
Browse content similar to Episode 4: Part 2. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Checked CCTV all along the route. She didn't go very far. | 0:00:02 | 0:00:05 | |
She was dead within an hour. Where did she go? | 0:00:05 | 0:00:08 | |
I want every inch of that platform searched. | 0:00:08 | 0:00:10 | |
There was a way about her. Ready with a smile. | 0:00:10 | 0:00:13 | |
I loved my daughter. | 0:00:13 | 0:00:14 | |
Alys was adopted? | 0:00:14 | 0:00:16 | |
We killed her! You and me, our own daughter! | 0:00:16 | 0:00:19 | |
There's another meaning, sir. The triskele design. | 0:00:19 | 0:00:21 | |
Mother, father, child. | 0:00:21 | 0:00:23 | |
I hate and I love. | 0:00:23 | 0:00:24 | |
The two people she loved the most. | 0:00:24 | 0:00:26 | |
Stop! | 0:00:26 | 0:00:28 | |
-Where were you Monday night, Mr Rees? -Here. | 0:00:29 | 0:00:31 | |
-Can anyone verify that? -I can. | 0:00:31 | 0:00:34 | |
You think he was down on the marshes? | 0:00:34 | 0:00:35 | |
It was Dean that killed Alys. | 0:00:35 | 0:00:37 | |
Alys was extraordinary. | 0:00:37 | 0:00:40 | |
Alys Thomas didn't love my husband. | 0:00:40 | 0:00:43 | |
WAVES CRASH | 0:00:51 | 0:00:54 | |
"They baptised her in the way that they did at the time | 0:00:56 | 0:00:58 | |
"and named her Blodeuwedd." | 0:00:58 | 0:01:01 | |
There's another reading to the Blodeuwedd myth, isn't there, Mr Rees? | 0:01:03 | 0:01:07 | |
It's not all virgins and flowers. | 0:01:07 | 0:01:10 | |
-She seduced me. -You were her teacher! | 0:01:12 | 0:01:15 | |
Blodeuwedd was created for the sole purpose of being the king's lover. | 0:01:20 | 0:01:23 | |
If she wasn't going to be his, she wasn't going to be anybody's. | 0:01:25 | 0:01:28 | |
And so she was condemned to an eternity of darkness and torment. | 0:01:28 | 0:01:32 | |
-Is that what you did to Alys? -No... | 0:01:32 | 0:01:35 | |
-That's not how it was. -How was it, then? | 0:01:35 | 0:01:38 | |
I was attracted to her. | 0:01:41 | 0:01:43 | |
Alys was everything I wasn't. | 0:01:44 | 0:01:47 | |
Brave. | 0:01:47 | 0:01:49 | |
Talented. | 0:01:49 | 0:01:50 | |
Fearless. | 0:01:51 | 0:01:52 | |
And when you took her out to the marshes, was she fearless then? | 0:01:52 | 0:01:56 | |
I didn't take her out there. | 0:01:56 | 0:01:58 | |
But you know where I'm talking about. | 0:01:58 | 0:02:00 | |
You know Borth. You were at the hotel. | 0:02:00 | 0:02:04 | |
The owner of the hotel, he heard shouting. | 0:02:04 | 0:02:07 | |
What were you rowing about? | 0:02:07 | 0:02:09 | |
I tried to end it. | 0:02:09 | 0:02:11 | |
Go on. | 0:02:11 | 0:02:12 | |
She phoned... | 0:02:13 | 0:02:15 | |
..demanding to see me... | 0:02:16 | 0:02:19 | |
threatening to come to the house. | 0:02:19 | 0:02:20 | |
She was going to confront my family. | 0:02:22 | 0:02:24 | |
So I agreed to meet her. | 0:02:26 | 0:02:27 | |
To tell her it was over? | 0:02:27 | 0:02:29 | |
-Yes. -Why? | 0:02:29 | 0:02:31 | |
Alys wasn't looking for a lover. | 0:02:34 | 0:02:36 | |
She was looking for a father. | 0:02:39 | 0:02:42 | |
Keep him in the cells. | 0:02:52 | 0:02:54 | |
Were there any other men in your daughter's life, | 0:04:04 | 0:04:06 | |
besides your husband? | 0:04:06 | 0:04:08 | |
Older men? Did she ever talk about her lecturer? | 0:04:11 | 0:04:14 | |
What about Dyfan Richard? | 0:04:18 | 0:04:19 | |
Does that name mean anything to you? | 0:04:19 | 0:04:22 | |
-Why are you asking? -What do you know about him? | 0:04:22 | 0:04:24 | |
Keeps himself to himself. | 0:04:26 | 0:04:28 | |
I've never had anything to do with him. | 0:04:28 | 0:04:30 | |
But you've seen him about? | 0:04:30 | 0:04:32 | |
Borth is a small place. | 0:04:32 | 0:04:33 | |
What happened to you? | 0:04:40 | 0:04:42 | |
Nothing. | 0:04:45 | 0:04:46 | |
GULLS CAW | 0:07:08 | 0:07:11 | |
WAVES CRASH | 0:07:48 | 0:07:51 | |
POIGNANT MUSIC | 0:09:48 | 0:09:50 | |
They're waiting for you. | 0:10:15 | 0:10:16 | |
After you. | 0:10:30 | 0:10:31 | |
I went up to the house. | 0:10:56 | 0:10:58 | |
I saw your car. | 0:10:58 | 0:11:00 | |
I respected you! | 0:11:00 | 0:11:02 | |
Maybe I was wrong to. | 0:11:02 | 0:11:04 | |
That's enough, Iwan! | 0:11:04 | 0:11:06 | |
Go home. | 0:11:08 | 0:11:09 | |
Tom, a word. | 0:11:11 | 0:11:12 | |
Yaaarrrggghhh! | 0:11:14 | 0:11:16 | |
You! You! It's you! | 0:11:16 | 0:11:19 | |
Take him down to the cell! | 0:11:19 | 0:11:21 | |
N-o-o-o-o-o-o! | 0:11:21 | 0:11:23 | |
Is that necessary, sir? | 0:11:23 | 0:11:25 | |
The man is grieving. He's lost his daughter, he's lost everything! | 0:11:25 | 0:11:29 | |
-I know him better than you do! -Sir? | 0:11:29 | 0:11:31 | |
Dyfan Richard complained about the family on the marsh | 0:11:34 | 0:11:36 | |
23 times in the last four months. | 0:11:36 | 0:11:38 | |
That's once every three days. | 0:11:38 | 0:11:40 | |
It's like he was watching them. | 0:11:40 | 0:11:41 | |
-I've got the phone records and reports. -Watching? | 0:11:41 | 0:11:44 | |
-What? -You said like he was watching them. | 0:11:44 | 0:11:46 | |
Yes. That's what it says in the report. Watching. | 0:11:46 | 0:11:48 | |
Tom, wait! | 0:11:53 | 0:11:54 | |
Wynford Rees is downstairs. | 0:11:55 | 0:11:57 | |
We have evidence, motive, a strong case. | 0:11:57 | 0:12:01 | |
He was with her that night. They fought, she stormed off. | 0:12:01 | 0:12:04 | |
He's the last known person to have seen her alive! | 0:12:04 | 0:12:06 | |
(Watching...) | 0:12:38 | 0:12:39 | |
Where are you going? | 0:12:43 | 0:12:45 | |
Dyfan Richard spent his life watching Alys. | 0:12:47 | 0:12:49 | |
Watching her every movement. | 0:12:49 | 0:12:51 | |
Why? | 0:12:51 | 0:12:52 | |
-You don't believe me? -I don't know what to believe. | 0:12:53 | 0:12:56 | |
You went up there on your own. | 0:12:59 | 0:13:01 | |
Did you sleep with her? | 0:13:04 | 0:13:06 | |
Did you? | 0:13:08 | 0:13:09 | |
Check the tape. | 0:13:13 | 0:13:15 | |
SIREN WAILS | 0:13:19 | 0:13:22 | |
Chwarae fe nol. | 0:13:31 | 0:13:33 | |
Dyfan Richard. | 0:13:37 | 0:13:39 | |
I can stand here for hours and never be bored. | 0:14:14 | 0:14:16 | |
There's so much out there. | 0:14:19 | 0:14:21 | |
She was your friend, wasn't she? | 0:14:24 | 0:14:26 | |
Alys. | 0:14:28 | 0:14:29 | |
I don't know. | 0:14:31 | 0:14:32 | |
I didn't know her. | 0:14:34 | 0:14:35 | |
Not really. | 0:14:36 | 0:14:38 | |
You've been lying to me, Dyfan. | 0:14:41 | 0:14:43 | |
Is that what you think? | 0:14:44 | 0:14:46 | |
I think you've been watching Alys the whole time you've lived here. | 0:14:46 | 0:14:50 | |
I think you've been watching the family. And me. | 0:14:50 | 0:14:54 | |
You've been watching me, too, haven't you, Dyfan? | 0:14:54 | 0:14:57 | |
Never a smile on those ruby red lips. | 0:15:00 | 0:15:05 | |
It was you who phoned Iwan, wasn't it? | 0:15:10 | 0:15:13 | |
Sent him up to the house. | 0:15:13 | 0:15:15 | |
I expected better from you. | 0:15:19 | 0:15:20 | |
Alys needed someone. Someone outside of it all. | 0:15:22 | 0:15:25 | |
Outside of her life. | 0:15:26 | 0:15:28 | |
Someone different she could talk to who wouldn't judge, | 0:15:29 | 0:15:32 | |
or harm... | 0:15:32 | 0:15:34 | |
or seek to influence her. | 0:15:34 | 0:15:36 | |
And that was you? | 0:15:36 | 0:15:38 | |
I probably needed the same. | 0:15:39 | 0:15:41 | |
Were you in love with her? | 0:15:41 | 0:15:43 | |
Ours was a friendship. Pure. | 0:15:43 | 0:15:47 | |
How could I harm a hair on her head? | 0:15:47 | 0:15:51 | |
She lit up my day. | 0:15:54 | 0:15:55 | |
And I hope somehow... | 0:15:56 | 0:15:58 | |
..I managed the same for her. | 0:15:59 | 0:16:01 | |
-Did you kill her? -No. | 0:16:01 | 0:16:04 | |
Did you need to silence her, Dyfan? | 0:16:05 | 0:16:07 | |
Did she become too much for you? | 0:16:07 | 0:16:09 | |
Did she threaten to tell? | 0:16:11 | 0:16:12 | |
I was prepared to ignore the rumours. | 0:16:12 | 0:16:15 | |
But they seem to be true. | 0:16:17 | 0:16:19 | |
You seem to possess a chequered past, Mr Mathias. | 0:16:19 | 0:16:23 | |
I like to take an interest in those who take an interest in me. | 0:16:24 | 0:16:27 | |
Apologies if I touched a raw nerve. | 0:16:30 | 0:16:33 | |
Wait, Dyfan! | 0:16:36 | 0:16:37 | |
Dyfan! | 0:16:37 | 0:16:39 | |
Where the hell have you been?! | 0:17:07 | 0:17:08 | |
Where I should've been since this investigation started. | 0:17:08 | 0:17:11 | |
-Have you questioned Wynford Rees again? -No. | 0:17:11 | 0:17:13 | |
-Why not? -Because despite being | 0:17:13 | 0:17:15 | |
the most frustrating senior officer I've ever worked with, | 0:17:15 | 0:17:17 | |
I think you might be right about Dyfan Richard. | 0:17:17 | 0:17:20 | |
We saw the tape, sir. | 0:17:22 | 0:17:24 | |
-I need to search Dyfan Richard's house. -What for? | 0:17:26 | 0:17:29 | |
He's lied to us. Alys was there. | 0:17:29 | 0:17:32 | |
It was Dyfan Richard that killed her, I'm sure of it. | 0:17:32 | 0:17:34 | |
We don't have any hard evidence. | 0:17:35 | 0:17:37 | |
All I want is to search the house. | 0:17:40 | 0:17:42 | |
He admits Alys was there, so we have grounds. | 0:17:42 | 0:17:46 | |
I'm not going to apply for a warrant on a hunch. No. | 0:17:46 | 0:17:49 | |
With consent. Get him to let you in. | 0:17:58 | 0:18:00 | |
If you find anything significant, | 0:18:00 | 0:18:02 | |
-then I'll back that up with a warrant. -It's him. | 0:18:02 | 0:18:04 | |
CONSTANT TICKING | 0:18:16 | 0:18:20 | |
What now? | 0:18:36 | 0:18:37 | |
We'd like you to come to the station so we can confirm a few details. | 0:18:37 | 0:18:41 | |
Helping the police with their enquires. | 0:18:41 | 0:18:42 | |
Something like that. | 0:18:43 | 0:18:45 | |
I'll need a solicitor. | 0:18:45 | 0:18:47 | |
Of course. | 0:18:48 | 0:18:49 | |
What do you do with all these models? | 0:19:00 | 0:19:03 | |
I don't see any miniature railway. | 0:19:03 | 0:19:04 | |
There was a break-in. | 0:19:07 | 0:19:08 | |
They smashed it all to pieces. | 0:19:10 | 0:19:12 | |
It was really upsetting for me. | 0:19:15 | 0:19:16 | |
Now I make models to order. | 0:19:18 | 0:19:20 | |
For others' pleasure. | 0:19:23 | 0:19:24 | |
Sir. | 0:19:31 | 0:19:32 | |
Nothing. The place is clean. | 0:19:39 | 0:19:41 | |
Go back to the station and tell Prosser. | 0:19:41 | 0:19:43 | |
If I'm wrong, I'll interview Wynford Rees on my return. | 0:19:43 | 0:19:46 | |
I don't think you're wrong, sir. | 0:19:50 | 0:19:52 | |
Just keep him as long you can, OK? | 0:20:04 | 0:20:06 | |
I'll do my best. | 0:20:06 | 0:20:07 | |
This is DCI Mathias. | 0:20:27 | 0:20:29 | |
-You said Dyfan Richard owed money to your father for building work? -That's right. | 0:20:32 | 0:20:35 | |
-When was this? -Two years ago. | 0:20:35 | 0:20:37 | |
How well do you know the building? | 0:20:37 | 0:20:40 | |
-Better than anyone else. Why? -Good. | 0:20:40 | 0:20:43 | |
-Come with me. -What about my brothers? | 0:20:43 | 0:20:46 | |
I'll take care of them. | 0:20:47 | 0:20:49 | |
-It's like a warren in there. -Is it? | 0:21:04 | 0:21:06 | |
Have we met before? | 0:21:10 | 0:21:11 | |
I thought you were stealing my horses. | 0:21:21 | 0:21:24 | |
I didn't meant to take the photograph. | 0:21:24 | 0:21:27 | |
I just wanted to find out who you were. | 0:21:27 | 0:21:30 | |
I didn't mean to hit you. | 0:21:30 | 0:21:31 | |
You didn't have to tell me that. | 0:21:33 | 0:21:35 | |
I know. | 0:21:35 | 0:21:37 | |
Does that make me stupid? | 0:21:39 | 0:21:41 | |
I hope not. | 0:21:43 | 0:21:44 | |
(But I'd like that photograph back.) | 0:21:47 | 0:21:49 | |
Deal. | 0:21:53 | 0:21:54 | |
I'm not what you think I am. | 0:22:06 | 0:22:08 | |
I know what love is. | 0:22:12 | 0:22:13 | |
What being close to someone feels like. | 0:22:15 | 0:22:17 | |
You need to charge me or let me go. | 0:22:32 | 0:22:35 | |
-Don't do that! -Why not? | 0:22:53 | 0:22:55 | |
What if someone calls the police? You haven't got a warrant! | 0:22:55 | 0:22:58 | |
Through here. | 0:23:05 | 0:23:06 | |
That's brilliant! | 0:24:46 | 0:24:47 | |
MOBILE RINGS | 0:25:26 | 0:25:29 | |
-Mared? -Not good news. We had to let him go. | 0:25:31 | 0:25:35 | |
'Prosser refused to hold him any longer. | 0:25:35 | 0:25:38 | |
'Listen, Tom, I'm really sorry. | 0:25:38 | 0:25:40 | |
'Tom? | 0:25:41 | 0:25:43 | |
'Tom?' | 0:25:44 | 0:25:45 | |
(Shit!) | 0:25:47 | 0:25:49 | |
Get him back on the phone! | 0:25:52 | 0:25:53 | |
Get a unit over to Gwen's place and another over to Dyfan Richard now! | 0:26:06 | 0:26:09 | |
We're on it. | 0:26:09 | 0:26:10 | |
Lloyd, with me, now! | 0:26:10 | 0:26:12 | |
PHONE RINGS | 0:26:12 | 0:26:15 | |
Come on, Gwen! Come on, pick up, please! | 0:26:19 | 0:26:22 | |
PHONE RINGS OUT | 0:26:24 | 0:26:25 | |
Gwen! | 0:26:37 | 0:26:39 | |
BIRDSONG | 0:26:49 | 0:26:53 | |
POIGNANT MUSIC | 0:27:08 | 0:27:10 | |
HE SOBS | 0:27:16 | 0:27:18 | |
HE BREATHES HARD | 0:28:04 | 0:28:07 | |
MATHIAS BREATHES HARD | 0:29:02 | 0:29:05 | |
DYFAN GASPS FOR BREATH | 0:29:51 | 0:29:54 | |
DYFAN COUGHS | 0:29:54 | 0:29:57 | |
DYFAN COUGHS | 0:30:15 | 0:30:18 | |
That night... | 0:30:25 | 0:30:27 | |
..Alys knocked on the door. | 0:30:29 | 0:30:31 | |
She'd lost her phone. | 0:30:33 | 0:30:35 | |
She couldn't get back into the hotel. | 0:30:39 | 0:30:41 | |
She was upset. | 0:30:45 | 0:30:47 | |
She'd missed the last train. | 0:30:49 | 0:30:51 | |
I...invited her in. | 0:30:53 | 0:30:56 | |
Said I'd phone a taxi. | 0:30:58 | 0:31:00 | |
I never meant to kill her. | 0:31:14 | 0:31:16 | |
She picked the model I'd made of her. | 0:31:20 | 0:31:22 | |
She started to talk to it. | 0:31:22 | 0:31:24 | |
Asking the model about me, about the "weirdo"...as she put it. | 0:31:25 | 0:31:29 | |
"What's it like living with a weirdo?" | 0:31:31 | 0:31:34 | |
I told her to stop. | 0:31:35 | 0:31:37 | |
She just laughed at me. | 0:31:39 | 0:31:41 | |
I held her. | 0:31:44 | 0:31:45 | |
Both arms...and asked her to stop. | 0:31:47 | 0:31:50 | |
She shrugged me off, told me where to go. | 0:31:50 | 0:31:53 | |
And then she fell. | 0:31:56 | 0:31:57 | |
Knocked her head against the table. | 0:32:00 | 0:32:01 | |
I heard her neck snap. | 0:32:04 | 0:32:06 | |
I wanted her to rest somewhere beautiful. | 0:32:09 | 0:32:12 | |
Somewhere where I could see her every day. | 0:32:14 | 0:32:17 | |
At the exact centre...of my world. | 0:32:18 | 0:32:22 | |
Here. | 0:32:27 | 0:32:29 | |
She looked so...beautiful. | 0:32:33 | 0:32:36 | |
Why Gwen? | 0:32:50 | 0:32:51 | |
Why did you do it? | 0:32:57 | 0:32:59 | |
She brought her sordid ways to this sacred place. | 0:32:59 | 0:33:02 | |
She should've been heartbroken. | 0:33:05 | 0:33:07 | |
But she took you to her bed. | 0:33:09 | 0:33:11 | |
I expected so much more of you. | 0:33:12 | 0:33:14 | |
You killed her daughter, Dyfan. | 0:33:16 | 0:33:19 | |
Hadn't you made her suffer enough? | 0:33:22 | 0:33:24 | |
They should never have had that little girl. | 0:33:24 | 0:33:27 | |
-She should've been with me. -Why? | 0:33:30 | 0:33:32 | |
Why in this world should she be with you? | 0:33:34 | 0:33:37 | |
Alys was my daughter. | 0:33:43 | 0:33:44 | |
Now all I want is to be with her. | 0:33:51 | 0:33:54 | |
I thought you were going to do it for me. | 0:34:03 | 0:34:06 | |
But it looks like I'm going to have to do it for myself. | 0:34:15 | 0:34:19 | |
No! | 0:34:19 | 0:34:20 | |
MOBILE RINGS | 0:34:28 | 0:34:30 | |
Where are you? | 0:34:33 | 0:34:34 | |
I'm in the marshes with Richard. I need an ambulance now! | 0:34:34 | 0:34:37 | |
Lloyd! | 0:34:37 | 0:34:39 | |
POIGNANT INSTRUMENTAL | 0:34:39 | 0:34:41 | |
The ambulance is on its way! | 0:35:36 | 0:35:38 | |
Hey! | 0:35:38 | 0:35:39 | |
You OK? | 0:35:39 | 0:35:41 | |
Gwen died...because of me. | 0:35:43 | 0:35:45 | |
He's going to make it. | 0:35:53 | 0:35:54 | |
Tom? | 0:36:07 | 0:36:08 | |
Tom! | 0:36:14 | 0:36:15 |