Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains some violent scenes | 0:00:02 | 0:00:06 | |
This programme contains some strong language | 0:00:06 | 0:00:12 | |
If you don't find Joe for me, I am dead. | 0:00:12 | 0:00:14 | |
-TV: -Today's violence has put further pressure on the Prime Minister | 0:00:14 | 0:00:18 | |
after today's allegations about his financial affairs. | 0:00:18 | 0:00:21 | |
Dead man walking. | 0:00:21 | 0:00:22 | |
I've read Elspeth's file. | 0:00:22 | 0:00:24 | |
What do we want to achieve. with this information? | 0:00:24 | 0:00:27 | |
The end of Brian Worsley. | 0:00:27 | 0:00:28 | |
Tomorrow, Alex Wentworth will be appearing at a press conference. | 0:00:28 | 0:00:32 | |
My understanding is he's going to make new allegations against Worsley which he won't survive. | 0:00:32 | 0:00:36 | |
In front of the world's media. it'll be the perfect launching pad. | 0:00:36 | 0:00:40 | |
You are in danger. There is someone I know. | 0:00:40 | 0:00:42 | |
'And I'd like to talk to him and get his advice.' | 0:00:42 | 0:00:44 | |
'Harry, I've just seen Jason Styles.' | 0:00:44 | 0:00:47 | |
'Michael's been arrested.' | 0:00:47 | 0:00:49 | |
While you're in here keep your head down. You stand your ground. | 0:00:49 | 0:00:52 | |
Where is she? | 0:00:52 | 0:00:53 | |
-Who's Teddy Cockburn? -There were photographs of him in the doctor's office. | 0:00:57 | 0:01:00 | |
You got your e-mail, your photographs, your bottle of Cockburn. | 0:01:00 | 0:01:04 | |
"We'll raise a glass of Cockburn's on 10th July." | 0:01:04 | 0:01:07 | |
Don't you want to know what happened to your brother? | 0:01:08 | 0:01:11 | |
Well, they say the truth sets you free - the truth is going to send me to prison. | 0:01:11 | 0:01:15 | |
You want to talk about the night your brother and his friend visited? | 0:01:15 | 0:01:19 | |
Somebody paid Paul Hillman and my brother to pull that trigger. | 0:01:19 | 0:01:22 | |
OK, no harm done, yeah. | 0:01:23 | 0:01:25 | |
That's where you're wrong, H. | 0:01:25 | 0:01:27 | |
Get a towel, something! | 0:01:45 | 0:01:47 | |
HE GROANS | 0:01:51 | 0:01:53 | |
No, no, no H, no ambulance. | 0:01:53 | 0:01:57 | |
-You've just been bloody shot. -Gunshot wound. The cops will be right behind them. | 0:01:57 | 0:02:01 | |
With my record, that's jail. Life. | 0:02:01 | 0:02:05 | |
Frank, this is bad. You don't have a choice, mate. | 0:02:05 | 0:02:07 | |
HE GROANS | 0:02:07 | 0:02:09 | |
Bastard. Just get me out of the house. | 0:02:09 | 0:02:12 | |
-OK, this is going to hurt, mate. -HE GROANS | 0:02:17 | 0:02:19 | |
Come on. | 0:02:19 | 0:02:20 | |
Do you know what happened in this house 20 years ago? | 0:02:28 | 0:02:32 | |
The same night your uncle was shot, my parents were murdered. | 0:02:32 | 0:02:35 | |
I think my parents were killed for the same reason your uncle was killed. | 0:02:35 | 0:02:39 | |
-Which is what? -That's what I'm trying to find out. | 0:02:39 | 0:02:41 | |
-Why do you think your uncle was killed? -It was a robbery. | 0:02:41 | 0:02:44 | |
-Did they take anything? -They bungled it. They panicked when the police showed up. | 0:02:44 | 0:02:48 | |
Did they look panicked when they shot your uncle? | 0:02:48 | 0:02:52 | |
DOORBELL RINGS | 0:02:52 | 0:02:54 | |
Did they look panicked when they shot you? | 0:03:00 | 0:03:02 | |
There's a reason why your uncle was killed. | 0:03:05 | 0:03:07 | |
Did your uncle say anything unusual? Was there anything out of place? | 0:03:07 | 0:03:12 | |
Please think! | 0:03:12 | 0:03:13 | |
The night before he was killed he had a visit. | 0:03:17 | 0:03:21 | |
Who from? | 0:03:21 | 0:03:23 | |
CAR HORN | 0:03:29 | 0:03:31 | |
What were you doing in there? We need to get him to hospital. | 0:03:41 | 0:03:44 | |
-How are you doing back there? -Working on me story. | 0:03:47 | 0:03:50 | |
Did you get anything out of him? | 0:03:50 | 0:03:52 | |
All he said was Braddick received an unexpected visit the night | 0:03:52 | 0:03:55 | |
before he was killed... from James Morpeth. | 0:03:55 | 0:03:58 | |
-What was James Morpeth doing there? -Morpeth was with another man, someone called Cockburn. | 0:03:58 | 0:04:04 | |
-Teddy Cockburn? -Yes. | 0:04:04 | 0:04:06 | |
Do you know him? | 0:04:06 | 0:04:08 | |
Yeah. "We'll raise a glass of Cockburn's on 10th July." | 0:04:08 | 0:04:12 | |
-What? -An e-mail Frank found. | 0:04:12 | 0:04:14 | |
0:04:14 | 0:04:16 | ||
Morpeth? | 0:04:16 | 0:04:18 | |
PHONE RINGS | 0:04:21 | 0:04:24 | |
Yes? | 0:04:26 | 0:04:28 | |
Harry Venn and Gina Hawkes broke into the Braddick house 20 minutes ago. | 0:04:28 | 0:04:33 | |
Braddick? What did they want? What are they looking for? | 0:04:33 | 0:04:39 | |
That's not yet clear. | 0:04:39 | 0:04:41 | |
I am on my way there now. | 0:04:41 | 0:04:43 | |
-You do realise it's less than 20 hours to the main event. -They're fumbling in the dark. | 0:04:45 | 0:04:49 | |
Well, people sometimes fumble their way to the light. | 0:04:49 | 0:04:53 | |
You take care of this problem, Mr Styles, before that happens. | 0:04:53 | 0:04:57 | |
POLICE SIRENS | 0:04:58 | 0:05:01 | |
MAN GROANS | 0:05:09 | 0:05:12 | |
Hey Frank how's your story coming along? | 0:05:15 | 0:05:18 | |
-Do you want to run it by me, as your solicitor? -Harry, listen. | 0:05:18 | 0:05:22 | |
-What? -I really hope you and the girl make it. | 0:05:22 | 0:05:25 | |
If you do, the next time I see you, you won't be my solicitor. | 0:05:27 | 0:05:31 | |
You'll be sitting beside me in the dock. | 0:05:31 | 0:05:35 | |
Excuse me! This man's been badly hurt! | 0:05:44 | 0:05:46 | |
He needs to see a doctor! Straight away! | 0:05:46 | 0:05:48 | |
See you later. | 0:05:48 | 0:05:50 | |
Good evening, General, Mr Morpeth is expecting you. | 0:06:09 | 0:06:13 | |
Here, have a look at this. That's a photograph of Morpeth and Cockburn together. | 0:06:17 | 0:06:21 | |
It's a Spitfire. It's a bloody Spitfire. | 0:06:24 | 0:06:26 | |
Spitfire2 that's the e-mail address. | 0:06:26 | 0:06:29 | |
See how he responds to this. | 0:06:34 | 0:06:36 | |
Main event 1600, units here by 1620. Units here by 1635. | 0:06:38 | 0:06:44 | |
Hopefully with nothing else to do but sit on their hands. | 0:06:44 | 0:06:47 | |
MOBILE BLEEPS | 0:06:47 | 0:06:49 | |
-Problem? -Just give me a moment. | 0:06:55 | 0:06:59 | |
MOBILE RINGS | 0:07:03 | 0:07:05 | |
'Hello?' | 0:07:08 | 0:07:10 | |
You sent me an e-mail just now. | 0:07:12 | 0:07:14 | |
Yeah, I'm really looking forward to the party. | 0:07:14 | 0:07:16 | |
'I'm afraid you've lost me.' | 0:07:19 | 0:07:21 | |
You know, the party where we're going to be drinking lots of port. | 0:07:21 | 0:07:25 | |
Cockburn's port... My favourite. | 0:07:25 | 0:07:28 | |
Sorry, I didn't catch your name? | 0:07:31 | 0:07:33 | |
'What's your name? Spitfire2?' | 0:07:33 | 0:07:37 | |
-'I think you've got the wrong number.' -No, you called me. | 0:07:37 | 0:07:41 | |
OK, let's have a listen to this. | 0:07:45 | 0:07:47 | |
Yes, the cost in North America is quite competitive. | 0:07:53 | 0:07:57 | |
-'You can find cheaper places but you need to...' -The same voice. | 0:07:57 | 0:08:00 | |
Morpeth visits Braddick shortly before he's murdered. | 0:08:00 | 0:08:04 | |
That's no coincidence, he's involved. | 0:08:04 | 0:08:06 | |
MOBILE RINGS | 0:08:10 | 0:08:11 | |
I've just been talking to Harry Venn. | 0:08:13 | 0:08:15 | |
I'm forwarding the number. Track down that telephone, Mr Styles. | 0:08:15 | 0:08:20 | |
Understood. | 0:08:20 | 0:08:23 | |
MOBILE RINGS | 0:08:34 | 0:08:36 | |
-Yeah? -'Harry?' | 0:08:40 | 0:08:43 | |
-Yeah? -'It's Joe Collins.' | 0:08:43 | 0:08:45 | |
Joe Collins? I've been looking for you, Joe. | 0:08:47 | 0:08:50 | |
-Where are you? -'I'm at a hotel near Heathrow.' | 0:08:50 | 0:08:53 | |
TV: 'You were the chief leader writer of the main RDO media paper. | 0:08:58 | 0:09:01 | |
'Now, your boss, Elspeth Verney, not only is a very good friend of Alex Wentworth's, | 0:09:01 | 0:09:05 | |
'she's also a key supporter. | 0:09:05 | 0:09:07 | |
'So, what is he going to reveal tomorrow?' | 0:09:07 | 0:09:09 | |
'It's going to be damning. It's going to be very damning. | 0:09:09 | 0:09:13 | |
'I think we'll hear things about Brian Worsley that will shock and dismay | 0:09:13 | 0:09:16 | |
'even his most ardent supporters.' | 0:09:16 | 0:09:19 | |
KNOCK AT DOOR | 0:09:31 | 0:09:32 | |
TV: 'Alexander Wentworth's an extremely divisive figure...' | 0:09:32 | 0:09:36 | |
Harry, thank god. | 0:09:42 | 0:09:45 | |
I need money and a passport. Now! | 0:09:45 | 0:09:48 | |
Can you help me, pal? Can you? I wouldn't ask but I'm in real big trouble here. | 0:09:48 | 0:09:51 | |
Joe wait, Joe wait a minute. Just slow down. | 0:09:51 | 0:09:55 | |
This is Gina Hawkes. She's... Well, she was Stevie's solicitor. | 0:09:55 | 0:09:58 | |
-Yeah, yeah. -What's this all about? | 0:09:58 | 0:10:00 | |
-Anyone follow you? -No. | 0:10:00 | 0:10:02 | |
What did Stevie tell ya? | 0:10:07 | 0:10:09 | |
What happened? | 0:10:09 | 0:10:10 | |
Joe don't worry about that, just talk to me. | 0:10:10 | 0:10:12 | |
About a week ago, I got a call on my phone. This fella. | 0:10:14 | 0:10:18 | |
Called himself Styles. | 0:10:18 | 0:10:19 | |
Asked to meet. Said there was money in it. | 0:10:21 | 0:10:23 | |
Me and Stevie, we met him at the Embankment. | 0:10:25 | 0:10:27 | |
We talked for a couple of minutes, | 0:10:27 | 0:10:29 | |
then we got in his car and drove around for a bit more and he offered us a job. | 0:10:29 | 0:10:33 | |
-20 grand. -What was the job, what did he want you to do? | 0:10:33 | 0:10:37 | |
Kill someone. | 0:10:38 | 0:10:39 | |
Me, you mean, me. | 0:10:39 | 0:10:42 | |
Yeah. | 0:10:46 | 0:10:48 | |
He wanted a...a sex crime. | 0:10:51 | 0:10:55 | |
What? He wanted it to LOOK like a sex crime? | 0:10:57 | 0:11:00 | |
No. He wanted us to go through with it. | 0:11:00 | 0:11:02 | |
So why is she alive? | 0:11:07 | 0:11:09 | |
We needed the money, bad, but the more this fella talked, | 0:11:09 | 0:11:14 | |
the less me and Stevie liked. | 0:11:14 | 0:11:17 | |
-When we got out of the car, I took something with us. -His laptop? | 0:11:18 | 0:11:22 | |
Worst decision I ever made. | 0:11:22 | 0:11:25 | |
He sent someone after us. | 0:11:25 | 0:11:29 | |
You know who? | 0:11:29 | 0:11:30 | |
You'll think I'm mad, but I'm not. | 0:11:30 | 0:11:32 | |
Paul Hillman. | 0:11:34 | 0:11:36 | |
It was him, Harry. Back from the dead. | 0:11:37 | 0:11:39 | |
I'm not making this up, believe me. | 0:11:39 | 0:11:41 | |
Joe I believe you, all right? | 0:11:41 | 0:11:43 | |
Can you help me out here, Harry? Can ya? | 0:11:43 | 0:11:45 | |
Joe, Joe, where's the laptop? Where's the laptop? | 0:11:45 | 0:11:49 | |
"One more attempt until data wipe." | 0:11:52 | 0:11:55 | |
-Let's get out of here. -Stevie thought we could bargain with them. Give it back, they'd leave us alone. | 0:11:57 | 0:12:02 | |
-But these people, they're not interested in doing any deal. -Here. Here you go. | 0:12:02 | 0:12:06 | |
-Look at this. -TV: 'Wentworth's backers now include | 0:12:08 | 0:12:11 | |
'Sir Nigel Fountain, who apparently has been working behind the scenes | 0:12:11 | 0:12:14 | |
'for weeks with industrialist, James Morpeth. The presence of such a senior legal figure...' | 0:12:14 | 0:12:19 | |
Nigel Fountain and James Morpeth? | 0:12:19 | 0:12:22 | |
Look after yourself, Joe. | 0:12:24 | 0:12:25 | |
'..given the constitutional crisis the government is facing, | 0:12:25 | 0:12:28 | |
'particularly given the job...' | 0:12:28 | 0:12:31 | |
-I know a bloke who should be able to hack into this computer. -Let's go there now. | 0:12:31 | 0:12:35 | |
We can't, it's a shop. It's not open till the morning. | 0:12:35 | 0:12:38 | |
MOBILE RINGS | 0:12:38 | 0:12:42 | |
-Yeah? -'They're onto you, Harry. Get rid of the girl's phone.' | 0:12:42 | 0:12:46 | |
Mark. | 0:12:47 | 0:12:48 | |
Who was that? | 0:12:50 | 0:12:51 | |
-Give me your phone. Give me your phone! -Yes. | 0:12:51 | 0:12:54 | |
-What...? -Come on. | 0:12:56 | 0:12:58 | |
Grab hold of the laptop. | 0:13:03 | 0:13:04 | |
'You are within 100 metres of the device. | 0:13:31 | 0:13:34 | |
'Acquiring satellites. Please hold.' | 0:13:34 | 0:13:36 | |
Harry! Styles! | 0:13:44 | 0:13:47 | |
'Satellites acquired. Triangulating now.' | 0:13:47 | 0:13:50 | |
Shit. | 0:13:50 | 0:13:51 | |
Can't find the bloody ticket. | 0:13:54 | 0:13:56 | |
'The device is static and within 25 metres of your current location.' | 0:14:00 | 0:14:04 | |
Go, go, go, go, go, go. | 0:14:04 | 0:14:07 | |
Go! Come on! | 0:14:09 | 0:14:11 | |
What's the status now? | 0:14:12 | 0:14:14 | |
'The device remains static. We can now track to within ten metres.' | 0:14:14 | 0:14:17 | |
Ring Collins. Warn him about Styles. Now! | 0:14:30 | 0:14:33 | |
KNOCKING | 0:14:48 | 0:14:50 | |
MOBILE RINGS | 0:14:50 | 0:14:51 | |
KNOCKING | 0:14:54 | 0:14:56 | |
MOBILE RINGS | 0:14:56 | 0:14:58 | |
MOBILE CONTINUES TO RING | 0:15:09 | 0:15:11 | |
HE BREATHES HEAVILY | 0:15:15 | 0:15:17 | |
SILENCER-ASSISTED GUNSHOTS | 0:15:17 | 0:15:21 | |
MOBILE CONTINUES TO RING | 0:15:21 | 0:15:24 | |
'This is Joe, leave me a message.' | 0:15:27 | 0:15:29 | |
Straight to voicemail. | 0:15:29 | 0:15:30 | |
Shit! | 0:15:30 | 0:15:31 | |
Where's Harry Venn? | 0:15:50 | 0:15:51 | |
Who? | 0:15:51 | 0:15:53 | |
He was with you tonight when you got shot at the Braddick house. | 0:15:53 | 0:15:56 | |
Nah, not me. | 0:15:56 | 0:15:57 | |
I was out walking my dog, minding my own business...when bang! | 0:15:59 | 0:16:03 | |
Someone shoots me from a passing car. | 0:16:03 | 0:16:06 | |
-Where's your dog? -Well, she run off, didn't she? | 0:16:07 | 0:16:11 | |
Would you blame her? | 0:16:11 | 0:16:13 | |
What did Harry want with Ben Lander? | 0:16:13 | 0:16:15 | |
Why did he go back to the house? | 0:16:15 | 0:16:17 | |
Did you just start speaking Chinese? | 0:16:17 | 0:16:20 | |
Because I didn't understand a word you just said. | 0:16:20 | 0:16:22 | |
Do you like Harry Venn? | 0:16:22 | 0:16:24 | |
He's my solicitor. | 0:16:25 | 0:16:26 | |
Do you like him? Would you call him a friend? | 0:16:26 | 0:16:28 | |
-Yeah, he's a good guy, Harry. -Then do your friend a favour. | 0:16:28 | 0:16:34 | |
He's in serious trouble. Someone's trying to kill him. | 0:16:34 | 0:16:37 | |
-Like you give a shit! -What about you? | 0:16:37 | 0:16:40 | |
Do you give a shit? | 0:16:40 | 0:16:41 | |
Because if you do, help me. I'm his only chance. | 0:16:41 | 0:16:46 | |
Where's Harry? | 0:16:48 | 0:16:49 | |
There you go again...talking Chinese. | 0:16:51 | 0:16:54 | |
Right. | 0:17:01 | 0:17:03 | |
Let's get you up to theatre. | 0:17:05 | 0:17:07 | |
DOORBELL RINGS | 0:17:25 | 0:17:28 | |
Sorry. I'm... | 0:17:34 | 0:17:35 | |
I'm in a lot of trouble | 0:17:35 | 0:17:37 | |
and you're the only person I can trust. | 0:17:37 | 0:17:40 | |
Come in. | 0:17:40 | 0:17:41 | |
(Thanks.) | 0:17:41 | 0:17:43 | |
This is Gina. | 0:17:51 | 0:17:52 | |
I'm Gina Hawkes. | 0:17:54 | 0:17:56 | |
Give us five minutes. | 0:17:56 | 0:17:58 | |
Harry, what's going on? | 0:18:02 | 0:18:04 | |
-Who is she? -Mark's alive. | 0:18:04 | 0:18:05 | |
Harry, look at you, you're shaking. | 0:18:05 | 0:18:08 | |
-What have you taken? -He's alive, Lauren. -Harry. | 0:18:08 | 0:18:11 | |
-I saw Paul Hillman. I saw him. -Oh, my God. Is that blood? | 0:18:11 | 0:18:15 | |
Listen... | 0:18:15 | 0:18:17 | |
I need to take a shower, a change of clothes. | 0:18:17 | 0:18:21 | |
-Just give me ten minutes. -OK. | 0:18:21 | 0:18:24 | |
OK. | 0:18:24 | 0:18:25 | |
In Britain, we rightly defend freedom of the press tenaciously. | 0:18:41 | 0:18:45 | |
But that freedom comes with responsibility. | 0:18:45 | 0:18:48 | |
It is not a licence for abuse of power. | 0:18:48 | 0:18:50 | |
The allegations against me are another example | 0:18:50 | 0:18:53 | |
of an over-weaning media corporation cynically manipulating the truth | 0:18:53 | 0:18:57 | |
in pursuit of a dangerous political agenda. | 0:18:57 | 0:19:00 | |
That was the Prime Minister earlier today. | 0:19:00 | 0:19:03 | |
Meanwhile, key Wentworth supporters, who include billionaire industrialist James Morpeth, | 0:19:03 | 0:19:07 | |
have called on the public to brace themselves for a body blow, not just to Brian Worsley, | 0:19:07 | 0:19:12 | |
but to the entire political establishment. Prime Minister Worsley, still no nearer... | 0:19:12 | 0:19:17 | |
-Where's the punch? -It's tricky, Elspeth. | 0:19:17 | 0:19:20 | |
We don't know what Wentworth is going to say at the press conference. | 0:19:20 | 0:19:24 | |
If we over-hype this and he doesn't deliver, we end up looking really silly. | 0:19:24 | 0:19:28 | |
I want you out of this building, now. | 0:19:30 | 0:19:32 | |
Tomorrow, Alexander Wentworth will give the most sensational disclosures | 0:19:36 | 0:19:40 | |
ever made about a serving British Prime Minister. | 0:19:40 | 0:19:44 | |
That's what we need to see on this page. | 0:19:44 | 0:19:46 | |
James Morpeth will be with him. | 0:19:52 | 0:19:55 | |
We need his picture too, plus a profile. The full works. | 0:19:55 | 0:19:59 | |
He's going to be a major figure post-Worsley. | 0:19:59 | 0:20:02 | |
OK, we need to go. | 0:20:27 | 0:20:28 | |
Morpeth is going to be at the Wentworth press conference today. | 0:20:28 | 0:20:32 | |
Today is the 10th of July - the date in Morpeth's email. | 0:20:34 | 0:20:38 | |
"I'll raise a glass of Cockburn's on the 10th of July." | 0:20:38 | 0:20:41 | |
CAR HORN BEEPS | 0:20:41 | 0:20:43 | |
I called a taxi. | 0:20:43 | 0:20:45 | |
-Why did you call a taxi? -I have to talk to Nigel. | 0:20:45 | 0:20:48 | |
I'm coming with you. | 0:20:48 | 0:20:50 | |
Gina, what's to stop him calling Styles again? | 0:20:50 | 0:20:54 | |
Don't go to see him. Call him. Talk to him on the phone. | 0:20:54 | 0:20:58 | |
Whatever it is he has to say, | 0:20:58 | 0:21:00 | |
I need him to look me in the eye and say it. | 0:21:00 | 0:21:03 | |
-Fine, but I'm coming with you. -Harry, this is between Nigel and me. | 0:21:03 | 0:21:07 | |
I'll buy a new phone and call you. | 0:21:07 | 0:21:09 | |
Write down your number again. | 0:21:09 | 0:21:11 | |
I'm glad Stevie Quirke sent me to you. | 0:21:25 | 0:21:27 | |
Mr Venn. | 0:21:35 | 0:21:36 | |
-Are you OK? -Yeah. | 0:21:55 | 0:21:57 | |
-Have you talked to Michael? -Yeah, he said you went to see him. | 0:21:58 | 0:22:01 | |
Didn't go too well. | 0:22:01 | 0:22:03 | |
That's not what he said. | 0:22:03 | 0:22:05 | |
He said you said some things to him that really made him think. | 0:22:05 | 0:22:09 | |
What was it? What did you say? | 0:22:09 | 0:22:11 | |
I was quite hard on him. | 0:22:13 | 0:22:14 | |
Well, whatever you said, he didn't take it that way. | 0:22:14 | 0:22:18 | |
It meant a lot to him. | 0:22:18 | 0:22:19 | |
Will you tell him I'm sorry for everything? | 0:22:21 | 0:22:23 | |
Harry, what do you mean by that? | 0:22:23 | 0:22:25 | |
-What's that, a gun? -Lauren... | 0:22:32 | 0:22:34 | |
..I love you. | 0:22:36 | 0:22:37 | |
-CAR RADIO: -'Area forecasts for the next 24 hours - | 0:23:02 | 0:23:05 | |
'Viking, westerly or south-westerly, | 0:23:05 | 0:23:10 | |
'six or seven. | 0:23:10 | 0:23:13 | |
'Occasionally gale eight at first, except in the south. | 0:23:13 | 0:23:16 | |
'Decreasing four or five. | 0:23:16 | 0:23:18 | |
'Rain, then squally showers, moderate or poor, becoming good... | 0:23:18 | 0:23:22 | |
'...west or south west, five or six, decreasing, three or four. | 0:23:25 | 0:23:28 | |
'Then back in the south, four or five later. | 0:23:28 | 0:23:31 | |
'Rain, then fair, moderate or good, occasionally poor at first. | 0:23:31 | 0:23:36 | |
'Fisher, German Bight. South-west, five or six, veering west. | 0:23:36 | 0:23:41 | |
Becoming variable, three or four later. | 0:23:41 | 0:23:44 | |
'Rain variable, moderate or good, occasionally good...' | 0:23:44 | 0:23:48 | |
RADIO FADES OUT | 0:23:48 | 0:23:50 | |
MURMURED CONVERSATIONS | 0:23:54 | 0:23:56 | |
Glad to have you on board. - Thank you for your support. | 0:23:56 | 0:24:00 | |
-Alexander needs to know if you're going to line up with him on this. -This is difficult, Alex. | 0:24:00 | 0:24:05 | |
-You're asking me to sign up to something without telling me what it is. -Ian, | 0:24:05 | 0:24:10 | |
you know what this country is up against. We are this close to collapse. | 0:24:10 | 0:24:14 | |
-That's why I'm asking you for your trust and support. -Blind trust. | 0:24:14 | 0:24:18 | |
Unconditional support. | 0:24:18 | 0:24:19 | |
For now. IAN LAUGHS | 0:24:19 | 0:24:21 | |
-Only you could say that with a straight face, Alex. -And not for long. | 0:24:21 | 0:24:25 | |
After the press conference, I'll go outside and address the rally. | 0:24:25 | 0:24:29 | |
Then I'm going to lead my supporters on a walk to Parliament. | 0:24:29 | 0:24:32 | |
-I'd like you to be beside me on that walk. -My God. | 0:24:32 | 0:24:35 | |
Mussolini's March on Rome, eh? | 0:24:35 | 0:24:38 | |
Except I'm not leading black-shirt reactionaries. | 0:24:38 | 0:24:40 | |
I'm walking with people who won't sit by while their country falls to pieces around their ears. | 0:24:40 | 0:24:45 | |
Some of those people happen to be Conservative, some Liberal, some on the left. | 0:24:45 | 0:24:49 | |
Most aren't interested in ideology and neither, frankly, am I. | 0:24:49 | 0:24:52 | |
I'm certainly not interested in the tried and tested British way | 0:24:52 | 0:24:56 | |
of staggering along and hoping something will come up. | 0:24:56 | 0:24:58 | |
In these circumstances, that is not a viable option. | 0:24:58 | 0:25:02 | |
Have a think. Your vote would mean a great deal. | 0:25:03 | 0:25:06 | |
CAR HORN | 0:25:23 | 0:25:25 | |
RADIO PIPS | 0:25:25 | 0:25:26 | |
'Welcome to the show. | 0:25:26 | 0:25:29 | |
'This morning, the nation waits with baited breath. | 0:25:29 | 0:25:31 | |
'The talk of the last 24 hours here at Westminster | 0:25:31 | 0:25:34 | |
'has been what exactly will Alexander Wentworth reveal to us all | 0:25:34 | 0:25:39 | |
'at his press conference later today. | 0:25:39 | 0:25:41 | |
'I'm joined now by the political editors of three national newspapers | 0:25:41 | 0:25:45 | |
'to fill us in on their take on what has got to be | 0:25:45 | 0:25:47 | |
'one of the most controversial periods.' | 0:25:47 | 0:25:49 | |
MOBILE RINGS | 0:25:54 | 0:25:56 | |
Hello? | 0:26:01 | 0:26:03 | |
Nigel? | 0:26:03 | 0:26:05 | |
-Yes? -'I need to see you.' | 0:26:07 | 0:26:09 | |
Where? | 0:26:10 | 0:26:11 | |
Kew Gardens. | 0:26:11 | 0:26:13 | |
Do you think you can get into it? | 0:26:20 | 0:26:22 | |
I am in sort of a hurry here, Malcolm. | 0:26:23 | 0:26:27 | |
Gina. | 0:27:10 | 0:27:12 | |
Was it a shock, finding I was still alive? | 0:27:12 | 0:27:15 | |
-They promised me nothing would happen to you. I have their word. -They? | 0:27:15 | 0:27:19 | |
Morpeth? Styles? | 0:27:19 | 0:27:21 | |
You're part of them, aren't you? | 0:27:21 | 0:27:25 | |
Who are they? | 0:27:25 | 0:27:27 | |
Why did they murder my parents? | 0:27:27 | 0:27:29 | |
-Why do they want to kill me? -Gina, you have to believe me, I've only ever wanted to protect you. | 0:27:32 | 0:27:37 | |
Remember the first day I brought you to my house? | 0:27:39 | 0:27:41 | |
You were so lost, so sad, it was an awful time. | 0:27:41 | 0:27:44 | |
But it was that day my life really began, with you. | 0:27:46 | 0:27:50 | |
-I can still remember the first time you put your hand in mine. -Yes. | 0:27:50 | 0:27:53 | |
You made me feel safe... | 0:27:54 | 0:27:56 | |
..you made me feel loved... | 0:27:58 | 0:28:00 | |
..until you sent a killer after me. | 0:28:00 | 0:28:02 | |
You've known all along why my parents were killed. | 0:28:04 | 0:28:07 | |
-When were you going to tell me? -I had no part in it. | 0:28:07 | 0:28:10 | |
-Your parents were my friends. I had no idea they were going to be killed. -Why? | 0:28:10 | 0:28:16 | |
Why were they murdered? | 0:28:16 | 0:28:18 | |
BEEPING | 0:28:18 | 0:28:20 | |
Malcolm, how long is this going to take? | 0:28:21 | 0:28:23 | |
Doesn't normally take this long. | 0:28:23 | 0:28:26 | |
Shit. | 0:28:42 | 0:28:44 | |
They were asked to help and they wouldn't cooperate. | 0:28:52 | 0:28:55 | |
Asked to help? What do you mean "would not cooperate"? | 0:28:57 | 0:29:00 | |
-There are rules! -Rules?! -Yes, rules that have to be observed. | 0:29:00 | 0:29:05 | |
Who asked my parents for help? | 0:29:05 | 0:29:08 | |
-What kind of help? -Gina, you don't want to know this. | 0:29:08 | 0:29:11 | |
You've seen me drive myself insane for 20 years trying to find out the truth. | 0:29:11 | 0:29:16 | |
So tell me. | 0:29:16 | 0:29:18 | |
Nigel, I have to know. | 0:29:22 | 0:29:24 | |
I have to. | 0:29:26 | 0:29:28 | |
Running out of time, Malcolm. | 0:29:39 | 0:29:42 | |
-That's his password. -Great. | 0:29:42 | 0:29:45 | |
And that is his file directory. | 0:29:47 | 0:29:49 | |
Your parents were still young, but they were a formidable legal team. | 0:29:54 | 0:29:58 | |
Well, you know that. | 0:29:58 | 0:30:00 | |
And they were approached to do some legal work by a man called Teddy Cockburn. | 0:30:01 | 0:30:06 | |
-What did Cockburn want my parents to do? -Gina, please, listen to me. | 0:30:08 | 0:30:12 | |
In everybody's interests, particularly yours, you must stop asking these questions. | 0:30:12 | 0:30:18 | |
Your parents are dead, I'm sorry. | 0:30:20 | 0:30:22 | |
You have to believe me on this if on nothing else - I am truly sorry. | 0:30:22 | 0:30:26 | |
What did Cockburn want my parents to do? | 0:30:26 | 0:30:28 | |
Gina? | 0:30:37 | 0:30:38 | |
HE GROANS | 0:30:41 | 0:30:43 | |
DIALS MOBILE | 0:31:59 | 0:32:01 | |
PHONE RINGS | 0:32:03 | 0:32:06 | |
'This is the help desk. May I have your client ID?' | 0:32:06 | 0:32:11 | |
-Er... -'Client ID, please.' | 0:32:13 | 0:32:16 | |
G-H... | 0:32:17 | 0:32:19 | |
19... | 0:32:20 | 0:32:22 | |
60-09-02. | 0:32:22 | 0:32:25 | |
'For verification, can I have values one, three and eight of your protocol?' | 0:32:28 | 0:32:33 | |
'I repeat - values one, three, eight.' HARRY MUMBLES | 0:32:35 | 0:32:40 | |
F, F, three. | 0:32:42 | 0:32:44 | |
'Job number, please?' | 0:32:47 | 0:32:48 | |
71-09-CJB9. | 0:32:52 | 0:32:56 | |
'Please hold whilst I acquire.' | 0:32:56 | 0:32:58 | |
'How can I help?' | 0:33:02 | 0:33:04 | |
-Status. -'One moment.' | 0:33:05 | 0:33:08 | |
'The engineers are due on site at 15:55. | 0:33:10 | 0:33:14 | |
'Access and egress have been secured. | 0:33:14 | 0:33:16 | |
'Are you set up to receive on the device you are calling from?' | 0:33:16 | 0:33:19 | |
Yes. | 0:33:20 | 0:33:21 | |
'Sending now.' | 0:33:23 | 0:33:25 | |
Thank you. | 0:33:25 | 0:33:26 | |
MOBILE BLEEPS | 0:33:31 | 0:33:32 | |
Wentworth? | 0:33:43 | 0:33:45 | |
No. | 0:33:52 | 0:33:53 | |
That's not possible. | 0:33:55 | 0:33:56 | |
POLICE RADIO | 0:34:23 | 0:34:26 | |
MOBILE RINGS | 0:34:38 | 0:34:40 | |
SHE MOUTHS | 0:34:47 | 0:34:49 | |
MOBILE CONTINUES TO RING | 0:34:49 | 0:34:52 | |
-Yeah? -'Harry?' | 0:34:52 | 0:34:53 | |
Where are you? | 0:34:53 | 0:34:56 | |
Sloane Square. | 0:34:56 | 0:34:57 | |
Mark will be at the press conference. He's going after Wentworth. | 0:34:57 | 0:35:01 | |
'I have to stop him.' | 0:35:01 | 0:35:03 | |
Nigel's dead, they killed him. | 0:35:03 | 0:35:06 | |
Listen to me, Gina. Get out of London as fast as you can. | 0:35:08 | 0:35:10 | |
'Go to Paris, stay with Nadine, a friend, | 0:35:10 | 0:35:13 | |
'somewhere you can be safe.' | 0:35:13 | 0:35:15 | |
Are you OK? | 0:35:20 | 0:35:22 | |
I'm OK. | 0:35:23 | 0:35:24 | |
Be careful, Harry. | 0:35:26 | 0:35:28 | |
OK. I'll...I'll call you later. | 0:35:28 | 0:35:31 | |
Bye, Gina. | 0:35:33 | 0:35:34 | |
Goodbye, Harry. | 0:35:34 | 0:35:36 | |
James Morpeth is here. | 0:35:50 | 0:35:53 | |
James, how are you? | 0:35:53 | 0:35:56 | |
Good to see you. | 0:35:56 | 0:35:57 | |
-Feeling nervous? -Not remotely. | 0:35:57 | 0:35:59 | |
-They're just making me look beautiful for the cameras - give us a minute? -Good idea, yes, | 0:35:59 | 0:36:04 | |
I'll leave you to it. | 0:36:04 | 0:36:05 | |
MOBILE RINGS | 0:36:10 | 0:36:13 | |
Jason. | 0:36:17 | 0:36:18 | |
The girl got away again. | 0:36:18 | 0:36:21 | |
How was that possible? | 0:36:21 | 0:36:23 | |
Fountain. He intervened. | 0:36:23 | 0:36:26 | |
He's dead. | 0:36:26 | 0:36:27 | |
You need to get to the site. | 0:36:30 | 0:36:32 | |
Girls. | 0:36:32 | 0:36:33 | |
Daddy's off to work now. I'll see you tonight. | 0:36:33 | 0:36:37 | |
Be good. | 0:36:37 | 0:36:38 | |
CLAMOUR OF REPORTERS | 0:36:57 | 0:37:00 | |
Mr Morpeth, is Wentworth going to be the next Prime Minister? | 0:37:00 | 0:37:03 | |
-Do you have any political aspirations yourself? -Is this about funds? | 0:37:03 | 0:37:08 | |
ALL CONTINUE TO SHOUT QUESTIONS | 0:37:08 | 0:37:11 | |
ALL: Mr Wentworth! | 0:37:22 | 0:37:24 | |
Mr Wentworth, what have you got on Worsley? | 0:37:27 | 0:37:30 | |
I think that's a question the whole country deserves an answer to and I'm looking forward | 0:37:30 | 0:37:34 | |
to giving the answer today. | 0:37:34 | 0:37:36 | |
Mr Wentworth, do you think you'll be Prime Minister tonight? | 0:37:36 | 0:37:38 | |
Well, that's not for me to decide. | 0:37:38 | 0:37:40 | |
MOBILE RINGS | 0:37:40 | 0:37:43 | |
Elspeth. | 0:37:43 | 0:37:44 | |
Our boy certainly looks the part. | 0:37:44 | 0:37:47 | |
He looks exactly what he is. | 0:37:47 | 0:37:50 | |
Another plausible, ambitious PR man with a trust fund and a pretty wife. | 0:37:50 | 0:37:55 | |
Yes, poor thing has no idea what's coming. | 0:37:55 | 0:37:58 | |
Hmm. | 0:37:58 | 0:37:59 | |
Hi, excuse me, I need to ask a really big favour. | 0:38:42 | 0:38:47 | |
I've lost my press card - my mistake - | 0:38:47 | 0:38:49 | |
but I do need to get into the press conference. | 0:38:49 | 0:38:52 | |
-I'll just check the list. What's your name? -Paul Brodie. | 0:38:52 | 0:38:56 | |
Thanks. | 0:38:56 | 0:38:57 | |
-I'm afraid you're not on the list. -Sir. Is there a problem? | 0:39:01 | 0:39:05 | |
Yeah, there is a problem, I'm not on that list and I need to get into this press conference. | 0:39:05 | 0:39:09 | |
Well, if your name's not on the list, you're not coming in. | 0:39:09 | 0:39:12 | |
This isn't my mistake, it's yours. My name should be on that list. | 0:39:12 | 0:39:16 | |
If it's not on the list, you're not coming in. | 0:39:16 | 0:39:18 | |
DIALS MOBILE | 0:40:12 | 0:40:13 | |
MOBILE RINGS | 0:40:19 | 0:40:21 | |
-'Yeah?' -It's Harry. | 0:40:24 | 0:40:26 | |
-Put the phone down. -I'm at the press conference. I suggest you get down here. | 0:40:26 | 0:40:30 | |
All right, all right! | 0:40:31 | 0:40:33 | |
-Gun. -Checking. | 0:40:33 | 0:40:36 | |
-Clear. -Get him down! Security breach. | 0:40:36 | 0:40:39 | |
We've just had a communication from head of security at the venue - | 0:40:40 | 0:40:43 | |
we're going in the back way. | 0:40:43 | 0:40:45 | |
Nothing to worry about. | 0:40:45 | 0:40:47 | |
TV: 'There's growing speculation and excitement | 0:40:48 | 0:40:51 | |
'about what Alexander Wentworth is going to say when he gets here. | 0:40:51 | 0:40:54 | |
'He's invited the world's media and the world's media have turned out.' | 0:40:54 | 0:40:59 | |
I don't know who and I don't know why, but I know it's going to happen. | 0:40:59 | 0:41:04 | |
-Get him out of here now! -Did you just hear what I said? | 0:41:04 | 0:41:08 | |
-Someone's trying to kill Wentworth. It's what this is about. -Shut up! -Are you in charge? | 0:41:08 | 0:41:12 | |
I am. Found him in a secure environment with a firearm. | 0:41:12 | 0:41:16 | |
-Do you know him? -Yeah, I know him. | 0:41:16 | 0:41:19 | |
Harry, sit down. | 0:41:19 | 0:41:21 | |
What were you doing with the gun? | 0:41:23 | 0:41:25 | |
-Fuck the gun! Somebody's going to kill Wentworth! -Yeah? Who's going to kill him? | 0:41:25 | 0:41:29 | |
-How many times? I don't know. -Why does this person want to kill Wentworth? | 0:41:29 | 0:41:34 | |
You can keep dicking around with these questions, or you can do something about it. | 0:41:34 | 0:41:38 | |
But do it quick cos Wentworth will be dead in 20 minutes. | 0:41:38 | 0:41:41 | |
-Have you seen the amount of security out there? -They can get to him. | 0:41:41 | 0:41:45 | |
Wake up, you're a detective! It's all connected. The Braddick hit, Stevie Quirke. It all leads to here! | 0:41:47 | 0:41:53 | |
Take him away. | 0:41:53 | 0:41:54 | |
OK, OK. I know what he looks like. | 0:41:54 | 0:41:58 | |
I don't know his name, but I know what he looks like. I can point him out. | 0:41:58 | 0:42:02 | |
Raise your arms. | 0:42:08 | 0:42:10 | |
Right, who are we looking for? | 0:42:10 | 0:42:13 | |
Mid-30s, medium build, he's over six foot. Dark hair. | 0:42:13 | 0:42:17 | |
If you even think of trying anything, | 0:42:17 | 0:42:19 | |
I'm going to let these guys shoot you. | 0:42:19 | 0:42:22 | |
Thank you. | 0:42:32 | 0:42:33 | |
-I have your badge. -Thank you. | 0:42:37 | 0:42:40 | |
RADIO CRACKLES | 0:43:11 | 0:43:14 | |
Wentworth's in the building. | 0:43:14 | 0:43:16 | |
-Do you see him? -No. | 0:43:16 | 0:43:19 | |
One moment, please. | 0:43:48 | 0:43:50 | |
We're just waiting for security clearance. | 0:43:52 | 0:43:54 | |
Still not nervous? | 0:43:54 | 0:43:56 | |
Honestly? | 0:43:56 | 0:43:59 | |
I feel the hand of history on my shoulder. | 0:44:01 | 0:44:03 | |
HE MOUTHS | 0:44:09 | 0:44:12 | |
Well? Do you see him? | 0:44:18 | 0:44:20 | |
No. | 0:44:21 | 0:44:23 | |
Russell... | 0:44:23 | 0:44:26 | |
This is a waste of time. It's compromising security. | 0:44:26 | 0:44:29 | |
-Here. That's him! There! -Which one? -Striped tie, the grey suit. There, there | 0:44:44 | 0:44:49 | |
Come on, he's over there! | 0:44:49 | 0:44:51 | |
Let's go, sir. | 0:44:54 | 0:44:56 | |
REPORTERS SHOUT QUESTIONS | 0:44:56 | 0:44:59 | |
Mark! Mark! | 0:45:02 | 0:45:04 | |
Mark. | 0:45:43 | 0:45:44 | |
Mark! | 0:46:04 | 0:46:05 | |
Who are you working for? | 0:46:14 | 0:46:16 | |
-Who are you working for?! -On your feet, Venn! | 0:46:16 | 0:46:19 | |
-RADIO: -'Sensational revelations are still coming in thick and fast | 0:46:30 | 0:46:34 | |
'following the assassination | 0:46:34 | 0:46:35 | |
'of the billionaire industrialist James Morpeth, | 0:46:35 | 0:46:38 | |
'shot down in front of the world's media...' | 0:46:38 | 0:46:40 | |
'It's being said | 0:46:40 | 0:46:41 | |
'that the intended target was, in fact, Alexander Wentworth. | 0:46:41 | 0:46:44 | |
'And rumours are also gaining ground | 0:46:44 | 0:46:46 | |
'that the assassination and ensuing chaos | 0:46:46 | 0:46:49 | |
'will be used to justify some kind of coup...' | 0:46:49 | 0:46:51 | |
'Sources are suggesting | 0:46:51 | 0:46:53 | |
'the assassination may be linked to the death of Sir Nigel Fountain | 0:46:53 | 0:46:57 | |
'who was shot dead in Kew Gardens earlier the same day.' | 0:46:57 | 0:47:00 | |
So you deny you were involved in the assassination? | 0:47:05 | 0:47:08 | |
We've been doing this for three days. You catch on fast, Russell(!) | 0:47:08 | 0:47:11 | |
What about the Braddick murder? | 0:47:11 | 0:47:13 | |
You still deny that? | 0:47:16 | 0:47:17 | |
Yes. | 0:47:17 | 0:47:18 | |
Why did you go to the house? | 0:47:18 | 0:47:20 | |
You know what, I've got nothing more to say. | 0:47:23 | 0:47:26 | |
Right. | 0:47:38 | 0:47:39 | |
It's just you and me Harry. | 0:47:39 | 0:47:42 | |
Off the record. OK? | 0:47:42 | 0:47:44 | |
OK. | 0:47:46 | 0:47:47 | |
This is what I think. | 0:47:47 | 0:47:49 | |
I think you found out something was going down at the press conference. | 0:47:49 | 0:47:53 | |
-You weren't clear what, but thought you might be able to stop it. -Exactly. | 0:47:53 | 0:47:57 | |
-And you had the gun because someone had tried to kill you. -Bang on the money. | 0:47:57 | 0:48:00 | |
This is what else I think. | 0:48:00 | 0:48:02 | |
20 years ago, your brother Mark came to you | 0:48:02 | 0:48:04 | |
and he asked you to do a bit of driving for him. | 0:48:04 | 0:48:07 | |
You couldn't say no to Mark. He had balls, charisma. | 0:48:07 | 0:48:10 | |
You looked up to him, admired him. | 0:48:10 | 0:48:12 | |
I don't think you knew there was going to be a hit. | 0:48:15 | 0:48:18 | |
Listen, H, I don't blame you for going along with him. | 0:48:20 | 0:48:23 | |
The one I blame is Mark. | 0:48:23 | 0:48:25 | |
He was your big brother. | 0:48:25 | 0:48:27 | |
He took advantage of you, Harry. | 0:48:28 | 0:48:31 | |
I think you've been carrying a lot of guilt for a lot of years. | 0:48:31 | 0:48:34 | |
And that's too much for any man to carry. | 0:48:34 | 0:48:37 | |
This is a chance to get it off your chest. | 0:48:41 | 0:48:43 | |
A chance to start again. | 0:48:43 | 0:48:46 | |
Eh? | 0:48:47 | 0:48:48 | |
That's very good. Tell me, | 0:49:00 | 0:49:03 | |
Did they make you re-train in interrogation techniques | 0:49:03 | 0:49:05 | |
because they wouldn't let you beat up prisoners any more? Cos I'm impressed, you know? | 0:49:05 | 0:49:10 | |
Just goes to show, you can teach an old dog. | 0:49:10 | 0:49:12 | |
But just so as we're clear, Fenton - do you mind if I call you Fenton? | 0:49:12 | 0:49:18 | |
Mark never asked me to drive | 0:49:18 | 0:49:21 | |
and I wasn't at the Braddick house. | 0:49:21 | 0:49:24 | |
You think you've got a case? | 0:49:24 | 0:49:27 | |
Fine, charge me. | 0:49:27 | 0:49:30 | |
Harold George Venn, | 0:49:38 | 0:49:39 | |
I hereby charge you with conspiracy to murder Geoffrey Philip Braddick | 0:49:39 | 0:49:43 | |
on April 8, 1989. | 0:49:43 | 0:49:46 | |
DOOR IS UNLOCKED | 0:49:59 | 0:50:01 | |
Clothes. | 0:50:06 | 0:50:08 | |
Your solicitor's here. | 0:50:08 | 0:50:09 | |
Gina? | 0:50:43 | 0:50:45 | |
I always said I'd get in trouble just to have you as my lawyer. | 0:50:50 | 0:50:53 | |
I have to warn you. | 0:51:02 | 0:51:03 | |
The coffee's terrible. | 0:51:03 | 0:51:05 | |
I've drunk worse. | 0:51:11 | 0:51:12 | |
You're a brave man. | 0:51:12 | 0:51:15 | |
Really. | 0:51:17 | 0:51:19 | |
I got you a newspaper. | 0:51:29 | 0:51:30 | |
There's a government, at last. | 0:51:31 | 0:51:34 | |
So, they were going to use Wentworth's assassination | 0:51:34 | 0:51:39 | |
as an excuse for a coup? | 0:51:39 | 0:51:41 | |
That's the most popular theory, yes. | 0:51:41 | 0:51:43 | |
Why did Mark kill Morpeth and not Wentworth? | 0:51:48 | 0:51:50 | |
Harry, Morpeth wanted you dead. | 0:51:51 | 0:51:55 | |
Mark wasn't going to let that happen. | 0:52:00 | 0:52:03 | |
He's your brother. | 0:52:03 | 0:52:05 | |
We're not going to make a bail application today, | 0:52:18 | 0:52:21 | |
We don't have the package in place. | 0:52:21 | 0:52:22 | |
You'll be remanded in custody. Sorry. | 0:52:22 | 0:52:26 | |
Don't worry about me. | 0:52:26 | 0:52:27 | |
What about you? | 0:52:27 | 0:52:28 | |
I'm fine. | 0:52:30 | 0:52:31 | |
Did you get what you needed from Nigel? | 0:52:36 | 0:52:38 | |
I got some answers. | 0:52:38 | 0:52:40 | |
I wasn't thinking that. | 0:52:40 | 0:52:42 | |
I know how much he meant to you. | 0:52:44 | 0:52:46 | |
He knew everything. | 0:52:46 | 0:52:47 | |
He lied. | 0:52:47 | 0:52:49 | |
But he was trying to protect me. | 0:52:50 | 0:52:52 | |
Do you have anyone? | 0:52:54 | 0:52:56 | |
I mean... | 0:52:58 | 0:53:00 | |
..do you have anyone to go to? | 0:53:03 | 0:53:05 | |
Let's face the music. | 0:53:11 | 0:53:12 | |
Sir, I appear for Mr Venn. | 0:53:45 | 0:53:46 | |
He will be vigorously contesting the charges against him. | 0:53:46 | 0:53:50 | |
Mr Venn is remanded in custody until the 28th of this month. | 0:53:50 | 0:53:53 | |
Go up the courtyard and wait. | 0:54:11 | 0:54:13 | |
What's going on? | 0:54:14 | 0:54:16 | |
Oi! | 0:54:16 | 0:54:18 | |
What's going on?! | 0:54:18 | 0:54:21 | |
DOOR SLAMS | 0:54:37 | 0:54:40 | |
Hello? | 0:55:02 | 0:55:04 | |
BUZZER | 0:55:19 | 0:55:21 | |
DOOR OPENS | 0:55:21 | 0:55:23 | |
Oi! | 0:55:39 | 0:55:40 | |
Oi! What's going on? | 0:55:42 | 0:55:44 | |
Hello, Harry. | 0:55:46 | 0:55:47 | |
What are you doing here? | 0:55:55 | 0:55:57 | |
You think I'm going to sit there and watch them bang you up? | 0:55:57 | 0:56:00 | |
What's a big brother for, eh? | 0:56:00 | 0:56:02 | |
Lot of good it's done me(!) | 0:56:02 | 0:56:04 | |
Saved your arse once or twice. | 0:56:04 | 0:56:06 | |
You got me into this. | 0:56:06 | 0:56:08 | |
That's right. | 0:56:08 | 0:56:11 | |
And now I'm getting you out. | 0:56:11 | 0:56:12 | |
And that's supposed to make it all right between us? | 0:56:12 | 0:56:16 | |
Is it? | 0:56:18 | 0:56:19 | |
I don't have all day. | 0:56:21 | 0:56:22 | |
No, of course you don't. | 0:56:22 | 0:56:24 | |
You've waited 20 years, but you don't have another day. | 0:56:27 | 0:56:30 | |
We need to go. | 0:56:30 | 0:56:33 | |
I need a yes or no from you, Harry, and I need it quick. | 0:56:36 | 0:56:39 | |
Do you want me to get you out of here? | 0:56:41 | 0:56:43 | |
No. | 0:56:48 | 0:56:50 | |
I've got myself a good lawyer. | 0:56:53 | 0:56:56 | |
Subtitles by Red Bee Media Ltd | 0:57:50 | 0:57:53 | |
E-mail [email protected] | 0:57:53 | 0:57:56 |