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I have a client. I want you to find someone for him. | 0:00:00 | 0:00:02 | |
How much do you know about Gina? | 0:00:02 | 0:00:04 | |
-A lot less than I'd like to. -She's my daughter. -Someone tried... | 0:00:04 | 0:00:06 | |
to kill me, Gina, the day after you walk into my life. | 0:00:06 | 0:00:09 | |
This woman's got a file on me. | 0:00:09 | 0:00:11 | |
There's an email on this Blackberry I swiped at the doctor's surgery. | 0:00:11 | 0:00:14 | |
"We'll raise a glass of Cockburn's on 10th July." | 0:00:14 | 0:00:17 | |
Did I tell you about the people who chased us? Special forces types. | 0:00:17 | 0:00:21 | |
I retire in a couple of years. | 0:00:21 | 0:00:22 | |
Before I pack it in, I'm going to clear up the Braddick case. | 0:00:22 | 0:00:25 | |
Michael's been arrested. He was caught with drugs. | 0:00:25 | 0:00:28 | |
What do we want to achieve? | 0:00:28 | 0:00:30 | |
The end of Brian Worsley. | 0:00:30 | 0:00:31 | |
Right, there's a bloke called Dean Stubbs. I want you to follow him wherever he goes. | 0:00:31 | 0:00:35 | |
-Don't come to Paris, Mr Venn. -My train gets in at 8:05 at the Gare du Nord. | 0:00:36 | 0:00:40 | |
-You be there to meet me. -Hello? | 0:00:40 | 0:00:42 | |
Hello, Harry. Hillman. | 0:00:42 | 0:00:45 | |
-Did you kill Stevie? -It was a help desk job. | 0:00:45 | 0:00:47 | |
"That virus has been successfully cleansed." | 0:00:47 | 0:00:49 | |
-Thank you. -You let the girl go. -She's the one they want dead. | 0:00:49 | 0:00:52 | |
Shit. | 0:01:18 | 0:01:20 | |
Why didn't he kill us? | 0:01:26 | 0:01:29 | |
Tell me this, Gina, | 0:01:29 | 0:01:32 | |
-have you any idea who wants to kill you so badly? -I don't know. | 0:01:32 | 0:01:35 | |
What do you mean, you don't know? | 0:01:35 | 0:01:38 | |
Whoever it is, you must have pissed them off real bad. | 0:01:38 | 0:01:40 | |
-I said I don't know! -What about the help desk? | 0:01:40 | 0:01:42 | |
-I don't know. -Why don't you try telling me something you do know?! -I'm sorry. | 0:01:42 | 0:01:47 | |
MAN COUGHS | 0:01:48 | 0:01:50 | |
Jesus. | 0:01:50 | 0:01:51 | |
Jesus! | 0:02:02 | 0:02:05 | |
This is the man who murdered my mother. | 0:02:05 | 0:02:08 | |
Mezwar Tanzir. | 0:02:08 | 0:02:10 | |
-Steels... -Hang on, what's he saying? | 0:02:12 | 0:02:15 | |
Steels. | 0:02:15 | 0:02:17 | |
Styles, not Steels. Styles. | 0:02:17 | 0:02:19 | |
Jason Steels. | 0:02:19 | 0:02:21 | |
How does he know about Jason Styles? | 0:02:23 | 0:02:26 | |
Oi, how do you know Jason Styles? | 0:02:28 | 0:02:30 | |
Hey, how do you know about Jason Styles?! How do you know? | 0:02:30 | 0:02:34 | |
Translate. Ask him Gina! | 0:02:34 | 0:02:36 | |
Comment connaissez-vous Jason Styles? Vous m'entendez? Savez-vous? | 0:02:36 | 0:02:38 | |
Here, do you mean this man? Yeah you recognise him? | 0:02:40 | 0:02:42 | |
-Gina, translate! -Est-ce que vous connaissez cet homme? -Him. | 0:02:42 | 0:02:45 | |
That's great, he's dead. | 0:03:02 | 0:03:04 | |
Why would the man who killed your mother | 0:03:07 | 0:03:12 | |
know about Jason Styles? | 0:03:12 | 0:03:15 | |
-Talk to me, Gina! -Where did you get that photograph? | 0:03:15 | 0:03:18 | |
Your hotel room. | 0:03:18 | 0:03:20 | |
You tell me what's going on. | 0:03:24 | 0:03:26 | |
Gina! | 0:03:27 | 0:03:28 | |
Jason Styles set my brother up. I've been looking for him for 20 years! 20 years, Gina! | 0:03:28 | 0:03:34 | |
Now what do you know about Styles? | 0:03:34 | 0:03:37 | |
What do you know about Hillman? | 0:03:37 | 0:03:39 | |
Did you know he was still alive?! | 0:03:39 | 0:03:41 | |
No. Before I met Stevie Quirke I never heard of Paul Hillman. | 0:03:41 | 0:03:44 | |
I never heard of Braddick. I never heard of your brother or you. | 0:03:44 | 0:03:47 | |
'RINGING TONE' | 0:03:50 | 0:03:53 | |
"This is the help desk, may I have your client ID?" | 0:03:54 | 0:03:57 | |
"Whisky bravo 082019." | 0:03:57 | 0:04:02 | |
"One moment, please." | 0:04:02 | 0:04:04 | |
You've got a file on the Braddick case. I've seen it. | 0:04:04 | 0:04:07 | |
Yeah, I put it together after Quirke asked me to find you. | 0:04:07 | 0:04:10 | |
Why? Why would you go to all that trouble? | 0:04:10 | 0:04:12 | |
I wanted to know who I was talking to. | 0:04:12 | 0:04:14 | |
This is bullshit! | 0:04:14 | 0:04:17 | |
When are you going to be straight with me, Gina? | 0:04:17 | 0:04:19 | |
What are you doing in my life?! | 0:04:19 | 0:04:22 | |
My parents were murdered 20 years ago and I want to know why. | 0:04:22 | 0:04:25 | |
-Your parents? -Yes. | 0:04:28 | 0:04:31 | |
-Your mother and your father? -Yes. | 0:04:31 | 0:04:33 | |
Well, that's funny because I had lunch with your father | 0:04:33 | 0:04:34 | |
this afternoon and for a dead man he looked very bloody well to me. | 0:04:34 | 0:04:37 | |
-Nigel. -Yes, Nigel, Nigel Fountain. | 0:04:37 | 0:04:39 | |
He's not my father. | 0:04:39 | 0:04:41 | |
He became my guardian after they were killed. | 0:04:41 | 0:04:44 | |
You still haven't answered my question. | 0:04:45 | 0:04:48 | |
What are you doing in my life? | 0:04:48 | 0:04:50 | |
Twenty years ago, Styles ordered the execution of my parents. | 0:04:50 | 0:04:54 | |
A week ago, he hired Quirke to kill me. | 0:04:54 | 0:04:57 | |
I've been looking for Styles all my adult life. | 0:04:57 | 0:05:00 | |
We're looking for the same man, Harry. | 0:05:02 | 0:05:05 | |
We need to get out of here. | 0:05:08 | 0:05:10 | |
"Thank you for waiting. You are secure. How can we help?" | 0:05:25 | 0:05:28 | |
"Status report." | 0:05:28 | 0:05:30 | |
"The programme encountered a fatal error. | 0:05:30 | 0:05:33 | |
"We're now sending out more engineers to resolve the issue." | 0:05:33 | 0:05:36 | |
Quirke told me that you could find Joe Collins. | 0:05:48 | 0:05:50 | |
Joe Collins has something belonging to Styles. | 0:05:50 | 0:05:54 | |
It's a laptop. | 0:05:54 | 0:05:56 | |
Styles wants it back. If we can get it before he does, we get Styles. | 0:05:57 | 0:06:01 | |
Rue du Grand Prieure, s'il vous plait. | 0:06:06 | 0:06:10 | |
-So where are we going? -A friend's. | 0:06:10 | 0:06:13 | |
-"Hello?" -C'est Gina. | 0:06:40 | 0:06:42 | |
BUZZER | 0:06:42 | 0:06:43 | |
(IN FRENCH) | 0:06:50 | 0:06:51 | |
This is my friend Nadine. This is Harry. | 0:06:59 | 0:07:01 | |
-Bonjour. -Bonjour. Hello. | 0:07:01 | 0:07:04 | |
-Nadine is an artist. -Really? | 0:07:07 | 0:07:10 | |
Sorry, I don't mean to be rude, but do you think could I get a drink? | 0:07:15 | 0:07:17 | |
-A large one? -Est-ce que tu as quelque chose de fort? | 0:07:17 | 0:07:19 | |
-Du vin, ca ira? -Wine? -Wine's great, thank you. | 0:07:19 | 0:07:22 | |
PHONE RINGS | 0:07:28 | 0:07:30 | |
-Nigel. -"Gina, thank God." | 0:07:36 | 0:07:39 | |
I've been so worried. Didn't you get my calls? | 0:07:39 | 0:07:41 | |
Yeah, I'm so sorry, I've been busy. | 0:07:41 | 0:07:43 | |
Well, where are you? Are you all right? | 0:07:43 | 0:07:47 | |
Yes, I'm fine. I'm in Paris. | 0:07:47 | 0:07:48 | |
Do you know this Harry Venn? | 0:07:48 | 0:07:51 | |
-Yes. -He's been trying to get in touch with you. | 0:07:51 | 0:07:55 | |
-I know. I've spoken to him. -Did he tell you Quirke was murdered? | 0:07:55 | 0:07:58 | |
Yeah. | 0:07:58 | 0:07:59 | |
Nigel, please don't worry. | 0:08:00 | 0:08:03 | |
I'm fine. Really. | 0:08:03 | 0:08:05 | |
I'm coming back to London tomorrow and... and I'll call you then. | 0:08:05 | 0:08:07 | |
-And you're sure you're all right? -Yes. Really. | 0:08:07 | 0:08:10 | |
Please be careful. | 0:08:10 | 0:08:13 | |
I will be. | 0:08:13 | 0:08:14 | |
Don't worry. | 0:08:15 | 0:08:17 | |
-Bye. -"Bye-bye. Bye." | 0:08:17 | 0:08:20 | |
Merci. | 0:08:36 | 0:08:37 | |
No, thanks. | 0:08:53 | 0:08:55 | |
What happened to your real father, Gina? | 0:09:04 | 0:09:06 | |
My father's name was Jeremy Hawkes. | 0:09:10 | 0:09:13 | |
My mother was Jennifer Moscati. They were corporate lawyers. | 0:09:13 | 0:09:16 | |
My mother was visiting a client here in Paris. | 0:09:18 | 0:09:22 | |
She was killed in the street, | 0:09:22 | 0:09:24 | |
by Mezwar Tanzir. | 0:09:24 | 0:09:26 | |
A random murder by a petty criminal and drug user, according to the police. | 0:09:30 | 0:09:34 | |
My father was on business in Brussels when he got the phone call from the police. | 0:09:35 | 0:09:41 | |
He set off to Paris at once, but his car came off the road near Lille. | 0:09:41 | 0:09:46 | |
-An accident. -And you don't believe it was an accident? -No. | 0:09:46 | 0:09:50 | |
I do not. | 0:09:50 | 0:09:52 | |
Styles ordered it. | 0:09:54 | 0:09:56 | |
Harry, we are so close to getting Styles. | 0:09:58 | 0:10:02 | |
What's wrong? | 0:10:08 | 0:10:10 | |
Over twenty years, | 0:10:13 | 0:10:15 | |
when I wake up every morning | 0:10:17 | 0:10:20 | |
-and I say to myself, "Today's the day I'm gonna get Jason Styles." -And what stops you? | 0:10:22 | 0:10:27 | |
Fear. | 0:10:29 | 0:10:31 | |
I'm afraid. | 0:10:33 | 0:10:35 | |
I don't think you are afraid of anything, Harry. | 0:10:35 | 0:10:37 | |
Don't you want to know the truth about what happened to your brother? | 0:10:41 | 0:10:44 | |
Well, they say the truth sets you free, | 0:10:44 | 0:10:48 | |
or in my case, the truth is going to send me to prison. | 0:10:48 | 0:10:52 | |
What was Mark like? | 0:10:58 | 0:11:00 | |
Mark was a bad boy. | 0:11:00 | 0:11:02 | |
He was unpredictable, | 0:11:04 | 0:11:06 | |
he was a thief. | 0:11:06 | 0:11:07 | |
Couldn't believe a word he said to anybody. | 0:11:09 | 0:11:13 | |
There was something about him, | 0:11:13 | 0:11:16 | |
I wanted him to respect me the same way I respected him. | 0:11:16 | 0:11:20 | |
But I never got the chance. | 0:11:24 | 0:11:26 | |
KNOCK ON DOOR | 0:11:45 | 0:11:46 | |
Is the room OK? | 0:11:46 | 0:11:48 | |
Yes, it's fine. Perfect. Thank you. | 0:11:48 | 0:11:51 | |
Good night. | 0:11:52 | 0:11:54 | |
Gina. | 0:11:57 | 0:11:58 | |
Yeah? | 0:11:58 | 0:12:01 | |
How about if you stayed here with me? | 0:12:01 | 0:12:03 | |
No, Harry. | 0:12:09 | 0:12:10 | |
Goodnight. | 0:12:15 | 0:12:17 | |
Kev? | 0:13:08 | 0:13:10 | |
MUSIC PLAYS | 0:13:10 | 0:13:13 | |
Kev? | 0:13:27 | 0:13:29 | |
Kevin? | 0:13:50 | 0:13:52 | |
Oh, Jesus Christ! | 0:13:55 | 0:13:58 | |
Morning. | 0:14:11 | 0:14:13 | |
Bonjour. | 0:14:13 | 0:14:16 | |
-Tu veux un cafe? -Yeah, coffee would be great. Thank you. Merci. | 0:14:17 | 0:14:22 | |
Is Gina up? | 0:14:24 | 0:14:26 | |
Gina up yet? | 0:14:26 | 0:14:28 | |
Elle est partie deja. | 0:14:28 | 0:14:30 | |
-Eh? -A Londres. | 0:14:30 | 0:14:33 | |
London? What she's gone to London? | 0:14:33 | 0:14:35 | |
Oui. | 0:14:35 | 0:14:37 | |
-What, did she leave a note? Did she say anything? -Non. | 0:14:37 | 0:14:41 | |
PHONE RINGS | 0:14:50 | 0:14:53 | |
Thanks for the wake-up call. | 0:15:07 | 0:15:09 | |
Ah. Cometh the hour, cometh the man! | 0:15:20 | 0:15:23 | |
-Hello, Damien. -Alex. | 0:15:23 | 0:15:26 | |
-How are the numbers shaping up? -153 confirmed. And rising. | 0:15:28 | 0:15:33 | |
There'll be even more after the press conference. | 0:15:33 | 0:15:34 | |
Double that, at least. | 0:15:34 | 0:15:36 | |
-I think you'll like the coverage. -I have no doubt. | 0:15:36 | 0:15:39 | |
Ahem... | 0:15:39 | 0:15:40 | |
Ah, these are Lee and Jeremy. My...my guardian angels. | 0:15:40 | 0:15:46 | |
-So have there been threats? -Several, apparently. | 0:15:46 | 0:15:49 | |
That speaks well of you. | 0:15:49 | 0:15:51 | |
Thank you. | 0:15:54 | 0:15:57 | |
Lunch is going to be served in a minute. It's all very informal. | 0:15:57 | 0:15:59 | |
There's no standing on ceremony. | 0:15:59 | 0:16:01 | |
You are here to meet Alex. | 0:16:01 | 0:16:04 | |
Alexander Wentworth does not need an introduction but I'm going to give him one anyway. | 0:16:04 | 0:16:09 | |
He was elected to parliament at the age of 24 | 0:16:09 | 0:16:14 | |
and since then his rise has been nothing less than meteoric. | 0:16:14 | 0:16:18 | |
He's earned the reputation as one of the finest debaters in | 0:16:18 | 0:16:21 | |
the House and has already twice been named Parliamentarian of the Year. | 0:16:21 | 0:16:26 | |
He's here to talk to us about the crisis. | 0:16:26 | 0:16:32 | |
Alexander Wentworth. | 0:16:32 | 0:16:35 | |
Thank you. | 0:16:38 | 0:16:40 | |
Our country is, I'm sure you'll be pleased to hear, currently mounting | 0:16:42 | 0:16:47 | |
a very serious challenge to the world title record currently shared by Belgium and Iraq... | 0:16:47 | 0:16:54 | |
for not actually having a government. | 0:16:54 | 0:16:58 | |
Belgium and Iraq. | 0:16:58 | 0:17:00 | |
Exalted company indeed. | 0:17:00 | 0:17:02 | |
I've got some news for Brian Worsley. | 0:17:02 | 0:17:04 | |
Just because you occupy Number Ten doesn't make you prime minister. | 0:17:04 | 0:17:08 | |
To be prime minister, I'm sure most of us would agree, you should at the | 0:17:08 | 0:17:12 | |
very least have a government to run, even if it's a bad one. | 0:17:12 | 0:17:17 | |
So from now on, I think we should dispense with the fiction | 0:17:17 | 0:17:20 | |
that Brian Worsley is any kind of prime minister, except in the warped imagination. | 0:17:20 | 0:17:25 | |
-No Brian Worsley is a non-prime minister... -She got away. | 0:17:25 | 0:17:28 | |
I have the entire help desk focused on finding her. | 0:17:30 | 0:17:32 | |
She's proving very elusive. | 0:17:32 | 0:17:36 | |
The engineers weren't expecting Venn in Paris. | 0:17:36 | 0:17:40 | |
-He must have been armed. -You've been running the help desk for what, 22 years now? | 0:17:40 | 0:17:45 | |
Twenty three. | 0:17:45 | 0:17:47 | |
Ever since Teddy set it up. | 0:17:47 | 0:17:49 | |
It's difficult work, I know. | 0:17:49 | 0:17:51 | |
It's messy but, Jason, this is very bad timing. | 0:17:51 | 0:17:56 | |
I know. | 0:17:56 | 0:17:57 | |
Everything's in play for tomorrow. | 0:17:57 | 0:17:59 | |
Conditions are perfect. We have our man. | 0:17:59 | 0:18:02 | |
Teddy taught us to play a long game, but if we lose this chance we may never get another one. | 0:18:02 | 0:18:08 | |
Find Gina Hawkes and Harry Venn...and kill them. | 0:18:08 | 0:18:13 | |
Now, tomorrow, I will go before the world's media | 0:18:16 | 0:18:19 | |
to reveal the true, unscrupulous and shocking nature of Brian Worsley the man and the politician. | 0:18:19 | 0:18:25 | |
You'll understand that I can't give you specifics at this time | 0:18:25 | 0:18:28 | |
but I can assure you that, come this time tomorrow, | 0:18:28 | 0:18:32 | |
Brian Worsley will not, even in his own twisted mind, | 0:18:32 | 0:18:35 | |
-be able to call himself a prime minister. -Hear! hear! | 0:18:35 | 0:18:39 | |
The stakes for this country could not be higher. | 0:18:39 | 0:18:41 | |
We have to be bold. | 0:18:41 | 0:18:44 | |
We have to be fearless. | 0:18:44 | 0:18:46 | |
We have to be thorough. | 0:18:46 | 0:18:49 | |
And above all, | 0:18:49 | 0:18:51 | |
we have to get it right. | 0:18:51 | 0:18:54 | |
Did I tell you that Tigger's on board? | 0:19:01 | 0:19:03 | |
-Seriously? -Hm. | 0:19:03 | 0:19:05 | |
I'll spare you the details of what I had to do to get him | 0:19:05 | 0:19:08 | |
but it turns out he's very keen on you. Always has been, apparently. | 0:19:08 | 0:19:11 | |
You do know how boorish, bigoted and quite frighteningly reactionary Tigger is? | 0:19:11 | 0:19:15 | |
He completes the picture for a lot of my supporters. | 0:19:15 | 0:19:18 | |
It's all up to you now, Alex. | 0:19:18 | 0:19:21 | |
"There was renewed unrest last night between police and rioters | 0:19:23 | 0:19:27 | |
"as the violence spread from the centre of the capital to residential areas. | 0:19:27 | 0:19:31 | |
"But the Prime Minister on his way back from Hackney earlier today insisted that the protests | 0:19:31 | 0:19:36 | |
"were nothing to do with the political instability at Westminster." | 0:19:36 | 0:19:39 | |
"The looters and thugs who were on the streets last night have nothing to protest about. | 0:19:39 | 0:19:43 | |
"They are not interested in politics, they just want a new television set | 0:19:43 | 0:19:46 | |
"and don't want to save up for one like the rest of us." | 0:19:46 | 0:19:48 | |
"Well, that was the Prime Minister this morning and he won't be cheered by the news that's just come in, | 0:19:48 | 0:19:53 | |
"and I'm reading here from the news wires from the Press Association - | 0:19:53 | 0:19:57 | |
"Alexander Wentworth has announced he'll be holding a press conference tomorrow | 0:19:57 | 0:20:01 | |
PHONE RINGS "at which he promises more scandalous revelations | 0:20:01 | 0:20:04 | |
"about the Prime Minister. | 0:20:04 | 0:20:06 | |
"The Prime Minister himself, back at Westminster this afternoon, | 0:20:06 | 0:20:09 | |
"is yet to respond, casting serious doubts..." | 0:20:09 | 0:20:13 | |
Are you sure you don't want something stronger? | 0:20:20 | 0:20:23 | |
You all right? | 0:20:25 | 0:20:27 | |
What were you thinking of? | 0:20:31 | 0:20:33 | |
The man who murdered your mother said he would meet you | 0:20:33 | 0:20:35 | |
in an abandoned factory in the middle of nowhere and you went? | 0:20:35 | 0:20:39 | |
-And you found him dead? -Dying. | 0:20:42 | 0:20:44 | |
Someone clearly did not want him to talk to me. | 0:20:46 | 0:20:49 | |
You don't know that. | 0:20:49 | 0:20:50 | |
There are lots of reasons why someone wanted Tanzir dead. | 0:20:50 | 0:20:54 | |
People like him - | 0:20:54 | 0:20:56 | |
lots of reasons | 0:20:56 | 0:20:59 | |
and lots of people. | 0:20:59 | 0:21:00 | |
Thank you. | 0:21:00 | 0:21:02 | |
Do you think I should go to the police? | 0:21:12 | 0:21:14 | |
They've never taken you seriously before. | 0:21:14 | 0:21:16 | |
No reason they'll start now. | 0:21:16 | 0:21:19 | |
-They'll just get in the way. -Of what? | 0:21:19 | 0:21:21 | |
Me! Finding out the truth, everything. | 0:21:21 | 0:21:24 | |
Don't worry. | 0:21:29 | 0:21:30 | |
Don't worry? | 0:21:30 | 0:21:32 | |
How can I not worry? | 0:21:32 | 0:21:35 | |
I'm sorry. | 0:21:35 | 0:21:38 | |
You've been so understanding. | 0:21:38 | 0:21:40 | |
I suppose they could give you some protection, the police. I mean, you are in danger. | 0:21:48 | 0:21:53 | |
I should be safe here. | 0:21:53 | 0:21:56 | |
Well, if an armed man broke in here now... I certainly couldn't protect you against that. | 0:21:56 | 0:22:01 | |
But there is someone I know. And obviously, with your permission, | 0:22:03 | 0:22:08 | |
I'd like to talk to him and get his advice. | 0:22:08 | 0:22:10 | |
-Who is he? -He's called Christie. | 0:22:12 | 0:22:15 | |
And I do, I really think I should call him. | 0:22:15 | 0:22:18 | |
Hmm? | 0:22:18 | 0:22:20 | |
Yeah, all right. | 0:22:23 | 0:22:26 | |
You should get some rest. | 0:22:26 | 0:22:28 | |
Mr Christie, | 0:22:54 | 0:22:57 | |
Nigel Fountain... | 0:22:57 | 0:22:59 | |
I wonder, could you come over? | 0:23:02 | 0:23:03 | |
I won't pretend this is a social call. | 0:23:50 | 0:23:53 | |
How much this time? | 0:23:53 | 0:23:55 | |
You still got that file on Mark you used to have? | 0:23:57 | 0:24:00 | |
-I wouldn't ask unless it was important but I need to see it. -Why? | 0:24:00 | 0:24:04 | |
You decided to do something after all these years? | 0:24:04 | 0:24:07 | |
You look terrible. | 0:24:22 | 0:24:23 | |
Well, I've had a rough few days. | 0:24:23 | 0:24:25 | |
Did nobody tell you my office blew up? | 0:24:25 | 0:24:27 | |
Yeah? Were your clothes in there as well? | 0:24:27 | 0:24:30 | |
Your razor? | 0:24:30 | 0:24:33 | |
I had a call from Lauren. | 0:24:33 | 0:24:35 | |
Michael was in court this morning. | 0:24:35 | 0:24:38 | |
-Oh, shit. -I'm sure you had better things to do. | 0:24:38 | 0:24:42 | |
Where were you? | 0:24:47 | 0:24:50 | |
I was in Paris. | 0:24:50 | 0:24:51 | |
Oh, yeah. Of course. | 0:24:51 | 0:24:53 | |
Paris. Yeah! | 0:24:54 | 0:24:57 | |
Your boy's up in court but you're in Paris. | 0:24:57 | 0:25:01 | |
Have a good time, did ya? | 0:25:01 | 0:25:03 | |
-How'd he get on? -Juvenile court. | 0:25:06 | 0:25:09 | |
They like to pretend it's all nice and friendly, but of course it ain't, | 0:25:09 | 0:25:13 | |
not when you're going away to get banged up. | 0:25:13 | 0:25:16 | |
Remember what you look like after a night in the cells, Harry, eh? | 0:25:16 | 0:25:21 | |
That's the way Michael looked. | 0:25:21 | 0:25:24 | |
He looked dirty and sweaty, he looked tired and confused and scared. | 0:25:24 | 0:25:29 | |
You remember that feeling, Harry? | 0:25:30 | 0:25:33 | |
So he looks round for a friendly face. | 0:25:34 | 0:25:37 | |
He sees me, he sees his mum | 0:25:37 | 0:25:41 | |
and we smile at him. | 0:25:43 | 0:25:44 | |
And then he says, "Dad?" | 0:25:46 | 0:25:49 | |
Did he get bail? | 0:25:56 | 0:25:59 | |
No. | 0:25:59 | 0:26:00 | |
He was sobbing, Harry, when they took him back down. | 0:26:02 | 0:26:05 | |
I couldn't get there. | 0:26:09 | 0:26:11 | |
There's things going on... | 0:26:11 | 0:26:13 | |
-It's really complicated. -Maybe in my time I wasn't that great a father either, | 0:26:15 | 0:26:20 | |
but any time you or Mark needed me, I came running, didn't I? | 0:26:20 | 0:26:25 | |
-Didn't I? -Yes. You came running. | 0:26:25 | 0:26:27 | |
I'm gonna go and try and get to see Michael. | 0:26:29 | 0:26:33 | |
I need Mark's file. | 0:26:33 | 0:26:35 | |
-What for? -I can't tell you. | 0:26:35 | 0:26:37 | |
-You can't tell me? -Because... | 0:26:37 | 0:26:39 | |
I think it would put you in danger. | 0:26:41 | 0:26:44 | |
This is new, Harry. | 0:26:44 | 0:26:46 | |
Concern? For someone else? | 0:26:46 | 0:26:50 | |
When you saw Mark's body... | 0:27:44 | 0:27:46 | |
-it was definitely him? -Jesus Christ... | 0:27:50 | 0:27:52 | |
-what you asking me that for? -Was it Mark? | 0:27:52 | 0:27:55 | |
What are you on? Yes, it was Mark. | 0:27:55 | 0:27:58 | |
Do you think I wouldn't recognize me own son? | 0:27:58 | 0:28:00 | |
-What about Hillman? -What about him? | 0:28:00 | 0:28:03 | |
That bastard. Never liked him. Never trusted him. | 0:28:03 | 0:28:07 | |
-You should never have let Mark go near him. -Mark was my older brother, he didn't listen to me. | 0:28:07 | 0:28:10 | |
If you'd stuck by Mark, he'd still be alive today. | 0:28:10 | 0:28:13 | |
-If I'd stuck by Mark, we'd both be dead. -What's the difference? | 0:28:13 | 0:28:16 | |
-Did you see Hillman's body? -Yes, I saw it. | 0:28:24 | 0:28:27 | |
-And it was definitely him? -What the fuck?! | 0:28:27 | 0:28:30 | |
-Was it Hillman? -Yes! | 0:28:30 | 0:28:32 | |
I saw him! Hillman! Dead! | 0:28:32 | 0:28:35 | |
I don't want you to come here again. | 0:28:35 | 0:28:38 | |
Don't call me. | 0:28:38 | 0:28:40 | |
I don't want to see you or talk to you ever again! | 0:28:40 | 0:28:43 | |
Always a pleasure, Dad. | 0:28:43 | 0:28:45 | |
Always a pleasure. | 0:28:47 | 0:28:49 | |
MOBILE RINGS | 0:28:55 | 0:28:57 | |
-Yeah? -Kev's dead. | 0:29:00 | 0:29:01 | |
-"Who?" -Kevin. My computer guy. | 0:29:01 | 0:29:04 | |
"You there?" | 0:29:05 | 0:29:07 | |
-Harry? -"Yeah." | 0:29:07 | 0:29:09 | |
What the fuck have you got me into?! | 0:29:09 | 0:29:11 | |
-Where are ya? -"At the shop." | 0:29:11 | 0:29:13 | |
All right. Stay where you are, I'm on my way. | 0:29:13 | 0:29:15 | |
What happened? | 0:29:33 | 0:29:35 | |
Frank, what happened?! | 0:29:38 | 0:29:40 | |
I couldn't get Kev on the phone so I went round to his place last night. | 0:29:45 | 0:29:48 | |
Apparently, he suddenly saw no good reason to carry on. | 0:29:48 | 0:29:52 | |
I found him hanging in his living room. | 0:29:52 | 0:29:54 | |
You think he killed himself? | 0:29:54 | 0:29:56 | |
No, H. I do not. | 0:29:56 | 0:29:59 | |
I think someone strung him up and I think whoever it was did it because of our little visit to the doctor. | 0:29:59 | 0:30:03 | |
All right, I need to get on your computer. | 0:30:03 | 0:30:06 | |
What are you doing? Harry, what are you doing? | 0:30:15 | 0:30:17 | |
Frank just give me a second, all right? | 0:30:17 | 0:30:21 | |
OK. | 0:30:26 | 0:30:27 | |
Jennifer Moscati, aged 38, married. Lawyer. High flyer. | 0:30:27 | 0:30:31 | |
Who's Jennifer Moscati? | 0:30:31 | 0:30:33 | |
Gina's mother. Victim of a street mugging in Paris... | 0:30:33 | 0:30:37 | |
-She was mugged? -No, she was murdered. -Oh, shit. | 0:30:37 | 0:30:40 | |
Husband Jeremy Hawkes, also a lawyer killed in a road traffic accident near Lille. | 0:30:40 | 0:30:45 | |
8th April 1989. | 0:30:45 | 0:30:46 | |
Same day the Braddick thing went down. Same day that Mark was killed. | 0:30:46 | 0:30:50 | |
What the hell's going on, H? | 0:30:50 | 0:30:53 | |
Stevie Quirke was murdered in Belmarsh yesterday. | 0:30:53 | 0:30:56 | |
He was stabbed. | 0:30:56 | 0:30:58 | |
You remember he told me that he'd seen Paul Hillman? | 0:30:58 | 0:31:00 | |
I remember Stevie was a drinker and an idiot. | 0:31:00 | 0:31:02 | |
Guess who I saw yesterday. | 0:31:02 | 0:31:04 | |
Paul Hillman. | 0:31:04 | 0:31:06 | |
Frank, I like a drink as much as the next person, but it doesn't alter the fact that I saw Hillman. | 0:31:06 | 0:31:10 | |
I talked to him. It was Paul bloody Hillman. | 0:31:10 | 0:31:12 | |
Hillman's alive? | 0:31:12 | 0:31:14 | |
-How is that possible? -Well, he WAS alive... somebody shot him. -Who? | 0:31:14 | 0:31:19 | |
-H, who shot him? -I don't know. He was wearing a mask. | 0:31:20 | 0:31:24 | |
Harry, I've been involved in some fucked-up stuff, but this is fucked up. | 0:31:25 | 0:31:30 | |
I need a drink. | 0:31:31 | 0:31:32 | |
You want to pour me one? | 0:31:32 | 0:31:35 | |
Cockburn... | 0:31:39 | 0:31:41 | |
Cockburn... | 0:31:42 | 0:31:44 | |
-Shift yourself. -Eh? | 0:31:46 | 0:31:48 | |
What are you looking for? | 0:31:54 | 0:31:55 | |
Cockburn... | 0:31:55 | 0:31:57 | |
Cockburn... What's his first name? | 0:31:57 | 0:31:59 | |
-Teddy! -Who's Teddy Cockburn? | 0:31:59 | 0:32:02 | |
Born Harewood, Yorkshire... | 0:32:02 | 0:32:04 | |
Battle of Britain ace... | 0:32:04 | 0:32:06 | |
After war, elected to parliament... went into business... | 0:32:06 | 0:32:09 | |
-made his fortune. -Why are we looking at this? | 0:32:09 | 0:32:12 | |
There were photographs of this fella Cockburn in the doctor's office. | 0:32:12 | 0:32:14 | |
So what are you saying? | 0:32:14 | 0:32:15 | |
Bottle of Cockburn's. | 0:32:15 | 0:32:18 | |
I swiped the bottle from the doctor's office. | 0:32:18 | 0:32:22 | |
Along with this Blackberry. | 0:32:22 | 0:32:24 | |
"We'll raise a glass of Cockburn's on 10th July." | 0:32:27 | 0:32:31 | |
You got your email, you got your photographs, you got your bottle of Cockburn's. | 0:32:31 | 0:32:34 | |
No, no, no, no, no, look, he died in 1996. | 0:32:34 | 0:32:38 | |
Teddy Cockburn's not who we're looking for. | 0:32:38 | 0:32:40 | |
Shift yourself. | 0:32:40 | 0:32:43 | |
PHONE RINGS | 0:33:55 | 0:33:58 | |
Oh, man. No, don't go there. Are you out of your mind? | 0:33:58 | 0:34:02 | |
-Yeah? -I've just seen Joe Collins. | 0:34:03 | 0:34:05 | |
He's in a house off Tufnell Park Road. | 0:34:05 | 0:34:07 | |
All right, don't let him out of your sight until I get there. And, Matt, | 0:34:07 | 0:34:10 | |
"..you be careful." | 0:34:10 | 0:34:12 | |
Frank, I need your car. | 0:34:15 | 0:34:17 | |
I'm coming with you. | 0:34:17 | 0:34:18 | |
No, I need you to stay here and do something for me. Can you get me a gun? | 0:34:18 | 0:34:22 | |
-What? -It's just never a good sign when your lawyer asks you for a gun. | 0:34:24 | 0:34:27 | |
Stay here. See if you can get a number for Ben Lander. | 0:34:27 | 0:34:31 | |
Frank, I'll be in touch. | 0:34:31 | 0:34:33 | |
Oh, fuck! | 0:34:36 | 0:34:37 | |
Give me a minute, will you? | 0:34:57 | 0:35:00 | |
Who wrote this leader? | 0:35:03 | 0:35:04 | |
-Eliot. -Get him. | 0:35:04 | 0:35:06 | |
Ask Eliot to join us, would you? | 0:35:06 | 0:35:09 | |
Sit, please. | 0:35:09 | 0:35:11 | |
Outrageous what happened yesterday. | 0:35:16 | 0:35:20 | |
Are you OK? | 0:35:21 | 0:35:23 | |
Are we Brian Worsley's fan club now? | 0:35:29 | 0:35:31 | |
-No. -Then why does this read like a fanzine? | 0:35:31 | 0:35:33 | |
The Prime Minister is a disaster. | 0:35:33 | 0:35:36 | |
Thanks to him, we've had two weeks without a proper government. | 0:35:36 | 0:35:40 | |
The pound is falling through the floor | 0:35:40 | 0:35:42 | |
and, as I discovered for myself yesterday, there are mobs rioting in the streets. | 0:35:42 | 0:35:46 | |
Not to mention the nine million that Worsley has managed to accumulate for himself | 0:35:46 | 0:35:51 | |
in various offshore accounts. | 0:35:51 | 0:35:53 | |
Perhaps you're planning on running his defence campaign for him when he's finally arrested? | 0:35:53 | 0:35:57 | |
We may have been a bit over generous towards Worsley | 0:35:57 | 0:36:00 | |
but, Elspeth, we have talked about this. We cannot run... | 0:36:00 | 0:36:04 | |
"The Prime Minister has a lot to answer for | 0:36:04 | 0:36:07 | |
"but the responsibility for the pound's woes cannot be laid at his door." | 0:36:07 | 0:36:13 | |
How do you justify this statement? | 0:36:13 | 0:36:15 | |
Talk to anyone in the City. | 0:36:15 | 0:36:17 | |
They'll tell you it's not Worsley, it's the speculators. | 0:36:17 | 0:36:20 | |
Do you think I don't speak to people in the City? | 0:36:20 | 0:36:22 | |
Brian Worsley is, if in name only, prime minister. | 0:36:22 | 0:36:28 | |
This mess is his responsibility and our readers need to understand that. | 0:36:28 | 0:36:33 | |
-Of course. -Tomorrow, Alex Wentworth will be appearing at a press conference. | 0:36:33 | 0:36:38 | |
My understanding is that he's going to make new allegations against Worsley which he won't survive. | 0:36:38 | 0:36:43 | |
We need Wentworth all over tomorrow's paper. | 0:36:45 | 0:36:49 | |
Profile, pictures. | 0:36:49 | 0:36:51 | |
He's got young children, a very pretty wife, lots of nice family photographs. | 0:36:51 | 0:36:55 | |
Full-page leader. | 0:36:55 | 0:36:58 | |
'Alexander Wentworth, the man of the hour'. | 0:36:58 | 0:37:01 | |
Wentworth doesn't have anything like enough cross-party support to put a coalition together. | 0:37:01 | 0:37:05 | |
After tomorrow's press conference, he'll have more than enough support. | 0:37:05 | 0:37:10 | |
No, don't worry, James I've got it in hand. | 0:37:17 | 0:37:19 | |
There'll be blanket coverage of the press conference across RDO Media. | 0:37:19 | 0:37:23 | |
"Breaking news, schedules interrupted, the full works." | 0:37:23 | 0:37:26 | |
It will be unmissable and very dramatic. | 0:37:26 | 0:37:30 | |
It's been a long slog, but we're nearly there, Elspeth. | 0:37:30 | 0:37:34 | |
Just a shame Teddy isn't here to see it all come together. | 0:37:34 | 0:37:38 | |
Yes, he would have been very proud of you. | 0:37:38 | 0:37:40 | |
Well, I couldn't have done it without you. | 0:37:40 | 0:37:43 | |
He'd have been proud of both of us. | 0:37:43 | 0:37:45 | |
Yes, I think he would. | 0:37:45 | 0:37:47 | |
Got the time? | 0:38:04 | 0:38:05 | |
Are you all right? What happened? | 0:38:26 | 0:38:29 | |
Someone jumped me. | 0:38:29 | 0:38:31 | |
It's the house over there. | 0:38:31 | 0:38:33 | |
-You're sure it was Joe Collins? -Yeah. | 0:39:20 | 0:39:22 | |
He used to come in the office a lot when he was up on that drugs charge. | 0:39:22 | 0:39:27 | |
What about who jumped you? | 0:39:27 | 0:39:29 | |
I didn't see him, sorry. | 0:39:29 | 0:39:32 | |
-Have you got anyone you can stay with? Abroad? -Abroad? | 0:39:37 | 0:39:41 | |
I've got a brother who married an Irish girl. They live in Donegal. | 0:39:41 | 0:39:45 | |
-You get on with him? -Yeah. | 0:39:45 | 0:39:46 | |
Good. Go and stay with him. | 0:39:46 | 0:39:48 | |
What's going on, Harry? | 0:39:48 | 0:39:50 | |
You don't come back till you hear from me. | 0:39:50 | 0:39:54 | |
And if you don't hear from me, you don't come back at all. | 0:39:54 | 0:39:56 | |
-Detective Inspector... -I know who you are. What do you want? | 0:40:12 | 0:40:15 | |
-I want to talk about your son. -Well, I don't want to talk to you. | 0:40:15 | 0:40:18 | |
I think he's in trouble. Serious trouble. | 0:40:18 | 0:40:22 | |
I believe his life's in danger. | 0:40:22 | 0:40:24 | |
Thanks for the tip. | 0:40:24 | 0:40:25 | |
-He needs help. -And you're offering? | 0:40:25 | 0:40:29 | |
If it helps me to get to the bottom of something I want to know, yes. | 0:40:29 | 0:40:32 | |
No, thanks. | 0:40:32 | 0:40:34 | |
You've lost one son, Mr Venn. | 0:40:36 | 0:40:38 | |
Do you want to lose both? | 0:40:38 | 0:40:40 | |
So how are you holding up? | 0:40:45 | 0:40:47 | |
What did you think you were doing? | 0:40:50 | 0:40:52 | |
The same thing you and your brother were doing at my age. | 0:40:52 | 0:40:55 | |
Yeah, well, we weren't going around selling crack. | 0:40:55 | 0:40:57 | |
You want to end up the same way as Mark? | 0:40:58 | 0:41:00 | |
I don't want to end up like you. | 0:41:00 | 0:41:03 | |
What about your mother? Have you got any idea what you being in here is doing to her? | 0:41:03 | 0:41:08 | |
And how about you, tough guy? What's it doing to you? | 0:41:08 | 0:41:11 | |
That depends on how you handle it. | 0:41:11 | 0:41:14 | |
-How are you going to handle it? -All right. | 0:41:14 | 0:41:18 | |
When you're in here, you don't trust anyone. | 0:41:18 | 0:41:20 | |
You don't tell anyone anything you wouldn't tell a copper. | 0:41:20 | 0:41:23 | |
Excuse me? Did I ask for your advice? | 0:41:23 | 0:41:25 | |
-I'm just trying to help you, Michael. -Why start now? | 0:41:25 | 0:41:29 | |
You know you might end up doing time. | 0:41:29 | 0:41:32 | |
Are you prepared for that? | 0:41:32 | 0:41:34 | |
Thanks very much. What are you telling me that for? | 0:41:34 | 0:41:36 | |
Because you need to hear it. | 0:41:36 | 0:41:38 | |
You need to know what to expect in here. | 0:41:38 | 0:41:40 | |
So while you're in here you keep your head down. | 0:41:40 | 0:41:43 | |
You watch, you listen, | 0:41:43 | 0:41:45 | |
you work out who's who and how things work out. | 0:41:45 | 0:41:47 | |
You make sure that they know you can't be pushed around. | 0:41:49 | 0:41:51 | |
Even if it costs you time in solitary or the odd beating. | 0:41:51 | 0:41:54 | |
MICHAEL SOBS | 0:41:54 | 0:41:56 | |
You stand your ground, Michael. | 0:41:58 | 0:42:01 | |
Michael, stop crying. | 0:42:02 | 0:42:05 | |
You stop. | 0:42:05 | 0:42:06 | |
Michael, you don't let anyone see you cry. | 0:42:10 | 0:42:13 | |
Why? | 0:42:13 | 0:42:15 | |
Men aren't supposed to cry? | 0:42:15 | 0:42:17 | |
No, they don't. Not if they're going to survive in here. | 0:42:17 | 0:42:20 | |
Listen, there are some things, | 0:42:24 | 0:42:27 | |
you just have to see them through to the end. | 0:42:27 | 0:42:31 | |
That's all you can do. | 0:42:31 | 0:42:32 | |
Prison visiting time's over, everyone out. | 0:42:39 | 0:42:42 | |
Dad. | 0:42:53 | 0:42:55 | |
You stand your ground, son. | 0:42:58 | 0:43:00 | |
MOBILE RINGS | 0:43:26 | 0:43:28 | |
I thought we weren't going to speak again. | 0:43:32 | 0:43:34 | |
I had another visitor after you left. | 0:43:34 | 0:43:37 | |
-Russell. -"What did he want?" | 0:43:37 | 0:43:41 | |
He says you're in danger. | 0:43:41 | 0:43:42 | |
Are ya? | 0:43:42 | 0:43:44 | |
-Yeah. -"Well, why didn't you tell me?" | 0:43:44 | 0:43:47 | |
He said he thinks the man who ordered the Braddick hit wants you dead. | 0:43:48 | 0:43:52 | |
-"Any truth in that?" -Could be. | 0:43:52 | 0:43:56 | |
He give me a number for ya. Do you want it? | 0:43:56 | 0:43:58 | |
Why don't you text it to me? | 0:43:58 | 0:44:00 | |
I wouldn't call him unless you're desperate. | 0:44:00 | 0:44:03 | |
He's after ya. | 0:44:03 | 0:44:05 | |
I saw it in his eyes. | 0:44:05 | 0:44:07 | |
Take care. | 0:44:08 | 0:44:10 | |
OK, thanks, Dad. | 0:44:10 | 0:44:12 | |
How's the boy? | 0:44:18 | 0:44:20 | |
He's not doing too good. | 0:44:20 | 0:44:21 | |
Ah, don't worry. Nothing like the threat of anal rape to toughen you up. | 0:44:21 | 0:44:27 | |
Bad joke. | 0:44:28 | 0:44:30 | |
Lander's number. | 0:44:31 | 0:44:33 | |
What did you get? | 0:44:34 | 0:44:36 | |
Browning nine mil | 0:44:38 | 0:44:40 | |
and a .38. | 0:44:40 | 0:44:42 | |
Best I could do at short notice. | 0:44:42 | 0:44:45 | |
-You can get life if you get caught with a gun. -I know. | 0:44:45 | 0:44:49 | |
-I could lose a life if I'm caught without one. -DIALS NUMBER | 0:44:49 | 0:44:53 | |
"Hello." | 0:45:00 | 0:45:02 | |
Yes, hello. Am I speaking to Ben Lander? | 0:45:02 | 0:45:04 | |
-"Who's speaking?" -I'm a solicitor. | 0:45:04 | 0:45:08 | |
"A solicitor? What firm?" | 0:45:08 | 0:45:11 | |
Venn & Company. | 0:45:11 | 0:45:12 | |
We're in London. | 0:45:12 | 0:45:15 | |
"What can I do for you?" | 0:45:15 | 0:45:17 | |
-I wonder if it will be possible if I could come and see you. -"About what?" | 0:45:18 | 0:45:23 | |
It's something I'd like to discuss with you in person. | 0:45:23 | 0:45:25 | |
It is quite urgent. | 0:45:26 | 0:45:28 | |
"When would you like to come?" | 0:45:28 | 0:45:30 | |
-Tonight, if possible. -"All right." | 0:45:30 | 0:45:33 | |
"Will you be coming alone?" | 0:45:33 | 0:45:36 | |
-Yeah. -"Let me give you the address." | 0:45:36 | 0:45:38 | |
-"Do you have a pen?" -Yes, I do. | 0:45:38 | 0:45:41 | |
"Ash House. | 0:45:41 | 0:45:42 | |
"It's on the A257, just west of Sandwich Bay." | 0:45:42 | 0:45:47 | |
OK, thank you. I'll find it. | 0:45:47 | 0:45:49 | |
-He's still living in the same house. -H, tell me you're not serious. | 0:46:02 | 0:46:06 | |
Deadly bloody serious. | 0:46:06 | 0:46:07 | |
Braddick house is where it all started. | 0:46:07 | 0:46:10 | |
I'll drop your car off when I get back. | 0:46:11 | 0:46:13 | |
-I'm coming with you. -You don't have to do that, Frank. | 0:46:13 | 0:46:16 | |
I want to make sure I get my car back, Harry. | 0:46:16 | 0:46:19 | |
Besides, you got me out of a few of scrapes in the past. | 0:46:24 | 0:46:27 | |
You're forgetting the two times you went down. | 0:46:27 | 0:46:30 | |
It was three... but who's counting? | 0:46:30 | 0:46:33 | |
-KNOCK ON DOOR -Gina? -Yes? | 0:46:50 | 0:46:54 | |
Mr Christie's here. | 0:46:55 | 0:46:57 | |
I'll be right there. | 0:46:57 | 0:46:59 | |
"Rumours are circulating in Westminster about just how damaging | 0:47:03 | 0:47:06 | |
"the material Alexander Wentworth is promising to reveal will be to Prime Minister Brian Worsley..." | 0:47:06 | 0:47:12 | |
-"..self destruction and accused his opponent..." -TV SOUND OFF | 0:47:18 | 0:47:22 | |
Gina, this is Mr Christie. | 0:47:24 | 0:47:26 | |
-Mr Christie, this is my daughter Gina Hawkes. -Miss Hawkes. | 0:47:26 | 0:47:30 | |
She's been through quite a lot today. | 0:47:32 | 0:47:35 | |
And we have reason to believe her life is in danger. | 0:47:35 | 0:47:38 | |
Can you tell me about it? | 0:47:38 | 0:47:39 | |
-I'm afraid we can't go into details just yet. -I understand. | 0:47:39 | 0:47:45 | |
I assume that the people who pose this threat to Ms Hawkes are aware of this address? | 0:47:45 | 0:47:51 | |
Well, apparently not. | 0:47:51 | 0:47:53 | |
Even so, I think the first step is to take Ms Hawkes to a safe house | 0:47:55 | 0:48:00 | |
until we can identify and then neutralize the threat. | 0:48:00 | 0:48:06 | |
What do you think? | 0:48:08 | 0:48:10 | |
Yeah, just... just give me a minute to freshen up. | 0:48:10 | 0:48:13 | |
Of course. | 0:48:13 | 0:48:14 | |
MOBILE RINGS | 0:48:43 | 0:48:45 | |
Excuse me. Hello? | 0:48:45 | 0:48:48 | |
Let me speak to him. | 0:48:48 | 0:48:50 | |
It's for you, sir. | 0:48:50 | 0:48:52 | |
Hello? | 0:48:57 | 0:48:59 | |
Nigel. | 0:48:59 | 0:49:00 | |
They tried to kill her! | 0:49:00 | 0:49:04 | |
It was a cockup, Nigel. | 0:49:04 | 0:49:06 | |
Since when does the help desk make cockups? | 0:49:06 | 0:49:08 | |
"It's like any organization. There are occasional" | 0:49:08 | 0:49:10 | |
mistakes but the point is the mistake has been rectified. | 0:49:10 | 0:49:14 | |
"Mr Styles will take Gina to a safe, comfortable place." | 0:49:14 | 0:49:19 | |
And she won't be harmed? I have your word? | 0:49:19 | 0:49:22 | |
I know how much she means to you, Nigel. | 0:49:22 | 0:49:25 | |
You have my word. It'll be for a day or two only and then it will all be over. | 0:49:25 | 0:49:29 | |
I'm trusting you. | 0:49:29 | 0:49:32 | |
You've done the right thing. Protecting her from herself. | 0:49:32 | 0:49:36 | |
Put Mr Styles back on, would you? | 0:49:36 | 0:49:38 | |
Thank you. | 0:49:41 | 0:49:43 | |
-Yes? -"Kill her." | 0:49:45 | 0:49:48 | |
Understood. | 0:49:48 | 0:49:49 | |
Where is she? | 0:49:55 | 0:49:57 | |
Guess who signed Mark's death certificate. | 0:50:36 | 0:50:41 | |
-Duncan Sturgess. You remember him? -MOBILE RINGS | 0:50:41 | 0:50:44 | |
What kind of doctor is he if he can't even tell if you're alive or dead? | 0:50:44 | 0:50:47 | |
Gina? | 0:50:47 | 0:50:49 | |
"Harry, are you in London yet?" | 0:50:49 | 0:50:51 | |
Thank you for finally returning my call. | 0:50:51 | 0:50:53 | |
-Are you in London? -"Yeah." | 0:50:53 | 0:50:55 | |
I'm in trouble. | 0:50:55 | 0:50:58 | |
-Can you come get me? -You're not in trouble, Gina, you ARE bloody trouble. | 0:50:58 | 0:51:01 | |
No, sorry, I'm busy. | 0:51:01 | 0:51:02 | |
Listen Harry, I've just seen Jason Styles. | 0:51:02 | 0:51:05 | |
Where are you? | 0:51:05 | 0:51:07 | |
-I'm outside Harrods. -OK I'll be there in about... | 0:51:07 | 0:51:09 | |
-Ten, fifteen minutes. -What's going on now? | 0:51:09 | 0:51:12 | |
Slight detour. | 0:51:12 | 0:51:13 | |
OK, there she is. | 0:51:24 | 0:51:26 | |
What's with the disappearing act in Paris, Gina? | 0:51:38 | 0:51:40 | |
Don't you trust me, or something? | 0:51:40 | 0:51:43 | |
I'd say the answer to that is no. | 0:51:43 | 0:51:45 | |
-Who's he? -He's a friend. -Is he trustworthy? | 0:51:45 | 0:51:49 | |
-I don't know. Shall we ask him? Are you trustworthy? -Fuck you. -There you go, he's trustworthy. | 0:51:49 | 0:51:53 | |
Where did you see Styles? | 0:51:53 | 0:51:55 | |
-Where?! -At Nigel's house. -Nigel's house? | 0:51:57 | 0:51:59 | |
I told him what happened in Paris. | 0:51:59 | 0:52:01 | |
He called someone to protect me. | 0:52:01 | 0:52:03 | |
He introduced him as Christie. | 0:52:03 | 0:52:04 | |
But it was Styles. | 0:52:04 | 0:52:06 | |
-You're sure it was him? -Yes. | 0:52:06 | 0:52:09 | |
Do you think Nigel knew who he was? | 0:52:09 | 0:52:11 | |
-I don't know. -He's involved. | 0:52:11 | 0:52:14 | |
OK, this is it. | 0:52:42 | 0:52:45 | |
You sure you want do this, H? | 0:53:04 | 0:53:06 | |
-I'll come too. -No, no. | 0:53:08 | 0:53:12 | |
You want to take a piece? | 0:53:13 | 0:53:15 | |
Why has he got a gun? | 0:53:19 | 0:53:20 | |
I asked him for one. | 0:53:22 | 0:53:24 | |
No, this feels wrong. | 0:53:27 | 0:53:29 | |
I wouldn't go into that house without a gun, Harry. | 0:53:29 | 0:53:32 | |
ENTRY BUZZER | 0:54:18 | 0:54:20 | |
Hello? | 0:54:28 | 0:54:30 | |
Mr Lander? | 0:54:34 | 0:54:36 | |
Shoe's on the other foot now, isn't it? | 0:54:45 | 0:54:48 | |
I want to talk. | 0:54:49 | 0:54:51 | |
What would you like to talk about? | 0:54:51 | 0:54:54 | |
You want to talk about the night your brother and his friend came to visit? | 0:54:56 | 0:55:00 | |
Shall we talk about that? | 0:55:01 | 0:55:04 | |
You know what the police told me when they found the two dead bodies in the car? | 0:55:04 | 0:55:10 | |
There was a driver... | 0:55:10 | 0:55:13 | |
who got away. | 0:55:13 | 0:55:15 | |
I wonder who the driver was. | 0:55:15 | 0:55:17 | |
Who could it have been? | 0:55:19 | 0:55:22 | |
Do you have any idea, Mr Venn? | 0:55:25 | 0:55:29 | |
I'm sorry your uncle died | 0:55:29 | 0:55:31 | |
and I'm sorry... | 0:55:33 | 0:55:34 | |
and I'm sorry for... | 0:55:37 | 0:55:40 | |
for my brother and what he did here that night. | 0:55:40 | 0:55:43 | |
You were the driver. | 0:55:43 | 0:55:45 | |
The police know you were the driver. | 0:55:45 | 0:55:48 | |
-They just couldn't pin it on you. -Somebody paid Paul Hillman and my brother to pull that trigger. | 0:55:48 | 0:55:53 | |
Now, I'm just trying to find out why. | 0:55:54 | 0:55:57 | |
I'm trying to find out why your uncle was murdered. | 0:55:57 | 0:55:59 | |
Look me in the eye and tell me you weren't the driver. | 0:55:59 | 0:56:03 | |
What goes through the mind of the getaway driver while he's waiting outside, hmm? | 0:56:10 | 0:56:16 | |
Is he thinking, | 0:56:21 | 0:56:23 | |
"I'm glad I'm not in there having to do what they do?" | 0:56:23 | 0:56:27 | |
Or is it... | 0:56:27 | 0:56:29 | |
"You know what, | 0:56:29 | 0:56:31 | |
"this is boring"? | 0:56:31 | 0:56:35 | |
"Next time I'm going in myself. | 0:56:35 | 0:56:37 | |
"I want to see some blood." | 0:56:38 | 0:56:40 | |
Oh, but I'm forgetting. | 0:56:43 | 0:56:46 | |
You saw plenty of blood, | 0:56:46 | 0:56:49 | |
didn't you? | 0:56:49 | 0:56:52 | |
Mr Lander, I just want to find out the truth. | 0:57:06 | 0:57:09 | |
Please, just put the gun down. | 0:57:09 | 0:57:11 | |
Fuck you. | 0:57:11 | 0:57:13 | |
Put it down! | 0:57:14 | 0:57:15 | |
-GUNSHOT -I said put it down or I'll blow your head off. | 0:57:16 | 0:57:20 | |
Is that how you say hello to visitors? | 0:57:30 | 0:57:33 | |
You shoot them?! | 0:57:33 | 0:57:35 | |
-You want me to shoot you?! Do ya?! -Frank! -Do ya?! | 0:57:35 | 0:57:40 | |
Frank! That's enough. All right now just put the gun down. | 0:57:40 | 0:57:45 | |
All right, calm down. | 0:57:45 | 0:57:46 | |
Calm down. | 0:57:46 | 0:57:48 | |
OK, OK, no harm done, yeah? | 0:57:48 | 0:57:52 | |
Get up. | 0:57:54 | 0:57:56 | |
That's where you're wrong, H. | 0:58:00 | 0:58:02 | |
Harry Venn and Gina Hawkes broke into the Braddick house twenty minutes ago. | 0:58:06 | 0:58:10 | |
You take care of this problem, Mr Styles. | 0:58:10 | 0:58:12 | |
-Can you help me out here, Harry? Can ya? -Where's the laptop? | 0:58:12 | 0:58:15 | |
-There are rules! -Rules?! -Yes, rules that have to be observed. | 0:58:15 | 0:58:20 | |
Wake up, Russell, you're a detective! This is all connected - the Braddick hit, Stevie Quirke, | 0:58:20 | 0:58:23 | |
-it all leads to here! -He's a good guy, Harry. | 0:58:23 | 0:58:25 | |
He's in serious trouble. Someone's trying to kill him. | 0:58:25 | 0:58:29 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:58 | |
E-mail [email protected] | 0:58:58 | 0:59:01 |