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-I met a woman. -Nice? -Yeah, she's beautiful. | 0:00:03 | 0:00:05 | |
Trouble is, I think she's trying to set me up. | 0:00:05 | 0:00:09 | |
I'm Gina Hawkes, I have an 11 o'clock appointment with Mr Venn. | 0:00:09 | 0:00:12 | |
-For what? -The Braddick murder | 0:00:12 | 0:00:14 | |
GUNSHOT | 0:00:14 | 0:00:16 | |
She's a solicitor acting for Stevie Quirke. | 0:00:16 | 0:00:19 | |
He confessed because he's terrified. | 0:00:19 | 0:00:22 | |
So terrified in fact, that he'd rather be in prison. | 0:00:22 | 0:00:24 | |
He has some information that he's willing to pass on to you. | 0:00:24 | 0:00:27 | |
-Information about what? -Your brother Mark. | 0:00:27 | 0:00:30 | |
What do you know about Mark? | 0:00:30 | 0:00:31 | |
Who killed him? | 0:00:31 | 0:00:33 | |
Mark?! | 0:00:34 | 0:00:35 | |
I saw what I saw, Harry. Paul Hillman. | 0:00:35 | 0:00:37 | |
Paul Hillman's dead. | 0:00:37 | 0:00:39 | |
If Hillman's alive, | 0:00:39 | 0:00:41 | |
what does that say about Mark? | 0:00:41 | 0:00:42 | |
These allegations are completely untrue. | 0:00:42 | 0:00:47 | |
'..the Prime Minister talking earlier today.' | 0:00:44 | 0:00:47 | |
Do you honestly think I would take bribes? | 0:00:47 | 0:00:50 | |
-You know James Morpeth? -'I'm joined by the front runner to challenge Worsley, | 0:00:50 | 0:00:54 | |
'Alexander Wentworth.' | 0:00:54 | 0:00:55 | |
This country cannot continue to back a morally bankrupt Prime Minister. | 0:00:55 | 0:00:59 | |
Who'd have thought rioting in London would get to become practically a daily occurrence? | 0:00:59 | 0:01:04 | |
What's this? | 0:01:04 | 0:01:05 | |
Just some facts to put Worsley in his political grave. | 0:01:05 | 0:01:08 | |
-Have you ever hear of a bloke called Jason Styles? -No. Why? | 0:01:08 | 0:01:11 | |
I'm trying to find out who Gina Hawkes is. If she's on his books, | 0:01:11 | 0:01:15 | |
he'll have medical records, an address, something. | 0:01:15 | 0:01:17 | |
You can stay out here if you want, but I've got work to do. | 0:01:17 | 0:01:21 | |
EXPLOSION AND POLICE SIREN | 0:01:21 | 0:01:23 | |
TELEPHONE RINGS | 0:01:30 | 0:01:32 | |
'This is the help desk. How can I help?' | 0:01:32 | 0:01:35 | |
'Virus update, please.' | 0:01:35 | 0:01:36 | |
'Do you have the virus designation?' | 0:01:36 | 0:01:39 | |
'Eight, 22, 11, 13, Foxtrot.' | 0:01:39 | 0:01:43 | |
'One moment, please.' | 0:01:43 | 0:01:44 | |
What did you say this guy does? | 0:02:00 | 0:02:03 | |
We're in a doctor's surgery, Kev. | 0:02:03 | 0:02:06 | |
-What kind of doctor? -Why? Are you sick? | 0:02:06 | 0:02:10 | |
You want me to phone him? | 0:02:10 | 0:02:12 | |
It's just it shouldn't be this hard to get in. | 0:02:12 | 0:02:15 | |
-But you can get in, right? -Yeah. | 0:02:15 | 0:02:18 | |
All we need to do is to find Gina Hawkes' address. | 0:02:24 | 0:02:28 | |
Nice. | 0:02:43 | 0:02:44 | |
How's it going? | 0:03:14 | 0:03:16 | |
Kev? | 0:03:17 | 0:03:18 | |
What's going on? You looking at porn or something? | 0:03:20 | 0:03:22 | |
This is weird. | 0:03:32 | 0:03:34 | |
-CAR PULLS UP -'I'm still checking on the update. | 0:03:35 | 0:03:38 | |
'Do you want to hold or should I call you back?' | 0:03:38 | 0:03:40 | |
'I'll hold.' | 0:03:40 | 0:03:41 | |
Is it the police? | 0:03:46 | 0:03:48 | |
You wish. Let's go. | 0:03:48 | 0:03:49 | |
Come on, Kevin. No time for that. | 0:03:52 | 0:03:54 | |
Come on! | 0:03:55 | 0:03:57 | |
Shit. | 0:04:52 | 0:04:54 | |
'Thank you for holding. | 0:05:01 | 0:05:03 | |
'It appears the engineers were not able to isolate the virus. | 0:05:03 | 0:05:06 | |
-'We're sending new engineers out today to resolve the problem.' -'Keep me informed.' | 0:05:06 | 0:05:11 | |
'This country will not be put on standstill by these unfounded and vindictive allegations. | 0:05:23 | 0:05:28 | |
'Nor will we let a violent minority dictate the agenda. | 0:05:28 | 0:05:32 | |
'Now, can I please remind you what we are here for today? | 0:05:32 | 0:05:35 | |
'To celebrate the achievements of our new education policy | 0:05:35 | 0:05:37 | |
'and in particular, this new college here in Allington. | 0:05:37 | 0:05:42 | |
'When we came to power, | 0:05:42 | 0:05:44 | |
we pledged a further £1.5 billion to all schools over the course of Parliament, | 0:05:44 | 0:05:49 | |
'a promise we are on course to deliver on. Thank you.' | 0:05:49 | 0:05:52 | |
So that was the Prime Minister opening a new school in Maidstone today. | 0:05:52 | 0:05:57 | |
From the way he was talking, you could be forgiven for thinking | 0:05:57 | 0:06:00 | |
'it was an ordinary day at the office. | 0:06:00 | 0:06:02 | |
'The pressure on him to resign appears to be | 0:06:02 | 0:06:05 | |
like water off a duck's back as he insists every new development | 0:06:05 | 0:06:09 | |
is driven by some unidentified conspiracy. | 0:06:09 | 0:06:12 | |
'But whilst the Prime Minister continues to issue denials, | 0:06:12 | 0:06:15 | |
'life continues to be disrupted across Britain. | 0:06:15 | 0:06:18 | |
With further violent protests... | 0:06:18 | 0:06:20 | |
TELEPHONE RINGS ..and no resolution in sight, what next? | 0:06:20 | 0:06:24 | |
'I'm joined now down the line from Oxford...' | 0:06:24 | 0:06:28 | |
Alex. How are you? | 0:06:28 | 0:06:30 | |
-I've read Elspeth's file. -And? | 0:06:30 | 0:06:33 | |
I used to think nothing in modern politics could shock me any more. | 0:06:33 | 0:06:37 | |
Staggering, isn't it? | 0:06:37 | 0:06:39 | |
Do you think it's completely reliable? | 0:06:40 | 0:06:43 | |
'Of course, absolutely.' | 0:06:43 | 0:06:45 | |
Why hasn't she published? | 0:06:47 | 0:06:49 | |
Would sell a lot of newspapers. | 0:06:53 | 0:06:56 | |
Well, that was her first thought. And mine, I admit. | 0:06:56 | 0:07:00 | |
But then we talked about it. | 0:07:00 | 0:07:03 | |
The question is, what do we want to achieve with this information? | 0:07:03 | 0:07:08 | |
The end of Brian Worsley. | 0:07:10 | 0:07:12 | |
'Of course! All well and good.' | 0:07:12 | 0:07:14 | |
But the real issue is who comes next? | 0:07:14 | 0:07:18 | |
'Whoever stands up and makes these revelations...' | 0:07:19 | 0:07:23 | |
.. is going to get a great deal of attention. | 0:07:23 | 0:07:26 | |
Good night, James. | 0:07:30 | 0:07:32 | |
TELEPHONE RINGS | 0:07:36 | 0:07:37 | |
'Your call will be dealt with shortly' | 0:07:37 | 0:07:40 | |
'In the interests of security, your conversation will be monitored. | 0:07:40 | 0:07:45 | |
'Your call will be dealt with shortly. | 0:07:45 | 0:07:49 | |
'In the interests of security, your conversation will be monitored.' | 0:07:49 | 0:07:53 | |
Yeah? | 0:07:57 | 0:07:59 | |
Yeah, Stevie. I won't ask how you're doing. | 0:07:59 | 0:08:02 | |
-Yeah not good, Harry, not good. -That's why I wasn't going to ask. | 0:08:02 | 0:08:06 | |
'You found Joe yet?' | 0:08:06 | 0:08:07 | |
This Hillman thing. Go over it again. | 0:08:07 | 0:08:10 | |
-Ah, so you believe me now? -Put it this way, I'm willing to be convinced. | 0:08:10 | 0:08:14 | |
'Look you got to find Joe for me.' | 0:08:14 | 0:08:17 | |
Well, then you got to tell me everything. | 0:08:17 | 0:08:20 | |
Come see me today, yeah. 'What time you gonna be here?' | 0:08:20 | 0:08:23 | |
I've got to see somebody first, sometime this afternoon. | 0:08:23 | 0:08:26 | |
'Well afternoon visits are two till five.' | 0:08:26 | 0:08:28 | |
-Don't leave it later than a quarter to or they won't let you in. -Yeah, I'll be there. | 0:08:28 | 0:08:32 | |
-'Harry.' -What? | 0:08:32 | 0:08:34 | |
Be careful, yeah. | 0:08:34 | 0:08:36 | |
Now you tell bloody me. | 0:08:36 | 0:08:39 | |
What happened to the office, Dad? | 0:08:48 | 0:08:50 | |
What, I'm Dad now? | 0:08:50 | 0:08:52 | |
Some kind of an explosion. | 0:08:53 | 0:08:55 | |
Wow! | 0:08:55 | 0:08:57 | |
-You all right? -I just wanted to say sorry... | 0:08:57 | 0:09:00 | |
..for, you know, the police station and that. | 0:09:00 | 0:09:04 | |
Michael, keep your nose clean, all right? | 0:09:07 | 0:09:11 | |
Stay out of trouble, you won't get sent to prison. | 0:09:11 | 0:09:14 | |
Could you lend me fifty quid? | 0:09:16 | 0:09:18 | |
-Fifty quid? -Yeah. | 0:09:18 | 0:09:20 | |
That's a lot of money. What do you want fifty quid for? | 0:09:20 | 0:09:23 | |
Mum. Buy her a present. | 0:09:23 | 0:09:25 | |
Make up for everything. | 0:09:25 | 0:09:27 | |
How is mum? | 0:09:30 | 0:09:31 | |
Dad? | 0:09:35 | 0:09:37 | |
I wasn't there! | 0:09:37 | 0:09:40 | |
Braddick is dead! Two policemen are dead! | 0:09:40 | 0:09:45 | |
Dad? | 0:09:49 | 0:09:50 | |
Dad. | 0:09:56 | 0:09:57 | |
-Yeah? Fifty. -Yeah, fifty. | 0:09:57 | 0:09:59 | |
-You're mum all right? -Fine. | 0:09:59 | 0:10:01 | |
Shame. | 0:10:01 | 0:10:03 | |
Yeah, well you know, I've got insurance so, er... | 0:10:03 | 0:10:06 | |
No, no. Shame you weren't in your office when it exploded. | 0:10:06 | 0:10:10 | |
This is Mr Russell, me and him go a long way back. | 0:10:11 | 0:10:14 | |
-He likes his little jokes. -Actually, no. | 0:10:14 | 0:10:17 | |
When it comes to cop killers, I have no sense of humour at all. | 0:10:17 | 0:10:21 | |
Go and get your mother that present. | 0:10:21 | 0:10:23 | |
This your lad, Harry? That's nice. | 0:10:23 | 0:10:26 | |
-What's your name, son? -That's none of your business. -Who is he? Is he a cop? | 0:10:26 | 0:10:30 | |
-Yeah, I'm a cop. Inside and out. -I don't like cops. | 0:10:30 | 0:10:33 | |
Nobody does. | 0:10:33 | 0:10:36 | |
Michael, go. Go on. | 0:10:36 | 0:10:37 | |
The investigators are pretty sure it was a gas leak. | 0:10:39 | 0:10:44 | |
Yeah well, I suppose they know their job. | 0:10:44 | 0:10:47 | |
Probably an accident. | 0:10:47 | 0:10:49 | |
They do happen. | 0:10:50 | 0:10:51 | |
Do you have any reason to believe it wasn't an accident? | 0:10:51 | 0:10:55 | |
No. You? | 0:10:55 | 0:10:56 | |
Explosions caused by gas leaks are almost always accidental. | 0:10:56 | 0:11:00 | |
Except, when it happens to someone like you. | 0:11:00 | 0:11:03 | |
You know I'm a solicitor, an officer of the court. | 0:11:05 | 0:11:08 | |
I think you might be confusing me for one of my clients. | 0:11:08 | 0:11:12 | |
Oh, I'm not confused by you at all, Harold. | 0:11:12 | 0:11:15 | |
You're a murdering bastard. | 0:11:15 | 0:11:17 | |
Have a nice day. | 0:11:19 | 0:11:20 | |
Two policemen and a man named Braddick were murdered. | 0:11:20 | 0:11:23 | |
You were involved. Maybe you've forgotten? | 0:11:23 | 0:11:26 | |
No. A man doesn't forget when he's falsely been accused of murder. | 0:11:26 | 0:11:31 | |
You've no idea how offensive that sounds on a guilty man's lips. | 0:11:31 | 0:11:34 | |
Well, then you shouldn't feel offended then, eh. | 0:11:34 | 0:11:36 | |
Do you know what, I'm going to help you. | 0:11:36 | 0:11:39 | |
And if you're smart, you'll accept it. | 0:11:39 | 0:11:42 | |
You? Help me? | 0:11:42 | 0:11:44 | |
HE LAUGHS | 0:11:44 | 0:11:45 | |
Now based on 30 years as a copper, | 0:11:47 | 0:11:50 | |
I'd say that someone's trying to kill you. | 0:11:50 | 0:11:53 | |
There's something about this doesn't smell right, does it? | 0:11:53 | 0:11:56 | |
It's probably the gas. | 0:11:56 | 0:11:58 | |
I retire in a couple of years, looking forward to it. | 0:12:01 | 0:12:04 | |
Bit of gardening, little bit of golf. Be a nice change of pace. | 0:12:04 | 0:12:08 | |
But before I pack it in, | 0:12:08 | 0:12:11 | |
I'm going to clear up the Braddick case. | 0:12:11 | 0:12:14 | |
HE LAUGHS | 0:12:14 | 0:12:15 | |
DOORBELL RINGS | 0:12:43 | 0:12:45 | |
GUNSHOT | 0:12:47 | 0:12:49 | |
GUNSHOTS | 0:12:54 | 0:12:56 | |
INDISTINCT CB RADIO | 0:13:37 | 0:13:38 | |
AUTOMATIC DOOR OPENS | 0:14:02 | 0:14:03 | |
SPEAKS FRENCH: | 0:14:37 | 0:14:40 | |
CAR SCREECHES IN BACKGROUND | 0:14:44 | 0:14:46 | |
EERIE MUSIC | 0:15:40 | 0:15:44 | |
PHONE RINGS | 0:15:50 | 0:15:53 | |
-Oui. -If we're doing this in French, it's going to be a short conversation. | 0:15:57 | 0:16:00 | |
-I trust you're calling me to tell me you found Joe Collins. -Yeah, I like it that you trust me, Gina. | 0:16:00 | 0:16:05 | |
-Shows we're getting closer. -Have you found Joe Collins? | 0:16:05 | 0:16:08 | |
-I have not. I ran into a bit of a problem. -What problem? | 0:16:08 | 0:16:13 | |
-The explosive kind. My office blew up. -What happened? -Seems there was a gas leak... | 0:16:13 | 0:16:19 | |
Thanks. | 0:16:19 | 0:16:20 | |
-..that came with a warning. -A warning? Who from? | 0:16:20 | 0:16:25 | |
A friend. At least I have to assume it was a friend as they had the decency to warn me. | 0:16:25 | 0:16:29 | |
-I'm afraid I've lost you. -Why don't I jump on the Eurostar | 0:16:29 | 0:16:32 | |
and then you can tell me to my face what this is all about. | 0:16:32 | 0:16:36 | |
I hired you to find a missing witness. | 0:16:36 | 0:16:39 | |
Someone tried to kill me the day after you walk into my life. Should I think there's a connection? | 0:16:39 | 0:16:43 | |
-Why should there be? -Stop playing games with me, Gina, unless you're trying to get me killed? | 0:16:43 | 0:16:49 | |
-That's ridiculous. -Is it? | 0:16:49 | 0:16:51 | |
Well, you answer me this, have our paths met sometime somewhere that I don't know about? | 0:16:51 | 0:16:57 | |
If they did, I don't know about it either. | 0:16:57 | 0:17:00 | |
Then why are you so interested in me? | 0:17:00 | 0:17:02 | |
I can assure you, Mr Venn, I have no interest in you other than as someone | 0:17:02 | 0:17:06 | |
who my client tells me can find Joe Collins. | 0:17:06 | 0:17:09 | |
And, may I remind you, you took the money I offered to do exactly that. | 0:17:09 | 0:17:12 | |
There's an e-mail. A Blackberry I swiped at the doctor's surgery. | 0:17:26 | 0:17:31 | |
Just one? | 0:17:31 | 0:17:33 | |
"We'll raise a glass of Cockburn's on 10th July." | 0:17:33 | 0:17:37 | |
What does that mean? | 0:17:37 | 0:17:38 | |
I have to tell you, Frank, I'm mildly disappointed. | 0:17:38 | 0:17:42 | |
I wanted her medical records, an address. | 0:17:42 | 0:17:44 | |
You told me I was breaking into a doctor's office. | 0:17:44 | 0:17:47 | |
-Did I tell you about the people who chased us out of there? -What people? | 0:17:47 | 0:17:51 | |
Special Forces types. Neck snappers. Just after your office gets blown up? | 0:17:51 | 0:17:56 | |
I don't mean to put the wind up you, H, but it's possible someone wants to hurt you. | 0:17:56 | 0:18:00 | |
This woman's got a file on me. | 0:18:00 | 0:18:03 | |
She's got a load of stuff about the Braddick case. | 0:18:03 | 0:18:06 | |
What's her interest? | 0:18:06 | 0:18:07 | |
-Is she Braddick's daughter? Bounty hunter? Writing a book? -Maybe she's the one in trouble? | 0:18:07 | 0:18:11 | |
Well, if she is, you take my advice, H. | 0:18:11 | 0:18:16 | |
Run. You look like you could use a holiday. | 0:18:16 | 0:18:21 | |
Why don't you fly somewhere. Find a beach, lie on a towel till all this goes away. | 0:18:21 | 0:18:26 | |
What if she knows something about Mark? | 0:18:26 | 0:18:28 | |
Mark's dead. | 0:18:28 | 0:18:31 | |
Remember? | 0:18:31 | 0:18:32 | |
0:19:01 | 0:19:06 | ||
MorpethAll.com is the domain name of Morpeth Allison. | 0:19:06 | 0:19:09 | |
You can look them up on the internet. They're a big firm. Cement, construction. | 0:19:09 | 0:19:14 | |
Never heard of them. | 0:19:14 | 0:19:16 | |
Maybe because you're not in the market for a hydro-electric dam. | 0:19:16 | 0:19:19 | |
If you were, Morpeth Allison would build it for you. | 0:19:19 | 0:19:22 | |
And any motorways, nuclear power stations and skyscrapers you might also need. | 0:19:22 | 0:19:27 | |
Spitfire? Spitfire2? | 0:19:27 | 0:19:30 | |
-He's a Battle of Britain freak. Harry just leave it. -I can't leave it, Frank. | 0:19:30 | 0:19:36 | |
Something big is going on here Frank, somebody tried to kill me! | 0:19:39 | 0:19:42 | |
-Back in the day, did you ever come across a bloke called Jason Styles? -Styles? No. Was he a face? | 0:19:42 | 0:19:49 | |
He set up the Braddick job for Mark and Hillman. | 0:19:49 | 0:19:53 | |
When you say "set up"... | 0:19:53 | 0:19:55 | |
-..you think he might have killed Mark? -Let's put it this way, I had my suspicions, yeah. | 0:19:55 | 0:20:00 | |
Do you think you could find Joe for me? | 0:20:02 | 0:20:04 | |
Sorry, H. What you're mixed up in, I don't want to be mixed up in. | 0:20:04 | 0:20:10 | |
No, no. | 0:20:13 | 0:20:14 | |
If you need a new office suite, I've got a stunner over here. | 0:20:16 | 0:20:19 | |
Real mahogany veneer. | 0:20:19 | 0:20:23 | |
No, you're all right. | 0:20:23 | 0:20:24 | |
GINA: "My client appears to be innocent. | 0:20:34 | 0:20:38 | |
"He told me he was innocent. I believe him. | 0:20:38 | 0:20:42 | |
"I'm thinking of sending the brief to Nigel Fountain." | 0:20:42 | 0:20:47 | |
-May I help you? -That would be nice. | 0:21:11 | 0:21:14 | |
My name is Harry Venn. I'm a solicitor. | 0:21:14 | 0:21:17 | |
I'd like to see Nigel Fountain. | 0:21:17 | 0:21:18 | |
SIR Nigel. Do you have an appointment, Mr Venn? | 0:21:19 | 0:21:24 | |
Yes, I do. | 0:21:24 | 0:21:26 | |
I don't see an appointment. | 0:21:32 | 0:21:34 | |
Well, that is unusual. | 0:21:37 | 0:21:38 | |
My assistant spent most of yesterday trying to arrange one. | 0:21:38 | 0:21:41 | |
Obviously didn't get one. Maybe I should fire him? | 0:21:41 | 0:21:44 | |
No, seriously. I would like to see Sir Nigel? | 0:21:45 | 0:21:49 | |
I'm afraid that won't be possible. | 0:21:49 | 0:21:52 | |
It is important. In fact, it's very important. | 0:21:52 | 0:21:55 | |
You can leave a contact number on your way out. | 0:21:55 | 0:21:58 | |
It'll only take a few minutes. No, I'm fine. I'll wait. | 0:21:58 | 0:22:00 | |
If you wish, but you'll have to wait outside. | 0:22:00 | 0:22:03 | |
REMEMBERING: "I'm sorry I got you into this, kid." | 0:22:43 | 0:22:47 | |
"Your brother, Mark." | 0:22:47 | 0:22:49 | |
"Sorry I got you into this, kid." | 0:22:52 | 0:22:55 | |
These gentlemen will show you out. | 0:23:02 | 0:23:06 | |
Picture of my office in the paper. | 0:23:13 | 0:23:15 | |
You can't go in there! | 0:23:19 | 0:23:22 | |
Sir Nigel, my name is Harry Venn. I need to speak to you. | 0:23:22 | 0:23:25 | |
I'm so sorry. He just barged past me. I'll call the police. | 0:23:25 | 0:23:28 | |
-A solicitor named Gina Hawkes hired me to find a witness. -Wait a minute. Wait a minute. | 0:23:28 | 0:23:32 | |
-Sorry, what were you saying? -It's regarding the Quirke case? She told me that she spoke to you about it. | 0:23:32 | 0:23:38 | |
I see. | 0:23:38 | 0:23:40 | |
Thank you. I'll handle this. | 0:23:42 | 0:23:44 | |
How can I help you? | 0:23:50 | 0:23:52 | |
Well, since Gina, erm, Miss Hawkes, the solicitor... | 0:23:52 | 0:23:57 | |
Yes, I know who she is. | 0:23:57 | 0:23:58 | |
-Well, since she first came to me a couple of days ago, certain things have happened. -What things? | 0:23:58 | 0:24:04 | |
Well, for starters my office blew up. | 0:24:04 | 0:24:06 | |
What are you doing for lunch? | 0:24:11 | 0:24:13 | |
Bonjour. Est-ce-que je peux avoir un paquet du blanc, s'il vous plait? | 0:24:15 | 0:24:20 | |
-5.90. -Merci a vous. Bonne journee. Merci. Au revoir. | 0:24:20 | 0:24:24 | |
PHONE RINGS | 0:25:33 | 0:25:36 | |
Oui. | 0:25:36 | 0:25:37 | |
Allo? | 0:25:37 | 0:25:38 | |
Sir Nigel, I need to know why you're acting for Stevie Quirke? | 0:26:16 | 0:26:20 | |
You're one of the most expensive lawyers in the country and Stevie doesn't have a bean to his name. | 0:26:20 | 0:26:26 | |
How much do you know about Gina? | 0:26:26 | 0:26:28 | |
Well, a lot less than I'd like to. I mean professionally speaking. | 0:26:30 | 0:26:36 | |
She's my daughter. | 0:26:36 | 0:26:38 | |
She seems to believe Mr Quirke is innocent. | 0:26:39 | 0:26:41 | |
Though personally I doubt it, but that's a defending solicitor's prerogative, | 0:26:41 | 0:26:46 | |
as I'm sure you'd agree. | 0:26:46 | 0:26:48 | |
Yeah, I suppose so. | 0:26:48 | 0:26:51 | |
You said Gina asked you to find a witness? | 0:26:51 | 0:26:53 | |
Yeah, a man called Joseph Collins. | 0:26:53 | 0:26:57 | |
How is Collins connected to this? | 0:26:57 | 0:26:58 | |
I'm not sure. Quirke says Collins has got something that will help him. | 0:26:58 | 0:27:02 | |
Did he say what? | 0:27:02 | 0:27:04 | |
-No. I was sort of hoping you might know. -I haven't even met Quirke yet. | 0:27:04 | 0:27:09 | |
-After you. -Thank you. | 0:27:09 | 0:27:11 | |
I go on first impressions, Mr Venn. | 0:27:17 | 0:27:21 | |
Some people say that's foolish, but I'm rarely wrong. | 0:27:21 | 0:27:24 | |
I suspect it's probably the last thing you'd want anyone to think about you, | 0:27:24 | 0:27:28 | |
but I'd say you were an honest man. | 0:27:28 | 0:27:30 | |
How dare you! | 0:27:30 | 0:27:32 | |
Gina is vulnerable. | 0:27:38 | 0:27:40 | |
That's not how she strikes me. | 0:27:42 | 0:27:44 | |
Oh, I know. She's tough, but the two things aren't incompatible. | 0:27:44 | 0:27:48 | |
For personal reasons, | 0:27:51 | 0:27:53 | |
things in her past, | 0:27:53 | 0:27:56 | |
she's erm... | 0:27:56 | 0:27:58 | |
Well, she has a susceptibility to lost causes. | 0:27:58 | 0:28:01 | |
She's always looking for dragons where there are none to slay. | 0:28:01 | 0:28:05 | |
The wrong type of person could take considerable advantage of that quality. | 0:28:05 | 0:28:11 | |
Are you talking about Quirke or me? | 0:28:11 | 0:28:15 | |
I don't think Quirke is in a position to take advantage of anyone. | 0:28:15 | 0:28:19 | |
-Hang on. You just said I was honest? -That's what I'm counting on. | 0:28:19 | 0:28:23 | |
Right. | 0:28:28 | 0:28:30 | |
-Are we not going to get the bill? -It's all done. | 0:28:32 | 0:28:34 | |
Thank you, Charles. | 0:28:38 | 0:28:39 | |
Are you a Wentworth man? | 0:28:46 | 0:28:47 | |
Bloody Politicians these days! Do you think they clone them? They seem to come in batches of 20! | 0:28:47 | 0:28:52 | |
You don't think he's a second Churchill, rescuing us in our hour of need? | 0:28:52 | 0:28:55 | |
-I don't pay much attention to politics. -Wise man! | 0:28:55 | 0:28:59 | |
Look if you find anything about Quirke that can help us, | 0:29:00 | 0:29:03 | |
I'd be very grateful. | 0:29:03 | 0:29:05 | |
A father likes to shine in his daughter's eyes. | 0:29:05 | 0:29:08 | |
I'll let you know. | 0:29:08 | 0:29:09 | |
In fact, I'm on my way to see him right now. | 0:29:09 | 0:29:12 | |
My mobile's on this. | 0:29:12 | 0:29:13 | |
Great. Thank you, Sir Nigel. | 0:29:13 | 0:29:16 | |
No, please, just Nigel. | 0:29:16 | 0:29:18 | |
I'm glad you said that. I'm not too comfortable saying Sir. | 0:29:18 | 0:29:21 | |
I'm not too comfortable hearing it. Goodbye. | 0:29:21 | 0:29:24 | |
Thanks for lunch. | 0:29:24 | 0:29:26 | |
TELEPHONE RINGS | 0:29:34 | 0:29:38 | |
What? | 0:29:42 | 0:29:44 | |
What are you doing? | 0:29:44 | 0:29:45 | |
I think I've got PTSD. Why? | 0:29:45 | 0:29:47 | |
There's a bloke called Dean Stubbs. He works out at that boxing club | 0:29:47 | 0:29:50 | |
behind Talbot Road. He's in there pretty much every day. | 0:29:50 | 0:29:53 | |
I want you to follow him, | 0:29:53 | 0:29:55 | |
'wherever he goes.' | 0:29:55 | 0:29:56 | |
Why? | 0:29:56 | 0:29:57 | |
'Cos I haven't got time, I've got to go see Stevie Quirke in prison.' | 0:29:57 | 0:30:01 | |
Now listen. Dean's a friend of Joe Collins | 0:30:01 | 0:30:04 | |
and if Joe's gone into hiding, | 0:30:04 | 0:30:06 | |
chances are, Dean is going to know where he is. | 0:30:06 | 0:30:10 | |
'So get yourself to the gym.' | 0:30:10 | 0:30:12 | |
Harry, I'm seriously unfit. | 0:30:12 | 0:30:13 | |
It'll do you good then. Matt, one word of warning. | 0:30:13 | 0:30:16 | |
'Don't get too close to him. He's got a habit of punching people when they're not looking.' | 0:30:16 | 0:30:20 | |
PHONE BEEPS I've got to go. | 0:30:20 | 0:30:22 | |
Lauren, hi. | 0:30:22 | 0:30:24 | |
Michael's been arrested. | 0:30:24 | 0:30:25 | |
'What again?!' | 0:30:25 | 0:30:26 | |
-What's he done now? -He was caught on Sandringham Road with drugs. | 0:30:26 | 0:30:30 | |
I'm at Stoke Newington police station. | 0:30:30 | 0:30:32 | |
'Can you get here?' | 0:30:32 | 0:30:34 | |
Er, yeah, yeah, I'm on my way. | 0:30:34 | 0:30:37 | |
Jones, Bassett, Khan... | 0:31:04 | 0:31:07 | |
visits. | 0:31:07 | 0:31:08 | |
Have you seen him? | 0:31:27 | 0:31:29 | |
They wouldn't let me. | 0:31:29 | 0:31:31 | |
Blake, Brodie, Wesson, visits. | 0:31:47 | 0:31:51 | |
Oi, you got one for me? | 0:31:52 | 0:31:55 | |
Oi, hold up, hold up, you got a visit for me? Quirke! | 0:31:55 | 0:31:58 | |
Hello, Harry? | 0:32:16 | 0:32:18 | |
Hi. | 0:32:18 | 0:32:19 | |
It's not good news. They're going to charge him. | 0:32:19 | 0:32:21 | |
For buying a bit of dope? | 0:32:21 | 0:32:23 | |
He wasn't buying and it wasn't dope. | 0:32:23 | 0:32:26 | |
What was it then? | 0:32:26 | 0:32:28 | |
They're saying he bought fifty quid's worth of crack to sell it. | 0:32:28 | 0:32:31 | |
-What's he doing selling crack?! -Harry... | 0:32:31 | 0:32:33 | |
Lauren, Michael's not the type of kid that goes around selling crack! | 0:32:33 | 0:32:37 | |
-The police are going to oppose bail. -Can they do that? | 0:32:37 | 0:32:40 | |
It's because he was already on bail. | 0:32:40 | 0:32:43 | |
We'll apply again. Leave it with me, I'm working on it. | 0:32:43 | 0:32:46 | |
Thanks, Lisa. | 0:32:46 | 0:32:48 | |
Jesus. | 0:32:49 | 0:32:50 | |
I don't understand. How did he get fifty quid? | 0:32:50 | 0:32:53 | |
I gave it to him. | 0:32:53 | 0:32:55 | |
He said he wanted to buy you a present. | 0:32:55 | 0:32:57 | |
SHE SIGHS | 0:32:57 | 0:32:58 | |
I'm sorry, Lauren. You know, he asked me for it, I couldn't say no. | 0:32:58 | 0:33:03 | |
I was trying to make it up to him. | 0:33:03 | 0:33:04 | |
That's not the way to do it. | 0:33:04 | 0:33:06 | |
BEEPS HORN | 0:33:14 | 0:33:16 | |
Put your fucking foot down! | 0:33:20 | 0:33:23 | |
BEEPS HORN | 0:33:23 | 0:33:27 | |
Oh, Jesus! | 0:33:29 | 0:33:32 | |
Cook, Hussain, Campbell... | 0:33:33 | 0:33:36 | |
visits. | 0:33:36 | 0:33:37 | |
Hi, I'm here to see Stephen Quirke. | 0:34:02 | 0:34:05 | |
-Name? -Harry Venn, solicitor. | 0:34:05 | 0:34:07 | |
Take a seat in there. | 0:34:07 | 0:34:10 | |
TELEPHONE RINGS | 0:34:16 | 0:34:17 | |
'Help desk, may I have your customer ID?' | 0:34:17 | 0:34:20 | |
'W, B, zero, eight, 20, | 0:34:20 | 0:34:23 | |
'19, 19...' | 0:34:23 | 0:34:24 | |
Smith, Cooper, Samuel | 0:34:24 | 0:34:26 | |
and Quirke... visits. | 0:34:26 | 0:34:28 | |
'May I have characters two, seven and eight only of your protocol?' | 0:34:29 | 0:34:33 | |
'Hotel, November, | 0:34:33 | 0:34:35 | |
'Tango.' | 0:34:35 | 0:34:36 | |
'You are verified, one moment whilst I secure.' | 0:34:39 | 0:34:43 | |
Which one's Quirke? | 0:34:44 | 0:34:45 | |
-You're Quirke, aren't you? -Yeah, what's up? | 0:34:45 | 0:34:48 | |
He's got to stay here. | 0:34:48 | 0:34:49 | |
What do you mean I've got to stay here? | 0:34:49 | 0:34:51 | |
Right, the rest of you, with me. | 0:34:51 | 0:34:54 | |
So what am I staying here for? | 0:34:54 | 0:34:56 | |
You got to wait. If you don't like it, you go back to the wing. | 0:34:56 | 0:34:59 | |
You got too much of that, cabin boy. Yeah, I'll have your badge, yeah? | 0:34:59 | 0:35:03 | |
Relax, you'll get your visit. | 0:35:03 | 0:35:06 | |
'You're secured. How can we help?' | 0:35:07 | 0:35:09 | |
'Virus update, please.' | 0:35:09 | 0:35:11 | |
'Do you have the virus designation?' | 0:35:11 | 0:35:13 | |
'19, | 0:35:13 | 0:35:15 | |
'17, 11, 30, foxtrot.' | 0:35:15 | 0:35:19 | |
'One moment.' | 0:35:19 | 0:35:20 | |
'I'm still checking on the update, | 0:35:23 | 0:35:25 | |
'do you want to hold or should I call you back?' | 0:35:25 | 0:35:27 | |
I'll hold. | 0:35:27 | 0:35:29 | |
Oi, someone, yeah? | 0:35:35 | 0:35:38 | |
I have got a visit! | 0:35:40 | 0:35:42 | |
All right, mate? | 0:35:46 | 0:35:47 | |
What do you want? | 0:35:50 | 0:35:52 | |
No, no! | 0:35:57 | 0:35:59 | |
Excuse me, what's the delay? | 0:36:05 | 0:36:07 | |
I'll see what's keeping him. | 0:36:07 | 0:36:09 | |
..Yeah, where's Quirke? | 0:36:22 | 0:36:25 | |
..I got a solicitor here waiting for him. | 0:36:25 | 0:36:29 | |
..Have a look, will you? | 0:36:29 | 0:36:30 | |
ALARM | 0:36:48 | 0:36:54 | |
'Thank you for waiting. We've just had confirmation. | 0:36:58 | 0:37:01 | |
'That virus has been successfully cleansed.' | 0:37:01 | 0:37:04 | |
Thank you. | 0:37:04 | 0:37:06 | |
The decent hard working people of this country, | 0:37:06 | 0:37:08 | |
I know because I talk to them every day, | 0:37:08 | 0:37:11 | |
want order, peace and stability and they have a right | 0:37:11 | 0:37:13 | |
to expect their government to deliver those things. | 0:37:13 | 0:37:16 | |
Now, Brian Worsley and his pick and mix coalition | 0:37:16 | 0:37:19 | |
have delivered one thing so far and that's chaos. | 0:37:19 | 0:37:22 | |
Fiscal meltdown, civil meltdown. And he wants a second chance. | 0:37:22 | 0:37:26 | |
Who in their right mind would give it to him? | 0:37:26 | 0:37:29 | |
Not the people I'm talking to! | 0:37:29 | 0:37:30 | |
Well, that was Alexander Wentworth, again piling the pressure | 0:37:30 | 0:37:33 | |
on the coalition government and there is little sign that | 0:37:33 | 0:37:36 | |
slow moving developments at Westminster are calming the chaos on the streets. | 0:37:36 | 0:37:40 | |
The protests in the centre of London today have seen rising casualties | 0:37:40 | 0:37:44 | |
and for the first time the police strategy of kettling has backfired | 0:37:44 | 0:37:48 | |
with small groups of protestors breaking off from the main crowds | 0:37:48 | 0:37:51 | |
and trouble breaking out in isolated pockets throughout the city. | 0:37:51 | 0:37:55 | |
What's happening? | 0:38:08 | 0:38:09 | |
Demonstrators. | 0:38:09 | 0:38:10 | |
What? | 0:38:10 | 0:38:11 | |
SHOUTING | 0:38:14 | 0:38:18 | |
Drive! | 0:38:21 | 0:38:23 | |
Are you all right, ma'am? | 0:38:26 | 0:38:29 | |
Yes. | 0:38:29 | 0:38:30 | |
Ah, Simon. How nice to see you. | 0:39:01 | 0:39:04 | |
Elspeth, you look wonderful. | 0:39:05 | 0:39:08 | |
Thank you, James. | 0:39:08 | 0:39:09 | |
Thank you all so much for coming. | 0:39:09 | 0:39:14 | |
The entire country seems to be collapsing and there are rioters | 0:39:14 | 0:39:17 | |
on the streets, but you haven't let them stop you. | 0:39:17 | 0:39:20 | |
APPLAUSE | 0:39:20 | 0:39:23 | |
And I'd like to make a special thanks to Elspeth. | 0:39:23 | 0:39:26 | |
As some of you may have already heard, | 0:39:26 | 0:39:29 | |
she was attacked in her car on her way here. But she didn't let it stop her. | 0:39:29 | 0:39:33 | |
APPLAUSE | 0:39:33 | 0:39:36 | |
Now, there are only four paintings left, only four... | 0:39:36 | 0:39:40 | |
Well? | 0:39:40 | 0:39:41 | |
He's through here. | 0:39:41 | 0:39:43 | |
..but buy them at hideously expensive prices. | 0:39:43 | 0:39:46 | |
Not only because they're worth it, but because you will not find | 0:39:46 | 0:39:50 | |
a worthier cause than the Cancel Cancer Foundation. | 0:39:50 | 0:39:52 | |
Thank you very much. | 0:39:52 | 0:39:55 | |
I don't think you two have met. General Sir Adrian Henderson, | 0:40:00 | 0:40:03 | |
-Elspeth Verney. -Pleased to meet you, General. | 0:40:03 | 0:40:06 | |
Adrian, please. | 0:40:06 | 0:40:07 | |
Adrian has read the Worsley material. | 0:40:11 | 0:40:13 | |
It's staggering. It's appalling. | 0:40:13 | 0:40:16 | |
He'll go to prison of course, unless he takes the Roman way out. | 0:40:16 | 0:40:19 | |
Alex feels the same way | 0:40:19 | 0:40:20 | |
and has agreed to make the revelations personally. | 0:40:20 | 0:40:23 | |
In the House? | 0:40:23 | 0:40:24 | |
We're thinking a press conference will have a greater impact. | 0:40:24 | 0:40:28 | |
In front of the world's media, it will be the perfect launching pad for Alex. | 0:40:28 | 0:40:32 | |
Is he up to it? He's very young. | 0:40:32 | 0:40:35 | |
He's young, vigorous, clever, principled, charismatic... | 0:40:35 | 0:40:39 | |
he's perfect. | 0:40:39 | 0:40:40 | |
When? | 0:40:40 | 0:40:41 | |
The day after tomorrow. | 0:40:41 | 0:40:44 | |
Good. | 0:40:47 | 0:40:49 | |
Adrian is famously a man of very few words. | 0:40:51 | 0:40:55 | |
It's important that things are seen to be done | 0:40:55 | 0:40:57 | |
with a minimum amount of display. | 0:40:57 | 0:41:00 | |
The more ostentation, the harder it will be for us to sell. | 0:41:00 | 0:41:03 | |
Low key. | 0:41:03 | 0:41:05 | |
With the option of a higher key if necessary. | 0:41:05 | 0:41:07 | |
What kind of numbers can we expect from the Wentworth team? | 0:41:07 | 0:41:11 | |
Alex is being cagey about that. | 0:41:11 | 0:41:12 | |
It will help with my people | 0:41:12 | 0:41:15 | |
if the numbers are larger rather than smaller. | 0:41:15 | 0:41:17 | |
Alex labours under particular restraints. | 0:41:17 | 0:41:21 | |
But once we get going, the facts on the ground and his prestige... | 0:41:21 | 0:41:24 | |
Which RDO Media has greatly enhanced. | 0:41:24 | 0:41:27 | |
And with Tigger's support... | 0:41:27 | 0:41:28 | |
Are we there yet with Tigger? | 0:41:28 | 0:41:30 | |
We are this close. | 0:41:30 | 0:41:34 | |
TELEPHONE RINGS | 0:42:25 | 0:42:28 | |
'Oui?' | 0:42:30 | 0:42:31 | |
'Allo, oui?' | 0:42:31 | 0:42:33 | |
I'll call you back. | 0:42:33 | 0:42:34 | |
PHONE RINGS | 0:44:03 | 0:44:06 | |
Hello. | 0:44:10 | 0:44:11 | |
Stevie Quirke was murdered this afternoon. | 0:44:11 | 0:44:14 | |
What happened? | 0:44:16 | 0:44:17 | |
He was stabbed. | 0:44:17 | 0:44:18 | |
Not only that, two men followed me when I left Belmarsh, | 0:44:18 | 0:44:22 | |
one of them was Jason Styles. | 0:44:22 | 0:44:24 | |
Did you hear what I just said, Gina? | 0:44:26 | 0:44:28 | |
Jason Styles was at the prison. He followed me. | 0:44:28 | 0:44:32 | |
I don't know who that is. | 0:44:34 | 0:44:35 | |
Stop fucking lying to me, Gina. I'm on the Eurostar. | 0:44:35 | 0:44:38 | |
You better get your answers ready. | 0:44:38 | 0:44:40 | |
No. Don't come to Paris, Mr Venn. | 0:44:40 | 0:44:42 | |
My train gets in at 8.05 at the Gare du Nord. | 0:44:42 | 0:44:44 | |
You be there to meet me. | 0:44:44 | 0:44:46 | |
PHONE RINGS | 0:45:00 | 0:45:02 | |
Oui. | 0:45:04 | 0:45:05 | |
'Vous avez l'argent?' | 0:45:05 | 0:45:07 | |
Oui. | 0:45:07 | 0:45:07 | |
'Soyez-la dans une heure.' | 0:45:07 | 0:45:10 | |
Ou ca? | 0:45:10 | 0:45:11 | |
Mais ou? | 0:45:13 | 0:45:14 | |
Monsieur Tanzir! | 0:45:14 | 0:45:16 | |
Gina, it's me, Harry. I'm at the Gare du Nord. | 0:46:05 | 0:46:07 | |
You're supposed to meet me here. Where are you? Call me. | 0:46:07 | 0:46:10 | |
'The grapevine is buzzing here at Westminster today with | 0:46:12 | 0:46:15 | |
'rumours emerging that billionaire industrialist James Morpeth | 0:46:15 | 0:46:19 | |
'has thrown his political and financial weight behind Alexander Wentworth, | 0:46:19 | 0:46:23 | |
'who has today been upping the pressure on the Prime Minister. | 0:46:23 | 0:46:26 | |
'It's high time this country had a government based | 0:46:26 | 0:46:29 | |
'on Principle with a big P and not politics with a small one. | 0:46:29 | 0:46:33 | |
'We need rigour, we need clarity, we need courage. | 0:46:33 | 0:46:35 | |
'We know what the problems are.' PHONE RINGS | 0:46:35 | 0:46:38 | |
'The country is crying out for clear leadership. | 0:46:38 | 0:46:40 | |
'It's time for some conviction.' | 0:46:40 | 0:46:42 | |
Hello? | 0:46:46 | 0:46:47 | |
Oh, Sir Nigel, it's... Harry Venn. | 0:46:47 | 0:46:50 | |
What can I do for you, Harry? | 0:46:50 | 0:46:52 | |
I'm supposed to be meeting Gina but she hasn't showed up. | 0:46:52 | 0:46:54 | |
Er, and her phone's going straight through to voice mail. | 0:46:54 | 0:46:58 | |
But if she arranged to meet you I'm sure she'll show. | 0:46:58 | 0:47:01 | |
Harry? | 0:47:02 | 0:47:03 | |
Yeah, er, Stevie Quirke was murdered this afternoon in prison. | 0:47:03 | 0:47:09 | |
My God. | 0:47:09 | 0:47:11 | |
Yeah, I don't want this to worry you or anything, | 0:47:11 | 0:47:13 | |
it's probably nothing, but er... | 0:47:13 | 0:47:15 | |
Where are you? | 0:47:15 | 0:47:16 | |
I'm in Paris. | 0:47:16 | 0:47:18 | |
Paris? | 0:47:18 | 0:47:19 | |
Yeah, do you know where Gina stays when she's here? | 0:47:19 | 0:47:23 | |
Er, yes. You could try the Hotel des Academies et des Arts. | 0:47:23 | 0:47:27 | |
Hang on a sec, say that again, the hotel what? | 0:47:27 | 0:47:30 | |
'Des Academies...' | 0:47:30 | 0:47:32 | |
et des Arts. That's A R T S. | 0:47:32 | 0:47:35 | |
'It's in the Sixth.' | 0:47:35 | 0:47:37 | |
OK, I'll give them a call. Thanks, bye. | 0:47:38 | 0:47:40 | |
'Bye.' | 0:47:40 | 0:47:42 | |
PHONE RINGS | 0:48:22 | 0:48:24 | |
Hello? | 0:48:24 | 0:48:26 | |
'You were supposed to meet me.' | 0:48:26 | 0:48:28 | |
Mr Venn, I explicitly told you... | 0:48:28 | 0:48:30 | |
'not to come.' | 0:48:30 | 0:48:31 | |
Where are you? | 0:48:31 | 0:48:32 | |
I'm on my way to a meeting. | 0:48:32 | 0:48:35 | |
Where? | 0:48:35 | 0:48:36 | |
Gina, where are you? | 0:48:38 | 0:48:39 | |
I'll text you the address. | 0:48:42 | 0:48:44 | |
'You be there this time.' | 0:48:44 | 0:48:45 | |
-Monsieur. -Oui? | 0:48:54 | 0:48:56 | |
C'est adresse, s'il vous plait. | 0:48:56 | 0:48:59 | |
Tres bien. | 0:48:59 | 0:49:00 | |
Merci. | 0:49:00 | 0:49:01 | |
Voila, c'est ici. | 0:49:10 | 0:49:12 | |
PHONE RINGS | 0:49:28 | 0:49:31 | |
'This is the help desk, may I have your client ID?' | 0:49:32 | 0:49:37 | |
'Whiskey, bravo, zero, eight, two, zero, one, nine, one, nine.' | 0:49:37 | 0:49:41 | |
'For verification may I have values one, four and eight of your protocol.' | 0:49:42 | 0:49:48 | |
'Sierra, Yankee, Bravo.' | 0:49:48 | 0:49:50 | |
Mr Tanzir? | 0:49:51 | 0:49:53 | |
'You are verified. How may we help?' | 0:49:53 | 0:49:56 | |
'Status report on Virus, seven, eight, eleven, six, Foxtrot.' | 0:49:56 | 0:50:01 | |
'Please hold.' | 0:50:01 | 0:50:03 | |
Hello? | 0:50:10 | 0:50:11 | |
'The virus has been quarantined and our engineers are on site. | 0:50:22 | 0:50:26 | |
'We await further updates.' | 0:50:26 | 0:50:28 | |
'Thank you.' | 0:50:28 | 0:50:30 | |
Monsieur, we need to go faster, quicker. | 0:50:39 | 0:50:41 | |
OK. | 0:50:41 | 0:50:42 | |
Oui, merci, bon. | 0:50:42 | 0:50:43 | |
Mr Tanzir? | 0:50:51 | 0:50:52 | |
Il y'a quelqu'un? | 0:51:04 | 0:51:05 | |
MALE VOICE SPEAKING FRENCH | 0:51:09 | 0:51:12 | |
ON RADIO: '..qu'un seul gagnant sur notre emission. | 0:51:23 | 0:51:26 | |
'La reponse est evidemment Serge Gainsbourg and Brigitte Bardot...' | 0:51:26 | 0:51:29 | |
Mr Tanzir? | 0:51:29 | 0:51:31 | |
J'ai l'argent. | 0:51:35 | 0:51:36 | |
Dix mille euros pour vous. | 0:51:37 | 0:51:39 | |
Mais d'abord, j'ai quelques questions. | 0:51:39 | 0:51:42 | |
Dites-moi pourquoi vous avez tue Jennifer Moscati. | 0:51:47 | 0:51:50 | |
Je sais que quelqu'un vous a paye pour la tuer. | 0:51:50 | 0:51:54 | |
Dites-moi qui vous a paye et l'argent est a vous. | 0:51:54 | 0:51:59 | |
Je suis journaliste. | 0:52:20 | 0:52:22 | |
Si vous voulez d'argent... | 0:52:23 | 0:52:25 | |
Gina?! | 0:54:18 | 0:54:20 | |
Hello, Harry. | 0:55:22 | 0:55:24 | |
Hillman. | 0:55:26 | 0:55:28 | |
Little Stevie told me you'd come back from the dead, Paul. | 0:55:28 | 0:55:32 | |
Do you want to show me that trick? | 0:55:33 | 0:55:35 | |
Yeah, I could see how you could use it just now. | 0:55:35 | 0:55:37 | |
Well, whatever it is, it's bloody good, because you fooled my old man. | 0:55:37 | 0:55:41 | |
You just need a good doctor. | 0:55:41 | 0:55:43 | |
Obviously you went to a lot of trouble. | 0:55:43 | 0:55:46 | |
I'm a clean skin, Harry, worth the effort for them and for me. | 0:55:46 | 0:55:49 | |
It's good money. | 0:55:49 | 0:55:51 | |
What, regular? | 0:55:51 | 0:55:52 | |
As clockwork. Goes into my bank account every month, get the travel. | 0:55:52 | 0:55:57 | |
Expenses are generous. | 0:55:57 | 0:55:59 | |
-Nice. What do you have to do for that then? -Oh, you know, this and that. | 0:55:59 | 0:56:03 | |
This and that? Does that include killing people? | 0:56:05 | 0:56:08 | |
Someone's got to do it, Harry. | 0:56:10 | 0:56:11 | |
Did you kill Stevie? | 0:56:11 | 0:56:14 | |
No, not personally. It was a help desk job. | 0:56:14 | 0:56:18 | |
What's the help desk? | 0:56:18 | 0:56:21 | |
They pay the cheques. | 0:56:22 | 0:56:24 | |
It was the help desk, they, er, they helped blow up my office, did they? | 0:56:25 | 0:56:30 | |
Yeah, that was us. How did you get out of that, Harry? | 0:56:32 | 0:56:35 | |
What about Mark? He back from the dead and all? | 0:56:35 | 0:56:40 | |
It's been nice talking to you, Harry. | 0:56:46 | 0:56:48 | |
Now you listen to me Paul, you listen to me. | 0:56:49 | 0:56:52 | |
You let the girl go. | 0:56:52 | 0:56:53 | |
You're not getting it, Harry. She's the one they want dead. | 0:56:53 | 0:56:57 | |
You, you're just collateral damage. | 0:56:57 | 0:57:00 | |
-No, Paul. -Now get out the way, Harry. | 0:57:00 | 0:57:02 | |
Get out of the way, Harry! | 0:57:02 | 0:57:03 | |
GUNSHOT | 0:57:03 | 0:57:05 | |
GUNSHOT | 0:57:10 | 0:57:12 | |
Shit. | 0:57:18 | 0:57:20 | |
I saw Hillman. It was Paul bloody Hillman. | 0:57:23 | 0:57:25 | |
It was a cock-up, Nigel. | 0:57:25 | 0:57:27 | |
Since when does the help desk make cock-ups? | 0:57:27 | 0:57:30 | |
How do you know Jason Styles? | 0:57:30 | 0:57:32 | |
The engineers weren't expecting Venn in Paris. | 0:57:32 | 0:57:35 | |
Find Gina Hawkes and Harry Venn. Kill them. | 0:57:35 | 0:57:37 | |
The stakes for this country could not be higher. | 0:57:37 | 0:57:40 | |
We have to be fearless. | 0:57:40 | 0:57:41 | |
How about if you stayed here with me? | 0:57:41 | 0:57:43 | |
-Can you get me a gun? -What's going on? | 0:57:43 | 0:57:45 | |
Don't come back till you hear from me. | 0:57:45 | 0:57:46 | |
If you don't hear from me, you don't come back at all. | 0:57:46 | 0:57:48 | |
I want to talk. | 0:57:48 | 0:57:49 | |
Oh, Jesus. | 0:57:49 | 0:57:50 | |
What would you like to talk about? | 0:57:50 | 0:57:53 | |
Subtitles by Red Bee Media Ltd | 0:57:56 | 0:57:59 | |
E-mail [email protected] | 0:57:59 | 0:58:02 |