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MAN AND WOMAN SHOUT, FRAGMENTS OF CONVERSATION | 0:00:02 | 0:00:05 | |
You can't turn up out of the blue and demand to see me, Meg! | 0:00:05 | 0:00:07 | |
-You think I wanted to come? -I dunno, but you should've told me! | 0:00:07 | 0:00:10 | |
-You wouldn't have answered! -You never answered MY calls! | 0:00:10 | 0:00:12 | |
-We agreed not to speak. -That was 10 months ago. | 0:00:12 | 0:00:14 | |
-I just wanted to know that you and Hannah were OK! -I'm sorry! | 0:00:14 | 0:00:17 | |
GULL CALLS | 0:00:21 | 0:00:23 | |
Don't touch me! | 0:00:24 | 0:00:25 | |
DOOR SLAMS | 0:00:38 | 0:00:40 | |
You look terrible. | 0:01:29 | 0:01:30 | |
I know. | 0:01:34 | 0:01:36 | |
Did you have to live in a place like this? | 0:01:36 | 0:01:38 | |
It's what I needed. | 0:01:39 | 0:01:41 | |
So you can feel sorry for yourself? | 0:01:41 | 0:01:42 | |
Oh, stop it, Meg. | 0:01:42 | 0:01:44 | |
Staring at her picture won't bring her back, Tom. | 0:01:50 | 0:01:53 | |
It's all I've got. | 0:01:54 | 0:01:55 | |
So what do you think Hannah has and I have, | 0:01:57 | 0:01:59 | |
every day in a city you ran away from, | 0:01:59 | 0:02:01 | |
because you can't live with your own guilt? | 0:02:01 | 0:02:03 | |
MOBILE PHONE RINGS | 0:02:25 | 0:02:27 | |
DOOR OPENS AND CLOSES | 0:02:34 | 0:02:36 | |
DCI Mathias was attempting to gain the trust of Mari Davies | 0:02:40 | 0:02:44 | |
and coax her away from the edge right up until she jumped. | 0:02:44 | 0:02:48 | |
What was your impression of DCI Mathias' state of mind? | 0:02:48 | 0:02:52 | |
Detectives are under a lot of pressure these days, | 0:02:52 | 0:02:54 | |
everyone wants results, especially when there's a child in the morgue. | 0:02:54 | 0:02:58 | |
-DCI Mathias was fine. -His usual self? | 0:03:01 | 0:03:04 | |
He was professional throughout the incident. | 0:03:04 | 0:03:07 | |
Well, I suppose he was well rested. | 0:03:07 | 0:03:09 | |
He'd just come back from a leave of absence, isn't that right? | 0:03:09 | 0:03:13 | |
For six weeks? | 0:03:13 | 0:03:15 | |
-What was the reason for that? -It was a personal matter. | 0:03:16 | 0:03:19 | |
I-I couldn't speculate on that. | 0:03:22 | 0:03:24 | |
But you could draw conclusions | 0:03:24 | 0:03:25 | |
based on his state of mind before he took that leave of absence? | 0:03:25 | 0:03:28 | |
I thought this was to do with Mari Davies? | 0:03:28 | 0:03:30 | |
You started as lead investigator on the Mari Davies case, | 0:03:30 | 0:03:33 | |
but you were replaced by DCI Mathias. Why? | 0:03:33 | 0:03:36 | |
-That's not a question I can answer. -Were you doing a good job? | 0:03:37 | 0:03:40 | |
I was investigating the case to the best of my ability. | 0:03:40 | 0:03:43 | |
You couldn't have been very happy, then, | 0:03:43 | 0:03:45 | |
when DCI Mathias took over the case? | 0:03:45 | 0:03:47 | |
I did what was asked of me. | 0:03:50 | 0:03:51 | |
PHONES RING | 0:03:58 | 0:04:00 | |
DOOR THUDS | 0:04:02 | 0:04:03 | |
-You're two hours late! -I'm sorry, sir, I should've phoned. | 0:04:05 | 0:04:08 | |
It's not good enough! Now get in there and tread very carefully! | 0:04:08 | 0:04:11 | |
DOOR OPENS | 0:04:22 | 0:04:24 | |
DCI Mathias? | 0:04:31 | 0:04:32 | |
Mari Davies' body was discovered | 0:04:43 | 0:04:45 | |
at the foot of the cliffs with multiple injuries. | 0:04:45 | 0:04:49 | |
It was impossible to differentiate between injuries | 0:04:49 | 0:04:51 | |
sustained in the fall and injuries sustained before. | 0:04:51 | 0:04:56 | |
Dyfan Richard - he tried to slit his wrists as you took him | 0:04:56 | 0:04:59 | |
-into custody, isn't that right? -What's the connection? | 0:04:59 | 0:05:02 | |
Bruises to the base of the throat, | 0:05:02 | 0:05:04 | |
consistent with manual strangulation. | 0:05:04 | 0:05:07 | |
You were alone with Mr Richard for some time | 0:05:07 | 0:05:10 | |
before the attempted suicide, were you not? | 0:05:10 | 0:05:12 | |
-Have you spoken to him? -Of course I have. | 0:05:12 | 0:05:14 | |
And has an allegation been made? | 0:05:14 | 0:05:16 | |
HE SCOFFS | 0:05:16 | 0:05:18 | |
We're detectives, aren't we? We look for patterns. | 0:05:19 | 0:05:22 | |
Patterns that point us towards guilt. | 0:05:22 | 0:05:25 | |
Patterns that stretch all the way back to London. | 0:05:25 | 0:05:28 | |
This has got nothing to do with London. | 0:05:28 | 0:05:30 | |
PHONE RINGS | 0:05:46 | 0:05:48 | |
DS Owens. | 0:05:53 | 0:05:54 | |
There's a reprimand on your file... | 0:05:58 | 0:06:00 | |
-HE SHUFFLES PAPERS -..from your time at The Met. | 0:06:00 | 0:06:03 | |
Correct? | 0:06:03 | 0:06:04 | |
Yeah, most officers have one or two. | 0:06:04 | 0:06:06 | |
You physically attacked a suspect during questioning a teacher | 0:06:06 | 0:06:10 | |
arrested on suspicion of sexual abuse of a minor. | 0:06:10 | 0:06:13 | |
Yeah. | 0:06:14 | 0:06:16 | |
I remember. | 0:06:16 | 0:06:17 | |
-You admit that you attacked him? -The facts are all in your file. | 0:06:17 | 0:06:21 | |
Less than a month after your daughter's death? | 0:06:21 | 0:06:24 | |
DI Rhys says that you spoke to Mari Davies out of personal experience, | 0:06:24 | 0:06:30 | |
that you even mentioned the death of your own daughter? | 0:06:30 | 0:06:32 | |
-VOICE ECHOES: -You implied that you felt | 0:06:32 | 0:06:34 | |
some level of responsibility for your daughter's death? | 0:06:34 | 0:06:38 | |
I don't see what that has to do with this. | 0:06:38 | 0:06:39 | |
It's a pattern. | 0:06:39 | 0:06:41 | |
The part of allowing your emotions | 0:06:41 | 0:06:43 | |
to overwhelm your professional judgment. | 0:06:43 | 0:06:45 | |
-My emotions have never overwhelmed... -A pattern of anger issue. | 0:06:45 | 0:06:48 | |
-Confusion... -You have no right to mention my daughter! | 0:06:48 | 0:06:51 | |
PAPERS THUD | 0:06:51 | 0:06:52 | |
Excuse me? | 0:06:52 | 0:06:54 | |
Sorry, sir. | 0:06:54 | 0:06:55 | |
There's been a shooting, sir. | 0:06:56 | 0:06:58 | |
Interview suspended. | 0:07:04 | 0:07:05 | |
ENGINE REVS | 0:07:24 | 0:07:26 | |
THEY TALK QUIETLY | 0:07:52 | 0:07:54 | |
VOICES ON POLICE RADIO | 0:08:16 | 0:08:18 | |
BABY GRIZZLES | 0:10:36 | 0:10:37 | |
When did you and Carl get married? | 0:10:39 | 0:10:41 | |
Three years last month. | 0:10:43 | 0:10:46 | |
We met in Cardiff, at this club. | 0:10:48 | 0:10:51 | |
-His mates worked the doors. -And what did Carl do? | 0:10:53 | 0:10:56 | |
He was just out of the army. | 0:10:56 | 0:10:58 | |
Discharged on medical grounds. | 0:11:00 | 0:11:02 | |
Why? | 0:11:02 | 0:11:04 | |
He was home on leave. | 0:11:05 | 0:11:07 | |
Some drunk driver ran into him, | 0:11:07 | 0:11:10 | |
smashed up his knee, ended his career. | 0:11:10 | 0:11:13 | |
That must've been hard for him. | 0:11:13 | 0:11:15 | |
Was Carl from this area? | 0:11:17 | 0:11:18 | |
Do you have any family living locally? | 0:11:19 | 0:11:21 | |
He grew up round here. | 0:11:23 | 0:11:25 | |
But his dad died young. | 0:11:26 | 0:11:27 | |
And his mam remarried | 0:11:29 | 0:11:30 | |
-and moved away... -VOICE CRACKS, SHE SOBS | 0:11:30 | 0:11:32 | |
-SOFTLY: -He loved it here, though! | 0:11:34 | 0:11:36 | |
Good place to bring up kids. | 0:11:40 | 0:11:42 | |
He never thought what the hell he was going to do for work. | 0:11:45 | 0:11:48 | |
With his leg the way it was, it was hard for him. | 0:11:48 | 0:11:51 | |
He worked in the pub for a bit. | 0:11:51 | 0:11:53 | |
But it didn't work out. | 0:11:55 | 0:11:56 | |
Then the bus routes came up. | 0:11:57 | 0:11:59 | |
Answer to his prayers. | 0:12:00 | 0:12:02 | |
Steady work. | 0:12:02 | 0:12:04 | |
Until the boss, Endaf, cut down his hours | 0:12:04 | 0:12:06 | |
to four days a week and then three. | 0:12:06 | 0:12:09 | |
Was Carl angry with Endaf for doing that? | 0:12:10 | 0:12:12 | |
My husband was in no shape to pick a fight with anyone. | 0:12:14 | 0:12:18 | |
METALLIC SCREWS CREAK | 0:12:24 | 0:12:28 | |
TOOL RATTLES | 0:12:28 | 0:12:30 | |
METAL THUDS | 0:12:35 | 0:12:37 | |
DRILL WHIRS | 0:12:37 | 0:12:39 | |
Endaf Jones? | 0:12:49 | 0:12:51 | |
Do you know where he is? | 0:12:51 | 0:12:53 | |
DRILLING CONTINUES | 0:13:01 | 0:13:03 | |
Tell us about Carl Probert. | 0:13:08 | 0:13:10 | |
The passengers liked him. | 0:13:12 | 0:13:14 | |
He'd chat to the old ladies. | 0:13:14 | 0:13:16 | |
He helped people with their shopping. | 0:13:16 | 0:13:18 | |
These buses, they're like social centres on wheels - | 0:13:18 | 0:13:22 | |
help to connect people. | 0:13:22 | 0:13:23 | |
We're investigating a theory that it might've been a robbery. | 0:13:23 | 0:13:27 | |
-Would he have had a lot of money on that bus? -Oh... | 0:13:27 | 0:13:30 | |
That route was losing money hand over fist. | 0:13:30 | 0:13:33 | |
I'd have dropped it, but the council insisted. | 0:13:33 | 0:13:36 | |
If you want the lucrative routes, | 0:13:36 | 0:13:38 | |
-you have to take the zombie ones as well. -Zombie ones? | 0:13:38 | 0:13:41 | |
Zombie routes. | 0:13:41 | 0:13:43 | |
Dead on their feet? | 0:13:43 | 0:13:45 | |
We're going to need the names of everyone who works here. | 0:13:46 | 0:13:49 | |
That'll be a short list. | 0:13:49 | 0:13:51 | |
GULL CALLS | 0:14:16 | 0:14:18 | |
The bus left harbour at 7.15. | 0:14:18 | 0:14:20 | |
There were a few passengers on board, | 0:14:20 | 0:14:21 | |
but no-one remembers how many. | 0:14:21 | 0:14:23 | |
The bus was due back at the depot at 9.20, but didn't show up. | 0:14:23 | 0:14:27 | |
At 10.30, it was reported missing. | 0:14:27 | 0:14:29 | |
We sent out a patrol car and found the bus about 12. | 0:14:29 | 0:14:32 | |
-So we have a timeframe for the killing? -Yup. | 0:14:32 | 0:14:35 | |
-What about the gun? -Nothing back from ballistics yet, sir. -Chase 'em up. | 0:14:35 | 0:14:40 | |
So the gunman gets on the bus and waits until the bus is empty, | 0:14:40 | 0:14:43 | |
he produces a weapon and forces the driver, Probert, off the road. | 0:14:43 | 0:14:47 | |
What happens then? | 0:14:47 | 0:14:49 | |
-Does he force Probert off the bus? -Yeah, and shoots him like an animal. | 0:14:49 | 0:14:53 | |
Then this was personal. | 0:14:53 | 0:14:55 | |
What else do we know? What about the bus company? | 0:14:56 | 0:14:59 | |
A shoestring operation. | 0:14:59 | 0:15:01 | |
Endaf Jones was fined in 2011 for using red diesel in his bus fleet. | 0:15:01 | 0:15:05 | |
According to company accounts from last year, | 0:15:05 | 0:15:08 | |
-he's barely breaking even. -Oh, there's no financial angle here. | 0:15:08 | 0:15:11 | |
There's no benefit from the death of an employee. | 0:15:11 | 0:15:14 | |
I checked the bus company employees. The drivers are clean. | 0:15:14 | 0:15:17 | |
But there's a mechanic, does maintenance the buses - John Bell. | 0:15:17 | 0:15:21 | |
-He's ex-army. -Ex-army? The same regiment as Carl Probert? -No, sir. | 0:15:21 | 0:15:26 | |
But there's something else. | 0:15:26 | 0:15:28 | |
Bell served five of a seven-year sentence for manslaughter. | 0:15:28 | 0:15:31 | |
-Do we know where he lives? -Um... | 0:15:31 | 0:15:33 | |
-Er, yeah. -Good. | 0:15:33 | 0:15:35 | |
Are we good? | 0:15:38 | 0:15:39 | |
I was disappointed things got a little heated with the IPCC. | 0:15:59 | 0:16:03 | |
Just a frank exchange of views, sir. | 0:16:03 | 0:16:05 | |
-It'll do nothing to help your cause. -What's the priority? | 0:16:05 | 0:16:08 | |
Solving this case or holding the IPCC's hand? | 0:16:08 | 0:16:11 | |
Both! | 0:16:11 | 0:16:12 | |
Do we have any leads? | 0:16:18 | 0:16:20 | |
We're working on them. | 0:16:20 | 0:16:21 | |
Get to it, then. | 0:16:23 | 0:16:24 | |
This is Bryn Hyfryd, right? | 0:17:10 | 0:17:12 | |
-Yeah. -We're looking for John Bell. | 0:17:12 | 0:17:15 | |
What for? | 0:17:15 | 0:17:16 | |
Is he here? | 0:17:18 | 0:17:19 | |
CHOPPING | 0:17:31 | 0:17:34 | |
John Bell? | 0:17:43 | 0:17:44 | |
I got to Endaf's about 7. | 0:17:57 | 0:17:59 | |
The engine on one of the buses was cutting out. | 0:18:01 | 0:18:04 | |
It's my job to keep them on the road. | 0:18:06 | 0:18:08 | |
This was my uncle's place. | 0:18:15 | 0:18:17 | |
The house was falling apart when I first came here. | 0:18:18 | 0:18:21 | |
-What about you? -What about me? | 0:18:21 | 0:18:24 | |
Three tours in Afghanistan. Five years in prison. | 0:18:24 | 0:18:28 | |
I got into a fight in a pub. | 0:18:30 | 0:18:31 | |
Threw a punch and a man was dead. | 0:18:32 | 0:18:35 | |
And when you were released from prison, you came here? | 0:18:35 | 0:18:38 | |
Well, I... | 0:18:38 | 0:18:40 | |
I had no choice. | 0:18:40 | 0:18:42 | |
And it suited me. | 0:18:42 | 0:18:44 | |
And your friend? | 0:18:44 | 0:18:46 | |
The boy had a tough start in life. | 0:18:46 | 0:18:47 | |
His parents were junkies, he went the same way, ended up in jail. | 0:18:47 | 0:18:51 | |
I helped him keep off the drugs, | 0:18:51 | 0:18:54 | |
told him to come here when he was released. | 0:18:54 | 0:18:56 | |
Nobody was more surprised than me when he did. | 0:18:56 | 0:18:59 | |
Well, I'd live here. | 0:19:01 | 0:19:02 | |
And you and your friend, you're... | 0:19:09 | 0:19:11 | |
You're still cellmates...of a sort? | 0:19:12 | 0:19:15 | |
The door's open this time. | 0:19:17 | 0:19:19 | |
Just neither of us want to walk through it. | 0:19:20 | 0:19:23 | |
Can you think of a reason why anyone would want to kill Carl Probert? | 0:19:23 | 0:19:27 | |
None of my business. | 0:19:29 | 0:19:31 | |
You worked with the man. | 0:19:31 | 0:19:32 | |
-You must have an opinion. -I don't want to get involved. | 0:19:34 | 0:19:37 | |
Carl Probert was executed in broad daylight. | 0:19:39 | 0:19:42 | |
If you know something, then... | 0:19:44 | 0:19:45 | |
..tell us. | 0:19:48 | 0:19:49 | |
Probert was dealing in drugs. | 0:19:52 | 0:19:53 | |
PHONE RINGS | 0:20:26 | 0:20:28 | |
RINGING CONTINUES | 0:20:34 | 0:20:36 | |
PHONE BEEPS | 0:20:36 | 0:20:37 | |
-Meg? -'Where are you?' | 0:20:37 | 0:20:40 | |
I thought we were going to talk. | 0:20:40 | 0:20:42 | |
I'm in the middle of a case, Meg. | 0:20:44 | 0:20:45 | |
I'm not going to wait forever. | 0:20:48 | 0:20:50 | |
Tomorrow night, at the hotel? | 0:20:52 | 0:20:54 | |
Be there! | 0:20:54 | 0:20:55 | |
DIAL TONE, HE HANGS UP | 0:20:57 | 0:20:59 | |
ENGINE STARTS | 0:21:04 | 0:21:05 | |
Sorry to disturb you. We won't keep you long. | 0:21:44 | 0:21:46 | |
We've just got a few more questions. | 0:21:47 | 0:21:49 | |
How well do you know your husband, Mrs Probert? | 0:21:59 | 0:22:03 | |
Sorry? | 0:22:03 | 0:22:04 | |
Do you mind if I take a look around? | 0:22:05 | 0:22:07 | |
-Abby's asleep. -That's all right, I'll be quiet. | 0:22:07 | 0:22:09 | |
You said earlier that your husband | 0:22:21 | 0:22:22 | |
only worked three days a week on the bus? | 0:22:22 | 0:22:24 | |
How did you make ends meet? | 0:22:26 | 0:22:28 | |
We managed. | 0:22:31 | 0:22:32 | |
Every day, after he'd done his route, he'd come home to bath Abby. | 0:22:48 | 0:22:52 | |
So I could have half an hour to myself before cooking dinner. | 0:22:54 | 0:22:57 | |
She keeps saying, "Daddy." | 0:23:02 | 0:23:03 | |
Even she knows he should be home by now. | 0:23:05 | 0:23:08 | |
Sounds like he was a good father. | 0:23:12 | 0:23:14 | |
He doted on her. | 0:23:16 | 0:23:17 | |
He was an ordinary bloke, trying to get by. | 0:23:23 | 0:23:27 | |
Why would anyone want to hurt him? | 0:23:33 | 0:23:36 | |
WATER SLOSHES | 0:24:05 | 0:24:07 | |
Mrs Probert? | 0:24:23 | 0:24:25 | |
Did you know that Carl was dealing drugs? | 0:24:25 | 0:24:27 | |
CLOCK TICKS | 0:24:30 | 0:24:32 | |
He bathed our baby girl in there! | 0:24:36 | 0:24:38 | |
He'd never have had drugs around her! | 0:24:38 | 0:24:41 | |
He loved her! He loved me! | 0:24:41 | 0:24:43 | |
What about people visiting the house? Or phoning for Carl? | 0:24:43 | 0:24:46 | |
Carl didn't have a lot of friends. | 0:24:46 | 0:24:48 | |
I asked him if he wanted to go to the pub and stuff and he said no. | 0:24:48 | 0:24:51 | |
He had everything he needed here. | 0:24:51 | 0:24:54 | |
We have access to your bank account. | 0:24:55 | 0:24:58 | |
The money Carl was earning wasn't enough to cover your outgoings. | 0:24:58 | 0:25:02 | |
The rent, the bills - over the last couple of months, | 0:25:02 | 0:25:04 | |
you've been paying those over-the-counter with cash. | 0:25:04 | 0:25:07 | |
Now, that cash didn't come from your bank account. | 0:25:07 | 0:25:10 | |
Kelsey? | 0:25:10 | 0:25:12 | |
Just help us, talk to us, tell us what you know. | 0:25:13 | 0:25:15 | |
SHE SIGHS | 0:25:15 | 0:25:17 | |
I thought it was his compensation. | 0:25:17 | 0:25:20 | |
-From the accident. -No. | 0:25:20 | 0:25:23 | |
That ran out over a year ago. | 0:25:23 | 0:25:25 | |
(I didn't know!) | 0:25:30 | 0:25:32 | |
Are you sure about that? | 0:25:33 | 0:25:34 | |
Yes, I'm sure! You'd think I'd have stayed with him if I knew?! | 0:25:34 | 0:25:39 | |
Carl Probert had friends in Cardiff who are nightclub doormen. | 0:25:45 | 0:25:48 | |
-Doormen always know who the dealers are, don't they? -Do they? | 0:25:48 | 0:25:51 | |
What I'm saying is he could've got them to make connections for him. | 0:25:51 | 0:25:55 | |
And the bus route would be good cover. | 0:25:55 | 0:25:57 | |
Pick up the drugs from town, sell them off the bus. | 0:25:57 | 0:26:00 | |
He'd have no shortage of customers. | 0:26:00 | 0:26:02 | |
Kids from the area arrested for possession, | 0:26:02 | 0:26:04 | |
and these are just the ones who got caught. | 0:26:04 | 0:26:06 | |
Well, let's talk to Endaf Jones again. | 0:26:06 | 0:26:08 | |
-You think he was involved? -He has bus routes all around the county, | 0:26:08 | 0:26:11 | |
and we know that he needs the money. | 0:26:11 | 0:26:12 | |
KNOCK AT DOOR | 0:26:33 | 0:26:35 | |
When am I getting my bus back? | 0:26:38 | 0:26:40 | |
I've got a business to run here. | 0:26:40 | 0:26:42 | |
-Did you know that Carl Probert was selling drugs along the route? -What? | 0:26:42 | 0:26:46 | |
This business isn't in the best of financial health, is it, Mr Jones? | 0:26:46 | 0:26:49 | |
-Meaning? -The conviction for using untaxed red diesel | 0:26:49 | 0:26:52 | |
-in your bus fleet? -That was an honest mistake! | 0:26:52 | 0:26:55 | |
You have routes all over Ceredigion! | 0:26:55 | 0:26:57 | |
Oh...oh, no. Oh, no, you're not going to pin that one on me. | 0:26:57 | 0:27:00 | |
-It's perfect for selling and dealing drugs. -I bet this isn't | 0:27:00 | 0:27:03 | |
the first time you broke the law to keep this company going. | 0:27:03 | 0:27:05 | |
Look, do you want to search the place? | 0:27:05 | 0:27:07 | |
I give you my permission any time - office, depot, garage - | 0:27:07 | 0:27:11 | |
but I'll tell you one thing, | 0:27:11 | 0:27:12 | |
if these allegations affect my business, | 0:27:12 | 0:27:14 | |
I'm going to sue you right to the ground! | 0:27:14 | 0:27:16 | |
PHONE RINGS | 0:27:16 | 0:27:19 | |
Lloyd? | 0:27:19 | 0:27:21 | |
'Geraint Hopkins.' | 0:27:21 | 0:27:22 | |
18-year-old schoolboy, | 0:27:22 | 0:27:24 | |
took drugs at a party last June, went into a coma. | 0:27:24 | 0:27:28 | |
'Toxicology said ecstasy, | 0:27:28 | 0:27:29 | |
'comparable to the pills Carl Probert was selling.' | 0:27:29 | 0:27:32 | |
He lives in Ynys Wen, went to sixth form in town. | 0:27:32 | 0:27:36 | |
So, if he travelled by bus, he would've known Carl Probert? | 0:27:36 | 0:27:39 | |
-Mr Hopkins? -Come in! Door's open, I'm in the back. | 0:28:02 | 0:28:06 | |
Good. | 0:28:19 | 0:28:20 | |
Good. See? | 0:28:24 | 0:28:25 | |
Can I help you? | 0:28:28 | 0:28:29 | |
Sorry to disturb you. | 0:28:30 | 0:28:32 | |
DI Rhys. DCI Mathias. | 0:28:32 | 0:28:34 | |
-Everything all right? -We were hoping to speak to you and your wife. | 0:28:34 | 0:28:38 | |
Mr Hopkins, is your wife around? | 0:28:39 | 0:28:42 | |
KNOCK AT DOOR | 0:28:48 | 0:28:49 | |
Mrs Hopkins? | 0:28:53 | 0:28:54 | |
Hi, I'm DCI Mathias. | 0:28:56 | 0:28:58 | |
I'd like to talk to you about your son Geraint. | 0:29:01 | 0:29:03 | |
-And nobody at the party admitted to giving him the drugs? -No. | 0:30:05 | 0:30:08 | |
Dion, his brother, was meant to go to university, | 0:30:12 | 0:30:15 | |
but after what happened, he couldn't leave us. | 0:30:15 | 0:30:17 | |
Looking after Geraint is hard. | 0:30:18 | 0:30:20 | |
And we've got Morgan to think about. | 0:30:36 | 0:30:38 | |
-He's only 16. -Is he still at school? -Yes. | 0:30:38 | 0:30:41 | |
Does Morgan ever get the bus? | 0:30:44 | 0:30:46 | |
Dion takes him in every morning and brings him home almost every day. | 0:30:49 | 0:30:54 | |
Works around his shifts. | 0:30:54 | 0:30:55 | |
MOOING | 0:31:33 | 0:31:35 | |
-Sorry to drag you from your work. -That's OK. | 0:31:55 | 0:31:58 | |
We're investigating the murder of Carl Probert. Did you know him? | 0:31:58 | 0:32:02 | |
Not personally, no. | 0:32:03 | 0:32:04 | |
I know he drove buses. | 0:32:04 | 0:32:06 | |
Did you know he dealt drugs? | 0:32:06 | 0:32:07 | |
I've heard rumours. | 0:32:09 | 0:32:10 | |
The drugs Geraint took at the party - | 0:32:11 | 0:32:13 | |
could they have come from him, do you think? | 0:32:13 | 0:32:16 | |
What difference does it make? | 0:32:16 | 0:32:18 | |
It's not going to change what happened to him. | 0:32:18 | 0:32:21 | |
Where were you yesterday morning between 7 and 12? | 0:32:21 | 0:32:23 | |
-Here, working. -Any witnesses? -Everyone who was here yesterday. | 0:32:25 | 0:32:28 | |
Go wait in the van, I'll be there now. | 0:32:32 | 0:32:35 | |
It's Morgan, isn't it? | 0:32:35 | 0:32:36 | |
Can I go? | 0:32:41 | 0:32:42 | |
Yeah. | 0:32:44 | 0:32:45 | |
SHEEP AND LAMBS BLEAT | 0:32:53 | 0:32:56 | |
CAR ENGINE STARTS | 0:33:16 | 0:33:19 | |
PHONE RINGS | 0:34:38 | 0:34:40 | |
RINGING CONTINUES | 0:34:48 | 0:34:50 | |
Yeah? | 0:34:50 | 0:34:52 | |
'It's Bell, sir. He's turned up and won't leave until he sees you.' | 0:34:52 | 0:34:55 | |
'Sir? What shall I tell him, sir?' | 0:34:57 | 0:34:59 | |
Tell him to wait there. | 0:34:59 | 0:35:00 | |
PHONE RINGS | 0:35:18 | 0:35:19 | |
'It's me.' | 0:35:25 | 0:35:26 | |
You're not coming, are you? | 0:35:28 | 0:35:30 | |
I'm sorry, Meg. | 0:35:31 | 0:35:33 | |
How many times, Tom? | 0:35:37 | 0:35:38 | |
I really am trying, Meg. | 0:35:39 | 0:35:41 | |
SHE SIGHS | 0:35:43 | 0:35:45 | |
So am I. | 0:35:45 | 0:35:46 | |
Where did you find these? | 0:36:10 | 0:36:12 | |
No, you prick! I haven't done anything wrong! | 0:36:15 | 0:36:17 | |
Ah, OK, OK, OK. Ah-ah-ah-ah-ah. | 0:36:19 | 0:36:22 | |
You went into town every two weeks to pick up your benefits | 0:36:59 | 0:37:02 | |
-on Carl Probert's bus. -So? -You knew he had cash and drugs on the bus. | 0:37:02 | 0:37:07 | |
You knew who got on the bus and when the bus was empty. | 0:37:07 | 0:37:09 | |
-No. -You knew he was dealing! You knew he had drugs on the bus. | 0:37:09 | 0:37:12 | |
You saw your opportunity and you took it. | 0:37:12 | 0:37:14 | |
No. | 0:37:14 | 0:37:15 | |
PHONE RINGS | 0:37:15 | 0:37:17 | |
You killed Carl Probert. | 0:37:17 | 0:37:19 | |
No. | 0:37:19 | 0:37:20 | |
I think you did. | 0:37:20 | 0:37:21 | |
And do you know what that means? Prison. Again. | 0:37:21 | 0:37:24 | |
It doesn't look too good for you, does it? | 0:37:24 | 0:37:25 | |
And Bell won't be there this time to look after you. | 0:37:25 | 0:37:28 | |
I didn't kill Carl Probert. | 0:37:28 | 0:37:29 | |
-No, but you were helping him sell the drugs, weren't you? -No. | 0:37:29 | 0:37:32 | |
How do you explain that? | 0:37:36 | 0:37:37 | |
We know that these drugs come from the same batch | 0:37:44 | 0:37:46 | |
that Carl Probert bought. | 0:37:46 | 0:37:48 | |
You can't prove they're mine. | 0:37:48 | 0:37:49 | |
No, we can't. You're right. | 0:37:49 | 0:37:51 | |
But we know somebody who can. | 0:37:51 | 0:37:54 | |
Someone you know very well. | 0:37:54 | 0:37:55 | |
Someone who tried to help you, and you let him down! | 0:37:55 | 0:37:58 | |
He wouldn't do that to me. | 0:37:58 | 0:37:59 | |
You sure about that? | 0:37:59 | 0:38:01 | |
How did we get hold of them, then?! | 0:38:01 | 0:38:03 | |
Probert used to sell from the bus. | 0:38:11 | 0:38:13 | |
He wanted more customers. | 0:38:14 | 0:38:16 | |
-Yeah? -Yeah. | 0:38:16 | 0:38:18 | |
So I'd go into town and sell from there, the sixth form, the uni. | 0:38:18 | 0:38:21 | |
I looked more like a student than he did. | 0:38:21 | 0:38:23 | |
And Probert, he paid you in pills? | 0:38:23 | 0:38:26 | |
Pills, hash. | 0:38:26 | 0:38:27 | |
Did you ever sell drugs to Geraint Hopkins? | 0:38:30 | 0:38:33 | |
Did you ever sell drugs to this boy? | 0:38:35 | 0:38:37 | |
I can't remember. | 0:38:37 | 0:38:39 | |
But you did sell drugs to schoolkids? | 0:38:39 | 0:38:40 | |
Yeah, I needed the money. | 0:38:40 | 0:38:42 | |
This boy was a coma. You ruined his life. | 0:38:42 | 0:38:43 | |
THAT'S GOT NOTHING TO DO WITH ME! | 0:38:43 | 0:38:46 | |
PHONE VIBRATES | 0:38:48 | 0:38:49 | |
Do we charge him? | 0:39:04 | 0:39:05 | |
Yeah. We charge him to court. | 0:39:05 | 0:39:06 | |
'You have two new messages.' | 0:39:13 | 0:39:16 | |
-MEG: -'Every morning, I go into Hannah's bedroom. | 0:39:19 | 0:39:22 | |
'And I find her crying there. | 0:39:25 | 0:39:27 | |
'When I hold her... | 0:39:29 | 0:39:31 | |
'..it feels like she's not really there. | 0:39:33 | 0:39:36 | |
'She misses her sister. | 0:39:36 | 0:39:37 | |
'And she misses you. | 0:39:39 | 0:39:41 | |
'You are invisible to her, Tom. | 0:39:43 | 0:39:44 | |
'That's why we've got to go.' | 0:39:46 | 0:39:48 | |
DCI Mathias? I see you're making excellent progress already. | 0:39:48 | 0:39:52 | |
'I'm taking her to Canada. | 0:39:52 | 0:39:54 | |
'And we're not coming back.' | 0:39:56 | 0:39:57 | |
DCI Mathias? | 0:40:00 | 0:40:02 | |
Perhaps DI Rhys should take over as lead detective on this case. | 0:40:02 | 0:40:06 | |
I see you're making excellent progress already. | 0:40:07 | 0:40:10 | |
I'm sure she can finish up for you. | 0:40:10 | 0:40:12 | |
'And we're not coming back.' | 0:40:13 | 0:40:15 | |
You are not going to destroy me! | 0:40:16 | 0:40:17 | |
Sorry. | 0:40:24 | 0:40:25 | |
I'm sorry. | 0:40:27 | 0:40:28 | |
Sir? Ballistics got back to us. | 0:41:19 | 0:41:21 | |
The report says the weapon used to kill Carl Probert | 0:41:21 | 0:41:24 | |
was a captive bolt gun, normally used to slaughter animals. | 0:41:24 | 0:41:29 | |
What's more, the weapon matches the description of a gun | 0:41:29 | 0:41:31 | |
reported missing from a local abattoir three weeks ago. | 0:41:31 | 0:41:34 | |
Sir? | 0:41:37 | 0:41:38 | |
Do we have an address? | 0:41:40 | 0:41:42 | |
-Garw Meats. -Yes, sir. | 0:41:44 | 0:41:47 | |
Well done, DS Owens. | 0:41:47 | 0:41:49 | |
COWS MOO, SHEEP BLEAT | 0:42:17 | 0:42:22 | |
-Why would I steal a bolt gun? -Well, somebody did. | 0:42:24 | 0:42:27 | |
It came from here. | 0:42:27 | 0:42:28 | |
Somebody used that bolt gun to brutally murder Carl Probert | 0:42:28 | 0:42:31 | |
on Tuesday morning. | 0:42:31 | 0:42:33 | |
That was nothing to do with me. Ask anyone. I was here all day. | 0:42:33 | 0:42:37 | |
I know, you said. | 0:42:37 | 0:42:38 | |
It's no skin off your nose, though, is it? | 0:42:38 | 0:42:41 | |
Carl Probert destroys your brother's life. | 0:42:41 | 0:42:43 | |
Now that he's dead, happy days. | 0:42:43 | 0:42:45 | |
What about Gary Pearce? | 0:42:45 | 0:42:48 | |
-Who? -Do you know him? | 0:42:49 | 0:42:51 | |
-No. -Are you sure? -Yeah. | 0:42:52 | 0:42:54 | |
That's all, then, isn't it? | 0:42:57 | 0:42:59 | |
For now. | 0:43:02 | 0:43:03 | |
WHISPERED CONVERSATION | 0:43:20 | 0:43:22 | |
Does the name Dion Hopkins mean anything to you? | 0:44:16 | 0:44:18 | |
-No. -Are you sure? | 0:44:20 | 0:44:22 | |
-Pearce has never mentioned him? -No. Why? | 0:44:23 | 0:44:26 | |
-Pearce ever work in the abattoir in town? -No. | 0:44:26 | 0:44:29 | |
Does he have a friend who does? | 0:44:29 | 0:44:31 | |
He doesn't have any friends. | 0:44:31 | 0:44:32 | |
You're all he's got. | 0:44:32 | 0:44:34 | |
Just trying to help him, that's all. | 0:44:35 | 0:44:37 | |
Then you should know that he's just been released. | 0:44:37 | 0:44:40 | |
-Why? -Bailed by the magistrates to crown court. | 0:44:41 | 0:44:44 | |
Why didn't the CCTV work on Probert's bus? | 0:44:55 | 0:44:58 | |
Doesn't work on this one, either. Hasn't worked for months. | 0:44:58 | 0:45:01 | |
We're attending to it. | 0:45:01 | 0:45:03 | |
Got any good news to give me, then? | 0:45:04 | 0:45:06 | |
I'm trying to work out who killed one of your employees, Mr Jones. | 0:45:06 | 0:45:10 | |
If I'd have known he was dealing drugs on my bus, | 0:45:10 | 0:45:12 | |
I'd have done it myself. | 0:45:12 | 0:45:13 | |
Worst thing I ever did was take him on. | 0:45:13 | 0:45:15 | |
That's Probert's work. | 0:45:15 | 0:45:17 | |
He upset some bugger. | 0:45:17 | 0:45:20 | |
-Bus ended up in a ditch. -Upset who? | 0:45:20 | 0:45:22 | |
According to Endaf Jones's insurance records, six weeks ago, | 0:45:30 | 0:45:34 | |
a bus that was driven by Carl Probert | 0:45:34 | 0:45:36 | |
was forced off the road by a silver car. | 0:45:36 | 0:45:38 | |
There's a witness statement saying | 0:45:38 | 0:45:40 | |
that the driver got out of the car | 0:45:40 | 0:45:42 | |
'and shouted abuse at Probert before driving away.' | 0:45:42 | 0:45:44 | |
Did you get a registration for the car? | 0:45:44 | 0:45:46 | |
No, but we've got a description of the driver - | 0:45:46 | 0:45:48 | |
a middle-aged man, grey-haired. | 0:45:48 | 0:45:50 | |
One more thing - according to a witness, | 0:45:50 | 0:45:52 | |
there was a wheelchair on the back seat. | 0:45:52 | 0:45:55 | |
I started watching him. | 0:46:33 | 0:46:35 | |
Probert? | 0:46:36 | 0:46:38 | |
There were rumours. | 0:46:39 | 0:46:41 | |
Of drugs, drug dealing. | 0:46:41 | 0:46:43 | |
I had to know. | 0:46:44 | 0:46:45 | |
I followed the bus. | 0:46:45 | 0:46:47 | |
I saw him handing something to some kids. | 0:46:50 | 0:46:53 | |
They couldn't have been more than 14. | 0:46:53 | 0:46:55 | |
Why didn't you go to the police? | 0:46:55 | 0:46:57 | |
I wanted to be sure. | 0:46:57 | 0:46:58 | |
What happened? | 0:47:02 | 0:47:04 | |
I lost it. | 0:47:05 | 0:47:07 | |
Tried to run the bus off the road. | 0:47:07 | 0:47:09 | |
I wasn't thinking straight. The bus went into the ditch. | 0:47:11 | 0:47:14 | |
Next thing I know, | 0:47:14 | 0:47:15 | |
I'm standing in the middle of the road, screaming at him. | 0:47:15 | 0:47:18 | |
He looked back at me and he didn't say a word, | 0:47:18 | 0:47:20 | |
and that's when I knew it must have been him. | 0:47:20 | 0:47:23 | |
Where were you the morning that Carl Probert was killed? | 0:47:24 | 0:47:26 | |
Here, where I always am, with Geraint. | 0:47:26 | 0:47:30 | |
Can you verify that? | 0:47:31 | 0:47:32 | |
I had nothing to with Carl Probert's death. | 0:47:39 | 0:47:42 | |
Why didn't you tell me? | 0:47:48 | 0:47:50 | |
I couldn't. | 0:47:51 | 0:47:53 | |
I didn't want to hurt you. | 0:47:53 | 0:47:55 | |
You knew who he was. | 0:47:56 | 0:47:58 | |
The man that did this to our son. | 0:47:59 | 0:48:02 | |
You let him go. | 0:48:02 | 0:48:03 | |
You did nothing. | 0:48:04 | 0:48:06 | |
How could you? | 0:48:07 | 0:48:09 | |
If I'd have told you, you'd have known where the drugs came from, | 0:48:09 | 0:48:12 | |
and you'd have blamed yourself. | 0:48:12 | 0:48:14 | |
You were the one that told the boys to catch the bus to school. | 0:48:14 | 0:48:16 | |
"To make them independent," you said. | 0:48:16 | 0:48:19 | |
If you'd have known that Probert had given him the drugs, | 0:48:19 | 0:48:22 | |
you wouldn't be able to live with yourself. | 0:48:22 | 0:48:23 | |
You can't even bear to be in the same room as him. | 0:48:23 | 0:48:25 | |
-That's not true. -It is, Judith, it is! | 0:48:25 | 0:48:28 | |
Stop it! | 0:48:28 | 0:48:30 | |
The two of you, please. | 0:48:30 | 0:48:32 | |
You know, Morgan, what happened to Geraint, it's hard. | 0:49:01 | 0:49:06 | |
It's hard for everyone. | 0:49:06 | 0:49:08 | |
My father's weak. | 0:49:08 | 0:49:10 | |
I can't stand him being so weak, doing nothing. | 0:49:10 | 0:49:13 | |
He looks after Geraint. | 0:49:13 | 0:49:15 | |
What's the point? He would never have wanted to live like this. | 0:49:15 | 0:49:17 | |
They should have let him die. | 0:49:17 | 0:49:19 | |
-You don't mean that. -You have no idea. | 0:49:20 | 0:49:22 | |
-Did your husband ever mention Philip Hopkins? -Why? | 0:50:05 | 0:50:07 | |
Was he the man who killed Carl? | 0:50:07 | 0:50:10 | |
He's not a suspect at the moment, but six weeks ago, | 0:50:10 | 0:50:13 | |
he was involved in an incident with your husband. | 0:50:13 | 0:50:15 | |
He forced Carl's bus off the road. | 0:50:15 | 0:50:17 | |
Did he ever mention it? | 0:50:19 | 0:50:20 | |
He just told me that he'd had an argument | 0:50:20 | 0:50:22 | |
with some lunatic on the road. | 0:50:22 | 0:50:24 | |
-He didn't tell you what it was about? -No - why? | 0:50:24 | 0:50:27 | |
Philip Hopkins' son, Geraint, took drugs at a party | 0:50:29 | 0:50:32 | |
and ended up in a coma. | 0:50:32 | 0:50:33 | |
He's now got brain damage. | 0:50:33 | 0:50:35 | |
Those drugs, we believe, were supplied by your husband. | 0:50:35 | 0:50:39 | |
Geraint was just 18 years old - still at school. | 0:50:39 | 0:50:42 | |
How could he do this? | 0:50:46 | 0:50:48 | |
I trusted him. I loved him. | 0:50:50 | 0:50:54 | |
Is that why Carl was killed? | 0:50:54 | 0:50:57 | |
Because he was selling drugs to schoolkids? | 0:50:59 | 0:51:02 | |
That is what we are trying to establish. | 0:51:02 | 0:51:05 | |
He's ruined everything. | 0:51:06 | 0:51:08 | |
How am I going to tell Abby who her father really was? | 0:51:09 | 0:51:14 | |
That poor boy. | 0:51:17 | 0:51:19 | |
None of this is your fault. | 0:51:20 | 0:51:22 | |
It's somebody's fault. | 0:51:24 | 0:51:25 | |
Dion Hopkins had every reason to kill Carl Probert. | 0:51:27 | 0:51:30 | |
Is it too much of a coincidence that he works in the very place | 0:51:30 | 0:51:32 | |
that the murder weapon was stolen? | 0:51:32 | 0:51:34 | |
-But he has a cast-iron alibi. -Who pulled the trigger, then? | 0:51:34 | 0:51:36 | |
Tom! My office, now. | 0:51:36 | 0:51:39 | |
-This stops now. -What does? | 0:51:55 | 0:51:58 | |
This attitude. | 0:51:58 | 0:52:00 | |
Unless you sort yourself out | 0:52:00 | 0:52:02 | |
and start treating the IPCC and everyone around you with respect, | 0:52:02 | 0:52:05 | |
you're going to be finished - career over. | 0:52:05 | 0:52:07 | |
That's not fair, Sir. | 0:52:07 | 0:52:09 | |
Shut up! | 0:52:09 | 0:52:10 | |
Get this case solved without any more cock-ups, | 0:52:12 | 0:52:16 | |
and once you've done that, get in front of the IPCC, | 0:52:16 | 0:52:18 | |
and start co-operating with them. | 0:52:18 | 0:52:20 | |
Now get out. | 0:52:23 | 0:52:24 | |
DI Rhys? | 0:52:52 | 0:52:54 | |
Hello, Endaf. | 0:52:54 | 0:52:55 | |
What? He's there with Bell now? | 0:52:55 | 0:52:59 | |
Don't approach him, Endaf. We're on our way. | 0:52:59 | 0:53:01 | |
We need to go. Now. | 0:53:04 | 0:53:06 | |
-Come on. -You said I had a home! | 0:53:19 | 0:53:22 | |
I don't want a druggie under my roof. | 0:53:22 | 0:53:24 | |
-Once, I screwed up once! -You sold drugs to children. | 0:53:24 | 0:53:27 | |
What else was I supposed to do? | 0:53:27 | 0:53:29 | |
You said you'd help me. That's what we agreed on. | 0:53:29 | 0:53:31 | |
-You broke the rules. -That's enough. | 0:53:31 | 0:53:33 | |
You want me to live by your rules, but you can't live by them yourself. | 0:53:33 | 0:53:36 | |
My house. I say who stays there, and you're out. | 0:53:36 | 0:53:38 | |
Right, come on. Let's go, come on. | 0:53:38 | 0:53:40 | |
At least I haven't murdered anybody. | 0:53:42 | 0:53:44 | |
Who is it who wakes up screaming every night? | 0:53:45 | 0:53:49 | |
-Who can still smell those children burning in that cellar? -Shut up. | 0:53:49 | 0:53:52 | |
That's enough! | 0:53:52 | 0:53:53 | |
-You murdered women and children! -That's enough! | 0:53:53 | 0:53:58 | |
TOOLS CLATTER | 0:53:58 | 0:54:00 | |
-John... -Please, don't...! -John! | 0:54:00 | 0:54:02 | |
That's bloody enough! | 0:54:02 | 0:54:04 | |
-Don't do it, John, please, please... -John! -John! | 0:54:04 | 0:54:07 | |
Don't listen to him. Do it. Go on. Go on. | 0:54:07 | 0:54:10 | |
Come on... | 0:54:11 | 0:54:13 | |
Come on, John. Come on! | 0:54:14 | 0:54:17 | |
JOHN GROWLS | 0:54:20 | 0:54:21 | |
You'd better take me in, | 0:54:27 | 0:54:30 | |
before I hurt anyone else. | 0:54:30 | 0:54:31 | |
I killed Carl Probert. | 0:54:34 | 0:54:36 | |
Now arrest me. | 0:54:36 | 0:54:38 | |
Endaf Jones confirms that Bell was working | 0:54:58 | 0:55:00 | |
the day that Probert was murdered. | 0:55:00 | 0:55:02 | |
So do we charge him for wasting police time? | 0:55:04 | 0:55:07 | |
No. | 0:55:07 | 0:55:08 | |
We let him go. | 0:55:09 | 0:55:10 | |
I always thought that one day I would come back to you. | 0:55:49 | 0:55:51 | |
That I could be the man that I once was. | 0:55:54 | 0:55:56 | |
That I could be the father that Hannah needs. | 0:55:59 | 0:56:02 | |
We could be a family. | 0:56:07 | 0:56:08 | |
Not a day has gone by where I haven't thought about you or Hannah. | 0:56:14 | 0:56:18 | |
-I can only hope that you... -Were mending ourselves, too? | 0:56:21 | 0:56:24 | |
It's a good thought, Tom. | 0:56:27 | 0:56:29 | |
But we're not. | 0:56:32 | 0:56:33 | |
Our life is frozen. | 0:56:35 | 0:56:37 | |
It's killing us. | 0:56:40 | 0:56:41 | |
London is finished, | 0:56:47 | 0:56:49 | |
we can't wait for you any more. | 0:56:49 | 0:56:52 | |
We have to move on for Hannah's sake. | 0:56:52 | 0:56:54 | |
Canada gives us the chance to start again. | 0:56:57 | 0:57:01 | |
Hannah needs her father. | 0:57:01 | 0:57:03 | |
Yes, she does. | 0:57:03 | 0:57:05 | |
But not like this. | 0:57:05 | 0:57:07 | |
I won't let her see you torturing yourself like this. | 0:57:07 | 0:57:10 | |
What she needs is her old father back, Tom. | 0:57:13 | 0:57:16 | |
She knows you love her. | 0:57:26 | 0:57:27 | |
And maybe... | 0:57:29 | 0:57:30 | |
..in time, you can come and visit. | 0:57:32 | 0:57:34 | |
But we can't wait for you. | 0:57:38 | 0:57:40 | |
I love you, Meg. | 0:57:47 | 0:57:49 | |
And I love you. | 0:57:49 | 0:57:50 | |
But we have no choice. | 0:57:51 | 0:57:53 | |
You haven't come back just to tell me that, have you? | 0:58:03 | 0:58:06 | |
I want a divorce. | 0:58:18 | 0:58:19 | |
HE SOBS | 0:58:56 | 0:59:00 | |
Bell. | 0:59:41 | 0:59:42 | |
SHE LAUGHS | 1:00:35 | 1:00:37 | |
GLASS CLINKS | 1:01:12 | 1:01:13 | |
GLASS CLINKS | 1:01:32 | 1:01:33 | |
Mm-hm. | 1:02:41 | 1:02:42 | |
OWL HOOTS | 1:03:11 | 1:03:12 | |
Sometimes the things inside you can become too dangerous | 1:03:27 | 1:03:31 | |
if you don't control them. | 1:03:31 | 1:03:32 | |
Anger, grief, fear. | 1:03:33 | 1:03:36 | |
Things that can poison people around you. | 1:03:39 | 1:03:42 | |
Is that what you do? | 1:03:43 | 1:03:44 | |
Quarantine myself. | 1:03:46 | 1:03:47 | |
Get to a place away from everyone... | 1:03:49 | 1:03:51 | |
..before anyone gets hurt. | 1:03:53 | 1:03:55 | |
DOOR CLOSES | 1:04:13 | 1:04:15 | |
DOOR CLOSES | 1:04:43 | 1:04:44 | |
I never remember how it started. | 1:05:30 | 1:05:33 | |
Maybe it was him, | 1:05:33 | 1:05:35 | |
maybe he was spoiling for a fight. | 1:05:35 | 1:05:37 | |
I know I was. | 1:05:39 | 1:05:40 | |
The anger builds up inside you, all the time you don't react, | 1:05:41 | 1:05:45 | |
all the time you keep it in. | 1:05:45 | 1:05:47 | |
Just makes it worse. | 1:05:48 | 1:05:50 | |
-Who was he? -He was just a bloke in a bar. | 1:05:50 | 1:05:53 | |
Didn't even mean to hit him that hard. | 1:05:54 | 1:05:56 | |
What happened happened. | 1:05:59 | 1:06:01 | |
I served my time. | 1:06:03 | 1:06:04 | |
All those nights in that cell staring at the ceiling | 1:06:05 | 1:06:08 | |
and thinking, "I will never let this happen again." | 1:06:08 | 1:06:12 | |
Is that where you met him? | 1:06:12 | 1:06:13 | |
Yeah. | 1:06:15 | 1:06:16 | |
I thought I could help him. | 1:06:17 | 1:06:19 | |
And this... | 1:06:19 | 1:06:20 | |
..this anger. | 1:06:22 | 1:06:23 | |
Was it always there? | 1:06:26 | 1:06:27 | |
There was this village in Afghanistan. | 1:06:38 | 1:06:41 | |
We had photographs, insurgents to search for. | 1:06:42 | 1:06:45 | |
The women scream, even the children cry. | 1:06:47 | 1:06:50 | |
Searches are usually a wash-out, | 1:06:50 | 1:06:52 | |
but this time the enemy was actually there. | 1:06:52 | 1:06:54 | |
The problem was... | 1:06:57 | 1:06:58 | |
..they'd stored their munitions in the cellar, | 1:07:00 | 1:07:03 | |
and sent the women and children down there to shelter too. | 1:07:03 | 1:07:06 | |
So as soon as someone fired a round... | 1:07:10 | 1:07:12 | |
It doesn't need to be your fault to break you. | 1:07:27 | 1:07:30 | |
You just need to be there. | 1:07:31 | 1:07:33 | |
How do you live with something like that? | 1:07:37 | 1:07:39 | |
This is what I do. | 1:08:20 | 1:08:21 | |
I put everything in the hands of fate. | 1:08:26 | 1:08:28 | |
-Blind chance. -GUN CYLINDER SPINS | 1:08:28 | 1:08:30 | |
If the gun goes off... | 1:08:32 | 1:08:33 | |
..well, then it's done. | 1:08:35 | 1:08:36 | |
But if it doesn't, | 1:08:38 | 1:08:40 | |
then fate has decided that you live through this. | 1:08:40 | 1:08:42 | |
That you make it work. | 1:08:43 | 1:08:45 | |
You deal with the stress and the pain. | 1:08:46 | 1:08:48 | |
That you live. | 1:08:50 | 1:08:52 | |
GUN CLICKS | 1:08:54 | 1:08:56 | |
Fate has decided. | 1:09:05 | 1:09:07 | |
GUN CYLINDER SPINS | 1:09:07 | 1:09:09 | |
HE SIGHS | 1:09:34 | 1:09:35 | |
GUN CLICKS | 1:10:09 | 1:10:11 | |
DOOR OPENS AND CLOSES | 1:10:23 | 1:10:26 | |
BIRDSONG | 1:10:30 | 1:10:33 | |
Elen! | 1:12:06 | 1:12:07 | |
I was just telling DCI Mathias | 1:12:13 | 1:12:16 | |
how much you enjoy your early morning walk. | 1:12:16 | 1:12:20 | |
Yeah. | 1:12:20 | 1:12:21 | |
Well, I'll leave you to it. | 1:12:23 | 1:12:25 | |
This must be important. | 1:12:40 | 1:12:41 | |
I'm not fit to do this job any more, sir. | 1:12:43 | 1:12:45 | |
HE SIGHS | 1:12:47 | 1:12:48 | |
I've lost my way. | 1:12:51 | 1:12:52 | |
I've lost perspective. | 1:12:54 | 1:12:56 | |
Maybe I didn't have any in the first place. | 1:12:59 | 1:13:01 | |
I drag my personal life into every case that I investigate. | 1:13:02 | 1:13:06 | |
People get hurt. | 1:13:07 | 1:13:09 | |
What I said to Mari Davies, | 1:13:11 | 1:13:13 | |
I was only trying to help. | 1:13:13 | 1:13:15 | |
It's the worst thing that I could've said, | 1:13:16 | 1:13:18 | |
I just didn't see it at the time. | 1:13:18 | 1:13:20 | |
Gwen... | 1:13:22 | 1:13:23 | |
Oh, God, she died because of me. | 1:13:25 | 1:13:27 | |
You had to make some difficult decisions in the heat of the moment. | 1:13:27 | 1:13:30 | |
Sometimes things go wrong. | 1:13:30 | 1:13:32 | |
No, no, no. I can't do this any more! | 1:13:32 | 1:13:35 | |
HE SIGHS | 1:13:37 | 1:13:38 | |
I want to resign. | 1:13:41 | 1:13:42 | |
We all carry the weight of something. | 1:13:47 | 1:13:49 | |
Some choose to ignore it. | 1:13:51 | 1:13:53 | |
Others use it to get things done. | 1:13:53 | 1:13:56 | |
I just put a gun to my head! | 1:13:56 | 1:13:59 | |
My advice to you is, get back on the case | 1:14:04 | 1:14:06 | |
and find out who Carl Probert's killer is. | 1:14:06 | 1:14:08 | |
Are you listening to me, sir? | 1:14:09 | 1:14:12 | |
I'm not accepting your resignation. | 1:14:12 | 1:14:15 | |
PHONE RINGS | 1:14:55 | 1:14:57 | |
-Yep. -'Tom, where are you?' -I'm on my way in. What is it? | 1:15:00 | 1:15:03 | |
'Me and DS Owens are headed to Garw Meats.' | 1:15:03 | 1:15:05 | |
'Tom? | 1:15:07 | 1:15:09 | |
'We'll meet you there.' | 1:15:09 | 1:15:10 | |
Aye. | 1:15:47 | 1:15:48 | |
Diolch. | 1:15:48 | 1:15:49 | |
Confirmation from the school, Sir. | 1:16:26 | 1:16:28 | |
Morgan Hopkins was not at school | 1:16:28 | 1:16:29 | |
on the morning of Carl Probert's murder. | 1:16:29 | 1:16:32 | |
What? | 1:16:32 | 1:16:34 | |
Motive, access, no alibi. | 1:16:34 | 1:16:36 | |
DI Rhys is on her way to the Hopkins' house. | 1:16:36 | 1:16:38 | |
PHONE RINGS | 1:18:06 | 1:18:08 | |
Yeah? | 1:18:11 | 1:18:12 | |
Morgan and Dion Hopkins have disappeared. | 1:18:12 | 1:18:14 | |
Evidence on Morgan's phone suggests they've gone after Pearce. | 1:18:14 | 1:18:17 | |
'He could be anywhere.' | 1:18:17 | 1:18:18 | |
No, I think I know where he is. | 1:18:18 | 1:18:22 | |
WHIMPERING | 1:20:04 | 1:20:06 | |
I want all units up at Brynhyfryd. | 1:20:17 | 1:20:20 | |
Get on to the armed response units. | 1:20:20 | 1:20:21 | |
The suspects are armed and potentially dangerous. | 1:20:21 | 1:20:24 | |
-You don't have to do this. -Shut up. | 1:20:27 | 1:20:30 | |
You pull that trigger... | 1:20:30 | 1:20:33 | |
-and it all ends. -He killed my brother. -No... | 1:20:33 | 1:20:35 | |
Lies! Probert told me, don't bullshit to me! | 1:20:35 | 1:20:38 | |
You killed Probert? | 1:20:40 | 1:20:41 | |
What's your name? | 1:20:45 | 1:20:46 | |
Don't talk to me. | 1:20:48 | 1:20:49 | |
Do you think pulling that trigger will make you feel better? | 1:20:53 | 1:20:57 | |
The first one is the easy one, cos you don't know what to expect. | 1:20:58 | 1:21:02 | |
It's the second one that'll haunt you. | 1:21:04 | 1:21:07 | |
That's the one you'll never escape. | 1:21:11 | 1:21:13 | |
Morgan! Where are you? | 1:21:20 | 1:21:23 | |
Put it down, Morgan. | 1:21:52 | 1:21:54 | |
Killing him's not going to make Geraint better. | 1:21:55 | 1:21:57 | |
It was him that did it. | 1:21:57 | 1:21:59 | |
It was him and Probert that sold the drugs to Geraint. | 1:21:59 | 1:22:03 | |
-No. -Shut up, you just didn't have the balls to do anything about it. | 1:22:03 | 1:22:07 | |
-You're wrong. -No! | 1:22:07 | 1:22:09 | |
No, Probert told me it was him. | 1:22:09 | 1:22:11 | |
It wasn't him. | 1:22:18 | 1:22:19 | |
It wasn't Probert, it wasn't Pearce. | 1:22:21 | 1:22:23 | |
It was me. | 1:22:28 | 1:22:29 | |
It was me. | 1:22:32 | 1:22:33 | |
I gave Geraint the drugs. | 1:22:36 | 1:22:37 | |
-I don't believe you. -It's the truth. | 1:22:39 | 1:22:42 | |
But something went wrong. | 1:22:42 | 1:22:44 | |
And every day I go over and over it in my head. | 1:22:47 | 1:22:50 | |
Why Geraint? | 1:22:50 | 1:22:52 | |
Why not me? | 1:22:52 | 1:22:55 | |
I wanted to tell you. | 1:22:55 | 1:22:57 | |
I just couldn't. | 1:22:57 | 1:22:59 | |
I didn't have the guts. | 1:23:01 | 1:23:03 | |
Bastard! | 1:23:03 | 1:23:04 | |
HE SOBS | 1:23:10 | 1:23:13 | |
CAR ENGINE STARTS | 1:23:37 | 1:23:38 | |
CAR PULLS AWAY | 1:23:46 | 1:23:48 | |
PHONE RINGS | 1:24:23 | 1:24:27 | |
Hello? | 1:24:35 | 1:24:37 | |
OK. | 1:24:43 | 1:24:44 | |
HE SIGHS | 1:24:47 | 1:24:48 | |
For what it's worth, Tom... | 1:25:06 | 1:25:07 | |
..I told the IPCC the truth. | 1:25:11 | 1:25:13 | |
I wouldn't have expected anything less. | 1:25:17 | 1:25:19 | |
If I have been hostile or uncooperative to this investigation, | 1:26:04 | 1:26:07 | |
then I apologise. | 1:26:07 | 1:26:08 | |
There have been times when I've allowed my personal problems | 1:26:10 | 1:26:12 | |
to cloud my professional judgment. | 1:26:12 | 1:26:15 | |
I have taken risks. | 1:26:15 | 1:26:16 | |
But I've also saved lives. | 1:26:19 | 1:26:21 | |
I've solved cases. | 1:26:21 | 1:26:22 | |
And for that I'm not ashamed. | 1:26:24 | 1:26:26 | |
Hi. | 1:27:08 | 1:27:10 | |
Hi. | 1:27:12 | 1:27:13 | |
I'm sorry, Tom. I have no choice. | 1:27:21 | 1:27:23 | |
SHE SIGHS | 1:27:27 | 1:27:28 | |
SHE SIGHS | 1:27:36 | 1:27:37 | |
CAR ENGINE STARTS | 1:27:56 | 1:27:58 |