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Hers was the only body they never found. | 0:00:38 | 0:00:40 | |
But I still know they killed her. | 0:00:40 | 0:00:42 | |
-I tried to talk him out of it but he just wouldn't stop. -Where is she? | 0:00:42 | 0:00:45 | |
We took her home. | 0:00:45 | 0:00:47 | |
-She's gone into VF. -No resuss. | 0:00:47 | 0:00:50 | |
-But... -We stand by the advance directive. | 0:00:50 | 0:00:52 | |
-I leave you in charge for five minutes! -Nothing I could do. | 0:00:52 | 0:00:55 | |
We are about to find ourselves the centre of an unwelcome media frenzy. | 0:00:55 | 0:00:59 | |
-They've cancelled the search? -That's what they're saying. | 0:00:59 | 0:01:02 | |
They can't have searched properly. | 0:01:02 | 0:01:04 | |
-He suspended me! -Malick, calm down. | 0:01:05 | 0:01:08 | |
I won't lie for you. | 0:01:08 | 0:01:09 | |
Both you and I know what this is really about. | 0:01:09 | 0:01:11 | |
It'll be OK. Just tell the truth. | 0:01:24 | 0:01:27 | |
On the bright side, | 0:01:30 | 0:01:32 | |
if we can get through this, we can get through anything. | 0:01:32 | 0:01:34 | |
'Antoine Malick. He's the reason why I'm here today. | 0:01:36 | 0:01:39 | |
'I want justice, for me.' | 0:01:39 | 0:01:40 | |
For the first time in 12 years, this is not about Simone. | 0:01:40 | 0:01:44 | |
I'm not even here because that woman helped Thomas Sandwell | 0:01:44 | 0:01:48 | |
to bury my baby's body. | 0:01:48 | 0:01:50 | |
I'm here because I believe that Mr Malick stole from me | 0:01:50 | 0:01:53 | |
the last crumb of hope of ever finding my daughter's remains. | 0:01:53 | 0:01:56 | |
And I want the Coroner to recommend a criminal investigation into his actions. | 0:01:56 | 0:02:01 | |
If he helped Amanda Layton die unlawfully, | 0:02:01 | 0:02:04 | |
then he is guilty of manslaughter | 0:02:04 | 0:02:06 | |
Look, there's Malick! | 0:02:06 | 0:02:07 | |
-Mr Malick! Mr Malick! -REPORTERS ALL SHOUT | 0:02:07 | 0:02:10 | |
Mr Malick, one more question please! | 0:02:14 | 0:02:16 | |
Do you have any idea how much extra trouble | 0:02:21 | 0:02:23 | |
I could be in for not noticing you bunk off for a sneaky ciggie? | 0:02:23 | 0:02:26 | |
You're taking advantage, Trevor. Just like everyone else in my life today. | 0:02:26 | 0:02:30 | |
Like I don't have enough grief already. | 0:02:30 | 0:02:32 | |
Got bosses breathing down my neck, giving me the third degree. | 0:02:32 | 0:02:35 | |
And there he is... | 0:02:35 | 0:02:37 | |
Lord Snooty. | 0:02:37 | 0:02:39 | |
Isn't he just doing all he can to try and mount | 0:02:40 | 0:02:43 | |
every last filly in the stable before Mummy rings the dinner gong? | 0:02:43 | 0:02:48 | |
D'you know what, Trev? All I want is a nice, simple, stress-free day. | 0:02:49 | 0:02:55 | |
-CHOKED: -Help me! | 0:02:55 | 0:02:58 | |
Trevor! | 0:02:58 | 0:02:59 | |
Ow! Ow! Get...off me! | 0:03:01 | 0:03:05 | |
BUZZER | 0:03:11 | 0:03:13 | |
Dr Wilde? | 0:03:17 | 0:03:18 | |
Now, the Coroner has called each of us here today | 0:03:21 | 0:03:24 | |
to give evidence. Truth. | 0:03:24 | 0:03:27 | |
Facts. Professional opinion. | 0:03:27 | 0:03:30 | |
And I... | 0:03:30 | 0:03:32 | |
I expect absolute integrity from each of you, please. | 0:03:32 | 0:03:36 | |
Although this is not officially a trial, | 0:03:36 | 0:03:39 | |
make no mistake, Holby City Hospital is on trial today. | 0:03:39 | 0:03:42 | |
And the exact circumstances of Amanda Layton's death, | 0:03:42 | 0:03:45 | |
as determined by this inquest, could have serious implications for us all. | 0:03:45 | 0:03:49 | |
So you lost your patient while he was out "having a sneaky ciggie"? | 0:03:52 | 0:03:56 | |
I can't stop a patient from having a smoke. | 0:03:56 | 0:03:58 | |
No matter how bad it is. | 0:03:58 | 0:03:59 | |
Your tone. Your manner. | 0:04:00 | 0:04:02 | |
Your attitude, not what I expect from one of my doctors. | 0:04:02 | 0:04:06 | |
Maybe I got concussion. | 0:04:08 | 0:04:09 | |
-You think this is funny? -No. | 0:04:10 | 0:04:14 | |
I'm sorry. I didn't mean to... | 0:04:14 | 0:04:16 | |
Look around you. There are sick and vulnerable people here. | 0:04:16 | 0:04:19 | |
-They need us to be medical professionals. -I know. | 0:04:19 | 0:04:23 | |
You need to buck your ideas up. | 0:04:25 | 0:04:26 | |
There was no pact. There was no understanding. | 0:04:30 | 0:04:34 | |
-Only surgeon and patient. -I know, but I need to... | 0:04:34 | 0:04:36 | |
What I need is for you to explain yourself | 0:04:36 | 0:04:39 | |
very simply and clearly, Mr Malick. | 0:04:39 | 0:04:41 | |
You requested a psych consultation | 0:04:41 | 0:04:43 | |
but when there was no psych available, | 0:04:43 | 0:04:45 | |
having spent some time with the patient, | 0:04:45 | 0:04:48 | |
you felt, even though you suspected that Amanda Layton | 0:04:48 | 0:04:51 | |
had attempted to take her own life at a previous juncture, | 0:04:51 | 0:04:54 | |
she was of sound mind. | 0:04:54 | 0:04:56 | |
I understand. | 0:04:56 | 0:04:58 | |
To resuscitate her against the wishes of the advanced directive | 0:04:58 | 0:05:01 | |
would be tantamount to assault. Those are the facts, aren't they? | 0:05:01 | 0:05:04 | |
'All rise.' | 0:05:11 | 0:05:13 | |
Oyez, oyez, oyez. | 0:05:14 | 0:05:16 | |
All manner of persons who have anything to do at this court | 0:05:16 | 0:05:20 | |
before the Queen's Coroner for this county | 0:05:20 | 0:05:23 | |
touching the death of Amanda Layton draw near and give your attendance. | 0:05:23 | 0:05:28 | |
And if anyone can give evidence before our sovereign lady the Queen, | 0:05:28 | 0:05:32 | |
as to how, when, and by what means she came to her death, | 0:05:32 | 0:05:37 | |
let them come forth and they will be heard. | 0:05:37 | 0:05:40 | |
Heart shot. Very neat. | 0:06:00 | 0:06:02 | |
Probably instant. | 0:06:02 | 0:06:04 | |
Cool. | 0:06:05 | 0:06:07 | |
Five pointer. | 0:06:08 | 0:06:10 | |
Means he's old. | 0:06:10 | 0:06:12 | |
This guy would have already been driven out by young bucks. | 0:06:12 | 0:06:14 | |
It's broken. Think he's been fighting? | 0:06:16 | 0:06:19 | |
Oh, yeah! Every day. | 0:06:19 | 0:06:20 | |
Silly question, but don't you have a school to go to? | 0:06:22 | 0:06:24 | |
My mum works here. | 0:06:24 | 0:06:26 | |
Oh, yeah? What's her name? Maybe I know her. | 0:06:26 | 0:06:29 | |
You good people of our county are summoned here this day | 0:06:29 | 0:06:33 | |
to inquire for our sovereign how and by what means | 0:06:33 | 0:06:36 | |
a subject came to their death. | 0:06:36 | 0:06:38 | |
Who, when, where, how. | 0:06:38 | 0:06:41 | |
Oh, just before we commence, | 0:06:42 | 0:06:44 | |
a short house-keeping announcement. | 0:06:44 | 0:06:46 | |
With age comes wisdom | 0:06:46 | 0:06:48 | |
and the need to make slightly more frequent visits to the ladies. | 0:06:48 | 0:06:53 | |
But I'm sure the many recesses will help focus our minds | 0:06:53 | 0:06:56 | |
and make our speeches short. | 0:06:56 | 0:06:58 | |
Mr Hanssen, would you care to take the witness box? | 0:06:58 | 0:07:02 | |
"I swear by almighty God | 0:07:10 | 0:07:12 | |
"that the evidence I give shall be the truth, the whole truth | 0:07:12 | 0:07:15 | |
"and nothing but the truth." | 0:07:15 | 0:07:16 | |
Thank you. | 0:07:19 | 0:07:21 | |
Can I help you? | 0:07:23 | 0:07:24 | |
Doctor! | 0:07:26 | 0:07:27 | |
Are you OK? Are you hurt? | 0:07:30 | 0:07:33 | |
I need some help here! | 0:07:36 | 0:07:39 | |
-She's got a gun. -Stay back! -No. No! | 0:07:39 | 0:07:42 | |
-You need to let me get... -Let go! -No! | 0:07:42 | 0:07:45 | |
See? Told you I knew your mum. | 0:07:47 | 0:07:49 | |
An advanced directive, which is also sometimes known as a living will, | 0:07:50 | 0:07:54 | |
is just as it sounds. | 0:07:54 | 0:07:55 | |
The specific wants of a patient regarding the extent | 0:07:55 | 0:07:59 | |
of the treatment they wish to receive, or not receive, | 0:07:59 | 0:08:02 | |
at a point where they may no longer be able to communicate with medical staff. | 0:08:02 | 0:08:07 | |
Is it customary to do this, Mr Hanssen? | 0:08:07 | 0:08:09 | |
Her mother died a prolonged and painful death from breast cancer. | 0:08:10 | 0:08:14 | |
Amanda Layton had hereditary similarities. | 0:08:14 | 0:08:18 | |
Her directive was intended to remove | 0:08:18 | 0:08:20 | |
the potential to die in the same way. | 0:08:20 | 0:08:22 | |
But Mr Malick was not treating her for breast cancer. | 0:08:22 | 0:08:25 | |
No. There is a clause, however... may I read? | 0:08:25 | 0:08:29 | |
Oh, please. Edify us, Mr Hanssen. | 0:08:29 | 0:08:32 | |
-Thank you. -It says the AD shall cover | 0:08:34 | 0:08:38 | |
"Any other condition of comparable gravity." | 0:08:38 | 0:08:42 | |
And the stab injury was comparable? | 0:08:42 | 0:08:45 | |
The cardiac arrest and the hypovolemic shock | 0:08:45 | 0:08:48 | |
resulted in a medical state which was of comparable gravity. | 0:08:48 | 0:08:51 | |
And at this point, Mr Malick decided to withdraw treatment? | 0:08:51 | 0:08:55 | |
The AD stipulated no resuscitation. | 0:08:55 | 0:08:58 | |
So would the lack of resuscitation, | 0:08:58 | 0:09:01 | |
in your opinion, be a significant contributing factor to her death? | 0:09:01 | 0:09:05 | |
It would have been a factor, yes. | 0:09:07 | 0:09:10 | |
-A -factor? -Yes. | 0:09:10 | 0:09:13 | |
Are we to read anything into your translation of "significant" to "a"? | 0:09:13 | 0:09:16 | |
Only that the circumstances of her death, | 0:09:16 | 0:09:20 | |
of most hospital deaths, are complex. | 0:09:20 | 0:09:23 | |
I instructed Dr Wallbridge to conduct a post-mortem | 0:09:25 | 0:09:29 | |
and he gave the cause of death as multiple organ failure, | 0:09:29 | 0:09:32 | |
as a result of original major abdominal trauma. | 0:09:32 | 0:09:36 | |
Now, my question is, in your opinion, | 0:09:36 | 0:09:39 | |
did Mr Malick's decision, | 0:09:39 | 0:09:41 | |
based on the advance directive, contribute to her death? | 0:09:41 | 0:09:44 | |
I'm looking for a simple yes or no. | 0:09:49 | 0:09:50 | |
-Yes, possibly. -Thank you. | 0:09:54 | 0:09:56 | |
I need you to stay in here. Please, do NOT move. | 0:10:04 | 0:10:06 | |
Go on. | 0:10:06 | 0:10:08 | |
Finn... | 0:10:12 | 0:10:14 | |
-Mum...! -I love you. Go on. | 0:10:16 | 0:10:19 | |
I'll be back as soon as I can. | 0:10:19 | 0:10:20 | |
GENTLE SNORING | 0:10:25 | 0:10:26 | |
Gunshot wounds? | 0:10:43 | 0:10:45 | |
I was gored. By a buck. | 0:10:45 | 0:10:47 | |
-Deer antler wounds. -Nice! | 0:10:48 | 0:10:51 | |
Ah, Dr Wilde... | 0:10:54 | 0:10:55 | |
Dr Wilde. Good of you to join us. | 0:11:00 | 0:11:03 | |
Yeah. It's a 308 bolt action with wooden stock and scope. | 0:11:03 | 0:11:08 | |
Torn edges of the tissue will need debriding. Scissor-cut around them. | 0:11:08 | 0:11:12 | |
Freshen them up and then we'll pull the sides together | 0:11:12 | 0:11:15 | |
-before we suture. -Where's my phone? | 0:11:15 | 0:11:17 | |
-Just relax. -I want my phone. | 0:11:17 | 0:11:18 | |
Your knee seems very swollen. Did you fall on it? Twist it? | 0:11:18 | 0:11:23 | |
Ammo is in her pocket in a clip. How many rounds? | 0:11:24 | 0:11:28 | |
-Nine. -Nine. Yeah, she's fully conscious. | 0:11:28 | 0:11:30 | |
About to receive treatment and sutures. | 0:11:30 | 0:11:33 | |
OK. Pleasure talking to you. Oh, can I get your name? | 0:11:33 | 0:11:36 | |
Loretta? Lovely name. OK, pleasure talking to you. | 0:11:36 | 0:11:41 | |
-Bye for now, Loretta. Bye, bye, bye. -My phone. I do need it. | 0:11:41 | 0:11:44 | |
-We'll find it in a minute. -OK. As I thought, Emma's absolutely right. | 0:11:44 | 0:11:48 | |
Police advise her to keep the weapon until a firearms officer is available. | 0:11:48 | 0:11:52 | |
It's not likely to be soon, they're dealing with a major incident. | 0:11:52 | 0:11:54 | |
Don't suppose you have a gun licence, mate? | 0:11:54 | 0:11:56 | |
I'm just giving you a little local anaesthetic. | 0:11:56 | 0:11:59 | |
I don't want anaesthetic. | 0:11:59 | 0:12:01 | |
It's going to be excruciatingly painful, | 0:12:01 | 0:12:03 | |
-I strongly advise you to have it. -I don't want it. | 0:12:03 | 0:12:06 | |
They advise her to keep the rifle in a slip | 0:12:06 | 0:12:10 | |
-while she's in a public place. -A slip? | 0:12:10 | 0:12:12 | |
-Gun case. -It's in the back of my Land Rover. | 0:12:12 | 0:12:14 | |
I couldn't manage it with this. | 0:12:14 | 0:12:16 | |
I'm going to need to insert my index finger as deep as I can | 0:12:16 | 0:12:18 | |
into the biggest wound to check there's no peripheral damage. | 0:12:18 | 0:12:21 | |
Fine. Look, I'll feel what I'm meant to feel. | 0:12:21 | 0:12:25 | |
All right. Well, say stop at any time and we'll give you some local. | 0:12:25 | 0:12:29 | |
Look, I just want my phone. | 0:12:29 | 0:12:32 | |
-Seriously, it's going to hurt. -Well, then, get on with it! | 0:12:32 | 0:12:34 | |
Now, Mr Hanssen, tell us about the mental state one must be in | 0:12:39 | 0:12:43 | |
before one is considered fit to make an advance directive. | 0:12:43 | 0:12:47 | |
One would have to be deemed to be of sound mind. | 0:12:47 | 0:12:50 | |
And from the existing report, there seems to have been some doubt. | 0:12:51 | 0:12:55 | |
She may have been suicidal? | 0:12:55 | 0:12:57 | |
She was of sound mind when it was written, 18 months ago. | 0:12:57 | 0:13:00 | |
Were you there, Mr Hanssen? | 0:13:00 | 0:13:01 | |
I was not. | 0:13:02 | 0:13:04 | |
Normally, I give a witty speech about conjecture, vagueness | 0:13:04 | 0:13:07 | |
and supposition, but I think I'll just give the short version | 0:13:07 | 0:13:10 | |
and say, I will not stand for any of the above. | 0:13:10 | 0:13:12 | |
There are no guidelines for the use of a pre-existing AD | 0:13:13 | 0:13:17 | |
where suicidal tendencies may have been suspected. | 0:13:17 | 0:13:19 | |
It is a very grey area. | 0:13:19 | 0:13:21 | |
In my opinion no doctor should be punished for a failing of the law. | 0:13:22 | 0:13:25 | |
You said you could tell she was sane. | 0:13:30 | 0:13:32 | |
And the Coroner will say I'm a surgeon, not a shrink. | 0:13:32 | 0:13:35 | |
You withdrew the request because you were sure. | 0:13:35 | 0:13:37 | |
The fact I made the request at all... | 0:13:37 | 0:13:39 | |
Which they wouldn't even know about if Dominic hadn't said anything. | 0:13:39 | 0:13:43 | |
What is it with him? | 0:13:43 | 0:13:44 | |
Never seen anything like this before. | 0:13:46 | 0:13:49 | |
So a deer did this to you? | 0:13:49 | 0:13:51 | |
I made a schoolboy error. | 0:13:53 | 0:13:55 | |
I teach deer management. How many times have I said, | 0:13:57 | 0:14:01 | |
never approach a shot buck from the head end. | 0:14:01 | 0:14:04 | |
There's a high risk of infection. Have you had a tetanus jab | 0:14:04 | 0:14:07 | |
in the past six months? | 0:14:07 | 0:14:08 | |
This is my job. It's a health and safety requirement. | 0:14:08 | 0:14:12 | |
-You kill deer for a job? -Deer management. | 0:14:12 | 0:14:15 | |
Like Bambi sort of deer? | 0:14:15 | 0:14:16 | |
Mostly roe and fallow. | 0:14:16 | 0:14:18 | |
A few sika in the autumn. But they pass through. | 0:14:18 | 0:14:21 | |
-Don't hang around. -That's sick! | 0:14:21 | 0:14:23 | |
-Gemma... -Why would you do that? | 0:14:23 | 0:14:26 | |
Have you have any idea what damage they do to that woodland? | 0:14:26 | 0:14:28 | |
-Damage? They're deer, not vandals. -That's enough, Dr Wilde. | 0:14:28 | 0:14:32 | |
We just got a call from your son's school. I'm really sorry. | 0:14:33 | 0:14:36 | |
He's gone missing. | 0:14:36 | 0:14:38 | |
OK. That's it, stop what you're doing. Off you go, now. | 0:14:38 | 0:14:41 | |
Um... Yeah, actually... | 0:14:41 | 0:14:43 | |
..he's in the visitor's room. He bunked off. | 0:14:46 | 0:14:48 | |
-He came here, it's... -Your son? How old is he? | 0:14:48 | 0:14:52 | |
School are about to call the police. | 0:14:52 | 0:14:55 | |
He's eight. He's going through a phase. | 0:14:55 | 0:14:59 | |
It's OK, Old Joe's in there, Mr Wilson. He's fine. | 0:14:59 | 0:15:01 | |
Your eight-year-old son is on my ward, unattended? | 0:15:01 | 0:15:04 | |
It's not a problem. As soon as we're done here I'll call his gran, | 0:15:04 | 0:15:07 | |
she'll come in and pick him up. | 0:15:07 | 0:15:09 | |
No, you'll call her now. | 0:15:09 | 0:15:10 | |
-Dr Tressler, I need you to take over. -Of course. | 0:15:10 | 0:15:12 | |
-He has to understand what he's done. -Susannah, don't... | 0:15:17 | 0:15:19 | |
You proud of yourself? | 0:15:19 | 0:15:21 | |
Don't engage with her, Mr Malick. She wants a scene. | 0:15:21 | 0:15:23 | |
-Don't get involved. -Amanda Layton was the last living connection to Simone. | 0:15:23 | 0:15:26 | |
The only hope I had of finding her remains. | 0:15:26 | 0:15:28 | |
-I'm sorry... -Mr Malick! | 0:15:28 | 0:15:29 | |
While she was alive, so was a part of Simone. And you... | 0:15:29 | 0:15:33 | |
you broke that connection. You've left me with nothing. | 0:15:33 | 0:15:36 | |
-You think I don't think about you every day? -Do not do this! | 0:15:36 | 0:15:39 | |
-I play it over and over in my... -You destroyed the only chance I had of bringing her home. | 0:15:39 | 0:15:43 | |
This is neither the time nor the place, thank you. | 0:15:43 | 0:15:45 | |
SHE SOBS | 0:15:45 | 0:15:46 | |
Mum, please. | 0:15:55 | 0:15:57 | |
Can't you cancel it? | 0:16:00 | 0:16:01 | |
No, cos if I send him back to school he's only going to end up back here! | 0:16:03 | 0:16:06 | |
OK, d'you know what, fine. I will find someone else to pick him up. | 0:16:08 | 0:16:12 | |
Mr Griffin, it's all sorted. | 0:16:15 | 0:16:17 | |
-He's off the premises? -Mm-hmm. | 0:16:17 | 0:16:19 | |
Yep, my mum came straight away. She dotes on her grandson. | 0:16:19 | 0:16:22 | |
So, I am 100% yours. | 0:16:22 | 0:16:24 | |
Now. Today. All day. | 0:16:24 | 0:16:26 | |
Good. | 0:16:26 | 0:16:27 | |
Now, until a licensed firearms officer's found, | 0:16:27 | 0:16:31 | |
I want you to stay with Emma Claydon. Is that understood? | 0:16:31 | 0:16:34 | |
-OK. -I'll be sending her down for an MRI. | 0:16:34 | 0:16:37 | |
I want you to go down with her and stay with her, | 0:16:37 | 0:16:40 | |
do not let that gun out of your sight. | 0:16:40 | 0:16:42 | |
When I get a window, I'll aspirate her hemarthrosis. | 0:16:42 | 0:16:45 | |
Oh, I would love to assist on...that... | 0:16:45 | 0:16:47 | |
I'm going on a break. | 0:16:53 | 0:16:55 | |
Want me to bring you a cappuccino to sip while you ride shotgun? | 0:16:55 | 0:16:58 | |
-I really need to ask you a favour. -No way. -Please? -No! | 0:16:58 | 0:17:01 | |
-I wouldn't ask... -And thrice no. | 0:17:01 | 0:17:03 | |
I will owe you. Massively. | 0:17:03 | 0:17:06 | |
There you go. | 0:17:11 | 0:17:12 | |
Been fighting? | 0:17:14 | 0:17:15 | |
No. Can I play with your phone? | 0:17:16 | 0:17:19 | |
No. | 0:17:19 | 0:17:20 | |
So, tell me about your dad. | 0:17:20 | 0:17:22 | |
You got Mission Assassin on that? | 0:17:22 | 0:17:24 | |
-What's your dad's story? -He's an astronaut. | 0:17:24 | 0:17:26 | |
-Seriously. -We don't talk about him. | 0:17:27 | 0:17:30 | |
-Boyfriends? -Nan says mum always picks rotten eggs. | 0:17:32 | 0:17:36 | |
Mum liking her new job? | 0:17:36 | 0:17:37 | |
She says her boss is a... | 0:17:37 | 0:17:39 | |
..sanctimonious jerk. | 0:17:40 | 0:17:42 | |
-HE CHUCKLES -You're funny. | 0:17:42 | 0:17:44 | |
Are you posh? | 0:17:45 | 0:17:47 | |
Mmm...depends what you mean by... | 0:17:48 | 0:17:50 | |
-Mum says she works with Lord Snooty. Is that you? -No! | 0:17:50 | 0:17:55 | |
Can I play with your phone? | 0:17:56 | 0:17:58 | |
Knock yourself out. | 0:17:59 | 0:18:00 | |
Malick, I'm sorry. | 0:18:12 | 0:18:13 | |
When...when I told Hanssen about the psych call, | 0:18:15 | 0:18:20 | |
I didn't realise how much trouble it would cause. | 0:18:20 | 0:18:23 | |
I was hurt. You know? | 0:18:27 | 0:18:29 | |
It's confusing, me and you. | 0:18:31 | 0:18:34 | |
One minute you're ripping my jeans off | 0:18:36 | 0:18:38 | |
and the next you're cold... scary, boss man... | 0:18:38 | 0:18:44 | |
Malick, that night... | 0:18:48 | 0:18:50 | |
..was so hot, so... | 0:18:52 | 0:18:54 | |
You're sorry? And now you want to help me?! | 0:18:56 | 0:18:59 | |
I'll do anything. I'll lie for you. | 0:18:59 | 0:19:01 | |
-Tell me one thing. Was I wrong? -What?! | 0:19:01 | 0:19:04 | |
Amanda Layton, was she being straight, or was she playing me? | 0:19:04 | 0:19:08 | |
-Playing you? -To get me to agree to action her wishes. | 0:19:08 | 0:19:12 | |
-Did you believe her? -Yes. | 0:19:12 | 0:19:14 | |
-Did you believe she was telling us the truth? -Yes! | 0:19:14 | 0:19:17 | |
If you want me to go to the Coroner and say that I... | 0:19:21 | 0:19:24 | |
You... | 0:19:33 | 0:19:34 | |
You stay away from him. | 0:19:35 | 0:19:37 | |
No, no, no, no. Of course not. | 0:19:50 | 0:19:52 | |
Vanessa... Yeah, see, that's what I was saying. | 0:19:53 | 0:19:57 | |
Well, if you're at home anyway, then Finn can just... | 0:19:57 | 0:19:59 | |
Yeah. | 0:20:04 | 0:20:05 | |
Yeah. No, no. It's understood. | 0:20:06 | 0:20:10 | |
Yeah, no worries. | 0:20:10 | 0:20:11 | |
-Single mother? -Yeah. Why? -It must be hard. | 0:20:13 | 0:20:18 | |
-Well, I've never claimed benefits if that's what you're asking. -I wasn't. | 0:20:19 | 0:20:24 | |
Sorry. I just get a bit defensive when it comes to my son. | 0:20:25 | 0:20:28 | |
-Don't we all? -Single mums get a lot of stick. | 0:20:28 | 0:20:31 | |
Tell me about it. | 0:20:31 | 0:20:33 | |
So, these deer. | 0:20:35 | 0:20:38 | |
What do you do with them once you've killed them? | 0:20:38 | 0:20:41 | |
Sell them to butchers. | 0:20:41 | 0:20:42 | |
-What, you don't eat meat? -No. Well, only chicken. | 0:20:44 | 0:20:48 | |
And a kebab sometimes, if I'm drunk. | 0:20:48 | 0:20:50 | |
-Well, what's chicken if it's not meat? -I buy free range. | 0:20:50 | 0:20:54 | |
Well, a deer's free range. And organic. Fat free, no additives. | 0:20:54 | 0:20:58 | |
It's had a perfect, natural, full-term life. How is that bad? | 0:20:59 | 0:21:03 | |
Cos you killed a wild animal. | 0:21:03 | 0:21:05 | |
Shot through the heart. High velocity rifle. | 0:21:05 | 0:21:08 | |
You think your chicken died a quicker death? | 0:21:08 | 0:21:10 | |
Why did it stab you, then? | 0:21:10 | 0:21:11 | |
It was just an involuntary muscle spasm. | 0:21:11 | 0:21:13 | |
-I was standing in the wrong place. -Yeah, or it was bad karma. | 0:21:13 | 0:21:16 | |
PHONE RINGS | 0:21:16 | 0:21:18 | |
Mikey. Hi, yeah. Did you get my message? | 0:21:19 | 0:21:22 | |
The reception in here is terrible. | 0:21:25 | 0:21:28 | |
You shouldn't be using your mobile on the ward. | 0:21:28 | 0:21:30 | |
Yes, that would be amazing. | 0:21:30 | 0:21:32 | |
OK. | 0:21:32 | 0:21:34 | |
GAME SOUND EFFECTS ON PHONE | 0:21:36 | 0:21:38 | |
PHONE RINGS | 0:21:41 | 0:21:43 | |
-Who's Germa? -It's your mum. | 0:21:43 | 0:21:45 | |
-Germa? -My little joke. Answer it. | 0:21:45 | 0:21:47 | |
-No! -Answer it! It's your mum. It's you she wants to talk to. | 0:21:47 | 0:21:50 | |
-She's worried about you. -No. | 0:21:50 | 0:21:52 | |
Hey! | 0:21:52 | 0:21:53 | |
You better be telling me | 0:21:58 | 0:22:00 | |
you're going to be here in less than one minute. | 0:22:00 | 0:22:03 | |
OK, he's got nine minutes 35 seconds to get here, and then I'm walking. | 0:22:03 | 0:22:07 | |
-Big news. -Can I have the phone back? My game's on pause. | 0:22:09 | 0:22:13 | |
Aaron's dad Mikey is picking you up. Lucky man. | 0:22:13 | 0:22:16 | |
So you get to spend the day at Aaron's house till your mum gets off work. | 0:22:16 | 0:22:20 | |
I'm going to go and take a leak. Don't move. | 0:22:20 | 0:22:22 | |
She was hypotensive 90/60, raised pulse 85, | 0:22:26 | 0:22:31 | |
slightly raised temperature and tachycardic. | 0:22:31 | 0:22:34 | |
You had a very sick woman in your care, Mr Malick. | 0:22:34 | 0:22:36 | |
You've been very clear about that. | 0:22:36 | 0:22:38 | |
And at one point, which you identify as 23.09, | 0:22:38 | 0:22:41 | |
you made a decision not to resuscitate. | 0:22:41 | 0:22:44 | |
You were the last person to exchange words with Amanda Layton? | 0:22:46 | 0:22:50 | |
Yes. | 0:22:50 | 0:22:52 | |
When she told you she had taken Simone Harris's body home. | 0:22:52 | 0:22:56 | |
Indeed, you had many conversations with her that day. | 0:22:56 | 0:22:59 | |
You based your judgement of her state of mind on these conversations. | 0:22:59 | 0:23:03 | |
So why make a request for psychiatric referral and then cancel it? | 0:23:03 | 0:23:07 | |
-I changed my mind. -About her state of mind? | 0:23:08 | 0:23:11 | |
Because of what she said, or how she said it? | 0:23:12 | 0:23:15 | |
I thought... | 0:23:17 | 0:23:18 | |
I felt she was...sane and genuine. | 0:23:20 | 0:23:26 | |
Genuine? | 0:23:26 | 0:23:27 | |
I trusted what she had to say. | 0:23:27 | 0:23:29 | |
He trusted her?! | 0:23:29 | 0:23:31 | |
-Mrs Harris, please... -He gave her a mercy killing! | 0:23:31 | 0:23:34 | |
-I didn't. I... -He let that monster die a painless death. | 0:23:34 | 0:23:37 | |
My Simone died in agony. | 0:23:37 | 0:23:39 | |
Sit down, Mrs Harris, or I will have you removed. | 0:23:39 | 0:23:43 | |
She buried my baby. | 0:23:43 | 0:23:44 | |
-I was trying to help you. -How dare you?! | 0:23:44 | 0:23:46 | |
Mrs Harris! As a mother, I have huge sympathy for your situation. | 0:23:46 | 0:23:52 | |
But as a Coroner, I cannot and will not tolerate these outbursts. | 0:23:52 | 0:23:56 | |
Sit quietly or you will be removed permanently. | 0:23:58 | 0:24:01 | |
I'll be quiet. | 0:24:01 | 0:24:02 | |
Mr Malick. You trusted what she said. | 0:24:08 | 0:24:12 | |
You formed a bond with Amanda, you believed in her sanity. | 0:24:12 | 0:24:16 | |
And then she told you the whereabouts of Simone Harris's remains. | 0:24:16 | 0:24:22 | |
Yes. | 0:24:24 | 0:24:25 | |
I must advise you of Rule 22 of the Coroner's rules. | 0:24:25 | 0:24:29 | |
It's your right not to answer a question which might incriminate you. | 0:24:29 | 0:24:33 | |
However, I ask you to consider the next question very carefully. | 0:24:33 | 0:24:36 | |
In your exchange, your conversation, your bond... | 0:24:36 | 0:24:40 | |
..was there a quid pro quo? A pact? | 0:24:42 | 0:24:44 | |
Did you overlook your original request for a psych referral | 0:24:44 | 0:24:49 | |
and honour her living will, | 0:24:49 | 0:24:52 | |
because you could see how much this mother had already suffered? | 0:24:52 | 0:24:55 | |
And out of a sense of kindness, | 0:24:56 | 0:24:58 | |
you wanted to put her out of her misery | 0:24:58 | 0:25:00 | |
by helping her find her daughter's remains, at last? | 0:25:00 | 0:25:03 | |
I ask you to consider your answer very carefully, because if you did, | 0:25:03 | 0:25:08 | |
I will have no hesitation in referring your case to the CPS | 0:25:08 | 0:25:11 | |
and you could be facing criminal charges. | 0:25:11 | 0:25:13 | |
I decided that any potential concerns I had | 0:25:18 | 0:25:21 | |
regarding whether the patient had made an attempt to take her own life | 0:25:21 | 0:25:25 | |
were unfounded. | 0:25:25 | 0:25:27 | |
I believed her to be of sound mind, | 0:25:27 | 0:25:29 | |
therefore it was appropriate to honour the advance directive. | 0:25:29 | 0:25:33 | |
The information she gave me | 0:25:34 | 0:25:36 | |
regarding Simone Harris did not alter my medical opinion. | 0:25:36 | 0:25:39 | |
Excuse me, | 0:26:01 | 0:26:02 | |
have you seen the boy I was sitting with about five minutes ago? | 0:26:02 | 0:26:05 | |
About this high, eight or nine years old? Dark hair? | 0:26:05 | 0:26:08 | |
-No, I haven't seen him. -Really?! | 0:26:08 | 0:26:10 | |
No! | 0:26:12 | 0:26:14 | |
Do you know what a Tesla magnetic field is? | 0:26:16 | 0:26:18 | |
I'm not letting it out of my sight! | 0:26:18 | 0:26:20 | |
Look, this is a massive magnet. MRI - magnetic resonance imaging. | 0:26:21 | 0:26:28 | |
Anything in there made of metal is going to fly across the room | 0:26:28 | 0:26:31 | |
and stick to the magnet. | 0:26:31 | 0:26:33 | |
Make the machine go wonky. Very dangerous. | 0:26:33 | 0:26:35 | |
So you really can't keep... | 0:26:37 | 0:26:38 | |
I'm not letting it out of my sight! | 0:26:38 | 0:26:41 | |
-The phone rings, I need to know immediately. -Yeah, yeah... | 0:26:47 | 0:26:50 | |
Susannah doesn't understand I was trying to help her. | 0:27:13 | 0:27:16 | |
Susannah Harris is full of hate. | 0:27:16 | 0:27:18 | |
Hate that she felt for Amanda. | 0:27:18 | 0:27:20 | |
The more you try to defend the decision to let Amanda die, | 0:27:20 | 0:27:23 | |
the more you become a magnet for that hate. | 0:27:23 | 0:27:26 | |
Especially as it looks as if Amanda manipulated you. | 0:27:26 | 0:27:29 | |
Is that what you think? | 0:27:29 | 0:27:30 | |
No, that is what SHE thinks. | 0:27:30 | 0:27:32 | |
I'm trying to defend what I believe. She was telling me the truth. | 0:27:32 | 0:27:36 | |
I trusted her. | 0:27:37 | 0:27:38 | |
This is who you trusted. | 0:27:40 | 0:27:42 | |
Throwing your reputation away because of her. | 0:27:43 | 0:27:46 | |
And maybe our future too. | 0:27:46 | 0:27:48 | |
Nathan... | 0:27:51 | 0:27:53 | |
I bought a trampoline. | 0:27:53 | 0:27:55 | |
-Sorry, a... -Trampoline. Bought one. | 0:27:55 | 0:27:58 | |
The day before I was assigned the Thomas Sandwell murders. | 0:27:58 | 0:28:01 | |
For the back garden. For my kids to bounce on. | 0:28:01 | 0:28:05 | |
Self-assembly. Complicated thing. I said I'd start it at the weekend. | 0:28:05 | 0:28:10 | |
-I'm sorry, I don't see how that... -Still wasn't started six years later | 0:28:10 | 0:28:14 | |
when my wife sold our house in the divorce. | 0:28:14 | 0:28:17 | |
That's very, er... | 0:28:17 | 0:28:18 | |
Sandwell and Layton got under my skin. | 0:28:20 | 0:28:23 | |
-Like she got under yours. -She didn't. I believed what... | 0:28:23 | 0:28:28 | |
I believed I could find Simone's body. | 0:28:28 | 0:28:30 | |
I believed I could get Sandwell and Layton to talk. | 0:28:30 | 0:28:33 | |
Cost me my marriage. My kids. | 0:28:34 | 0:28:38 | |
My reputation. | 0:28:39 | 0:28:40 | |
You searched her house, yeah? | 0:28:41 | 0:28:43 | |
Brick by brick. Board by board. Every inch of the garden. | 0:28:43 | 0:28:46 | |
She didn't take her home. | 0:28:46 | 0:28:48 | |
But she said...on her death-bed. | 0:28:49 | 0:28:53 | |
With her last breath! | 0:28:53 | 0:28:54 | |
Don't do it, son. Don't chuck your future away. | 0:28:54 | 0:28:58 | |
There's no signal down here. | 0:29:05 | 0:29:07 | |
Yeah, we're in a basement. | 0:29:07 | 0:29:09 | |
How long was there no signal? | 0:29:09 | 0:29:11 | |
What is it about this phone? | 0:29:11 | 0:29:12 | |
I get the gun, you need it. You lose your licence, no job. | 0:29:12 | 0:29:15 | |
-But the phone... -It's my son. | 0:29:15 | 0:29:16 | |
-Thank God! -What? -Have you... -Where's Finn? -..seen Finn? | 0:29:16 | 0:29:19 | |
-Where is he? -You haven't got him? -He's with you. | 0:29:19 | 0:29:21 | |
-He was! He bolted. -What?! | 0:29:21 | 0:29:23 | |
-Disappeared on me. -When? How?! | 0:29:23 | 0:29:25 | |
Gone. Schoom. No sign. | 0:29:25 | 0:29:26 | |
You lost him?! | 0:29:26 | 0:29:28 | |
Wait a minute, he's got my phone. | 0:29:28 | 0:29:29 | |
-You are the most selfish streak... -Ring it! | 0:29:29 | 0:29:32 | |
You are a child, do you know that? | 0:29:37 | 0:29:39 | |
Ohh! No signal! | 0:29:43 | 0:29:45 | |
Malick? | 0:29:52 | 0:29:54 | |
Amanda Layton - she got delivered a bunch of blue flowers, remember? | 0:29:54 | 0:29:58 | |
Forget-me-nots. | 0:29:58 | 0:30:00 | |
'We thought it was weird. Why would anyone send HER flowers?' | 0:30:01 | 0:30:04 | |
What happened to them? | 0:30:04 | 0:30:05 | |
They died, we threw them away. | 0:30:05 | 0:30:07 | |
Damn it. | 0:30:07 | 0:30:09 | |
I kept the card, though. With her effects. | 0:30:09 | 0:30:11 | |
-You kept it? -In patients' lost-and-found. I thought the prison might want it, but no-one's... | 0:30:11 | 0:30:15 | |
Channers, I need the name on the card. | 0:30:15 | 0:30:18 | |
Now, Mr Malick, please. | 0:30:18 | 0:30:20 | |
Text me. | 0:30:20 | 0:30:22 | |
OK. | 0:30:22 | 0:30:23 | |
MOBILE RINGS | 0:30:28 | 0:30:32 | |
It keeps going to voicemail! | 0:30:36 | 0:30:38 | |
He knows it's you. Caller ID? | 0:30:38 | 0:30:40 | |
-So? -Well, he wasn't exactly keen to speak to you earlier. | 0:30:40 | 0:30:43 | |
He keeps doing this to me. He knows it scares me. | 0:30:45 | 0:30:48 | |
I just don't understand why he won't talk to me. | 0:30:48 | 0:30:50 | |
I looked around Reception, Relatives' Room, the Pulses... | 0:30:50 | 0:30:54 | |
Toilets? | 0:30:54 | 0:30:55 | |
Yeah. Look, he's just vanished. | 0:30:55 | 0:30:57 | |
Let's go together, grab Security, do a proper search. | 0:30:57 | 0:31:00 | |
Mr Griffin said I can't leave Emma until the gun's gone. | 0:31:00 | 0:31:03 | |
God, tell him the truth! Tell him you've lost your little boy! | 0:31:03 | 0:31:06 | |
I already told him he'd been collected by my mum. | 0:31:06 | 0:31:09 | |
Well, then you are well and truly... | 0:31:09 | 0:31:11 | |
Well, I'll come. | 0:31:11 | 0:31:13 | |
-What? -With you. | 0:31:14 | 0:31:16 | |
Take me with you to search. I don't mind. I'd like to. | 0:31:16 | 0:31:19 | |
Mr Griffin wants you back on the ward. | 0:31:19 | 0:31:21 | |
I'm fine. Tell him there's a queue at the scanner. | 0:31:21 | 0:31:25 | |
Good idea - buys us some time. | 0:31:25 | 0:31:27 | |
Why? Why would you want to help me? | 0:31:27 | 0:31:30 | |
Oh, for God's sake, take the big fat chip off your shoulder, for five minutes. | 0:31:30 | 0:31:33 | |
Because I'm a mum. And, if it were my son... | 0:31:33 | 0:31:36 | |
OK. | 0:31:38 | 0:31:39 | |
Thank you. | 0:31:39 | 0:31:41 | |
I want my phone back. | 0:31:41 | 0:31:43 | |
I assisted Mr Malick all through that day... | 0:31:43 | 0:31:46 | |
as I had many times before. | 0:31:46 | 0:31:49 | |
We often worked very closely together. | 0:31:49 | 0:31:51 | |
And you were witness to all her treatment? | 0:31:51 | 0:31:53 | |
All of it. | 0:31:55 | 0:31:57 | |
I was pretty much by his side 24/7. | 0:31:57 | 0:32:00 | |
You made the call to the psychiatric consultant at Mr Malick's request. | 0:32:00 | 0:32:05 | |
I made that call, yes. | 0:32:05 | 0:32:07 | |
But on HIS request? | 0:32:07 | 0:32:09 | |
I wanted to let the Psychiatric Team know that they might be needed. | 0:32:10 | 0:32:14 | |
I'm asking specifically - | 0:32:16 | 0:32:17 | |
did Mr Malick feel the psychiatric assessment was needed, | 0:32:17 | 0:32:21 | |
and therefore did he specifically request YOU make the call? | 0:32:21 | 0:32:25 | |
I'm waiting for your answer, Dr Copeland. | 0:32:29 | 0:32:31 | |
Yes. | 0:32:33 | 0:32:35 | |
Yes, he did. | 0:32:35 | 0:32:36 | |
He asked for the psych referral | 0:32:37 | 0:32:39 | |
because he was worried about her state of mind. | 0:32:39 | 0:32:43 | |
Check the on-call room. | 0:32:56 | 0:32:58 | |
Finn! The locker room. | 0:32:58 | 0:33:01 | |
Finn! Finn! | 0:33:02 | 0:33:05 | |
LOCKER DOORS BANG | 0:33:05 | 0:33:08 | |
-Can I check your dressing? -No, really, I'm fine, honestly. | 0:33:08 | 0:33:12 | |
-You still looking for your wee boy? -Yes! -About yea high, brown hair? | 0:33:12 | 0:33:16 | |
-He's outside. -Oh! | 0:33:16 | 0:33:17 | |
-Yeah, he's in an ambulance. -What?! | 0:33:19 | 0:33:21 | |
Oh, no, no. I didn't mean, er... | 0:33:21 | 0:33:23 | |
-POLICEMAN: -I don't know what to do. He's locked himself in. | 0:33:25 | 0:33:27 | |
He's playing his game on his phone, he won't open the door... | 0:33:27 | 0:33:30 | |
Finn. | 0:33:30 | 0:33:32 | |
Finn. | 0:33:32 | 0:33:34 | |
Will you open this? | 0:33:34 | 0:33:36 | |
No. The keys are in there. | 0:33:36 | 0:33:38 | |
-Well, you have a spare? -No. | 0:33:38 | 0:33:40 | |
Finn. | 0:33:41 | 0:33:43 | |
Finn! Open this door! | 0:33:43 | 0:33:45 | |
Finn. | 0:33:46 | 0:33:48 | |
Josephine Cross is no-one. | 0:33:48 | 0:33:50 | |
She was a foster-sister to Amanda when she was 14 years old, | 0:33:50 | 0:33:53 | |
way before she met Sandwell, before the murders. | 0:33:53 | 0:33:55 | |
Why would she send flowers now? | 0:33:55 | 0:33:57 | |
I interviewed her during the investigation - she knew nothing. | 0:33:57 | 0:34:01 | |
Had a very defensive mother. | 0:34:01 | 0:34:02 | |
-I want to talk to her. -Don't get sucked in. | 0:34:02 | 0:34:05 | |
Silence in court. | 0:34:06 | 0:34:08 | |
Reviewing the medical notes, | 0:34:21 | 0:34:23 | |
I think we've heard sufficient from you, Dr Copeland. | 0:34:23 | 0:34:27 | |
Thank you. You may step down. | 0:34:27 | 0:34:29 | |
Unless there's anything else you think we should hear? | 0:34:31 | 0:34:34 | |
There is. | 0:34:36 | 0:34:37 | |
There's something I want to say. | 0:34:40 | 0:34:42 | |
I wasn't with Mr Malick all the time. | 0:34:44 | 0:34:47 | |
-But you said... -I'd stepped out. | 0:34:47 | 0:34:49 | |
He sent me on an errand. | 0:34:50 | 0:34:52 | |
I didn't go, at first... | 0:34:52 | 0:34:54 | |
I was watching outside... through the window. | 0:34:56 | 0:34:59 | |
Amanda Layton was prescribed listronate. | 0:35:03 | 0:35:05 | |
It's fed into the patient's bloodstream through a calibrated drip. | 0:35:05 | 0:35:09 | |
Listronate, page 74. But this has been covered. | 0:35:11 | 0:35:15 | |
He altered the flow of her drip. | 0:35:15 | 0:35:18 | |
I'm sorry? | 0:35:18 | 0:35:19 | |
He didn't know I was watching. | 0:35:20 | 0:35:22 | |
I was worried about him. | 0:35:24 | 0:35:27 | |
He seemed...caught up. | 0:35:27 | 0:35:29 | |
-He wasn't himself... -Dr Copeland, I have to make this clear for myself and the jury. | 0:35:30 | 0:35:35 | |
-Are you suggesting...? -Mr Malick gave her too much. | 0:35:35 | 0:35:38 | |
And... | 0:35:41 | 0:35:42 | |
a few minutes later... | 0:35:42 | 0:35:44 | |
..her breathing changed. | 0:35:46 | 0:35:47 | |
It became very shallow. | 0:35:50 | 0:35:52 | |
She went into respiratory depression... | 0:35:54 | 0:35:56 | |
..and crashed. | 0:35:57 | 0:35:59 | |
Finn! | 0:36:02 | 0:36:04 | |
Nice to see a lad brought up to respect his parent(!) | 0:36:04 | 0:36:06 | |
-Yeah, you're a great help(!) -He did a runner. Like his father? | 0:36:06 | 0:36:09 | |
-Anyway, it's not my fault you've got a snot-nosed disobedient, phone-jacking... -Oh, God! | 0:36:09 | 0:36:14 | |
Mr Griffin? | 0:36:16 | 0:36:18 | |
Just when you thought things couldn't get any worse... | 0:36:18 | 0:36:21 | |
Yes, er, we have been stuck in the MRI suite. | 0:36:21 | 0:36:24 | |
Yes, unforeseeable hold-up. | 0:36:25 | 0:36:27 | |
Er, yeah, technical issue. | 0:36:28 | 0:36:31 | |
Mm-hm. | 0:36:31 | 0:36:32 | |
Er, yeah, looks like, well, we should be good to go in about five, ten minutes max. | 0:36:32 | 0:36:37 | |
Yeah, of course, course. | 0:36:38 | 0:36:39 | |
I will bring her back up for the aspiration ASAP. | 0:36:39 | 0:36:43 | |
Finn! You open this door right now | 0:36:45 | 0:36:48 | |
or I will donate every single piece of War Hammer you have ever owned to the Children's Ward! | 0:36:48 | 0:36:52 | |
Nice parenting(!) The threat technique, really nurturing(!) | 0:36:52 | 0:36:55 | |
Shut up! Shut up! Shut up! | 0:36:55 | 0:36:57 | |
THIS is your fault! He was in your custody for what, not even ten minutes, and you lost him, | 0:36:57 | 0:37:01 | |
-and you're telling me I'm a bad mother. -And you're disagreeing. | 0:37:01 | 0:37:04 | |
Argh! Just go away if you're not going to help! | 0:37:04 | 0:37:06 | |
I sincerely hope that there is never any child unlucky enough to end up with YOU as a parent. | 0:37:06 | 0:37:11 | |
You know what? Who plays tennis? | 0:37:13 | 0:37:15 | |
-What? -Around the hospital? Have you seen anyone with a tennis racket? | 0:37:16 | 0:37:19 | |
I don't know... Spence, I think. | 0:37:20 | 0:37:23 | |
This is far from satisfactory. | 0:37:23 | 0:37:24 | |
Dr Copeland's convinced there were some irregularities. | 0:37:24 | 0:37:27 | |
-He's wrong. -Nonetheless, this has the potential to do you and Holby a great deal of harm. | 0:37:27 | 0:37:31 | |
All the toxicology evidence and the listronate profile. | 0:37:32 | 0:37:35 | |
Just give me a minute, OK? | 0:37:35 | 0:37:37 | |
Why would Josephine Cross send Amanda flowers? | 0:37:38 | 0:37:41 | |
There isn't another single living soul who'd do that. | 0:37:41 | 0:37:44 | |
-You really don't want to do this now... -Come on. | 0:37:44 | 0:37:46 | |
You know her address. She might know something, anything, shed some light. | 0:37:46 | 0:37:49 | |
There's a junior doctor up there about to drive a wrecking-ball through your life, | 0:37:49 | 0:37:53 | |
and you want to chase shadows?! | 0:37:53 | 0:37:54 | |
-She might know something. -They were school girls together. | 0:37:54 | 0:37:57 | |
Don't you see? There's no-one else left to ask. | 0:37:57 | 0:37:59 | |
Clutching at straws. | 0:37:59 | 0:38:01 | |
It's all I've got. Otherwise, what? | 0:38:01 | 0:38:04 | |
I just roll over and accept that a grieving mother whose | 0:38:04 | 0:38:07 | |
teenage daughter was murdered will forever believe | 0:38:07 | 0:38:10 | |
-I'm -the reason she'll never lay her baby to rest? | 0:38:10 | 0:38:12 | |
I'd rather have my life wrecked than have to live with that. | 0:38:13 | 0:38:16 | |
-(Wait!) -It's number 21. | 0:38:25 | 0:38:27 | |
(Keep KV.) | 0:38:30 | 0:38:31 | |
What? | 0:38:31 | 0:38:32 | |
-A look-out. -Right. | 0:38:32 | 0:38:34 | |
There you go. | 0:38:47 | 0:38:48 | |
Scalpel... | 0:38:48 | 0:38:50 | |
Dr Copeland said that he saw Amanda Layton go into respiratory depression... | 0:39:05 | 0:39:10 | |
..after Mr Malick altered the flow of listronate? | 0:39:11 | 0:39:14 | |
Yes, where is Malick? | 0:39:14 | 0:39:16 | |
I think he's still talking to the detective. | 0:39:16 | 0:39:18 | |
Well, the adjournment ends in 40 minutes. We need him here now. | 0:39:18 | 0:39:21 | |
CAR DOORS LOCKING | 0:39:39 | 0:39:40 | |
Harry! | 0:39:40 | 0:39:42 | |
Believe it or not, your mum's actually pretty worried about you. | 0:39:42 | 0:39:45 | |
-OK, little guy. You want to tell me what's really going on here? -Oi! | 0:39:45 | 0:39:49 | |
11 years ago, she and her mum lived in a little cottage | 0:40:13 | 0:40:16 | |
down a winding lane. Looked like something off a chocolate box. | 0:40:16 | 0:40:20 | |
Her mother fostered Amanda. It went really well. | 0:40:21 | 0:40:24 | |
When she heard about the murders, she was devastated. Couldn't cope. | 0:40:25 | 0:40:29 | |
She even blamed herself. Could she have done something different? | 0:40:29 | 0:40:33 | |
LOUD MUSIC BLARES | 0:40:33 | 0:40:37 | |
AMBULANCE SIREN BLARES | 0:40:55 | 0:41:00 | |
Mr Griffin has had to take Mr Wilson down to MRI for a scan. | 0:41:04 | 0:41:07 | |
-There's no Emma stuck in MRI! -No backed-up queue of patients waiting. -Where is he now? | 0:41:07 | 0:41:12 | |
-Looking for you and Emma. -Oh, no. No! He's on his way here? | 0:41:12 | 0:41:16 | |
Look, Finn. Please, Finn. | 0:41:17 | 0:41:20 | |
Finn, darling, listen to me, please! | 0:41:20 | 0:41:22 | |
Look, Mummy won't be cross, OK? Finn, please! | 0:41:22 | 0:41:26 | |
It's just like Mission Assassin! | 0:41:37 | 0:41:39 | |
She was just excised from my life. | 0:41:43 | 0:41:45 | |
Mummy cut her out of our family history, burned any photos. | 0:41:46 | 0:41:51 | |
Forbade us to even mention her name. | 0:41:51 | 0:41:54 | |
-Was it hard? -It was horrible. | 0:41:55 | 0:41:57 | |
For me. But I did it. | 0:41:57 | 0:42:00 | |
Because Mummy was so... | 0:42:01 | 0:42:03 | |
traumatised by the murders. | 0:42:03 | 0:42:06 | |
-And you? -Of course! | 0:42:07 | 0:42:09 | |
But it doesn't change the fact that for 18 months we were best friends. | 0:42:10 | 0:42:13 | |
Sisters, really. | 0:42:13 | 0:42:15 | |
We shared a room. | 0:42:16 | 0:42:17 | |
Sat together at school. | 0:42:18 | 0:42:19 | |
-A room in here? -Plum Stone Cottage. Was an amazing place to grow up. | 0:42:19 | 0:42:24 | |
I was so lucky. | 0:42:25 | 0:42:27 | |
We both were. | 0:42:28 | 0:42:30 | |
Why did you write to her? | 0:42:30 | 0:42:31 | |
I always wanted to. | 0:42:31 | 0:42:33 | |
But while Mummy was still alive... | 0:42:34 | 0:42:36 | |
We had this fabulous Wendy House. | 0:42:41 | 0:42:43 | |
I suppose it was really just an old shed, really. | 0:42:44 | 0:42:46 | |
We were allowed to decorate it, make it our own. | 0:42:46 | 0:42:49 | |
In the summer we slept in it and pretend it was our... | 0:42:49 | 0:42:52 | |
Did...did she reveal anything? | 0:42:52 | 0:42:54 | |
Our letters weren't about any part of our lives except those 18 months. | 0:42:54 | 0:42:58 | |
-The safe time. -MOBILE RINGS | 0:42:59 | 0:43:02 | |
Our shed. | 0:43:02 | 0:43:03 | |
-Our den. -Did she write anything about...? | 0:43:03 | 0:43:05 | |
Nothing except those days. When we both had dreams of our future. | 0:43:05 | 0:43:10 | |
Look... | 0:43:10 | 0:43:11 | |
..there is one girl... Simone. | 0:43:14 | 0:43:17 | |
-Her body was never recovered. And her mother... -I think... | 0:43:18 | 0:43:22 | |
I think I would like you to leave now. | 0:43:23 | 0:43:25 | |
-Please, can I just...? -No. | 0:43:26 | 0:43:28 | |
Cheers, Mikey. Nice to meet you, mate. Bye, Finn. | 0:43:42 | 0:43:45 | |
Mr Griffin. | 0:43:47 | 0:43:49 | |
MOBILE BLEEPS | 0:43:59 | 0:44:02 | |
I really thought she might... | 0:44:19 | 0:44:21 | |
..give us something. | 0:44:23 | 0:44:24 | |
-Maybe she has. -What? | 0:44:24 | 0:44:27 | |
You'd better get back. Leave this to me. | 0:44:28 | 0:44:31 | |
County Court, please. | 0:44:37 | 0:44:39 | |
'I was asked by Mr Malick to, um...' | 0:44:54 | 0:44:56 | |
collect the listronate from the Pharmacy. | 0:44:56 | 0:44:59 | |
It was a new drug to me, so I did what I always do when I'm presented with something new in work. | 0:44:59 | 0:45:04 | |
I completely immersed myself in ALL the research pertaining to... | 0:45:04 | 0:45:08 | |
Dr Digby, I have, for my sins, just spent 60 long minutes | 0:45:08 | 0:45:13 | |
reading an exhausting in-depth toxicology report. | 0:45:13 | 0:45:16 | |
Nothing in it alleviates my concerns about Mr Malick. | 0:45:20 | 0:45:24 | |
Um... W-Well, if... | 0:45:25 | 0:45:27 | |
You've been asked to give evidence about Amanda Layton's death, | 0:45:27 | 0:45:30 | |
not your knowledge of pharmacology. | 0:45:30 | 0:45:32 | |
Yes, sorry, erm... | 0:45:33 | 0:45:35 | |
Only, what Dr Copeland said, erm... | 0:45:37 | 0:45:39 | |
It couldn't happen. | 0:45:40 | 0:45:42 | |
Dr Copeland said that she went into respiratory depression. | 0:45:42 | 0:45:45 | |
He did. | 0:45:45 | 0:45:46 | |
Well, it wasn't the listronate. | 0:45:46 | 0:45:48 | |
Or he was mistaken. | 0:45:49 | 0:45:51 | |
The side-effects of an overdose of listronate - cardiac arrhythmia. | 0:45:51 | 0:45:55 | |
Chest pain, palpitations | 0:45:55 | 0:45:58 | |
or Adult Respiratory Distress Syndrome. | 0:45:58 | 0:46:01 | |
Tachypnoea - rapid breathing, er... | 0:46:01 | 0:46:04 | |
tachycardia - increased heart rate. | 0:46:04 | 0:46:07 | |
It's just polar opposites to respiratory depression symptom-wise. | 0:46:07 | 0:46:12 | |
Right... | 0:46:58 | 0:47:00 | |
Next thing, Mr Griffin is going to be coming round to aspirate your knee. | 0:47:00 | 0:47:05 | |
Look, I know I shouldn't have asked this but I really appreciate it... | 0:47:05 | 0:47:09 | |
-My lips are sealed. -Yeah? -You found Finn. That's all that matters. | 0:47:09 | 0:47:13 | |
-Thank you. -Anyway, I enjoyed it. -Ha! -Took my mind off my own. | 0:47:13 | 0:47:18 | |
-Well, my little monkey. Are you OK? -Mm-hm. | 0:47:18 | 0:47:21 | |
-He is a massive nightmare at the best of times. -Boys, eh? | 0:47:21 | 0:47:26 | |
-Quite a handful. -Oh, yeah! | 0:47:27 | 0:47:29 | |
But still, I would not want it any other way. | 0:47:29 | 0:47:34 | |
D'you know, I was never really a doll's house and Barbie kind of girl. | 0:47:34 | 0:47:38 | |
I much prefer playing football or Mission Assassin. Everything OK? | 0:47:38 | 0:47:42 | |
EMMA BREATHS QUICKLY | 0:47:42 | 0:47:44 | |
I'm so sorry. | 0:47:44 | 0:47:46 | |
Emma? | 0:47:47 | 0:47:48 | |
Emma! Can you hear me? | 0:47:50 | 0:47:52 | |
-What's going on? -Look. | 0:47:52 | 0:47:54 | |
Oh, no, she must've been bleeding for ages. | 0:47:54 | 0:47:57 | |
She never said a word! | 0:47:57 | 0:47:58 | |
-Packs! -OK. Packs! Stuff it, yeah? -Yup, stem the flow. | 0:47:58 | 0:48:02 | |
Something must have nicked the vessel. | 0:48:02 | 0:48:04 | |
-Well, why didn't she say anything? -This happened a while ago. | 0:48:04 | 0:48:08 | |
-Yeah, but she hid it. Why would she do that? -Well, so you could find your little boy. | 0:48:09 | 0:48:13 | |
-I'm going to have to get Griffin, aren't I? -No, there's no time. She's bleeding out. | 0:48:14 | 0:48:18 | |
Look, something's opened the vessel. Go on, you can do it. | 0:48:18 | 0:48:21 | |
Yeah, there's something in there. | 0:48:23 | 0:48:25 | |
Well, why couldn't I feel it before? Get me the forceps. | 0:48:27 | 0:48:31 | |
Yeah, there is definitely something in there. | 0:48:37 | 0:48:40 | |
I can't get it... | 0:48:41 | 0:48:43 | |
-What is it? -It's a chunk of antler. | 0:48:48 | 0:48:50 | |
It's the bit that was broken off the roe buck in the back of the Land Rover. | 0:48:50 | 0:48:53 | |
-Deer horn. That's not going to show up on an MRI. -No. | 0:48:53 | 0:48:57 | |
2/0 prolene. | 0:48:57 | 0:48:58 | |
-I'll clamp, you stitch. -Thanks. | 0:49:00 | 0:49:02 | |
COCKEREL CROWS | 0:49:03 | 0:49:06 | |
COCKEREL CROWS | 0:49:28 | 0:49:31 | |
Dr Digby and Mr Hanssen's testimony seems to contradict the symptoms | 0:49:34 | 0:49:38 | |
you say YOU witnessed in the deceased's final moments. | 0:49:38 | 0:49:42 | |
So your previous testimony seems spurious, to say the least. | 0:49:42 | 0:49:47 | |
This is a very serious matter. | 0:49:47 | 0:49:49 | |
You are a trusted professional | 0:49:49 | 0:49:51 | |
and yet you appear to have wilfully misled my jury. | 0:49:51 | 0:49:55 | |
I have little alternative but to report you to the General Medical Council. | 0:49:55 | 0:49:58 | |
-Can I say something? -No, Mr Malick, you may not. | 0:49:58 | 0:50:02 | |
Though I'm satisfied that the Advance Directive was appropriately used, | 0:50:02 | 0:50:05 | |
you have shown scant regard for this court. | 0:50:05 | 0:50:08 | |
-I think it's my fault. -Well, your time-keeping is certainly your fault. | 0:50:08 | 0:50:11 | |
His testimony... | 0:50:11 | 0:50:13 | |
The lies... | 0:50:14 | 0:50:15 | |
It's my fault. | 0:50:17 | 0:50:18 | |
SOUND OF GIRLS GIGGLING AND CHATTERING | 0:50:44 | 0:50:50 | |
< Come in, girls! | 0:50:54 | 0:50:55 | |
Dominic Copeland is a good doctor. | 0:51:45 | 0:51:48 | |
He's very bright... | 0:51:49 | 0:51:51 | |
..very quick to learn, and, more importantly, he cares. | 0:51:52 | 0:51:56 | |
Deeply. | 0:51:58 | 0:52:00 | |
I know this because I'm his professional instructor and mentor. | 0:52:01 | 0:52:04 | |
-A mentor is an important role... -Mr Malick, I'm not sure... | 0:52:04 | 0:52:08 | |
I made a mistake. | 0:52:08 | 0:52:09 | |
I... | 0:52:12 | 0:52:13 | |
I haven't performed that role as well as I should. | 0:52:15 | 0:52:17 | |
I allowed myself to...get involved. | 0:52:22 | 0:52:25 | |
To initiate a physical relationship with Dominic Copeland | 0:52:27 | 0:52:31 | |
while he was under my tutelage. | 0:52:31 | 0:52:33 | |
Mr Malick, may I remind you this is an inquest, not a public laundry. | 0:52:33 | 0:52:37 | |
-Your private life... -Spilled over into my professional one. | 0:52:37 | 0:52:41 | |
I didn't behave well. | 0:52:42 | 0:52:44 | |
I think Dominic lied to get back at me. | 0:52:45 | 0:52:48 | |
Um... | 0:52:51 | 0:52:52 | |
If...I hadn't abused my position of trust... | 0:52:54 | 0:52:57 | |
Look, it's not right to end his career because of my mistake. | 0:53:00 | 0:53:05 | |
It's OK. | 0:53:18 | 0:53:20 | |
How long have I been asleep? | 0:53:21 | 0:53:23 | |
Not long. | 0:53:23 | 0:53:24 | |
Where's my phone? | 0:53:24 | 0:53:25 | |
Is that your son? | 0:53:31 | 0:53:33 | |
Frightens the life out of me. | 0:53:34 | 0:53:37 | |
I've been waiting for a text... | 0:53:38 | 0:53:40 | |
..to tell me he's safe. | 0:53:41 | 0:53:43 | |
Supposed to be flying out, coming home. | 0:53:43 | 0:53:46 | |
I'm sure it'll be OK. | 0:53:46 | 0:53:47 | |
His fifth tour. Every time I think I'm going to go insane. | 0:53:47 | 0:53:52 | |
That's why I messed up with the roe buck. | 0:53:53 | 0:53:55 | |
Stupid schoolboy error. | 0:53:55 | 0:53:57 | |
Got my head on back-to-front. | 0:53:58 | 0:54:00 | |
-Is that an SA80? -A2. | 0:54:00 | 0:54:02 | |
Grow up with a mum who loves guns... | 0:54:04 | 0:54:06 | |
-That's what happens. -It's cool. -Not for me. | 0:54:08 | 0:54:11 | |
PAGER BLEEPS | 0:54:11 | 0:54:14 | |
Excuse me. | 0:54:15 | 0:54:16 | |
So is that why you didn't want the anaesthetic? | 0:54:19 | 0:54:22 | |
Need to stay alert... | 0:54:23 | 0:54:25 | |
in case he calls. | 0:54:25 | 0:54:27 | |
-Look, I'm really sorry... -I can't help it. | 0:54:27 | 0:54:30 | |
I'm just... | 0:54:30 | 0:54:32 | |
..being a mum. | 0:54:33 | 0:54:35 | |
Yeah, I know. | 0:54:36 | 0:54:38 | |
So... | 0:55:10 | 0:55:12 | |
are you going to tell me how you know how to pick a lock and break into an ambulance? | 0:55:12 | 0:55:16 | |
Public schools. They're not all just pillow fights and fagging. | 0:55:16 | 0:55:19 | |
What on earth were you doing locking you and Finn inside? | 0:55:19 | 0:55:22 | |
-I was actually trying to help. -Yeah...right(!) | 0:55:22 | 0:55:24 | |
-Well, at least I'm not bonking his best friend's dad. -What?! | 0:55:24 | 0:55:28 | |
Aaron's dad, Mikey. | 0:55:28 | 0:55:30 | |
You think it's fun everyone knowing your mum's getting a portion from... | 0:55:30 | 0:55:34 | |
Mikey's gay! | 0:55:34 | 0:55:35 | |
-Oh... -Mikey has a partner, Chris. | 0:55:37 | 0:55:39 | |
Ah... I see. | 0:55:39 | 0:55:42 | |
Well, Aaron's busy telling everyone at school, | 0:55:42 | 0:55:45 | |
that his dad fancies Finn's mum. | 0:55:45 | 0:55:47 | |
Oh, and so that's why Finn's...? | 0:55:47 | 0:55:49 | |
Sounds to me like Aaron's got a few issues around his dad's sexuality. | 0:55:49 | 0:55:53 | |
That's it? | 0:55:53 | 0:55:54 | |
So he's...he's not being bullied and...he's not missing his dad? | 0:55:55 | 0:55:59 | |
Nope. Just doesn't want to move in with Aaron and Mikey. | 0:55:59 | 0:56:02 | |
Other than that, he's a pretty cool little dude. | 0:56:02 | 0:56:06 | |
I can't believe that that's it. | 0:56:06 | 0:56:08 | |
What a relief. | 0:56:08 | 0:56:09 | |
That's brilliant. | 0:56:11 | 0:56:13 | |
You're brilliant. | 0:56:13 | 0:56:15 | |
Thank you. | 0:57:51 | 0:57:53 | |
Subtitles by Red Bee Media Ltd | 0:58:13 | 0:58:16 |