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Damn. Surgicel. Suction. | 0:00:39 | 0:00:42 | |
Digby, concentrate, I can't see a bloody thing. | 0:00:42 | 0:00:44 | |
If someone were to try and ask me out again... | 0:00:44 | 0:00:48 | |
they might be surprised by the outcome. | 0:00:48 | 0:00:50 | |
Pleasantly surprised? | 0:00:50 | 0:00:52 | |
Do you like sea food? | 0:00:52 | 0:00:54 | |
Insert a lumber drain before Professor Hope leaves theatre. | 0:00:54 | 0:00:57 | |
Pity we couldn't get that last bit of tumour. | 0:00:57 | 0:00:59 | |
Pity? | 0:00:59 | 0:01:01 | |
I'm in. But I have terms. | 0:01:01 | 0:01:02 | |
Excellent, they'll all be addressed. | 0:01:02 | 0:01:05 | |
You have to tell him, OK? | 0:01:05 | 0:01:06 | |
Right, I'm now closing the atrial appendage | 0:01:16 | 0:01:21 | |
which of course reduces the risk of stroke. | 0:01:21 | 0:01:23 | |
Ladies and gentlemen, can I just say it's so good to be back? | 0:01:27 | 0:01:30 | |
Cut. | 0:01:31 | 0:01:32 | |
Do you see what I mean?! | 0:01:35 | 0:01:37 | |
Yes, I do. | 0:01:37 | 0:01:39 | |
So how many do you think you need? | 0:01:42 | 0:01:43 | |
Wish list - four nurses. | 0:01:43 | 0:01:45 | |
At a push I can manage with a couple. | 0:01:45 | 0:01:47 | |
I'll see what I can do but you know... | 0:01:47 | 0:01:49 | |
Yeah, I know. No promises, right? | 0:01:49 | 0:01:51 | |
Look, I can promise I'll find you at least one extra nurse. | 0:01:52 | 0:01:55 | |
Thanks, Colette. | 0:01:55 | 0:01:56 | |
Promoting you was a logical decision. | 0:02:01 | 0:02:04 | |
In my view managing your own ward is the natural next step | 0:02:04 | 0:02:09 | |
in your career progression. | 0:02:09 | 0:02:11 | |
However, on the personal side... | 0:02:11 | 0:02:14 | |
this penchant you have for older women... | 0:02:14 | 0:02:17 | |
Put a lid on it. | 0:02:17 | 0:02:19 | |
No more work place liaisons. | 0:02:19 | 0:02:21 | |
Emotional involvement with nurses - off the agenda. | 0:02:21 | 0:02:25 | |
Till you're through the probationary period anyway. | 0:02:27 | 0:02:29 | |
-From now on I have no personal life. -Excellent. | 0:02:29 | 0:02:31 | |
Dwelling on the past is a waste of time. | 0:02:31 | 0:02:33 | |
Our focus at Holby should always be on the future. | 0:02:33 | 0:02:36 | |
And my immediate future is checking in with the DNS. | 0:02:36 | 0:02:38 | |
Colette does know that this is happening right? | 0:02:41 | 0:02:43 | |
Colette is... | 0:02:43 | 0:02:45 | |
It's an upper managerial issue. | 0:02:45 | 0:02:47 | |
I just need you to hit the ground running. | 0:02:47 | 0:02:49 | |
-But this is going to be hard enough... -Fletch, please. | 0:02:49 | 0:02:52 | |
Don't make me think I've made the wrong choice already. | 0:02:52 | 0:02:55 | |
Thank you. | 0:02:59 | 0:03:01 | |
Phone? | 0:03:05 | 0:03:06 | |
Phone. Car. | 0:03:06 | 0:03:08 | |
Well done, everyone. Good, excellent work. | 0:03:19 | 0:03:21 | |
Could you close up, please? | 0:03:21 | 0:03:23 | |
Lovely, thank you very much. | 0:03:23 | 0:03:25 | |
OK, let's see what's up next. | 0:03:25 | 0:03:28 | |
Morning. | 0:03:33 | 0:03:34 | |
Morning. | 0:03:34 | 0:03:36 | |
Listen, I've got one of those internet deals. | 0:03:36 | 0:03:40 | |
It's like a free bottle of house red at Rodolfo's. | 0:03:40 | 0:03:44 | |
Could I tempt you? | 0:03:44 | 0:03:45 | |
Oh, Mrs Jakiel. | 0:03:48 | 0:03:49 | |
Now, have you done something to your hair? | 0:03:49 | 0:03:51 | |
Midnight Nutmeg. Your mother said I should cover up the grey. | 0:03:51 | 0:03:54 | |
Makes me look ten years younger, don't you think? | 0:03:54 | 0:03:57 | |
15 at least. All set for today? | 0:03:57 | 0:04:00 | |
Of course. Don't let me interrupt you. | 0:04:00 | 0:04:03 | |
Rodolfo's. When? | 0:04:09 | 0:04:11 | |
Tonight. It's the last night of the deal. | 0:04:12 | 0:04:16 | |
-I can't. -That's OK. -LIFT DINGS | 0:04:16 | 0:04:18 | |
Don't worry about it. It was just on the off-chance. | 0:04:18 | 0:04:21 | |
-LIFT: -Doors opening. | 0:04:21 | 0:04:22 | |
Sorry. | 0:04:22 | 0:04:23 | |
But he's not back until tomorrow. | 0:04:29 | 0:04:30 | |
I should be in charge for one more day. Today is my last day... | 0:04:30 | 0:04:33 | |
Soz. Looks like you've got to put your crown back in its box early. | 0:04:33 | 0:04:37 | |
Hey, I'm just as happy as you are that Elliot's back. | 0:04:37 | 0:04:40 | |
Ah, I knew I should've brought it in. | 0:04:41 | 0:04:43 | |
-What? -I made a banner. | 0:04:43 | 0:04:45 | |
Of course. A banner. | 0:04:45 | 0:04:46 | |
Hello. | 0:04:48 | 0:04:49 | |
Hey! Look at you! You look the bomb, professor! | 0:04:49 | 0:04:53 | |
Adele and Mo. | 0:04:53 | 0:04:56 | |
Should I have called? Should I have told you? | 0:04:56 | 0:04:58 | |
I should have called. I'm so sorry... | 0:04:58 | 0:05:00 | |
Yeah! You so should have called. I made a banner. It's at home now! | 0:05:00 | 0:05:04 | |
I wasn't expecting you back until tomorrow. | 0:05:04 | 0:05:06 | |
You sure you really want to take this much on | 0:05:06 | 0:05:08 | |
-a day before schedule? -No other way. | 0:05:08 | 0:05:10 | |
It's bike riding. I'm fine. Better than fine. | 0:05:10 | 0:05:13 | |
Ready to be a proper bomb. | 0:05:15 | 0:05:16 | |
Yay, Professor! You hit those pedals. | 0:05:19 | 0:05:21 | |
Sacha Levy, General Surgical Registrar - | 0:05:25 | 0:05:29 | |
what's not to be proud of? | 0:05:29 | 0:05:31 | |
Newly appointed Acting Consultant actually. | 0:05:31 | 0:05:34 | |
That's good? That's very good, is it? | 0:05:34 | 0:05:37 | |
Oh, yes. | 0:05:37 | 0:05:39 | |
So, Vera Henry. | 0:05:39 | 0:05:40 | |
You stripped her left leg in April. | 0:05:42 | 0:05:45 | |
Do you remember her? Redhead. A widow. | 0:05:45 | 0:05:48 | |
Her husband was a Parisian piano tuner. | 0:05:48 | 0:05:51 | |
-FRENCH ACCENT: -Ah, oui, oui, oui! I remember Madam 'Enry. | 0:05:52 | 0:05:56 | |
Dr Digby, would you like to talk us through this procedure, please? | 0:05:56 | 0:05:59 | |
Yes. So your avulsions will be performed | 0:05:59 | 0:06:02 | |
under general anaesthetic. | 0:06:02 | 0:06:04 | |
Is that what Vera had? | 0:06:05 | 0:06:06 | |
You know we can't discuss another patient's treatment. | 0:06:06 | 0:06:09 | |
She would have done. Trollop. She has no scars. | 0:06:09 | 0:06:13 | |
Many people can attest to that fact, if you take my meaning. | 0:06:13 | 0:06:17 | |
Well, recovery times depend on many factors, so... | 0:06:17 | 0:06:20 | |
Well, Vera was done in the morning and home by tea. | 0:06:20 | 0:06:23 | |
Yes, but in your case, | 0:06:23 | 0:06:26 | |
because we're going to be tackling the veins on both your legs, | 0:06:26 | 0:06:29 | |
you're going to be with us overnight. | 0:06:29 | 0:06:31 | |
Oh, well, as long as I'm going home with no scars. | 0:06:31 | 0:06:34 | |
(May I have a word with my consultant in private?) | 0:06:37 | 0:06:41 | |
Of course. | 0:06:41 | 0:06:43 | |
It is a procedure with an excellent success rate. | 0:06:47 | 0:06:50 | |
I know. Vera wearing sheer 20-denier stockings. | 0:06:50 | 0:06:54 | |
That young nurse in the lift, I saw the dork she came in with. | 0:06:55 | 0:07:00 | |
Now, what's the story there? | 0:07:00 | 0:07:03 | |
Stella, I'm not about to start discussing my relationships. | 0:07:03 | 0:07:06 | |
Oh, so you have a relationship? | 0:07:06 | 0:07:08 | |
Yes, well, we're kind of... | 0:07:09 | 0:07:12 | |
We're, erm, sort of, dating. | 0:07:13 | 0:07:15 | |
I knew it. I have a sixth sense. | 0:07:15 | 0:07:18 | |
Now you know I talk to your mother? | 0:07:18 | 0:07:20 | |
That girl, all kissy kissy and out tonight with another man? | 0:07:22 | 0:07:27 | |
Black underwear? | 0:07:27 | 0:07:29 | |
Is that the kind of woman you want? | 0:07:29 | 0:07:31 | |
Are you having a laugh? | 0:07:33 | 0:07:35 | |
-Not that I'm aware of. No. -I've just come from HR. | 0:07:35 | 0:07:38 | |
-Oh, yeah. -Where I'm asking for an agency nurse for AAU, | 0:07:38 | 0:07:41 | |
only to be told there's already an extra nurse on AAU. | 0:07:41 | 0:07:43 | |
A new Ward Manager. | 0:07:43 | 0:07:45 | |
As Director of Nursing, you didn't think to ask for my input? | 0:07:45 | 0:07:48 | |
Er, not especially, no. | 0:07:48 | 0:07:49 | |
Have you finished? | 0:07:51 | 0:07:52 | |
Well, looks like I must have, if you say so. | 0:07:52 | 0:07:55 | |
-You are the puppet master after all. -Oh, please. | 0:07:55 | 0:07:57 | |
You want to be careful with all those strings, Guy - | 0:07:57 | 0:08:00 | |
mine, Elliot's, Jac's. | 0:08:00 | 0:08:02 | |
It could all end up in one hell of a tangle. | 0:08:02 | 0:08:04 | |
Just a tad over dramatic? | 0:08:04 | 0:08:06 | |
What about the welfare of the patients? | 0:08:06 | 0:08:08 | |
You've lost sight of what you came here to do. | 0:08:10 | 0:08:12 | |
Is that right? | 0:08:12 | 0:08:14 | |
You don't want me involved in decision-making any longer, | 0:08:14 | 0:08:16 | |
that's fine. | 0:08:16 | 0:08:18 | |
I'm going to go back to wards to do some real nursing. | 0:08:18 | 0:08:21 | |
What are you on about? | 0:08:21 | 0:08:22 | |
Maybe I need to consider whether I even have a future here. | 0:08:23 | 0:08:27 | |
Colette, please, sit down. | 0:08:27 | 0:08:29 | |
This new Ward Manager - she better be good. | 0:08:29 | 0:08:31 | |
So we're going to make one hell of a team. | 0:08:36 | 0:08:38 | |
Wheels well-oiled and running smoothly. Anything you need, ask me. | 0:08:38 | 0:08:42 | |
Any concerns, any hint of rust, come find me. | 0:08:42 | 0:08:45 | |
Well, go on. That's enough standing around looking gorgeous! | 0:08:45 | 0:08:48 | |
Chop chop! | 0:08:48 | 0:08:49 | |
Remember, you need me, you find me. I'll be right here. | 0:08:49 | 0:08:52 | |
I may need a little more convincing. | 0:08:54 | 0:08:56 | |
Excuse me? | 0:08:57 | 0:08:59 | |
I've known Tess Bateman for many years. | 0:08:59 | 0:09:02 | |
Well, I've nothing but respect for Tess. | 0:09:02 | 0:09:04 | |
And I'm here to do a good job. | 0:09:04 | 0:09:06 | |
As I say, I'll wait to be convinced. | 0:09:06 | 0:09:09 | |
Good to have you on board. | 0:09:17 | 0:09:19 | |
Cheers. | 0:09:19 | 0:09:21 | |
Elliot's back. A day early. Skinny latte. | 0:09:41 | 0:09:43 | |
Marvellous, thank you. | 0:09:43 | 0:09:45 | |
Adele reckons the barista fancies me. | 0:09:45 | 0:09:48 | |
So what's up with you? | 0:09:48 | 0:09:50 | |
-It's Essie. -And what's up with Essie? | 0:09:51 | 0:09:53 | |
I think she might be seeing Derwood Thompson. | 0:09:55 | 0:09:57 | |
No, she's not. He's hitched his wagon to this girl called Nicky. | 0:09:57 | 0:10:01 | |
We treated her nympho-nan for the clap last Christmas. | 0:10:01 | 0:10:03 | |
I doubt he's a two timer. | 0:10:03 | 0:10:05 | |
So how come Elliot's back a day early? | 0:10:07 | 0:10:09 | |
Because he feels fantastic and he's back at the helm. Big time. | 0:10:09 | 0:10:11 | |
Great. | 0:10:11 | 0:10:12 | |
Sorry. | 0:10:14 | 0:10:15 | |
Don't be. It's Elliot, you know? | 0:10:15 | 0:10:18 | |
Everybody wants him back, I want him back. | 0:10:18 | 0:10:20 | |
Oh, don't look now. | 0:10:23 | 0:10:25 | |
So you and Colette... | 0:10:33 | 0:10:34 | |
is that anything that will affect AAU? | 0:10:34 | 0:10:37 | |
Absolutely not. | 0:10:37 | 0:10:38 | |
Good. It's all I need to know. PAGER BEEPS | 0:10:38 | 0:10:40 | |
Mr Yardley? Any more chest pain? | 0:10:43 | 0:10:45 | |
"Pain" is an exaggeration. | 0:10:46 | 0:10:48 | |
He thinks if he thinks he's fit and keeps telling himself | 0:10:48 | 0:10:51 | |
there's nothing wrong with him, everything is fine. | 0:10:51 | 0:10:53 | |
And that'll be why you decided to drive yourself here, is it? | 0:10:53 | 0:10:56 | |
-It's not wise. -"Not wise?" | 0:10:56 | 0:10:58 | |
Surely that's an understatement. | 0:10:58 | 0:11:00 | |
-Joan. -What if there is something wrong with your heart again? | 0:11:00 | 0:11:04 | |
Again? | 0:11:04 | 0:11:06 | |
He had a thing, they fixed it with a graft. | 0:11:06 | 0:11:10 | |
June, 2011. | 0:11:10 | 0:11:12 | |
"He" is perfectly capable of speaking for himself. | 0:11:12 | 0:11:14 | |
OK, then. Well, we're going to need as much information as we can. | 0:11:14 | 0:11:18 | |
And do you know what? I don't really mind who gives it to us. | 0:11:18 | 0:11:21 | |
But once we get that information we'll send your husband... | 0:11:21 | 0:11:23 | |
He's not my husband. | 0:11:23 | 0:11:24 | |
25 years she was my PA. | 0:11:26 | 0:11:28 | |
I deem it as an act of charity to keep the old girl occupied | 0:11:29 | 0:11:32 | |
now we're retired. | 0:11:32 | 0:11:34 | |
Well, we're going to send you up to Darwin, | 0:11:34 | 0:11:36 | |
which is our cardiothoracic ward. | 0:11:36 | 0:11:37 | |
I'll call for a car. We'll go back to Burford Grange. | 0:11:37 | 0:11:40 | |
I'm not going to two hospitals in one day. | 0:11:40 | 0:11:42 | |
Look, this name's not going to mean anything to you, | 0:11:42 | 0:11:45 | |
but our Professor Hope's back. | 0:11:45 | 0:11:47 | |
-Is that good? -Good? Today's your lucky day. | 0:11:47 | 0:11:51 | |
He's like a cardio maestro. | 0:11:51 | 0:11:53 | |
There's nobody better. Not in the NHS, not private, not anywhere. | 0:11:53 | 0:11:56 | |
So you sit tight, Mr Yardley, and I'll go and get us a porter. | 0:11:56 | 0:12:00 | |
You always have to know best, don't you? | 0:12:00 | 0:12:02 | |
Fletch, prepare yourself for a MAJAX. | 0:12:06 | 0:12:08 | |
Three lorries, a coach, seven cars and a bike. | 0:12:08 | 0:12:11 | |
Multiple injuries - feeding through soon. | 0:12:11 | 0:12:13 | |
-Right, OK. I just need to sort out a transfer. -Chop chop! | 0:12:13 | 0:12:16 | |
GUY: Well, if you can't hack it on AAU, Colette, | 0:12:16 | 0:12:19 | |
stop playing and do what you're paid to do. | 0:12:19 | 0:12:21 | |
I don't get it, Guy. Why did you bring him here? | 0:12:21 | 0:12:23 | |
I always have your back. | 0:12:23 | 0:12:25 | |
-Sorry, I should have told you about Fletch. -Yes. You should. | 0:12:25 | 0:12:28 | |
Are you a dancer? | 0:12:39 | 0:12:40 | |
Not so you'd notice. | 0:12:40 | 0:12:42 | |
You haven't put down a next of kin. | 0:12:42 | 0:12:44 | |
Estelle. | 0:12:46 | 0:12:48 | |
But people call you Essie? | 0:12:48 | 0:12:50 | |
Some people do. Estelle and Stella. | 0:12:51 | 0:12:55 | |
A pair of stars. Twinkle, twinkle. | 0:12:56 | 0:12:59 | |
Next of kin? | 0:13:00 | 0:13:02 | |
I'm not expecting to die. | 0:13:02 | 0:13:03 | |
Have I done something to offend you? | 0:13:05 | 0:13:07 | |
I don't know... Have you? | 0:13:07 | 0:13:09 | |
There's really not a number we should have? | 0:13:11 | 0:13:14 | |
Give it to me. | 0:13:14 | 0:13:16 | |
This is Xavier's number. | 0:13:19 | 0:13:21 | |
-MOCKINGLY: -Xavier? | 0:13:21 | 0:13:22 | |
He wishes to ask me out, | 0:13:22 | 0:13:24 | |
but like many men he is unnecessarily unsure of himself | 0:13:24 | 0:13:28 | |
and he suffers because there is something in his way. | 0:13:28 | 0:13:32 | |
What's that? | 0:13:33 | 0:13:35 | |
A tart called Vera Henry. | 0:13:35 | 0:13:37 | |
Now that's a bit strong. | 0:13:39 | 0:13:41 | |
What else do you call a woman who dances with one man on Tuesdays | 0:13:41 | 0:13:46 | |
and goes to the pictures with another on Fridays? | 0:13:46 | 0:13:49 | |
Maybe the men are just her friends? | 0:13:49 | 0:13:52 | |
Men and women can't be friends. | 0:13:52 | 0:13:53 | |
So I am guessing that one of her companions is Xavier? | 0:13:56 | 0:14:02 | |
You should talk to him. | 0:14:04 | 0:14:06 | |
If you want him, don't wait for him. | 0:14:06 | 0:14:09 | |
Most men in my experience are rubbish. | 0:14:09 | 0:14:11 | |
Little star... | 0:14:12 | 0:14:14 | |
men like Xavier and Sacha are not rubbish. But you? | 0:14:14 | 0:14:19 | |
You need to stop behaving like Vera. | 0:14:19 | 0:14:21 | |
That's Professor Hope, the man you want. | 0:14:28 | 0:14:30 | |
I call him The Bomb! | 0:14:30 | 0:14:32 | |
Thanks, Adele. Off you pop. | 0:14:32 | 0:14:33 | |
Hello, I'm Miss Effanga, part of Professor Hope's cardiac team. | 0:14:33 | 0:14:36 | |
Professor Hope? We've been told that you're the very best person | 0:14:36 | 0:14:40 | |
-to take care of Fredrick. -I'm flattered. | 0:14:40 | 0:14:42 | |
Mr Yardley, hello, I'm Professor Hope. | 0:14:44 | 0:14:46 | |
You have presented with what is termed non-specific symptoms. | 0:14:48 | 0:14:52 | |
AAU have identified five possible causes, | 0:14:52 | 0:14:56 | |
but all we have here is an ECG that looks normal. | 0:14:56 | 0:15:00 | |
But there is cause for concern? | 0:15:00 | 0:15:03 | |
-Mr Yardley's history. -And chest pains this morning. | 0:15:03 | 0:15:06 | |
Yes. Mr Yardley, would you indulge me? | 0:15:06 | 0:15:09 | |
Waiting for a stress echo seems a bit senseless. | 0:15:10 | 0:15:13 | |
I'd just like to listen to your heart. | 0:15:13 | 0:15:15 | |
-It's cold. -Very sorry. | 0:15:16 | 0:15:18 | |
Is that better? | 0:15:21 | 0:15:23 | |
Right. | 0:15:27 | 0:15:29 | |
Would you pick that up for me? | 0:15:32 | 0:15:34 | |
HE SIGHS | 0:15:34 | 0:15:35 | |
Ridiculous. | 0:15:42 | 0:15:44 | |
Now, may I...? | 0:15:44 | 0:15:47 | |
OK, thank you. You can do up that. | 0:15:53 | 0:15:55 | |
There's no difference in rhythm. | 0:15:55 | 0:15:57 | |
You're saying he's fine? | 0:15:57 | 0:15:58 | |
Sadly not. | 0:15:58 | 0:16:00 | |
In light of today's episode and Mr Yardley's previous surgery, | 0:16:01 | 0:16:05 | |
I'd like to order a chest CT, FBC and an echocardiogram. | 0:16:05 | 0:16:08 | |
On it. | 0:16:08 | 0:16:10 | |
OK, thank you both very much. | 0:16:10 | 0:16:12 | |
Head CT is clear, GCS is normal. | 0:16:22 | 0:16:25 | |
OK. Triage two, bed one. | 0:16:25 | 0:16:27 | |
Well, far be it from me to look a gift horse in the mouth but...? | 0:16:31 | 0:16:35 | |
Yes, I'm back on the floor for the foreseeable this time. | 0:16:35 | 0:16:38 | |
It's kind of refreshing. | 0:16:38 | 0:16:39 | |
Right, well, would you mind taking over from Nurse Fletcher? | 0:16:39 | 0:16:42 | |
No, of course. That's fine. | 0:16:42 | 0:16:44 | |
So would you like me to...? | 0:16:54 | 0:16:56 | |
Put some pressure on? Yeah, why not? | 0:16:56 | 0:16:58 | |
Argh! I'm not a practice dummy! | 0:17:07 | 0:17:09 | |
Can you be careful, please? | 0:17:09 | 0:17:11 | |
-Have you got it? -Yep. -No, you haven't. | 0:17:11 | 0:17:13 | |
Of course I have. | 0:17:13 | 0:17:16 | |
The patient and I would like to think that one of you has. | 0:17:16 | 0:17:19 | |
-Nice to meet your acquaintance, Mr Stone. -Stoner. | 0:17:19 | 0:17:22 | |
Real head, real agony, do you get that? | 0:17:22 | 0:17:25 | |
She does. Thank you, Nurse Sheward. | 0:17:25 | 0:17:28 | |
-I'll leave you with Nurse Sheward. -Oh, great(!) | 0:17:28 | 0:17:31 | |
That's nasty. | 0:17:35 | 0:17:37 | |
You don't say. | 0:17:38 | 0:17:40 | |
So have you been drinking? | 0:17:44 | 0:17:46 | |
What's it to you? | 0:17:46 | 0:17:48 | |
Alcohol, medication - it's my job to check. | 0:17:48 | 0:17:50 | |
I've already blown into the bag for cops - | 0:17:51 | 0:17:54 | |
I'd be in handcuffs by now if I'd been drinking. | 0:17:54 | 0:17:57 | |
The crash wasn't my fault. | 0:17:57 | 0:17:59 | |
It's all right, no-one was saying that. | 0:17:59 | 0:18:01 | |
Speaking of smells, though - what's that you're wearing? | 0:18:01 | 0:18:03 | |
It's perfume. | 0:18:03 | 0:18:05 | |
Get away. There I thought the health service | 0:18:05 | 0:18:08 | |
was stuffing cherry blossom into the pillows. | 0:18:08 | 0:18:11 | |
It's gorgeous. | 0:18:11 | 0:18:12 | |
You smelling flowers? Promise me one thing... | 0:18:12 | 0:18:16 | |
if you start seeing bright lights at the end of corridors, | 0:18:16 | 0:18:18 | |
don't walk towards them, OK? | 0:18:18 | 0:18:20 | |
-Not this time. -OK. | 0:18:20 | 0:18:21 | |
Bikers don't often bounce. You've been lucky. | 0:18:24 | 0:18:27 | |
Argh! Have I? | 0:18:27 | 0:18:30 | |
I think you'll find that luck is a subjective concept. | 0:18:30 | 0:18:33 | |
Stay on it. Admit, allocate and re-allocate. | 0:18:36 | 0:18:39 | |
Now, I've been told that you know the MAJAX drill, | 0:18:39 | 0:18:42 | |
but I've yet to see whether you can remain... | 0:18:42 | 0:18:45 | |
sufficiently focused, Nurse Fletcher. | 0:18:45 | 0:18:48 | |
-Yeah, yeah. I mean I can and I will. -Then do it. | 0:18:48 | 0:18:51 | |
Hey. You're somebody's favourite. | 0:18:59 | 0:19:02 | |
-Am I? -Absolutely. Mrs Vintage Kimono? | 0:19:02 | 0:19:06 | |
Your friend from the lift - she is a total fan. | 0:19:06 | 0:19:09 | |
Should I be jealous? | 0:19:09 | 0:19:10 | |
I really wouldn't know. | 0:19:10 | 0:19:12 | |
Updated theatre list. | 0:19:14 | 0:19:15 | |
Thanks. | 0:19:17 | 0:19:18 | |
You might want to look at the shunts? | 0:19:22 | 0:19:24 | |
Mm. | 0:19:27 | 0:19:29 | |
Yep. | 0:19:29 | 0:19:30 | |
Thank you. | 0:19:33 | 0:19:34 | |
-We're clear for theatre, yeah? -Flail chest. Priority. Go. | 0:19:37 | 0:19:41 | |
Right, I need you to do me a favour, | 0:19:41 | 0:19:43 | |
I need you to discharge Mr Feltham in bed six. | 0:19:43 | 0:19:45 | |
Make sure his meds are up-to-date | 0:19:45 | 0:19:47 | |
and he gets his outpatient's follow up. | 0:19:47 | 0:19:48 | |
Then check the lines in bed two and four for me, OK? | 0:19:48 | 0:19:51 | |
Right, OK. You. | 0:19:51 | 0:19:53 | |
First things first, we need to stabilise the foreign body, | 0:19:53 | 0:19:55 | |
so let's get her into triage three, please. | 0:19:55 | 0:19:57 | |
Thing's are hotting up in here, aren't they? | 0:19:57 | 0:19:59 | |
Well, there's been at least two fatalities. | 0:19:59 | 0:20:03 | |
You can go off a person, you know. | 0:20:03 | 0:20:05 | |
Why? What have I done? | 0:20:05 | 0:20:07 | |
You just tried to survivor guilt-trip me. | 0:20:07 | 0:20:09 | |
BUZZING | 0:20:09 | 0:20:11 | |
Right, I'll be back in a bit. | 0:20:11 | 0:20:13 | |
-Press that if you need anything, OK? -All right. | 0:20:13 | 0:20:16 | |
There's loads of people who would have snuffed it | 0:20:35 | 0:20:37 | |
if it wasn't for Professor Hope. | 0:20:37 | 0:20:39 | |
Yes, we've been told he's excellent. | 0:20:39 | 0:20:41 | |
He's been away? | 0:20:41 | 0:20:43 | |
Yeah. He wasn't due back until tomorrow. | 0:20:43 | 0:20:45 | |
How lucky's that for you? | 0:20:45 | 0:20:47 | |
It's unusual to start back early after a holiday. He must be keen. | 0:20:47 | 0:20:50 | |
Holiday? No, he wasn't on holiday. | 0:20:50 | 0:20:52 | |
He had a brain tumour. | 0:20:52 | 0:20:53 | |
He's all right now, though. | 0:20:53 | 0:20:55 | |
The chief of the hospital's a brain surgeon. | 0:20:55 | 0:20:58 | |
Hello. | 0:20:58 | 0:20:59 | |
-Ah, speak of the devil. I'll see you in a bit. -Thank you. | 0:20:59 | 0:21:02 | |
Right... | 0:21:02 | 0:21:03 | |
..your test results are unequivocal I'm afraid. | 0:21:06 | 0:21:08 | |
Which means? | 0:21:08 | 0:21:10 | |
What they showed is certain. | 0:21:10 | 0:21:12 | |
I know what unequivocal means. I'm not a moron. | 0:21:12 | 0:21:15 | |
No, of course not. | 0:21:15 | 0:21:16 | |
Professor Hope suspected that you had | 0:21:17 | 0:21:19 | |
an infection at the site of the previous graft. | 0:21:19 | 0:21:21 | |
He was right. | 0:21:21 | 0:21:23 | |
Your white blood cell count, which backs up the CT. | 0:21:23 | 0:21:27 | |
As I said - unequivocal. | 0:21:27 | 0:21:30 | |
Tell me what's wrong. | 0:21:30 | 0:21:31 | |
Then tell me if you are capable of fixing it, | 0:21:31 | 0:21:33 | |
or if we need to go back to Burford Grange. | 0:21:33 | 0:21:36 | |
I'm sorry. I really didn't mean to offend you. | 0:21:36 | 0:21:39 | |
There are two options. Ms Effanga, would you explain? | 0:21:41 | 0:21:45 | |
There's an infection in the artery that you had replaced, | 0:21:45 | 0:21:47 | |
but we can clear that up. | 0:21:47 | 0:21:48 | |
Will it be difficult? | 0:21:48 | 0:21:50 | |
We can put you on bypass and perform a standard procedure, | 0:21:50 | 0:21:53 | |
or take the axillary route. | 0:21:53 | 0:21:55 | |
I suggest we take the axillary route as that will lessen the risk | 0:21:55 | 0:21:58 | |
of major surgery and buy us some more time to fix the graft. | 0:21:58 | 0:22:02 | |
You sound like you know what you're talking about. | 0:22:02 | 0:22:05 | |
Of course with any surgery there are risks. | 0:22:05 | 0:22:08 | |
But in my opinion this procedure is necessary. | 0:22:08 | 0:22:12 | |
It's also relatively straightforward. | 0:22:12 | 0:22:14 | |
We'll book the theatre and re-graft the artery. | 0:22:14 | 0:22:16 | |
Good, right. | 0:22:22 | 0:22:23 | |
Acute compartment syndrome. | 0:22:30 | 0:22:32 | |
The ultrasound indicated internal bleeding, | 0:22:32 | 0:22:35 | |
so the MAJAX chest injury took priority. | 0:22:35 | 0:22:37 | |
OK, acute compartment syndrome means, watch my lips, | 0:22:37 | 0:22:40 | |
if he doesn't get to theatre soon he's going to lose that leg. | 0:22:40 | 0:22:44 | |
Excuse me. So what do we do? | 0:22:44 | 0:22:46 | |
He's prepped and ready to go. Why would you mess with that? | 0:22:46 | 0:22:49 | |
Because the chest injury ranked higher. | 0:22:49 | 0:22:51 | |
His rib cage was detached from the chest wall. | 0:22:51 | 0:22:53 | |
Did you even schedule his obs? | 0:22:53 | 0:22:54 | |
Look, it was a judgment call. | 0:22:54 | 0:22:56 | |
To delay an emergency fasciotomy? Genius(!) | 0:22:56 | 0:23:00 | |
I'm going to try and divert the flail chest patient into ITU. | 0:23:00 | 0:23:02 | |
They should be able to stabilise him there. | 0:23:02 | 0:23:04 | |
-Do you think you can do that? -Have you met me? | 0:23:04 | 0:23:07 | |
Mr Griffin should have been performing | 0:23:07 | 0:23:10 | |
that emergency fasciotomy already... | 0:23:10 | 0:23:11 | |
How many more times do you want me to say I'm sorry? | 0:23:11 | 0:23:14 | |
Sorry and thank you? | 0:23:14 | 0:23:15 | |
You know what? It's just good to know that you've got my back. | 0:23:15 | 0:23:17 | |
Let's get one thing straight - | 0:23:17 | 0:23:19 | |
I don't have your back, I have his. | 0:23:19 | 0:23:21 | |
Oh, right, well, now I understand. | 0:23:21 | 0:23:23 | |
Excuse me for playing with a full hand of stupid. | 0:23:23 | 0:23:25 | |
Thanks, Colette, on behalf of patients everywhere. | 0:23:25 | 0:23:28 | |
What is it with you two? | 0:23:28 | 0:23:29 | |
We need to get the theatre cleared. | 0:23:30 | 0:23:32 | |
That doesn't answer my question. | 0:23:32 | 0:23:34 | |
We had a parting of the ways - a long time ago. | 0:23:39 | 0:23:43 | |
Nobody's fault. We'll get over it. | 0:23:43 | 0:23:46 | |
Whatever happened then, today you work together or not at all. | 0:23:46 | 0:23:50 | |
We do not do collateral damage here. | 0:23:50 | 0:23:53 | |
Capisce? | 0:23:53 | 0:23:54 | |
Mo, your sister has summoned me to my own office. | 0:24:04 | 0:24:09 | |
Any ideas why? | 0:24:09 | 0:24:10 | |
The smart money would be on balloons, glitter and probably cake. | 0:24:10 | 0:24:13 | |
Right, join me there. | 0:24:13 | 0:24:16 | |
Two ticks. | 0:24:16 | 0:24:17 | |
Doctor, Fredrick would like to have another word with you | 0:24:20 | 0:24:23 | |
about his operation. | 0:24:23 | 0:24:24 | |
OK, I'll just go and get Professor Hope for you. | 0:24:24 | 0:24:26 | |
No, Fredrick wants to talk to you. | 0:24:26 | 0:24:28 | |
Sure. | 0:24:28 | 0:24:29 | |
Mr Yardley, you have questions? | 0:24:32 | 0:24:34 | |
He's had brain surgery, he's only back today. | 0:24:36 | 0:24:39 | |
Someone told you? | 0:24:39 | 0:24:41 | |
We heard. | 0:24:41 | 0:24:42 | |
Are you 100% sure your Professor is back at the top of his game? | 0:24:42 | 0:24:45 | |
Absolutely. | 0:24:45 | 0:24:46 | |
Are you? Are you sure you're not just hoping that he is? | 0:24:47 | 0:24:51 | |
He's already been in theatre today. | 0:24:51 | 0:24:53 | |
You're not worried he might be overdoing it? | 0:24:53 | 0:24:55 | |
Professor Hope is back because he's ready to be, he's fit for anything. | 0:24:55 | 0:24:59 | |
But do you think he's at the top of his game? | 0:24:59 | 0:25:02 | |
See? That's what I thought. | 0:25:04 | 0:25:06 | |
We were wondering if you all might be trying to prove a point. | 0:25:07 | 0:25:12 | |
You could be putting him under too much pressure. | 0:25:15 | 0:25:18 | |
We'd both be less worried | 0:25:20 | 0:25:23 | |
if you did Fredrick's operation, dear. | 0:25:23 | 0:25:27 | |
If I did it? | 0:25:27 | 0:25:28 | |
You're capable of doing it, aren't you? | 0:25:28 | 0:25:30 | |
-Well, of course but... -That's what I like to hear. | 0:25:30 | 0:25:33 | |
-So you're my surgeon now. -OK. | 0:25:33 | 0:25:35 | |
Voila! | 0:25:50 | 0:25:52 | |
The fruit basket is because, well, flowers are just boring | 0:25:52 | 0:25:54 | |
and it's just healthier, isn't it? | 0:25:54 | 0:25:56 | |
And water because if you drink loads of water | 0:25:56 | 0:25:58 | |
it'll stop you from getting headaches. | 0:25:58 | 0:26:00 | |
I don't get headaches. | 0:26:00 | 0:26:01 | |
And you should be eating plenty of fish. Fish is brain food. | 0:26:01 | 0:26:03 | |
-I couldn't get any fish, though. -Brain food, yes. | 0:26:03 | 0:26:06 | |
I don't recall Mr Self promoted the eating of seafood at all. | 0:26:06 | 0:26:10 | |
Remiss of him. | 0:26:10 | 0:26:11 | |
-Do you think I should pull him up on that? -You so should. | 0:26:11 | 0:26:15 | |
Ah, Mo, I'm being rehydrated, would you care for a sip? | 0:26:15 | 0:26:18 | |
What's up, doc? | 0:26:18 | 0:26:20 | |
I'm really sorry, Professor Hope... | 0:26:20 | 0:26:22 | |
Fredrick Yardley doesn't want you to operate. | 0:26:22 | 0:26:25 | |
I've been trying to figure it out. | 0:26:27 | 0:26:29 | |
Do what now? | 0:26:29 | 0:26:30 | |
You were riding a motorbike on a motorway with no crash helmet? | 0:26:30 | 0:26:33 | |
Seriously? | 0:26:33 | 0:26:34 | |
Maybe I was afraid of messing up my hair(!) | 0:26:34 | 0:26:36 | |
So what is it? An adrenaline junkie? | 0:26:36 | 0:26:39 | |
Adrenaline junkie? What are you Dr Freud now? | 0:26:39 | 0:26:42 | |
All I want is to make sure we get you the right kind of help. | 0:26:42 | 0:26:44 | |
I don't need help. | 0:26:44 | 0:26:45 | |
Now, if you don't mind, I prefer the nurse that smells like flowers. | 0:26:45 | 0:26:49 | |
Fasciotomy's on target. | 0:26:51 | 0:26:53 | |
Thanks. | 0:26:53 | 0:26:54 | |
Your little friend thinks that I'm a headcase. | 0:26:54 | 0:26:57 | |
He'll be getting me a counsellor next. | 0:26:57 | 0:26:59 | |
Well, is it true you weren't wearing a helmet? | 0:26:59 | 0:27:02 | |
Then maybe he should. | 0:27:02 | 0:27:04 | |
Do you ever see Brando wear one? | 0:27:04 | 0:27:05 | |
Yeah. All right, Nicky. Nicky, sorry, I can't tonight. | 0:27:11 | 0:27:15 | |
Tomorrow? | 0:27:15 | 0:27:16 | |
All right, OK... Bye-bye. | 0:27:18 | 0:27:19 | |
I managed to rub him up the wrong way. From the start. | 0:27:29 | 0:27:32 | |
All that unequivocal nonsense. I made him anxious. | 0:27:32 | 0:27:35 | |
Did he say I'd made him anxious? | 0:27:36 | 0:27:39 | |
He didn't say much. | 0:27:39 | 0:27:40 | |
-Well, if he's happy with you... -Seems so. | 0:27:40 | 0:27:42 | |
-And you don't mind taking over...? -That's what I'm here for. | 0:27:42 | 0:27:45 | |
A clash of personalities, that's all. Home alone too long. | 0:27:45 | 0:27:48 | |
I'll have to brush up on my interpersonal skills. | 0:27:48 | 0:27:51 | |
On the plus side there is some unexpected downtime. | 0:27:51 | 0:27:54 | |
That's got to be a good thing, first day back? | 0:27:54 | 0:27:56 | |
No, it's not a good thing... | 0:27:56 | 0:27:58 | |
particularly on my first day back. | 0:27:58 | 0:28:00 | |
Here we go. | 0:28:04 | 0:28:07 | |
Hello, Mrs Stone. | 0:28:07 | 0:28:08 | |
Quick question. | 0:28:17 | 0:28:19 | |
When was the last time you saw any sort of doctor? | 0:28:19 | 0:28:22 | |
Couple of years. | 0:28:23 | 0:28:24 | |
Couple? How about six? | 0:28:24 | 0:28:26 | |
The last date on your GP's notes is 2008. | 0:28:26 | 0:28:29 | |
Well, I've haven't really got time to go hanging around | 0:28:29 | 0:28:31 | |
in some quack's office. | 0:28:31 | 0:28:33 | |
I want the other nurse. | 0:28:33 | 0:28:35 | |
-Nurse! Nurse! -BUZZING | 0:28:35 | 0:28:37 | |
Some of your family history's obvious. | 0:28:37 | 0:28:39 | |
You're not allowed. | 0:28:39 | 0:28:40 | |
-Nurse! -The more you tell us the more we can do to help. | 0:28:40 | 0:28:42 | |
-That's all we want to do, mate... -Nurse! | 0:28:42 | 0:28:45 | |
Your pulse is elevated, and your blood pressure is low. | 0:28:46 | 0:28:49 | |
-Apart from your head, does it hurt anywhere else? -I'm fine. | 0:28:49 | 0:28:51 | |
Come on, you need to tell us. | 0:28:51 | 0:28:53 | |
-The gut's not brilliant. -OK, let's get an ultrasound - | 0:28:55 | 0:28:57 | |
there could be some internal bleeding. | 0:28:57 | 0:28:59 | |
Can you get me a doctor, please? | 0:28:59 | 0:29:01 | |
-Just leave me be. -No, we can't do that. | 0:29:01 | 0:29:03 | |
-Yeah, you can. -No, we really can't. | 0:29:03 | 0:29:05 | |
I'm never having chemo. | 0:29:07 | 0:29:09 | |
OK, he's clammy and cold and he's got a weak radial pulse. | 0:29:09 | 0:29:11 | |
That's evidence of peripheral shutdown. | 0:29:11 | 0:29:13 | |
We need to get some fluids into him. Stat! | 0:29:13 | 0:29:15 | |
Right, can you get me a Sengstaken tube as quick as possible, like now? | 0:29:15 | 0:29:18 | |
I know what's wrong. Just don't waste your time. | 0:29:18 | 0:29:20 | |
We don't know what it is, but we're going to find out, all right? | 0:29:20 | 0:29:23 | |
Let's get him on to his side. This way. | 0:29:27 | 0:29:29 | |
Right. Over you go. Right. OK. | 0:29:29 | 0:29:32 | |
You done this before? | 0:29:32 | 0:29:34 | |
Um, yeah. Twice. | 0:29:34 | 0:29:35 | |
Now this is going to feel uncomfortable | 0:29:36 | 0:29:38 | |
but I need you to... No. | 0:29:38 | 0:29:39 | |
Try and relax and breathe through your nose. | 0:29:39 | 0:29:42 | |
That's it, there we go, that's better. | 0:29:42 | 0:29:44 | |
Almost there. Almost there. | 0:29:44 | 0:29:45 | |
Right, I need to inflate the tube and get some fluid resuscitation. | 0:29:45 | 0:29:49 | |
-Has he been cross-matched? -Yep, O-positive. | 0:29:49 | 0:29:51 | |
What's happening? | 0:29:51 | 0:29:53 | |
Possible oesophageal varices. | 0:29:53 | 0:29:54 | |
We needed to act or he would have exsanguinated. | 0:29:54 | 0:29:57 | |
Colette? Did you OK this? | 0:29:57 | 0:29:58 | |
-She didn't have to. -It's OK, it's working. | 0:29:58 | 0:30:00 | |
-Are you ready to take him into theatre? -Yeah. | 0:30:00 | 0:30:02 | |
-Come on. Let's go. -Wait till he's clear of the bed. | 0:30:02 | 0:30:05 | |
-OK, good. -Right, go. | 0:30:07 | 0:30:08 | |
-Damn. -Is something wrong, Mr Levy? | 0:30:14 | 0:30:18 | |
Everything's wrong. | 0:30:18 | 0:30:19 | |
Essie's dating a duplicitous gynae, I've got my mother's chief crazy | 0:30:19 | 0:30:22 | |
in to rub my nose in it, and I can't even sign a discharge form. | 0:30:22 | 0:30:25 | |
Ah, right, OK. Sharing. | 0:30:25 | 0:30:28 | |
Good. | 0:30:28 | 0:30:29 | |
I mean, who am I trying to kid. | 0:30:29 | 0:30:31 | |
I never really stood a chance, did I? | 0:30:31 | 0:30:33 | |
She's way out my league. | 0:30:33 | 0:30:35 | |
Is she? | 0:30:35 | 0:30:37 | |
You and I, Arthur, we're the same - | 0:30:39 | 0:30:42 | |
we're the nice guys they just want to be friends with. | 0:30:42 | 0:30:44 | |
But when push comes to shove, it's the bad boys they roll over for. | 0:30:44 | 0:30:47 | |
-What bad boys? -Derwood Thompson. | 0:30:47 | 0:30:49 | |
Whoa. Mr T?! | 0:30:49 | 0:30:51 | |
Yeah, I know. I know but he's the other guy. | 0:30:51 | 0:30:53 | |
He's the one who's supposedly two-timing her. | 0:30:53 | 0:30:55 | |
Right, OK. | 0:30:55 | 0:30:56 | |
That is terrible, clearly, but what are you going to do? | 0:30:56 | 0:31:00 | |
Me? | 0:31:01 | 0:31:02 | |
If it was Maria who was being debased by another man, | 0:31:02 | 0:31:06 | |
I wouldn't just stand by, you know, I'd do what I could to protect her. | 0:31:06 | 0:31:09 | |
You know, it's not about who's dating who. | 0:31:09 | 0:31:11 | |
It's about honour, it's about chivalry. | 0:31:11 | 0:31:14 | |
Well, Arthur, | 0:31:14 | 0:31:16 | |
you really were born about 50 years too late, weren't you? | 0:31:16 | 0:31:18 | |
Mmmm, yes. Yeah, well, you know, just do the right thing. | 0:31:18 | 0:31:24 | |
By Essie so... | 0:31:24 | 0:31:26 | |
There's a lot of serosanguineous fluid. | 0:31:37 | 0:31:40 | |
Ah - there's the culprit. | 0:31:40 | 0:31:44 | |
It's a ruptured cyst. | 0:31:44 | 0:31:46 | |
I'll marsupialise it by taking all of the wall | 0:31:46 | 0:31:49 | |
and leave the base intact so it doesn't recollect. | 0:31:49 | 0:31:53 | |
You know he came off his motorbike not wearing a crash helmet | 0:31:54 | 0:31:56 | |
and only got a few stitches. | 0:31:56 | 0:31:58 | |
Well, some people are just stupid. | 0:31:58 | 0:32:01 | |
Maybe he needs a psych referral? | 0:32:01 | 0:32:04 | |
Bovie, please. | 0:32:04 | 0:32:06 | |
I think he's convinced himself that he's got cancer. | 0:32:06 | 0:32:09 | |
Well, we'll cut it off... | 0:32:11 | 0:32:16 | |
drain it, and wash it out. | 0:32:16 | 0:32:20 | |
Then close him up. | 0:32:20 | 0:32:22 | |
So, there's no cancer? | 0:32:22 | 0:32:23 | |
There's no cancer. | 0:32:23 | 0:32:25 | |
Stupid, but lucky. | 0:32:27 | 0:32:29 | |
It must be a very difficult day for you. | 0:32:34 | 0:32:37 | |
Yes, it is. | 0:32:37 | 0:32:38 | |
Please don't worry. Ms Effanga is an exceptional surgeon. | 0:32:38 | 0:32:42 | |
It was nothing personal, Professor, he sets his mind on something. | 0:32:45 | 0:32:51 | |
Fredrick only has one heart. | 0:32:51 | 0:32:54 | |
-I'm sure all will be well. -Thank you. | 0:32:54 | 0:32:57 | |
I know this must be a very difficult time for you too. | 0:32:57 | 0:33:02 | |
You're so very lucky. | 0:33:02 | 0:33:04 | |
Pardon me? | 0:33:04 | 0:33:05 | |
As long as you don't overdo things. | 0:33:05 | 0:33:08 | |
You'll know better than most - one's health is really all that matters. | 0:33:08 | 0:33:13 | |
Right. | 0:33:13 | 0:33:14 | |
So few people have someone caring for them. | 0:33:14 | 0:33:17 | |
Those who do are extremely fortunate. | 0:33:17 | 0:33:21 | |
Fredrick is...and so are you. | 0:33:22 | 0:33:26 | |
Stella? Where are you going? | 0:33:48 | 0:33:52 | |
Is there a salon on the premises? | 0:33:52 | 0:33:54 | |
No, this is a general surgical ward, there are no hairdressers. | 0:33:54 | 0:33:59 | |
I feel better when my hair is good. | 0:33:59 | 0:34:02 | |
Come on, I'll walk back with you. | 0:34:02 | 0:34:05 | |
-Your hair's lovely. -Is it? | 0:34:06 | 0:34:09 | |
I may have led Sacha to believe you're a little bit trollop. | 0:34:15 | 0:34:21 | |
What? Why? | 0:34:21 | 0:34:24 | |
We talked about your kissy-kissy friend. | 0:34:24 | 0:34:27 | |
-"Kissy-kissy friend"? -I saw it. | 0:34:27 | 0:34:30 | |
I am a friend of his mother's. | 0:34:30 | 0:34:32 | |
Er, hang on. Who am I supposed to have kissed? | 0:34:32 | 0:34:35 | |
Oh. This morning. Stella! | 0:34:37 | 0:34:40 | |
Well, what's the worst thing that can happen? | 0:34:40 | 0:34:43 | |
Mr Kissy-Kissy gets a little slap. | 0:34:43 | 0:34:46 | |
You're joking. | 0:34:46 | 0:34:47 | |
You're not joking. | 0:34:49 | 0:34:51 | |
Making yourself at home? | 0:34:58 | 0:35:00 | |
Just waiting for Essie. | 0:35:00 | 0:35:03 | |
Oh, don't worry about me, by the way. | 0:35:06 | 0:35:09 | |
I've brought my own. | 0:35:09 | 0:35:11 | |
Good. | 0:35:11 | 0:35:12 | |
I'm trying to kick the old caffeine, sticking to herbal infusions. | 0:35:12 | 0:35:18 | |
Mind you, you know what it's like. | 0:35:18 | 0:35:20 | |
You make a commitment to peppermint but before long, | 0:35:20 | 0:35:23 | |
you find yourself wanting to dunk your Digestive | 0:35:23 | 0:35:25 | |
into a steaming cup of Tetley's. | 0:35:25 | 0:35:28 | |
So you have no sense of loyalty then or commitment? | 0:35:28 | 0:35:33 | |
To tea? | 0:35:33 | 0:35:35 | |
Well, they're not terrifically modern concepts, are they? | 0:35:35 | 0:35:37 | |
Loyalty? Fidelity? | 0:35:37 | 0:35:40 | |
I hereby swear allegiance to peppermint, | 0:35:40 | 0:35:42 | |
foregoing all other teas. | 0:35:42 | 0:35:44 | |
I renounce you, loose leaf! Be gone, oolong! | 0:35:44 | 0:35:48 | |
So you think you're being clever? | 0:35:48 | 0:35:51 | |
Sipping from more than one cup? | 0:35:51 | 0:35:53 | |
Excuse me? | 0:35:53 | 0:35:55 | |
I know what your game is. | 0:35:55 | 0:35:57 | |
What game? | 0:35:57 | 0:35:58 | |
-You're seeing two women, aren't you? -I'm not seeing any women. | 0:35:58 | 0:36:02 | |
What about the kinky corset? | 0:36:02 | 0:36:03 | |
Sacha! What's going on? | 0:36:03 | 0:36:08 | |
Ask him about Nicky. | 0:36:09 | 0:36:12 | |
-You told him about Nicky? -No. | 0:36:12 | 0:36:14 | |
Why would I? That's your business. | 0:36:14 | 0:36:17 | |
Well, she didn't have to tell me about Nicky | 0:36:17 | 0:36:18 | |
-because I found out about Nicky. -Oh, Sacha, stop it. | 0:36:18 | 0:36:22 | |
I don't know what I've done wrong! | 0:36:22 | 0:36:24 | |
I'm watching you. | 0:36:25 | 0:36:27 | |
What was all that about? | 0:36:31 | 0:36:33 | |
Stella. | 0:36:33 | 0:36:34 | |
He's in the thrall of some batty old lady named Stella. | 0:36:34 | 0:36:38 | |
Stellaaaaaaa! | 0:36:38 | 0:36:40 | |
-Are you all right? -Yeah. | 0:36:41 | 0:36:44 | |
Left-sided thoracotomy, sixth intercostal space. | 0:36:49 | 0:36:53 | |
Here we go. | 0:36:53 | 0:36:55 | |
How are you doing? | 0:36:57 | 0:36:59 | |
Tricky, but we're getting there. | 0:36:59 | 0:37:01 | |
It's a good job I'm not too tired and stressed to step in | 0:37:01 | 0:37:03 | |
if you were to need me. | 0:37:03 | 0:37:06 | |
Why did you tell them about my neurosurgery? | 0:37:10 | 0:37:13 | |
I didn't. | 0:37:13 | 0:37:14 | |
Then how is it that my personal circumstances are the talk | 0:37:14 | 0:37:17 | |
of the patients? | 0:37:17 | 0:37:18 | |
I don't know. | 0:37:18 | 0:37:20 | |
You should have been upfront with me, Mo. | 0:37:20 | 0:37:22 | |
-If you wanted to take the lead... -I didn't ask for it. | 0:37:22 | 0:37:25 | |
I didn't want you to find out that they thought you weren't ready. | 0:37:25 | 0:37:28 | |
How can I counter concerns about my fitness if I don't know about them? | 0:37:28 | 0:37:33 | |
You should have told me. | 0:37:33 | 0:37:35 | |
Elliot, this is a mess. | 0:37:38 | 0:37:40 | |
The tissue from the lung has become attached to the infection site. | 0:37:40 | 0:37:43 | |
You know what you're doing. | 0:37:43 | 0:37:45 | |
Suction, please. | 0:37:45 | 0:37:47 | |
It would be much easier to stay annoyed with you | 0:37:49 | 0:37:52 | |
if you didn't make me so proud. | 0:37:52 | 0:37:54 | |
They're nearly finished. Everything's going really well. | 0:38:06 | 0:38:10 | |
Oh, thank you. Thank you. | 0:38:10 | 0:38:12 | |
No problem. | 0:38:12 | 0:38:14 | |
Fredrick was my boss. | 0:38:14 | 0:38:16 | |
There was never anything, you know, like that. | 0:38:16 | 0:38:19 | |
I've looked after him for almost 30 years. | 0:38:19 | 0:38:22 | |
Wow. Well, everything's fine, so you can look after him some more. | 0:38:22 | 0:38:26 | |
I do wish we hadn't jumped the gun with your professor. | 0:38:26 | 0:38:30 | |
Do you think he was very offended? | 0:38:30 | 0:38:33 | |
He's got broad shoulders. He'll be over it. | 0:38:33 | 0:38:36 | |
-He was never going to take any risks, was he? -No. | 0:38:36 | 0:38:39 | |
He would never go into theatre | 0:38:39 | 0:38:40 | |
unless he was absolutely sure that he was fine. | 0:38:40 | 0:38:43 | |
Fredrick and I were just anxious. | 0:38:43 | 0:38:45 | |
He's such a kind man. | 0:38:45 | 0:38:47 | |
Can I get you anything? Cup of tea? | 0:38:47 | 0:38:49 | |
Me? No, dear. I'm fine. | 0:38:49 | 0:38:51 | |
-Are you sure? It's no trouble. -I'll just wait for Fredrick. | 0:38:51 | 0:38:54 | |
I'll get you a cup anyway, you don't have to drink it. | 0:38:54 | 0:38:56 | |
Will you tell Professor Hope that I'm truly sorry? | 0:38:56 | 0:39:02 | |
No, because listen, when he comes to see you, | 0:39:03 | 0:39:07 | |
it'll be to tell you that Fredrick's fine and on his way back. | 0:39:07 | 0:39:10 | |
-It won't be to hear you say that you're sorry. -I am, though. | 0:39:10 | 0:39:14 | |
OK, well, you can tell him yourself. | 0:39:14 | 0:39:16 | |
Everything's fine, OK? | 0:39:16 | 0:39:18 | |
As long as you're sure. | 0:39:18 | 0:39:20 | |
SHE SIGHS | 0:39:32 | 0:39:33 | |
-Mo. -Professor. | 0:39:43 | 0:39:46 | |
I honestly didn't mean to be sneaky | 0:39:46 | 0:39:48 | |
and I really didn't say anything to them about your op. | 0:39:48 | 0:39:52 | |
I think I know who did, mind. | 0:39:52 | 0:39:54 | |
As you will be sending a healthy-hearted ex-boss | 0:39:54 | 0:39:57 | |
back to the devoted Joan, I suggest we agree to forget it. | 0:39:57 | 0:40:02 | |
Yeah, I'm up for that. | 0:40:02 | 0:40:04 | |
I realise I failed to think about your feelings. | 0:40:06 | 0:40:08 | |
-You never have to worry about me. -Oh, I do. Well, you know, sometimes. | 0:40:08 | 0:40:12 | |
I know I am only just back but I am back. | 0:40:14 | 0:40:18 | |
I refuse to let this tumour define me. | 0:40:18 | 0:40:20 | |
I really am sorry. | 0:40:20 | 0:40:21 | |
I don't want anyone thinking that I'm past it. | 0:40:21 | 0:40:25 | |
I'm going to have to prove that, prove it rather big time. | 0:40:25 | 0:40:28 | |
-Elliot to the max? -To the max. | 0:40:28 | 0:40:31 | |
Which means expanding the Assisted Devices department | 0:40:31 | 0:40:35 | |
and pushing forward to new challenges, if you're interested? | 0:40:35 | 0:40:39 | |
I'm so glad you're back. | 0:40:39 | 0:40:41 | |
You are the bomb. | 0:40:41 | 0:40:43 | |
The contract has been drawn up. All it needs now is your signature. | 0:40:45 | 0:40:49 | |
If you're serious about heading the department, | 0:40:49 | 0:40:52 | |
get over here by seven and sign it. | 0:40:52 | 0:40:54 | |
No games. This is a one-off, now-or-never deal. | 0:40:54 | 0:40:59 | |
I suggest you allow for traffic. | 0:40:59 | 0:41:02 | |
I took your advice. | 0:41:09 | 0:41:11 | |
Oh, good. How did she take it? | 0:41:11 | 0:41:13 | |
She? | 0:41:13 | 0:41:15 | |
Essie. Yeah, you told her about Mr Thompson's other dalliance? | 0:41:15 | 0:41:19 | |
No. I told Derwood Thompson to watch his step. | 0:41:19 | 0:41:21 | |
I gave it to him straight. That's what you meant, wasn't it? | 0:41:21 | 0:41:25 | |
Yes. Sort of. | 0:41:25 | 0:41:28 | |
I don't know, Essie seemed to know what he was up to already so... | 0:41:28 | 0:41:32 | |
Right. But, if she knew what he was up to then doesn't that mean | 0:41:32 | 0:41:35 | |
she wasn't being two-timed? | 0:41:35 | 0:41:37 | |
Technically? You know, in a manner of speaking? | 0:41:37 | 0:41:40 | |
I'll just... | 0:41:41 | 0:41:43 | |
I'll see you in theatre, I think. | 0:41:43 | 0:41:46 | |
Hey. | 0:41:59 | 0:42:01 | |
Hi. | 0:42:01 | 0:42:02 | |
Listen, you might feel grim for a bit | 0:42:02 | 0:42:04 | |
but you're going to live to ride again. | 0:42:04 | 0:42:07 | |
Your throat a bit sore? | 0:42:09 | 0:42:11 | |
It's not too bad actually, thanks. | 0:42:12 | 0:42:14 | |
Thanks for everything you keep doing for me but you need to listen. | 0:42:16 | 0:42:22 | |
HE GROANS IN PAIN | 0:42:22 | 0:42:24 | |
This needs to stop. | 0:42:26 | 0:42:28 | |
I'm not having chemo. | 0:42:29 | 0:42:31 | |
Do you want to tell him? | 0:42:31 | 0:42:33 | |
You had a cyst on your liver. | 0:42:33 | 0:42:35 | |
And the cyst ruptured. | 0:42:35 | 0:42:37 | |
-What? -They cleared out all the mess. | 0:42:37 | 0:42:40 | |
So all you've got to do is rest and recuperate. | 0:42:40 | 0:42:42 | |
And what's not to love about a little bit of R'n'R? | 0:42:42 | 0:42:45 | |
-Not cancer? -No. | 0:42:45 | 0:42:47 | |
And you would have known that if you'd been to see a doctor. | 0:42:47 | 0:42:50 | |
I knew what they were going to say. | 0:42:50 | 0:42:51 | |
Well, obviously, you didn't. | 0:42:51 | 0:42:53 | |
What were you thinking? Were you just waiting to die? | 0:42:56 | 0:42:59 | |
When my dad died, I just sold up. I just went, I just vanished. | 0:43:01 | 0:43:04 | |
I have been on a monumental bender for years. | 0:43:04 | 0:43:09 | |
I bought the bike with the last of my... I mean I'm out of dosh. | 0:43:09 | 0:43:12 | |
I could only afford to third-party insure it. | 0:43:13 | 0:43:16 | |
So, you did a runner? | 0:43:16 | 0:43:18 | |
I just had to get away. I couldn't face anyone, anything. | 0:43:18 | 0:43:21 | |
My sisters are going to kill me. | 0:43:23 | 0:43:26 | |
Don't tell me you never tried to take an easy way out. | 0:43:29 | 0:43:31 | |
Oh, no. Believe me, I have. | 0:43:31 | 0:43:33 | |
Well, what I thought was easy anyway. | 0:43:33 | 0:43:35 | |
So, I'm not going to die? | 0:43:35 | 0:43:38 | |
Nope. | 0:43:38 | 0:43:39 | |
Do I not have the big C? | 0:43:39 | 0:43:41 | |
Nurse. Do me a favour. | 0:43:44 | 0:43:48 | |
Go and get some of that perfume on and then come back | 0:43:49 | 0:43:51 | |
and fluff my pillows up, will you? | 0:43:51 | 0:43:53 | |
Behave. | 0:43:53 | 0:43:54 | |
It's better to be broke than dead. | 0:43:55 | 0:43:57 | |
CHUCKLING TURNS TO GROANING | 0:43:57 | 0:44:00 | |
I shouldn't laugh, I've got stitches. | 0:44:00 | 0:44:02 | |
I'm a sick man. | 0:44:02 | 0:44:03 | |
Nicely done. | 0:44:05 | 0:44:06 | |
Now we've done the ligation, we can concentrate on the smaller veins. | 0:44:06 | 0:44:10 | |
OK. Making a stab incision. | 0:44:10 | 0:44:12 | |
Keep the cut vertical to avoid hitting a vein. | 0:44:12 | 0:44:14 | |
So, Stella's a friend of Ma Levy's? | 0:44:14 | 0:44:17 | |
Yes, yes. | 0:44:17 | 0:44:19 | |
There are various strange women who maintain an orbit around my mother. | 0:44:19 | 0:44:22 | |
Seemingly it gives them carte blanche to comment on me, | 0:44:22 | 0:44:25 | |
my life and, if I'm very lucky, my relationships. | 0:44:25 | 0:44:29 | |
Right, well, there are a lot more avulsions | 0:44:29 | 0:44:31 | |
than I thought there'd be. | 0:44:31 | 0:44:33 | |
She's going to have lots of tiny scars on her legs, | 0:44:33 | 0:44:35 | |
but I'm afraid this was the best option. | 0:44:35 | 0:44:37 | |
I think we're going to have our work cut out to convince her | 0:44:37 | 0:44:39 | |
all this tissue damage will fade as well. | 0:44:39 | 0:44:41 | |
Oh, I don't know, is it worth it? | 0:44:41 | 0:44:42 | |
Well, I don't mind talking her through it, | 0:44:42 | 0:44:44 | |
there is an online time-lapse video I can show her. | 0:44:44 | 0:44:47 | |
No, I meant is it worth the agitation? | 0:44:47 | 0:44:49 | |
Clips, please. Thank you. | 0:44:49 | 0:44:51 | |
I don't mind if you express an opinion. | 0:44:51 | 0:44:53 | |
In fact, I'm asking for your opinion. | 0:44:53 | 0:44:55 | |
Can I ever have a relationship with Essie? | 0:44:55 | 0:44:58 | |
I can't. Can I? | 0:44:58 | 0:45:00 | |
What was I thinking? | 0:45:00 | 0:45:01 | |
I imagine you were thinking how much you liked her | 0:45:01 | 0:45:06 | |
and she was thinking how much she liked you. | 0:45:06 | 0:45:10 | |
If it was only that simple. | 0:45:10 | 0:45:12 | |
This certainly isn't going to be as neat as I'd hoped. | 0:45:12 | 0:45:15 | |
But we're not going to give up, are we? | 0:45:15 | 0:45:17 | |
Dr Digby, are you drawing an analogy between my romantic life | 0:45:17 | 0:45:21 | |
and varicose vein surgery? | 0:45:21 | 0:45:23 | |
I generally try and give people the benefit of the doubt | 0:45:27 | 0:45:31 | |
and sometimes that leads to them getting the credit they deserve. | 0:45:31 | 0:45:35 | |
In the end, I have to say I'm impressed. | 0:45:35 | 0:45:40 | |
I just hope I did my job. | 0:45:40 | 0:45:41 | |
You handled that Sengstaken like it was second nature. | 0:45:41 | 0:45:44 | |
Mr Stupid owes you his life. | 0:45:44 | 0:45:47 | |
I had done it before. | 0:45:47 | 0:45:48 | |
Don't sell yourself short. As I say, I'm impressed. | 0:45:48 | 0:45:53 | |
Thanks a lot, Mr Griffin, it means a lot. | 0:45:53 | 0:45:56 | |
Now, all you have to do is keep it up. | 0:45:56 | 0:45:59 | |
So, do AAU nurses hit Albie's after work for a swifty or what? | 0:46:01 | 0:46:04 | |
Yeah, I'll buy you a large one | 0:46:04 | 0:46:06 | |
on the back of your Sengstaken performance if nothing else. | 0:46:06 | 0:46:08 | |
It's the talk of the ward, everyone's well impressed. | 0:46:08 | 0:46:11 | |
Really? Great. Well, Albie's later then. | 0:46:11 | 0:46:13 | |
Excellent. | 0:46:13 | 0:46:15 | |
Stella, when the bandages come off, | 0:46:15 | 0:46:16 | |
there is going to be a substantial amount of bruising. | 0:46:16 | 0:46:19 | |
But that will fade. | 0:46:19 | 0:46:21 | |
Yes, but there'll also be quite a lot of scarring. | 0:46:21 | 0:46:24 | |
But no more than Vera. | 0:46:24 | 0:46:26 | |
Well, there are a lot more than we initially envisaged | 0:46:26 | 0:46:29 | |
and it will be quite visible to begin with. | 0:46:29 | 0:46:32 | |
I will have legs like Russian sausages. | 0:46:34 | 0:46:36 | |
Xavier won't want a piece of that? | 0:46:36 | 0:46:39 | |
I know what Xavier wants. | 0:46:39 | 0:46:42 | |
It won't be me. | 0:46:42 | 0:46:43 | |
I feel like my heart will break. | 0:46:45 | 0:46:48 | |
I just wanted to dance with him. | 0:46:50 | 0:46:52 | |
Mr Levy, can we talk? | 0:46:52 | 0:46:56 | |
Excuse us. | 0:46:56 | 0:46:58 | |
Go, go. I'm better by myself. | 0:46:58 | 0:47:00 | |
Not you. | 0:47:02 | 0:47:03 | |
We do need to talk because there's something I want to say. | 0:47:06 | 0:47:09 | |
Is there? | 0:47:09 | 0:47:10 | |
I'm so sorry. | 0:47:12 | 0:47:13 | |
What for? | 0:47:13 | 0:47:15 | |
For the way I behaved. | 0:47:15 | 0:47:18 | |
For you know, the tea and Mr Thompson | 0:47:18 | 0:47:21 | |
and all that Nicky nonsense. | 0:47:21 | 0:47:24 | |
I'm so ashamed. | 0:47:24 | 0:47:26 | |
(And I'm really sorry.) | 0:47:26 | 0:47:28 | |
Good. | 0:47:28 | 0:47:30 | |
I accept your apology. | 0:47:30 | 0:47:32 | |
HE SIGHS | 0:47:33 | 0:47:34 | |
I was...jealous. | 0:47:41 | 0:47:45 | |
What for? | 0:47:45 | 0:47:46 | |
Well, you hug him, you know, and I'd seen your corset. | 0:47:46 | 0:47:52 | |
You saw Derwood's corset in my bag this morning. | 0:47:53 | 0:47:58 | |
Hang on, hang on. | 0:47:58 | 0:48:00 | |
It's Mr Thompson's corset? | 0:48:00 | 0:48:02 | |
Yes. | 0:48:02 | 0:48:03 | |
Derwood and I are going to a sing-a-long | 0:48:03 | 0:48:07 | |
Rocky Horror Picture Show tonight | 0:48:07 | 0:48:09 | |
and he is playing Frank N Furter. | 0:48:09 | 0:48:12 | |
Well, that's amazing. | 0:48:14 | 0:48:15 | |
And he was dating Nicky. | 0:48:17 | 0:48:19 | |
He thought things were going really well | 0:48:19 | 0:48:21 | |
-and then she broke up with him. -Oh, so there was a Nicky. | 0:48:21 | 0:48:23 | |
Oh, well done, you got one thing right. | 0:48:23 | 0:48:26 | |
I'm so sorry. | 0:48:28 | 0:48:29 | |
-Poor Mr T. -Yeah. | 0:48:30 | 0:48:32 | |
He's miserable. I'm his friend so I'm just trying to cheer him up. | 0:48:32 | 0:48:37 | |
Oh, my... | 0:48:39 | 0:48:41 | |
That woman gets everything wrong. | 0:48:42 | 0:48:44 | |
I bet you a pound that that's... | 0:48:44 | 0:48:46 | |
Stella, who's that? | 0:48:48 | 0:48:51 | |
It's Xavier. Why is he here? | 0:48:53 | 0:48:56 | |
For you, I should imagine. | 0:48:56 | 0:48:58 | |
There, you see? What did I tell you? | 0:48:58 | 0:49:00 | |
And I thought you were a little bit stupid...but you're not. | 0:49:00 | 0:49:05 | |
Maybe you should think about this one? | 0:49:06 | 0:49:09 | |
As it happens, despite your meddling, | 0:49:10 | 0:49:14 | |
I am going out with your consultant. | 0:49:14 | 0:49:15 | |
Acting consultant actually but very good. | 0:49:15 | 0:49:19 | |
Sorry, do you mind? | 0:49:21 | 0:49:23 | |
-Look, you don't have to go. -No, it's OK. | 0:49:23 | 0:49:26 | |
Thanks for that. Don't start, will you? | 0:49:26 | 0:49:29 | |
I won't, I promise. | 0:49:29 | 0:49:31 | |
If you get yourself a vodka, you can have one of these. | 0:49:35 | 0:49:40 | |
-Viper Spit? -It energises you. It's my gift to AAU. | 0:49:40 | 0:49:43 | |
Well, one of many. | 0:49:43 | 0:49:45 | |
Do they know that you smuggle in your own mixers? | 0:49:45 | 0:49:47 | |
I thought you weren't starting. | 0:49:47 | 0:49:49 | |
That tastes like something Stoner would drink. | 0:49:52 | 0:49:55 | |
-To Stoner. -To Stoner. | 0:49:57 | 0:50:00 | |
For the record, Collywobble, | 0:50:01 | 0:50:03 | |
I was in this hospital way before you were. | 0:50:03 | 0:50:05 | |
I know you were and don't call me that. | 0:50:05 | 0:50:08 | |
So, don't ruin it for me, all right? | 0:50:08 | 0:50:10 | |
Please, I need this. | 0:50:10 | 0:50:12 | |
And anyway, I'll be good on AAU, you know I will. | 0:50:12 | 0:50:15 | |
Di Lucca's impressed. Ric Griffin's impressed. | 0:50:15 | 0:50:18 | |
Not to mention Stoner. | 0:50:18 | 0:50:19 | |
What about you? | 0:50:19 | 0:50:21 | |
Well, the word on the ward is that you're pretty smokin' too so... | 0:50:25 | 0:50:29 | |
we could make a good team. | 0:50:29 | 0:50:31 | |
I'm sorry, I should've talked to you. | 0:50:40 | 0:50:42 | |
You think? | 0:50:42 | 0:50:44 | |
I had the dress on, Fletch. My hair all done. | 0:50:45 | 0:50:49 | |
Something borrowed, something blue. The whole works. | 0:50:49 | 0:50:52 | |
I would've liked to have seen that. | 0:50:52 | 0:50:55 | |
But when I looked in the mirror, I couldn't see me. | 0:50:57 | 0:50:59 | |
So you did a runner. | 0:50:59 | 0:51:01 | |
How brave. | 0:51:01 | 0:51:03 | |
So who'd you run to? | 0:51:03 | 0:51:05 | |
Nobody. | 0:51:05 | 0:51:06 | |
I just knew it was wrong to get married. | 0:51:07 | 0:51:09 | |
If I'd married you, you'd have hated me. | 0:51:09 | 0:51:11 | |
Well, I ain't that fond of you now. | 0:51:11 | 0:51:13 | |
I know. | 0:51:13 | 0:51:14 | |
But you don't hate me any more, do you? | 0:51:16 | 0:51:18 | |
Only enough to make you drink Viper Spit. | 0:51:27 | 0:51:30 | |
Can I get a double vodka, please? | 0:51:32 | 0:51:35 | |
Joan? | 0:51:38 | 0:51:39 | |
Sorry, I just need to... | 0:51:41 | 0:51:44 | |
Joan? | 0:51:46 | 0:51:48 | |
-You'll never guess. -Probably not. | 0:52:19 | 0:52:21 | |
Essie and I are going on another date. | 0:52:23 | 0:52:26 | |
Well, there's no fixed plans yet but... | 0:52:26 | 0:52:28 | |
-Yeah, but she's... -No, no, no. | 0:52:28 | 0:52:30 | |
No, no, Mr T is not two-timing anybody. | 0:52:30 | 0:52:32 | |
In fact, Mr T is well and truly single. | 0:52:32 | 0:52:35 | |
-Really? -I know. | 0:52:35 | 0:52:37 | |
But he has a corset and he dresses up as Frank N Furter | 0:52:37 | 0:52:40 | |
and goes to Rocky Horror sing-songs. | 0:52:40 | 0:52:42 | |
-He dresses up as Frank N Furter? -I know! | 0:52:42 | 0:52:44 | |
Man, I've always wanted to do that. | 0:52:44 | 0:52:47 | |
It's been such a strange day. | 0:52:47 | 0:52:49 | |
Right, well, my news is that | 0:52:49 | 0:52:50 | |
Elliot is restarting the Assisted Devices programme. | 0:52:50 | 0:52:53 | |
Oh, that's brilliant. With you as his right-hand woman? | 0:52:53 | 0:52:55 | |
-Going to try to be. -That's great. | 0:52:55 | 0:52:58 | |
So, Mr T? | 0:52:58 | 0:53:01 | |
Is he really not seeing anyone? | 0:53:01 | 0:53:02 | |
Nobody. No, he has no romantic involvement whatsoever. | 0:53:02 | 0:53:06 | |
I wonder when he's going to be ready to do the time warp again. | 0:53:08 | 0:53:10 | |
# Just a jump to the left. # | 0:53:10 | 0:53:13 | |
Where is she now? | 0:53:31 | 0:53:33 | |
She's here, in the mortuary. | 0:53:33 | 0:53:35 | |
Are you going to find out why she died? | 0:53:37 | 0:53:40 | |
There'll be a postmortem. It's routine for an unexpected death. | 0:53:40 | 0:53:45 | |
We need to identify the cause. | 0:53:45 | 0:53:47 | |
You're looking at him. | 0:53:49 | 0:53:51 | |
All the fuss... | 0:53:53 | 0:53:55 | |
about you, about everything. | 0:53:55 | 0:53:57 | |
I was always making such a fuss. | 0:53:58 | 0:54:01 | |
Do you think she was frightened? | 0:54:05 | 0:54:08 | |
Do you think she was in any pain? | 0:54:09 | 0:54:12 | |
She looked peaceful. | 0:54:12 | 0:54:15 | |
I thought she'd fallen asleep. | 0:54:15 | 0:54:17 | |
I would have done anything for her. | 0:54:20 | 0:54:23 | |
She'd only have had to ask. | 0:54:23 | 0:54:26 | |
I think she knew that. | 0:54:26 | 0:54:28 | |
I loved Joan. | 0:54:31 | 0:54:33 | |
I expect she knew that too. | 0:54:33 | 0:54:36 | |
What's the point of me being alive... | 0:54:36 | 0:54:38 | |
..now she's dead? | 0:54:40 | 0:54:42 | |
KNOCK ON DOOR | 0:54:44 | 0:54:45 | |
I said by seven. You're one minute late. | 0:54:50 | 0:54:53 | |
Your watch is wrong. | 0:54:53 | 0:54:55 | |
-So, what have we learned today? -Say what? | 0:55:16 | 0:55:18 | |
Say, oh, I don't know, | 0:55:18 | 0:55:20 | |
I will keep my big mouth shut in front of patients? | 0:55:20 | 0:55:22 | |
For the record, I'm rather fond of your big mouth, Adele. | 0:55:22 | 0:55:26 | |
But not when it gets in the way of patient care. | 0:55:26 | 0:55:30 | |
-Sorry, Professor. -No matter. | 0:55:30 | 0:55:32 | |
It's all been somewhat overshadowed by Joan's death, hasn't it? | 0:55:32 | 0:55:36 | |
Yeah, I know. Who'd have thought? Just like that? | 0:55:36 | 0:55:38 | |
Well, if your number's up, your number's up. | 0:55:38 | 0:55:40 | |
People can and do die suddenly. | 0:55:40 | 0:55:42 | |
Yeah, but in hospital with all of us here. | 0:55:42 | 0:55:44 | |
And she wasn't even the one that came in sick. | 0:55:44 | 0:55:47 | |
Even this dream team can't perform miracles. | 0:55:47 | 0:55:50 | |
Did you eat all the grapes? | 0:55:50 | 0:55:52 | |
No, I did not. | 0:55:52 | 0:55:54 | |
Anyway, I'm so glad to be back | 0:55:54 | 0:55:55 | |
and so, so pleased to have my dream team all around me. | 0:55:55 | 0:56:00 | |
Good, carry on. | 0:56:00 | 0:56:02 | |
I'm assembling the new dream team. | 0:56:10 | 0:56:12 | |
You've told Elliot? | 0:56:13 | 0:56:15 | |
You haven't. | 0:56:18 | 0:56:20 | |
Second thoughts? | 0:56:20 | 0:56:22 | |
None. | 0:56:26 | 0:56:27 |