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BREATHES HARD | 0:00:05 | 0:00:07 | |
BIRDSONG | 0:00:07 | 0:00:09 | |
WIND RUMBLES | 0:00:32 | 0:00:34 | |
HE PANTS | 0:00:41 | 0:00:43 | |
BIRDSONG | 0:00:45 | 0:00:46 | |
PHONE RINGS AND VIBRATES | 0:01:08 | 0:01:10 | |
Mathias? | 0:01:19 | 0:01:21 | |
SEAGULLS CRY | 0:02:03 | 0:02:05 | |
FAINT DISPATCHER | 0:02:10 | 0:02:11 | |
WIND WHISTLES | 0:02:14 | 0:02:16 | |
WAVES CRASH | 0:02:23 | 0:02:25 | |
Sorry, sir, I didn't know. I wasn't here when you arrived. | 0:02:47 | 0:02:50 | |
That's all right. | 0:02:50 | 0:02:52 | |
DC Lloyd Ellis, sir. I've been looking forward to meeting you. | 0:02:52 | 0:02:55 | |
Yes, just around the corner, sir. | 0:02:57 | 0:02:59 | |
Keep to the left, please, sir. | 0:03:07 | 0:03:09 | |
-Morning. -Hi. | 0:03:09 | 0:03:11 | |
This way. | 0:03:13 | 0:03:14 | |
Who's Johnny Cash? | 0:03:22 | 0:03:23 | |
That's Eurof Daniel. | 0:03:23 | 0:03:25 | |
Local preacher and friend of Helen Jenkins, the woman who lives here. | 0:03:25 | 0:03:28 | |
Mrs? | 0:03:28 | 0:03:29 | |
Miss. Mid 60s, devout chapel-goer. | 0:03:29 | 0:03:33 | |
No children, no close family. Wasn't at chapel this morning. | 0:03:33 | 0:03:36 | |
He came to check to see if she was OK, | 0:03:36 | 0:03:38 | |
found the door wide open and the carnage inside. | 0:03:38 | 0:03:40 | |
I'll need to speak to him. | 0:03:40 | 0:03:42 | |
He already knows that, sir. | 0:03:42 | 0:03:44 | |
You'll need these, sir. | 0:03:54 | 0:03:55 | |
Thanks. | 0:03:55 | 0:03:57 | |
FLIES BUZZ | 0:04:11 | 0:04:14 | |
-You got a bag? -James, bag. | 0:04:22 | 0:04:25 | |
A broken tooth. Nasty. | 0:04:29 | 0:04:31 | |
-Vivid. -Not my colour. | 0:05:00 | 0:05:03 | |
Might be just another wild bath night in Aberystwyth, but I doubt it. | 0:05:05 | 0:05:09 | |
PHONE RINGS | 0:05:09 | 0:05:11 | |
DI Rhys. | 0:05:11 | 0:05:12 | |
She's definitely not in hospital and there's no sign of her car, | 0:06:07 | 0:06:10 | |
but we've mobilised all available personnel | 0:06:10 | 0:06:12 | |
and checking all possible leads. | 0:06:12 | 0:06:14 | |
-What does she drive? -Red Rover. | 0:06:14 | 0:06:16 | |
-Big enough to move a body? -Yes, sir. | 0:06:16 | 0:06:18 | |
-That's cheerful. -Huh? | 0:06:20 | 0:06:22 | |
Salem, by Sydney Vosper. | 0:06:22 | 0:06:24 | |
The devil's face is said to be hidden | 0:06:24 | 0:06:26 | |
in the folds of the Welsh lady's shawl. | 0:06:26 | 0:06:28 | |
My grandmother showed it to me when I was small. | 0:06:30 | 0:06:32 | |
It still gives me the creeps. Do you see it? | 0:06:32 | 0:06:34 | |
-No. -Perhaps you're not looking hard enough, sir. | 0:06:36 | 0:06:39 | |
Perhaps I need the help of your grandmother. | 0:06:39 | 0:06:41 | |
KNOCK AT DOOR | 0:06:41 | 0:06:43 | |
When was the last time you saw Helen Jenkins? | 0:06:50 | 0:06:52 | |
Last Monday. | 0:06:53 | 0:06:55 | |
You seem very sure about that. | 0:06:55 | 0:06:57 | |
I see Helen every Monday. She cleans the chapel. | 0:06:57 | 0:07:01 | |
Has done so for many years. | 0:07:01 | 0:07:03 | |
-Are you a regular visitor here, Mr Daniel? -No. | 0:07:04 | 0:07:07 | |
Helen likes her own company. | 0:07:08 | 0:07:10 | |
Keen boat builder, was she? | 0:07:10 | 0:07:12 | |
Not as far as I know. | 0:07:13 | 0:07:15 | |
Someone she knows is. | 0:07:15 | 0:07:17 | |
Can't imagine who. | 0:07:17 | 0:07:18 | |
Where were you last night? | 0:07:19 | 0:07:21 | |
-At home. I, um... -Can anybody verify that? | 0:07:22 | 0:07:24 | |
Verify? | 0:07:26 | 0:07:27 | |
Mr Daniel's wife passed away less than a year ago, sir. | 0:07:27 | 0:07:30 | |
I'm sorry to hear that, Eurof. | 0:07:32 | 0:07:34 | |
We'll be in touch. | 0:07:34 | 0:07:36 | |
How long have you known him? | 0:07:41 | 0:07:43 | |
Most of my life. He's a family friend. | 0:07:43 | 0:07:45 | |
-Good man? -Absolutely. -Further to fall, then. | 0:07:45 | 0:07:47 | |
Oh, for God's sake! You can't suspect him. | 0:07:47 | 0:07:49 | |
-Excuse me, sir. The super's here to see you. -Thank you, Ellis. | 0:07:52 | 0:07:55 | |
You've met most of the team, then? | 0:08:07 | 0:08:09 | |
A little sooner than expected. | 0:08:10 | 0:08:12 | |
I've got half the cognoscenti of Aberystwyth | 0:08:12 | 0:08:14 | |
in their Sunday chinos waiting to meet you up at the university. | 0:08:14 | 0:08:18 | |
It's been a busy day, sir. | 0:08:18 | 0:08:19 | |
Not every Sunday is like this. | 0:08:19 | 0:08:21 | |
I hear you've already mobilised | 0:08:23 | 0:08:25 | |
most of the police resources of west Wales. | 0:08:25 | 0:08:28 | |
-Do you have a body? -Not yet. | 0:08:28 | 0:08:31 | |
Well, it's a big call for a missing person. | 0:08:31 | 0:08:33 | |
It was a vicious attack, sir. | 0:08:33 | 0:08:36 | |
And if the victim is Helen Jenkins, | 0:08:36 | 0:08:37 | |
she's already lost a great deal of blood. | 0:08:37 | 0:08:39 | |
Unless she's had medical attention in the last 12 hours, | 0:08:39 | 0:08:42 | |
as far as I'm concerned, this is a murder inquiry. | 0:08:42 | 0:08:45 | |
-OK. Keep me informed. -I will. | 0:08:45 | 0:08:47 | |
Thank you, sir. | 0:08:51 | 0:08:53 | |
CHURCH BELLS PEAL | 0:08:53 | 0:08:55 | |
Forensics say there may be three or four different shoe marks in the hallway of the chalet. | 0:08:55 | 0:08:59 | |
There's no sign of forced entry or anything to suggest | 0:08:59 | 0:09:01 | |
that it was a robbery that went wrong, | 0:09:01 | 0:09:03 | |
so perhaps she knew her assailant. | 0:09:03 | 0:09:06 | |
Sorry I'm late, sir. DS Owens. | 0:09:06 | 0:09:08 | |
Don't be late again. | 0:09:12 | 0:09:13 | |
I won't be, sir. | 0:09:13 | 0:09:15 | |
Saturday night, Helen Jenkins | 0:09:23 | 0:09:24 | |
lays out some clean clothes and takes a bath. | 0:09:24 | 0:09:27 | |
She puts on some red lipstick. She wants to look nice. | 0:09:28 | 0:09:30 | |
-For who? -The boat builder? | 0:09:30 | 0:09:33 | |
Or the preacher? | 0:09:33 | 0:09:34 | |
But for some reason is attacked violently. | 0:09:34 | 0:09:37 | |
-Her teeth are knocked out. -Stabbed? | 0:09:37 | 0:09:39 | |
No weapon has been found, | 0:09:39 | 0:09:40 | |
but the excessive blood loss would suggest that kind of attack. | 0:09:40 | 0:09:44 | |
So there's a struggle. | 0:09:44 | 0:09:45 | |
The Vosper painting is smashed, then she's dragged outside, | 0:09:45 | 0:09:48 | |
put in the back of the car and driven into the night. Why? | 0:09:48 | 0:09:51 | |
-For dumping, sir? -Possibly, if she's already dead. | 0:09:51 | 0:09:55 | |
And if not? | 0:09:55 | 0:09:56 | |
The killer wanted her to suffer. | 0:09:56 | 0:09:58 | |
Find out all you can about Helen Jenkins. | 0:10:00 | 0:10:02 | |
From what we can gather, she lived a quiet, frugal existence. | 0:10:02 | 0:10:06 | |
But who does she know? | 0:10:06 | 0:10:07 | |
And more importantly, who might have a motive strong enough | 0:10:07 | 0:10:09 | |
-to want to hurt her so badly? -Yes, sir. | 0:10:09 | 0:10:12 | |
I've already done a bit of homework on Helen Jenkins, sir. | 0:10:12 | 0:10:15 | |
She ran the Pontarfynach Children's Home | 0:10:15 | 0:10:17 | |
from 1979 till it closed in '96. | 0:10:17 | 0:10:20 | |
It's now the Devil's Bridge Hotel, sir. | 0:10:20 | 0:10:22 | |
-Devil's Bridge? -On the A4120 out of Aber, sir. | 0:10:22 | 0:10:25 | |
It's about 20 minutes away to the southeast. | 0:10:25 | 0:10:28 | |
Hm. It's as clear as day when you know what you're looking for. | 0:10:29 | 0:10:33 | |
If you don't eat your greens, we'll send you to Devil's Bridge. | 0:10:56 | 0:10:59 | |
I was scared stiff of the place when I was a kid. | 0:11:01 | 0:11:04 | |
How come? | 0:11:04 | 0:11:06 | |
According to legend, it's where the devil was tricked by an old lady. | 0:11:06 | 0:11:10 | |
One day, an old lady and her cow got separated. | 0:11:10 | 0:11:14 | |
She was on one side of the river, the cow was on the other. | 0:11:15 | 0:11:18 | |
While she was standing there wondering how to get it back, | 0:11:18 | 0:11:21 | |
the devil appeared and offered to build her a bridge. | 0:11:21 | 0:11:24 | |
But his price was the soul of the first living thing to cross it. | 0:11:24 | 0:11:28 | |
She agreed. Next morning, bingo! There's a bridge. | 0:11:28 | 0:11:32 | |
The devil says, "I've kept my promise, now you keep yours." | 0:11:34 | 0:11:37 | |
The old lady took a loaf of bread out of her basket, | 0:11:37 | 0:11:39 | |
threw it across the bridge and her dog ran after it. | 0:11:39 | 0:11:43 | |
So the devil was tricked by an old lady. | 0:11:43 | 0:11:47 | |
Yep. The devil was so embarrassed, he never set foot in Wales again. | 0:11:47 | 0:11:51 | |
Some would say that he never left. | 0:11:53 | 0:11:55 | |
FAINT WELSH SONG | 0:12:29 | 0:12:30 | |
CONSTANT TICKING | 0:12:35 | 0:12:37 | |
PING! | 0:13:00 | 0:13:02 | |
Check out the back. | 0:13:09 | 0:13:10 | |
Hello? | 0:13:20 | 0:13:21 | |
'Alfie!' | 0:13:23 | 0:13:24 | |
'Alfie!' | 0:13:31 | 0:13:33 | |
Alfie! | 0:13:43 | 0:13:46 | |
The bugger doesn't listen to a word I say. | 0:13:48 | 0:13:51 | |
My dog. | 0:13:51 | 0:13:52 | |
He's down there somewhere. | 0:13:52 | 0:13:54 | |
Oh, he'll come back when he's ready. | 0:13:54 | 0:13:57 | |
THUNDERCLAP | 0:14:02 | 0:14:04 | |
THUNDERCLAP | 0:15:54 | 0:15:55 | |
HE STRAINS | 0:16:32 | 0:16:34 | |
HE BREATHES HARD | 0:16:46 | 0:16:47 | |
THUNDERCLAP | 0:16:53 | 0:16:54 | |
FAINT POLICE RADIO | 0:16:57 | 0:16:59 | |
Get that. I'll see you in my office at 5:00. | 0:17:07 | 0:17:09 | |
Why haul the body all the way out here? | 0:17:11 | 0:17:13 | |
Why risk getting caught? | 0:17:13 | 0:17:15 | |
Maybe it wasn't pre-planned. | 0:17:15 | 0:17:16 | |
He thought she was dead | 0:17:16 | 0:17:17 | |
and panicked when he realised she was still alive. | 0:17:17 | 0:17:20 | |
Alive or dead, the killer was making a statement. | 0:17:20 | 0:17:22 | |
He was bringing Helen Jenkins home. | 0:17:22 | 0:17:24 | |
-You'd be pushed to call this home. -Not if you're the devil. | 0:17:24 | 0:17:26 | |
I need the name of all of the kids | 0:17:34 | 0:17:35 | |
that went through the home during the time Helen Jenkins ran it. | 0:17:35 | 0:17:38 | |
The children, staff, anyone connected with the place. | 0:17:38 | 0:17:40 | |
I want to know who they were and where are they now. | 0:17:40 | 0:17:42 | |
-We're already working on it, sir. -Good. | 0:17:42 | 0:17:45 | |
Dr Haydn Blake's on his way in. | 0:17:48 | 0:17:50 | |
Helen Jenkins was his cleaner for three years. | 0:17:50 | 0:17:52 | |
I'll send someone down to talk to him. | 0:17:52 | 0:17:55 | |
No. You do this one yourself, Tom. | 0:17:55 | 0:17:57 | |
Haydn's a good friend, plays a big part in our community here. | 0:17:57 | 0:18:01 | |
He'll appreciate the personal touch. | 0:18:01 | 0:18:03 | |
Right, sir. | 0:18:03 | 0:18:05 | |
'Helen was our cleaner.' | 0:18:14 | 0:18:15 | |
She worked at the surgery for three years. She was good. | 0:18:15 | 0:18:19 | |
But we started to notice money was missing. | 0:18:19 | 0:18:22 | |
How much? | 0:18:22 | 0:18:23 | |
Only small sums. £10 here, £20 there. | 0:18:23 | 0:18:26 | |
-But it added up over the months. -So, you sacked her? | 0:18:26 | 0:18:29 | |
It wasn't just the money. | 0:18:30 | 0:18:32 | |
She started handing these out to some of my patients. | 0:18:33 | 0:18:36 | |
Young women mostly. | 0:18:36 | 0:18:38 | |
Warning them of the perils of sin. | 0:18:39 | 0:18:42 | |
I couldn't allow that. | 0:18:42 | 0:18:43 | |
And when was this? | 0:18:45 | 0:18:46 | |
Six months ago. | 0:18:46 | 0:18:48 | |
Pity. New cleaner's not a patch on Helen. | 0:18:48 | 0:18:51 | |
Thank you very much, Dr Blake. | 0:18:56 | 0:18:57 | |
We missed you this afternoon. | 0:18:58 | 0:19:01 | |
At our little gathering. | 0:19:01 | 0:19:03 | |
You were there? | 0:19:03 | 0:19:05 | |
We were all there. | 0:19:05 | 0:19:07 | |
KNOCK AT DOOR | 0:19:07 | 0:19:09 | |
Yep? | 0:19:09 | 0:19:10 | |
Excuse me, sir. | 0:19:13 | 0:19:14 | |
I've been looking into Miss Jenkins's accounts, sir. | 0:19:19 | 0:19:21 | |
No major debts, no mortgage. | 0:19:21 | 0:19:23 | |
Makes regular small contributions to the chapel fund. | 0:19:23 | 0:19:26 | |
Forensics? Thanks. | 0:19:26 | 0:19:28 | |
£50 usually. Less in recent months. | 0:19:28 | 0:19:30 | |
-She lost her job. -But she made two other payments, sir. | 0:19:30 | 0:19:33 | |
Big ones in April and September. | 0:19:33 | 0:19:34 | |
Both of £500 and both to a Hywel Maybury. | 0:19:34 | 0:19:37 | |
He works at the amusements on the pier, sir. | 0:19:37 | 0:19:40 | |
Good work. | 0:19:42 | 0:19:43 | |
How's your accommodation, sir? | 0:19:45 | 0:19:46 | |
Perfect, thank you, DC Ellis. | 0:19:46 | 0:19:49 | |
How's yours? | 0:19:50 | 0:19:51 | |
Um...very good, sir. Thank you. | 0:19:51 | 0:19:55 | |
"The night is far spent, the day is at hand. | 0:20:01 | 0:20:04 | |
"Let us therefore cast off the works of darkness | 0:20:04 | 0:20:07 | |
"and let us put on the armour of light." | 0:20:07 | 0:20:09 | |
Not what you want to hear in the doctor's surgery on a Monday morning with two screaming kids. | 0:20:09 | 0:20:13 | |
A religious zealot? | 0:20:13 | 0:20:15 | |
Or a devout woman who sincerely believed she was helping. | 0:20:15 | 0:20:18 | |
Whilst stealing the petty cash? | 0:20:18 | 0:20:20 | |
Where's the quote from? | 0:20:20 | 0:20:22 | |
St Paul to the Romans. | 0:20:22 | 0:20:24 | |
-You went to Sunday school. -Perhaps I still do, sir. | 0:20:24 | 0:20:27 | |
Hywel Maybury? | 0:20:38 | 0:20:40 | |
Hywel Maybury's flat is on the first floor. | 0:21:46 | 0:21:49 | |
Any idea of his movements? | 0:21:55 | 0:21:56 | |
I can't say. Hywel is that quiet, it's hard to tell if he's in or not. | 0:21:56 | 0:21:59 | |
Try, Mr Latimer. | 0:22:04 | 0:22:06 | |
Well, I let his mam in last Tuesday, if that's any help? | 0:22:06 | 0:22:09 | |
-His mother? -Yeah. She comes in every week to clean. | 0:22:10 | 0:22:13 | |
-His mammy cleans for him, does she? -Well, I think so. | 0:22:14 | 0:22:17 | |
Did he have any other visitors? Girlfriend...? | 0:22:17 | 0:22:20 | |
Coch-y-bonddu. | 0:22:44 | 0:22:45 | |
Classic trout fly. | 0:22:46 | 0:22:48 | |
Good, isn't he? | 0:22:50 | 0:22:52 | |
You into fishing, Inspector? | 0:22:53 | 0:22:55 | |
No. | 0:22:56 | 0:22:58 | |
Sir? | 0:23:28 | 0:23:29 | |
Is this Hywel Maybury? | 0:23:41 | 0:23:43 | |
Yes. | 0:23:46 | 0:23:48 | |
And that's his mam. | 0:23:49 | 0:23:50 | |
WAVES CRASH | 0:23:57 | 0:23:59 | |
Helen Jenkins was brutally assaulted in her own home, | 0:24:00 | 0:24:04 | |
then taken to Devil's Bridge, | 0:24:04 | 0:24:05 | |
where we believe she was dumped in a river. | 0:24:05 | 0:24:08 | |
She ran Pontarfynach Children's Home between 1979 and 1996. | 0:24:08 | 0:24:13 | |
And we're very keen to speak to ex-residents at the home, | 0:24:13 | 0:24:17 | |
especially Hywel Maybury, | 0:24:17 | 0:24:19 | |
who we believe was a close acquaintance of Miss Jenkins. | 0:24:19 | 0:24:22 | |
The victim's car, a red Rover 100, | 0:24:23 | 0:24:26 | |
registration N347 EP0, | 0:24:26 | 0:24:30 | |
was used by the killer to move her. | 0:24:30 | 0:24:32 | |
The car is still missing and it is vital that we find it. | 0:24:32 | 0:24:36 | |
-Any questions? -Helen Jenkins cleaned for Maybury, gave him money. | 0:24:38 | 0:24:41 | |
Was she his lover? Is that why she wore the lipstick? | 0:24:41 | 0:24:43 | |
Maybe the lipstick wasn't for him and he got jealous? | 0:24:43 | 0:24:46 | |
Or was she the mother he never had? | 0:24:46 | 0:24:47 | |
Helen Jenkins had several assistants at Pontarfynach, | 0:24:47 | 0:24:51 | |
but it seems she was the only one who lived in. | 0:24:51 | 0:24:52 | |
How many children went through there during Helen Jenkins' time? | 0:24:52 | 0:24:55 | |
-Almost 50. -Apart from Hywel Maybury, how many have you traced? | 0:24:55 | 0:24:58 | |
-Er...seven so far. -No, eight. | 0:24:58 | 0:25:00 | |
Only one still in Aberystwyth. Most have moved away, sir. | 0:25:00 | 0:25:03 | |
Getting as far away from the place as possible, if you ask me. | 0:25:03 | 0:25:05 | |
But we're not asking you. | 0:25:05 | 0:25:07 | |
It's just an opinion. | 0:25:07 | 0:25:09 | |
-If you're unhappy, I suggest... -I didn't say I was unhappy, I... | 0:25:09 | 0:25:12 | |
Just give us the facts, Sian, please! | 0:25:12 | 0:25:14 | |
I didn't mean to snap. | 0:25:16 | 0:25:18 | |
-Where were we? -Catrin John. | 0:25:18 | 0:25:20 | |
She's the only one we've traced who's still in Aberystwyth. | 0:25:20 | 0:25:23 | |
She lives on the Glanrhyd estate now. | 0:25:23 | 0:25:24 | |
-Number? -32. | 0:25:24 | 0:25:26 | |
We're talking to everyone who knew Miss Jenkins, | 0:25:50 | 0:25:52 | |
trying to get an idea of her movements over the last week or so. | 0:25:52 | 0:25:56 | |
The Pontarfynach kids are a good place to start. | 0:25:56 | 0:25:59 | |
Plenty of them will be glad she's dead. | 0:25:59 | 0:26:01 | |
Including you? | 0:26:01 | 0:26:03 | |
Once, definitely. Not now. | 0:26:04 | 0:26:07 | |
What's changed? | 0:26:07 | 0:26:08 | |
Me. I've made something of my life. | 0:26:10 | 0:26:14 | |
Nice house, happy marriage. | 0:26:14 | 0:26:16 | |
And a baby. | 0:26:16 | 0:26:18 | |
My little Awen, yes. | 0:26:18 | 0:26:20 | |
That bad start made me what I am. | 0:26:21 | 0:26:23 | |
Now I'm a mother, so something good came out of it. | 0:26:23 | 0:26:26 | |
Hm. | 0:26:26 | 0:26:29 | |
Have you had any contact with Helen Jenkins recently? | 0:26:29 | 0:26:31 | |
No. She's part of my past. | 0:26:33 | 0:26:37 | |
I'd rather she'd stayed there. | 0:26:37 | 0:26:38 | |
Did she treat you badly? | 0:26:38 | 0:26:41 | |
There were rumours of cruelty. | 0:26:42 | 0:26:44 | |
They were true. | 0:26:46 | 0:26:48 | |
And not just to the kids either. | 0:26:48 | 0:26:50 | |
She was horrible to everyone there. | 0:26:51 | 0:26:53 | |
-Especially Byron. -Byron? | 0:26:55 | 0:26:57 | |
Byron Rodgers. | 0:26:57 | 0:26:59 | |
Odd-job man and gardener. | 0:26:59 | 0:27:02 | |
Did anything she told him. | 0:27:02 | 0:27:04 | |
Does Byron still live locally? | 0:27:04 | 0:27:06 | |
I've no idea, sorry. | 0:27:06 | 0:27:08 | |
-Where were you last Saturday evening? -I was...here. | 0:27:08 | 0:27:13 | |
Can anyone vouch for that? | 0:27:13 | 0:27:14 | |
Only Awen. But she can't talk yet, bless her. | 0:27:16 | 0:27:18 | |
Where was your husband? | 0:27:18 | 0:27:21 | |
Dyfed? Away. | 0:27:21 | 0:27:23 | |
Singing. He's in a choir. | 0:27:23 | 0:27:26 | |
I'm really sorry, but Awen's due her feed. | 0:27:27 | 0:27:30 | |
Do you mind if I see to her? | 0:27:30 | 0:27:31 | |
No, not at all. Carry on. | 0:27:31 | 0:27:34 | |
-Tidy in there. -Very. | 0:27:41 | 0:27:43 | |
My house was a tip when my daughter, Elin, was a baby. | 0:27:43 | 0:27:47 | |
Elin. Nice name. | 0:27:47 | 0:27:49 | |
She's a nice girl. | 0:27:49 | 0:27:50 | |
I hope you're not looking for guests. | 0:28:30 | 0:28:32 | |
-Business bad? -Bloody awful. | 0:28:33 | 0:28:35 | |
And bodies in the ravine won't help. | 0:28:35 | 0:28:38 | |
Horrible. We should never have bought this place. | 0:28:38 | 0:28:41 | |
-We? -Me and Daf. Daft bugger. | 0:28:41 | 0:28:44 | |
-When was that? -'98. | 0:28:44 | 0:28:48 | |
You should have seen the place when we moved in. | 0:28:48 | 0:28:51 | |
The authority couldn't afford the repairs, | 0:28:51 | 0:28:53 | |
so they just locked up and walked away. | 0:28:53 | 0:28:55 | |
It was six months before we were able to take our first paying guests. | 0:28:55 | 0:28:58 | |
-How many rooms? -15. -Staff? | 0:28:58 | 0:29:01 | |
Just me. Getting people out here is a bit of a nightmare. | 0:29:01 | 0:29:04 | |
-What's through there? -Top floor. | 0:29:07 | 0:29:10 | |
Daf had big plans, but they didn't include dying. | 0:29:10 | 0:29:13 | |
It's not been touched. | 0:29:13 | 0:29:16 | |
It's still the Pontarfynach Children's Home up there. | 0:29:16 | 0:29:19 | |
WINGS FLUTTER | 0:29:32 | 0:29:34 | |
-Celtic? -What? | 0:29:58 | 0:30:00 | |
That spiral. | 0:30:00 | 0:30:02 | |
Looks more like a Walnut Whip to me. | 0:30:02 | 0:30:05 | |
The kids who were here, we assumed. | 0:30:08 | 0:30:10 | |
The authority promised to take it all away. | 0:30:32 | 0:30:35 | |
Looks like case notes. | 0:30:37 | 0:30:38 | |
Can I take these? | 0:30:41 | 0:30:43 | |
Take 'em all, love. | 0:30:43 | 0:30:44 | |
I hate it up here. | 0:30:49 | 0:30:51 | |
Daf used to tease, but I swear... | 0:30:52 | 0:30:55 | |
..some nights... | 0:30:56 | 0:30:57 | |
I'll leave you to it. | 0:31:01 | 0:31:03 | |
FLY BUZZES | 0:31:28 | 0:31:30 | |
Everyone who's stayed here in the last three years is in there. | 0:31:36 | 0:31:39 | |
Perfect, can I borrow this too? | 0:31:42 | 0:31:44 | |
Be my guest. | 0:31:44 | 0:31:47 | |
Thanks. | 0:31:47 | 0:31:48 | |
Hope you catch him soon. | 0:31:51 | 0:31:53 | |
CLOCK TICKS LOUDLY | 0:32:00 | 0:32:04 | |
See if any of the names in there match | 0:32:04 | 0:32:07 | |
those on the Pontarfynach list. | 0:32:07 | 0:32:09 | |
And find me a Super 8 projector. | 0:32:09 | 0:32:11 | |
Super 8, sir. Right. | 0:32:11 | 0:32:12 | |
Dyfed Williams was exactly where Catrin says he was - choral trip to Lampeter. | 0:32:12 | 0:32:16 | |
Coach dropped him off just after half-eleven on Saturday. | 0:32:16 | 0:32:18 | |
Read this. Any progress? | 0:32:18 | 0:32:20 | |
Getting there, but it's slow. These all joined the army... | 0:32:20 | 0:32:24 | |
-these emigrated, or moved abroad. -These...? | 0:32:24 | 0:32:27 | |
Dead. | 0:32:27 | 0:32:29 | |
Any news on Byron Rodgers? | 0:32:29 | 0:32:30 | |
Does odd jobs around the place, sir. We've got an address for him. | 0:32:30 | 0:32:34 | |
Listen to this - "..is bed-wetting now on a nightly basis... constant | 0:32:34 | 0:32:37 | |
"demands for attention... Confined to Hard Room for weekend". | 0:32:37 | 0:32:41 | |
"Hard room"? | 0:32:41 | 0:32:42 | |
Signed Helen Jenkins. No wonder they hated her. | 0:32:42 | 0:32:45 | |
TRAIN HORN BLARES | 0:33:08 | 0:33:09 | |
Byron Rodgers? | 0:33:29 | 0:33:30 | |
Yes? | 0:33:30 | 0:33:31 | |
Have you got a minute? | 0:33:34 | 0:33:36 | |
I'd like to talk to you about Helen Jenkins. | 0:33:36 | 0:33:38 | |
I looked after the house and gardens. | 0:33:41 | 0:33:43 | |
Drove the mini-bus to the chapel on Sundays. | 0:33:44 | 0:33:47 | |
Did you and Helen get on? | 0:33:47 | 0:33:50 | |
-She was my boss. -That's not what I asked. | 0:33:50 | 0:33:52 | |
Yes. I got on with her. | 0:33:54 | 0:33:57 | |
TRAIN PASSES | 0:33:57 | 0:33:58 | |
When did you last speak with her? | 0:33:58 | 0:34:00 | |
I haven't spoken to her in years. | 0:34:00 | 0:34:02 | |
But you were her right-hand man. | 0:34:02 | 0:34:05 | |
I was just doing my job. | 0:34:05 | 0:34:06 | |
Do you remember Hywel Maybury? | 0:34:08 | 0:34:10 | |
-Yes. -Did Helen Jenkins treat him differently to the other children? | 0:34:12 | 0:34:16 | |
-Differently? -Well, did she favour him more - mistreat him more - than the others? | 0:34:16 | 0:34:19 | |
-No. -Did you agree with her methods? | 0:34:19 | 0:34:23 | |
It wasn't my place to agree or disagree. | 0:34:23 | 0:34:26 | |
When was the last time you saw Maybury? | 0:34:28 | 0:34:30 | |
LEVEL CROSSING ALARM | 0:34:30 | 0:34:33 | |
The day the home closed. | 0:34:33 | 0:34:35 | |
Anyone else from the home? | 0:34:35 | 0:34:37 | |
Where were you Saturday night? | 0:34:38 | 0:34:40 | |
-Here. -Alone? | 0:34:41 | 0:34:43 | |
-Yes. -Doing what? | 0:34:44 | 0:34:46 | |
Working on this. | 0:34:48 | 0:34:50 | |
TRAIN PASSES | 0:34:52 | 0:34:55 | |
Have you ever built a boat? | 0:34:55 | 0:34:56 | |
Why would I need a boat? | 0:34:58 | 0:35:00 | |
FIRE CRACKLES NEARBY | 0:35:05 | 0:35:07 | |
CHILDREN CHATTER | 0:35:17 | 0:35:20 | |
HAUNTING SONG SCORE | 0:35:42 | 0:35:44 | |
CROWS CAW | 0:37:38 | 0:37:40 | |
DOOR CREAKS | 0:37:43 | 0:37:46 | |
DOOR OPENS | 0:37:54 | 0:37:56 | |
THROBBING SCORE | 0:38:03 | 0:38:05 | |
CREAKING | 0:38:09 | 0:38:12 | |
SUSPENSEFUL SCORE | 0:38:39 | 0:38:42 | |
THROBBING SCORE | 0:38:42 | 0:38:44 | |
SHOUTING AND LAUGHING | 0:39:01 | 0:39:04 | |
GULLS CAW | 0:39:20 | 0:39:22 | |
RADIO: I found that motor car VRN November 347 Echo, Papa, Oscar. | 0:39:22 | 0:39:26 | |
Refers to a Rover 100, red in colour registered to a Helen Jenkins. | 0:39:26 | 0:39:30 | |
Yeah, that's received from Delta Charlie zero four. | 0:39:30 | 0:39:32 | |
Catrin John's best friend at the home was Jenny James. | 0:40:14 | 0:40:18 | |
They were quite a pair. | 0:40:18 | 0:40:20 | |
The tabloids christened them "Satan's Daughters". | 0:40:20 | 0:40:23 | |
1987, they set light to their school. | 0:40:23 | 0:40:26 | |
Both had records for difficult, violent behaviour. | 0:40:26 | 0:40:29 | |
Pontarfynach was last chance saloon. | 0:40:29 | 0:40:31 | |
Next stop the remand home. | 0:40:31 | 0:40:33 | |
Helen Jenkins made an off-the-cuff comment about them being | 0:40:33 | 0:40:36 | |
proof of innate evil, original sin and the need to drive out the devil. | 0:40:36 | 0:40:41 | |
The press leapt on it. | 0:40:41 | 0:40:43 | |
Salem. | 0:40:43 | 0:40:44 | |
She said that they were possessed, but actually they were just | 0:40:44 | 0:40:47 | |
two nine-year-old foster kids, who'd been badly let down by the system. | 0:40:47 | 0:40:50 | |
Jenny James... | 0:40:50 | 0:40:52 | |
Regular customer over the years, sir. | 0:40:52 | 0:40:54 | |
Minor stuff mostly - petty theft, D&D. | 0:40:54 | 0:40:57 | |
Initially we traced her to an address in the Grangetown | 0:40:57 | 0:40:59 | |
area of Cardiff, but I double-checked. | 0:40:59 | 0:41:01 | |
-And...? -She's back in Aberystwyth. Not far from the harbour. | 0:41:01 | 0:41:04 | |
KNOCKS AT DOOR | 0:41:28 | 0:41:29 | |
Does Jenny James live here? | 0:41:32 | 0:41:34 | |
Now what...? | 0:41:34 | 0:41:35 | |
Last time I saw her was Saturday morning. | 0:41:40 | 0:41:43 | |
We had a row. | 0:41:43 | 0:41:45 | |
What was it about? | 0:41:45 | 0:41:46 | |
What it's always about. This, this...and this. | 0:41:46 | 0:41:50 | |
She'll be back in a day or so. | 0:41:52 | 0:41:55 | |
In a right mess - | 0:41:55 | 0:41:57 | |
"I'm so sorry, Lee. Please forgive me, Lee." | 0:41:57 | 0:42:00 | |
Yeah, right(!) Till the next time. | 0:42:01 | 0:42:03 | |
Only, she's never stayed away this long before. | 0:42:07 | 0:42:11 | |
She sleeps in here when we've had a ruck | 0:42:23 | 0:42:25 | |
which is, like, always these days. | 0:42:25 | 0:42:28 | |
Did you run out of paint? | 0:42:29 | 0:42:32 | |
I was trying to cheer her up a bit. | 0:42:32 | 0:42:35 | |
She went mental, ranting on about how | 0:42:35 | 0:42:38 | |
she didn't deserve nothing apart from a hard room. | 0:42:38 | 0:42:41 | |
And then she just buggered off. | 0:42:41 | 0:42:44 | |
I just want her to be happy. | 0:42:48 | 0:42:50 | |
We'll need a photo. | 0:42:52 | 0:42:54 | |
It was mischief. A prank. | 0:42:57 | 0:43:00 | |
But the papers made out it was some sort of Satanic ritual. | 0:43:01 | 0:43:05 | |
The truth is, | 0:43:08 | 0:43:09 | |
Jenny and I were never taught the difference between right and wrong. | 0:43:09 | 0:43:13 | |
Until you met Helen Jenkins? | 0:43:13 | 0:43:15 | |
She certainly thought she knew the difference - and how to teach us. | 0:43:16 | 0:43:21 | |
Why didn't you mention this before? | 0:43:24 | 0:43:26 | |
Didn't seem relevant. | 0:43:26 | 0:43:28 | |
It was such a long time ago and we were kids. | 0:43:31 | 0:43:34 | |
When the home closed, I wanted to get as far away from it as possible. | 0:43:36 | 0:43:40 | |
I knew I'd been bad | 0:43:42 | 0:43:44 | |
but it seemed like an ideal moment to make a new start. | 0:43:44 | 0:43:47 | |
Problem was, Jenny couldn't. | 0:43:48 | 0:43:51 | |
She got in with the wrong crowd and we went our separate ways. | 0:43:52 | 0:43:55 | |
But you were close once? | 0:43:56 | 0:43:57 | |
Once. | 0:44:00 | 0:44:02 | |
She was the only friend I had in the world, Mr Mathias. | 0:44:02 | 0:44:05 | |
DRAMATIC SCORE | 0:46:02 | 0:46:04 | |
CLATTER | 0:46:18 | 0:46:20 | |
Agnes? | 0:46:20 | 0:46:22 | |
MAN SHIVERING | 0:47:36 | 0:47:39 | |
Maybury! | 0:47:40 | 0:47:41 | |
HE SHRIEKS | 0:48:07 | 0:48:08 | |
SHRIEKING | 0:48:12 | 0:48:16 | |
I need to talk to someone. | 0:48:30 | 0:48:32 | |
PHONE RINGS | 0:48:37 | 0:48:38 | |
-Mathias. -You'd better get back here as soon as possible, sir. | 0:48:38 | 0:48:41 | |
Why, what is it? | 0:48:41 | 0:48:43 | |
Jenny James has just turned herself in. | 0:48:43 | 0:48:45 | |
She says she killed Helen Jenkins. | 0:48:49 | 0:48:51 | |
Why were you hiding there, Hywel? | 0:49:09 | 0:49:10 | |
Were you scared? | 0:49:16 | 0:49:17 | |
Were you running away because you did something you were ashamed of? | 0:49:21 | 0:49:24 | |
Did you kill Helen Jenkins, Hywel? | 0:49:31 | 0:49:34 | |
-How did you kill her? -I hit her. | 0:49:37 | 0:49:39 | |
With what? | 0:49:39 | 0:49:41 | |
A vase. Smashed her head in. | 0:49:41 | 0:49:43 | |
Knocked the bitch's teeth out. | 0:49:43 | 0:49:45 | |
Why did you do that? | 0:49:45 | 0:49:46 | |
She took out our teeth with no anaesthetic, liked seeing us suffer. | 0:49:48 | 0:49:52 | |
I gave her a taste of her own medicine. | 0:49:53 | 0:49:56 | |
Then what did you do? | 0:49:57 | 0:49:58 | |
Stabbed her. | 0:49:58 | 0:49:59 | |
Dragged her out the front door and put her in the car. | 0:50:01 | 0:50:05 | |
What sort of car? | 0:50:05 | 0:50:06 | |
A little red one. | 0:50:06 | 0:50:08 | |
Then I drove it up to Devil's Bridge. | 0:50:09 | 0:50:11 | |
And then what did you do? | 0:50:12 | 0:50:13 | |
Stopped on the bridge. | 0:50:14 | 0:50:17 | |
Pulled her out and shoved her into the river. | 0:50:17 | 0:50:19 | |
Did you have help? | 0:50:19 | 0:50:21 | |
(No.) | 0:50:21 | 0:50:23 | |
You took her out of the car | 0:50:23 | 0:50:25 | |
and lifted her over the parapet on your own? | 0:50:25 | 0:50:28 | |
Yeah. | 0:50:29 | 0:50:30 | |
You look happy, the both of you. | 0:50:34 | 0:50:36 | |
I was happy. | 0:50:43 | 0:50:45 | |
She was happy. | 0:50:47 | 0:50:48 | |
It was a happy day. | 0:50:50 | 0:50:52 | |
Sounds lovely. | 0:50:52 | 0:50:53 | |
Tell me about it. | 0:50:53 | 0:50:55 | |
It was my birthday. | 0:50:56 | 0:50:58 | |
So, I went out fishing... | 0:51:00 | 0:51:02 | |
..and I caught a sea bass and she cooked it for me. | 0:51:04 | 0:51:06 | |
Helen? Did Helen cook the fish? | 0:51:06 | 0:51:08 | |
Is that why you went round there on Saturday? | 0:51:10 | 0:51:12 | |
So she could cook for you? | 0:51:12 | 0:51:15 | |
What happened on Saturday, Hywel? | 0:51:15 | 0:51:16 | |
I was scared. | 0:51:18 | 0:51:19 | |
That's why I ran away. | 0:51:21 | 0:51:23 | |
Did she do something that made you angry? | 0:51:23 | 0:51:25 | |
It wasn't my fault. | 0:51:26 | 0:51:28 | |
I went there, because I used to live there. | 0:51:30 | 0:51:32 | |
To Helen's house? | 0:51:32 | 0:51:33 | |
The hotel! | 0:51:33 | 0:51:35 | |
We lived there once. It was our home. | 0:51:35 | 0:51:37 | |
I thought I'd be safe. | 0:51:40 | 0:51:41 | |
But nowhere's safe. | 0:51:42 | 0:51:44 | |
-They always spit in your face. -Who does? | 0:51:44 | 0:51:46 | |
Everyone! They blame me. | 0:51:46 | 0:51:48 | |
It wasn't my fault! | 0:51:50 | 0:51:53 | |
Did Helen blame you, Hywel? | 0:51:53 | 0:51:55 | |
Is that why you were angry? | 0:51:56 | 0:51:57 | |
Did she shout at you? Did she call you names? | 0:51:59 | 0:52:02 | |
Is that why you hurt her? | 0:52:02 | 0:52:04 | |
HYWEL! | 0:52:06 | 0:52:07 | |
I didn't hurt her! I didn't touch her! | 0:52:07 | 0:52:10 | |
I didn't. I didn't! | 0:52:10 | 0:52:11 | |
That's enough. | 0:52:11 | 0:52:14 | |
HE SHIVERS | 0:52:14 | 0:52:17 | |
He was there. | 0:52:17 | 0:52:18 | |
His waders match the prints in the chalet. He was there. | 0:52:18 | 0:52:21 | |
-Did he kill her? -He's certainly capable of killing her. | 0:52:21 | 0:52:24 | |
Whatever he did, whatever he saw, he's deeply traumatised by it. | 0:52:24 | 0:52:27 | |
-Could it be an act? -No, no, I think it's genuine. | 0:52:27 | 0:52:30 | |
DCI Mathias...? | 0:52:30 | 0:52:32 | |
I'm sorry, | 0:52:32 | 0:52:34 | |
but my client isn't in any fit mental state to be interviewed. | 0:52:34 | 0:52:37 | |
I'd like him psychologically assessed before further questioning. | 0:52:37 | 0:52:40 | |
With respect, I think you're being a little premature. | 0:52:40 | 0:52:43 | |
Let me continue the interview, if he breaks down again, then I'll... | 0:52:43 | 0:52:45 | |
-I'm sorry. It has to stop now. -Ms Walters, | 0:52:45 | 0:52:48 | |
this is a murder enquiry, our primary concern is, is to find the killer. | 0:52:48 | 0:52:52 | |
Can I suggest that we trust the judgment of | 0:52:53 | 0:52:55 | |
Dr Haydn Blake, our police surgeon in assessing Mr Maybury's | 0:52:55 | 0:52:58 | |
fitness to continue? | 0:52:58 | 0:52:59 | |
Feel free to use the phone in my office. Please. | 0:53:00 | 0:53:03 | |
DOOR OPENS AND CLOSES | 0:53:10 | 0:53:11 | |
Jenny, hi. | 0:53:16 | 0:53:18 | |
Do you know this picture? | 0:53:18 | 0:53:20 | |
Yeah. | 0:53:23 | 0:53:24 | |
She had one hanging on the wall at the home. | 0:53:25 | 0:53:27 | |
Did she have one anywhere else? | 0:53:28 | 0:53:31 | |
How would I know? | 0:53:33 | 0:53:34 | |
Devil's Bridge is a long way to go with a body in the back of the car. | 0:53:38 | 0:53:41 | |
Weren't you worried about being caught? | 0:53:41 | 0:53:44 | |
Never thought about it. | 0:53:44 | 0:53:45 | |
Why Devil's Bridge, Jenny? | 0:53:46 | 0:53:48 | |
It's where she took us when we'd been bad. | 0:53:50 | 0:53:53 | |
Down the bottom... said the Devil lived there. | 0:53:54 | 0:53:58 | |
If we didn't repent - | 0:53:59 | 0:54:02 | |
he'd take our souls and we'd burn in Hell for ever. | 0:54:02 | 0:54:05 | |
Well, she's lying. | 0:54:08 | 0:54:10 | |
There's a knack. | 0:54:11 | 0:54:13 | |
Thanks. | 0:54:14 | 0:54:15 | |
LIQUID POURS | 0:54:15 | 0:54:17 | |
She's lying to protect someone. | 0:54:17 | 0:54:19 | |
Who? Maybury? | 0:54:19 | 0:54:21 | |
He was definitely at the scene. | 0:54:21 | 0:54:23 | |
That's something else you'll have to get used to around here. | 0:54:24 | 0:54:27 | |
Do you think I came here by choice? | 0:54:27 | 0:54:29 | |
The official line is that you did, yeah. | 0:54:29 | 0:54:31 | |
And unofficially? | 0:54:33 | 0:54:34 | |
We're in luck. You can question Maybury again. | 0:54:35 | 0:54:38 | |
Oh, thank you, sir. | 0:54:38 | 0:54:39 | |
Dr Blake is a valuable resource to have at our disposal. | 0:54:39 | 0:54:42 | |
So I see. | 0:54:42 | 0:54:44 | |
Right, let's get on with it. | 0:54:44 | 0:54:45 | |
-SHAKING: -I should have told her. | 0:54:57 | 0:54:59 | |
Her...? | 0:54:59 | 0:55:01 | |
Helen... | 0:55:01 | 0:55:02 | |
Miss Jenkins. I should have told her and not been ashamed | 0:55:03 | 0:55:06 | |
of what they'd say. | 0:55:06 | 0:55:07 | |
She helped me. | 0:55:11 | 0:55:13 | |
She gave me money and she hardly had any for herself. | 0:55:15 | 0:55:18 | |
She cared for me. | 0:55:22 | 0:55:23 | |
He had a boat. | 0:55:27 | 0:55:28 | |
Who did? | 0:55:29 | 0:55:31 | |
Her grandfather. | 0:55:31 | 0:55:33 | |
He used to take her out in his boat. | 0:55:35 | 0:55:37 | |
They used to catch fish and cook it on the fire. | 0:55:38 | 0:55:41 | |
She said she was happy then. | 0:55:43 | 0:55:44 | |
But when he died she lost the boat too. | 0:55:46 | 0:55:48 | |
I said I'd build her a boat and take her out fishing, like she used to. | 0:55:49 | 0:55:54 | |
To pay her back for helping me. | 0:55:55 | 0:55:57 | |
I wanted her to know that I needed her to be like a mother is. | 0:56:01 | 0:56:06 | |
And I wanted her to need me like a son... | 0:56:09 | 0:56:11 | |
..and she did. | 0:56:13 | 0:56:15 | |
It was our secret... | 0:56:16 | 0:56:17 | |
..so I told nobody. | 0:56:20 | 0:56:21 | |
But you've told us, Hywel, that's a good thing... | 0:56:23 | 0:56:26 | |
..because we're going to find out who hurt her. | 0:56:29 | 0:56:31 | |
So, you need to tell us what happened, what you saw, | 0:56:33 | 0:56:37 | |
when you went to Helen's house. | 0:56:37 | 0:56:39 | |
Will you do that for us? | 0:56:40 | 0:56:42 | |
Hywel... | 0:56:44 | 0:56:45 | |
..for Helen's sake? | 0:56:47 | 0:56:48 | |
I'd been fishing... | 0:56:53 | 0:56:55 | |
..I caught two fish. | 0:56:58 | 0:56:59 | |
I came up from the beach, to Helen's house. | 0:57:01 | 0:57:03 | |
The door was open. Banging in the wind. | 0:57:06 | 0:57:09 | |
I saw a car leave. Helen's car. | 0:57:11 | 0:57:14 | |
SUSPENSEFUL SCORE | 0:57:14 | 0:57:16 | |
Could you see who was driving? | 0:57:16 | 0:57:17 | |
No. No, too dark. | 0:57:17 | 0:57:20 | |
I went into the house. | 0:57:23 | 0:57:25 | |
It was bad. There was blood. | 0:57:27 | 0:57:29 | |
Where? | 0:57:29 | 0:57:31 | |
On the floor. | 0:57:31 | 0:57:32 | |
All over. The bathroom. | 0:57:33 | 0:57:36 | |
Everywhere. Lots of blood. | 0:57:36 | 0:57:38 | |
(I ran away.) | 0:57:41 | 0:57:42 | |
I knew they'd blame me. | 0:57:43 | 0:57:45 | |
But I didn't hurt her. | 0:57:47 | 0:57:50 | |
HE SNIFFLES | 0:57:50 | 0:57:51 | |
I should have told her. | 0:57:51 | 0:57:53 | |
Told her what, Hywel? | 0:57:53 | 0:57:56 | |
I wanted to tell her, but I couldn't. | 0:57:56 | 0:57:58 | |
-CRYING: -I didn't kill her! | 0:58:01 | 0:58:03 | |
I loved her. | 0:58:05 | 0:58:07 | |
HE SOBS | 0:58:07 | 0:58:09 | |
RADIO CHATTER | 0:58:27 | 0:58:29 | |
What shall we do about Jenny? | 0:58:33 | 0:58:35 | |
We've still got plenty of time to question her. | 0:58:35 | 0:58:37 | |
Let her stew for now, and we'll see what she has to say in the morning. | 0:58:37 | 0:58:40 | |
Just think what kind of lives those kids would have had | 0:59:02 | 0:59:05 | |
if their parents had done their job. | 0:59:05 | 0:59:07 | |
It's not rocket science, just basic care. | 0:59:09 | 0:59:11 | |
"Put your hand over your mouth when you cough." | 0:59:14 | 0:59:16 | |
"Don't pick your nose in public." | 0:59:16 | 0:59:18 | |
All that small stuff, it all adds up. | 0:59:18 | 0:59:20 | |
The only thing a child needs is to feel safe and warm, | 0:59:24 | 0:59:29 | |
and to know that they're loved. | 0:59:29 | 0:59:32 | |
HE SNORES QUIETLY | 0:59:43 | 0:59:46 | |
RADIO: Scilly Automatic - northwest by north two, | 1:01:07 | 1:01:10 | |
27 miles. 1018, rising more slowly. | 1:01:10 | 1:01:15 | |
Milford Haven - west, northwest two, 18 miles. 1017, rising slowly. | 1:01:17 | 1:01:25 | |
Christ. | 1:01:38 | 1:01:39 | |
Who pulled them out? You or Helen? | 1:01:44 | 1:01:47 | |
What? | 1:01:47 | 1:01:48 | |
It's a simple question. Who was it? | 1:01:48 | 1:01:50 | |
RATTLES LOUDLY | 1:01:51 | 1:01:53 | |
Who pulled their teeth out? You or her? | 1:01:53 | 1:01:56 | |
She did. | 1:01:58 | 1:01:59 | |
Miss Jenkins. | 1:02:00 | 1:02:03 | |
A lot of the children had bad teeth. | 1:02:03 | 1:02:05 | |
They needed to come out. | 1:02:05 | 1:02:07 | |
It wasn't worth bothering the tooth fairy for...? | 1:02:07 | 1:02:10 | |
Or worth giving them anything for the pain? | 1:02:10 | 1:02:13 | |
I didn't like her doing it. | 1:02:14 | 1:02:16 | |
Perhaps I should have stopped her... | 1:02:18 | 1:02:19 | |
So, why didn't you? | 1:02:21 | 1:02:22 | |
Were you scared of her, too? | 1:02:24 | 1:02:26 | |
Did she threaten to lock you in the Hard Room? | 1:02:26 | 1:02:29 | |
Did she say that the Devil would come and take away your soul, | 1:02:29 | 1:02:31 | |
that you'd burn in Hell for ever for your sins? | 1:02:31 | 1:02:33 | |
I think she was murdered | 1:02:35 | 1:02:36 | |
because of something that happened in that home, Byron. | 1:02:36 | 1:02:39 | |
Something you know about. | 1:02:39 | 1:02:40 | |
-I didn't kill her. -Then who did? | 1:02:42 | 1:02:45 | |
I don't know. | 1:02:48 | 1:02:50 | |
LEVEL CROSSING ALARM | 1:02:50 | 1:02:52 | |
There's a pattern in the lawn at Pontarfynach. A... a spiral. | 1:02:59 | 1:03:04 | |
You remember it? | 1:03:06 | 1:03:07 | |
Yes. It's been there for years. | 1:03:08 | 1:03:11 | |
TRAIN PASSES | 1:03:11 | 1:03:13 | |
What does it mean? | 1:03:13 | 1:03:14 | |
It's about the journey you make. Between life and death. | 1:03:15 | 1:03:19 | |
What happened at the home, Byron? | 1:03:22 | 1:03:23 | |
You know something... | 1:03:30 | 1:03:32 | |
and you are going to tell me. | 1:03:32 | 1:03:35 | |
Emma Jones. | 1:04:10 | 1:04:11 | |
'I've been going through the hotel register, sir.' | 1:04:23 | 1:04:25 | |
-And...? -'There's an Emma Jones who's been staying at the Devil's Bridge Hotel | 1:04:25 | 1:04:28 | |
'every year for the last three years.' | 1:04:28 | 1:04:30 | |
She stays in same room, on the same date. | 1:04:30 | 1:04:33 | |
January 28th. Except for this year. | 1:04:33 | 1:04:35 | |
-The same day Helen Jenkins was killed? -Yes, sir. | 1:04:35 | 1:04:38 | |
She calls herself Emma Jones, | 1:04:38 | 1:04:40 | |
'but she uses the same address we traced Jenny James to in Grangetown.' | 1:04:40 | 1:04:44 | |
And you think that it might be her? | 1:04:44 | 1:04:46 | |
Yes, sir, using a false name. | 1:04:46 | 1:04:49 | |
I think you're right, Lloyd. | 1:04:49 | 1:04:51 | |
TYRES SQUEAL | 1:04:52 | 1:04:53 | |
Yes, room ten every January the 28th. | 1:04:58 | 1:05:02 | |
She arrives at tea time, comes straight up here, | 1:05:02 | 1:05:06 | |
emerges the next morning, has an early breakfast. | 1:05:06 | 1:05:10 | |
"See you next year." Gone. | 1:05:10 | 1:05:12 | |
And you've no idea why she comes on that particular date? | 1:05:12 | 1:05:16 | |
No. And I've never asked. | 1:05:16 | 1:05:18 | |
As long as she pays and doesn't nick the towels, I don't much care. | 1:05:18 | 1:05:21 | |
Is this Emma Jones? | 1:05:31 | 1:05:33 | |
No. | 1:05:34 | 1:05:35 | |
What about her? | 1:05:35 | 1:05:37 | |
When was this taken? | 1:05:38 | 1:05:40 | |
When she was about 17. | 1:05:40 | 1:05:42 | |
Well, she hasn't changed that much, yeah, that's her definitely - | 1:05:42 | 1:05:48 | |
that's Emma Jones. | 1:05:48 | 1:05:49 | |
Catrin John. | 1:05:51 | 1:05:53 | |
You've got to talk to Jenny James. Do not release her, you got me? | 1:05:54 | 1:05:58 | |
Arrest her if you have to, but Jenny James must not leave the premises... | 1:05:58 | 1:06:02 | |
Ask her about Catrin - she's our Emma Jones. | 1:06:03 | 1:06:06 | |
Where's Catrin? | 1:06:29 | 1:06:30 | |
'It's just a name she picked at random as far as I know.' | 1:06:35 | 1:06:38 | |
She was Catrin John when I met her. | 1:06:38 | 1:06:41 | |
And Room ten? Every January the 28th? | 1:06:41 | 1:06:43 | |
Why that room? That day? | 1:06:43 | 1:06:45 | |
I don't know. | 1:06:45 | 1:06:47 | |
Perhaps it was to remind herself of who she once was? | 1:06:47 | 1:06:50 | |
Why would she do that, when she's tried so long to forget her past? | 1:06:50 | 1:06:55 | |
I don't know. | 1:06:55 | 1:06:56 | |
You don't seem to know much about your own wife at all, Mr Williams. | 1:06:56 | 1:07:00 | |
I thought I knew her. | 1:07:01 | 1:07:03 | |
Catrin only wanted to be married and have a family. | 1:07:05 | 1:07:08 | |
But... | 1:07:10 | 1:07:13 | |
Having a baby must have meant so much to you. | 1:07:13 | 1:07:15 | |
Awen, isn't it? | 1:07:17 | 1:07:19 | |
-Yes. -Where is she now? | 1:07:20 | 1:07:22 | |
She's upstairs. | 1:07:22 | 1:07:23 | |
Well, she's very quiet. Is she asleep? | 1:07:23 | 1:07:25 | |
-Yes. -Can I see a photograph? | 1:07:25 | 1:07:28 | |
I...took them all down. | 1:07:28 | 1:07:30 | |
Why, Dyfed? | 1:07:30 | 1:07:32 | |
I left Catrin two months ago. | 1:07:34 | 1:07:37 | |
Where were you on Saturday night? | 1:07:42 | 1:07:44 | |
I was singing with the choir. | 1:07:45 | 1:07:47 | |
Minibus dropped me off outside, like always. | 1:07:48 | 1:07:51 | |
Did you come into the house? | 1:07:51 | 1:07:53 | |
I walked back to the B&B. | 1:07:53 | 1:07:54 | |
I tried to understand, I tried to protect her... | 1:07:58 | 1:08:01 | |
..but it's like there's a part of her locked away I just can't reach. | 1:08:02 | 1:08:08 | |
Catrin was raped. | 1:08:13 | 1:08:15 | |
At the home. | 1:08:17 | 1:08:19 | |
She was 13 and she got pregnant. | 1:08:20 | 1:08:23 | |
Who was it, Jenny? | 1:08:23 | 1:08:26 | |
I don't know. Neither does she. | 1:08:26 | 1:08:28 | |
You've no idea, have you? | 1:08:29 | 1:08:31 | |
Not a clue what that place was like. | 1:08:31 | 1:08:34 | |
We were drugged most of the time. | 1:08:34 | 1:08:36 | |
Diazepam and pin-down. | 1:08:38 | 1:08:40 | |
Locked up in the Hard Room, if we so much as raised our voices. | 1:08:41 | 1:08:44 | |
Hard Room? | 1:08:46 | 1:08:47 | |
On the first floor. | 1:08:47 | 1:08:49 | |
That's where it happened. | 1:08:50 | 1:08:52 | |
As soon as the baby started to show, Catrin was hidden away, | 1:08:57 | 1:09:01 | |
out of sight. | 1:09:01 | 1:09:03 | |
That's when she started to change. | 1:09:05 | 1:09:08 | |
Wasn't interested in me any more, only her baby. | 1:09:10 | 1:09:14 | |
She was everything to me... | 1:09:18 | 1:09:20 | |
I was nothing to her after that. | 1:09:21 | 1:09:23 | |
Nothing. | 1:09:24 | 1:09:26 | |
And the baby? | 1:09:28 | 1:09:29 | |
Catrin had the baby. | 1:09:30 | 1:09:32 | |
Jenkins let her hold her for a bit. | 1:09:33 | 1:09:35 | |
Then she took the little thing away. | 1:09:38 | 1:09:40 | |
Catrin has never seen Emma since. | 1:09:48 | 1:09:50 | |
Emma Jones. | 1:09:50 | 1:09:52 | |
That was the baby's name. | 1:09:53 | 1:09:55 | |
Fresh air? | 1:09:58 | 1:10:00 | |
Just a walk round the block. | 1:10:00 | 1:10:02 | |
Haven't you forgotten something? | 1:10:02 | 1:10:03 | |
The baby? | 1:10:05 | 1:10:07 | |
-She's with Catrin. -You said you were looking after her. | 1:10:07 | 1:10:10 | |
I am. | 1:10:10 | 1:10:12 | |
I was. | 1:10:12 | 1:10:13 | |
-Shall I go and check if she's there? -No, please. I'd rather you didn't... | 1:10:13 | 1:10:16 | |
Where's Catrin gone, Dyfed? | 1:10:44 | 1:10:45 | |
I only lied because I love her... | 1:10:48 | 1:10:51 | |
I wrote to her | 1:10:53 | 1:10:54 | |
when I was in Cardiff, told her how much I missed her. | 1:10:54 | 1:10:57 | |
She never wrote back. | 1:10:57 | 1:10:59 | |
So I came back to see her. | 1:11:01 | 1:11:02 | |
But she wasn't interested in me. | 1:11:04 | 1:11:07 | |
All she wanted to know was what happened to Emma. | 1:11:07 | 1:11:10 | |
I told her. I didn't know where her baby was... | 1:11:10 | 1:11:13 | |
She said she'd do to me what she'd done to Helen Jenkins | 1:11:17 | 1:11:21 | |
if I didn't tell her... | 1:11:21 | 1:11:22 | |
I was scared... | 1:11:24 | 1:11:25 | |
..she was going to kill me... | 1:11:27 | 1:11:29 | |
I just told her... | 1:11:32 | 1:11:34 | |
What did you tell her, Jenny? | 1:11:34 | 1:11:35 | |
Byron Rodgers. | 1:11:39 | 1:11:41 | |
Interview suspended 18:10. | 1:11:42 | 1:11:43 | |
DOOR BANGS | 1:11:46 | 1:11:48 | |
The more we can get out of Dyfed about Catrin the more likely we are to find her. | 1:11:49 | 1:11:53 | |
Get Ellis to meet me outside Byron Rodgers's house... | 1:11:53 | 1:11:55 | |
I'm on my way. | 1:11:55 | 1:11:57 | |
Lloyd. | 1:11:57 | 1:11:58 | |
Byron...? | 1:12:16 | 1:12:18 | |
FAINT BREATHING | 1:12:25 | 1:12:28 | |
TRAIN PASSES | 1:12:28 | 1:12:30 | |
Ambulance please, Wine Street, SY23. | 1:12:33 | 1:12:36 | |
DOOR OPENS | 1:12:49 | 1:12:51 | |
Catrin got here first. | 1:12:52 | 1:12:53 | |
I've mobilised all units and alerted the press, | 1:12:55 | 1:12:58 | |
Catrin John is an extremely disturbed individual. | 1:12:58 | 1:13:01 | |
She has killed once and is likely to kill again.... | 1:13:01 | 1:13:03 | |
Catrin and Jenny both suffered at the hands of the gutter press as children. | 1:13:03 | 1:13:07 | |
I'm just asking that we keep this low-key, restrained, sir. | 1:13:07 | 1:13:10 | |
I can assure you, Tom, anything I issue to the press will | 1:13:10 | 1:13:13 | |
reflect your concerns. | 1:13:13 | 1:13:15 | |
That's all I ask. Thank you. | 1:13:15 | 1:13:17 | |
RADIO CHATTER | 1:13:20 | 1:13:23 | |
TELEVISION CHATTER | 1:13:35 | 1:13:37 | |
JENNY! | 1:13:41 | 1:13:43 | |
BANGING | 1:13:50 | 1:13:53 | |
DOG BARKS NEXT DOOR | 1:13:53 | 1:13:55 | |
SHE SOBS | 1:13:59 | 1:14:01 | |
SHE SNIFFLES | 1:14:04 | 1:14:07 | |
Catrin wanted a baby more than breath... | 1:14:22 | 1:14:25 | |
Tried for years. | 1:14:28 | 1:14:29 | |
And then it just happened. | 1:14:32 | 1:14:34 | |
Suddenly she was pregnant and it was like Christmas every day. | 1:14:34 | 1:14:37 | |
She was so happy. | 1:14:37 | 1:14:39 | |
Three weeks before full term, the baby stopped moving. | 1:14:42 | 1:14:46 | |
She had the scan and... | 1:14:48 | 1:14:50 | |
Baby had died. | 1:14:56 | 1:14:57 | |
Called her Awen. | 1:15:00 | 1:15:02 | |
She insisted on keeping the nursery | 1:15:06 | 1:15:09 | |
and going through the whole routine... | 1:15:09 | 1:15:12 | |
feeding, changing nappies. | 1:15:12 | 1:15:14 | |
On a doll. | 1:15:16 | 1:15:17 | |
Then she became obsessed by Emma. | 1:15:20 | 1:15:23 | |
Had to find her. | 1:15:25 | 1:15:27 | |
As if it would compensate, somehow, for the loss of Awen. | 1:15:27 | 1:15:29 | |
I couldn't hack it. | 1:15:31 | 1:15:32 | |
Maybe if I'd tried harder, Helen Jenkins would still be alive. | 1:15:37 | 1:15:41 | |
Byron Rodgers is in theatre now, sir. Touch and go, I'm afraid... | 1:15:48 | 1:15:52 | |
-Any news on Catrin? -Nothing yet, sir. | 1:15:53 | 1:15:56 | |
KEYBOARD TAPPING | 1:16:27 | 1:16:29 | |
Will you come and help me find Catrin? | 1:17:18 | 1:17:20 | |
CROWS CAW | 1:17:50 | 1:17:52 | |
HAUNTING SONG SCORE | 1:17:56 | 1:17:58 | |
DRAMATIC SCORE | 1:18:26 | 1:18:30 | |
Hello, Emma. | 1:19:05 | 1:19:06 | |
Is something wrong? You've never missed before. | 1:19:11 | 1:19:14 | |
That room is very special to me. | 1:19:19 | 1:19:22 | |
I was a mother here... | 1:19:27 | 1:19:29 | |
..in room ten. | 1:19:32 | 1:19:33 | |
For the first time in my life, I knew what it was like to be loved. | 1:19:40 | 1:19:46 | |
But I lost her. | 1:19:55 | 1:19:57 | |
THROBBING SCORE | 1:19:57 | 1:20:00 | |
Are you all right? | 1:20:02 | 1:20:03 | |
Why don't you come inside for a while? | 1:20:07 | 1:20:09 | |
You can go into the room. | 1:20:11 | 1:20:13 | |
-RADIO: -Sir, we found Catrin John's car, | 1:20:17 | 1:20:19 | |
it was abandoned in the woods at Devil's Bridge. | 1:20:19 | 1:20:22 | |
Tell Agnes to lock all the doors, | 1:20:22 | 1:20:23 | |
and get any units we have up there now. I'm on my way. | 1:20:23 | 1:20:26 | |
-Sir, wait. -What? | 1:20:26 | 1:20:28 | |
Byron Rodgers didn't make it - he died half an hour ago. | 1:20:28 | 1:20:31 | |
PHONE RINGS | 1:20:37 | 1:20:39 | |
Stay here, don't move. | 1:20:56 | 1:20:58 | |
Agnes? | 1:21:06 | 1:21:08 | |
RINGS BELL | 1:21:10 | 1:21:11 | |
Agnes? | 1:21:23 | 1:21:25 | |
DOG BARKS | 1:21:25 | 1:21:26 | |
Agnes? | 1:21:40 | 1:21:42 | |
Oh, God, am I glad to see you! | 1:21:49 | 1:21:51 | |
Where's Catrin? | 1:21:51 | 1:21:53 | |
I saw her in the garden, we talked and she flipped. | 1:21:53 | 1:21:56 | |
When she saw one of the prints in the hotel | 1:21:56 | 1:21:59 | |
she smashed it to pieces... and she dragged me up here. | 1:21:59 | 1:22:02 | |
Where has she gone? | 1:22:02 | 1:22:03 | |
HAUNTING SONG SCORE | 1:22:19 | 1:22:22 | |
Catrin? | 1:23:03 | 1:23:05 | |
CARS ARRIVE OUTSIDE | 1:23:47 | 1:23:49 | |
-I want her in a stab-vest. -Jenny? | 1:24:08 | 1:24:10 | |
She's our backup if Plan A fails. | 1:24:10 | 1:24:12 | |
She knows Catrin better than any of us. | 1:24:12 | 1:24:14 | |
I know it's a risk, but I'll take full responsibility. | 1:24:14 | 1:24:16 | |
-You know we shouldn't be doing this. -Come on, Mared! | 1:24:16 | 1:24:19 | |
Right, let's do it then. | 1:24:19 | 1:24:20 | |
Just make sure that everyone stays back. | 1:24:20 | 1:24:23 | |
HE GROANS | 1:24:55 | 1:24:57 | |
No, Catrin, don't... | 1:24:57 | 1:24:59 | |
What are you doing here? | 1:25:04 | 1:25:06 | |
I'm here to help you. | 1:25:06 | 1:25:09 | |
This is between me and Mr Daniel. | 1:25:09 | 1:25:11 | |
Mr Daniel doesn't know where Emma is. | 1:25:11 | 1:25:13 | |
HE SIMPERS | 1:25:13 | 1:25:15 | |
But I might be able to find her. | 1:25:15 | 1:25:17 | |
How? | 1:25:22 | 1:25:24 | |
I'm a detective. | 1:25:24 | 1:25:26 | |
Finding people is what I do. | 1:25:26 | 1:25:28 | |
We've already started looking for her. | 1:25:33 | 1:25:36 | |
Where? | 1:25:36 | 1:25:38 | |
Give me the scissors, then we can go and find her together. | 1:25:38 | 1:25:42 | |
I'm not going to hurt you, trust me. | 1:25:45 | 1:25:46 | |
I don't trust anyone, they just... | 1:25:50 | 1:25:53 | |
Was it you?! Was it you who raped me?! | 1:25:55 | 1:26:01 | |
No... no, it wasn't me. | 1:26:01 | 1:26:04 | |
He hurt me... | 1:26:11 | 1:26:13 | |
Jenny heard him... | 1:26:15 | 1:26:18 | |
..she tried to help me. | 1:26:20 | 1:26:22 | |
She loves you. | 1:26:24 | 1:26:25 | |
I know. | 1:26:28 | 1:26:29 | |
MARED: Right, you're coming with me. | 1:26:29 | 1:26:31 | |
She misses you... | 1:26:35 | 1:26:36 | |
..that's why she's come with me to see you. | 1:26:38 | 1:26:41 | |
She's outside, waiting to talk to you. | 1:26:42 | 1:26:45 | |
Would you like to see her? | 1:26:45 | 1:26:46 | |
Give me your hand, and we'll go out together to see her. | 1:26:51 | 1:26:55 | |
No! | 1:26:55 | 1:26:56 | |
Catrin, it's OK... | 1:26:56 | 1:26:57 | |
-CATRIN: -Jenny! | 1:26:58 | 1:26:59 | |
No! | 1:26:59 | 1:27:01 | |
Are you out there? | 1:27:01 | 1:27:02 | |
I've got to talk to her. | 1:27:02 | 1:27:04 | |
Please, let me go in and talk to her. | 1:27:04 | 1:27:05 | |
No, it's too risky. | 1:27:05 | 1:27:07 | |
You're lying, she's not out there. JENNY! | 1:27:07 | 1:27:10 | |
Jenny, stop! | 1:27:12 | 1:27:13 | |
JENNY! | 1:27:14 | 1:27:16 | |
Catrin! | 1:27:16 | 1:27:17 | |
We've been looking for Catrin, haven't we, Jenny? | 1:27:33 | 1:27:37 | |
Yeah, we have. | 1:27:37 | 1:27:38 | |
I've missed you. | 1:27:42 | 1:27:43 | |
I've been looking for Emma. | 1:27:45 | 1:27:46 | |
I know. | 1:27:49 | 1:27:50 | |
I can't find her. | 1:27:52 | 1:27:54 | |
Byron wouldn't tell me. | 1:27:56 | 1:27:58 | |
I didn't want to hurt him, but he just wouldn't say. | 1:28:00 | 1:28:05 | |
He didn't know, Catrin, that's why. | 1:28:07 | 1:28:10 | |
Then why did you tell me he did? | 1:28:14 | 1:28:16 | |
Because I was scared... | 1:28:17 | 1:28:19 | |
I thought you'd hurt me. | 1:28:20 | 1:28:22 | |
Jenny. As if. | 1:28:24 | 1:28:25 | |
But I know now. | 1:28:32 | 1:28:34 | |
I know where Emma is. | 1:28:34 | 1:28:36 | |
-Where? -They took her away. | 1:28:38 | 1:28:41 | |
And I could hear you screaming for her. | 1:28:43 | 1:28:45 | |
I was under the stairs. | 1:28:46 | 1:28:48 | |
You know that little place where we used to hide? | 1:28:49 | 1:28:52 | |
Where is she, Jenny?! Where is my baby? | 1:28:54 | 1:28:57 | |
I went into the room... | 1:29:00 | 1:29:02 | |
..where little Emma was. | 1:29:03 | 1:29:04 | |
She was asleep... | 1:29:07 | 1:29:08 | |
..and she was beautiful. | 1:29:11 | 1:29:13 | |
So beautiful. | 1:29:14 | 1:29:15 | |
And I knew... | 1:29:21 | 1:29:22 | |
..that you'd love her more than me... | 1:29:24 | 1:29:27 | |
..and I didn't want you to stop loving me. | 1:29:30 | 1:29:32 | |
I was afraid that she'd take my place... | 1:29:35 | 1:29:38 | |
..a little angel. | 1:29:40 | 1:29:41 | |
So I took her breath away... | 1:29:47 | 1:29:49 | |
So that she'd be with the angels. | 1:29:52 | 1:29:54 | |
Always with the angels. | 1:29:56 | 1:29:58 | |
And I would be with you. | 1:30:00 | 1:30:02 | |
No. | 1:30:05 | 1:30:06 | |
It's the truth. | 1:30:06 | 1:30:07 | |
I did it because I love you. | 1:30:09 | 1:30:11 | |
I love you. | 1:30:13 | 1:30:14 | |
CATRIN SCREAMS | 1:30:18 | 1:30:20 | |
SHE SOBS | 1:30:24 | 1:30:25 | |
SCISSORS DROP | 1:30:31 | 1:30:33 | |
SHE SOBS | 1:30:33 | 1:30:35 | |
RADIO CHATTER | 1:30:49 | 1:30:51 | |
Helen told me the child had died in its sleep. | 1:30:57 | 1:31:00 | |
I had no reason not to believe her. | 1:31:00 | 1:31:03 | |
She thought that the bad publicity | 1:31:04 | 1:31:07 | |
would lead to the closure of the home. | 1:31:07 | 1:31:09 | |
She begged me not to say anything. | 1:31:12 | 1:31:14 | |
I...blessed the child...and the ground... | 1:31:17 | 1:31:21 | |
..and then we laid her to rest. | 1:31:22 | 1:31:24 | |
We buried her. | 1:31:27 | 1:31:28 | |
Myself, Helen and Byron. | 1:31:31 | 1:31:36 | |
HE SOBS | 1:31:38 | 1:31:40 | |
I think I know where. | 1:31:44 | 1:31:46 | |
Byron was trying to tell us. | 1:31:48 | 1:31:50 | |
HAUNTING SONG SCORE | 1:32:05 | 1:32:08 | |
SHE SOBS | 1:32:53 | 1:32:55 | |
SHE CONTINUES SOBBING | 1:33:18 | 1:33:22 | |
HE BREATHES HEAVILY | 1:34:17 | 1:34:20 |