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Just remember what I said, yeah? Don't make any rash decisions. | 0:00:39 | 0:00:43 | |
I've already lost one child on your watch, | 0:00:44 | 0:00:47 | |
I'm not going to lose another child. | 0:00:47 | 0:00:48 | |
Just have to find Hattie a donor. | 0:00:48 | 0:00:50 | |
And what are the chances of that? | 0:00:50 | 0:00:52 | |
The girl on AAU, she's a match for Hattie. | 0:00:52 | 0:00:54 | |
It's all about what's right for her now, isn't it? | 0:00:54 | 0:00:56 | |
No-one cares about my daughter. She's just a piece of meat to you. | 0:00:56 | 0:00:59 | |
-Get my daughter out of there NOW. -Mo! | 0:00:59 | 0:01:02 | |
It's too late, we're past the cut-off point. | 0:01:02 | 0:01:04 | |
No, that can't be right. | 0:01:04 | 0:01:06 | |
I think I can justify a tiny lie | 0:01:06 | 0:01:08 | |
if it means giving a young girl a second chance at life. | 0:01:08 | 0:01:10 | |
-I know it's been traumatic... -I just need some time to think. | 0:01:10 | 0:01:13 | |
Where you going to go? | 0:01:15 | 0:01:17 | |
I rang my dad. | 0:01:17 | 0:01:18 | |
In Melbourne? | 0:01:19 | 0:01:20 | |
I'm going to go and visit. | 0:01:20 | 0:01:22 | |
That's it. You're doing brilliantly. | 0:01:25 | 0:01:27 | |
C'mon, darling. Just a few more steps. | 0:01:29 | 0:01:32 | |
-I... -You're doing it, love. You're doing it. | 0:01:32 | 0:01:36 | |
Oh! | 0:01:36 | 0:01:38 | |
So, how are things in Monny land? | 0:01:38 | 0:01:40 | |
"Monny"? | 0:01:40 | 0:01:42 | |
It's a contraction of Mo and Jonny. | 0:01:42 | 0:01:45 | |
Like "Brangelina" or "Jedward". Rachel tells me it's all the rage. | 0:01:45 | 0:01:49 | |
I'm aware of the convention. I just don't think it applies here. | 0:01:49 | 0:01:52 | |
Well, you know you've got "Sedward" on Keller - Serena and Edward. | 0:01:52 | 0:01:57 | |
"Monny" on Darwin. | 0:01:57 | 0:01:59 | |
And "Chracha" on AAU? Or would that be "Sissie"? | 0:01:59 | 0:02:02 | |
You heard anything? | 0:02:03 | 0:02:05 | |
Well, I've spoken to Daniel and he seems happy. | 0:02:06 | 0:02:09 | |
I know she's back next week, so... | 0:02:11 | 0:02:14 | |
PAGER BEEPS | 0:02:14 | 0:02:16 | |
Jonny. I've got to go. | 0:02:16 | 0:02:17 | |
-Say hello to "Shelliot" for me. -Aah! | 0:02:19 | 0:02:21 | |
See what I did? | 0:02:21 | 0:02:24 | |
Hi, it's me. | 0:02:30 | 0:02:32 | |
Can you meet me in the creche? I need to see you. | 0:02:32 | 0:02:34 | |
Privately. | 0:02:36 | 0:02:37 | |
She collapsed after four steps of physio. | 0:02:38 | 0:02:41 | |
She can't make five yards and you say there's nothing wrong? | 0:02:41 | 0:02:44 | |
Hattie's had a heart transplant, OK? | 0:02:44 | 0:02:46 | |
Possibly the most major surgery there is. | 0:02:46 | 0:02:48 | |
That means there's a lot of adjusting to do. It doesn't mean there's anything medically wrong. | 0:02:48 | 0:02:52 | |
Her immune system's been lowered. | 0:02:52 | 0:02:53 | |
She may have picked up a cold, the effects of which... | 0:02:53 | 0:02:56 | |
-Would be negligible. -How can you know that? | 0:02:56 | 0:02:58 | |
It's what I do. You'll just have to trust me. | 0:02:58 | 0:03:00 | |
I do trust you, Mo. It's just... | 0:03:00 | 0:03:02 | |
How can you be sure the same thing isn't happening again, | 0:03:02 | 0:03:06 | |
that her body's not rejecting the heart? | 0:03:06 | 0:03:09 | |
Laura, I know you're scared, but these are the facts - | 0:03:09 | 0:03:12 | |
we did a biopsy, at your request, two days ago. | 0:03:12 | 0:03:15 | |
There's no signs of rejection. No signs of post-op infection. | 0:03:15 | 0:03:18 | |
Every indication is that the heart is taking, | 0:03:18 | 0:03:20 | |
and will continue to do so. | 0:03:20 | 0:03:23 | |
Now, Nurse Maconie, want to find her something to eat? | 0:03:23 | 0:03:26 | |
I looked it up. Most successful transplants are home after a week. | 0:03:26 | 0:03:29 | |
It's been two. I understand there's nothing medically wrong. | 0:03:29 | 0:03:33 | |
So, why isn't she improving? | 0:03:33 | 0:03:35 | |
I hear you took four steps today. That's progress, at least. | 0:03:41 | 0:03:44 | |
Did they tell you I fell flat on my face? | 0:03:44 | 0:03:47 | |
We all fall, sweetheart. The important bit is to get up again. | 0:03:47 | 0:03:50 | |
-Something's wrong. -It's not. -I don't feel right. | 0:03:50 | 0:03:53 | |
Maybe not. But you are better. | 0:03:53 | 0:03:55 | |
How did she die? The girl whose heart I got. | 0:03:55 | 0:03:58 | |
You know I can't tell you that. | 0:03:58 | 0:03:59 | |
Anyway, It doesn't matter. | 0:03:59 | 0:04:00 | |
Bet it does to her. | 0:04:00 | 0:04:02 | |
All that mattered to her was that someone got her heart. | 0:04:02 | 0:04:05 | |
That was her legacy. | 0:04:05 | 0:04:07 | |
Unless it was meant for someone else. The right person. | 0:04:07 | 0:04:09 | |
The right match. | 0:04:09 | 0:04:10 | |
If you're worried about rejection, don't be. | 0:04:10 | 0:04:13 | |
-You were the right match. -You can't be sure. -I can be certain. | 0:04:13 | 0:04:16 | |
Were you certain about Ben? How'd that work out? | 0:04:16 | 0:04:19 | |
Your brother suffered hyperacute rejection. | 0:04:23 | 0:04:26 | |
It happened literally minutes after transplant. | 0:04:26 | 0:04:29 | |
One thing I can be certain is that Ben never got the chance | 0:04:29 | 0:04:33 | |
to be afraid of a little physio. | 0:04:33 | 0:04:35 | |
A little hard work. | 0:04:35 | 0:04:37 | |
He never made it that far. | 0:04:37 | 0:04:38 | |
We're going to need FBCs, U&Es. | 0:04:45 | 0:04:47 | |
Stop. It's my brother you should be worrying about. | 0:04:47 | 0:04:49 | |
He's lost all feeling in his left leg. He's disabled. | 0:04:49 | 0:04:52 | |
I prefer the term "mobility challenged" myself. | 0:04:52 | 0:04:55 | |
What caused it? Your "mobility challenge"? | 0:04:56 | 0:04:58 | |
Crushed nerves. He's lost all feeling in his leg. | 0:05:02 | 0:05:05 | |
-How long ago? -Three years. Why? | 0:05:05 | 0:05:06 | |
That's not the cause of this swelling. | 0:05:06 | 0:05:08 | |
Right. Can you feel this? | 0:05:08 | 0:05:09 | |
HE GRUNTS | 0:05:09 | 0:05:11 | |
Take it that's a yes. | 0:05:11 | 0:05:12 | |
But that's impossible. | 0:05:12 | 0:05:14 | |
What's happening? | 0:05:14 | 0:05:15 | |
Was your brother's leg injured in the car crash? | 0:05:15 | 0:05:17 | |
We weren't going that fast. | 0:05:17 | 0:05:19 | |
Right. We're going to book an urgent angiogram, please, | 0:05:19 | 0:05:22 | |
and we're going to need a GS consultant. | 0:05:22 | 0:05:23 | |
Can you get Mr Spence? | 0:05:23 | 0:05:25 | |
DOOR SLAMS | 0:05:26 | 0:05:27 | |
If you're going to say something, just say it. | 0:05:31 | 0:05:33 | |
OK, I'll say it. What the hell was that? | 0:05:33 | 0:05:35 | |
That was me doing my job. That thing I do quite well without you second-guessing me? | 0:05:35 | 0:05:39 | |
How can I second-guess you when I don't have | 0:05:39 | 0:05:40 | |
-the faintest idea what you're going to do next - or why? -Ooh, you don't know who I am any more. | 0:05:40 | 0:05:44 | |
And you don't even feel bad about it. You'd do the whole thing again. | 0:05:44 | 0:05:47 | |
Too right I would. And, no, I don't feel bad about it. | 0:05:47 | 0:05:50 | |
Not any of it. Look, Hattie's scared, | 0:05:50 | 0:05:52 | |
it's halting her progress and someone needs to play the bad cop. | 0:05:52 | 0:05:55 | |
-As for that other thing... -That other thing? | 0:05:55 | 0:05:58 | |
-It was the right thing to do. -It was unethical. | 0:05:58 | 0:06:01 | |
Unethical? I wasn't about to waste two girls' lives | 0:06:01 | 0:06:04 | |
even if Nicole Moss was. | 0:06:04 | 0:06:05 | |
I don't consider that unethical. | 0:06:05 | 0:06:06 | |
And you expect us all to go along with that? | 0:06:06 | 0:06:09 | |
No. I expected you to have my back. | 0:06:09 | 0:06:11 | |
I expected you to understand that this was more important than | 0:06:11 | 0:06:13 | |
GMC bullet points on ethical behaviour. | 0:06:13 | 0:06:15 | |
-Even if it costs you your job? -Uh-huh. -Even if it costs me mine? | 0:06:15 | 0:06:18 | |
Because I'd have appreciated being given the choice. | 0:06:18 | 0:06:21 | |
If you two are finished ending each other's careers, | 0:06:21 | 0:06:24 | |
Elliot wants to see you. | 0:06:24 | 0:06:26 | |
What does he want? | 0:06:26 | 0:06:27 | |
Nicole Moss is in with him. | 0:06:27 | 0:06:29 | |
Results of the angiogram. | 0:06:32 | 0:06:33 | |
Great. | 0:06:33 | 0:06:34 | |
Well, there's an arterial occlusion, | 0:06:36 | 0:06:38 | |
but no obvious causation. | 0:06:38 | 0:06:40 | |
Grab some porters. | 0:06:43 | 0:06:44 | |
Michael Spence can't come to us, we shall go to Keller. | 0:06:44 | 0:06:47 | |
So, have you told Sacha yet? | 0:06:50 | 0:06:53 | |
No, I haven't told anyone. Only you. | 0:06:53 | 0:06:55 | |
I found it three days ago. I jumped on the first plane home. | 0:06:57 | 0:07:00 | |
I didn't know what else to do. | 0:07:00 | 0:07:01 | |
Look, it's not any of my business but don't you think you should speak to Sacha? | 0:07:01 | 0:07:05 | |
No. Not yet. Not until I know what it is. | 0:07:05 | 0:07:08 | |
How bad is it? | 0:07:08 | 0:07:10 | |
Well, Dr Fenton owes me a few favours, | 0:07:10 | 0:07:11 | |
so she's going to book you in for an emergency mammogram. | 0:07:11 | 0:07:14 | |
All right. Thank you for everything. | 0:07:14 | 0:07:17 | |
Go on, you should go. | 0:07:17 | 0:07:18 | |
Mm-mm. I'm not going anywhere. | 0:07:18 | 0:07:21 | |
SHE HUMS RIDE OF THE VALKYRIES | 0:07:21 | 0:07:25 | |
Ride Of The Valkyries, am I right? | 0:07:30 | 0:07:32 | |
I love the smell of sanitizer in the morning. | 0:07:32 | 0:07:35 | |
Mr Griffin. Back from the US? | 0:07:35 | 0:07:37 | |
Yeah. Re-trained and refreshed and re-invigorated. | 0:07:37 | 0:07:42 | |
Just as you wished for. | 0:07:42 | 0:07:44 | |
And you've brought back a piece of Americana. How delightful. | 0:07:44 | 0:07:48 | |
I brought it especially for you. | 0:07:48 | 0:07:49 | |
"PD." Run into some trouble with the police? | 0:07:49 | 0:07:52 | |
"Primary Defence." | 0:07:54 | 0:07:55 | |
It's revolutionary. The future of emergency medicine. | 0:07:55 | 0:07:58 | |
-Is that so? -And perfect for AAU. | 0:07:58 | 0:08:01 | |
Sounds fascinating. We must talk about it some time. | 0:08:01 | 0:08:04 | |
Right now - bit busy. People to see - Harvard MBA dinners to prepare for. | 0:08:04 | 0:08:09 | |
Oh! The masters of business administration assemble. | 0:08:09 | 0:08:13 | |
That explains the posh frock. | 0:08:13 | 0:08:15 | |
It's hardly a frock. | 0:08:15 | 0:08:16 | |
I wouldn't have thought you'd have the time. | 0:08:16 | 0:08:19 | |
Word on the street is that Mr Hanssen has handed you | 0:08:19 | 0:08:23 | |
more executive control. | 0:08:23 | 0:08:24 | |
Oh, I wouldn't say control. More like...influence. | 0:08:24 | 0:08:29 | |
Just helping to keep things ship-shape. | 0:08:29 | 0:08:31 | |
He might appreciate how smoothly things are running. | 0:08:31 | 0:08:34 | |
PHONE RINGS | 0:08:36 | 0:08:38 | |
Hello. Sacha Levy. | 0:08:41 | 0:08:42 | |
I think you have the wrong Daniel. | 0:08:46 | 0:08:48 | |
Mine is on the other side of the world. | 0:08:48 | 0:08:50 | |
What? | 0:08:52 | 0:08:53 | |
Nicole? Why are you here? | 0:08:56 | 0:08:58 | |
To take Poppy to the funeral home. | 0:08:58 | 0:09:00 | |
She's still here? | 0:09:00 | 0:09:01 | |
There's been some issues with the funeral home. | 0:09:03 | 0:09:06 | |
Personal stuff. Details. | 0:09:07 | 0:09:09 | |
I didn't want her to travel alone. | 0:09:09 | 0:09:11 | |
Thing is... | 0:09:13 | 0:09:14 | |
..I've had some time - a lot of time - to... | 0:09:15 | 0:09:19 | |
..think about things. What happened, you know? | 0:09:20 | 0:09:23 | |
Reading about transplant procedures, cut-off points. | 0:09:25 | 0:09:30 | |
Just trying to make sense of it all, I guess. | 0:09:31 | 0:09:35 | |
And I don't want you to think I'm doubting you or anything like that. | 0:09:35 | 0:09:39 | |
I'm not. | 0:09:39 | 0:09:40 | |
I just need to get things straight in my head. | 0:09:40 | 0:09:44 | |
I need to be sure... | 0:09:46 | 0:09:47 | |
..that I had no choice. | 0:09:48 | 0:09:51 | |
OK. Here's what we're going to do. | 0:09:54 | 0:09:56 | |
-I'm going to let Nurse Maconie get back to his rounds. -No, Mo... | 0:09:56 | 0:09:59 | |
Second, as lead surgeon I will make myself available for as long | 0:09:59 | 0:10:03 | |
as it takes to explain and answer whatever you need. | 0:10:03 | 0:10:06 | |
Thank you. | 0:10:06 | 0:10:07 | |
I am aware of the principles of primary defence, Ric, | 0:10:15 | 0:10:18 | |
I just don't want to talk about it now. | 0:10:18 | 0:10:20 | |
I've got other things on my mind. | 0:10:20 | 0:10:22 | |
Yeah, of course - the Harvard MBA dinner? | 0:10:22 | 0:10:24 | |
You know, I've never been - how do you go about getting an invite? | 0:10:24 | 0:10:27 | |
Usually by attending Harvard University. | 0:10:27 | 0:10:29 | |
Yes, of course. | 0:10:29 | 0:10:31 | |
I only went to Cambridge. | 0:10:31 | 0:10:33 | |
You wait all day for a consultant and two turn up at once. | 0:10:33 | 0:10:35 | |
Um, Lawrence Howards, referred by Mr Levy from AAU - | 0:10:37 | 0:10:40 | |
arterial occlusion, possibly complicated by a pre-existing injury. | 0:10:40 | 0:10:43 | |
Hang on. What do you mean, wait all day for a consultant? Where's Mr Spence? | 0:10:43 | 0:10:46 | |
Emergency call out. | 0:10:46 | 0:10:48 | |
He said to pass his list onto you. | 0:10:48 | 0:10:50 | |
Need some help? | 0:10:50 | 0:10:51 | |
Just to keep things running smoothly? | 0:10:51 | 0:10:54 | |
Ha-ha. What emergency call out? | 0:10:54 | 0:10:57 | |
Mrs Ellis? | 0:10:57 | 0:10:58 | |
Another 20 minutes. | 0:11:02 | 0:11:04 | |
Sorry? | 0:11:04 | 0:11:05 | |
You're up next. Another 20 minutes, 30 max. | 0:11:05 | 0:11:08 | |
You OK? | 0:11:08 | 0:11:09 | |
Hm. I was just thinking, maybe I should call Dad | 0:11:09 | 0:11:12 | |
and let him know we arrived safely. | 0:11:12 | 0:11:14 | |
Oh! It's the creche. | 0:11:14 | 0:11:16 | |
Nurse Maconie, can you come? | 0:11:17 | 0:11:19 | |
I thought she was asleep but I can't wake her up. | 0:11:19 | 0:11:22 | |
Hattie? Hattie, can you hear me? | 0:11:23 | 0:11:27 | |
-Ms Naylor? -Right, let's have 8 litres of oxygen. Increase fluids and let's start her on... | 0:11:27 | 0:11:31 | |
It's been disconnected. | 0:11:31 | 0:11:33 | |
In future, Mr Spence, I'd appreciate a little communication | 0:11:35 | 0:11:38 | |
before you decide that a mysterious emergency patient | 0:11:38 | 0:11:41 | |
requires your undivided attention for an entire day. | 0:11:41 | 0:11:44 | |
-Thank you. -Staffing problems? | 0:11:44 | 0:11:46 | |
What are you doing? | 0:11:46 | 0:11:47 | |
Practising for the MBA dinner. I needed somewhere quiet and... | 0:11:47 | 0:11:50 | |
-You're going? -Giving the keynote speech. | 0:11:50 | 0:11:52 | |
Harry Kaufmann dropped out at the last moment. We could share a taxi. | 0:11:52 | 0:11:55 | |
No! | 0:11:55 | 0:11:56 | |
I don't think so. You, me, my plus one, Milly Molly Mandy. | 0:11:56 | 0:12:02 | |
Mindy. And she's not going. | 0:12:02 | 0:12:03 | |
We might just cramp each others' styles, don't you think? | 0:12:03 | 0:12:06 | |
Depends on who your plus one is. | 0:12:06 | 0:12:07 | |
Serena, there's a couple of things on this angiogram. | 0:12:07 | 0:12:10 | |
Oh. Sorry. I didn't realise you were busy. | 0:12:10 | 0:12:13 | |
Please don't mind me. | 0:12:13 | 0:12:15 | |
Edward, Ric Griffin - AAU clinical lead. | 0:12:15 | 0:12:18 | |
Ric, Edward - locum consultant anaesthetist. | 0:12:18 | 0:12:22 | |
-You must be Serena's ex-husband. Welcome to Holby. -Thank you. | 0:12:22 | 0:12:25 | |
I got the memo. | 0:12:27 | 0:12:28 | |
Mary-Claire. | 0:12:28 | 0:12:30 | |
Are you going to carry that ridiculous cap around all day? | 0:12:30 | 0:12:32 | |
I told you - I got it for you. | 0:12:32 | 0:12:34 | |
Primary defence? | 0:12:34 | 0:12:36 | |
-You know it? -Know it? I spent three months in Cape Town | 0:12:36 | 0:12:38 | |
setting up a primary defence centre. | 0:12:38 | 0:12:39 | |
You were at Groote Schuur? | 0:12:39 | 0:12:41 | |
That's the model they're using in Chicago and in Boston. | 0:12:41 | 0:12:43 | |
Hello, Ric? Angiogram? | 0:12:43 | 0:12:46 | |
Oh, yeah. There's some shadowing. | 0:12:46 | 0:12:48 | |
Look, it'll be easier if you just take a look. | 0:12:48 | 0:12:50 | |
-You want to tag along? You might find it interesting. -Absolutely. | 0:12:50 | 0:12:53 | |
Hi, I just got a phone call from the creche - | 0:12:57 | 0:12:59 | |
my son Daniel had an accident? | 0:12:59 | 0:13:01 | |
Oh, I think your husband's just over there. | 0:13:01 | 0:13:03 | |
-OK? -Thank you. | 0:13:03 | 0:13:04 | |
He's fine. Just a little bump to the head, that's all. | 0:13:13 | 0:13:18 | |
I took him to the nurse for an ice-pack and some ice cream. | 0:13:18 | 0:13:21 | |
He just fell over. | 0:13:23 | 0:13:25 | |
Probably just a bit wibbly-wobbly from the jet lag. | 0:13:25 | 0:13:28 | |
Probably. | 0:13:30 | 0:13:31 | |
So... | 0:13:34 | 0:13:35 | |
..when did you get back? | 0:13:37 | 0:13:38 | |
We landed a couple of hours ago. | 0:13:39 | 0:13:41 | |
You haven't been home yet? | 0:13:41 | 0:13:43 | |
No. | 0:13:43 | 0:13:45 | |
PAGER BEEPS | 0:13:45 | 0:13:47 | |
Duty calls. | 0:13:50 | 0:13:53 | |
Can you come and see me? | 0:13:53 | 0:13:55 | |
After you've seen Daniel, of course. | 0:13:55 | 0:13:58 | |
-Yeah. I'll just do this and I'll be right over. -OK. | 0:13:58 | 0:14:01 | |
This is silly. You're so busy, | 0:14:08 | 0:14:11 | |
-and I... -Nicole, you said you had something to say? | 0:14:11 | 0:14:14 | |
-So, you've been doing some reading? -About procedure. About what I saw. | 0:14:14 | 0:14:18 | |
It doesn't tally. | 0:14:18 | 0:14:21 | |
Nuts, I know. | 0:14:21 | 0:14:23 | |
I even asked Professor Hope if there was a video. | 0:14:25 | 0:14:29 | |
I've read they often record this type of surgery. | 0:14:31 | 0:14:33 | |
You asked for a video? | 0:14:35 | 0:14:37 | |
What did Professor Hope say? | 0:14:37 | 0:14:39 | |
He said he'd look into it, | 0:14:39 | 0:14:41 | |
but I got the sense he thought I was...losing it. | 0:14:41 | 0:14:45 | |
You're not losing it. | 0:14:45 | 0:14:46 | |
What you saw was something no mother should ever see. | 0:14:47 | 0:14:50 | |
That's why we have procedures in place. | 0:14:50 | 0:14:53 | |
You witnessed the beginnings of an operation that would, ultimately, | 0:14:53 | 0:14:56 | |
see your daughter's heart give someone else life and hope. | 0:14:56 | 0:15:00 | |
One day, you'll understand that and accept it. | 0:15:01 | 0:15:05 | |
There was no video of the operation. | 0:15:05 | 0:15:07 | |
Even if there was, I wouldn't show it to you. | 0:15:07 | 0:15:09 | |
It wouldn't help you. Wouldn't help anyone. | 0:15:09 | 0:15:13 | |
Sorry, you're needed back on the ward. | 0:15:13 | 0:15:15 | |
Are you finished here? | 0:15:17 | 0:15:18 | |
Not quite. Could you take Ms Moss to the mortuary? | 0:15:18 | 0:15:23 | |
Tell them they're free to release | 0:15:23 | 0:15:25 | |
her daughter's body to the funeral home. | 0:15:25 | 0:15:28 | |
Lay Poppy to rest. Find some peace. | 0:15:29 | 0:15:33 | |
OK. Bye. Bye. | 0:15:41 | 0:15:43 | |
It's my boss. | 0:15:44 | 0:15:46 | |
He wants you to go to work? | 0:15:46 | 0:15:48 | |
He needs me. Call centres don't run themselves, you know. | 0:15:48 | 0:15:51 | |
Oh, you...you work in a call centre? | 0:15:51 | 0:15:53 | |
Do I look like the spawn of Satan? | 0:15:53 | 0:15:56 | |
It's my gift. | 0:15:56 | 0:15:57 | |
Somehow, making clients feel OK about being put endlessly on hold | 0:15:57 | 0:16:01 | |
or being transferred to endless different departments. | 0:16:01 | 0:16:04 | |
How's Lawrence? Can I see him? | 0:16:04 | 0:16:05 | |
Katherine, it's you we're worried about. | 0:16:05 | 0:16:09 | |
Just a bit tired, I can cope. | 0:16:09 | 0:16:10 | |
Actually, you're not coping. | 0:16:10 | 0:16:13 | |
Just sit down for me, just for a second. | 0:16:13 | 0:16:15 | |
Now, your BP and heart rate are rising very rapidly. | 0:16:18 | 0:16:23 | |
This is your body's way of sending you a message. | 0:16:23 | 0:16:26 | |
We're going to run some tests. | 0:16:26 | 0:16:28 | |
Gemma, can we have a chest CT, echo and ECG, please? Thank you. | 0:16:28 | 0:16:32 | |
What if I haven't got time for that? | 0:16:32 | 0:16:34 | |
Just think of it as us putting you put on hold | 0:16:34 | 0:16:36 | |
while we transfer you between departments. | 0:16:36 | 0:16:39 | |
I'll be back in a bit, OK? | 0:16:40 | 0:16:41 | |
You mentioned a previous injury? | 0:16:44 | 0:16:46 | |
Nerves were crushed. Lost all feeling in the leg, apparently. | 0:16:46 | 0:16:49 | |
Until today? What changed? | 0:16:49 | 0:16:51 | |
Something moved. | 0:16:51 | 0:16:52 | |
Unless I'm gravely mistaken, | 0:16:52 | 0:16:54 | |
Mr Howards has had a bullet in his leg for the last three years. | 0:16:54 | 0:16:58 | |
Woah! Amazing! You've still got it. | 0:16:58 | 0:17:00 | |
On which note, I've got a speech to write. Very good to meet you, Ric. | 0:17:00 | 0:17:04 | |
Still got it? Infuriating man. | 0:17:04 | 0:17:07 | |
What's the speech? | 0:17:08 | 0:17:09 | |
What? Oh, nothing. Listen, I've got a favour to ask. | 0:17:09 | 0:17:13 | |
Would you draw up a theatre plan for Mr Howards? | 0:17:13 | 0:17:15 | |
It's just I've got to be out of here by five for that dinner, | 0:17:15 | 0:17:18 | |
and, as it turns out, I need to find a plus one. | 0:17:18 | 0:17:21 | |
-Left it a bit late. -I know. And it can't just be anyone. | 0:17:22 | 0:17:25 | |
I need someone... | 0:17:25 | 0:17:27 | |
Someone suitably talented yet prestigious enough to | 0:17:27 | 0:17:31 | |
reflect your elevated status as a person of significance. | 0:17:31 | 0:17:36 | |
Exactly. | 0:17:36 | 0:17:37 | |
I don't suppose you...? | 0:17:39 | 0:17:41 | |
-Know anybody like that? -That'd be free, that is. | 0:17:41 | 0:17:45 | |
None that went to Harvard. | 0:17:47 | 0:17:49 | |
So, bit of a surprise to get the call from the creche. | 0:17:52 | 0:17:55 | |
It was a snap decision to return. | 0:17:56 | 0:17:58 | |
I just needed to be home. | 0:18:01 | 0:18:03 | |
Home? | 0:18:06 | 0:18:07 | |
Here. | 0:18:08 | 0:18:09 | |
I just needed... | 0:18:12 | 0:18:13 | |
-I just wanted... -PHONE RINGS | 0:18:14 | 0:18:17 | |
Hello? | 0:18:22 | 0:18:23 | |
Yeah, I'll be there in one minute. Thank you, Michael. | 0:18:25 | 0:18:29 | |
Michael? I thought he was with some emergency patient. | 0:18:31 | 0:18:34 | |
Yes, he is. | 0:18:36 | 0:18:37 | |
Sacha... | 0:18:39 | 0:18:40 | |
..I've... | 0:18:41 | 0:18:42 | |
..I've got... | 0:18:44 | 0:18:45 | |
..this friend...this old school friend... | 0:18:48 | 0:18:52 | |
..Sarah - she had some bad news three days ago. | 0:18:54 | 0:18:59 | |
So I've referred her to Michael. | 0:18:59 | 0:19:01 | |
Chrissie, that's terrible news. | 0:19:02 | 0:19:06 | |
Is there anything I can do? | 0:19:06 | 0:19:08 | |
No, but thank you. | 0:19:09 | 0:19:12 | |
Michael's dealing with it. | 0:19:13 | 0:19:16 | |
OK. | 0:19:16 | 0:19:17 | |
She's going for her scan now. | 0:19:17 | 0:19:19 | |
So I'd better... | 0:19:21 | 0:19:22 | |
Of course. Yeah, go. | 0:19:22 | 0:19:25 | |
You and me...we still need to talk, obviously. | 0:19:25 | 0:19:28 | |
Just call me when you're ready, OK? | 0:19:28 | 0:19:31 | |
Can you hear that? | 0:19:39 | 0:19:41 | |
What? | 0:19:41 | 0:19:43 | |
I keep hearing an echo, | 0:19:43 | 0:19:44 | |
like we're in a tunnel, or underwater. | 0:19:44 | 0:19:47 | |
No. I don't hear that. | 0:19:47 | 0:19:49 | |
Must be in my head. | 0:19:49 | 0:19:50 | |
What happened? | 0:19:52 | 0:19:54 | |
We're not sure. | 0:19:54 | 0:19:55 | |
Your line came out of your arm for maybe about an hour. | 0:19:55 | 0:19:57 | |
We're going to run some tests. | 0:19:57 | 0:19:59 | |
Is it serious? | 0:19:59 | 0:20:00 | |
Could be. We'll just have to see. | 0:20:00 | 0:20:03 | |
Maybe it's a sign. | 0:20:03 | 0:20:05 | |
Of what? | 0:20:05 | 0:20:06 | |
Rejection? That it's not meant to be. | 0:20:06 | 0:20:08 | |
Why are you so determined that this isn't going to work? | 0:20:09 | 0:20:14 | |
I didn't expect this, you know. Didn't ask for it. | 0:20:14 | 0:20:16 | |
It all happened so fast. | 0:20:16 | 0:20:17 | |
Yep, well, it had to. | 0:20:19 | 0:20:21 | |
I know that. It's just... | 0:20:21 | 0:20:24 | |
I've got someone else's heart inside me. She died - some girl, | 0:20:24 | 0:20:28 | |
someone's daughter. | 0:20:28 | 0:20:30 | |
-Why me? -It had to be someone. Why not you? | 0:20:30 | 0:20:34 | |
Maybe I don't deserve it. | 0:20:38 | 0:20:40 | |
I bought this for her three weeks ago. | 0:20:42 | 0:20:44 | |
Poppy'd been on at me for ages about it. | 0:20:46 | 0:20:48 | |
"25% off online." | 0:20:48 | 0:20:50 | |
She wanted to wear it, the day she... | 0:20:52 | 0:20:54 | |
The day of the accident. I said no. | 0:20:55 | 0:20:58 | |
That it was for special occasions only. | 0:20:59 | 0:21:01 | |
Well, she can wear it now. | 0:21:06 | 0:21:09 | |
I can give that to one of the technicians. | 0:21:09 | 0:21:11 | |
They'll pass it on to the funeral director if you want. | 0:21:11 | 0:21:13 | |
DOOR OPENS | 0:21:17 | 0:21:18 | |
She's in there, somewhere, isn't she? | 0:21:24 | 0:21:27 | |
You must think I'm crazy. Am I? | 0:21:30 | 0:21:32 | |
We think that you're a mother who just lost her daughter. | 0:21:32 | 0:21:36 | |
I'm a mother who withdrew her consent. | 0:21:36 | 0:21:38 | |
Who wanted to stop another girl's life being saved. | 0:21:39 | 0:21:42 | |
That was your right. It's everyone's right. | 0:21:42 | 0:21:45 | |
It's why the system works the way it does. | 0:21:45 | 0:21:47 | |
The system, procedure. I'm drowning in it. | 0:21:47 | 0:21:49 | |
I know that what happened, how it happened... | 0:21:55 | 0:21:59 | |
..wasn't textbook, so to speak. | 0:22:00 | 0:22:03 | |
But something just keeps niggling at me. | 0:22:05 | 0:22:08 | |
-The cut-off point? -Yeah. | 0:22:08 | 0:22:10 | |
I can understand that. | 0:22:10 | 0:22:12 | |
It seems like a straightforward directive, but, | 0:22:12 | 0:22:17 | |
in detail, it's messy. | 0:22:17 | 0:22:19 | |
"Where consent has been given, that consent cannot be withdrawn | 0:22:19 | 0:22:25 | |
"once an incision has been made to remove the organ. | 0:22:25 | 0:22:29 | |
"This must be made clear to the person giving consent." | 0:22:29 | 0:22:32 | |
The thing is, I keep going over it in my mind, | 0:22:36 | 0:22:41 | |
and I can't remember seeing an incision. | 0:22:41 | 0:22:45 | |
I looked at Poppy, at my daughter, | 0:22:45 | 0:22:48 | |
and I can't remember seeing something that must have been there. | 0:22:48 | 0:22:53 | |
And I don't know whether I'm starting to lose it, | 0:22:53 | 0:22:58 | |
to...come apart at the seams. | 0:22:58 | 0:23:00 | |
-Nicole... -You were there with me. | 0:23:00 | 0:23:03 | |
You saw. Tell me. | 0:23:03 | 0:23:07 | |
I'm not looking to blame anyone. I just need to know. | 0:23:07 | 0:23:11 | |
Need to...get what I think I saw out of my head. | 0:23:11 | 0:23:17 | |
SHE SOBS | 0:23:17 | 0:23:18 | |
Please? | 0:23:20 | 0:23:22 | |
Jonathan, Serena Campbell. How's Kings? Good, good. | 0:23:24 | 0:23:30 | |
Listen, how are you fixed for tonight? | 0:23:30 | 0:23:32 | |
I've got a spare ticket for the Harvard... | 0:23:32 | 0:23:34 | |
Why are you laughing? | 0:23:36 | 0:23:37 | |
That's not how I remember it. | 0:23:39 | 0:23:41 | |
Jonathan? Hello? | 0:23:42 | 0:23:44 | |
You busy? | 0:23:46 | 0:23:47 | |
Yes. | 0:23:47 | 0:23:49 | |
Doing what? | 0:23:49 | 0:23:50 | |
Scraping the bottom of a very deep barrel, | 0:23:50 | 0:23:52 | |
in what I can only imagine is an act of ritual self-humiliation. | 0:23:52 | 0:23:56 | |
Well, I hate to interrupt you. Lawrence Howards' theatre plan. | 0:23:58 | 0:24:02 | |
Thank you. | 0:24:02 | 0:24:03 | |
Mr Howards, we've identified the cause of your swelling, | 0:24:14 | 0:24:17 | |
and there is a surgical option. | 0:24:17 | 0:24:19 | |
OK. | 0:24:19 | 0:24:21 | |
You'll be pleased to hear we've discovered | 0:24:21 | 0:24:23 | |
the cause of your pre-existing injury. | 0:24:23 | 0:24:25 | |
Were you aware you had a bullet | 0:24:25 | 0:24:30 | |
lodged in your upper thigh? | 0:24:30 | 0:24:33 | |
Being shot is not something you forget. | 0:24:33 | 0:24:35 | |
Did someone forget to take it out? | 0:24:35 | 0:24:37 | |
It's just it's not mentioned in your patient records. | 0:24:37 | 0:24:40 | |
There is no record. I was in Thailand. | 0:24:40 | 0:24:43 | |
There was an...incident. | 0:24:43 | 0:24:46 | |
A stupid accident. | 0:24:46 | 0:24:48 | |
One that left you thinking you were crippled? | 0:24:48 | 0:24:50 | |
-Thinking? -What Mr Griffin means is that | 0:24:50 | 0:24:52 | |
your condition appears to be reversible. | 0:24:52 | 0:24:56 | |
The accident today has highlighted the fact that the bullet | 0:24:56 | 0:24:58 | |
has caused chronic infection and bleeding in the groin. | 0:24:58 | 0:25:01 | |
But we can take the bullet out, and do a graft... | 0:25:01 | 0:25:03 | |
What do you mean, reversible? | 0:25:03 | 0:25:07 | |
Well, you should be able to walk again. | 0:25:07 | 0:25:09 | |
This is a good thing, Mr Howards. | 0:25:14 | 0:25:15 | |
No. I don't want that. | 0:25:15 | 0:25:17 | |
-What? -I don't want my condition reversed. | 0:25:17 | 0:25:20 | |
I don't want the bullet removed. | 0:25:20 | 0:25:21 | |
But we have to in order to stop the bleeding. | 0:25:21 | 0:25:24 | |
Are you saying you'd rather die than not be crippled? | 0:25:24 | 0:25:28 | |
I'm saying find another way. The bullet stays. | 0:25:28 | 0:25:31 | |
Ms Howards? What are you doing? | 0:25:35 | 0:25:38 | |
Getting snacks. | 0:25:38 | 0:25:39 | |
That's not exactly the appropriate food for someone with tachycardia. | 0:25:41 | 0:25:45 | |
It's not for me. | 0:25:45 | 0:25:46 | |
Let me guess - your brother? | 0:25:47 | 0:25:48 | |
He's got nurses to look after him now. | 0:25:51 | 0:25:54 | |
It's not a burden. I don't mind. | 0:25:54 | 0:25:56 | |
You work nights, look after your brother during the day. | 0:25:56 | 0:25:59 | |
I take it you don't have any home help? | 0:25:59 | 0:26:01 | |
When do you sleep? | 0:26:02 | 0:26:04 | |
Sleep's for the weak. | 0:26:04 | 0:26:05 | |
What's she doing out of bed? | 0:26:10 | 0:26:12 | |
Running errands for her brother. | 0:26:12 | 0:26:14 | |
The skiver? | 0:26:14 | 0:26:15 | |
Come on, don't tell me you haven't thought it. | 0:26:15 | 0:26:17 | |
Dependency issues, or what? | 0:26:17 | 0:26:19 | |
Maybe he's genuinely in need of help. | 0:26:20 | 0:26:23 | |
I wasn't talking about him. | 0:26:23 | 0:26:25 | |
Her echo results. | 0:26:25 | 0:26:26 | |
Tests back? | 0:26:31 | 0:26:33 | |
More waiting. | 0:26:33 | 0:26:35 | |
Laura, how much does Hattie remember of Ben? | 0:26:39 | 0:26:43 | |
What, of his illness? | 0:26:43 | 0:26:45 | |
That too, but I meant in general. | 0:26:45 | 0:26:47 | |
Um, well, she was ten when he... | 0:26:47 | 0:26:52 | |
when he died. | 0:26:52 | 0:26:53 | |
I tried to protect her from the details. | 0:26:53 | 0:26:56 | |
She doesn't talk about him much any more. She did adore him, though. | 0:26:56 | 0:27:01 | |
She probably doesn't remember that, but... | 0:27:01 | 0:27:04 | |
The young tend to forget. | 0:27:04 | 0:27:06 | |
But you kept his memory alive, yeah? | 0:27:06 | 0:27:08 | |
Well, of course I did. He was my son. | 0:27:08 | 0:27:12 | |
It's not like I kept a shrine to him or anything. | 0:27:12 | 0:27:15 | |
Why, what's this about? | 0:27:16 | 0:27:17 | |
It's just something Hattie said, about not deserving the heart. | 0:27:17 | 0:27:21 | |
Why would she say that, or even think it? | 0:27:21 | 0:27:23 | |
I don't know. | 0:27:23 | 0:27:25 | |
But as you know, this process is incredibly complicated. | 0:27:25 | 0:27:28 | |
Emotionally, psychologically. | 0:27:28 | 0:27:32 | |
You think she pulled that line out herself? | 0:27:32 | 0:27:34 | |
That is practically suicidal. | 0:27:36 | 0:27:38 | |
She might not realise... | 0:27:38 | 0:27:40 | |
She won't, because she didn't do it. Mo, you have got a lot of nerve! | 0:27:40 | 0:27:44 | |
Trying to cover up for your staff. | 0:27:44 | 0:27:45 | |
My daughter's a heart recipient, not a head case! | 0:27:45 | 0:27:48 | |
At this rate, you'll take my place | 0:27:55 | 0:27:57 | |
as most hated doctor on the ward by tea time. | 0:27:57 | 0:27:59 | |
I think she disconnected that line herself. | 0:27:59 | 0:28:02 | |
I take it the mother didn't agree with your psych profile. | 0:28:02 | 0:28:05 | |
No. But she might agree with someone else's. | 0:28:05 | 0:28:07 | |
-Who? -"Shelliot." | 0:28:07 | 0:28:09 | |
There's signs of supraventricular tachycardia, | 0:28:26 | 0:28:28 | |
but you don't need a CT scan. | 0:28:28 | 0:28:30 | |
Have you done a tox screen? | 0:28:30 | 0:28:31 | |
What would I be looking for? | 0:28:31 | 0:28:32 | |
Amphetamines. Coke, Speed. Whatever. | 0:28:32 | 0:28:35 | |
There's no way Ms Howards is a drug user. | 0:28:35 | 0:28:38 | |
She's got the heart of an angel. | 0:28:38 | 0:28:39 | |
She's got the heart of a crack head, Sacha. | 0:28:39 | 0:28:41 | |
Beta blockers and 12 steps is what she needs, | 0:28:41 | 0:28:43 | |
not a cuddle and a cup of tea! | 0:28:43 | 0:28:45 | |
Chrissie's back. | 0:28:49 | 0:28:51 | |
What? Here? | 0:28:51 | 0:28:52 | |
I only found out because the creche rang looking for her. | 0:28:53 | 0:28:56 | |
When I asked Daniel where Mummy was, he said, "With Uncle Michael." | 0:28:58 | 0:29:02 | |
Michael Spence? | 0:29:02 | 0:29:04 | |
Yeah! Isn't that funny? | 0:29:04 | 0:29:05 | |
Isn't it a bit weird? You know, that she came back | 0:29:07 | 0:29:10 | |
without telling you, to see Michael? | 0:29:10 | 0:29:12 | |
Why would she do that? | 0:29:12 | 0:29:14 | |
Oh, turns out an old school friend of hers is very sick. | 0:29:14 | 0:29:18 | |
She referred her to Michael, jumped on the first plane home. | 0:29:18 | 0:29:21 | |
What's with the flyers? | 0:29:21 | 0:29:23 | |
It's a fund-raiser for Rachel. Quiz night in Albie's. | 0:29:23 | 0:29:27 | |
Although now Chrissie's back, I'm thinking I might make it karaoke. | 0:29:27 | 0:29:30 | |
This is going to sound crazy, | 0:29:30 | 0:29:32 | |
but it's how I won her over first time round. | 0:29:32 | 0:29:34 | |
So, maybe if she sees... | 0:29:34 | 0:29:36 | |
Stop! Sacha, just stop. | 0:29:36 | 0:29:37 | |
I saw her. I saw them together. | 0:29:41 | 0:29:44 | |
The morning she left, he drove her in. | 0:29:46 | 0:29:49 | |
She'd stayed with him. | 0:29:49 | 0:29:51 | |
Why didn't you tell me this before? | 0:29:59 | 0:30:01 | |
I...wasn't... | 0:30:02 | 0:30:03 | |
Mo. Why didn't you tell me this before? | 0:30:03 | 0:30:07 | |
I didn't want to hurt you. | 0:30:09 | 0:30:11 | |
But now you do? | 0:30:13 | 0:30:14 | |
Now you're willing to hurt me? | 0:30:22 | 0:30:24 | |
OK, I think I've got my beginning. | 0:30:29 | 0:30:31 | |
How lovely for you. We're busy. | 0:30:31 | 0:30:34 | |
Bullet man? He seems straightforward enough. | 0:30:34 | 0:30:36 | |
He's grown rather attached to the bullet. | 0:30:36 | 0:30:38 | |
I imagine he has, given it's in his leg. | 0:30:38 | 0:30:40 | |
It's more of a sentimental attachment. | 0:30:40 | 0:30:42 | |
Give it to him in a jar, like a kidney stone, or something. | 0:30:42 | 0:30:44 | |
He won't actually let us take it out. | 0:30:44 | 0:30:46 | |
What? Why? | 0:30:46 | 0:30:48 | |
Does it matter? | 0:30:48 | 0:30:50 | |
I guess not. | 0:30:50 | 0:30:52 | |
Then...work round it. | 0:30:52 | 0:30:54 | |
What do you think we're trying to do? It's not that simple. | 0:30:54 | 0:30:57 | |
We can't access the femoral without touching it. | 0:30:57 | 0:30:59 | |
We can't work in such a confined space. | 0:30:59 | 0:31:01 | |
Anaesthetics. All theory, no finesse. | 0:31:01 | 0:31:04 | |
I meant work round the problem - take the bullet out, fix the problem, then... | 0:31:04 | 0:31:07 | |
Then put the bullet back? | 0:31:07 | 0:31:09 | |
Genius, huh? Surgeons. All manual labour, no big picture. | 0:31:09 | 0:31:12 | |
Well, it would be genius. | 0:31:12 | 0:31:14 | |
It would also land us with a huge lawsuit. | 0:31:14 | 0:31:17 | |
We can't place a foreign body inside him, even if he says he wants it. | 0:31:17 | 0:31:20 | |
Well, don't put it back, then. Just tell him it's still inside him. | 0:31:20 | 0:31:23 | |
-How's he going to know any different? -A little thing called an X-ray. | 0:31:23 | 0:31:26 | |
Give him an old one. Or any one - he doesn't know what to look for. | 0:31:26 | 0:31:29 | |
Hattie, our tests have come back, and they're conclusive. | 0:31:33 | 0:31:38 | |
There's no signs of rejection. No signs of anything wrong at all. | 0:31:38 | 0:31:42 | |
That's wonderful. | 0:31:42 | 0:31:43 | |
But what about the symptoms? | 0:31:43 | 0:31:44 | |
The fatigue, breathlessness, flutters? All of it? | 0:31:44 | 0:31:47 | |
That's a very good question. | 0:31:47 | 0:31:49 | |
I'd like to introduce Dr Sharon Kozinsky. | 0:31:49 | 0:31:51 | |
She'd like to have a talk with you. | 0:31:51 | 0:31:52 | |
Chat, really. Nothing more than that. | 0:31:52 | 0:31:54 | |
-About what? -This and that. Nothing too heavy. | 0:31:54 | 0:31:56 | |
And the possibility that Hattie's symptoms are psychosomatic. | 0:31:56 | 0:31:59 | |
Thank you, Ms Effanga, I'll take it from here. | 0:31:59 | 0:32:02 | |
You think my daughter has psychological problems? | 0:32:02 | 0:32:04 | |
No-one is saying that. | 0:32:04 | 0:32:06 | |
Well, she did. | 0:32:06 | 0:32:07 | |
She almost as good as accused Hattie of tearing her own line out. | 0:32:07 | 0:32:10 | |
Did she? I wasn't aware of that. | 0:32:10 | 0:32:12 | |
I'm not having this. I'd rather take her out of here than... | 0:32:12 | 0:32:15 | |
Actually, why don't all of you leave me and Hattie in peace? | 0:32:15 | 0:32:18 | |
-It's OK. -Go on. | 0:32:18 | 0:32:20 | |
Remind me that you and I need to have a little chat later. | 0:32:23 | 0:32:26 | |
Well, that was all a bit awkward, wasn't it? | 0:32:29 | 0:32:33 | |
Tox screen results. | 0:32:46 | 0:32:47 | |
Oh, great. | 0:32:47 | 0:32:48 | |
Who would have thought it, eh? | 0:32:48 | 0:32:50 | |
I'll keep an eye out for her next time I'm at a rave. | 0:32:50 | 0:32:53 | |
Thanks. | 0:32:53 | 0:32:54 | |
It's not what you think. It's allenol. | 0:33:02 | 0:33:04 | |
-Allenol? Got ADHD, have you? -No. | 0:33:04 | 0:33:08 | |
I've got a mortgage to pay and a sibling that pretty much needs constant care. | 0:33:08 | 0:33:12 | |
And the only way I can pay for it is by working nights. | 0:33:12 | 0:33:14 | |
It keeps me going. | 0:33:14 | 0:33:16 | |
Katherine, it is killing you. You have to find a better way. | 0:33:16 | 0:33:20 | |
-Sorting your brother out would be a start. -He needs me. | 0:33:20 | 0:33:23 | |
He's refusing to let surgeons fix his mobility problem. | 0:33:23 | 0:33:26 | |
-They are saying they can reverse it. He's saying no. -Why? Why would he do that? | 0:33:26 | 0:33:30 | |
I don't know. You tell me. | 0:33:30 | 0:33:31 | |
He must be scared. He mustn't understand. | 0:33:31 | 0:33:33 | |
Do you know what? I think he understands perfectly. | 0:33:34 | 0:33:38 | |
He's so dependent on you - | 0:33:38 | 0:33:39 | |
so dependent on the life you provide - | 0:33:39 | 0:33:41 | |
that he's willing to stay a cripple than change a single thing. | 0:33:41 | 0:33:43 | |
Now, I have written you a prescription for some beta blockers. | 0:33:45 | 0:33:49 | |
You're discharged and you're free to go and do... | 0:33:49 | 0:33:51 | |
whatever it is you do. | 0:33:51 | 0:33:52 | |
She pulled her line out, Jonny. I know she did. | 0:33:58 | 0:34:01 | |
I had good reasons. For everything. | 0:34:04 | 0:34:06 | |
They weren't worth it. | 0:34:08 | 0:34:10 | |
Sorry? | 0:34:10 | 0:34:12 | |
Whatever your reasons. However good, they were not worth it. | 0:34:12 | 0:34:17 | |
Did something happen with Nicole? | 0:34:20 | 0:34:22 | |
She apologised to me... | 0:34:23 | 0:34:25 | |
..for being a monster - | 0:34:26 | 0:34:28 | |
for, erm, withdrawing consent. | 0:34:28 | 0:34:31 | |
Then she asked... | 0:34:31 | 0:34:32 | |
She begged me to tell her what I'd seen in that theatre. | 0:34:32 | 0:34:37 | |
-Because she's going out of her mind. -What did you say? | 0:34:37 | 0:34:40 | |
I looked her dead in the eye and I lied to her. | 0:34:40 | 0:34:43 | |
Because I love you. Because of everything we've had. | 0:34:43 | 0:34:48 | |
But I'm done. | 0:34:52 | 0:34:54 | |
You're done? | 0:34:55 | 0:34:56 | |
Look, I didn't ask for this. Any of it. | 0:34:56 | 0:35:00 | |
Laura came to me. Not once - twice. | 0:35:00 | 0:35:03 | |
She came to me - I didn't seek her out. | 0:35:03 | 0:35:05 | |
She asked me to save her children's lives and I tried. | 0:35:05 | 0:35:08 | |
I didn't ask for Poppy to die. | 0:35:09 | 0:35:11 | |
I didn't ask for Sacha to alert us to the possible organ. | 0:35:11 | 0:35:13 | |
I didn't ask for you to break procedure by speaking to a donor mother. | 0:35:13 | 0:35:17 | |
Didn't ask for the donor mother to come to theatre! | 0:35:17 | 0:35:21 | |
I didn't ask for any of it. But I dealt with it. | 0:35:21 | 0:35:24 | |
Focused on saving Hattie's life because I couldn't save Ben's. | 0:35:24 | 0:35:27 | |
And what thanks do I get? What support? | 0:35:27 | 0:35:30 | |
From you? From Laura, Sacha? | 0:35:30 | 0:35:32 | |
Questions, accusations, second-guessing. | 0:35:32 | 0:35:35 | |
A bloody birthday card. I didn't ask for any of this! | 0:35:35 | 0:35:38 | |
-What birthday card? -What? | 0:35:38 | 0:35:40 | |
You said you got a birthday card. It's not your... | 0:35:40 | 0:35:43 | |
What's going on, Mo? | 0:35:43 | 0:35:44 | |
Mo! | 0:35:46 | 0:35:47 | |
Serena, would you mind terribly | 0:35:51 | 0:35:53 | |
if I referenced meeting you at Harvard as part of my finale? | 0:35:53 | 0:35:57 | |
-What? -Who's your plus one? | 0:35:57 | 0:35:59 | |
-Why? -Well, I won't mention our Harvard... | 0:35:59 | 0:36:02 | |
experiences if it's going to make things awkward. | 0:36:02 | 0:36:06 | |
It won't make things awkward | 0:36:06 | 0:36:07 | |
because you won't be mentioning me in your speech at all. | 0:36:07 | 0:36:10 | |
-Is that clear? -Crystal. | 0:36:10 | 0:36:11 | |
-And you don't have to tell me who your plus one is. It's none of my business. -Correct. | 0:36:11 | 0:36:15 | |
It's just I got the weirdest message from Jonathan Waters. | 0:36:15 | 0:36:18 | |
You know - from King's... In fact, didn't you date him...? | 0:36:18 | 0:36:21 | |
-It's Ric. -Griffin? | 0:36:21 | 0:36:23 | |
-Yeah. -Wonderful. We'll have a blast. | 0:36:23 | 0:36:26 | |
-Ms Campbell? -Yes? -Mr Griffin wants to see you. | 0:36:31 | 0:36:33 | |
There's a problem with Mr Howards. | 0:36:33 | 0:36:35 | |
You want what? | 0:36:35 | 0:36:37 | |
I want an assurance that you won't remove the bullet from my leg. | 0:36:37 | 0:36:42 | |
And I want it in writing. | 0:36:42 | 0:36:44 | |
OK. I've just about had enough of this. | 0:36:44 | 0:36:46 | |
Mr Howards, you may have noticed a growing tightness in your leg. | 0:36:46 | 0:36:52 | |
That is because it is slowly filling with blood. | 0:36:52 | 0:36:56 | |
That's just the tip of the iceberg. | 0:36:56 | 0:36:58 | |
Sooner or later, the pressure will rip open your femoral artery. | 0:36:58 | 0:37:04 | |
Do you understand? | 0:37:04 | 0:37:05 | |
Find another way. | 0:37:05 | 0:37:06 | |
There isn't another way. Not a safe one. | 0:37:06 | 0:37:09 | |
Then try the unsafe one then! | 0:37:09 | 0:37:11 | |
Right. | 0:37:12 | 0:37:13 | |
It's true? | 0:37:21 | 0:37:22 | |
You're refusing treatment? Why? | 0:37:22 | 0:37:24 | |
I don't want things to change. | 0:37:24 | 0:37:27 | |
For us. | 0:37:27 | 0:37:28 | |
I cook for you. I clean for you. I clothe you. | 0:37:28 | 0:37:31 | |
I work myself into the ground just to provide for you. | 0:37:31 | 0:37:34 | |
Tell me - what exactly do I get out of this? | 0:37:34 | 0:37:36 | |
What kind of a life do you think this is for me? | 0:37:36 | 0:37:39 | |
The only life you have. | 0:37:39 | 0:37:40 | |
Oh, no, no, no, no. | 0:37:49 | 0:37:52 | |
Hey. | 0:38:02 | 0:38:04 | |
Oh, Sacha, hey. | 0:38:04 | 0:38:07 | |
How's Chrissie? | 0:38:07 | 0:38:09 | |
Chrissie? Um, yeah, good, I think... | 0:38:09 | 0:38:11 | |
And her friend? | 0:38:11 | 0:38:13 | |
Sarah, right. Well, she's...having her tests. | 0:38:14 | 0:38:18 | |
I think it's all going well, you know. She's...brave. | 0:38:18 | 0:38:23 | |
If you're looking for Chrissie... | 0:38:26 | 0:38:27 | |
Er, no, I was actually looking for you. | 0:38:27 | 0:38:30 | |
-Me? -Yeah. I just wanted to thank you, | 0:38:30 | 0:38:35 | |
for looking after Chrissie's friend. | 0:38:35 | 0:38:37 | |
Taking the day, pushing stuff through. | 0:38:38 | 0:38:40 | |
Yeah, well, Chrissie asked, so... | 0:38:41 | 0:38:44 | |
Yeah. | 0:38:44 | 0:38:46 | |
Well, I'll see you around. | 0:38:51 | 0:38:53 | |
OK. | 0:38:53 | 0:38:54 | |
I got a message to meet you. | 0:39:01 | 0:39:02 | |
Nurse Maconie, thank you for coming. | 0:39:02 | 0:39:04 | |
And thank you for your patience. | 0:39:06 | 0:39:08 | |
What I've got to say is as much to Nurse Maconie as it is to you. | 0:39:08 | 0:39:12 | |
Ms Moss, we've talked a bit about procedures, | 0:39:18 | 0:39:21 | |
but the fact is, the system doesn't actually work effectively. | 0:39:21 | 0:39:25 | |
The whole notion of opting in... | 0:39:25 | 0:39:27 | |
I've been a transplant registrar for seven years now. | 0:39:28 | 0:39:32 | |
Transplants save lives, | 0:39:32 | 0:39:34 | |
but the system stops the supply. | 0:39:34 | 0:39:36 | |
Even worse, it means families who are grieving | 0:39:36 | 0:39:39 | |
have to make terrible choices, | 0:39:39 | 0:39:42 | |
like turning off a switch. | 0:39:42 | 0:39:43 | |
That doesn't justify the fact that I misled you. | 0:39:44 | 0:39:47 | |
I wanted to give you some context. | 0:39:48 | 0:39:50 | |
It's not an excuse. | 0:39:50 | 0:39:52 | |
I misled you, and I compromised my colleagues and my department. | 0:39:52 | 0:39:55 | |
And for that, I'm sorry. Truly sorry. | 0:39:57 | 0:39:59 | |
You lied? | 0:40:09 | 0:40:10 | |
Yes. I'm sor... | 0:40:11 | 0:40:13 | |
You lied. | 0:40:15 | 0:40:16 | |
-Yes. -Nicole, stop! -Leave it, Mo! | 0:40:16 | 0:40:20 | |
Outside that room, with her body lying there, you lied. | 0:40:20 | 0:40:25 | |
Nicole, please, stop. | 0:40:25 | 0:40:28 | |
Who do I speak to? | 0:40:32 | 0:40:34 | |
Serena Campbell. It's Keller Ward. | 0:40:34 | 0:40:37 | |
Jonny, you didn't deserve that. I'm so sor... | 0:40:40 | 0:40:42 | |
Yeah, I did. | 0:40:42 | 0:40:43 | |
And we both deserve whatever's coming next. | 0:40:45 | 0:40:48 | |
How do I look? | 0:40:52 | 0:40:55 | |
About two minutes away from being fired. | 0:40:55 | 0:40:56 | |
-Come on, don't be like that. -Like what? | 0:40:56 | 0:40:58 | |
OK. I'm sorry. I just thought... | 0:40:58 | 0:41:00 | |
I'm looking forward to this evening, for both of us. | 0:41:00 | 0:41:02 | |
If I've overstepped... | 0:41:02 | 0:41:04 | |
Oh, sorry. | 0:41:04 | 0:41:06 | |
Truth is, I haven't even thought about this dinner | 0:41:06 | 0:41:08 | |
until Elinor talked to me about it the other night. | 0:41:08 | 0:41:11 | |
How you were networking... What? | 0:41:11 | 0:41:13 | |
No. I can't... | 0:41:13 | 0:41:15 | |
-I can't do this. -What? | 0:41:15 | 0:41:17 | |
This. You being in my space. | 0:41:17 | 0:41:20 | |
We have boundaries, Edward. | 0:41:20 | 0:41:24 | |
For years, we've worked in different places, seen different friends, | 0:41:24 | 0:41:29 | |
lived different lives. | 0:41:29 | 0:41:31 | |
And we never, ever, talk about Elinor, except on education, | 0:41:31 | 0:41:35 | |
health and trust fund. | 0:41:35 | 0:41:37 | |
Those are the rules. | 0:41:37 | 0:41:38 | |
And yet, in the space of, oh, what, two weeks? | 0:41:39 | 0:41:43 | |
You're in my office, like you own it. | 0:41:43 | 0:41:46 | |
You're in my social life, like you're the centre of it. | 0:41:46 | 0:41:48 | |
And talking about our daughter as if she was your best friend. | 0:41:48 | 0:41:53 | |
You're right. You're right. | 0:41:53 | 0:41:55 | |
If you don't want me to go tonight, I won't. | 0:41:55 | 0:41:57 | |
I don't want you to go tonight. | 0:41:57 | 0:41:59 | |
OK. | 0:42:01 | 0:42:02 | |
PHONE RINGS | 0:42:05 | 0:42:08 | |
What? | 0:42:08 | 0:42:09 | |
What's the complaint? | 0:42:12 | 0:42:13 | |
The aspiration revealed a discoloured fluid. | 0:42:16 | 0:42:19 | |
There were some red cells, | 0:42:19 | 0:42:22 | |
but also discohesive cells that had random polarity, | 0:42:22 | 0:42:26 | |
high-grade nuclear atypia, absence of any myoepithelial cells. | 0:42:26 | 0:42:31 | |
Bottom line, Michael. Please. | 0:42:32 | 0:42:35 | |
We need to do a Trucut. | 0:42:36 | 0:42:40 | |
There's still a chance this isn't... | 0:42:40 | 0:42:43 | |
but you should start to prepare yourself. Emotionally. | 0:42:43 | 0:42:46 | |
You're going to need people. Support. Emotionally. | 0:42:47 | 0:42:51 | |
You're going to need your family. | 0:42:53 | 0:42:55 | |
Dr Levy? | 0:42:55 | 0:42:58 | |
Ms Effanga tells me you've been hearing echoes, | 0:42:59 | 0:43:04 | |
like you're underwater? Want to tell me about that? | 0:43:04 | 0:43:06 | |
Why? Is it a psychological thing? | 0:43:06 | 0:43:08 | |
Don't know, probably not. Still, humour me. | 0:43:08 | 0:43:12 | |
It's been bad the last couple of weeks. | 0:43:14 | 0:43:17 | |
-Louder. -Louder? So it was there before? | 0:43:17 | 0:43:20 | |
For how long? A month, two months? | 0:43:21 | 0:43:25 | |
I don't know - six months. Does it matter? | 0:43:25 | 0:43:28 | |
When I was your age, I used to get these...panic attacks. | 0:43:28 | 0:43:33 | |
Hard to believe, I know. | 0:43:34 | 0:43:36 | |
But it led to me being interested in psychiatry, | 0:43:36 | 0:43:39 | |
so - silver linings and all that. | 0:43:39 | 0:43:42 | |
You think I'm having panic attacks? | 0:43:42 | 0:43:45 | |
I think you're feeling overwhelmed. | 0:43:45 | 0:43:47 | |
Two weeks ago, you found out you were dying... | 0:43:47 | 0:43:50 | |
..just like your brother. | 0:43:52 | 0:43:54 | |
Then you were saved, | 0:43:55 | 0:43:58 | |
only to find that someone else had died to save you. | 0:43:58 | 0:44:02 | |
I'd find that pretty overwhelming. | 0:44:05 | 0:44:07 | |
It wasn't an accident, you know. | 0:44:10 | 0:44:12 | |
Yes, I'd guessed that. Hard to get accidentally shot in the derriere. | 0:44:12 | 0:44:17 | |
What was it? Carjacking? Robbery gone wrong? | 0:44:19 | 0:44:23 | |
It was his fiancee. His mail-order bride. | 0:44:23 | 0:44:28 | |
Fell in love over the internet, or thought he had. | 0:44:28 | 0:44:32 | |
Spent a fortune and everything. Can you believe that? | 0:44:32 | 0:44:34 | |
He flew out to Chiang Mai to bring her home | 0:44:34 | 0:44:36 | |
and found out it was all a scam. | 0:44:36 | 0:44:39 | |
And she...shot him? | 0:44:39 | 0:44:41 | |
Rifle. He wouldn't take no for an answer. | 0:44:42 | 0:44:45 | |
THEY LAUGH | 0:44:48 | 0:44:51 | |
You are terrible. | 0:44:52 | 0:44:53 | |
Oh, I'm so sorry. | 0:44:58 | 0:45:00 | |
It's been one of those days. | 0:45:02 | 0:45:04 | |
He's just so shy, so awkward with people. | 0:45:04 | 0:45:08 | |
When he met this girl | 0:45:08 | 0:45:10 | |
and she seemed to like him, it was a blessing - I encouraged it. | 0:45:10 | 0:45:12 | |
You can't take the blame for other people's choices. | 0:45:14 | 0:45:17 | |
No. But I can take responsibility for my own. | 0:45:17 | 0:45:20 | |
Look, I'm in my 40s, no relationship, dead-end job, | 0:45:22 | 0:45:26 | |
no real chance of having a family of my own. | 0:45:26 | 0:45:29 | |
It was easier looking after him. | 0:45:29 | 0:45:32 | |
Living for him. | 0:45:32 | 0:45:34 | |
You deserve better. | 0:45:34 | 0:45:35 | |
We both do. | 0:45:37 | 0:45:38 | |
-Ms Moss is extremely angry. -I know. | 0:45:44 | 0:45:46 | |
And if these charges are true, she has every right to be. | 0:45:46 | 0:45:49 | |
-I know. -As do your colleagues. | 0:45:49 | 0:45:52 | |
I know. | 0:45:52 | 0:45:53 | |
The charges are true. I did it. | 0:45:55 | 0:45:57 | |
I lied about the cut-off point. | 0:45:57 | 0:45:59 | |
It was me and me alone. I take full responsibility. | 0:45:59 | 0:46:02 | |
What happened? | 0:46:04 | 0:46:05 | |
Just trying to save a girl's life. | 0:46:05 | 0:46:08 | |
I'm not sure I even succeeded at that. | 0:46:08 | 0:46:10 | |
It wasn't worth it. | 0:46:11 | 0:46:13 | |
Look, I'll do everything I can, | 0:46:14 | 0:46:15 | |
but if she goes ahead with a formal complaint... | 0:46:15 | 0:46:18 | |
I understand. Thanks. | 0:46:18 | 0:46:20 | |
I'm feeling overwhelmed. So what? | 0:46:27 | 0:46:29 | |
What does that have to do with feeling sick? | 0:46:31 | 0:46:33 | |
Being barely able to walk a few steps without collapsing, | 0:46:33 | 0:46:36 | |
without feeling...wrong? | 0:46:36 | 0:46:39 | |
Interesting word. Is that how you feel? "Wrong"? | 0:46:39 | 0:46:42 | |
It's just a word. | 0:46:42 | 0:46:43 | |
Your notes say that you're taking citalopram. | 0:46:46 | 0:46:48 | |
Why are you taking anti-depressants, Hattie? | 0:46:50 | 0:46:53 | |
You know. You must if it's on the notes. | 0:46:53 | 0:46:56 | |
I had an abortion. So what? | 0:46:59 | 0:47:02 | |
When did this happen? Was it six months ago? | 0:47:02 | 0:47:06 | |
Round the time you started hearing echoes? | 0:47:09 | 0:47:12 | |
Feeling like you were underwater? | 0:47:15 | 0:47:17 | |
Under pressure? | 0:47:19 | 0:47:20 | |
Drowning? | 0:47:22 | 0:47:24 | |
You're not wrong to feel what you're feeling. | 0:47:30 | 0:47:33 | |
You've done nothing to be ashamed about. | 0:47:33 | 0:47:35 | |
You're just a kid who has been through more than most could handle. | 0:47:35 | 0:47:40 | |
You deserve. | 0:47:40 | 0:47:41 | |
Edward, it's me. Look, go to the dinner, | 0:47:45 | 0:47:47 | |
I've no right to tell you not to. | 0:47:47 | 0:47:48 | |
It's just as much your history as mine. | 0:47:48 | 0:47:51 | |
I doubt I will be able to go anyway, | 0:47:51 | 0:47:52 | |
which is probably best for both of us. | 0:47:52 | 0:47:55 | |
Everything else I said still stands. | 0:47:55 | 0:47:58 | |
We're taking Lawrence Howards into theatre now. | 0:47:58 | 0:48:01 | |
We're taking out that bullet, patching his leg | 0:48:01 | 0:48:04 | |
and sending him on his way. | 0:48:04 | 0:48:05 | |
What if he sues? | 0:48:05 | 0:48:07 | |
He's welcome to try. | 0:48:07 | 0:48:08 | |
I'm sorry about being angry before. | 0:48:10 | 0:48:12 | |
It's OK. I knew you'd understand. | 0:48:12 | 0:48:15 | |
Yeah, I understand. | 0:48:16 | 0:48:18 | |
It's time. | 0:48:23 | 0:48:24 | |
To do what? | 0:48:24 | 0:48:26 | |
Move on. | 0:48:26 | 0:48:27 | |
The decision about the surgery is totally down to you. | 0:48:27 | 0:48:31 | |
But I want a life. My life. It's been three years. | 0:48:31 | 0:48:33 | |
I've given enough to you. | 0:48:33 | 0:48:35 | |
So, whatever choice you make, when you come back - | 0:48:35 | 0:48:38 | |
if you come back - I want you to move out. | 0:48:38 | 0:48:41 | |
Where am I supposed to go? What am I supposed to do? | 0:48:41 | 0:48:44 | |
Live. | 0:48:44 | 0:48:45 | |
Get a life. That's what I intend to do. | 0:48:47 | 0:48:51 | |
Mr Howards, we're taking you into theatre now. | 0:48:51 | 0:48:55 | |
We are removing the bullet and fixing your leg. | 0:48:55 | 0:48:59 | |
Feel free not to use it, and feel free to sue me. | 0:48:59 | 0:49:02 | |
That's the stuff, you're doing beautifully. | 0:49:14 | 0:49:17 | |
I'm sorry. You were right. | 0:49:34 | 0:49:36 | |
You don't have to be sorry for anything. | 0:49:36 | 0:49:39 | |
Nicole, you really can't be here. | 0:49:42 | 0:49:44 | |
That's her. | 0:49:44 | 0:49:46 | |
That's the girl? | 0:49:46 | 0:49:48 | |
Yeah. | 0:49:49 | 0:49:51 | |
It's OK. | 0:50:01 | 0:50:02 | |
Nicole, this is Hattie. Hattie, this is Nicole Moss... | 0:50:05 | 0:50:10 | |
Thank you. I can't thank you, and your daughter... | 0:50:12 | 0:50:16 | |
Poppy. Her name was Poppy. | 0:50:16 | 0:50:20 | |
No. It's my mess. | 0:50:25 | 0:50:28 | |
I know I said earlier that the system's flawed. And it is. | 0:50:44 | 0:50:49 | |
But it's there for a reason - | 0:50:49 | 0:50:51 | |
to stop this, what you're going through. | 0:50:51 | 0:50:54 | |
I broke the rules. I'm so sorry. | 0:50:56 | 0:51:00 | |
-I don't expect you to forgive me. -Is she going to live? That girl? | 0:51:00 | 0:51:03 | |
Hattie? | 0:51:03 | 0:51:04 | |
-Did it work? -Yeah, it did. | 0:51:05 | 0:51:08 | |
I'm so sorry you had to see that. | 0:51:11 | 0:51:14 | |
I can't imagine what you're feeling. | 0:51:14 | 0:51:16 | |
You know what I couldn't stop thinking? | 0:51:16 | 0:51:18 | |
That this is what Poppy wanted. This is what she wanted. | 0:51:21 | 0:51:27 | |
And looking at her... | 0:51:29 | 0:51:30 | |
..it was all worth it. | 0:51:32 | 0:51:34 | |
SHE WAILS | 0:51:39 | 0:51:42 | |
I'm so sorry. | 0:51:42 | 0:51:43 | |
SHE WAILS | 0:51:51 | 0:51:53 | |
Got something for you. | 0:52:00 | 0:52:02 | |
Souvenir. One bullet. | 0:52:02 | 0:52:05 | |
I suppose you've heard the story? | 0:52:08 | 0:52:10 | |
Yeah, there's a pretty good grapevine round here. | 0:52:10 | 0:52:13 | |
I don't understand. Why on Earth wouldn't you want to walk again? | 0:52:17 | 0:52:22 | |
Nothing to walk for. | 0:52:24 | 0:52:26 | |
It's a big world out there, Mr Howards. | 0:52:26 | 0:52:28 | |
Not a world I want any part of. | 0:52:28 | 0:52:30 | |
It's easier that way. | 0:52:31 | 0:52:33 | |
Easier to...opt out. | 0:52:34 | 0:52:37 | |
I don't believe in giving up. | 0:52:37 | 0:52:38 | |
I haven't given up. | 0:52:38 | 0:52:40 | |
Some wounds never heal. | 0:52:43 | 0:52:44 | |
I miss "Monny". | 0:52:50 | 0:52:52 | |
"Monny"? | 0:52:52 | 0:52:53 | |
Us. It's a contraction of Mo and Jonny. | 0:52:53 | 0:52:56 | |
I'm familiar with the convention, I've just never heard you use it. | 0:52:56 | 0:52:59 | |
Yeah, it was Sacha's idea. | 0:52:59 | 0:53:01 | |
I know it's a bit lame, but... | 0:53:01 | 0:53:02 | |
We're still us. We're still "Monny". | 0:53:04 | 0:53:06 | |
Nope. We're not. | 0:53:06 | 0:53:08 | |
Look, if this is about today... | 0:53:09 | 0:53:11 | |
It's not about today. | 0:53:11 | 0:53:13 | |
It's "Jac" now. Jonny and Jac. | 0:53:13 | 0:53:16 | |
"Janny!" You see - it all fits. | 0:53:16 | 0:53:19 | |
We're not even together. | 0:53:19 | 0:53:21 | |
We'll see... | 0:53:21 | 0:53:22 | |
Jonny Mac? | 0:53:23 | 0:53:25 | |
-Yep? -Thank you. | 0:53:25 | 0:53:27 | |
What for? | 0:53:27 | 0:53:28 | |
Everything. | 0:53:28 | 0:53:30 | |
Just checking - Hattie OK? | 0:53:33 | 0:53:35 | |
More than OK. Thank you. | 0:53:35 | 0:53:36 | |
It's my job. | 0:53:36 | 0:53:38 | |
Speaking of which, do you and I need to talk? | 0:53:38 | 0:53:41 | |
Nah. I'm good. | 0:53:41 | 0:53:43 | |
What on Earth are you doing? | 0:54:05 | 0:54:08 | |
Don't worry about it, Serena, it's called looking cool. | 0:54:08 | 0:54:11 | |
You look ridiculous. | 0:54:11 | 0:54:13 | |
Primary defence is a good idea, Serena. | 0:54:15 | 0:54:18 | |
OK. I'll look into it. | 0:54:20 | 0:54:22 | |
Well, if you hurry, you can still catch the end of Edward's speech. | 0:54:25 | 0:54:29 | |
Yes, I'd need to be very drunk to enjoy that. | 0:54:29 | 0:54:31 | |
Join me? | 0:54:32 | 0:54:34 | |
Thank you. | 0:54:34 | 0:54:35 | |
I have a confession to make. | 0:54:37 | 0:54:39 | |
I told Edward you were my plus one. | 0:54:41 | 0:54:44 | |
Yes, I know. He told me. | 0:54:44 | 0:54:47 | |
He congratulated me - told me what a lucky guy I was. | 0:54:47 | 0:54:51 | |
Oh, dear. Sorry. What did you say? | 0:54:51 | 0:54:54 | |
I played along. | 0:54:56 | 0:54:57 | |
I figured it was the right thing to do under the circumstances. | 0:54:57 | 0:55:01 | |
Well, that was incredibly gallant of you, Ric. | 0:55:01 | 0:55:04 | |
Thank you. | 0:55:04 | 0:55:05 | |
Though part of you must be enjoying every moment of my humiliation. | 0:55:05 | 0:55:10 | |
Yes. Quite a large part, actually. | 0:55:10 | 0:55:12 | |
Edward must be some sort of guy to make a woman | 0:55:13 | 0:55:16 | |
as formidable as you act in such crazy way as you did today. | 0:55:16 | 0:55:20 | |
Oh, yes. He's that all right. | 0:55:20 | 0:55:21 | |
He's like a scab that never quite heals. | 0:55:21 | 0:55:25 | |
To old wounds. | 0:55:25 | 0:55:26 | |
Actually... | 0:55:27 | 0:55:29 | |
Mr Griffin, would you do me the honour of accompanying me to a dinner? | 0:55:29 | 0:55:33 | |
It's not a trap. | 0:55:34 | 0:55:35 | |
It's not a date, is it? | 0:55:36 | 0:55:38 | |
God, no. | 0:55:38 | 0:55:39 | |
All right, I better get my frock. | 0:55:42 | 0:55:45 | |
Sacha. | 0:55:57 | 0:55:59 | |
You're not happy. | 0:56:00 | 0:56:01 | |
No. Please, can we talk in here? | 0:56:02 | 0:56:06 | |
Listen... | 0:56:06 | 0:56:08 | |
I lied to you... | 0:56:10 | 0:56:11 | |
..about Daniel, and that was wrong. | 0:56:12 | 0:56:15 | |
But we haven't been good for a long while now. Have we? | 0:56:17 | 0:56:20 | |
When was the last time that we were really happy? | 0:56:21 | 0:56:24 | |
At the same time, I mean. | 0:56:26 | 0:56:28 | |
Sacha... | 0:56:31 | 0:56:32 | |
I love you, | 0:56:32 | 0:56:35 | |
and I think you love me too... | 0:56:35 | 0:56:37 | |
I do. | 0:56:39 | 0:56:40 | |
I can't give you what you need. | 0:56:46 | 0:56:49 | |
I can't make you happy. | 0:56:51 | 0:56:52 | |
And if you're not, then I can't be. | 0:56:54 | 0:56:57 | |
I'm going to collect Daniel from the creche. I'm going to take him home. | 0:57:00 | 0:57:05 | |
And then when you get home, | 0:57:06 | 0:57:08 | |
I'm going to pack a bag and go and stay at Mum's. | 0:57:08 | 0:57:11 | |
Are you leaving me? | 0:57:14 | 0:57:16 | |
We're separating. | 0:57:20 | 0:57:21 | |
It's the only way it'll work. For us. For Daniel. | 0:57:23 | 0:57:27 | |
We deserve so much better, Chrissie. All of us. | 0:57:30 | 0:57:33 | |
OK. | 0:57:35 | 0:57:36 | |
OK, I just need to... | 0:57:39 | 0:57:40 | |
Listen, just take your time, OK? I'll be with Daniel. | 0:57:40 | 0:57:44 | |
How is she? | 0:57:54 | 0:57:55 | |
Sarah? | 0:58:02 | 0:58:03 | |
She's scared. | 0:58:06 | 0:58:08 | |
Is she going to be OK? | 0:58:08 | 0:58:10 | |
I hope so. | 0:58:12 | 0:58:15 | |
Yeah, me too. | 0:58:15 | 0:58:17 | |
Goodbye, Sacha. | 0:58:20 | 0:58:22 | |
Subtitles by Red Bee Media Ltd | 0:58:37 | 0:58:39 |