician. | 0:08:27 | 0:08:29 | |
I disagree. You have the special contacts my client needs. | 0:08:29 | 0:08:33 | |
What are you after? | 0:08:40 | 0:08:43 | |
I am a lawyer doing my best to get justice for my client. | 0:08:43 | 0:08:45 | |
Do you know what gives you away, Gina? | 0:08:48 | 0:08:50 | |
No lawyer uses the word justice | 0:08:50 | 0:08:52 | |
when they're talking about their own client. | 0:08:52 | 0:08:55 | |
I don't know what game you've got going on here, but, er, | 0:08:55 | 0:08:58 | |
-I'm not playing with you. -Mr Quirke anticipated your reaction. | 0:08:58 | 0:09:03 | |
He has some information that he's willing to pass on to you. | 0:09:04 | 0:09:08 | |
Information about what? | 0:09:08 | 0:09:09 | |
Your brother Mark. | 0:09:11 | 0:09:12 | |
-LOUD GROANING -Mark? | 0:09:15 | 0:09:17 | |
-Ah, Jesus. -Mark, are you OK? | 0:09:21 | 0:09:23 | |
What did he say exactly? | 0:09:36 | 0:09:39 | |
About Mark. | 0:09:39 | 0:09:41 | |
His exact words. | 0:09:43 | 0:09:46 | |
Exactly as I've told you. | 0:09:46 | 0:09:47 | |
I'm following the instructions of my client. You have my card. | 0:09:48 | 0:09:53 | |
Thank you for the coffee. | 0:09:53 | 0:09:55 | |
Don't worry, Harry. | 0:10:20 | 0:10:22 | |
Don't worry, Harry. | 0:10:27 | 0:10:29 | |
PHONE RINGS | 0:10:41 | 0:10:43 | |
-Venn & Co. -I want you to find out what you can about a firm called | 0:10:43 | 0:10:47 | |
Hodgkins Truss Wilson. | 0:10:47 | 0:10:49 | |
Where are they? London? | 0:10:49 | 0:10:51 | |
I don't know, there's no address on the card. | 0:10:51 | 0:10:54 | |
-They're not showing up on Google. -What about Gina Hawkes? | 0:10:54 | 0:10:58 | |
-No. Nothing. -Nothing? -No. | 0:11:02 | 0:11:05 | |
Hang on, there's a number here. 07700 900484. | 0:11:05 | 0:11:12 | |
-Give it a ring and find out who they are. -484... OK. | 0:11:12 | 0:11:15 | |
Frank Hanna called. He wants you there for when the jury get back. | 0:11:15 | 0:11:19 | |
-How long have they been out? -About an hour. | 0:11:19 | 0:11:22 | |
Then they'll be out all day. | 0:11:22 | 0:11:24 | |
Mark. | 0:11:41 | 0:11:43 | |
Stevie? | 0:12:44 | 0:12:46 | |
What's all this shit about my brother? | 0:12:46 | 0:12:48 | |
What is that how you say hello, Harry? After all these years? | 0:12:48 | 0:12:53 | |
I want to know why you've been handing out this crap. | 0:12:56 | 0:13:00 | |
What are you trying to sell, Stevie? | 0:13:00 | 0:13:01 | |
Are you going to tell me who killed Mark? Is that it? | 0:13:01 | 0:13:05 | |
I'm offering a deal here, right? | 0:13:05 | 0:13:07 | |
You help me, you get what I know. | 0:13:07 | 0:13:10 | |
Now that's all I got to deal with, Harry. You understand? | 0:13:10 | 0:13:13 | |
-How did you find Gina Hawkes? -What do you mean? | 0:13:13 | 0:13:16 | |
Stevie, I couldn't find Gina Hawkes | 0:13:16 | 0:13:19 | |
and people might say I'm somewhat better placed than you. | 0:13:19 | 0:13:22 | |
-Yeah, erm, someone give me her number. -Who? | 0:13:22 | 0:13:25 | |
I don't remember. | 0:13:26 | 0:13:28 | |
What, she agrees to act for you - why? | 0:13:28 | 0:13:31 | |
What, you ain't got the hump, have you, Harry? | 0:13:31 | 0:13:34 | |
All cos I didn't come to you? | 0:13:34 | 0:13:37 | |
No, you're an old pal, Harry. | 0:13:37 | 0:13:39 | |
Hey, let me shake your hand, eh, just for the warm feel of it, yeah. | 0:13:41 | 0:13:46 | |
I heard things wasn't going too good for ya. | 0:13:50 | 0:13:53 | |
Oh, you know, they could be worse. | 0:13:53 | 0:13:55 | |
Yeah, I know that's true. | 0:13:56 | 0:13:59 | |
What do you know about Mark? | 0:14:05 | 0:14:08 | |
Who killed him? Tell me now. | 0:14:09 | 0:14:12 | |
Yeah you'll never guess who I bumped into. | 0:14:13 | 0:14:16 | |
Paul Hillman. | 0:14:18 | 0:14:20 | |
Straight up. | 0:14:20 | 0:14:22 | |
-Move it Harry, move! -I'm doing my fucking best, Hillman! | 0:14:24 | 0:14:28 | |
Yeah, I see him and, er, he's like all bald now, but I recognise him. | 0:14:30 | 0:14:36 | |
I saw what I saw, Harry. Paul Hillman. | 0:14:39 | 0:14:42 | |
Yeah, there's just one problem, Stevie. | 0:14:44 | 0:14:47 | |
Paul Hillman's dead. He has been for 20 years. | 0:14:47 | 0:14:50 | |
-My dad ID'd his body, same time he ID'd Mark's. -I saw him. -When? | 0:14:50 | 0:14:54 | |
Few days ago, just before I come in here. | 0:14:54 | 0:14:58 | |
See, Harry, er, if Hillman's alive, what does that say about Mark? | 0:14:59 | 0:15:05 | |
-What the fuck are you playing at? -Harry, please! Please! | 0:15:11 | 0:15:15 | |
I seen him and he's breathing like you and me. | 0:15:15 | 0:15:18 | |
-You see, the dead don't come back, Stevie. -I saw him! | 0:15:18 | 0:15:22 | |
Where? Where did you see him? | 0:15:25 | 0:15:26 | |
CRIES OF PAIN | 0:15:26 | 0:15:28 | |
-I don't really remember. -HE SNIGGERS | 0:15:32 | 0:15:35 | |
-You saw a dead man and you don't remember where? -On the tube. | 0:15:35 | 0:15:38 | |
What tube? Which station, what line? | 0:15:38 | 0:15:40 | |
I saw him, all right, I swear on my child's life. | 0:15:40 | 0:15:44 | |
Why do you need me to find Joe Collins? | 0:15:50 | 0:15:53 | |
How can Joe help you? | 0:15:53 | 0:15:55 | |
-He's got something that can get me out of this. -What? | 0:15:55 | 0:15:58 | |
You tell me or I'm out of here. What? | 0:15:58 | 0:16:00 | |
A laptop. All right, I'm not saying nothing more. | 0:16:00 | 0:16:03 | |
That's it. I can't. | 0:16:03 | 0:16:05 | |
You wouldn't be trying to set me up, would you, Stevie? | 0:16:05 | 0:16:08 | |
-Set you up for what? -Something that happened. A long time ago. | 0:16:08 | 0:16:13 | |
Something where there's no statute of limitations. | 0:16:13 | 0:16:16 | |
If you don't find Joe for me, I am dead. | 0:16:16 | 0:16:21 | |
You want to relax, Stevie. | 0:16:22 | 0:16:24 | |
They abolished the death penalty years ago. | 0:16:24 | 0:16:26 | |
Now you've got my number. | 0:16:28 | 0:16:30 | |
Give me a call when you decide to tell me what the fuck is going on! | 0:16:30 | 0:16:34 | |
GATE BUZZES | 0:16:41 | 0:16:43 | |
MOBILE PHONE RINGS | 0:16:46 | 0:16:49 | |
-'Yeah?' -Frank Hanna's called three times. He wants to know | 0:16:56 | 0:16:59 | |
why you're not answering your phone and why you're not there. | 0:16:59 | 0:17:02 | |
Mr Peters is here and Mrs Crawford. What do you want me to tell them? | 0:17:02 | 0:17:06 | |
Clear the rest of the day. I'm not coming back. | 0:17:06 | 0:17:09 | |
We represented a client, Joe Collins, | 0:17:09 | 0:17:12 | |
Joseph Francis Collins, about five years ago. | 0:17:12 | 0:17:16 | |
Yeah, possession of Class A drugs. Snaresbrook Crown Court. | 0:17:16 | 0:17:20 | |
-Yeah, dig out his file. -'I've got a million things to do.' | 0:17:20 | 0:17:23 | |
-Call when you've got it. -Anything else(?) | 0:17:23 | 0:17:25 | |
-Don't expect overtime. -Don't forget to call Frank Hanna. | 0:17:25 | 0:17:29 | |
'Thank you for calling Hodgkins Truss Wilson...' | 0:17:38 | 0:17:41 | |
I'll get some coffees and see you back here in about half an hour. | 0:17:55 | 0:17:58 | |
Get off me! | 0:18:00 | 0:18:02 | |
CRIES OF PAIN | 0:18:02 | 0:18:05 | |
It wasn't me! | 0:18:05 | 0:18:07 | |
I wasn't there, I wasn't there! | 0:18:07 | 0:18:09 | |
We both know that's a lie, don't we? Hey? | 0:18:09 | 0:18:12 | |
CRIES OF PAIN ECHO | 0:18:12 | 0:18:15 | |
HE DIALS A NUMBER, TELEPHONE RINGS | 0:18:26 | 0:18:30 | |
'Hi, Harry.' | 0:18:30 | 0:18:33 | |
I've just seen Fenton Russell. I need to see you, Lauren. | 0:18:33 | 0:18:38 | |
Don't get any ideas. It's not happening again. | 0:18:59 | 0:19:02 | |
Why was Russell at Belmarsh? | 0:19:06 | 0:19:08 | |
He's a cop. | 0:19:11 | 0:19:12 | |
Cops are like solicitors - they go to prisons from time to time. | 0:19:13 | 0:19:18 | |
Not the same time, the same day that I happen to be there. | 0:19:23 | 0:19:27 | |
Harry, it's a coincidence. | 0:19:27 | 0:19:30 | |
Unpleasant, but just a coincidence. | 0:19:30 | 0:19:33 | |
HE SIGHS | 0:19:33 | 0:19:35 | |
Lauren, the man I went to see today... | 0:19:36 | 0:19:39 | |
..told me that he saw Paul Hillman alive. | 0:19:41 | 0:19:43 | |
What, who? Who said that? | 0:19:43 | 0:19:45 | |
A face from the past. His name's Stevie Quirke. | 0:19:45 | 0:19:48 | |
He was insistent. Told me he saw Hillman a few days ago. | 0:19:49 | 0:19:54 | |
Harry, Hillman is dead and gone. | 0:19:54 | 0:19:58 | |
-Someone's messing with your head. -Why? -I don't know why. | 0:19:58 | 0:20:03 | |
But let it go. | 0:20:03 | 0:20:05 | |
Harry, listen to me. | 0:20:08 | 0:20:11 | |
Listen... | 0:20:12 | 0:20:13 | |
Hillman is dead. | 0:20:13 | 0:20:15 | |
That whole thing is gone. Over. | 0:20:15 | 0:20:18 | |
You need to let it go and move on. | 0:20:18 | 0:20:21 | |
Michael will be home soon and I don't want him finding you here. | 0:20:25 | 0:20:29 | |
-You're always saying I don't see enough of him. -I don't want our son, | 0:20:35 | 0:20:38 | |
who's already dealing with a lot of issues, finding you here like this. | 0:20:38 | 0:20:42 | |
We're divorced. It'll confuse him. | 0:20:42 | 0:20:45 | |
Confuse HIM? What about me? | 0:20:45 | 0:20:49 | |
Come on, Harry, get up. | 0:20:49 | 0:20:51 | |
-Are you seeing anyone? -Yes. | 0:21:00 | 0:21:03 | |
It serious? | 0:21:06 | 0:21:07 | |
I don't know yet. | 0:21:08 | 0:21:11 | |
Where'd you meet him? | 0:21:15 | 0:21:18 | |
Internet dating. | 0:21:18 | 0:21:19 | |
Don't look at me like that. That's how it's done now. | 0:21:19 | 0:21:23 | |
-I broke up with Frances today. -What, again? | 0:21:28 | 0:21:31 | |
No, it's for good this time. | 0:21:33 | 0:21:35 | |
I'm sorry. | 0:21:35 | 0:21:37 | |
She seemed like a nice girl. I don't know what she was doing with you. | 0:21:37 | 0:21:42 | |
What were YOU doing with me? | 0:21:42 | 0:21:45 | |
I'm not as nice as her. | 0:21:48 | 0:21:49 | |
MOBILE PHONE RINGS | 0:22:02 | 0:22:05 | |
Harry Venn. | 0:22:10 | 0:22:11 | |
Gina Hawkes, Mr Venn. | 0:22:11 | 0:22:13 | |
-'You called.' -Yeah, I went to see your client today. | 0:22:13 | 0:22:17 | |
'And I'd like to talk to you more about his case.' | 0:22:17 | 0:22:21 | |
I could see you for 20 minutes tonight at 10 o'clock. | 0:22:21 | 0:22:24 | |
20 minutes? | 0:22:25 | 0:22:26 | |
Yes, I have a meeting at 10:30. | 0:22:28 | 0:22:29 | |
What, you do meetings late at night? | 0:22:31 | 0:22:34 | |
'When they're important, yes.' | 0:22:34 | 0:22:37 | |
-All right, I'll be there at ten. Where are you? -The Strand Hotel. | 0:22:37 | 0:22:40 | |
'I'll meet you at the bar.' | 0:22:40 | 0:22:42 | |
'The protestors were not one unified body. Different groups with different agendas | 0:22:42 | 0:22:48 | |
'surged off in all directions, some clearly prepared for violence. | 0:22:48 | 0:22:52 | |
'Shops in Pall Mall and Piccadilly were attacked and set alight. | 0:22:52 | 0:22:57 | |
'In Whitehall, police vans were smashed up and overturned by a mob | 0:22:57 | 0:23:01 | |
-'of students and anarchists said to number up to 5,000.' -Have you seen this? | 0:23:01 | 0:23:05 | |
-'At the same time, the main body of protestors...' -Feels different, doesn't it? | 0:23:05 | 0:23:09 | |
-What's different about it? -We don't have a Government for one thing. | 0:23:09 | 0:23:13 | |
Have you noticed? I haven't noticed. | 0:23:13 | 0:23:16 | |
'..protestors in the City of London, with at least 80 arrests. | 0:23:16 | 0:23:20 | |
-'There have been allegations that police over-reacted...' -It was good to see you. -See you. | 0:23:20 | 0:23:24 | |
'..and claims that as many as 180 people needed hospital treatment as a result of the clashes. | 0:23:24 | 0:23:30 | |
'There is an as yet unconfirmed report...' | 0:23:30 | 0:23:34 | |
-Hi, Mikey. -What are you doing here? | 0:23:34 | 0:23:37 | |
That's a nice way to greet your father(!) | 0:23:38 | 0:23:40 | |
HE SIGHS | 0:23:45 | 0:23:48 | |
Michael...whatever else has happened between me and your mother, | 0:23:48 | 0:23:53 | |
I'm still your father. | 0:23:53 | 0:23:56 | |
Are you listening to me? MICHAEL BURPS | 0:23:58 | 0:24:01 | |
-Did you see that? -I see it every day. | 0:24:02 | 0:24:06 | |
Lauren, he needs to show some respect. | 0:24:06 | 0:24:09 | |
You need to spend more time with him. | 0:24:09 | 0:24:11 | |
Jesus, internet dating? | 0:24:17 | 0:24:19 | |
Goodbye, Harry. | 0:24:20 | 0:24:22 | |
'..the Prime Minister went on to say that | 0:24:22 | 0:24:24 | |
'those trying to whip up an atmosphere of hysteria and panic | 0:24:24 | 0:24:28 | |
'must bear responsibility for the chaos and disorder on our streets. | 0:24:28 | 0:24:32 | |
'But the violence has put further pressure on the Prime Minister | 0:24:32 | 0:24:35 | |
'after this morning's allegations about his financial affairs. | 0:24:35 | 0:24:38 | |
'And Alexander Wentworth, tipped as a front runner to take over, | 0:24:38 | 0:24:42 | |
'was amongst a growing number of voices describing the proposed coalition as unworkable. | 0:24:42 | 0:24:47 | |
'Let's not kid ourselves. The reason the police are out there | 0:24:47 | 0:24:51 | |
'having to deal with this disorder is that Brian Worsley is bankrupt. | 0:24:51 | 0:24:54 | |
'His coalition is falling to pieces and he continues to present the same tired ideas. | 0:24:54 | 0:24:59 | |
'This is not a man who can lead this country out of our gravest crisis since the Battle of Britain.' | 0:24:59 | 0:25:05 | |
SIRENS BLARE, CAR HORNS HONK | 0:25:06 | 0:25:11 | |
Blimey. You always dress like that for business meetings? | 0:25:28 | 0:25:32 | |
I didn't say it was business. | 0:25:32 | 0:25:35 | |
-Can I get you a drink? -An old fashioned. | 0:25:36 | 0:25:40 | |
-Er, one old fashioned and a vodka tonic. -Yes, sir. | 0:25:41 | 0:25:44 | |
You went to see Mr Quirke? | 0:25:48 | 0:25:50 | |
Do you do a lot of crime, Gina? | 0:25:50 | 0:25:52 | |
Not as much as you, I believe. | 0:25:52 | 0:25:55 | |
I only ask because your client, Stevie Quirke, hasn't got a hope in hell. | 0:25:55 | 0:25:59 | |
That's my advice - you can have that for free. | 0:25:59 | 0:26:01 | |
I deal in lost hopes, Mr Venn. | 0:26:01 | 0:26:04 | |
Harry. | 0:26:04 | 0:26:05 | |
What kind of a criminal lawyer are you, Gina? | 0:26:07 | 0:26:11 | |
In fact, are you any kind of criminal lawyer at all? | 0:26:12 | 0:26:15 | |
Where did you do your articles? When did you qualify? | 0:26:15 | 0:26:19 | |
-You came here to talk about the case. -No, you're more interesting. | 0:26:19 | 0:26:23 | |
I can assure you I'm not. | 0:26:23 | 0:26:26 | |
Where's that accent from? | 0:26:28 | 0:26:30 | |
Ms Hawkes. | 0:26:30 | 0:26:32 | |
Thank you. | 0:26:32 | 0:26:34 | |
Who are you, Gina Hawkes? | 0:26:41 | 0:26:43 | |
My client asked me to contact you | 0:26:44 | 0:26:46 | |
in order to locate a witness he believes is crucial to his case. | 0:26:46 | 0:26:50 | |
I carried out his instructions, as I was obliged to. | 0:26:50 | 0:26:54 | |
This does not give you the right to be insulting. | 0:26:54 | 0:26:56 | |
OK... Well, you name me one lawyer in London | 0:26:58 | 0:27:02 | |
or anywhere in this country that you've had dealings with. | 0:27:02 | 0:27:05 | |
-Isn't Sir Nigel Fountain good enough for you? -No, no, apart from this case. Just one. | 0:27:05 | 0:27:10 | |
If you'll excuse me. | 0:27:20 | 0:27:21 | |
One thing I forgot to mention. | 0:27:24 | 0:27:26 | |
Should you find Joe Collins, there will be a fee, naturally. | 0:27:26 | 0:27:30 | |
Naturally. And what if I don't find him? | 0:27:30 | 0:27:34 | |
Oh, I think you're the kind of man who finds what he looks for. | 0:27:34 | 0:27:38 | |
Flattery's wasted on me. What sort of fee are we talking about? | 0:27:38 | 0:27:41 | |
Shall we say 20,000? | 0:27:41 | 0:27:43 | |
Well, that should help find him. | 0:27:45 | 0:27:48 | |
Why is Joe Collins worth £20,000 to you? | 0:27:48 | 0:27:51 | |
Thank you for the drink, Mr Venn. | 0:27:53 | 0:27:55 | |
Harry. | 0:27:58 | 0:28:00 | |
You're wearing the wrong nail polish. | 0:28:05 | 0:28:08 | |
I quite like it. | 0:28:08 | 0:28:10 | |
No, it doesn't suit you. | 0:28:10 | 0:28:12 | |
And what would you suggest? | 0:28:15 | 0:28:17 | |
I suggest you cancel your next meeting | 0:28:17 | 0:28:20 | |
and stay here and have another drink with me. | 0:28:20 | 0:28:23 | |
You're smart. | 0:28:27 | 0:28:29 | |
Don't be too smart. | 0:28:29 | 0:28:31 | |
Harry. | 0:28:31 | 0:28:33 | |
Excuse me, how do you know that lady? | 0:28:40 | 0:28:43 | |
-She's a guest. -Can I leave her a note? | 0:28:43 | 0:28:46 | |
It's urgent. | 0:29:03 | 0:29:06 | |
-Which floor, sir? -Three, please. | 0:29:25 | 0:29:27 | |
LOUD YAWN > | 0:29:31 | 0:29:33 | |
-Excuse me. -Long hours? -Yeah, very long. | 0:29:33 | 0:29:37 | |
-Mind you, I bet they pay you a fortune. -Hmm...yeah! | 0:29:40 | 0:29:44 | |
-You English. Make funny jokes that are not so funny. -True. | 0:29:44 | 0:29:49 | |
LIFT BELL RINGS | 0:29:49 | 0:29:52 | |
-After you, sir. -Thank you. | 0:29:52 | 0:29:55 | |
Excuse me. | 0:30:07 | 0:30:08 | |
How would you like to boost your pay? | 0:30:08 | 0:30:11 | |
I would like to. | 0:30:11 | 0:30:13 | |
How much would it cost me to get five minutes in this room? | 0:30:13 | 0:30:17 | |
I'm not going to take anything or do anything. | 0:30:17 | 0:30:20 | |
I just want a look around. | 0:30:20 | 0:30:21 | |
Nobody need know. Five minutes. | 0:30:21 | 0:30:24 | |
500. | 0:30:27 | 0:30:28 | |
500, OK. Tell you what, | 0:30:30 | 0:30:33 | |
why don't we split the difference | 0:30:33 | 0:30:36 | |
and call it thirty quid? | 0:30:36 | 0:30:38 | |
-Terrific. -Five minutes. | 0:30:38 | 0:30:41 | |
Harry! | 0:33:02 | 0:33:04 | |
LABOURED BREATHING | 0:33:04 | 0:33:06 | |
You said nobody was going to get hurt! | 0:33:20 | 0:33:22 | |
-It's what Styles wanted. -Who...Who's Styles? | 0:33:24 | 0:33:26 | |
'He has some information that he's willing to pass on to you. | 0:34:05 | 0:34:08 | |
'Your brother, Mark. | 0:34:08 | 0:34:11 | |
'I'm following the instructions of my client. | 0:34:11 | 0:34:15 | |
'I want you to find someone for him. | 0:34:15 | 0:34:17 | |
'Joseph Francis Collins. I believe you know him?' | 0:34:19 | 0:34:22 | |
-RADIO: -'The news headlines this hour. Prime Minister Brian Worsley | 0:34:29 | 0:34:33 | |
'has responded for the first time | 0:34:33 | 0:34:35 | |
'to allegations about his financial involvement | 0:34:35 | 0:34:37 | |
'with Australian mining company Goldseam.' | 0:34:37 | 0:34:40 | |
Your critics say that because of the ongoing allegations | 0:34:40 | 0:34:43 | |
-about your financial arrangements... -They're untrue. | 0:34:43 | 0:34:46 | |
-A total fabrication... -Because of these allegations, | 0:34:46 | 0:34:49 | |
you do not have support in your own party, | 0:34:49 | 0:34:51 | |
-let alone the minority parties. -No, no, no, I completely refuse... | 0:34:51 | 0:34:54 | |
Why aren't they coming out for you? | 0:34:54 | 0:34:57 | |
I do have support in my own party. | 0:34:57 | 0:34:59 | |
What I'm trying to do is build a coalition. | 0:34:59 | 0:35:02 | |
-Harry? -What? -What are we looking for? | 0:35:09 | 0:35:14 | |
Anything that will help us find Mr Joseph Collins. | 0:35:14 | 0:35:16 | |
I've got some blow if you want it. | 0:35:21 | 0:35:23 | |
DANCE MUSIC | 0:35:39 | 0:35:41 | |
SOUND OF ROADWORKS | 0:36:08 | 0:36:11 | |
RADIO: ...extraordinary allegations | 0:36:16 | 0:36:18 | |
made in yesterday's papers about the Prime Minister, | 0:36:18 | 0:36:21 | |
-we have the man himself here. -Good morning, Prime Minister. -Good morning. | 0:36:21 | 0:36:26 | |
You were on TV last night denying the allegations. | 0:36:26 | 0:36:28 | |
Yet this morning, RDO media have published a document | 0:36:28 | 0:36:31 | |
which appear to show that Goldseam, the Australian mining company | 0:36:31 | 0:36:35 | |
at the centre of this affair, | 0:36:35 | 0:36:37 | |
set up the accounts you say you knew nothing of in April last year. | 0:36:37 | 0:36:40 | |
Look, I've got no way of knowing what Goldseam did or didn't do. | 0:36:40 | 0:36:44 | |
But what I can say is, with all the emphasis I can command, | 0:36:44 | 0:36:47 | |
neither I nor my family have any control over access to these accounts... | 0:36:47 | 0:36:51 | |
-Thought you said it wouldn't happen again. -Michael's been arrested. | 0:36:51 | 0:36:56 | |
Want to go home to your mummy? | 0:37:00 | 0:37:02 | |
You're not going home with a charge like this in front of you. | 0:37:02 | 0:37:05 | |
What happened? | 0:37:07 | 0:37:09 | |
He nicked a bloody car. | 0:37:09 | 0:37:12 | |
Have they charged him yet? | 0:37:12 | 0:37:15 | |
Yeah. They've given him bail, so he should be out soon. | 0:37:15 | 0:37:18 | |
This way. | 0:37:40 | 0:37:43 | |
Are you OK? | 0:37:43 | 0:37:44 | |
If you could come this way, please. | 0:37:45 | 0:37:48 | |
I'll be back in a minute. | 0:37:50 | 0:37:52 | |
Listen, don't worry. | 0:37:56 | 0:37:57 | |
Worse case, you'll get five years. | 0:37:57 | 0:38:00 | |
I'm kidding. They'll give you a rap on the knuckles. | 0:38:00 | 0:38:03 | |
Why did you do it? | 0:38:14 | 0:38:15 | |
-Michael? -Who are you? | 0:38:16 | 0:38:19 | |
-I'm your father. -No, my father left. | 0:38:21 | 0:38:26 | |
-What were you thinking? -I'm sorry. | 0:38:35 | 0:38:39 | |
Go get in the car. | 0:38:41 | 0:38:43 | |
Thanks for coming. | 0:38:46 | 0:38:48 | |
You should go home and shower. | 0:38:48 | 0:38:51 | |
-Change your clothes. -Listen, Lauren... | 0:38:51 | 0:38:54 | |
Thank you for telling me about Michael. | 0:38:55 | 0:38:58 | |
It's OK. | 0:38:58 | 0:39:00 | |
-You're late. -Yeah, I had a heavy night. | 0:39:47 | 0:39:51 | |
ANSWERPHONE BEEPS | 0:39:54 | 0:39:56 | |
'Harry, it's Frances.' | 0:39:56 | 0:39:57 | |
Should be interesting. | 0:39:57 | 0:39:59 | |
-'I don't understand, Harry...' -Turn it off. | 0:39:59 | 0:40:01 | |
-What did I do wrong? I don't deserve this... -Turn it off! | 0:40:01 | 0:40:04 | |
'You won't even talk to me, you won't even...' | 0:40:04 | 0:40:06 | |
Matt! | 0:40:06 | 0:40:07 | |
ANSWERPHONE BEEPS | 0:40:07 | 0:40:09 | |
Call Barter Court Chambers. | 0:40:09 | 0:40:10 | |
See if you can get me ten minutes with Nigel Fountain. | 0:40:10 | 0:40:13 | |
-What do I tell him? -Tell him it's about the Quirke case. | 0:40:13 | 0:40:16 | |
-You've got the hearing at Highbury. -I need to find Joe Collins. | 0:40:16 | 0:40:19 | |
-Call Lisa, see if she'll cover. -You'll get struck off if you're not careful. | 0:40:19 | 0:40:22 | |
-Thanks for your concern(!) -The concern's me and my job. Don't forget Frank Hanna! | 0:40:22 | 0:40:27 | |
I don't want to say anything that could inflame | 0:40:29 | 0:40:32 | |
an already volatile situation. | 0:40:32 | 0:40:34 | |
Yeah, but you just have. Haven't you? | 0:40:34 | 0:40:36 | |
Look, let's be clear. We face grave challenges. | 0:40:36 | 0:40:40 | |
People have to put aside their narrow, partisan interests | 0:40:40 | 0:40:45 | |
and pull together for the nation. | 0:40:45 | 0:40:47 | |
Because some people, backed by certain media organisations | 0:40:47 | 0:40:50 | |
with their own agenda, | 0:40:50 | 0:40:52 | |
simply do not want to see a second coalition | 0:40:52 | 0:40:54 | |
and will do everything they can to derail us. | 0:40:54 | 0:40:57 | |
Well, that was the beleaguered Prime Minister | 0:40:57 | 0:41:00 | |
talking to me earlier today. | 0:41:00 | 0:41:02 | |
And I'm joined now by the man increasingly seen | 0:41:02 | 0:41:04 | |
as the front runner to challenge Worsley. | 0:41:04 | 0:41:07 | |
That is, of course, Alexander Wentworth. | 0:41:07 | 0:41:09 | |
-Good afternoon. -Good afternoon. | 0:41:09 | 0:41:11 | |
Are you going to challenge the Prime Minister? | 0:41:11 | 0:41:14 | |
Listen, I haven't been saying that. | 0:41:14 | 0:41:15 | |
What I'm saying is this country cannot continue to back | 0:41:15 | 0:41:18 | |
a morally bankrupt Prime Minister | 0:41:18 | 0:41:20 | |
when we are on the verge of crisis. That's no exaggeration. | 0:41:20 | 0:41:23 | |
The Prime Minister says, "There are people who do not want | 0:41:23 | 0:41:26 | |
"political stability, who would prefer uncertainty and disorder". | 0:41:26 | 0:41:30 | |
-Are you one of those people? -Listen, | 0:41:30 | 0:41:33 | |
I know the novels of Dan Brown too. I'm afraid my right honourable friend | 0:41:33 | 0:41:37 | |
is confusing fact with fiction. It's a preposterous thing to say. Paranoia. | 0:41:37 | 0:41:41 | |
That's fine. | 0:41:47 | 0:41:49 | |
I didn't know anyone still drank Valpolicella. | 0:41:49 | 0:41:51 | |
I thought it was more or less plonk. | 0:41:51 | 0:41:53 | |
They've improved it. | 0:41:53 | 0:41:56 | |
-It's very drinkable now. -Thank you. | 0:41:56 | 0:41:59 | |
-You're right. Very tasty. -Cheers. | 0:42:02 | 0:42:05 | |
Cheers. | 0:42:05 | 0:42:07 | |
-Ah, here he is. The man of the hour. -Sorry I'm late. | 0:42:07 | 0:42:11 | |
Alex. | 0:42:11 | 0:42:12 | |
Protestors again. Impossible to get through central London. | 0:42:12 | 0:42:16 | |
Who'd have thought rioting in London would get to become | 0:42:16 | 0:42:19 | |
-practically a daily occurrence? -Indeed. | 0:42:19 | 0:42:22 | |
-You were marvellous on The Today Programme. -You were terrific. | 0:42:22 | 0:42:26 | |
They're always horribly snide, but by the end, you'd won them over. | 0:42:26 | 0:42:30 | |
-Thank you, James. -You're principled and have integrity. | 0:42:30 | 0:42:33 | |
Something friend Worsley could do with. | 0:42:33 | 0:42:36 | |
I think it's a bit too late for that, don't you? | 0:42:36 | 0:42:40 | |
Speak of the devil. | 0:42:42 | 0:42:44 | |
You'd think forming a government | 0:42:49 | 0:42:51 | |
might be more important than having lunch. | 0:42:51 | 0:42:53 | |
-Alexander. -Brian. | 0:42:59 | 0:43:02 | |
-Hello, Elspeth. -Hello, Brian. You know James Morpeth? | 0:43:02 | 0:43:06 | |
You've known me since Cambridge, Elspeth. | 0:43:10 | 0:43:13 | |
Do you think I would take bribes? | 0:43:13 | 0:43:15 | |
If you want to give us your side of the story, | 0:43:15 | 0:43:17 | |
I'm more than happy to arrange an interview. | 0:43:17 | 0:43:19 | |
I've already said I know nothing | 0:43:19 | 0:43:22 | |
about these so-called offshore accounts. | 0:43:22 | 0:43:24 | |
Enjoy your lunch. | 0:43:34 | 0:43:36 | |
Poor Brian. | 0:43:39 | 0:43:40 | |
Dead man walking. | 0:43:42 | 0:43:45 | |
What's this? | 0:43:50 | 0:43:51 | |
Just some facts to put Worsley in his political grave. | 0:43:51 | 0:43:55 | |
-All right? -All right? | 0:44:24 | 0:44:27 | |
-Is Dean in? -Dean who? -Dean Stubbs. | 0:44:27 | 0:44:31 | |
No. Sorry, mate. Don't know any Dean Stubbs. | 0:44:32 | 0:44:35 | |
Do you mind if I have a little look around? | 0:44:38 | 0:44:40 | |
-I've been thinking of joining a gym. -Yeah, you should. | 0:44:40 | 0:44:44 | |
I'm looking for a friend of Joseph Collins. | 0:44:59 | 0:45:02 | |
Joe's friend comes in here quite a lot. | 0:45:04 | 0:45:07 | |
He's a boxer. | 0:45:07 | 0:45:08 | |
His name's Dean. | 0:45:10 | 0:45:11 | |
Dean Stubbs. You're Dean, aren't ya? | 0:45:11 | 0:45:13 | |
Oof! | 0:45:14 | 0:45:15 | |
CAR DOOR SLAMS | 0:45:47 | 0:45:48 | |
GUNSHOT | 0:46:07 | 0:46:08 | |
GUNSHOT | 0:46:11 | 0:46:13 | |
HE SPEAKS SILENTLY | 0:46:35 | 0:46:37 | |
ENGINE STARTS | 0:46:37 | 0:46:39 | |
SHOWER STARTS | 0:47:00 | 0:47:03 | |
MOBILE RINGS | 0:47:33 | 0:47:36 | |
Yeah? | 0:47:39 | 0:47:40 | |
Know how many times I called you? | 0:47:40 | 0:47:43 | |
Frank, how's it going? | 0:47:43 | 0:47:44 | |
You're the lawyer, you tell me. | 0:47:44 | 0:47:46 | |
-Yeah, all right. Listen, I'm on my way. -'Get here lively, H.' | 0:47:46 | 0:47:49 | |
-The judge has already told the jury he'll accept a majority. -OK. | 0:47:49 | 0:47:52 | |
ENGINE STARTS | 0:47:56 | 0:47:58 | |
Cheers, appreciate it. | 0:48:08 | 0:48:11 | |
Thank you. | 0:48:11 | 0:48:12 | |
I shall see you later. | 0:48:14 | 0:48:16 | |
Sorry. | 0:48:18 | 0:48:19 | |
Thought for a bit there you weren't going to show, H. | 0:48:22 | 0:48:24 | |
-Hey, I got you a result, didn't I? -Hey! I'm an innocent man. | 0:48:24 | 0:48:27 | |
If you can't get an innocent man off, what are you good for? | 0:48:27 | 0:48:30 | |
Well, the innocent ones are the hardest, believe me. | 0:48:30 | 0:48:33 | |
You don't look too good, H. | 0:48:35 | 0:48:37 | |
Can I have a word? | 0:48:38 | 0:48:39 | |
-I met a woman. -Nice? | 0:48:44 | 0:48:46 | |
Yeah, she's beautiful. Intelligent. | 0:48:46 | 0:48:49 | |
Looks like she's got a few quid. | 0:48:49 | 0:48:52 | |
-You should be a very happy man. -Well, on paper. | 0:48:52 | 0:48:55 | |
-Trouble is, I think she's trying to set me up. -For what? | 0:48:56 | 0:48:59 | |
The Braddick murder. | 0:49:00 | 0:49:02 | |
What do you mean "set you up"? Who is she? | 0:49:02 | 0:49:05 | |
She's a solicitor acting for Stevie Quirke, | 0:49:05 | 0:49:08 | |
she wanted me to go and see him, so I did. | 0:49:08 | 0:49:10 | |
What's Stevie got to do with Braddick? | 0:49:10 | 0:49:12 | |
He said he saw Paul Hillman. | 0:49:12 | 0:49:14 | |
You got to be fucking kidding me. | 0:49:14 | 0:49:16 | |
That's what he said. | 0:49:16 | 0:49:18 | |
Frank, I want to ask a little favour. | 0:49:21 | 0:49:23 | |
It might not be, er... | 0:49:24 | 0:49:26 | |
completely legal. | 0:49:26 | 0:49:28 | |
-Harry. -What? -Hillman's dead. | 0:49:28 | 0:49:30 | |
-I know. -Mark's dead. | 0:49:30 | 0:49:32 | |
-I know. -You want my advice? | 0:49:32 | 0:49:35 | |
No. | 0:49:35 | 0:49:36 | |
HE SIGHS | 0:50:09 | 0:50:11 | |
-Is your vision at all affected? -No, it's fine. | 0:50:14 | 0:50:17 | |
-Headache? -Yeah. | 0:50:17 | 0:50:20 | |
How often do you take cocaine? | 0:50:25 | 0:50:27 | |
Hmm? | 0:50:27 | 0:50:29 | |
Well, I had, er... a little line or two last night. | 0:50:30 | 0:50:35 | |
-Is it a regular thing? -No. | 0:50:35 | 0:50:38 | |
We've taken an X-ray but I'm going to recommend an MRI. | 0:50:43 | 0:50:47 | |
-I don't think it's that bad. -Just to be on the safe side. | 0:50:47 | 0:50:50 | |
You were recommended by a friend of mine. Gina Hawkes? | 0:50:53 | 0:50:57 | |
I'll make you an appointment. | 0:51:01 | 0:51:04 | |
There'll probably be a bit of a wait. | 0:51:08 | 0:51:10 | |
She said the Zopiclone you gave her is really helping with her insomnia. | 0:51:20 | 0:51:25 | |
She's a beautiful woman... | 0:51:28 | 0:51:29 | |
..isn't she? | 0:51:31 | 0:51:32 | |
You'll need a tetanus shot. | 0:51:34 | 0:51:35 | |
As I said, it's not that bad, it was just a punch. | 0:51:37 | 0:51:39 | |
There wasn't really any blood. | 0:51:39 | 0:51:41 | |
Take your jacket off and roll up your sleeve. | 0:51:50 | 0:51:53 | |
Roll up your sleeve. | 0:51:55 | 0:51:56 | |
Some other time. | 0:52:00 | 0:52:02 | |
What do you think? | 0:52:09 | 0:52:10 | |
Doable. But doable for what? | 0:52:10 | 0:52:13 | |
What do you want? | 0:52:13 | 0:52:14 | |
Frank, I'm trying to find out who Gina Hawkes is. | 0:52:14 | 0:52:17 | |
If she's on his books, he'll have her medical records, an address, something. | 0:52:17 | 0:52:21 | |
OK. | 0:52:21 | 0:52:22 | |
-You know it's all computerized. -I got a guy. | 0:52:22 | 0:52:25 | |
-Call me when you're done. -You'll answer this time? -Here. | 0:52:25 | 0:52:29 | |
Here you go, expenses. | 0:52:29 | 0:52:31 | |
Kentish Town, please, mate. | 0:52:31 | 0:52:33 | |
H. | 0:52:33 | 0:52:34 | |
Listen to me. | 0:52:38 | 0:52:39 | |
Back when I was working... | 0:52:41 | 0:52:43 | |
some mornings, I'd be driving to the job and I'd look out | 0:52:43 | 0:52:46 | |
and see all these people doing ordinary things, you know? | 0:52:46 | 0:52:50 | |
Waiting at a bus-stop, buying a coffee, buying a sandwich | 0:52:50 | 0:52:53 | |
and I'd, like, look at them and I'd think, | 0:52:53 | 0:52:55 | |
"Why am I putting myself through this? | 0:52:55 | 0:52:58 | |
"They're all relaxed, happy, probably. Me? | 0:52:58 | 0:53:01 | |
"I'm on my way to pull a robbery - | 0:53:02 | 0:53:05 | |
"the blood's beating in my veins, | 0:53:05 | 0:53:06 | |
"my head feels light, I'm feeling sick." | 0:53:06 | 0:53:09 | |
One time I turned to Wendell and I said, "You know, we could stop. | 0:53:09 | 0:53:14 | |
"We could go to a caff, have a coffee, read the paper, go home. | 0:53:15 | 0:53:19 | |
"We don't have to do this." | 0:53:20 | 0:53:22 | |
You understand what I'm telling you? | 0:53:23 | 0:53:25 | |
Yeah, and what did old Wendell say? | 0:53:25 | 0:53:28 | |
Long as you understand. | 0:53:29 | 0:53:31 | |
Cos actions have consequences... | 0:53:31 | 0:53:34 | |
that's just the law of nature. | 0:53:34 | 0:53:36 | |
I need to find out who killed Mark. | 0:53:39 | 0:53:41 | |
And why. | 0:53:41 | 0:53:42 | |
Yeah, even if it puts you in prison for 20 years? | 0:53:42 | 0:53:45 | |
TAXI PULLS AWAY | 0:53:54 | 0:53:56 | |
MOBILE RINGS | 0:54:13 | 0:54:15 | |
Yeah? | 0:54:16 | 0:54:18 | |
'This is Gina Hawkes.' | 0:54:18 | 0:54:20 | |
Where are you? I can be with you in 20 minutes. We can have lunch. | 0:54:20 | 0:54:24 | |
-I'm on my way to Paris. -'I'll get the train. We'll have dinner.' | 0:54:24 | 0:54:28 | |
Have you thought about what we discussed? | 0:54:28 | 0:54:30 | |
I've thought about you, Gina. Constantly. Day and night, | 0:54:30 | 0:54:35 | |
if you really want to know. | 0:54:35 | 0:54:37 | |
Will you take the job? | 0:54:37 | 0:54:39 | |
If I can have a down payment of £10,000. | 0:54:39 | 0:54:41 | |
'Call the Hodgkins Truss Willson number and leave your bank details.' | 0:54:41 | 0:54:45 | |
The money will be in your account later today. | 0:54:45 | 0:54:47 | |
Blimey, you work fast. I like that. So where are we having dinner? | 0:54:47 | 0:54:51 | |
'I like Paris.' | 0:54:51 | 0:54:52 | |
I expect an update, twice a day, one at midnight, one at 7am. | 0:54:52 | 0:54:55 | |
'If at any time there is anything significant, | 0:54:55 | 0:54:58 | |
'you are to call me at once.' | 0:54:58 | 0:55:00 | |
How do you define "significant"? For instance, you've become | 0:55:00 | 0:55:03 | |
-'a significant part of my life.' -You'll receive the balance of your fee when you locate Joe Collins. | 0:55:03 | 0:55:08 | |
Once you do, you are not to let him out of your sight until I get there. | 0:55:08 | 0:55:12 | |
Know what? If I'm ever in trouble I want you as my lawyer. | 0:55:12 | 0:55:14 | |
In fact, I'd get in trouble to have you as my lawyer. | 0:55:14 | 0:55:17 | |
-Call me if there's anything else you need. -I'm sure there will be. | 0:55:17 | 0:55:20 | |
-Goodbye, Mr Venn. -Gina. One more thing. | 0:55:20 | 0:55:24 | |
Have you ever heard of a bloke called Jason Styles? | 0:55:24 | 0:55:28 | |
-No. Why? -You know what, you'd be smashing in the witness box. | 0:55:30 | 0:55:33 | |
If I didn't know better, I'd believe you were telling the truth. | 0:55:33 | 0:55:36 | |
-Just find Joe Collins, Mr Venn. -Harry. | 0:55:36 | 0:55:40 | |
-TANNOY: -'The Eurostar service to Paris Gare du Nord, | 0:55:41 | 0:55:45 | |
'calling at Lille Gare Europe, is now ready for boarding.' | 0:55:45 | 0:55:49 | |
HE SIGHS | 0:55:57 | 0:55:59 | |
MOBILE RINGS | 0:56:02 | 0:56:04 | |
Hello? | 0:56:06 | 0:56:07 | |
-DEEP VOICE: -'Get out of there.' | 0:56:07 | 0:56:10 | |
-What? -'Get out of your office, Harry. Now.' | 0:56:10 | 0:56:13 | |
Who is this? | 0:56:13 | 0:56:15 | |
Hello? | 0:56:17 | 0:56:18 | |
Matt. Come on. | 0:56:23 | 0:56:25 | |
Where are we going? | 0:56:25 | 0:56:27 | |
Come on! | 0:56:34 | 0:56:35 | |
-So what's going on? -I don't know what's going on. | 0:56:36 | 0:56:39 | |
Someone phoned me and said to get out the office. | 0:56:39 | 0:56:41 | |
-What, is Frances coming with a gun? -Just shut up, Matt! | 0:56:41 | 0:56:44 | |
All right, calm down. | 0:56:44 | 0:56:46 | |
Look, you can stay out here if you want. I've got work to do. | 0:56:59 | 0:57:02 | |
EXPLOSION | 0:57:02 | 0:57:04 | |
ALARMS AND SCREAMS | 0:57:04 | 0:57:07 | |
Based on 30 years as a copper, I'd say someone's trying to kill you. | 0:57:17 | 0:57:20 | |
This woman's got a file on me. | 0:57:20 | 0:57:22 | |
The wrong type of person could take advantage of that. | 0:57:22 | 0:57:25 | |
ANGRY SHOUTS | 0:57:25 | 0:57:29 | |
-What do we want to achieve? -The end of Brian Worsley. | 0:57:29 | 0:57:31 | |
-Don't come to Paris, Mr Venn. -Maybe she's in trouble? | 0:57:31 | 0:57:34 | |
If she is, take my advice, run. | 0:57:34 | 0:57:36 | |
If you find anything about Quirke that helps, I'd be very grateful. | 0:57:36 | 0:57:39 | |
-Something big is going on here. somebody tried to kill me! -Sorry, H. | 0:57:39 | 0:57:43 | |
What you're mixed up in... | 0:57:43 | 0:57:46 | |
I don't want to be mixed up in. | 0:57:46 | 0:57:47 | |
Subtitles by Red Bee Media Ltd | 0:58:10 | 0:58:14 | |
E-mail [email protected] | 0:58:14 | 0:58:17 |