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Line | From | To | |
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MARSHES RUSTLE | 0:00:02 | 0:00:03 | |
INSECTS BUZZ | 0:00:34 | 0:00:36 | |
BIRDSONG | 0:00:38 | 0:00:39 | |
BIRDSONG | 0:02:03 | 0:02:07 | |
FAINT POLICE RADIO | 0:02:21 | 0:02:23 | |
SOCO need another hour. | 0:02:30 | 0:02:33 | |
She's been placed like that. | 0:02:33 | 0:02:34 | |
Carefully placed. | 0:02:36 | 0:02:38 | |
Do we have a name? | 0:02:48 | 0:02:49 | |
WAVES CRASH | 0:02:50 | 0:02:53 | |
Mrs Thomas? | 0:03:44 | 0:03:46 | |
Gwen? | 0:03:47 | 0:03:49 | |
When did you see Alys last? | 0:04:13 | 0:04:15 | |
-A couple of days ago. -Is that normal? | 0:04:18 | 0:04:20 | |
We speak on the phone sometimes, but... | 0:04:24 | 0:04:26 | |
..we haven't been that close just recently. | 0:04:29 | 0:04:32 | |
Any particular reason? | 0:04:32 | 0:04:34 | |
-There was an argument. -About what? | 0:04:37 | 0:04:39 | |
I don't remember. | 0:04:41 | 0:04:43 | |
She's impulsive. Like her dad. | 0:04:45 | 0:04:49 | |
Is he here? | 0:04:50 | 0:04:51 | |
Can we talk to him? | 0:04:53 | 0:04:56 | |
My husband and I haven't spoken in months. | 0:04:56 | 0:04:58 | |
I have no idea where he is. | 0:05:00 | 0:05:01 | |
SHE SOBS | 0:05:21 | 0:05:23 | |
Classics undergraduate, was studying in Aber. | 0:06:04 | 0:06:07 | |
Pathology think she'd been dead for 8-10 hours before she was found. | 0:06:07 | 0:06:10 | |
That puts time of death between ten and 12 last night. | 0:06:10 | 0:06:12 | |
What else have we got? | 0:06:12 | 0:06:14 | |
Bruising to the face consistent with a blow or a fall. | 0:06:14 | 0:06:16 | |
No signs of sexual assault. | 0:06:16 | 0:06:18 | |
We're waiting for the medical examiner's report to confirm. | 0:06:18 | 0:06:20 | |
What about her shoes, her mobile? | 0:06:20 | 0:06:22 | |
Missing. No sign. | 0:06:22 | 0:06:24 | |
I want them found. | 0:06:24 | 0:06:25 | |
Alys was dressed to impress. | 0:06:25 | 0:06:27 | |
She was taking care of the way she looked. | 0:06:27 | 0:06:29 | |
Was that for her own benefit, or somebody else's? | 0:06:29 | 0:06:31 | |
What about the tattoo? | 0:06:31 | 0:06:32 | |
A Celtic symbol of female power, sir. Triskele. | 0:06:32 | 0:06:37 | |
It's got other meanings, too. | 0:06:37 | 0:06:38 | |
Could be religious, could be lots of things. | 0:06:38 | 0:06:40 | |
What about her parents? | 0:06:40 | 0:06:41 | |
Gwen and Iwan Thomas married young. 1989. | 0:06:41 | 0:06:45 | |
Gwen was 18, Iwan 21. | 0:06:45 | 0:06:47 | |
They separated in 2004. | 0:06:47 | 0:06:49 | |
But they were never divorced. What do we know about the father? | 0:06:49 | 0:06:52 | |
He was one of us. | 0:06:52 | 0:06:53 | |
A police officer? What happened to him? | 0:06:53 | 0:06:56 | |
We had to let him go. The man liked his drink. | 0:06:56 | 0:06:59 | |
Did you know about this? Let's find out where he lives. | 0:06:59 | 0:07:02 | |
House on the estate, sir. We've already checked. | 0:07:02 | 0:07:04 | |
There's no sign of him. He hasn't been seen for days. | 0:07:04 | 0:07:06 | |
-Well, let's find out where he works. -Yes, sir. | 0:07:06 | 0:07:08 | |
I want a picture of how the dead girl lived. | 0:07:08 | 0:07:10 | |
Who she knew and what she believed in. | 0:07:10 | 0:07:12 | |
Whoever did this felt something for her. | 0:07:12 | 0:07:15 | |
She wasn't dumped, she was placed. | 0:07:15 | 0:07:18 | |
It was a conscious act. | 0:07:18 | 0:07:20 | |
And I want to know why. | 0:07:20 | 0:07:21 | |
I don't think I ever spoke to Iwan Thomas. | 0:07:25 | 0:07:28 | |
I was still in uniform back then. | 0:07:28 | 0:07:30 | |
But you know what happened? | 0:07:30 | 0:07:32 | |
Rumour has it he wasn't up to it. | 0:07:32 | 0:07:33 | |
I've found where Iwan Thomas works, sir. I'll check him out. | 0:07:35 | 0:07:39 | |
What about friends? | 0:08:13 | 0:08:14 | |
She doesn't have any really. | 0:08:14 | 0:08:17 | |
Only Sara. | 0:08:17 | 0:08:19 | |
Sara Perkins. | 0:08:20 | 0:08:22 | |
They study together, classics. | 0:08:23 | 0:08:26 | |
They've been close for years. Still are. | 0:08:26 | 0:08:28 | |
Did Alys have any plans last night? | 0:08:32 | 0:08:35 | |
Was she due to meet someone, go somewhere? | 0:08:35 | 0:08:37 | |
Did Alys come home in the evenings? Generally, I mean. | 0:08:37 | 0:08:42 | |
No. No, she's got a flat in town. | 0:08:42 | 0:08:46 | |
-She shares it with Sara. -We'll need an address. | 0:08:46 | 0:08:49 | |
Could you think of anyone that would want to hurt your daughter? | 0:08:51 | 0:08:54 | |
What's her relationship with her father like? | 0:08:57 | 0:09:01 | |
I don't know. | 0:09:01 | 0:09:03 | |
They used to be close. | 0:09:05 | 0:09:07 | |
KNOCK AT DOOR | 0:09:35 | 0:09:37 | |
Sara Perkins? | 0:09:40 | 0:09:42 | |
You were friends, weren't you, you and Alys? | 0:09:45 | 0:09:47 | |
We've known each other since primary school. | 0:09:49 | 0:09:52 | |
You must've been through a lot together. | 0:09:52 | 0:09:54 | |
Did Alys have a boyfriend? | 0:09:57 | 0:09:58 | |
Alys didn't like to get involved. | 0:09:58 | 0:10:00 | |
Why not? | 0:10:00 | 0:10:01 | |
You don't seem to know much about your friend, do you? | 0:10:04 | 0:10:07 | |
Don't you care? | 0:10:08 | 0:10:11 | |
Of course I care. | 0:10:11 | 0:10:12 | |
Lately, I'm not sure she cared much about me, though. | 0:10:13 | 0:10:16 | |
Alys changed. | 0:10:17 | 0:10:19 | |
The last few months, she was... | 0:10:19 | 0:10:22 | |
..she was different. | 0:10:23 | 0:10:25 | |
We need to see her room. | 0:10:25 | 0:10:26 | |
Odi et amo. | 0:11:26 | 0:11:27 | |
I hate and I love. | 0:11:30 | 0:11:32 | |
I hate and I love. | 0:11:42 | 0:11:44 | |
Who does she hate? Who does she love? | 0:11:44 | 0:11:47 | |
Catullus 85. Odi et amo. | 0:12:00 | 0:12:04 | |
"I hate and I love. | 0:12:04 | 0:12:06 | |
"Why, you may ask? I know not, | 0:12:06 | 0:12:09 | |
"but I feel it happening" and I am tormented. | 0:12:09 | 0:12:13 | |
She was really taken by it. | 0:12:13 | 0:12:15 | |
She was so full of life. | 0:12:17 | 0:12:19 | |
When did you see Alys last? | 0:12:19 | 0:12:21 | |
-Yesterday. -When? | 0:12:21 | 0:12:23 | |
Morning, in my lecture. | 0:12:23 | 0:12:24 | |
-What kind of a student was she? -Bright. | 0:12:24 | 0:12:27 | |
But she suffered the usual problems one associates with growing up. | 0:12:29 | 0:12:32 | |
In what way? | 0:12:32 | 0:12:34 | |
Hm! Alys felt things intensely. | 0:12:34 | 0:12:37 | |
She was unique. She didn't just study it, she lived it. | 0:12:37 | 0:12:41 | |
She had character. | 0:12:41 | 0:12:44 | |
She was bright. | 0:12:44 | 0:12:45 | |
There was no place for mediocrity. | 0:12:45 | 0:12:47 | |
She was a creative soul. | 0:12:48 | 0:12:51 | |
But recently she'd lost her way and, er... | 0:12:52 | 0:12:54 | |
Well, it happens. | 0:12:54 | 0:12:57 | |
Were you concerned about her? | 0:12:57 | 0:12:59 | |
Well, she was fragile. There was a darkness in her. | 0:12:59 | 0:13:03 | |
And there was something going on at home. | 0:13:04 | 0:13:06 | |
It was a difficult time for her. | 0:13:08 | 0:13:10 | |
We need to speak with her father. | 0:13:10 | 0:13:12 | |
Well, I can't help you there. I'm sorry. | 0:13:13 | 0:13:15 | |
This is Alys at 17:22 yesterday afternoon, | 0:13:24 | 0:13:28 | |
arriving at Aberystwyth Station | 0:13:28 | 0:13:30 | |
wearing the same dress, carrying a small bag. | 0:13:30 | 0:13:33 | |
She was dressed up for something. | 0:13:33 | 0:13:35 | |
-For a man? -Not necessarily. | 0:13:35 | 0:13:37 | |
Now, this is an angle from inside the station. | 0:13:38 | 0:13:41 | |
She's catching the 17:30 heading east to Shrewsbury. | 0:13:41 | 0:13:44 | |
I checked CCTV all along the route. She didn't go very far. | 0:13:54 | 0:13:59 | |
Ten minutes later, she got off at Borth Station. | 0:14:00 | 0:14:03 | |
Now, if we scroll forward to 22:55... | 0:14:08 | 0:14:12 | |
..the next train to Aberystwyth is due at 23:25. | 0:14:13 | 0:14:17 | |
What's she looking for? | 0:14:17 | 0:14:18 | |
Her phone. It has to be. | 0:14:18 | 0:14:21 | |
She was dead within an hour. Where did she go? | 0:14:23 | 0:14:26 | |
Let's get up there. And I want every inch of that platform searched. | 0:14:34 | 0:14:37 | |
Can I help you? | 0:15:23 | 0:15:25 | |
Yeah. | 0:15:26 | 0:15:28 | |
And you are? | 0:15:29 | 0:15:30 | |
Dyfan. Dyfan Richard. | 0:15:30 | 0:15:33 | |
I live at the station house. Look after the museum. | 0:15:33 | 0:15:37 | |
Is there a problem? | 0:15:37 | 0:15:38 | |
-Do you work here? -I help out. | 0:15:39 | 0:15:42 | |
Keep an eye on the place. Keep everything in order. | 0:15:42 | 0:15:44 | |
Do you know this girl, Mr Richard? | 0:15:46 | 0:15:48 | |
She was found dead on the marshes this morning. | 0:15:51 | 0:15:53 | |
RUMBLING | 0:16:06 | 0:16:08 | |
TRAIN APPROACHES | 0:16:11 | 0:16:13 | |
I used to see her quite often. | 0:16:18 | 0:16:20 | |
She was pleasant. Different to the others. | 0:16:21 | 0:16:24 | |
The others? | 0:16:24 | 0:16:27 | |
Most of the people on the platform. | 0:16:27 | 0:16:28 | |
There was a way about her. | 0:16:28 | 0:16:30 | |
Always full of life. | 0:16:33 | 0:16:34 | |
Ready with a smile. | 0:16:36 | 0:16:37 | |
-When did you last see her? -I'm not sure. | 0:16:49 | 0:16:51 | |
A few weeks ago? | 0:16:51 | 0:16:53 | |
I only spoke to her a couple of times. That's all. | 0:16:53 | 0:16:56 | |
Such a pretty girl. | 0:16:57 | 0:16:59 | |
Bachman City Class. 3439. | 0:17:00 | 0:17:04 | |
My brother Ian, he was a fanatic. | 0:17:05 | 0:17:09 | |
Does he still collect? | 0:17:09 | 0:17:10 | |
What did you and the girl speak about, Mr Richard? | 0:17:15 | 0:17:18 | |
I don't recall. | 0:17:18 | 0:17:19 | |
She was headed over to the hotel. | 0:17:20 | 0:17:24 | |
The Rhediol Hotel? | 0:17:24 | 0:17:26 | |
Yes. That's the one. | 0:17:26 | 0:17:27 | |
Where were you last night? | 0:17:28 | 0:17:31 | |
Here. Home alone. | 0:17:31 | 0:17:33 | |
And you saw nothing? Heard nothing? | 0:17:33 | 0:17:36 | |
No. Nothing. | 0:17:37 | 0:17:39 | |
CONSTANT TICKING | 0:17:39 | 0:17:42 | |
She was here last night, about six-ish. | 0:18:01 | 0:18:03 | |
With a man. | 0:18:03 | 0:18:05 | |
Can you describe the man? | 0:18:05 | 0:18:07 | |
-I didn't get a look at him. -But you remember the girl? | 0:18:07 | 0:18:10 | |
She's not the sort of girl you'd forget. | 0:18:10 | 0:18:13 | |
-Been here a few times. -A few times? | 0:18:13 | 0:18:15 | |
And you say you never saw the man's face? | 0:18:15 | 0:18:18 | |
Oh, I'm not really sure if it was the same man. | 0:18:18 | 0:18:20 | |
-You heard them together? -Only rowing. | 0:18:20 | 0:18:23 | |
Shouting and screaming, she was, slamming doors. | 0:18:23 | 0:18:27 | |
The whole shebang. | 0:18:27 | 0:18:29 | |
You should've seen the room afterwards. A right state. | 0:18:29 | 0:18:32 | |
Did they leave anything behind? A bag, shoes? | 0:18:32 | 0:18:34 | |
How did they pay? | 0:18:35 | 0:18:36 | |
-Cash. They left it on here. -What time was this? | 0:18:36 | 0:18:39 | |
-10:30? -What about the room? Has it been cleaned? | 0:18:39 | 0:18:42 | |
Yes, but, er...you can have a look, if you like. | 0:18:42 | 0:18:46 | |
Thanks. | 0:18:47 | 0:18:49 | |
MOBILE RINGS | 0:19:19 | 0:19:22 | |
'Alys?' | 0:19:38 | 0:19:39 | |
Who is this? | 0:19:39 | 0:19:41 | |
Ever decreasing circles. | 0:20:06 | 0:20:07 | |
-Why were you calling her? -No reason. | 0:20:10 | 0:20:12 | |
How do you know her? | 0:20:12 | 0:20:13 | |
-I used to see her round. -You were her dealer? | 0:20:13 | 0:20:15 | |
We went to a few parties last summer, hooked up a couple of times. | 0:20:17 | 0:20:21 | |
Had a few laughs. No big deal. | 0:20:21 | 0:20:22 | |
She was wild with a couple of drinks inside her. | 0:20:22 | 0:20:25 | |
When did you last see her? | 0:20:25 | 0:20:26 | |
-I don't remember. -Try. | 0:20:28 | 0:20:29 | |
-A week? Two? -Where were you last night? | 0:20:29 | 0:20:31 | |
-Here till closing time. -What time was that? | 0:20:31 | 0:20:34 | |
-Midnight-ish. -What about after closing time? | 0:20:34 | 0:20:36 | |
I went home with someone. | 0:20:36 | 0:20:37 | |
-Who? -Oh, does it matter? -Is that how you got your black eye? | 0:20:37 | 0:20:41 | |
-Alys' father did it. -Iwan Thomas. | 0:20:42 | 0:20:45 | |
That's why I was phoning her. | 0:20:47 | 0:20:49 | |
To warn her he was off his head on booze. | 0:20:49 | 0:20:51 | |
He gets me outside, tells me to leave Alys alone. | 0:20:51 | 0:20:53 | |
I try to tell him I got nothing to do with Alys any more, and he smacks me. | 0:20:53 | 0:20:57 | |
-When was this? -Sunday night. | 0:20:57 | 0:20:59 | |
Why did you wait so long before phoning Alys? | 0:20:59 | 0:21:01 | |
-I'd been phoning and phoning. -I know, I checked the phone records. | 0:21:01 | 0:21:05 | |
I was trying to warn her. I was looking out for her. | 0:21:05 | 0:21:07 | |
-Iwan's not a man you want to cross. -Why hire him? | 0:21:09 | 0:21:12 | |
Knows the patch. He's all right when he's sober. | 0:21:12 | 0:21:15 | |
-And when he isn't? -You stay out of his way. | 0:21:15 | 0:21:18 | |
Terrible what happened, though. | 0:21:18 | 0:21:21 | |
Did you ever meet his daughter Alys? | 0:21:21 | 0:21:22 | |
The man never shut up about her. | 0:21:22 | 0:21:25 | |
-This him? -Yeah. | 0:21:25 | 0:21:27 | |
You think he'd hurt her? | 0:21:27 | 0:21:28 | |
He drove taxis for me. I don't want to get involved. | 0:21:28 | 0:21:31 | |
I want a unit outside Iwan Thomas' house. | 0:21:39 | 0:21:42 | |
-Yes, sir. There's something else. -What is it? | 0:21:42 | 0:21:45 | |
A postmortem has been completed. | 0:21:45 | 0:21:47 | |
There's evidence of multiple scarring on Alys' inner thigh. | 0:21:47 | 0:21:52 | |
-Recently? -It doesn't appear so. | 0:21:52 | 0:21:54 | |
-You coming in? -No. | 0:21:54 | 0:21:56 | |
BIRDSONG | 0:22:22 | 0:22:25 | |
-Mami? -Gwen? | 0:22:35 | 0:22:38 | |
FAINT VOICES | 0:22:38 | 0:22:40 | |
He was a great dad. | 0:23:13 | 0:23:14 | |
She adored him. | 0:23:15 | 0:23:17 | |
What happened? | 0:23:21 | 0:23:22 | |
There's no room for us in his life any more. | 0:23:23 | 0:23:26 | |
He said the job needed him. | 0:23:26 | 0:23:28 | |
More than usual? | 0:23:28 | 0:23:31 | |
There was a case. It...got under his skin. | 0:23:31 | 0:23:34 | |
Drink was a release. | 0:23:35 | 0:23:37 | |
So they suspended him. | 0:23:42 | 0:23:43 | |
What happened? | 0:23:44 | 0:23:46 | |
They pulled him over. One of his own. | 0:23:46 | 0:23:49 | |
Did him for drink-driving. | 0:23:49 | 0:23:51 | |
Part of me was relieved. | 0:23:53 | 0:23:54 | |
I thought we'd get the old Iwan back. | 0:23:56 | 0:23:57 | |
But he was more distant than ever. | 0:23:59 | 0:24:01 | |
Even with Alys? | 0:24:02 | 0:24:04 | |
Could he have harmed her? | 0:24:07 | 0:24:09 | |
Sober? | 0:24:10 | 0:24:11 | |
Never. | 0:24:13 | 0:24:14 | |
Any idea where we might find him? | 0:24:15 | 0:24:17 | |
VOICES ON TELEVISION | 0:24:17 | 0:24:19 | |
HE SWITCHES TELEVISION OFF | 0:24:35 | 0:24:37 | |
I know this is difficult for you, Gwen. | 0:24:40 | 0:24:42 | |
But there's evidence of scarring on Alys' body. | 0:24:46 | 0:24:48 | |
Was she...was she self-harming? | 0:24:49 | 0:24:53 | |
It was something we knew about. | 0:24:53 | 0:24:55 | |
We dealt with it. | 0:24:57 | 0:24:58 | |
It passed. | 0:24:59 | 0:25:01 | |
He should never have said those things. | 0:25:01 | 0:25:04 | |
What things? | 0:25:04 | 0:25:06 | |
My husband and I had an argument a couple of years ago. | 0:25:06 | 0:25:09 | |
Some things were said. | 0:25:11 | 0:25:12 | |
Not all of them were meant, and... | 0:25:15 | 0:25:17 | |
..Alys overheard. | 0:25:18 | 0:25:20 | |
Overheard what? | 0:25:21 | 0:25:23 | |
The usual drunken rant about how I never forgave him | 0:25:24 | 0:25:27 | |
for never being able to give me a baby of my own. | 0:25:27 | 0:25:30 | |
How he was the reason I had to settle for... | 0:25:30 | 0:25:34 | |
..second best. | 0:25:36 | 0:25:38 | |
Alys was adopted? | 0:25:38 | 0:25:39 | |
And was there any truth in what your husband said? | 0:25:43 | 0:25:45 | |
(No.) | 0:25:51 | 0:25:52 | |
I loved my daughter. | 0:25:56 | 0:25:58 | |
(Alys'?) | 0:26:19 | 0:26:20 | |
Yes. | 0:26:24 | 0:26:25 | |
Where did you find it? | 0:26:35 | 0:26:36 | |
Rheidol Hotel in Borth. | 0:26:39 | 0:26:41 | |
(What was she doing there?) | 0:26:42 | 0:26:43 | |
That's what we're trying to find out. | 0:26:43 | 0:26:46 | |
VEHICLE APPROACHES | 0:26:46 | 0:26:47 | |
TYRES SCREECH | 0:26:47 | 0:26:50 | |
VEHICLE CRASHES | 0:26:50 | 0:26:51 | |
She's dead...because of us! | 0:27:03 | 0:27:06 | |
We killed her, you and me! Our own daughter! | 0:27:06 | 0:27:10 | |
This is between me and her! | 0:27:10 | 0:27:12 | |
-Iwan, stop it! -Our daughter! | 0:27:12 | 0:27:14 | |
Our own daughter! | 0:27:14 | 0:27:16 | |
Our own daughter! | 0:27:16 | 0:27:18 | |
HE SOBS | 0:27:18 | 0:27:20 | |
FAINT TELEVISION | 0:28:15 | 0:28:18 | |
Hiya. | 0:28:21 | 0:28:22 | |
Hiya. | 0:28:23 | 0:28:24 | |
SHE SOBS | 0:29:03 | 0:29:05 | |
There's another meaning, sir. The triskele design. | 0:29:47 | 0:29:50 | |
Mother, father, child. | 0:29:50 | 0:29:52 | |
I hate and I love. | 0:29:55 | 0:29:56 | |
The two people she loved the most. | 0:29:58 | 0:30:00 | |
The two people that let her down. | 0:30:02 | 0:30:04 | |
CRACKLING | 0:30:44 | 0:30:46 | |
SNAPPING | 0:31:09 | 0:31:11 | |
RUSTLING | 0:31:33 | 0:31:34 | |
Stop! | 0:31:34 | 0:31:36 | |
Oi! | 0:32:14 | 0:32:15 | |
How do you feel? | 0:32:50 | 0:32:51 | |
I've felt better. | 0:32:54 | 0:32:55 | |
Take your time. | 0:32:58 | 0:33:00 | |
There's no rush. | 0:33:02 | 0:33:04 | |
CONSTANT TICKING | 0:33:04 | 0:33:07 | |
Do you have children? | 0:33:12 | 0:33:14 | |
You? | 0:33:22 | 0:33:23 | |
No. | 0:33:25 | 0:33:26 | |
No, I haven't. | 0:33:28 | 0:33:30 | |
Does your brother build the whole model world, | 0:33:41 | 0:33:44 | |
or is he a train enthusiast only? | 0:33:44 | 0:33:46 | |
Hm! | 0:33:50 | 0:33:51 | |
Oh, Ian loved his trains. | 0:33:53 | 0:33:54 | |
Always did. | 0:33:57 | 0:33:58 | |
Did? | 0:33:59 | 0:34:00 | |
You know the marshes well, do you? | 0:34:10 | 0:34:12 | |
I see them every day. | 0:34:17 | 0:34:18 | |
Can you think of any reason why someone | 0:34:20 | 0:34:23 | |
would want to place a body out there...like that? | 0:34:23 | 0:34:26 | |
Not to my knowledge, no. | 0:34:28 | 0:34:29 | |
But if I think of anything, or... | 0:34:32 | 0:34:34 | |
..if I hear something... | 0:34:36 | 0:34:37 | |
..I'll let you know. | 0:34:38 | 0:34:40 | |
Thank you. | 0:34:52 | 0:34:53 | |
You're welcome. | 0:34:53 | 0:34:55 | |
I switched on my phone... | 0:36:37 | 0:36:38 | |
..and there they were. | 0:36:40 | 0:36:42 | |
Message after message. | 0:36:45 | 0:36:47 | |
About Alys. | 0:36:48 | 0:36:49 | |
Two from my boss. | 0:36:50 | 0:36:52 | |
One telling me you lot were looking for me. | 0:36:53 | 0:36:55 | |
The other sacking me for going AWOL. | 0:36:57 | 0:36:59 | |
So you got drunk. | 0:37:01 | 0:37:02 | |
Then I got angry. | 0:37:04 | 0:37:05 | |
So, what now? | 0:37:10 | 0:37:12 | |
-Well, that depends. -On what? | 0:37:12 | 0:37:14 | |
On whether you had anything to do with Alys' death. | 0:37:14 | 0:37:17 | |
Why did you hit Dean? | 0:37:20 | 0:37:21 | |
He's a...waste of space. | 0:37:23 | 0:37:26 | |
Do you think he killed your daughter? | 0:37:27 | 0:37:29 | |
He's capable of it. | 0:37:33 | 0:37:35 | |
She was... | 0:37:39 | 0:37:41 | |
..a precious...beautiful girl. | 0:37:42 | 0:37:47 | |
She was. | 0:37:47 | 0:37:48 | |
Catch him! | 0:37:52 | 0:37:53 | |
Please. | 0:37:57 | 0:37:59 | |
Catch the man who did this to Alys. | 0:38:00 | 0:38:04 | |
"They took the flowers of the oak | 0:38:10 | 0:38:12 | |
"and the flowers of the broom | 0:38:12 | 0:38:14 | |
"and the flowers of the meadowsweet, | 0:38:14 | 0:38:16 | |
"and from those, they conjured up the fairest | 0:38:16 | 0:38:18 | |
"and most beautiful maiden that anyone had ever seen." | 0:38:18 | 0:38:21 | |
"And they baptised her in the way they did at that time | 0:38:21 | 0:38:23 | |
"and named her Blodeuwedd." | 0:38:23 | 0:38:25 | |
Rootless, lonely and ignored by the man she was made for. | 0:38:25 | 0:38:28 | |
Hardly the fairytale it's made out to be. | 0:38:28 | 0:38:30 | |
Dates and times from the hotel in Borth. | 0:38:30 | 0:38:32 | |
Alys stayed five times in total. | 0:38:34 | 0:38:36 | |
-I also ran a check on phone numbers taken from Alys' mobile. -Thanks. | 0:38:36 | 0:38:40 | |
She phoned one number three times that night | 0:38:40 | 0:38:42 | |
between 6:00 and 6:15pm. No reply. | 0:38:42 | 0:38:45 | |
Then she calls a landline at 6:20pm. | 0:38:45 | 0:38:49 | |
The call only lasted a few minutes. | 0:38:49 | 0:38:51 | |
The landline was traced to an address on Constitution Hill. | 0:38:51 | 0:38:55 | |
-Wynford Rees. -Yes, sir. | 0:38:57 | 0:38:58 | |
You shouldn't have gone up to the marshlands alone like that. | 0:39:04 | 0:39:07 | |
-No. -It was reckless. -I know. I'm sorry. | 0:39:07 | 0:39:09 | |
You might not value yourself much but it doesn't mean that we don't. | 0:39:09 | 0:39:13 | |
I said sorry, Mared. | 0:39:13 | 0:39:14 | |
He never asked about Alys. Not once. | 0:39:22 | 0:39:24 | |
-Never asked about the case, how it was going. -Who? | 0:39:24 | 0:39:26 | |
Dyfan Richard. He never asked the questions he should have had asked. | 0:39:26 | 0:39:29 | |
What are you talking about? | 0:39:29 | 0:39:30 | |
-Is this Professor Rees' class? -Yes. | 0:39:36 | 0:39:38 | |
-Where is he? -He didn't show. | 0:39:38 | 0:39:40 | |
-Mrs Rees? -Yes. | 0:39:59 | 0:40:01 | |
Is your husband in? | 0:40:01 | 0:40:03 | |
You weren't at your lecture this morning, Mr Rees. | 0:40:09 | 0:40:12 | |
My husband hasn't been well. | 0:40:12 | 0:40:14 | |
She started missing classes. | 0:40:17 | 0:40:19 | |
She seemed distracted... | 0:40:19 | 0:40:22 | |
disinterested. | 0:40:22 | 0:40:24 | |
I called her to my office to try to get to the source of the problem. | 0:40:25 | 0:40:29 | |
Offered one-to-one tutorials to help. | 0:40:29 | 0:40:32 | |
Doesn't explain the large number of calls she made to you. | 0:40:32 | 0:40:34 | |
Well, she was behind with her work. | 0:40:34 | 0:40:37 | |
She was nervous, panicking, anxious. | 0:40:37 | 0:40:40 | |
It happens sometimes. | 0:40:41 | 0:40:43 | |
She called you at home. | 0:40:43 | 0:40:45 | |
Yes. | 0:40:47 | 0:40:49 | |
You gave her your private number? | 0:40:49 | 0:40:52 | |
She was a troubled soul. | 0:40:53 | 0:40:55 | |
Was the tattoo for you? | 0:40:55 | 0:40:57 | |
-Sorry? -The tattoo on her arm. | 0:40:58 | 0:41:00 | |
-Where were you Monday night, Mr Rees? -Here. | 0:41:03 | 0:41:06 | |
-Can anyone verify that? -I can. | 0:41:06 | 0:41:08 | |
Wynford and I had dinner together. | 0:41:10 | 0:41:12 | |
Thank you, Mr Rees. | 0:41:16 | 0:41:17 | |
-Get Lloyd to run a check on Wynford Rees. -Already on it. | 0:41:21 | 0:41:24 | |
-Same goes for Dyfan Richard. -Yeah. | 0:41:24 | 0:41:26 | |
-PHONE RINGS -Yeah, Mathias. | 0:41:26 | 0:41:28 | |
Sir, it's Lloyd. I think you need to get down here. | 0:41:28 | 0:41:31 | |
FAINT POLICE RADIO | 0:41:35 | 0:41:37 | |
I-It was Dean. | 0:41:45 | 0:41:47 | |
It was Dean that killed Alys. | 0:41:48 | 0:41:50 | |
They got together last summer. | 0:41:55 | 0:41:57 | |
She thought it was just a fling. | 0:41:58 | 0:42:00 | |
But Dean thought it was more than that. | 0:42:01 | 0:42:04 | |
He loved her? | 0:42:04 | 0:42:05 | |
I think so. | 0:42:06 | 0:42:07 | |
But he'd never admit it. | 0:42:09 | 0:42:11 | |
Why does that hurt you so much, Sara? | 0:42:12 | 0:42:14 | |
How long have you been seeing Dean? | 0:42:19 | 0:42:20 | |
Six months. | 0:42:22 | 0:42:23 | |
-Did Alys know? -Yeah. | 0:42:23 | 0:42:25 | |
-Did she care? -No. | 0:42:26 | 0:42:28 | |
She didn't love Dean? | 0:42:29 | 0:42:31 | |
I told you...it was just a fling. | 0:42:31 | 0:42:34 | |
But to Dean, it meant more? He couldn't let go? | 0:42:34 | 0:42:37 | |
He was only with me to be close to her. | 0:42:40 | 0:42:42 | |
He wanted me to dress like her, dye my hair like her. | 0:42:45 | 0:42:49 | |
He even went and got the same tattoo on his arm. | 0:42:51 | 0:42:54 | |
Like there was some kind of connection between them. | 0:42:54 | 0:42:57 | |
But there wasn't? | 0:42:57 | 0:42:58 | |
She hadn't really been close to anybody recently. | 0:43:01 | 0:43:03 | |
She'd been in a really...weird place. | 0:43:06 | 0:43:09 | |
The Blodeuwedd stuff in her notebook, | 0:43:09 | 0:43:12 | |
is that what that was about? | 0:43:12 | 0:43:13 | |
She said that her and Blodeuwedd were the same. | 0:43:13 | 0:43:16 | |
Reckoned they'd been conjured out of nothing. | 0:43:17 | 0:43:22 | |
Whatever that means. | 0:43:22 | 0:43:23 | |
Monday night, Dean was at work, wasn't he? | 0:43:26 | 0:43:29 | |
According to this, he was at the Pier Amusements till gone midnight. | 0:43:31 | 0:43:35 | |
-No, he wasn't. -Oh, go on. | 0:43:35 | 0:43:38 | |
I couldn't get hold of him. | 0:43:38 | 0:43:39 | |
I went down there about 10:00 and he wasn't there. | 0:43:41 | 0:43:43 | |
The guy looking after the place was pissed off, | 0:43:45 | 0:43:47 | |
said he hadn't seen Dean for hours. | 0:43:47 | 0:43:50 | |
Where was he, Sara? | 0:43:50 | 0:43:51 | |
You think he was down on the marshes? | 0:43:54 | 0:43:56 | |
WAVES CRASH | 0:44:32 | 0:44:34 | |
Checked out Dyfan Richard. | 0:44:40 | 0:44:42 | |
His record's clean, | 0:44:42 | 0:44:43 | |
but there was an incident on the marshes a few years ago. | 0:44:43 | 0:44:46 | |
A run-in with a guy called John Clancy. He's in prison now. | 0:44:46 | 0:44:49 | |
-It was his boys that found the body. -Yeah, exactly. | 0:44:49 | 0:44:52 | |
-Shall I go up there and find out what they know? -Yes. -Be careful. | 0:44:52 | 0:44:55 | |
Did it hurt? | 0:45:01 | 0:45:02 | |
-The tattoo. -A bit. | 0:45:02 | 0:45:04 | |
Was it worth it? | 0:45:06 | 0:45:08 | |
Obviously not. | 0:45:08 | 0:45:10 | |
I bet you don't even know what it means. | 0:45:10 | 0:45:12 | |
It's from Lord Of The Rings. | 0:45:12 | 0:45:14 | |
Where were you on Monday night, Dean? | 0:45:17 | 0:45:19 | |
I've already told you, I was down the arcade. | 0:45:19 | 0:45:23 | |
That's not what I've been told. | 0:45:23 | 0:45:24 | |
I was with a girl. | 0:45:29 | 0:45:30 | |
Alys? | 0:45:30 | 0:45:32 | |
In Aber. | 0:45:32 | 0:45:34 | |
Does she have a name? | 0:45:34 | 0:45:35 | |
Kirsten. Kirsten Reid. | 0:45:36 | 0:45:38 | |
MUSIC BLARES | 0:46:49 | 0:46:52 | |
Kirsten? | 0:47:02 | 0:47:04 | |
Does the name Dyfan Richard mean anything to you? | 0:47:58 | 0:48:01 | |
Never heard of him. | 0:48:01 | 0:48:03 | |
What about Wynford Rees? | 0:48:03 | 0:48:04 | |
Alys and Mr Rees spent a lot of time together. | 0:48:05 | 0:48:08 | |
He didn't love her. | 0:48:08 | 0:48:09 | |
And you did? | 0:48:09 | 0:48:10 | |
Yeah. | 0:48:12 | 0:48:14 | |
Clancy wasn't making any sense. | 0:48:31 | 0:48:33 | |
I told him over and over I hadn't seen anybody take his horses... | 0:48:33 | 0:48:38 | |
but he wouldn't accept it. | 0:48:38 | 0:48:40 | |
I must've seen something. That was his take on it. | 0:48:40 | 0:48:42 | |
What about the money you owed for the building work? | 0:48:42 | 0:48:45 | |
It was nothing. Some slates on the roof, some plastering work. | 0:48:46 | 0:48:51 | |
I did them a favour, paid the agreed price. | 0:48:51 | 0:48:55 | |
That's not how they remember it. | 0:48:56 | 0:48:58 | |
There was a deal. Clancy tried to renegotiate after the event. | 0:48:58 | 0:49:02 | |
What sort of a man does that? | 0:49:02 | 0:49:04 | |
He's in prison now, am I right? | 0:49:20 | 0:49:22 | |
Yeah. | 0:49:23 | 0:49:25 | |
The three boys are alone out there. | 0:49:25 | 0:49:26 | |
It's a terrible thing. | 0:49:54 | 0:49:56 | |
Seeing children abandoned like that. | 0:49:56 | 0:49:59 | |
The eldest boy's 19. He's doing a good enough job. | 0:50:00 | 0:50:04 | |
Yeah, I'm sure. | 0:50:04 | 0:50:05 | |
And Mr Mathias? | 0:50:07 | 0:50:08 | |
What sort of a job is he doing? | 0:50:10 | 0:50:11 | |
Give him my regards. | 0:50:14 | 0:50:15 | |
I spoke to Kirsten Reid. | 0:50:27 | 0:50:29 | |
Dean's alibi checks out. | 0:50:33 | 0:50:34 | |
-How was she? -Slow. | 0:50:38 | 0:50:41 | |
Someone to see you in reception. | 0:50:41 | 0:50:43 | |
Release him. | 0:50:46 | 0:50:47 | |
FAINT POLICE RADIO | 0:50:51 | 0:50:52 | |
Gwen? | 0:50:52 | 0:50:54 | |
I want to see the place where Alys was found. | 0:50:58 | 0:51:00 | |
-That's not such a good idea. -Please? | 0:51:06 | 0:51:09 | |
GULLS CAW | 0:51:16 | 0:51:19 | |
INSECTS CHIRRUP | 0:51:41 | 0:51:45 | |
Thank you. | 0:55:00 | 0:55:01 | |
WIND GUSTS | 0:55:37 | 0:55:40 | |
Ah! Shit! | 0:56:01 | 0:56:03 | |
PHONE RINGS | 0:56:06 | 0:56:09 | |
What is it, Lloyd? | 0:56:16 | 0:56:17 | |
Wynford Rees used to lecture at Edinburgh Met, sir. | 0:56:17 | 0:56:20 | |
I spoke to the department up there, he was moved on three years ago. | 0:56:20 | 0:56:24 | |
-Moved on? Why? -Accusation of rape, sir. | 0:56:24 | 0:56:26 | |
I want Wynford Rees picked up. And his wife, too. | 0:56:29 | 0:56:32 | |
-And make sure they keep them apart. -Yes, sir. | 0:56:32 | 0:56:35 | |
-The charge was dropped. -Why? | 0:56:47 | 0:56:50 | |
The girl who made it, Chloe... | 0:56:50 | 0:56:52 | |
..she retracted the accusation. | 0:56:53 | 0:56:56 | |
But you WERE sleeping with her? | 0:56:56 | 0:56:59 | |
Yes. | 0:56:59 | 0:57:00 | |
You took advantage of her. | 0:57:00 | 0:57:03 | |
-Just like you did with Alys. -No. | 0:57:03 | 0:57:04 | |
Alys was extraordinary. | 0:57:06 | 0:57:08 | |
I stood by him. | 0:57:12 | 0:57:13 | |
How did that make you feel, | 0:57:14 | 0:57:17 | |
your husband, carrying on like that? | 0:57:17 | 0:57:20 | |
I felt nothing. | 0:57:22 | 0:57:24 | |
I-I knew he didn't love them. | 0:57:26 | 0:57:27 | |
But were things different with Alys? | 0:57:30 | 0:57:32 | |
Why are you defending him? | 0:57:34 | 0:57:36 | |
Why did you say you were with him that night | 0:57:37 | 0:57:39 | |
when you knew he was at the hotel with Alys? | 0:57:39 | 0:57:43 | |
Because despite everything... | 0:57:43 | 0:57:45 | |
..I still love him. | 0:57:47 | 0:57:48 | |
"They baptised her in the way that they did at the time | 0:57:52 | 0:57:55 | |
"and named her Blodeuwedd." | 0:57:55 | 0:57:57 | |
There's another reading to the Blodeuwedd myth, isn't there? | 0:57:59 | 0:58:03 | |
It's not all virgins and flowers. | 0:58:03 | 0:58:07 | |
-She seduced me. -You were her teacher! | 0:58:09 | 0:58:11 | |
Blodeuwedd was created for the sole purpose of being the king's lover. | 0:58:16 | 0:58:20 | |
If she wasn't going to be his, she wasn't going to be anybody's. | 0:58:21 | 0:58:25 | |
And so she was condemned to an eternity of darkness and torment. | 0:58:25 | 0:58:29 | |
-Is that what you did to Alys? -No... | 0:58:29 | 0:58:32 | |
-That's not how it was. -How was it, then? | 0:58:32 | 0:58:35 | |
I was attracted to her. | 0:58:37 | 0:58:39 | |
Alys was everything I wasn't. | 0:58:40 | 0:58:43 | |
Brave. | 0:58:43 | 0:58:45 | |
Talented. | 0:58:45 | 0:58:47 | |
Fearless. | 0:58:48 | 0:58:49 | |
And when you took her out to the marshes, was she fearless then? | 0:58:49 | 0:58:53 | |
I didn't take her out there. | 0:58:53 | 0:58:54 | |
But you know where I'm talking about. | 0:58:54 | 0:58:57 | |
You know Borth. You were at the hotel. | 0:58:57 | 0:59:01 | |
The owner of the hotel, he heard shouting. | 0:59:01 | 0:59:03 | |
What were you rowing about? | 0:59:03 | 0:59:05 | |
I tried to end it. | 0:59:05 | 0:59:07 | |
Go on. | 0:59:07 | 0:59:08 | |
She phoned... | 0:59:10 | 0:59:11 | |
..demanding to see me... | 0:59:13 | 0:59:15 | |
threatening to come to the house. | 0:59:15 | 0:59:17 | |
She was going to confront my family. | 0:59:18 | 0:59:21 | |
So I agreed to meet her. | 0:59:22 | 0:59:24 | |
To tell her it was over? | 0:59:24 | 0:59:25 | |
-Yes. -Why? | 0:59:25 | 0:59:27 | |
Alys wasn't looking for a lover. | 0:59:30 | 0:59:33 | |
She was looking for a father. | 0:59:36 | 0:59:38 | |
My husband may be a fool but he's not a killer. | 0:59:46 | 0:59:49 | |
You seem very sure about that, Mrs Rees. | 0:59:50 | 0:59:52 | |
Our marriage is a strong one. | 0:59:52 | 0:59:54 | |
The only thing that can threaten it... | 0:59:56 | 0:59:58 | |
..is love. | 1:00:01 | 1:00:02 | |
And Alys Thomas... | 1:00:06 | 1:00:08 | |
..didn't love my husband. | 1:00:09 | 1:00:12 | |
Keep him in the cells. | 1:00:23 | 1:00:24 | |
Were there any other men in your daughter's life, | 1:01:34 | 1:01:37 | |
besides your husband? | 1:01:37 | 1:01:39 | |
Older men? Did she ever talk about her lecturer? | 1:01:41 | 1:01:45 | |
What about Dyfan Richard? | 1:01:48 | 1:01:50 | |
Does that name mean anything to you? | 1:01:50 | 1:01:52 | |
-Why are you asking? -What do you know about him? | 1:01:52 | 1:01:55 | |
Keeps himself to himself. | 1:01:57 | 1:01:59 | |
I've never had anything to do with him. | 1:01:59 | 1:02:00 | |
But you've seen him about? | 1:02:00 | 1:02:02 | |
Borth is a small place. | 1:02:02 | 1:02:04 | |
What happened to you? | 1:02:11 | 1:02:12 | |
Nothing. | 1:02:15 | 1:02:17 | |
GULLS CAW | 1:04:39 | 1:04:42 | |
WAVES CRASH | 1:05:18 | 1:05:21 | |
They're waiting for you. | 1:07:46 | 1:07:47 | |
After you. | 1:08:00 | 1:08:02 | |
I went up to the house. | 1:08:27 | 1:08:29 | |
I saw your car. | 1:08:29 | 1:08:31 | |
I respected you! | 1:08:31 | 1:08:32 | |
Maybe I was wrong to. | 1:08:32 | 1:08:35 | |
That's enough, Iwan! | 1:08:35 | 1:08:36 | |
Go home. | 1:08:39 | 1:08:40 | |
Tom, a word. | 1:08:42 | 1:08:43 | |
Yaaarrrggghhh! | 1:08:45 | 1:08:47 | |
You! You! It's you! | 1:08:47 | 1:08:49 | |
Take him down to the cell! | 1:08:49 | 1:08:52 | |
N-o-o-o-o-o-o! | 1:08:52 | 1:08:54 | |
Is that necessary, sir? | 1:08:54 | 1:08:56 | |
The man is grieving. He's lost his daughter, he's lost everything! | 1:08:56 | 1:08:59 | |
-I know him better than you do! -Sir? | 1:08:59 | 1:09:02 | |
Dyfan Richard complained about the family on the marsh | 1:09:04 | 1:09:07 | |
23 times in the last four months. | 1:09:07 | 1:09:09 | |
That's once every three days. | 1:09:09 | 1:09:10 | |
It's like he was watching them. | 1:09:10 | 1:09:12 | |
-I've got the phone records and reports. -Watching? | 1:09:12 | 1:09:15 | |
-What? -You said like he was watching them. | 1:09:15 | 1:09:17 | |
Yes. That's what it says in the report. Watching. | 1:09:17 | 1:09:19 | |
Tom, wait! | 1:09:23 | 1:09:25 | |
Wynford Rees is downstairs. | 1:09:26 | 1:09:28 | |
We have evidence, motive, a strong case. | 1:09:28 | 1:09:31 | |
He was with her that night. They fought, she stormed off. | 1:09:31 | 1:09:34 | |
He's the last known person to have seen her alive! | 1:09:34 | 1:09:37 | |
(Watching...) | 1:10:09 | 1:10:10 | |
Where are you going? | 1:10:14 | 1:10:16 | |
Dyfan Richard spent his life watching Alys. | 1:10:17 | 1:10:19 | |
Watching her every movement. | 1:10:19 | 1:10:22 | |
Why? | 1:10:22 | 1:10:23 | |
-You don't believe me? -I don't know what to believe. | 1:10:24 | 1:10:27 | |
You went up there on your own. | 1:10:30 | 1:10:32 | |
Did you sleep with her? | 1:10:35 | 1:10:36 | |
Did you? | 1:10:39 | 1:10:40 | |
Check the tape. | 1:10:44 | 1:10:45 | |
SIREN WAILS | 1:10:50 | 1:10:53 | |
Chwarae fe nol. | 1:11:02 | 1:11:03 | |
Dyfan Richard. | 1:11:08 | 1:11:09 | |
I can stand here for hours and never be bored. | 1:11:44 | 1:11:47 | |
There's so much out there. | 1:11:50 | 1:11:52 | |
She was your friend, wasn't she? | 1:11:55 | 1:11:57 | |
Alys. | 1:11:58 | 1:12:00 | |
I don't know. | 1:12:01 | 1:12:03 | |
I didn't know her. | 1:12:04 | 1:12:06 | |
Not really. | 1:12:07 | 1:12:08 | |
You've been lying to me, Dyfan. | 1:12:12 | 1:12:13 | |
Is that what you think? | 1:12:15 | 1:12:17 | |
I think you've been watching Alys the whole time you've lived here. | 1:12:17 | 1:12:21 | |
I think you've been watching the family. And me. | 1:12:21 | 1:12:25 | |
You've been watching me, too, haven't you, Dyfan? | 1:12:25 | 1:12:27 | |
Never a smile on those ruby red lips. | 1:12:31 | 1:12:35 | |
It was you who phoned Iwan, wasn't it? | 1:12:41 | 1:12:44 | |
Sent him up to the house. | 1:12:44 | 1:12:45 | |
I expected better from you. | 1:12:50 | 1:12:51 | |
Alys needed someone. Someone outside of it all. | 1:12:53 | 1:12:56 | |
Outside of her life. | 1:12:57 | 1:12:58 | |
Someone different she could talk to who wouldn't judge, | 1:13:00 | 1:13:03 | |
or harm... | 1:13:03 | 1:13:05 | |
or seek to influence her. | 1:13:05 | 1:13:07 | |
And that was you? | 1:13:07 | 1:13:08 | |
I probably needed the same. | 1:13:10 | 1:13:11 | |
Were you in love with her? | 1:13:11 | 1:13:14 | |
Ours was a friendship. Pure. | 1:13:14 | 1:13:18 | |
How could I harm a hair on her head? | 1:13:18 | 1:13:22 | |
She lit up my day. | 1:13:25 | 1:13:26 | |
And I hope somehow... | 1:13:27 | 1:13:29 | |
..I managed the same for her. | 1:13:30 | 1:13:32 | |
-Did you kill her? -No. | 1:13:32 | 1:13:35 | |
Did you need to silence her, Dyfan? | 1:13:36 | 1:13:38 | |
Did she become too much for you? | 1:13:38 | 1:13:40 | |
Did she threaten to tell? | 1:13:41 | 1:13:43 | |
I was prepared to ignore the rumours. | 1:13:43 | 1:13:45 | |
But they seem to be true. | 1:13:48 | 1:13:50 | |
You seem to possess a chequered past, Mr Mathias. | 1:13:50 | 1:13:53 | |
I like to take an interest in those who take an interest in me. | 1:13:55 | 1:13:58 | |
Apologies if I touched a raw nerve. | 1:14:01 | 1:14:03 | |
Wait, Dyfan! | 1:14:06 | 1:14:08 | |
Dyfan! | 1:14:08 | 1:14:10 | |
Where the hell have you been?! | 1:14:38 | 1:14:39 | |
Where I should've been since this investigation started. | 1:14:39 | 1:14:42 | |
-Have you questioned Wynford Rees again? -No. | 1:14:42 | 1:14:44 | |
-Why not? -Because despite being | 1:14:44 | 1:14:45 | |
the most frustrating senior officer I've ever worked with, | 1:14:45 | 1:14:48 | |
I think you might be right about Dyfan Richard. | 1:14:48 | 1:14:51 | |
We saw the tape, sir. | 1:14:52 | 1:14:55 | |
-I need to search Dyfan Richard's house. -What for? | 1:14:57 | 1:15:00 | |
He's lied to us. Alys was there. | 1:15:00 | 1:15:03 | |
It was Dyfan Richard that killed her, I'm sure of it. | 1:15:03 | 1:15:05 | |
We don't have any hard evidence. | 1:15:06 | 1:15:08 | |
All I want is to search the house. | 1:15:10 | 1:15:13 | |
He admits Alys was there, so we have grounds. | 1:15:13 | 1:15:16 | |
I'm not going to apply for a warrant on a hunch. No. | 1:15:16 | 1:15:20 | |
With consent. Get him to let you in. | 1:15:29 | 1:15:31 | |
If you find anything significant, | 1:15:31 | 1:15:33 | |
-then I'll back that up with a warrant. -It's him. | 1:15:33 | 1:15:35 | |
CONSTANT TICKING | 1:15:47 | 1:15:51 | |
What now? | 1:16:07 | 1:16:08 | |
We'd like you to come to the station so we can confirm a few details. | 1:16:08 | 1:16:11 | |
Helping the police with their enquires. | 1:16:11 | 1:16:13 | |
Something like that. | 1:16:14 | 1:16:16 | |
I'll need a solicitor. | 1:16:16 | 1:16:18 | |
Of course. | 1:16:19 | 1:16:20 | |
What do you do with all these models? | 1:16:30 | 1:16:33 | |
I don't see any miniature railway. | 1:16:33 | 1:16:35 | |
There was a break-in. | 1:16:38 | 1:16:39 | |
They smashed it all to pieces. | 1:16:41 | 1:16:42 | |
It was really upsetting for me. | 1:16:45 | 1:16:47 | |
Now I make models to order. | 1:16:49 | 1:16:51 | |
For others' pleasure. | 1:16:53 | 1:16:55 | |
Sir. | 1:17:01 | 1:17:03 | |
Nothing. The place is clean. | 1:17:10 | 1:17:12 | |
Go back to the station and tell Prosser. | 1:17:12 | 1:17:13 | |
If I'm wrong, I'll interview Wynford Rees on my return. | 1:17:13 | 1:17:17 | |
I don't think you're wrong, sir. | 1:17:21 | 1:17:23 | |
Just keep him as long you can, OK? | 1:17:34 | 1:17:36 | |
I'll do my best. | 1:17:36 | 1:17:38 | |
This is DCI Mathias. | 1:17:58 | 1:17:59 | |
-You said Dyfan Richard owed money to your father for building work? -That's right. | 1:18:02 | 1:18:06 | |
-When was this? -Two years ago. | 1:18:06 | 1:18:08 | |
How well do you know the building? | 1:18:08 | 1:18:11 | |
-Better than anyone else. Why? -Good. | 1:18:11 | 1:18:13 | |
-Come with me. -What about my brothers? | 1:18:13 | 1:18:17 | |
I'll take care of them. | 1:18:18 | 1:18:19 | |
-It's like a warren in there. -Is it? | 1:18:35 | 1:18:37 | |
Have we met before? | 1:18:40 | 1:18:42 | |
I thought you were stealing my horses. | 1:18:52 | 1:18:55 | |
I didn't meant to take the photograph. | 1:18:55 | 1:18:57 | |
I just wanted to find out who you were. | 1:18:57 | 1:19:00 | |
I didn't mean to hit you. | 1:19:00 | 1:19:02 | |
You didn't have to tell me that. | 1:19:04 | 1:19:06 | |
I know. | 1:19:06 | 1:19:07 | |
Does that make me stupid? | 1:19:10 | 1:19:11 | |
I hope not. | 1:19:13 | 1:19:15 | |
(But I'd like that photograph back.) | 1:19:18 | 1:19:20 | |
Deal. | 1:19:24 | 1:19:25 | |
I'm not what you think I am. | 1:19:36 | 1:19:38 | |
I know what love is. | 1:19:42 | 1:19:44 | |
What being close to someone feels like. | 1:19:46 | 1:19:48 | |
You need to charge me or let me go. | 1:20:02 | 1:20:06 | |
-Don't do that! -Why not? | 1:20:23 | 1:20:25 | |
What if someone calls the police? You haven't got a warrant! | 1:20:25 | 1:20:28 | |
Through here. | 1:20:35 | 1:20:37 | |
That's brilliant! | 1:22:17 | 1:22:18 | |
MOBILE RINGS | 1:22:57 | 1:22:59 | |
-Mared? -Not good news. We had to let him go. | 1:23:02 | 1:23:06 | |
'Prosser refused to hold him any longer. | 1:23:06 | 1:23:08 | |
'Listen, Tom, I'm really sorry. | 1:23:08 | 1:23:11 | |
'Tom? | 1:23:12 | 1:23:13 | |
'Tom?' | 1:23:15 | 1:23:16 | |
(Shit!) | 1:23:18 | 1:23:19 | |
Get him back on the phone! | 1:23:22 | 1:23:24 | |
Get a unit over to Gwen's place and another over to Dyfan Richard now! | 1:23:36 | 1:23:40 | |
We're on it. | 1:23:40 | 1:23:41 | |
Lloyd, with me, now! | 1:23:41 | 1:23:43 | |
PHONE RINGS | 1:23:43 | 1:23:45 | |
Come on, Gwen! Come on, pick up, please! | 1:23:50 | 1:23:53 | |
PHONE RINGS OUT | 1:23:54 | 1:23:56 | |
Gwen! | 1:24:08 | 1:24:10 | |
BIRDSONG | 1:24:20 | 1:24:23 | |
HE SOBS | 1:24:47 | 1:24:49 | |
HE BREATHES HARD | 1:25:35 | 1:25:38 | |
MATHIAS BREATHES HARD | 1:26:32 | 1:26:36 | |
DYFAN GASPS FOR BREATH | 1:27:22 | 1:27:25 | |
DYFAN COUGHS | 1:27:25 | 1:27:27 | |
DYFAN COUGHS | 1:27:46 | 1:27:49 | |
That night... | 1:27:56 | 1:27:57 | |
..Alys knocked on the door. | 1:28:00 | 1:28:02 | |
She'd lost her phone. | 1:28:04 | 1:28:05 | |
She couldn't get back into the hotel. | 1:28:09 | 1:28:11 | |
She was upset. | 1:28:16 | 1:28:18 | |
She'd missed the last train. | 1:28:20 | 1:28:21 | |
I...invited her in. | 1:28:24 | 1:28:27 | |
Said I'd phone a taxi. | 1:28:29 | 1:28:30 | |
I never meant to kill her. | 1:28:45 | 1:28:46 | |
She picked the model I'd made of her. | 1:28:51 | 1:28:53 | |
She started to talk to it. | 1:28:53 | 1:28:55 | |
Asking the model about me, about the "weirdo"...as she put it. | 1:28:56 | 1:29:00 | |
"What's it like living with a weirdo?" | 1:29:02 | 1:29:05 | |
I told her to stop. | 1:29:06 | 1:29:08 | |
She just laughed at me. | 1:29:10 | 1:29:11 | |
I held her. | 1:29:14 | 1:29:16 | |
Both arms...and asked her to stop. | 1:29:18 | 1:29:20 | |
She shrugged me off, told me where to go. | 1:29:20 | 1:29:24 | |
And then she fell. | 1:29:26 | 1:29:28 | |
Knocked her head against the table. | 1:29:30 | 1:29:32 | |
I heard her neck snap. | 1:29:35 | 1:29:37 | |
I wanted her to rest somewhere beautiful. | 1:29:40 | 1:29:43 | |
Somewhere where I could see her every day. | 1:29:44 | 1:29:48 | |
At the exact centre...of my world. | 1:29:49 | 1:29:53 | |
Here. | 1:29:58 | 1:29:59 | |
She looked so...beautiful. | 1:30:03 | 1:30:07 | |
Why Gwen? | 1:30:20 | 1:30:22 | |
Why did you do it? | 1:30:28 | 1:30:30 | |
She brought her sordid ways to this sacred place. | 1:30:30 | 1:30:33 | |
She should've been heartbroken. | 1:30:36 | 1:30:38 | |
But she took you to her bed. | 1:30:40 | 1:30:41 | |
I expected so much more of you. | 1:30:43 | 1:30:45 | |
You killed her daughter, Dyfan. | 1:30:47 | 1:30:49 | |
Hadn't you made her suffer enough? | 1:30:53 | 1:30:55 | |
They should never have had that little girl. | 1:30:55 | 1:30:58 | |
-She should've been with me. -Why? | 1:31:00 | 1:31:03 | |
Why in this world should she be with you? | 1:31:05 | 1:31:08 | |
Alys was my daughter. | 1:31:14 | 1:31:15 | |
Now all I want is to be with her. | 1:31:22 | 1:31:25 | |
I thought you were going to do it for me. | 1:31:34 | 1:31:36 | |
But it looks like I'm going to have to do it for myself. | 1:31:46 | 1:31:49 | |
No! | 1:31:49 | 1:31:51 | |
MOBILE RINGS | 1:31:59 | 1:32:01 | |
Where are you? | 1:32:03 | 1:32:05 | |
I'm in the marshes with Richard. I need an ambulance now! | 1:32:05 | 1:32:07 | |
Lloyd! | 1:32:07 | 1:32:09 | |
The ambulance is on its way! | 1:33:06 | 1:33:08 | |
Hey! | 1:33:08 | 1:33:10 | |
You OK? | 1:33:10 | 1:33:12 | |
Gwen died...because of me. | 1:33:13 | 1:33:16 | |
He's going to make it. | 1:33:23 | 1:33:25 | |
Tom? | 1:33:38 | 1:33:39 | |
Tom! | 1:33:44 | 1:33:46 |