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You're so pathetic. | 0:00:02 | 0:00:04 | |
Keller. Where the best anaesthetist is now a surgeon, | 0:00:04 | 0:00:07 | |
the student nurse was a former holiday rep, and the highest-ranking | 0:00:07 | 0:00:12 | |
surgeon only uses the word urgent when he's run out of biscuits. | 0:00:12 | 0:00:16 | |
I love you. | 0:00:16 | 0:00:18 | |
And you really think this is best for the hospital? | 0:00:23 | 0:00:26 | |
Yes, I really do. | 0:00:26 | 0:00:28 | |
'You're something special.' | 0:00:30 | 0:00:32 | |
Don't waste that potential. | 0:00:32 | 0:00:34 | |
SHE LAUGHS NERVOUSLY | 0:01:14 | 0:01:16 | |
I'm Sam. | 0:01:16 | 0:01:18 | |
I'm deputy assistant manager of Pulses coffee shop here at Holby. | 0:01:18 | 0:01:22 | |
-WOMAN: -And how do you know Guy Self? | 0:01:23 | 0:01:25 | |
He's a well famous brain surgeon. | 0:01:27 | 0:01:29 | |
That's why you're here, isn't it? | 0:01:29 | 0:01:32 | |
What's this all about? | 0:01:32 | 0:01:34 | |
You seem to know him...personally. | 0:01:34 | 0:01:37 | |
How did that come about? | 0:01:37 | 0:01:38 | |
Well...coffee, I suppose. | 0:01:39 | 0:01:42 | |
I make it. He drinks it. A lot of it. | 0:01:42 | 0:01:44 | |
Especially during the graveyard shift. | 0:01:44 | 0:01:47 | |
I help him sometimes with his sudoku. I think he even joys it. | 0:01:47 | 0:01:51 | |
You know, a little break from being Mr Life-and-death Brain Doctor, Billy Big... | 0:01:51 | 0:01:57 | |
Oop! | 0:01:57 | 0:01:59 | |
Oh, you can bleep that out, right? | 0:01:59 | 0:02:00 | |
Er...is this really necessary? | 0:02:00 | 0:02:03 | |
You'll thank me in post-production. | 0:02:03 | 0:02:05 | |
It's not about making me look good. | 0:02:05 | 0:02:08 | |
-Funny, I was told that's exactly what this is about. -HE CHUCKLES | 0:02:08 | 0:02:11 | |
No. You've been commissioned to provide a unique insight into the world of neurosurgery. | 0:02:11 | 0:02:15 | |
Specifically YOUR neurosurgical unit. | 0:02:15 | 0:02:19 | |
Our successes, advances, ambitions. | 0:02:19 | 0:02:22 | |
That's the story. Not me. | 0:02:23 | 0:02:24 | |
Every story needs a human face. An angle. | 0:02:24 | 0:02:27 | |
And that's me, is it? | 0:02:29 | 0:02:30 | |
HE LAUGHS OK, I'll...defer to your expertise. | 0:02:32 | 0:02:36 | |
What do you need me to do? | 0:02:36 | 0:02:37 | |
Just be yourself. Act like we're not here. | 0:02:37 | 0:02:39 | |
Think of this as... "a day in the life of Guy Self". | 0:02:39 | 0:02:44 | |
So, how would Guy Self start his day? | 0:02:44 | 0:02:48 | |
Hmm. | 0:02:48 | 0:02:50 | |
Finally. | 0:02:55 | 0:02:56 | |
Where'd you go to source those beans, Colombia? | 0:02:57 | 0:03:00 | |
No. Wrexham. | 0:03:00 | 0:03:02 | |
-Oh, Mr Self! The usual? -Oh, that would be lovely. Thank you, Sam. | 0:03:02 | 0:03:05 | |
-Yeah, excuse me, there's a queue. -Oh...whenever. -I'll have... | 0:03:05 | 0:03:09 | |
A grande caffe mocha, double whipped cream, extra shot, | 0:03:09 | 0:03:12 | |
half skinny, half full-fat milk. | 0:03:12 | 0:03:13 | |
Here's a blueberry muffin for now, | 0:03:13 | 0:03:15 | |
and a double chocolate brownie for later. | 0:03:15 | 0:03:17 | |
It'll be £6.95 and it'll just take a couple of minutes, | 0:03:17 | 0:03:20 | |
so if you wouldn't mind just waiting over there, Ms Effanga. | 0:03:20 | 0:03:23 | |
Morning. | 0:03:25 | 0:03:26 | |
I'll have what she's having, please. | 0:03:26 | 0:03:28 | |
Do you know, this is going to take a while. | 0:03:28 | 0:03:31 | |
Me shift's nearly over so, well, I'll bring it over. | 0:03:31 | 0:03:34 | |
-You know, when the rush is done. -You're a life-saver. | 0:03:34 | 0:03:36 | |
Oh, and Mr Self? | 0:03:36 | 0:03:37 | |
I saved you the inferno. No cheating on the time limit. | 0:03:38 | 0:03:41 | |
As if. | 0:03:41 | 0:03:43 | |
Did you know your dad had his own reality TV show now? | 0:03:47 | 0:03:50 | |
Didn't even know he liked sudoku. | 0:03:50 | 0:03:52 | |
Counting the days until Dry January's over? | 0:03:57 | 0:03:59 | |
Actually I was counting down the days until your return. | 0:04:01 | 0:04:04 | |
How was the refresher course? | 0:04:05 | 0:04:07 | |
It was really very generous of the NHS to spend valuable time | 0:04:07 | 0:04:11 | |
and scarce resources on teaching me how to suck eggs. | 0:04:11 | 0:04:16 | |
Specialism. Welcome to the NHS. | 0:04:16 | 0:04:20 | |
Live kidney donation and transplant. Are they here? | 0:04:20 | 0:04:23 | |
Er, the donor is. | 0:04:23 | 0:04:25 | |
Lewis Bolter. Given up for adoption at age two. | 0:04:25 | 0:04:28 | |
20 years later, tracks down his birth mother, | 0:04:28 | 0:04:32 | |
only to learn that she's in end-stage renal failure. | 0:04:32 | 0:04:35 | |
-As a result of hepatitis C infection. -Consequence of a misspent youth. | 0:04:35 | 0:04:40 | |
-IV drug user? -Yes. And alcoholic until five years ago. | 0:04:40 | 0:04:44 | |
When she goes on to the transplant list for the first time. | 0:04:44 | 0:04:47 | |
Yes, nothing like renal failure to encourage lifestyle changes. | 0:04:47 | 0:04:51 | |
Nurse Harrison, nice to see you again. | 0:04:51 | 0:04:53 | |
-Hello, how are you doing, Lewis? -Nervous, but ready. -Good. | 0:04:53 | 0:04:57 | |
This is Mr Griffin, | 0:04:57 | 0:04:58 | |
he's your consultant overseeing the operations today. | 0:04:58 | 0:05:01 | |
-Transplant expert, are you? -I've done a few. | 0:05:01 | 0:05:04 | |
So you know the difference between a kidney and a liver. | 0:05:04 | 0:05:07 | |
Well, he knows that one goes nicely with steak. | 0:05:07 | 0:05:11 | |
Mr Bolter, I'd like to thank you for what you're doing. | 0:05:11 | 0:05:14 | |
The NHS is desperately short of life-saving organs | 0:05:14 | 0:05:16 | |
and this really is an amazing gift. | 0:05:16 | 0:05:19 | |
Let's do the latest haemoglobin | 0:05:20 | 0:05:22 | |
and when the recipient arrives we'll do final checks. | 0:05:22 | 0:05:25 | |
Sure. | 0:05:25 | 0:05:27 | |
Er, where is Alison? | 0:05:27 | 0:05:29 | |
Er, Transport went to get her so she must be stuck in traffic. | 0:05:29 | 0:05:33 | |
-But I'm sure she's fine. -It's OK. Not like I'm in a rush. | 0:05:33 | 0:05:36 | |
Be right back. | 0:05:38 | 0:05:39 | |
Can you check with Transport where she is? | 0:05:40 | 0:05:43 | |
-She should have been here hours ago. -OK. | 0:05:43 | 0:05:45 | |
I've just got to check something. | 0:05:45 | 0:05:47 | |
The board has decided to capitalise on the recent successes | 0:05:47 | 0:05:50 | |
of the neuro unit, with a sustained media and public-relations push, | 0:05:50 | 0:05:54 | |
so you may notice that there's a documentary team here | 0:05:54 | 0:05:56 | |
following Mr Self about. | 0:05:56 | 0:05:58 | |
-Sounds like an episode of Meet The Selfies. -Very good. | 0:05:58 | 0:06:01 | |
The documentary obviously will be focusing on the neuro unit, but | 0:06:01 | 0:06:04 | |
if you are approached perhaps you will assist in their storytelling. | 0:06:04 | 0:06:07 | |
What, like interviews? | 0:06:07 | 0:06:09 | |
-If asked, yes. -What do we say? -Nice things. | 0:06:09 | 0:06:12 | |
SHE SNORTS | 0:06:12 | 0:06:14 | |
Right. Thank you. | 0:06:15 | 0:06:17 | |
I was rather expecting more resistance. | 0:06:21 | 0:06:23 | |
Well, I've got wall-to-wall surgery today. | 0:06:23 | 0:06:26 | |
I haven't got the time or inclination to care about what | 0:06:26 | 0:06:28 | |
new harebrained schemes our resident narcissist sociopath has hatched. | 0:06:28 | 0:06:33 | |
When I said "nice things"... | 0:06:33 | 0:06:35 | |
I am surprised by you, however. | 0:06:35 | 0:06:37 | |
Allowing this kind of circus in your hospital. | 0:06:37 | 0:06:40 | |
-The board feels... -How do you feel? | 0:06:40 | 0:06:42 | |
I feel that my hands are tied on the subject. | 0:06:44 | 0:06:47 | |
The procedure Mr Self will be performing, though, is one of note. | 0:06:47 | 0:06:50 | |
It will bring esteem - and money - to this hospital | 0:06:50 | 0:06:53 | |
and to his unit. | 0:06:53 | 0:06:55 | |
You may wish to reflect on what may be done with this money. | 0:06:55 | 0:06:58 | |
Ric Griffin is performing a live-donation kidney transplant on Keller today. | 0:06:58 | 0:07:02 | |
I am doing a surgical ventricular restoration. | 0:07:02 | 0:07:05 | |
What's Guy got that's worthy of a documentary team? | 0:07:05 | 0:07:08 | |
It's not just the procedure he's doing, it's who he's doing it for. | 0:07:08 | 0:07:12 | |
CLASSICAL VIOLIN PLAYS | 0:07:12 | 0:07:15 | |
Right. The star of today's show. | 0:07:19 | 0:07:22 | |
Hello, Guy. | 0:07:22 | 0:07:24 | |
Michelle Lavers, meet Nathan Hartley, | 0:07:24 | 0:07:26 | |
one of the country's top violinists. | 0:07:26 | 0:07:27 | |
Not just the country, one of the world's best virtuosos. | 0:07:27 | 0:07:31 | |
I know you. I mean, I saw you a few years back. | 0:07:31 | 0:07:35 | |
You were...amazing. | 0:07:35 | 0:07:37 | |
And then you just disappeared. What happened? | 0:07:37 | 0:07:40 | |
Parkinson's? | 0:07:43 | 0:07:44 | |
No, I can't cure that, not yet. | 0:07:44 | 0:07:47 | |
No, this is a condition known as essential tremor. | 0:07:47 | 0:07:50 | |
It's an uncontrollable shake to a part of the body. | 0:07:50 | 0:07:53 | |
-In this case, the up-and-down movement of the hand. -What causes it? | 0:07:53 | 0:07:56 | |
No-one seems to know. | 0:07:56 | 0:07:58 | |
The important thing is, I can cure these symptoms. | 0:07:58 | 0:08:00 | |
-How? -Ah. I know enough about showbiz to know you don't give away the ending. | 0:08:00 | 0:08:05 | |
Mr Self? | 0:08:05 | 0:08:06 | |
Your coffee. | 0:08:06 | 0:08:07 | |
Saima, you're an angel. | 0:08:07 | 0:08:10 | |
You know, if you want to find the heart of the NHS from the human angle, | 0:08:10 | 0:08:14 | |
you could do worse than start with Saima Ahmed. | 0:08:14 | 0:08:16 | |
Thank you. | 0:08:19 | 0:08:20 | |
What's with the camera crew? | 0:08:22 | 0:08:24 | |
Oh, it's a bit of PR to attract funding, donors, that kind of thing. | 0:08:24 | 0:08:28 | |
What do you need funding for? | 0:08:28 | 0:08:30 | |
Growth. Empires don't build themselves. | 0:08:30 | 0:08:33 | |
Um, Mr Self? | 0:08:33 | 0:08:34 | |
-Do you know what I was telling you about my friend, Sarah? -Mm-hm? | 0:08:34 | 0:08:38 | |
She wasn't feeling very well. Nausea, tired all the time. | 0:08:38 | 0:08:42 | |
Did she go and see her GP? | 0:08:42 | 0:08:44 | |
No. Er, she's been a bit too busy for that. | 0:08:44 | 0:08:47 | |
And I don't think she really likes talking about it, | 0:08:47 | 0:08:49 | |
you know, to strangers. | 0:08:49 | 0:08:52 | |
But the thing is, er, she's been getting more symptoms. | 0:08:52 | 0:08:55 | |
Dizzy spells. Pains. | 0:08:55 | 0:08:57 | |
I'm really worried about her. | 0:08:59 | 0:09:01 | |
I just... I think she just needs some reassurance. | 0:09:01 | 0:09:04 | |
They make a cute couple, don't they? | 0:09:06 | 0:09:08 | |
What? | 0:09:08 | 0:09:10 | |
Dr March and Mr Valentine. | 0:09:10 | 0:09:12 | |
They've been flirting for months but they've finally hooked up. | 0:09:12 | 0:09:16 | |
Oh...she didn't tell you? | 0:09:17 | 0:09:19 | |
She's probably embarrassed. You know, office romance. | 0:09:21 | 0:09:25 | |
-Those things don't often work out, do they? -MOBILE RINGS | 0:09:25 | 0:09:28 | |
Excuse me, Sam. | 0:09:28 | 0:09:29 | |
Hello. Yep, thanks for getting back to me. | 0:09:29 | 0:09:32 | |
I just wanted to let you know that I'm putting on a show and everyone is invited. | 0:09:32 | 0:09:37 | |
Yeah. | 0:09:37 | 0:09:38 | |
-ADELE: -Essie! | 0:09:45 | 0:09:46 | |
Ugh. What?! | 0:09:48 | 0:09:50 | |
-There you are. -Yep. | 0:09:50 | 0:09:51 | |
Sorry. I didn't mean to startle you. | 0:09:51 | 0:09:53 | |
Well, you shouldn't have come in here screaming like a banshee, then. | 0:09:56 | 0:09:59 | |
It's Ms Wood. | 0:09:59 | 0:10:01 | |
Alison? You found her? Where was she? | 0:10:01 | 0:10:03 | |
Here. Well, downstairs. She's been in the ED. | 0:10:03 | 0:10:06 | |
Is she all right? | 0:10:06 | 0:10:07 | |
Yeah. Well, no. I think you need to see her for yourself. | 0:10:07 | 0:10:10 | |
-Where's my boy? -I don't know. | 0:10:12 | 0:10:15 | |
Surely he should be here by now? | 0:10:15 | 0:10:17 | |
Essie! Good to see you. | 0:10:18 | 0:10:21 | |
And you, Alison. Erm, can you take that for me, please? At last. | 0:10:21 | 0:10:24 | |
Oh, sorry. Know I'm late. Got caught up. | 0:10:24 | 0:10:28 | |
-Yes, I heard that you'd been in the wars. -ALISON LAUGHS WEAKLY | 0:10:29 | 0:10:32 | |
It's just a sprained ankle. I had a little fall. | 0:10:32 | 0:10:35 | |
Whoops. | 0:10:35 | 0:10:37 | |
Feel better now, though. | 0:10:37 | 0:10:39 | |
There he is. There's my Lewis. | 0:10:39 | 0:10:41 | |
Come and give your mother a hug. | 0:10:41 | 0:10:43 | |
Are you OK? | 0:10:43 | 0:10:45 | |
I'm fine. Just fine! Apart from a twisted ankle. | 0:10:45 | 0:10:49 | |
-And end-stage renal failure! -SHE LAUGHS | 0:10:49 | 0:10:51 | |
Alison. | 0:10:52 | 0:10:53 | |
-Hm? -Have you been drinking? | 0:10:53 | 0:10:56 | |
Maybe...one or...two. | 0:10:57 | 0:11:01 | |
And I... | 0:11:01 | 0:11:03 | |
missed a session of dialysis. | 0:11:03 | 0:11:05 | |
I'm sorry. | 0:11:06 | 0:11:08 | |
Let's get her into HDU and onto dialysis ASAP. | 0:11:08 | 0:11:11 | |
And I'll page Mr Griffin. | 0:11:11 | 0:11:12 | |
CLASSICAL VIOLIN PLAYS | 0:11:12 | 0:11:14 | |
So it's true. You're bringing Nathan Hartley back from the dead. | 0:11:17 | 0:11:20 | |
I'm going to restore the use of his hand. | 0:11:20 | 0:11:22 | |
What he does with it after that is entirely up to him. | 0:11:22 | 0:11:26 | |
Deep brain stimulation? Quite the show stopper. | 0:11:26 | 0:11:29 | |
Which is why I've invited several donors, VIPs | 0:11:29 | 0:11:31 | |
and select board members to attend. | 0:11:31 | 0:11:34 | |
-Does Hanssen know? -What Hanssen does or doesn't know is of no concern to me. | 0:11:34 | 0:11:38 | |
Where'd you dig him up? I heard he was a recluse. How'd you meet? | 0:11:38 | 0:11:41 | |
Would you believe I'm a purveyor of the arts? | 0:11:41 | 0:11:44 | |
I believe you're a purveyor of something. | 0:11:44 | 0:11:46 | |
Well, what does it matter where I found him? | 0:11:46 | 0:11:48 | |
This time tomorrow morning he'll be back playing the violin and my work will be done. | 0:11:48 | 0:11:52 | |
No, this time tomorrow he'll be dead. | 0:11:52 | 0:11:55 | |
What? What exactly are you saying? | 0:11:55 | 0:11:57 | |
Surely you must have seen the bruising on his legs, the petechiae? | 0:11:57 | 0:12:00 | |
And these platelet counts. | 0:12:00 | 0:12:01 | |
You're on a CT ward and you can't diagnose thrombocytopenia when it's staring you in the face. | 0:12:01 | 0:12:05 | |
Calm down. He's on quinine for leg cramps, it's a side effect. | 0:12:05 | 0:12:09 | |
Haematology have had him on IV immunoglobulin for 24 hours now. | 0:12:09 | 0:12:12 | |
Oh, so you knew about it and you're going ahead anyway? | 0:12:12 | 0:12:15 | |
Haematology are on top of it and they've told me | 0:12:15 | 0:12:17 | |
the platelet count falls within acceptable parameters. | 0:12:17 | 0:12:20 | |
Why take the risk at all? | 0:12:20 | 0:12:22 | |
Ahh, you don't want to ruin the big show, | 0:12:22 | 0:12:24 | |
not now you've booked the audience. | 0:12:24 | 0:12:26 | |
Have you considered low-molecular-weight heparin? | 0:12:26 | 0:12:28 | |
Now who's showing their ignorance? | 0:12:28 | 0:12:30 | |
I really don't want to risk a bleed in the middle of brain surgery. | 0:12:30 | 0:12:33 | |
What about afterwards, when he's immobile and his blood clots and he becomes my ward's problem? | 0:12:33 | 0:12:37 | |
OK, enough! I have been playing this by the book. | 0:12:37 | 0:12:40 | |
His medication is not working, this is his last chance. | 0:12:40 | 0:12:43 | |
What is this, Jac? | 0:12:43 | 0:12:44 | |
Have you got a dog in this fight that I'm not aware of? | 0:12:44 | 0:12:47 | |
No. | 0:12:47 | 0:12:48 | |
OK. If you're going to choose sides, then choose wisely. | 0:12:48 | 0:12:54 | |
You already have a vast range of unattractive personality traits, Guy. | 0:12:54 | 0:12:57 | |
Adding paranoia to them really doesn't help. | 0:12:57 | 0:12:59 | |
You don't want my advice, don't take it. Live with the consequences. | 0:12:59 | 0:13:03 | |
It's your friend. | 0:13:05 | 0:13:06 | |
What friend? | 0:13:06 | 0:13:08 | |
SHE GROANS | 0:13:08 | 0:13:10 | |
-Sam? -All right, mate, turn it off. Come on. | 0:13:12 | 0:13:14 | |
Uhh...what happened? | 0:13:14 | 0:13:16 | |
-We'd just finished some interviews and she just...collapsed. -Me chest...hurts. | 0:13:16 | 0:13:20 | |
Try not to talk, my love. | 0:13:20 | 0:13:22 | |
-Pulse is 85. -Heart? | 0:13:22 | 0:13:23 | |
Possibly. We need to get her into a bed - now. | 0:13:23 | 0:13:25 | |
Can I have a chair, please? | 0:13:25 | 0:13:27 | |
You're going to be all right, OK? | 0:13:27 | 0:13:29 | |
Sorry...I'm been a nuisance. | 0:13:29 | 0:13:31 | |
Shh-shh-shh. | 0:13:31 | 0:13:33 | |
SHE LAUGHS | 0:13:33 | 0:13:35 | |
Fancy him?! Mr Self? | 0:13:35 | 0:13:37 | |
No! | 0:13:37 | 0:13:39 | |
Oh, the very thought! | 0:13:39 | 0:13:40 | |
Not that he's not...you know... bit of a dish! | 0:13:41 | 0:13:45 | |
Cos he is. Oh, that voice... | 0:13:45 | 0:13:48 | |
But, no. No, we're just friends. | 0:13:48 | 0:13:51 | |
Sudoku friends. | 0:13:51 | 0:13:53 | |
He's still in love with his wife. | 0:13:56 | 0:13:59 | |
She died. | 0:13:59 | 0:14:01 | |
I... I suppose you know that. | 0:14:01 | 0:14:02 | |
He's still in love with her, so much it eats him up. | 0:14:04 | 0:14:07 | |
Something...really beautiful about that. | 0:14:09 | 0:14:12 | |
Something...raw. | 0:14:14 | 0:14:17 | |
It's like... | 0:14:19 | 0:14:21 | |
Well, it's like one of those Greek tragedies or something. | 0:14:22 | 0:14:26 | |
Love, eh? | 0:14:28 | 0:14:30 | |
# De de-de de-de... # | 0:14:34 | 0:14:36 | |
Ooh... | 0:14:40 | 0:14:42 | |
Aren't we late enough already? | 0:14:42 | 0:14:44 | |
Should we be doing this? | 0:14:46 | 0:14:48 | |
Was it the whole me calling you Josephine thing? | 0:14:48 | 0:14:51 | |
Because...that just slipped out. | 0:14:51 | 0:14:54 | |
What? | 0:14:54 | 0:14:55 | |
Look, sometimes when I'm... | 0:14:55 | 0:14:57 | |
in the throes of passion, | 0:14:57 | 0:14:59 | |
I'm minded of...Napoleon's great love for Josephine. But... | 0:14:59 | 0:15:03 | |
That's a compliment if anything, | 0:15:03 | 0:15:05 | |
and it's certainly not worth ending this journey before it's even begun. | 0:15:05 | 0:15:09 | |
Who said anything about ending things? | 0:15:09 | 0:15:12 | |
Um, you just said, "Should we be doing this?" | 0:15:12 | 0:15:14 | |
Oh, I... What I meant was... being a...couple. In public. | 0:15:14 | 0:15:19 | |
In there. | 0:15:21 | 0:15:22 | |
Just, I...I'm not sure I see the alternative. | 0:15:23 | 0:15:26 | |
We just don't tell anyone. | 0:15:26 | 0:15:28 | |
-You mean lie. -Dissemble. | 0:15:30 | 0:15:32 | |
Let's just not hold hands and see how we go, eh? | 0:15:33 | 0:15:36 | |
It'll be our little secret. | 0:15:38 | 0:15:39 | |
(It's just, I'm...I'm not very good with secrets.) Trust me. | 0:15:41 | 0:15:45 | |
Please? | 0:15:45 | 0:15:47 | |
Oh, and Arthur? | 0:15:56 | 0:15:58 | |
-The Josephine thing? -Yep? | 0:15:58 | 0:16:00 | |
-It's weird. -I'll stop. -Thank you. | 0:16:00 | 0:16:02 | |
How much did she have to drink? | 0:16:02 | 0:16:04 | |
Blood alcohol's only slightly raised, | 0:16:04 | 0:16:06 | |
so she's not exactly bingeing. | 0:16:06 | 0:16:08 | |
It's the fact that she drank at all, that's the worry. | 0:16:08 | 0:16:11 | |
She's an alcoholic. | 0:16:11 | 0:16:12 | |
Yeah, but the fact that she's stopped, having started, I mean, that's encouraging. | 0:16:12 | 0:16:16 | |
Plus she is showing genuine signs of remorse, yes? | 0:16:16 | 0:16:19 | |
I just don't understand. | 0:16:19 | 0:16:20 | |
She has been clean for years, | 0:16:20 | 0:16:21 | |
she's completely turned her life around, | 0:16:21 | 0:16:24 | |
and now the son that she gave up has come back, | 0:16:24 | 0:16:27 | |
she's got a second chance at life, at being a mother... | 0:16:27 | 0:16:29 | |
Maybe that's what she's scared of. | 0:16:29 | 0:16:31 | |
How long ago did Lewis make contact? | 0:16:31 | 0:16:34 | |
Four months or so. | 0:16:34 | 0:16:36 | |
Ahh, and then almost immediately he offers to donate his kidney. | 0:16:36 | 0:16:41 | |
That is enough to stir up some sort of guilt. | 0:16:41 | 0:16:44 | |
The question is whether it's going to affect her ability to maintain her post-operative care. | 0:16:44 | 0:16:48 | |
Let's get a psych assessment. | 0:16:49 | 0:16:51 | |
And in the meantime continue her dialysis so we're ready to go, | 0:16:51 | 0:16:54 | |
-in case we get a green light, yeah? -Yeah. | 0:16:54 | 0:16:57 | |
Well, will you look at this? | 0:17:00 | 0:17:02 | |
You dirty little stop-outs. | 0:17:02 | 0:17:04 | |
-Excuse me? -You two. Rocking up at this sort of time... | 0:17:04 | 0:17:07 | |
Whoa, what do you mean... Whoa, what do you mean, "you two"? | 0:17:07 | 0:17:10 | |
-Just that... -I don't know what implications you're attempting to make, | 0:17:10 | 0:17:13 | |
Nurse Fletcher, but I can tell you that I resent them... | 0:17:13 | 0:17:16 | |
and I reject it. | 0:17:16 | 0:17:18 | |
-Utterly. -Arthur... | 0:17:18 | 0:17:19 | |
No, no, there is no "us two". | 0:17:19 | 0:17:21 | |
There is Morven - there she is - and then there's me. | 0:17:21 | 0:17:24 | |
Two entirely separate entities, linked by nothing more than... | 0:17:24 | 0:17:27 | |
He just meant that you're both late. | 0:17:27 | 0:17:29 | |
Oh. | 0:17:30 | 0:17:31 | |
Trains, you know. What you going to do? | 0:17:33 | 0:17:35 | |
You haven't got to tell me. | 0:17:35 | 0:17:36 | |
And, Diggers? Erm, lay off the caffeine for a bit. | 0:17:36 | 0:17:40 | |
Right. | 0:17:40 | 0:17:41 | |
What was that? | 0:17:42 | 0:17:43 | |
I just... I told you. I'm...no good at lying. | 0:17:43 | 0:17:46 | |
Look, just try and breathe, Arthur. | 0:17:46 | 0:17:49 | |
Afternoon, Doctor Digby. Bed 5, then come and find me, | 0:17:49 | 0:17:52 | |
we need to have a chat. | 0:17:52 | 0:17:53 | |
OK, about, er, what, exactly? | 0:17:53 | 0:17:55 | |
You and Dr Shreve. | 0:17:55 | 0:17:57 | |
Sam. You're looking a lot better. | 0:18:00 | 0:18:03 | |
-SHE CHUCKLES -I'm sure I'm not. | 0:18:03 | 0:18:05 | |
But I am feeling it. | 0:18:05 | 0:18:07 | |
-BP and heart rate have stabilised. -ECG? | 0:18:07 | 0:18:10 | |
It's showing signs of ST depression. | 0:18:10 | 0:18:12 | |
What does that mean? | 0:18:12 | 0:18:13 | |
It means that we need to do an angiogram so we can see things a little better. | 0:18:13 | 0:18:17 | |
I'll get it booked. | 0:18:17 | 0:18:19 | |
Sorry I didn't listen to you earlier. | 0:18:22 | 0:18:24 | |
But there is no friend Sarah, is there? | 0:18:24 | 0:18:27 | |
-No. -No. So why... | 0:18:27 | 0:18:30 | |
Oh, I couldn't. I didn't want it to be a thing with us. | 0:18:30 | 0:18:34 | |
You spend your whole life saving people. | 0:18:34 | 0:18:37 | |
I didn't want you to feel like you had to save me as well. | 0:18:37 | 0:18:40 | |
-Oh... -Hey. | 0:18:40 | 0:18:42 | |
Was that him? The violinist you told me about. | 0:18:43 | 0:18:47 | |
-Mmm, yes, it was. -You going to save him? | 0:18:47 | 0:18:50 | |
I'm going to try. | 0:18:50 | 0:18:51 | |
Listen, you know the documentary crew that were interviewing you? | 0:18:53 | 0:18:57 | |
-About me? -Mm. | 0:18:57 | 0:18:59 | |
What exactly did they want to know? | 0:18:59 | 0:19:01 | |
Everything. | 0:19:02 | 0:19:04 | |
I need to know you're not going to flake out on me. On this. | 0:19:06 | 0:19:11 | |
Well? What's the verdict? | 0:19:11 | 0:19:12 | |
Er, there's no physical reason why the procedure can't take place. | 0:19:12 | 0:19:16 | |
But...? | 0:19:16 | 0:19:18 | |
Another psych assessment's required. | 0:19:18 | 0:19:20 | |
Great. More assessments. | 0:19:20 | 0:19:23 | |
Have you any idea how many times we've been through this? | 0:19:23 | 0:19:26 | |
I understand it's frustrating... | 0:19:26 | 0:19:28 | |
I just want this done with. One way or another. | 0:19:28 | 0:19:31 | |
He's cross with me. | 0:19:36 | 0:19:38 | |
Well, after everything that you've both been through these last few months, can you blame him? | 0:19:39 | 0:19:45 | |
What happened? | 0:19:48 | 0:19:49 | |
I fell off the wagon, didn't I? | 0:19:51 | 0:19:52 | |
Why? | 0:19:52 | 0:19:54 | |
It's what I do. It's who I am. | 0:19:54 | 0:19:57 | |
I don't believe that. | 0:19:57 | 0:19:58 | |
Lewis does, though. | 0:19:58 | 0:20:00 | |
And, like you said, who can blame him? | 0:20:02 | 0:20:05 | |
You know, HE came looking for me. He tracked me down. | 0:20:08 | 0:20:12 | |
Are you blaming him? | 0:20:14 | 0:20:15 | |
No. | 0:20:15 | 0:20:17 | |
I'm just saying that, if I hurt him, I didn't set out to. | 0:20:17 | 0:20:22 | |
I'll leave you to it. | 0:20:28 | 0:20:29 | |
-MICHELLE: -What motivates him? | 0:20:31 | 0:20:32 | |
Well, I think... he wants to help people. | 0:20:32 | 0:20:36 | |
There's a patient here today. A violinist. You should talk to him. | 0:20:36 | 0:20:41 | |
If you knew where Mr Self found him, | 0:20:41 | 0:20:44 | |
if you knew what he brought him back from... | 0:20:44 | 0:20:47 | |
Ahh, look, sorry, I... I probably shouldn't have said that. | 0:20:49 | 0:20:52 | |
BOW SCRAPES ON STRINGS | 0:20:58 | 0:21:00 | |
I just wanted to... | 0:21:08 | 0:21:10 | |
I know. But not yet. | 0:21:10 | 0:21:12 | |
-When? -Soon. | 0:21:13 | 0:21:15 | |
When I met you I'd given up hope. | 0:21:16 | 0:21:18 | |
Yes, I know. | 0:21:18 | 0:21:20 | |
When you told me you could help, I didn't want to believe you. | 0:21:20 | 0:21:24 | |
Because it's easier, that. Easier not to hope. | 0:21:24 | 0:21:28 | |
Because it's the hope that keeps you up at night. | 0:21:30 | 0:21:34 | |
It's the hope that drives you mad. | 0:21:34 | 0:21:35 | |
And in the end it's the hope that kills you. | 0:21:35 | 0:21:38 | |
Well, I don't deal in hope. | 0:21:40 | 0:21:42 | |
Sorry if I was a bit abrupt before. | 0:21:44 | 0:21:47 | |
It's not your fault. You know that, right? | 0:21:48 | 0:21:51 | |
It kind of is, though, isn't it? | 0:21:51 | 0:21:54 | |
I mean... | 0:21:54 | 0:21:55 | |
Just the emotional impact of me turning up. | 0:21:55 | 0:21:58 | |
Has to have an effect, right? | 0:21:58 | 0:21:59 | |
Yeah. | 0:22:00 | 0:22:02 | |
You remind me of my mother. | 0:22:04 | 0:22:06 | |
Other mother. Adoptive mother. | 0:22:06 | 0:22:08 | |
You can see how this stuff gets confusing. | 0:22:08 | 0:22:11 | |
Well, I suppose...it must be confusing for them too. | 0:22:11 | 0:22:15 | |
They're not thrilled about it, sure. But they understand. | 0:22:17 | 0:22:20 | |
Well, maybe they should be here. | 0:22:20 | 0:22:23 | |
Surgery's a big deal, Lewis. It's not something you should do alone. | 0:22:23 | 0:22:26 | |
Well, I'm not alone, am I? Got you looking out for me. | 0:22:26 | 0:22:30 | |
What made you do it? | 0:22:30 | 0:22:31 | |
Why did you... go looking for your birth mother? | 0:22:33 | 0:22:36 | |
I guess I just wanted to find out... | 0:22:39 | 0:22:41 | |
where I came from. | 0:22:41 | 0:22:43 | |
What happened. | 0:22:43 | 0:22:45 | |
Who I really am. | 0:22:45 | 0:22:46 | |
And now I know. | 0:22:49 | 0:22:50 | |
POWER WHINES DOWN | 0:23:05 | 0:23:07 | |
HE KNOCKS | 0:23:16 | 0:23:18 | |
Yes. | 0:23:18 | 0:23:19 | |
I, er...yes. Er, sit, sit, sit. | 0:23:21 | 0:23:24 | |
Right. Er, ready to start? | 0:23:33 | 0:23:35 | |
Start with what? | 0:23:37 | 0:23:39 | |
With what you have to tell me about Dr Shreve. | 0:23:39 | 0:23:41 | |
It's none of your...business? | 0:23:41 | 0:23:43 | |
SHE LAUGHS IN BEMUSEMENT | 0:23:43 | 0:23:45 | |
Since when is the professional progress of a junior doctor under my care...none of my business? | 0:23:45 | 0:23:50 | |
Professional progress? | 0:23:50 | 0:23:52 | |
Dr Shreve's appraisal. | 0:23:52 | 0:23:54 | |
Do you not read your e-mails? | 0:23:54 | 0:23:56 | |
Yep, yeah, I do remember that. Yep. | 0:23:58 | 0:24:00 | |
But you've done nothing about it? | 0:24:00 | 0:24:02 | |
Not as such. | 0:24:03 | 0:24:05 | |
Look. I know some aspects of the mentoring process may seem overly bureaucratic | 0:24:05 | 0:24:10 | |
but all employees - especially juniors - require honest, objective | 0:24:10 | 0:24:14 | |
and ethical feedback. Agreed? | 0:24:14 | 0:24:17 | |
-Agreed. -Good. | 0:24:17 | 0:24:18 | |
So you can observe and evaluate Dr Shreve for the rest of the shift | 0:24:18 | 0:24:21 | |
and then report back to me. Understood? | 0:24:21 | 0:24:24 | |
Understood. | 0:24:24 | 0:24:25 | |
Oh, Dr Digby? | 0:24:25 | 0:24:27 | |
Honest, objective and ethical. | 0:24:27 | 0:24:29 | |
I can't stress enough how important these values are in this process. | 0:24:29 | 0:24:33 | |
Now, I know that you and Morven are friends, | 0:24:33 | 0:24:36 | |
so if there's any conflict of interest, now's the time to speak up. | 0:24:36 | 0:24:40 | |
No? Good. | 0:24:40 | 0:24:41 | |
Would you kindly let Mr Cutler know that we'll be | 0:24:48 | 0:24:51 | |
requiring his services sooner rather than later. | 0:24:51 | 0:24:53 | |
Psych are happy. | 0:24:53 | 0:24:55 | |
You sound surprised. | 0:24:55 | 0:24:56 | |
I suppose I am. | 0:24:56 | 0:24:57 | |
Why? | 0:24:57 | 0:24:58 | |
Nurse Harrison, you are the transplant co-ordinator, | 0:25:01 | 0:25:04 | |
you've been across this from the beginning. | 0:25:04 | 0:25:07 | |
If you have any doubts you should voice them. | 0:25:07 | 0:25:10 | |
It was just something that Alison said... | 0:25:10 | 0:25:12 | |
about not meaning to hurt him, not wanting to... | 0:25:12 | 0:25:16 | |
Well, she did give him up for adoption as a child. | 0:25:16 | 0:25:19 | |
Wasn't she referring to that? | 0:25:19 | 0:25:20 | |
I don't know. Maybe. | 0:25:20 | 0:25:22 | |
When are you taking him into theatre? | 0:25:22 | 0:25:25 | |
Two hours' time. It's going to need a bit more than that to ask for a second opinion. | 0:25:25 | 0:25:29 | |
No, I'm not after a second opinion, I just need to check something. | 0:25:29 | 0:25:32 | |
Mrs Bolter? | 0:25:37 | 0:25:39 | |
Hi, I'm Nurse Harrison from Holby City Hospital. | 0:25:39 | 0:25:42 | |
Erm, I'm calling about your son, Lewis. | 0:25:42 | 0:25:45 | |
The hospital as a whole experienced a sudden surge of power | 0:25:45 | 0:25:48 | |
but the brunt of it was borne by Darwin Ward. | 0:25:48 | 0:25:50 | |
Fortunately the backup generators did their job | 0:25:50 | 0:25:53 | |
and there was no serious threat to public or staff. | 0:25:53 | 0:25:56 | |
So we're all good to go? | 0:25:56 | 0:25:57 | |
The wiring between Theatres 1 and 2 appears to have been damaged. | 0:25:57 | 0:26:00 | |
Maintenance have advised that we shut down Theatre 2 | 0:26:00 | 0:26:03 | |
until they can guarantee us that there is no secondary problem. | 0:26:03 | 0:26:06 | |
What a shame. I guess the board will have to get their viewing pleasure elsewhere. | 0:26:06 | 0:26:10 | |
-But Theatre 1 is still good, right? -Correct. | 0:26:10 | 0:26:13 | |
OK, so once Jac has finished her restoration we can shift the DBS. | 0:26:13 | 0:26:16 | |
The equipment's easily transferrable. | 0:26:16 | 0:26:17 | |
In a situation like this policy dictates that we postpone | 0:26:17 | 0:26:20 | |
all elective surgery in case there's an emergency. | 0:26:20 | 0:26:23 | |
OK, so we're going to leave a perfectly good theatre unused and empty in case there's an act of God? | 0:26:23 | 0:26:27 | |
-It would be prudent. -Or stupid. Shall we see what the board has to say about this? | 0:26:27 | 0:26:31 | |
Moot point. Theatre's booked up. | 0:26:31 | 0:26:33 | |
-By whom? -Mo. Coronary artery bypass graft for one Saima Ahmed. | 0:26:33 | 0:26:38 | |
Emergency admission. | 0:26:38 | 0:26:40 | |
Do you ever get the feeling the universe is trying to tell you something? | 0:26:40 | 0:26:44 | |
Find me a theatre. | 0:26:44 | 0:26:45 | |
Unless Darwin's remaining theatre becomes available, | 0:26:45 | 0:26:48 | |
I'm afraid you are going to have to cancel Mr Hartley's procedure. | 0:26:48 | 0:26:52 | |
Trust him? | 0:26:57 | 0:26:58 | |
Yeah, course. | 0:26:58 | 0:27:00 | |
Simple as that? | 0:27:00 | 0:27:01 | |
Simple as that. | 0:27:01 | 0:27:03 | |
'I trust him. | 0:27:03 | 0:27:04 | |
'With me life.' | 0:27:04 | 0:27:06 | |
Aren't you supposed to be in theatre doing your thing? | 0:27:06 | 0:27:08 | |
Yeah, I just wanted to see how you're getting on. | 0:27:08 | 0:27:11 | |
I'll save you the trouble. | 0:27:11 | 0:27:12 | |
Artherosclerosis. | 0:27:12 | 0:27:14 | |
-So I hear. -Ms Effanga thinks it's serious. | 0:27:14 | 0:27:17 | |
Well, yes...it is. And she will look after you very well. | 0:27:17 | 0:27:20 | |
What's the matter? | 0:27:23 | 0:27:25 | |
Platelet count. It's probably nothing, but... | 0:27:26 | 0:27:29 | |
-Mo? -Yeah. -Have you got a minute? | 0:27:29 | 0:27:32 | |
Sure. | 0:27:32 | 0:27:33 | |
I hear you're taking Sam in for a bypass graft. | 0:27:35 | 0:27:39 | |
Yes, the angiogram showed up signs of plaque build-up. | 0:27:39 | 0:27:42 | |
Yes, I can see that. It's just that the platelet counts are very low. | 0:27:42 | 0:27:45 | |
-Well, they're borderline. -So a platelet transfusion wouldn't hurt. | 0:27:45 | 0:27:48 | |
-Of course not, it's just... -Just...to be safe. | 0:27:48 | 0:27:51 | |
Sam, what do you think? | 0:27:51 | 0:27:53 | |
I don't know. | 0:27:54 | 0:27:56 | |
Er... What would it mean to have a transfusion? | 0:27:56 | 0:27:59 | |
Well, nothing really. A couple of hours in here, | 0:27:59 | 0:28:01 | |
then you'd be off to theatre, safe and sound. | 0:28:01 | 0:28:04 | |
Oh, yeah, OK. Well, if it's safer. | 0:28:04 | 0:28:07 | |
Yeah, it's safe but really not necessary. | 0:28:07 | 0:28:09 | |
Whatever Mr Self thinks is best. | 0:28:09 | 0:28:12 | |
That's good enough for me. | 0:28:12 | 0:28:14 | |
Then I'll call Haematology. | 0:28:15 | 0:28:17 | |
Good. Er, let me know how she gets on. | 0:28:17 | 0:28:19 | |
If you need me I'll be in theatre. | 0:28:19 | 0:28:21 | |
Ah! You all right? | 0:28:24 | 0:28:26 | |
Yep. | 0:28:26 | 0:28:27 | |
What did Ms Campbell want? | 0:28:27 | 0:28:29 | |
To talk. | 0:28:29 | 0:28:30 | |
-Yeah...about what? -About work. | 0:28:30 | 0:28:32 | |
I figured she didn't want to discuss Napoleonic battlefield tactics, Arthur. | 0:28:32 | 0:28:36 | |
Dr Digby. | 0:28:36 | 0:28:38 | |
Erm...excuse me? | 0:28:38 | 0:28:41 | |
I think while we're at work we should maintain a proper | 0:28:41 | 0:28:44 | |
professional distance. | 0:28:44 | 0:28:46 | |
Er, a few hours ago you wanted to sing your love for me from the mountaintops, | 0:28:46 | 0:28:50 | |
and now you're insisting on me calling you Dr Digby? | 0:28:50 | 0:28:53 | |
I do love... | 0:28:53 | 0:28:54 | |
# Love to be beside the seaside... # | 0:28:57 | 0:29:01 | |
Oh! Looking for me, Nurse Fletcher? | 0:29:01 | 0:29:03 | |
Maybe I'll give this one to Dr Shreve. | 0:29:03 | 0:29:05 | |
No, we'll both do it. | 0:29:05 | 0:29:07 | |
OK. But prepare yourselves, it's, erm...it's pretty nasty. | 0:29:07 | 0:29:11 | |
Ohhhhhh... | 0:29:11 | 0:29:14 | |
that is disgusting. | 0:29:14 | 0:29:16 | |
I did warn ya. | 0:29:16 | 0:29:17 | |
Is that a screw? | 0:29:17 | 0:29:19 | |
Is it a screw?! | 0:29:20 | 0:29:22 | |
HE MUMBLES RESPONSE | 0:29:22 | 0:29:25 | |
Good luck getting an oral history out of this one... | 0:29:25 | 0:29:28 | |
I think it's a piercing. | 0:29:30 | 0:29:32 | |
That's too big for a piercing, isn't it? | 0:29:32 | 0:29:34 | |
Is that a piercing... | 0:29:34 | 0:29:35 | |
-Er... -Forget it. Forget it, forget it. | 0:29:35 | 0:29:37 | |
MAN SIGHS | 0:29:37 | 0:29:39 | |
Right then, Dr Shreve. | 0:29:41 | 0:29:43 | |
Observation, diagnosis, treatment plan, please. | 0:29:43 | 0:29:46 | |
Morven... | 0:29:47 | 0:29:49 | |
Can you take this one, please? | 0:29:49 | 0:29:51 | |
-Right what's the problem? -Teeth. | 0:29:52 | 0:29:54 | |
-I've got a thing... -You've got odontophobia? | 0:29:54 | 0:29:57 | |
No, that's dentists. I don't mind my own teeth. | 0:29:57 | 0:30:00 | |
It's other people's like that close up. | 0:30:00 | 0:30:02 | |
-I can take your hernia. -Um... | 0:30:03 | 0:30:05 | |
No, I can't let you do that. | 0:30:08 | 0:30:10 | |
Observations, diagnosis, treatment plan, please. | 0:30:10 | 0:30:12 | |
Go on! | 0:30:13 | 0:30:15 | |
Ah, Mr Hanssen, I'm so glad you could make it. | 0:30:21 | 0:30:24 | |
I just came to wish you luck. | 0:30:24 | 0:30:26 | |
I don't need it, Henrik I make my own luck. | 0:30:26 | 0:30:29 | |
Quite. | 0:30:29 | 0:30:30 | |
Indeed later, I shall be fascinated to hear Ms Effanga's reasons | 0:30:30 | 0:30:33 | |
for not taking up her prescribed theatre slot. | 0:30:33 | 0:30:36 | |
In the meantime, though, I'm rather looking forward to the performance. | 0:30:36 | 0:30:40 | |
Well, I should give you quite a show. | 0:30:40 | 0:30:42 | |
Oh, no, I was referring to Mr Hartley. | 0:30:42 | 0:30:44 | |
I've had the honour of attending several of his performances. | 0:30:44 | 0:30:47 | |
What you do today, if successful, is a gift not just to him | 0:30:47 | 0:30:51 | |
but to the world. | 0:30:51 | 0:30:53 | |
To Sydney... | 0:31:00 | 0:31:01 | |
Yeah, one way. | 0:31:01 | 0:31:02 | |
A week today. | 0:31:02 | 0:31:04 | |
Thank you. | 0:31:06 | 0:31:07 | |
Are you going somewhere? | 0:31:09 | 0:31:11 | |
A little holiday. | 0:31:11 | 0:31:12 | |
Do you always book one way when you take a holiday? | 0:31:14 | 0:31:17 | |
I'm out of practice. I haven't taken one for years. | 0:31:18 | 0:31:21 | |
Hard to get insurance, I imagine, with renal failure. | 0:31:22 | 0:31:25 | |
But after today that won't be a problem, will it? | 0:31:27 | 0:31:29 | |
Does Lewis know about your "little holiday"? | 0:31:29 | 0:31:32 | |
What Lewis knows or doesn't know is really none of your business. | 0:31:32 | 0:31:36 | |
-Don't do it, Alison. -Do what? | 0:31:37 | 0:31:39 | |
Leave him. | 0:31:39 | 0:31:41 | |
Not again. | 0:31:41 | 0:31:43 | |
Not after what he's doing for you. | 0:31:43 | 0:31:45 | |
I left my bag in the ED. | 0:31:50 | 0:31:52 | |
Could you send someone for it, please? | 0:31:53 | 0:31:55 | |
The tremor affects his right hand, | 0:32:08 | 0:32:11 | |
which is his bowing hand. | 0:32:11 | 0:32:13 | |
But the burr hole needs to be on the left. | 0:32:13 | 0:32:15 | |
Stylet, please. | 0:32:25 | 0:32:26 | |
Right. | 0:32:34 | 0:32:36 | |
Now that I've made the burr hole | 0:32:36 | 0:32:38 | |
and inserted the stylet, it's time for Mr Hartley to join the party. | 0:32:38 | 0:32:43 | |
Could you bring the patient around, please? | 0:32:43 | 0:32:47 | |
OK, Nathan. It's show time. | 0:32:47 | 0:32:49 | |
Lewis? | 0:32:54 | 0:32:56 | |
Are you OK? | 0:32:56 | 0:32:58 | |
A bit nervous, I guess. | 0:32:58 | 0:33:00 | |
It's not every day you give up a piece of your body. | 0:33:00 | 0:33:03 | |
-You don't have to do this. -Yes, I do. | 0:33:03 | 0:33:05 | |
I mean, you don't have to do it now. | 0:33:05 | 0:33:08 | |
You can take some more time. | 0:33:08 | 0:33:09 | |
Think about it. | 0:33:09 | 0:33:11 | |
Think about it? | 0:33:11 | 0:33:12 | |
I've done nothing but think about it for months! | 0:33:12 | 0:33:15 | |
I've talked to doctors, psychiatrists, social workers... | 0:33:15 | 0:33:18 | |
To you. | 0:33:18 | 0:33:20 | |
You haven't spoken to your family. | 0:33:20 | 0:33:22 | |
What? | 0:33:22 | 0:33:23 | |
I rang your adoptive mother, Lewis, to discuss your post-operative care. | 0:33:23 | 0:33:27 | |
She's your next of kin but she had no idea what I was talking about. | 0:33:27 | 0:33:31 | |
-They're worried sick about you... -You had no right! | 0:33:31 | 0:33:34 | |
I didn't know. You told me that you'd spoken with your parents. | 0:33:34 | 0:33:38 | |
What else haven't you told them? | 0:33:38 | 0:33:40 | |
Do they know you've tracked down your birth mother? | 0:33:40 | 0:33:43 | |
Why didn't you tell them? Why didn't you tell us that you'd left home? | 0:33:43 | 0:33:46 | |
-It's not my home. -Well, that's clearly not what they think. | 0:33:46 | 0:33:49 | |
Look, I'm sorry. I didn't know. But now... | 0:33:49 | 0:33:52 | |
Do you see why maybe you should take some time, re-evaluate? | 0:33:52 | 0:33:55 | |
No...I don't. I don't understand. | 0:33:55 | 0:33:57 | |
Where's this coming from? Why would you say this now? | 0:33:57 | 0:34:00 | |
After what happened this morning... | 0:34:00 | 0:34:02 | |
With Alison? That was just a wobble... | 0:34:02 | 0:34:04 | |
Well, what if it wasn't? What if that is who she is, | 0:34:04 | 0:34:06 | |
who she will be when this is done? | 0:34:06 | 0:34:08 | |
Do you really know her? | 0:34:08 | 0:34:10 | |
Do you know why you're doing this? | 0:34:10 | 0:34:12 | |
She's my mother. | 0:34:14 | 0:34:16 | |
I'm giving her a second chance. | 0:34:16 | 0:34:18 | |
She doesn't deserve it! OK? | 0:34:18 | 0:34:19 | |
She's booked a one-way flight to Sydney. | 0:34:19 | 0:34:22 | |
-She's taking off the moment you hand her that second chance. -Essie... | 0:34:22 | 0:34:26 | |
You tell him. You tell your son what you're planning to do. | 0:34:26 | 0:34:30 | |
Second chance? Some people don't even get a single chance! | 0:34:30 | 0:34:33 | |
Nurse Harrison! That's enough! | 0:34:33 | 0:34:36 | |
It's for me. | 0:34:36 | 0:34:38 | |
-What? -The flight. | 0:34:38 | 0:34:39 | |
It's a present... | 0:34:39 | 0:34:41 | |
For me. | 0:34:41 | 0:34:42 | |
SHE SIGHS | 0:34:44 | 0:34:46 | |
Nathan... | 0:34:47 | 0:34:48 | |
Nathan... | 0:34:50 | 0:34:52 | |
Welcome back. | 0:34:54 | 0:34:55 | |
Smile. | 0:34:55 | 0:34:56 | |
You're about to perform in front of a live audience | 0:34:56 | 0:34:58 | |
for the first time in years. | 0:34:58 | 0:35:01 | |
I'm going to insert the stimulator. | 0:35:07 | 0:35:10 | |
The idea behind this operation is that | 0:35:12 | 0:35:14 | |
I can cure these symptoms instantly. | 0:35:14 | 0:35:17 | |
Nathan will play. | 0:35:17 | 0:35:19 | |
I will begin the stimulation and gradually tremor will fade. | 0:35:19 | 0:35:23 | |
And we should have a violin concerto to remember in no time. | 0:35:23 | 0:35:27 | |
Are you ready, Nathan? | 0:35:27 | 0:35:28 | |
Shall we have the Mendelssohn? | 0:35:32 | 0:35:34 | |
HE PLAYS VIOLIN TENTATIVELY | 0:35:40 | 0:35:42 | |
It's OK, don't worry. Keep going. Trust me. | 0:35:42 | 0:35:44 | |
HE PLAYS TENTATIVELY | 0:35:47 | 0:35:49 | |
SHE RETCHES | 0:35:57 | 0:35:59 | |
Heart rate 70, BP 90/50. | 0:36:01 | 0:36:03 | |
-She's in heart failure. We need to get her to theatre. -We can't. Guy's already in there. | 0:36:03 | 0:36:06 | |
OK. GTN infusion and morphine. | 0:36:06 | 0:36:09 | |
-You're going to do an IABP? -Yes. -Where? | 0:36:09 | 0:36:11 | |
We'll have to do the procedure in X-ray. | 0:36:11 | 0:36:14 | |
HE PLAYS VIOLIN | 0:36:14 | 0:36:15 | |
That's great. You're doing beautifully, Nathan. | 0:36:16 | 0:36:18 | |
Let's increase the current. | 0:36:18 | 0:36:20 | |
There. Do you hear? | 0:36:40 | 0:36:42 | |
Yes, I hear. | 0:36:44 | 0:36:46 | |
HE PLAYS MORE CONFIDENTLY | 0:36:46 | 0:36:48 | |
It's working, Guy. | 0:37:21 | 0:37:22 | |
You were right. | 0:37:22 | 0:37:24 | |
It's working. | 0:37:25 | 0:37:26 | |
No, Nathan. It has worked. | 0:37:26 | 0:37:28 | |
We found the correct settings moments ago... | 0:37:28 | 0:37:31 | |
This has all been you. | 0:37:31 | 0:37:32 | |
Ladies and gentlemen. | 0:37:34 | 0:37:36 | |
Nathan Hartley. | 0:37:36 | 0:37:38 | |
That seemed to go well. | 0:37:43 | 0:37:45 | |
Yes, it went as well as I could have hoped. | 0:37:45 | 0:37:47 | |
Although Nathan really did all the hard work. | 0:37:47 | 0:37:49 | |
You and Mr Hartley seem close? | 0:37:49 | 0:37:51 | |
Yes, we've known each other for 18 months or so. | 0:37:51 | 0:37:55 | |
Nathan Hartley's been living as a virtual | 0:37:55 | 0:37:58 | |
recluse for the past two years. | 0:37:58 | 0:38:00 | |
How did you meet? | 0:38:00 | 0:38:02 | |
Through mutual friends... | 0:38:02 | 0:38:04 | |
There were rumours that Mr Hartley suffered from depression. | 0:38:04 | 0:38:08 | |
Oh, I wouldn't know about that. | 0:38:08 | 0:38:10 | |
And that he was part of a support group... | 0:38:10 | 0:38:13 | |
Yes, as I said, I wouldn't know about that. | 0:38:14 | 0:38:16 | |
PAGER BLEEPS Excuse me, I actually have to go. Sorry. | 0:38:16 | 0:38:20 | |
Gently... | 0:38:20 | 0:38:22 | |
Is that your advice to me as mentor, is it? | 0:38:22 | 0:38:24 | |
To be gentle. | 0:38:24 | 0:38:26 | |
OK, no need to be snarky. | 0:38:26 | 0:38:27 | |
Like you've been with me ever since we walked in? | 0:38:27 | 0:38:30 | |
I haven't been snarky. | 0:38:30 | 0:38:31 | |
Well, what have you been, then? | 0:38:31 | 0:38:33 | |
Honest? Objective? Ethical? | 0:38:33 | 0:38:35 | |
Are you angry with me because I told you to be discreet about us? | 0:38:39 | 0:38:42 | |
No! | 0:38:42 | 0:38:43 | |
Well, then what is it? | 0:38:43 | 0:38:46 | |
I'm supposed to be doing your appraisal. | 0:38:48 | 0:38:50 | |
OK, so Serena called me into her office and she gave me | 0:38:52 | 0:38:55 | |
this big speech about honesty and ethics | 0:38:55 | 0:38:58 | |
and all I was thinking was I should be telling her that | 0:38:58 | 0:39:01 | |
I'm in a relationship with you but I couldn't, so... | 0:39:01 | 0:39:03 | |
Because I asked you not to. | 0:39:03 | 0:39:05 | |
You are so sweet. | 0:39:06 | 0:39:08 | |
-No wonder I love you. -Shh... | 0:39:10 | 0:39:13 | |
He can't talk, can he? | 0:39:13 | 0:39:15 | |
Look, I think you should go to Serena and tell her the truth. | 0:39:15 | 0:39:19 | |
You're sure? | 0:39:19 | 0:39:20 | |
-Yeah. -No more secrets? | 0:39:20 | 0:39:23 | |
No more secrets. | 0:39:23 | 0:39:24 | |
Are they going to make a complaint? | 0:39:45 | 0:39:46 | |
No, it's enough that I've taken you off the case. | 0:39:46 | 0:39:49 | |
You saw what I did, what I said. | 0:39:49 | 0:39:52 | |
I made it personal, it's unforgivable. | 0:39:52 | 0:39:54 | |
It's unavoidable. | 0:39:54 | 0:39:56 | |
Look, transplant coordinator is one of the most emotionally draining jobs | 0:39:56 | 0:40:01 | |
in the NHS. You can't do it unless you get personal. | 0:40:01 | 0:40:05 | |
Sooner or later you're going to cross the line. | 0:40:05 | 0:40:07 | |
You made a mistake - learn from it. | 0:40:07 | 0:40:10 | |
ED sent this up. | 0:40:14 | 0:40:16 | |
It's Alison's. They're getting her ready for theatre. | 0:40:16 | 0:40:19 | |
Is there a problem? | 0:40:19 | 0:40:20 | |
Well, I'm not sure. | 0:40:20 | 0:40:23 | |
They had put it in their safe. | 0:40:23 | 0:40:25 | |
They couldn't find any ID and they were going to call the police... | 0:40:25 | 0:40:28 | |
Police. | 0:40:28 | 0:40:30 | |
What happened? | 0:40:49 | 0:40:50 | |
You did. | 0:40:50 | 0:40:51 | |
Oh, come on, that's not fair. I couldn't have known she was going to go into heart failure... | 0:40:51 | 0:40:56 | |
She was supposed to be in theatre! | 0:40:56 | 0:40:57 | |
Even if she wasn't, that's where she should have been taken the moment her heart stopped, | 0:40:57 | 0:41:02 | |
instead of me having to insert a balloon catheter in X-ray! | 0:41:02 | 0:41:05 | |
Thank you. | 0:41:08 | 0:41:09 | |
What? | 0:41:09 | 0:41:11 | |
Thank you. For saving her. | 0:41:11 | 0:41:13 | |
Who is she? | 0:41:20 | 0:41:22 | |
She's... | 0:41:23 | 0:41:25 | |
A friend. | 0:41:25 | 0:41:27 | |
So you and Mr Valentine, are you...? | 0:41:30 | 0:41:32 | |
Yes. | 0:41:34 | 0:41:35 | |
How did you...? | 0:41:37 | 0:41:38 | |
Any reason you didn't want to tell me? | 0:41:38 | 0:41:40 | |
-Just didn't think of it. -Oh. | 0:41:40 | 0:41:42 | |
Dad? Are you OK? | 0:41:44 | 0:41:46 | |
Let me know when she wakes up. | 0:41:46 | 0:41:48 | |
You found my bag. | 0:41:55 | 0:41:57 | |
I won't be needing this in theatre, will I? | 0:41:57 | 0:42:00 | |
Why is there £10,000 in cash in your bag, Alison? | 0:42:00 | 0:42:03 | |
You went through my belongings? | 0:42:03 | 0:42:06 | |
Don't you think you're in enough trouble? | 0:42:06 | 0:42:08 | |
-What's the money for? -None of your business. | 0:42:08 | 0:42:10 | |
It's got nothing to do with you. | 0:42:10 | 0:42:12 | |
This is for Lewis, isn't it? | 0:42:12 | 0:42:14 | |
Just like the ticket to Sydney. | 0:42:14 | 0:42:16 | |
He's not giving you his kidney. | 0:42:16 | 0:42:17 | |
You're buying it from him. | 0:42:19 | 0:42:21 | |
KNOCK AT DOOR | 0:42:23 | 0:42:25 | |
Yes! | 0:42:25 | 0:42:27 | |
-Ms Campbell, could I... -Er, just pull up a chair. | 0:42:30 | 0:42:34 | |
-I've got something of a conf... -No. Sshhh. Sshhh. Just a minute. | 0:42:42 | 0:42:45 | |
Urgh! Do you know what I loathe, Arthur? | 0:42:49 | 0:42:52 | |
What I hate and detest most in the professional environment? | 0:42:53 | 0:43:00 | |
Human Resources? | 0:43:00 | 0:43:02 | |
Gossip. | 0:43:04 | 0:43:05 | |
Gossip and tittle-tattle. | 0:43:05 | 0:43:08 | |
And do you know why? | 0:43:08 | 0:43:09 | |
Because although innocuous, it is so pervasive that just the tiniest | 0:43:09 | 0:43:15 | |
bit of it can threaten the social fabric of our entire hospital. | 0:43:15 | 0:43:19 | |
And do you know what causes the most gossip? | 0:43:19 | 0:43:22 | |
The well from which this poison overflows? | 0:43:22 | 0:43:26 | |
Dominic? | 0:43:26 | 0:43:28 | |
Office romances! Hmm. | 0:43:28 | 0:43:31 | |
I can't begin to tell you how much fire-fighting | 0:43:31 | 0:43:34 | |
I have to do on a daily basis just to stop the petty squabbles | 0:43:34 | 0:43:37 | |
and politics of envy that come from work-mates who can't seem | 0:43:37 | 0:43:40 | |
to stop going at it like rabbits! | 0:43:40 | 0:43:42 | |
Whether it's Sacha and Essie loving it up on Keller | 0:43:43 | 0:43:46 | |
or Jac Naylor and whatever poor sap she's feeding off this month, | 0:43:46 | 0:43:50 | |
the backlash all ends up on my desk! | 0:43:50 | 0:43:54 | |
Apparently Zosia and Oliver Valentine | 0:43:55 | 0:43:59 | |
are having a...pop at it. | 0:43:59 | 0:44:01 | |
Which will make Guy Self unbearable to be around. | 0:44:01 | 0:44:06 | |
And, now, I find myself having to remind otherwise fully grown | 0:44:06 | 0:44:11 | |
adults that copulation in store cupboards is | 0:44:11 | 0:44:15 | |
a breach of the Hospital's Code of Conduct. | 0:44:15 | 0:44:18 | |
It is SO dull! | 0:44:18 | 0:44:20 | |
If I had my way, anyone found having an office romance | 0:44:22 | 0:44:25 | |
would be dismissed post-haste. | 0:44:25 | 0:44:27 | |
Anyway, what can I do for you? | 0:44:29 | 0:44:32 | |
Scalpel, please. | 0:44:32 | 0:44:34 | |
I thought we agreed you'd take the rest of the day off, Nurse Harrison. | 0:44:36 | 0:44:39 | |
-Have you made an incision? -I'm about to. | 0:44:39 | 0:44:42 | |
Can you delay that and step out of theatre, please. | 0:44:43 | 0:44:46 | |
Is there a problem with Ms Wood? | 0:44:46 | 0:44:47 | |
There's a situation. | 0:44:48 | 0:44:50 | |
VIOLIN PLAYS IN BACKGROUND | 0:44:53 | 0:44:55 | |
Guy... | 0:45:09 | 0:45:10 | |
I don't know how to thank you. | 0:45:10 | 0:45:12 | |
You don't need to thank me. | 0:45:12 | 0:45:13 | |
Just hearing you play is thanks enough. | 0:45:13 | 0:45:16 | |
How are you feeling? | 0:45:16 | 0:45:17 | |
Like Iron Man. | 0:45:17 | 0:45:20 | |
Like a new man. | 0:45:20 | 0:45:22 | |
If there's anything I can do for you. | 0:45:23 | 0:45:25 | |
Ever? | 0:45:25 | 0:45:27 | |
Just ask. | 0:45:27 | 0:45:28 | |
Well, I might hold you to that one day. | 0:45:28 | 0:45:30 | |
Nathan, have you talked to anyone here about group? | 0:45:30 | 0:45:34 | |
Of course not. You know the rules. | 0:45:35 | 0:45:38 | |
Why? | 0:45:38 | 0:45:39 | |
Oh, it's just something that someone said. | 0:45:39 | 0:45:42 | |
I might have got the wrong end of the stick. | 0:45:42 | 0:45:44 | |
Guy... | 0:45:44 | 0:45:46 | |
You've saved me twice. | 0:45:46 | 0:45:48 | |
If you hadn't been there at group... | 0:45:48 | 0:45:50 | |
You gave me hope. | 0:45:52 | 0:45:54 | |
Thought you said it was hope that kills? | 0:45:54 | 0:45:57 | |
Are you absolutely sure that the money is | 0:45:57 | 0:45:59 | |
payment for Mr Bolter's kidney? | 0:45:59 | 0:46:01 | |
-Alison as good as admitted it. -As good as? | 0:46:01 | 0:46:04 | |
She won't stop crying. | 0:46:04 | 0:46:05 | |
-And this was all at her instigation? -Presumably. | 0:46:07 | 0:46:09 | |
Imagine, he tracks down his mother after all these years | 0:46:09 | 0:46:12 | |
and she does that... | 0:46:12 | 0:46:13 | |
If he has an objection I haven't heard it. | 0:46:13 | 0:46:15 | |
Nor have the countless other people involved in this process with | 0:46:15 | 0:46:18 | |
the express purpose of ensuring that something like this doesn't happen. | 0:46:18 | 0:46:21 | |
Well, it has happened and the question is what do we do about it? | 0:46:21 | 0:46:24 | |
There is no question. It's illegal | 0:46:24 | 0:46:27 | |
Can't we just let them, you know, go ahead? | 0:46:27 | 0:46:31 | |
Well, we could, but then we would be engaging in unethical practice. | 0:46:31 | 0:46:35 | |
Yeah, but no-one has to know, do they? | 0:46:35 | 0:46:39 | |
Look, I know it's wrong | 0:46:40 | 0:46:42 | |
but at least this way he gets to save his mother's life. | 0:46:42 | 0:46:46 | |
At the cost of abandoning everything that we're supposed to stand for. | 0:46:46 | 0:46:49 | |
Hey! How did it go? | 0:46:52 | 0:46:54 | |
OK, when it comes to Ms Campbell, we are not now, | 0:46:54 | 0:46:56 | |
nor ever have been, nor ever will be, a couple. OK? | 0:46:56 | 0:46:59 | |
Dr Shreve? | 0:46:59 | 0:47:01 | |
OK, BP 100/70. Pulse 120 | 0:47:01 | 0:47:05 | |
-and he's burning up... -What did you do? | 0:47:05 | 0:47:07 | |
What do you mean, "What did I do"? Nothing. | 0:47:07 | 0:47:09 | |
Well, what didn't you do, then? | 0:47:09 | 0:47:11 | |
What? I gave him fluids and IV paracetamol. | 0:47:11 | 0:47:14 | |
Clearly something's been missed because look at him. | 0:47:14 | 0:47:16 | |
Why don't the two of you try working together to sort it out | 0:47:16 | 0:47:19 | |
instead of squabbling like children. | 0:47:19 | 0:47:21 | |
You stopped the operation for this? | 0:47:27 | 0:47:30 | |
It's illegal, it's unethical. | 0:47:30 | 0:47:32 | |
To you, maybe. | 0:47:32 | 0:47:33 | |
To me, it's a gift from my mother. | 0:47:33 | 0:47:36 | |
And your kidney? | 0:47:36 | 0:47:37 | |
My gift to her. | 0:47:37 | 0:47:39 | |
Life, it's got to be worth ten grand easy. | 0:47:40 | 0:47:43 | |
This was your idea. | 0:47:43 | 0:47:45 | |
This whole thing was your idea. | 0:47:47 | 0:47:49 | |
When I found her, saw what she'd become... | 0:47:49 | 0:47:51 | |
The life she had after giving me up. | 0:47:51 | 0:47:53 | |
She turned her life around - job, house, she got the lot. | 0:47:53 | 0:47:57 | |
But she never came looking for me. | 0:47:57 | 0:48:00 | |
Why not? | 0:48:00 | 0:48:01 | |
-It was 20 years later... -She had everything. | 0:48:01 | 0:48:04 | |
But there was one thing I could offer her that no-one else could. | 0:48:06 | 0:48:09 | |
So I did. | 0:48:09 | 0:48:11 | |
But for a price. | 0:48:11 | 0:48:12 | |
For a price. | 0:48:12 | 0:48:14 | |
And she said, "Yes." | 0:48:15 | 0:48:18 | |
Yeah... | 0:48:18 | 0:48:19 | |
Didn't even stop to ask why I asked for money. | 0:48:23 | 0:48:26 | |
Never even thought if it was unethical. | 0:48:30 | 0:48:33 | |
That's how I knew we were mother and son. | 0:48:37 | 0:48:40 | |
Where did Mr Hartley and Guy meet? | 0:48:44 | 0:48:46 | |
I shouldn't say... | 0:48:46 | 0:48:48 | |
That was told to me in confidence. | 0:48:48 | 0:48:50 | |
This is Mr Self's documentary, everything is in confidence. | 0:48:50 | 0:48:53 | |
Look, I don't know much about mental health, or whatever. | 0:48:55 | 0:48:57 | |
But if I'd lost what that violinist had lost... | 0:48:59 | 0:49:02 | |
If I had a gift like that and lost it... | 0:49:04 | 0:49:06 | |
I think I'd be pretty depressed too. | 0:49:08 | 0:49:10 | |
Yeah, I'd probably make a cry for help. | 0:49:12 | 0:49:15 | |
There was this support group | 0:49:18 | 0:49:21 | |
and this... | 0:49:21 | 0:49:22 | |
TAPE FAST FORWARDS | 0:49:22 | 0:49:24 | |
DOOR CLOSES | 0:49:30 | 0:49:32 | |
This is not the documentary you're here to make. | 0:49:33 | 0:49:35 | |
I disagree. | 0:49:35 | 0:49:37 | |
I think it's exactly the documentary I'm here to make. | 0:49:37 | 0:49:39 | |
It should be about my unit, about neurosurgery. | 0:49:39 | 0:49:41 | |
No, Guy. It's supposed to be about you. | 0:49:41 | 0:49:44 | |
And it is spectacular. | 0:49:44 | 0:49:46 | |
Who is Guy Self? | 0:49:47 | 0:49:49 | |
Brash, arrogant surgeon? | 0:49:49 | 0:49:52 | |
Skilful, ruthless political animal? | 0:49:52 | 0:49:55 | |
Empire builder? | 0:49:55 | 0:49:57 | |
Or is he the lonely, night-time confidant to the masses. | 0:49:57 | 0:50:00 | |
The idol of a working class tart with a heart. | 0:50:00 | 0:50:03 | |
The man who finds lost souls and saves them. | 0:50:03 | 0:50:06 | |
You don't know, do you? | 0:50:07 | 0:50:09 | |
You're trying to figure it out. | 0:50:13 | 0:50:15 | |
What lessons did you learn at this support group? | 0:50:16 | 0:50:19 | |
Or are you still learning them? | 0:50:19 | 0:50:21 | |
You really don't know what you're talking about. | 0:50:21 | 0:50:23 | |
Exactly. | 0:50:23 | 0:50:24 | |
What's the group for, Guy? Loss? | 0:50:24 | 0:50:26 | |
Bereavement? | 0:50:26 | 0:50:28 | |
Or something else? | 0:50:28 | 0:50:30 | |
Depression? | 0:50:31 | 0:50:32 | |
That's what Nathan Hartley was doing there, right? | 0:50:32 | 0:50:35 | |
The question is why were you there? | 0:50:35 | 0:50:39 | |
Trying to work out who you really are? | 0:50:39 | 0:50:41 | |
I know exactly who I am. | 0:50:42 | 0:50:44 | |
Now get out. | 0:50:46 | 0:50:48 | |
His burning and sweat was not controlled by IV paracetamol | 0:50:48 | 0:50:51 | |
-indicating... -That it's a recurring malady. | 0:50:51 | 0:50:54 | |
It's something that's getting reinjured over and over. | 0:50:54 | 0:50:56 | |
This is a guy who stuck a rusty screw as a piercing | 0:50:56 | 0:50:59 | |
through his tongue. | 0:50:59 | 0:51:00 | |
I mean, could he be doing it deliberately to himself? | 0:51:00 | 0:51:02 | |
We need to think like someone who gets piercings. What else do they get? | 0:51:02 | 0:51:06 | |
-BOTH: -Tattoos. | 0:51:07 | 0:51:09 | |
I'm just going to give you another examination. OK? | 0:51:11 | 0:51:14 | |
MAN GROANS | 0:51:18 | 0:51:20 | |
It's bad. | 0:51:22 | 0:51:24 | |
Cupid's arrow. | 0:51:24 | 0:51:25 | |
Mr Self. | 0:51:33 | 0:51:34 | |
Ms Ahmed. | 0:51:36 | 0:51:38 | |
Good to see that you're OK. | 0:51:38 | 0:51:39 | |
What's happened? | 0:51:39 | 0:51:41 | |
I happened. | 0:51:42 | 0:51:44 | |
Sorry, I don't understand. | 0:51:44 | 0:51:47 | |
It's quite simple really. | 0:51:50 | 0:51:52 | |
I manipulated you into foregoing theatre. | 0:51:53 | 0:51:56 | |
A direct result of which was that you nearly died | 0:51:57 | 0:52:00 | |
when your artery was blocked by plaque. | 0:52:00 | 0:52:02 | |
So you nearly died because I wanted to show off my Neuro Unit | 0:52:04 | 0:52:08 | |
to some rich and powerful people. | 0:52:08 | 0:52:11 | |
Why would you do that? | 0:52:11 | 0:52:13 | |
Because I could. | 0:52:15 | 0:52:16 | |
Because that is who I am. | 0:52:16 | 0:52:18 | |
-No, it's not. -Don't contradict me! | 0:52:18 | 0:52:21 | |
Don't yell at me. | 0:52:21 | 0:52:22 | |
I think that's better, a bit of fight. | 0:52:22 | 0:52:24 | |
What are you doing? | 0:52:24 | 0:52:26 | |
I'm telling you what happened. | 0:52:26 | 0:52:27 | |
No. What are you doing? | 0:52:27 | 0:52:29 | |
Are you trying to make me hate you? | 0:52:29 | 0:52:31 | |
-No, I'm trying to make you see reality. -What reality? | 0:52:31 | 0:52:34 | |
That I am not who you think I am. | 0:52:34 | 0:52:37 | |
I'm not your friend. I'm not your confidant. | 0:52:37 | 0:52:41 | |
I am not someone you should trust. | 0:52:42 | 0:52:43 | |
Certainly not "with my life". | 0:52:43 | 0:52:46 | |
Oh... | 0:52:46 | 0:52:49 | |
You saw the film. | 0:52:49 | 0:52:50 | |
Yes, I saw it all. | 0:52:50 | 0:52:53 | |
If I said something wrong | 0:52:55 | 0:52:57 | |
or I said something I shouldn't have, I'm really sorry. | 0:52:57 | 0:53:01 | |
I just wanted them to understand you the way that I do. | 0:53:01 | 0:53:04 | |
No, you don't really understand me at all, Sam. | 0:53:04 | 0:53:07 | |
Look we both trusted each other. We both made that mistake. | 0:53:07 | 0:53:09 | |
It would be better for us both | 0:53:09 | 0:53:11 | |
if we stay away from each other from now on. | 0:53:11 | 0:53:13 | |
Better for me, and healthier for you. | 0:53:13 | 0:53:16 | |
I thought... | 0:53:16 | 0:53:17 | |
I hoped we were friends. | 0:53:18 | 0:53:20 | |
Don't hope. | 0:53:21 | 0:53:23 | |
It's hope that kills. | 0:53:23 | 0:53:24 | |
Goodbye, Sam. | 0:53:26 | 0:53:28 | |
A touching performance. | 0:53:31 | 0:53:34 | |
What if she makes a complaint? | 0:53:34 | 0:53:35 | |
-She won't. -How do you know? | 0:53:35 | 0:53:38 | |
She's better than that. | 0:53:38 | 0:53:39 | |
Better than us. | 0:53:39 | 0:53:41 | |
That's why you had to crush her, | 0:53:41 | 0:53:42 | |
to make sure she didn't stick around to be disappointed by you. | 0:53:42 | 0:53:45 | |
Almost an act of altruism, | 0:53:45 | 0:53:47 | |
as enacted by a sociopath, of course. | 0:53:47 | 0:53:50 | |
Will the real Guy Self please stand up? | 0:53:50 | 0:53:53 | |
He just did. | 0:53:53 | 0:53:55 | |
MOBILE RINGS | 0:54:00 | 0:54:02 | |
Hi, Sacha. | 0:54:22 | 0:54:23 | |
No, no, just another normal day. | 0:54:25 | 0:54:28 | |
What were you thinking? | 0:54:31 | 0:54:33 | |
HE SIGHS | 0:54:33 | 0:54:34 | |
If you love someone you just say it. | 0:54:34 | 0:54:37 | |
Don't scribe it into your flesh | 0:54:37 | 0:54:40 | |
or, you know, stick something through your tongue to prove it. | 0:54:40 | 0:54:43 | |
Just say, "I love you." | 0:54:43 | 0:54:45 | |
"I love you." | 0:54:46 | 0:54:48 | |
You see that girl there? | 0:54:52 | 0:54:54 | |
I love her. | 0:54:56 | 0:54:57 | |
Morven... | 0:54:59 | 0:55:01 | |
I love you. | 0:55:01 | 0:55:02 | |
Morven Shreve! | 0:55:15 | 0:55:16 | |
I've got something to tell you. | 0:55:16 | 0:55:18 | |
Um... | 0:55:18 | 0:55:20 | |
Well, all of you, actually. | 0:55:20 | 0:55:22 | |
And I really don't care who hears, or who knows. | 0:55:22 | 0:55:26 | |
Well, spit it out then, mate. | 0:55:29 | 0:55:31 | |
I love you. | 0:55:34 | 0:55:35 | |
You want an appraisal? Here it is. | 0:55:37 | 0:55:40 | |
I love Morven Shreve. | 0:55:41 | 0:55:43 | |
We're not separate entities. | 0:55:46 | 0:55:48 | |
We're together. | 0:55:48 | 0:55:50 | |
And we're held by bonds that are stronger than any alloy. | 0:55:50 | 0:55:54 | |
Her tears, they rob me of reason and inflame my blood | 0:55:55 | 0:56:01 | |
and her smile intoxicates me. | 0:56:01 | 0:56:04 | |
Morven Shreve illuminates me. | 0:56:04 | 0:56:07 | |
She illuminates my whole world with every passing second. | 0:56:07 | 0:56:10 | |
APPLAUSE | 0:56:10 | 0:56:12 | |
Brave boy. | 0:56:16 | 0:56:18 | |
Nice speech, mate, but we already knew. | 0:56:19 | 0:56:22 | |
Er, you knew? How? | 0:56:23 | 0:56:25 | |
Dominic. | 0:56:25 | 0:56:26 | |
He posted about you two online. | 0:56:26 | 0:56:28 | |
Well, I thought it was a very lovely speech. | 0:56:29 | 0:56:33 | |
Yeah, I bet you did, Josephine. | 0:56:33 | 0:56:36 | |
I am really, really sorry about the whole Josephine thing. | 0:56:37 | 0:56:40 | |
It's OK. | 0:56:40 | 0:56:41 | |
And... | 0:56:42 | 0:56:44 | |
I love you too. | 0:56:46 | 0:56:48 | |
See? It's easy. | 0:56:50 | 0:56:52 | |
It's Darwin, isn't it? | 0:57:01 | 0:57:03 | |
When you said to think about where Guy will spend his funds, | 0:57:04 | 0:57:07 | |
he wants Darwin. | 0:57:07 | 0:57:09 | |
I suspect it's not just Darwin Ward, Ms Naylor. | 0:57:09 | 0:57:12 | |
What else could he want? | 0:57:12 | 0:57:14 | |
Everything. | 0:57:14 | 0:57:16 | |
I worry about him sometimes. | 0:57:18 | 0:57:20 | |
I think... | 0:57:21 | 0:57:22 | |
No, I know he's lonely. | 0:57:24 | 0:57:27 | |
I know...that he's got demons. | 0:57:28 | 0:57:33 | |
He doesn't know who he wants to be. | 0:57:36 | 0:57:38 | |
He doesn't see himself as I see him. | 0:57:39 | 0:57:41 | |
But there's always hope. | 0:57:44 | 0:57:46 |