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Since Arthur died, I wake up early. Alone. | 0:00:02 | 0:00:05 | |
Cameron. | 0:00:09 | 0:00:10 | |
I'm worrying whether Evie's coping, whether Mikey's coping. | 0:00:10 | 0:00:12 | |
My little one is barely sleeping through the night. | 0:00:12 | 0:00:14 | |
I can't ask Raf to do any more than he is, so if there is another problem | 0:00:14 | 0:00:17 | |
that you want to add to my list, then just get it off your chest. | 0:00:17 | 0:00:20 | |
I have a spare room. If you're...interested. | 0:00:20 | 0:00:25 | |
You terrorise her. You degrade her. | 0:00:25 | 0:00:28 | |
Don't you dare judge me. | 0:00:28 | 0:00:29 | |
Get over. What is she doing? | 0:00:30 | 0:00:33 | |
Mum! | 0:00:33 | 0:00:34 | |
SCREAMING | 0:00:36 | 0:00:37 | |
CAR HORN | 0:00:37 | 0:00:39 | |
TYRES SQUEAL | 0:00:39 | 0:00:40 | |
I just want to know where my daughter is. She's in the helicopter and she'll be here soon. | 0:00:40 | 0:00:44 | |
Mayday! Mayday! | 0:00:45 | 0:00:47 | |
'Hello, my name's Fletch and I'm really proud to be a nurse. | 0:01:33 | 0:01:38 | |
'We have to take whatever life throws at you in this game. | 0:01:39 | 0:01:42 | |
'Only yesterday, an air ambulance dropped out of the bright blue sky and crashed into the ED. | 0:01:42 | 0:01:46 | |
'No warning, no nothing - boom. Just like that. | 0:01:48 | 0:01:53 | |
'It's times like this, you have to be all things to all people. | 0:01:54 | 0:01:57 | |
'Sergeant Major.' | 0:02:02 | 0:02:03 | |
Right. You're going the wrong way. | 0:02:03 | 0:02:05 | |
That's your patient over there. Go over there and help her out. | 0:02:05 | 0:02:08 | |
'Bouncer.' | 0:02:11 | 0:02:12 | |
Sir, we're going as quickly as we can. Not good enough. | 0:02:12 | 0:02:15 | |
OK. All right. OK, let's calm down. OK, I'll calm down. OK. | 0:02:15 | 0:02:18 | |
'Counsellor. | 0:02:20 | 0:02:21 | |
'Priest. | 0:02:35 | 0:02:36 | |
'What's the best thing about this job? | 0:02:48 | 0:02:50 | |
'We get to make a difference. | 0:02:52 | 0:02:53 | |
'And I wouldn't change that for the world.' | 0:02:53 | 0:02:56 | |
You've just got to remember that a hospital is a dangerous place. | 0:02:58 | 0:03:02 | |
'So we remain closed to all admissions and are striving | 0:03:02 | 0:03:05 | |
'to transfer or discharge all non-urgent patients. | 0:03:05 | 0:03:09 | |
'In the meantime, all emergency cases will be referred to St James' until further notice.' | 0:03:09 | 0:03:14 | |
Evie, I can't talk to you right now, darling. I'm busy at work. | 0:03:15 | 0:03:19 | |
Is everyone OK? | 0:03:19 | 0:03:20 | |
Right. Well, then, I'll call you back in a bit. | 0:03:20 | 0:03:22 | |
How are we doing? Well, I promised my daughter that we'd spend some time together this week. | 0:03:22 | 0:03:27 | |
And, well, I'm here and she still wants to move in with Serena. | 0:03:27 | 0:03:30 | |
Uh-huh. And how are we doing? | 0:03:30 | 0:03:32 | |
All staff and patients accounted for, the rotas are covered, | 0:03:32 | 0:03:35 | |
I've made some more HDU space in the side bays, | 0:03:35 | 0:03:37 | |
because ITU is full and closed to admissions and I've staffed the | 0:03:37 | 0:03:40 | |
Trauma Bay and made it a level-three bed. | 0:03:40 | 0:03:42 | |
And we're sorted for catering. | 0:03:42 | 0:03:43 | |
And the bed situation generally? We're packed to the rafters. | 0:03:43 | 0:03:46 | |
Because Keller recovery need to send down a post-op splenectomy and laparotomy. | 0:03:46 | 0:03:51 | |
Right. Have you any room? | 0:03:51 | 0:03:55 | |
Any chance they can stay put? | 0:03:55 | 0:03:56 | |
Well, they are rather in limbo and have been since coming out of theatre. | 0:03:56 | 0:03:59 | |
What about St James'? | 0:03:59 | 0:04:01 | |
And one of them is Stephanie Sims. | 0:04:01 | 0:04:04 | |
We get all the plum jobs. | 0:04:04 | 0:04:06 | |
And the other, understandably, insists on remaining at Holby. | 0:04:06 | 0:04:09 | |
You'd think you'd want to get out of here, after this lot. | 0:04:09 | 0:04:12 | |
Apparently not. | 0:04:12 | 0:04:13 | |
OK, I'll see what I can do. | 0:04:13 | 0:04:15 | |
Right, thank you. And Mrs Sims will of course need a side bay for security reasons. | 0:04:15 | 0:04:19 | |
Of course. | 0:04:19 | 0:04:21 | |
Ah, Morv. Sorry, Fletch, I can't stop. | 0:04:22 | 0:04:24 | |
Any chance we can discharge that lovely lady in bed one? | 0:04:24 | 0:04:26 | |
What, Roberta Blake? Yeah, I need the room. | 0:04:26 | 0:04:28 | |
Well, she's homeless. | 0:04:28 | 0:04:30 | |
If I could wangle another night's bed and board for her, I would. | 0:04:30 | 0:04:32 | |
I'm not sure if she's well enough to go. | 0:04:32 | 0:04:34 | |
The whole world crashed in to this place yesterday. Have you seen her LFTs? | 0:04:34 | 0:04:37 | |
Yeah, I know she's got a problem with the booze. | 0:04:37 | 0:04:39 | |
Well, is there any room at any of the local community hospitals? | 0:04:39 | 0:04:41 | |
Top marks for trying. | 0:04:41 | 0:04:43 | |
OK. Fine. Morv? | 0:04:43 | 0:04:45 | |
Yes? You look knackered. | 0:04:45 | 0:04:48 | |
I'm fine. Have you been here all night? Yeah. A few of us were. | 0:04:48 | 0:04:51 | |
But did you get any kip? I don't need it. | 0:04:51 | 0:04:54 | |
Make sure you get some on your next break. OK? Yes, Dad. | 0:04:54 | 0:04:57 | |
Listen, if anyone needs me, I'm back in five. | 0:04:59 | 0:05:01 | |
All right? | 0:05:19 | 0:05:21 | |
Come to administer last rites? | 0:05:21 | 0:05:23 | |
Excuse me. I do the jokes around here. | 0:05:23 | 0:05:25 | |
How are you doing? | 0:05:28 | 0:05:29 | |
OK. | 0:05:32 | 0:05:34 | |
I thought you'd want to know - Stephanie Sims is on AAU. | 0:05:38 | 0:05:42 | |
OK. | 0:05:46 | 0:05:48 | |
She's under police guard. | 0:05:48 | 0:05:49 | |
How's everyone doing out there? | 0:05:51 | 0:05:53 | |
We're on top of it. | 0:05:54 | 0:05:55 | |
How's Gracie doing? | 0:05:58 | 0:05:59 | |
SHE EXHALES | 0:05:59 | 0:06:01 | |
It's hard to tell. | 0:06:02 | 0:06:04 | |
Are they keeping you informed? Yeah. | 0:06:04 | 0:06:06 | |
Probably too petrified not to. | 0:06:06 | 0:06:09 | |
Must've frightened the life out of you. | 0:06:11 | 0:06:13 | |
I nearly lost her, Fletch. | 0:06:16 | 0:06:19 | |
But you didn't, though, did you? | 0:06:19 | 0:06:21 | |
That's the important thing. | 0:06:22 | 0:06:24 | |
Can you do me a favour? | 0:06:27 | 0:06:28 | |
Yeah, of course. What do you need? | 0:06:28 | 0:06:30 | |
If you get a chance, give that bitch a morphine overdose. | 0:06:32 | 0:06:36 | |
How's the arm? | 0:06:41 | 0:06:42 | |
Painkillers worked a treat. | 0:06:42 | 0:06:44 | |
'Ere, I don't suppose there's a chance of a bit of toast, is there? | 0:06:44 | 0:06:47 | |
I'm starving. | 0:06:47 | 0:06:48 | |
Yeah, I'll make sure you get something to eat before we, um... | 0:06:48 | 0:06:51 | |
Before? Before what? | 0:06:51 | 0:06:54 | |
We...have to discharge you, I'm afraid. | 0:06:54 | 0:06:56 | |
Oh, they're booting me out, are they? | 0:06:56 | 0:06:58 | |
I'm so sorry. Don't be. | 0:06:58 | 0:07:00 | |
I'm sure there's more deserving cases than a daft old bat with a broken arm. | 0:07:00 | 0:07:05 | |
We need the bed. Anyway, I don't like leaving my worldly goods unattended. | 0:07:05 | 0:07:10 | |
I did want to talk to you, though, about your liver function test. | 0:07:10 | 0:07:14 | |
You've got to stop the drinking, Roberta. | 0:07:15 | 0:07:18 | |
Yeah - you know, this weren't my fault. | 0:07:18 | 0:07:20 | |
It's not cos of the arm. | 0:07:20 | 0:07:21 | |
That lunatic was going 200mph. | 0:07:21 | 0:07:24 | |
Look, if you keep going at this rate, you're going to do yourself some serious harm. | 0:07:24 | 0:07:27 | |
Yeah, I'll leave that to the cyclists. | 0:07:27 | 0:07:30 | |
At least have a think about it. | 0:07:30 | 0:07:31 | |
You're a good girl. Please? | 0:07:35 | 0:07:38 | |
Yeah, but how would I sleep without my little nip? | 0:07:38 | 0:07:41 | |
This isn't a joke, Roberta. | 0:07:41 | 0:07:43 | |
Yeah, I know. | 0:07:45 | 0:07:47 | |
Any change? | 0:07:54 | 0:07:55 | |
We need a period of optimism before we even think of surgery. | 0:07:56 | 0:08:01 | |
How is she? | 0:08:01 | 0:08:02 | |
Too unstable for theatre. But... | 0:08:02 | 0:08:04 | |
She's coagulopathic and on inotropes. | 0:08:04 | 0:08:07 | |
I'm not sure what we can do for her. What, you don't think she's going to make it? | 0:08:07 | 0:08:10 | |
I'd be very surprised. | 0:08:10 | 0:08:12 | |
It's going to be a real battle for her. | 0:08:12 | 0:08:14 | |
Morven spent a lot of time with her last night. | 0:08:15 | 0:08:18 | |
Don't get your hopes up too high. | 0:08:18 | 0:08:20 | |
You all right? Yeah, I'm fine. I'm fine. | 0:08:42 | 0:08:46 | |
So if you let go of the desk, you wouldn't keel over? | 0:08:46 | 0:08:49 | |
I need to get back to work. No! | 0:08:49 | 0:08:52 | |
What's going on? | 0:08:52 | 0:08:54 | |
It's just, um...Anne Fitzgerald. She's... | 0:08:54 | 0:08:58 | |
Touch and go, I know. | 0:08:58 | 0:08:59 | |
I just...wanted to make it through the shift without losing anyone, you know? | 0:08:59 | 0:09:04 | |
Home. No, Fletch. You've put in a double shift. You've done your bit. Fletch, please. | 0:09:05 | 0:09:10 | |
Look at you. You're about to flake out. | 0:09:10 | 0:09:12 | |
Don't make me go to Serena with this. | 0:09:14 | 0:09:16 | |
I can't just leave. | 0:09:16 | 0:09:18 | |
Come here. Come on. | 0:09:18 | 0:09:21 | |
We can't have you going under. | 0:09:23 | 0:09:25 | |
I won't. So you're going to go home. Now. | 0:09:25 | 0:09:28 | |
And you're not going to come back till you're up to it. OK? | 0:09:29 | 0:09:32 | |
Come on. | 0:09:35 | 0:09:36 | |
Go on. | 0:09:38 | 0:09:39 | |
Hi, AJ. It's me. | 0:09:45 | 0:09:46 | |
Yeah, yeah, I'm fine. I'm just checking in. | 0:09:48 | 0:09:50 | |
Sorry, what was that? I couldn't hear you. | 0:09:52 | 0:09:54 | |
Yeah, um, I just wanted to... | 0:09:57 | 0:09:59 | |
Look...er, yeah. It's fine. | 0:10:01 | 0:10:04 | |
You get back to the baby. Bye. | 0:10:04 | 0:10:06 | |
Morv, do you want one? I'm all right, thanks. | 0:10:07 | 0:10:10 | |
Sure? You look like you could use it. | 0:10:10 | 0:10:12 | |
Honestly, I'm fine. | 0:10:12 | 0:10:13 | |
Chaos, isn't it? Total. | 0:10:13 | 0:10:16 | |
Exciting, though. Exciting? | 0:10:16 | 0:10:18 | |
Yeah! Can't believe I'm missing out on all the action. | 0:10:18 | 0:10:21 | |
Why? Jac Naylor's got me riding shotgun with some poxy ambulance crew. | 0:10:21 | 0:10:27 | |
How come? Reckons I need emergency care experience. | 0:10:27 | 0:10:31 | |
Well, can't you postpone it? | 0:10:31 | 0:10:33 | |
Nah, she thinks it'll look bad on her if I drop out now. | 0:10:33 | 0:10:36 | |
Oh, well... Where are you off to? | 0:10:36 | 0:10:39 | |
Home. | 0:10:39 | 0:10:41 | |
Had enough? No, I haven't, actually. | 0:10:41 | 0:10:43 | |
You OK? Yeah, I'm fine. | 0:10:45 | 0:10:48 | |
You better get back to work, missy. | 0:10:48 | 0:10:50 | |
I'll see you later, yeah? Bye. | 0:10:50 | 0:10:52 | |
Hello? | 0:10:56 | 0:10:58 | |
Yeah, looks like she's here. OK, thank you. | 0:10:58 | 0:11:01 | |
PATIENT ALARM BUZZES | 0:11:01 | 0:11:03 | |
Right, Mrs Sims is in the side room there, please. | 0:11:05 | 0:11:08 | |
Excuse me. Yeah - I'll be with you in a minute. | 0:11:08 | 0:11:11 | |
BUZZING STOPS | 0:11:14 | 0:11:15 | |
Mr Fielding. James. | 0:11:15 | 0:11:17 | |
I'm Nurse Fletcher. I'm the Ward Manager. | 0:11:17 | 0:11:19 | |
Who's she? | 0:11:19 | 0:11:21 | |
Just a patient. | 0:11:21 | 0:11:23 | |
Why is she under police guard? | 0:11:23 | 0:11:24 | |
CLATTERING | 0:11:24 | 0:11:26 | |
Sorry about that. Um, you all right? | 0:11:27 | 0:11:30 | |
Where were you when it came down? | 0:11:33 | 0:11:35 | |
I'd rather not talk about it. Of course. | 0:11:35 | 0:11:37 | |
Hi, there. This is Mr di Lucca. He's going to be looking after you. | 0:11:37 | 0:11:40 | |
So you were hit by flying debris? No. | 0:11:40 | 0:11:43 | |
And we had to take your spleen out. No. | 0:11:43 | 0:11:46 | |
That's what it says here. | 0:11:46 | 0:11:49 | |
Where's Major Wolfe? | 0:11:49 | 0:11:50 | |
Major Wolfe? | 0:11:50 | 0:11:51 | |
No offence but that's who I'd like to treat me. None taken. | 0:11:51 | 0:11:55 | |
I'm sure you're very good but I'm an old patient of the Major's. | 0:11:58 | 0:12:01 | |
Right. I've no doubt she'd like to take charge of my case. | 0:12:01 | 0:12:04 | |
Well, I'm not sure if she is... | 0:12:04 | 0:12:06 | |
Mr Fielding's been through a lot in the last 24 hours, | 0:12:06 | 0:12:09 | |
so I'll have a word. Fine. Best of luck. | 0:12:09 | 0:12:12 | |
Oh! | 0:12:22 | 0:12:23 | |
SHE SIGHS | 0:12:24 | 0:12:25 | |
SHE EXHALES | 0:12:32 | 0:12:34 | |
Morven! I just thought I'd... | 0:12:47 | 0:12:50 | |
Wow! | 0:12:52 | 0:12:54 | |
Yeah, I'm just having a bit of a spring clean. | 0:12:54 | 0:12:57 | |
Well, it looks like you got through all four seasons to me. | 0:12:57 | 0:13:00 | |
What are you doing home? Look, you've had a little bit of a wobble. | 0:13:00 | 0:13:05 | |
Er, it wasn't a wobble. | 0:13:05 | 0:13:07 | |
OK, well, we were just taking a break parked nearby. | 0:13:07 | 0:13:09 | |
You're crazy. So I thought I'd come and see you're all right. | 0:13:09 | 0:13:12 | |
There's really no need. | 0:13:12 | 0:13:15 | |
Look, why don't you go for a sleep? | 0:13:15 | 0:13:17 | |
Not tired. Or at least just sit down. | 0:13:17 | 0:13:20 | |
I'd really rather do this. | 0:13:20 | 0:13:22 | |
Well, I'm having a lovely day so far. Yeah? | 0:13:23 | 0:13:25 | |
Yeah, much better than I expected. | 0:13:25 | 0:13:27 | |
Oh, good. One of the paramedics, Jez, is proper hot. | 0:13:27 | 0:13:31 | |
SMASHING | 0:13:31 | 0:13:32 | |
Damn! | 0:13:32 | 0:13:33 | |
Hello. We need to do your obs. | 0:13:41 | 0:13:43 | |
Help yourself...Adrian. | 0:13:43 | 0:13:46 | |
No-one round here calls me that. | 0:13:46 | 0:13:49 | |
Just your mummy, when you were a naughty boy! | 0:13:49 | 0:13:51 | |
So what do they call you? | 0:13:53 | 0:13:55 | |
Nurse Fletcher. | 0:13:55 | 0:13:57 | |
I'm Steph. | 0:13:57 | 0:13:58 | |
How are Connie and Grace? | 0:14:00 | 0:14:01 | |
Nurse Fletcher. Sir? | 0:14:11 | 0:14:13 | |
Can you make sure that all the staff are aware that | 0:14:13 | 0:14:15 | |
as of tomorrow, counselling will be available for those who may | 0:14:15 | 0:14:18 | |
be affected by recent events? | 0:14:18 | 0:14:20 | |
Consider it done. Thank you. | 0:14:20 | 0:14:23 | |
How's our jailbird? No comment. | 0:14:23 | 0:14:26 | |
From what I can gather, apart from running Connie Beauchamp off the road, she's been | 0:14:26 | 0:14:28 | |
waging some sort of psychological warfare against her own daughter. | 0:14:28 | 0:14:31 | |
Makes me think I'm not such a bad dad after all. | 0:14:31 | 0:14:34 | |
Stop it! | 0:14:34 | 0:14:35 | |
How can you do that to your own kid? | 0:14:35 | 0:14:37 | |
Yep, well, we've just got to deal with her like she was any other patient. | 0:14:37 | 0:14:41 | |
She'll get proper care. Beyond that, I don't want to know. | 0:14:41 | 0:14:44 | |
'Regretfully, an eighth crash victim died in theatre | 0:14:49 | 0:14:53 | |
'late yesterday evening. | 0:14:53 | 0:14:54 | |
'We will release full details as soon as next of kin have been informed. | 0:14:54 | 0:14:58 | |
'In the meantime, the emergency department remains closed. | 0:14:58 | 0:15:02 | |
'Obviously, our telephone lines are extremely busy, | 0:15:02 | 0:15:04 | |
'so may I stress, ONLY try to | 0:15:04 | 0:15:06 | |
'contact the hospital if it's absolutely necessary | 0:15:06 | 0:15:08 | |
'or you may prevent urgent calls from getting through.' | 0:15:08 | 0:15:12 | |
Stand by your beds. | 0:15:15 | 0:15:16 | |
Major. Sorry I didn't get to you yesterday. I was in theatre for most of it. | 0:15:17 | 0:15:22 | |
It's all right. | 0:15:22 | 0:15:24 | |
So do you know James from your army days, then? | 0:15:24 | 0:15:26 | |
No, I treated him a few months ago. Blocked bile duct. | 0:15:26 | 0:15:29 | |
James has been kind enough to keep in touch. | 0:15:29 | 0:15:32 | |
I thought my water supply was being poisoned. | 0:15:32 | 0:15:34 | |
Until the removal of his gall bladder proved otherwise. | 0:15:34 | 0:15:36 | |
Right as rain ever since. | 0:15:36 | 0:15:38 | |
And now you have to have your spleen out. | 0:15:38 | 0:15:40 | |
Surgery...went extremely well, by all accounts. | 0:15:40 | 0:15:44 | |
I'll leave you to it. | 0:15:44 | 0:15:45 | |
It's going to be a couple of days before you're back on your feet. | 0:15:47 | 0:15:51 | |
Is that police officer armed? | 0:15:55 | 0:15:58 | |
I don't know. | 0:15:58 | 0:16:00 | |
Have you heard the misinformation they're putting out? | 0:16:00 | 0:16:02 | |
You've lost me. The cause of the crash. | 0:16:02 | 0:16:04 | |
It was a kid playing with a drone, wasn't it? | 0:16:04 | 0:16:08 | |
Have you any idea of the odds on that happening? Er... | 0:16:08 | 0:16:12 | |
Well, that's why they call it a freak accident. | 0:16:12 | 0:16:14 | |
This was no accident. | 0:16:14 | 0:16:16 | |
Yeah, very good. Anyway... | 0:16:16 | 0:16:18 | |
I'm serious. | 0:16:19 | 0:16:20 | |
I'm sorry. I have to be back in theatre. | 0:16:22 | 0:16:24 | |
Hi, Scott. It's Morven Digby. | 0:16:45 | 0:16:48 | |
Yeah. | 0:16:51 | 0:16:52 | |
I'm thinking of coming in today. | 0:16:53 | 0:16:55 | |
How much of that muscle is viable? Hardly any. | 0:16:58 | 0:17:01 | |
There'll be nothing left to reconstruct, at this rate. | 0:17:01 | 0:17:05 | |
The blood supply's practically non-existent. | 0:17:05 | 0:17:07 | |
Rhythm's getting even weaker. | 0:17:07 | 0:17:09 | |
Time to cut our losses? | 0:17:09 | 0:17:10 | |
'Fraid so. | 0:17:11 | 0:17:13 | |
She's not much older than our own daughters. | 0:17:13 | 0:17:15 | |
I know. | 0:17:15 | 0:17:17 | |
Doesn't bear thinking about. Don't. | 0:17:17 | 0:17:20 | |
Saw. | 0:17:28 | 0:17:29 | |
SHE GASPS | 0:17:30 | 0:17:33 | |
Has anyone shown you how to breathe properly with a stomach wound? | 0:17:33 | 0:17:36 | |
No. We'll do it now. Do you have a mobile phone? | 0:17:36 | 0:17:39 | |
Can I borrow it? Please! Haven't you got your own? | 0:17:40 | 0:17:43 | |
No, they took it off me because apparently, I'm a flight risk. | 0:17:43 | 0:17:46 | |
Sorry, I can't help you. I need to call my ex. Let's get you set up as straight as possible. | 0:17:46 | 0:17:49 | |
My little girl's with him and...he doesn't know her routine. | 0:17:49 | 0:17:53 | |
Lie down again. I need to talk to her as well. | 0:17:53 | 0:17:55 | |
SHE GASPS Yeah, I don't like the look of that. | 0:17:55 | 0:17:59 | |
Look, it's for Carmel's sake, not mine. I'm going to get you a doctor. Please! | 0:17:59 | 0:18:03 | |
SHE SOBS | 0:18:03 | 0:18:06 | |
Only me. Hello. | 0:18:07 | 0:18:09 | |
You all right, Scott? | 0:18:21 | 0:18:23 | |
Here. Do you need a hand with these? No, I'm fine. | 0:18:26 | 0:18:30 | |
Actually, yeah, I do. I'm Cam. | 0:18:30 | 0:18:33 | |
I'm Morven. | 0:18:33 | 0:18:35 | |
Nice to meet you, Morven. Nice to meet you too, Cam. | 0:18:35 | 0:18:37 | |
So, um, are you here for the lunch service? | 0:18:38 | 0:18:41 | |
Yeah. I was just saying to Scotty, | 0:18:41 | 0:18:43 | |
maybe we should try and change things up round here. | 0:18:43 | 0:18:45 | |
How do you mean? For the clients. | 0:18:45 | 0:18:47 | |
No more queues and ladling stuff out of jam pans. | 0:18:47 | 0:18:50 | |
How else can we do it? | 0:18:50 | 0:18:52 | |
Table service. | 0:18:52 | 0:18:53 | |
What, waiters? Exactly. | 0:18:53 | 0:18:55 | |
Where are we going to get them from? | 0:18:55 | 0:18:57 | |
We do it ourselves, instead of all this Great Depression stuff. | 0:18:57 | 0:19:00 | |
Let's just crack on, shall we? | 0:19:00 | 0:19:02 | |
Ah. I'm afraid you're running quite a temperature. | 0:19:12 | 0:19:15 | |
You must have picked up an infection in the wound. | 0:19:15 | 0:19:17 | |
So what now? | 0:19:17 | 0:19:19 | |
We'll clean it up and treat it with antibiotics. | 0:19:19 | 0:19:22 | |
Can you get Nurse Fletcher to do it? | 0:19:22 | 0:19:25 | |
It'll be whoever's available. | 0:19:25 | 0:19:27 | |
Excuse me. | 0:19:46 | 0:19:48 | |
Yes? | 0:19:48 | 0:19:49 | |
You work closely with Major Wolfe. | 0:19:49 | 0:19:52 | |
Sometimes. | 0:19:52 | 0:19:53 | |
And you haven't notice anyone following her around? Or, er... | 0:19:53 | 0:19:56 | |
Sorry? ..noticed any strange behaviour or people you don't recognise on the ward? | 0:19:56 | 0:20:00 | |
Well, given the circumstances, plenty. | 0:20:00 | 0:20:03 | |
Right. Thank you. | 0:20:03 | 0:20:06 | |
What's he doing out of bed? | 0:20:12 | 0:20:14 | |
Asking some rather odd questions. | 0:20:14 | 0:20:17 | |
I think the whole thing's freaked him out a bit. | 0:20:17 | 0:20:19 | |
Seems to have a bit of a Bernie obsession going on. | 0:20:19 | 0:20:21 | |
That'd be the Major to you. | 0:20:21 | 0:20:23 | |
Yes, sir, sorry, sir! | 0:20:23 | 0:20:25 | |
Oh, and how are you coping with our unwanted guest? | 0:20:25 | 0:20:29 | |
Fine. She's very keen that YOU tend to her. | 0:20:29 | 0:20:32 | |
Is she? Mmm. Asked for you by name. | 0:20:32 | 0:20:35 | |
Has she now? | 0:20:35 | 0:20:37 | |
So, I haven't seen you here before. | 0:20:38 | 0:20:41 | |
I started last week. | 0:20:41 | 0:20:42 | |
Oh, right. How about yourself? | 0:20:42 | 0:20:45 | |
Er, well, I work here evenings and weekends mostly, | 0:20:45 | 0:20:48 | |
but I got some time off work, so... | 0:20:48 | 0:20:51 | |
You decided to come here and work instead. | 0:20:51 | 0:20:55 | |
Something like that. | 0:20:55 | 0:20:56 | |
Been here long? Couple of months. | 0:20:58 | 0:21:00 | |
Um, you do know that we got our funding cut | 0:21:03 | 0:21:07 | |
by nearly 30% last year, don't you? | 0:21:07 | 0:21:09 | |
No, I did not know that. Yeah. | 0:21:09 | 0:21:11 | |
So we need to make sure we save every penny we can. | 0:21:11 | 0:21:14 | |
So, what made you want to start volunteering, then? | 0:21:21 | 0:21:26 | |
I just wanted to see how the other half live. | 0:21:26 | 0:21:28 | |
Sorry? | 0:21:28 | 0:21:30 | |
That was a joke. | 0:21:30 | 0:21:31 | |
Oh. Can you make a start with those carrots now, please? | 0:21:31 | 0:21:35 | |
Sure. | 0:21:35 | 0:21:36 | |
Ah! | 0:21:39 | 0:21:41 | |
Jamie Oliver, eat your heart out! | 0:21:41 | 0:21:43 | |
Let's have a look. | 0:21:48 | 0:21:49 | |
So...I was a med student. | 0:21:50 | 0:21:54 | |
But I bailed out. | 0:21:55 | 0:21:56 | |
SHE LAUGHS | 0:21:56 | 0:21:59 | |
What's so funny about that? | 0:21:59 | 0:22:01 | |
Nothing. Go on. | 0:22:01 | 0:22:04 | |
I'm an F2. | 0:22:04 | 0:22:06 | |
Really? Mm-hm. | 0:22:06 | 0:22:09 | |
Do you think you'll have to amputate? | 0:22:09 | 0:22:11 | |
Hope there's a big pint of beer at the end of this rainbow. | 0:22:21 | 0:22:23 | |
Several. Providing you get a pass off the missus. | 0:22:23 | 0:22:26 | |
I don't need a pass, cos Naomi and I are no more. | 0:22:26 | 0:22:29 | |
What happened? I got the royal order of the boot. | 0:22:29 | 0:22:32 | |
She pulled the trigger? It was a quick and painless death. | 0:22:32 | 0:22:35 | |
Sorry to hear that, mate. | 0:22:35 | 0:22:37 | |
It's no biggy. Oh, and then I get a text from Amy. | 0:22:37 | 0:22:41 | |
Obviously heard you're back on the scene. | 0:22:41 | 0:22:43 | |
Yeah, she must've seen it on the news, and sends me this. | 0:22:43 | 0:22:46 | |
"You OK?" | 0:22:46 | 0:22:48 | |
Clearly wants to get back with you. | 0:22:48 | 0:22:50 | |
Ha, clearly. | 0:22:50 | 0:22:51 | |
What's the deal with Stephanie Sims? | 0:22:51 | 0:22:53 | |
Ah, mate. The sooner she's off the ward, the better. Why's that? | 0:22:53 | 0:22:55 | |
Every time I go in there, she tries to start up a conversation with me. | 0:22:55 | 0:22:59 | |
And now she's asking for me by name every time she needs something. You want to watch that. | 0:22:59 | 0:23:02 | |
Believe me, I am. | 0:23:02 | 0:23:04 | |
Roberta, how're you doing? | 0:23:08 | 0:23:10 | |
Hello, love. | 0:23:10 | 0:23:11 | |
How's the arm? | 0:23:12 | 0:23:13 | |
Not too bad. | 0:23:13 | 0:23:15 | |
Now that is what I call getting plastered. | 0:23:15 | 0:23:19 | |
You cheeky so-and-so! | 0:23:19 | 0:23:22 | |
You two seem very pally - | 0:23:22 | 0:23:23 | |
considering you only started here last week. | 0:23:23 | 0:23:26 | |
Found Roberta wandering round on my first day, didn't I? | 0:23:26 | 0:23:28 | |
You certainly did. She was a little bit upset. | 0:23:28 | 0:23:31 | |
Really? What was the matter? | 0:23:31 | 0:23:34 | |
I was just having a funny half hour. | 0:23:34 | 0:23:36 | |
Roberta? Roberta? | 0:23:38 | 0:23:40 | |
You dropped this. Oh, thanks. | 0:23:41 | 0:23:44 | |
You have a daughter? | 0:23:44 | 0:23:47 | |
Yeah. Stupid, really - I don't even know where she is. | 0:23:47 | 0:23:49 | |
Right. Or even if she wants to be found. | 0:23:49 | 0:23:51 | |
In fact, chuck it in the bin. Wait. | 0:23:51 | 0:23:53 | |
I want me dinner. | 0:23:55 | 0:23:56 | |
Maybe we can talk about this later? | 0:23:58 | 0:24:00 | |
PHONE RINGS | 0:24:06 | 0:24:08 | |
Evie. | 0:24:10 | 0:24:11 | |
It's not my fault there was a crash. | 0:24:14 | 0:24:17 | |
I've got to work. Hello? | 0:24:17 | 0:24:19 | |
Fast asleep there. | 0:24:25 | 0:24:26 | |
Sorry about that. | 0:24:28 | 0:24:29 | |
Who was on the phone? | 0:24:32 | 0:24:34 | |
No-one. | 0:24:34 | 0:24:35 | |
Wife? | 0:24:36 | 0:24:37 | |
My daughter. | 0:24:37 | 0:24:39 | |
Must have your hands full. | 0:24:39 | 0:24:41 | |
You have no idea. | 0:24:41 | 0:24:42 | |
You having a tough time at home? | 0:24:44 | 0:24:46 | |
I'd better get on. | 0:24:51 | 0:24:52 | |
I know that feeling only too well. | 0:24:52 | 0:24:55 | |
Why didn't you come back? | 0:24:55 | 0:24:56 | |
What? | 0:24:58 | 0:24:59 | |
To change my dressing. | 0:25:00 | 0:25:02 | |
Well, I'm busy. I've got a ward to run. | 0:25:02 | 0:25:04 | |
I hate computers. | 0:25:08 | 0:25:09 | |
MORVEN LAUGHS | 0:25:09 | 0:25:11 | |
So when did you last see your daughter? | 0:25:11 | 0:25:14 | |
When she was seven. | 0:25:14 | 0:25:16 | |
And have you had any contact? | 0:25:16 | 0:25:18 | |
Now and again but nothing for 25 years. | 0:25:18 | 0:25:21 | |
Right, we'll just work our way through and see if anyone fits the profile. | 0:25:21 | 0:25:25 | |
This one? Nah, too old. | 0:25:27 | 0:25:29 | |
So have you tried contacting her before? | 0:25:31 | 0:25:35 | |
No. | 0:25:35 | 0:25:37 | |
Why not? | 0:25:38 | 0:25:39 | |
Well, what with her 40th and everything else that's going on... | 0:25:39 | 0:25:44 | |
What do you mean? | 0:25:44 | 0:25:45 | |
Watching you working through the night, helping all those people, | 0:25:45 | 0:25:50 | |
made me think of Danielle and what she'd become. | 0:25:50 | 0:25:54 | |
Really? Maybe she's a doctor. | 0:25:54 | 0:25:57 | |
This one looks interesting. Danielle Blake. | 0:26:00 | 0:26:04 | |
40 and looks like she had a birthday party last week. | 0:26:04 | 0:26:08 | |
Lives in Birmingham. | 0:26:09 | 0:26:11 | |
That's where we lived. | 0:26:11 | 0:26:13 | |
Recognise him? | 0:26:13 | 0:26:14 | |
Yeah, that's her father. | 0:26:17 | 0:26:19 | |
And his granddaughter. Granddaughter? | 0:26:21 | 0:26:24 | |
You're a grandmother, Roberta. | 0:26:25 | 0:26:27 | |
Nah. No, I never should have done this. | 0:26:31 | 0:26:34 | |
Why not? | 0:26:34 | 0:26:36 | |
Because I abandoned that girl. | 0:26:36 | 0:26:39 | |
Look, I'm sure you had your reasons. Yeah, from the inside of a bottle. | 0:26:39 | 0:26:42 | |
Why don't I private message her, | 0:26:42 | 0:26:44 | |
explain who you are and then we can wait and see if she replies? | 0:26:44 | 0:26:48 | |
I think you'll regret it if you don't. | 0:26:48 | 0:26:50 | |
There's something going on here. | 0:26:56 | 0:26:58 | |
Can you please get back into bed before you do yourself some damage? | 0:26:58 | 0:27:01 | |
I don't know what it is but she's at the heart of it. | 0:27:01 | 0:27:04 | |
Um, Lou? Could you show Mr Fielding back into bed, please? | 0:27:04 | 0:27:08 | |
OK, now what? | 0:27:10 | 0:27:12 | |
The president of your fan club is playing up. | 0:27:14 | 0:27:16 | |
Yeah, what's the story there? | 0:27:16 | 0:27:18 | |
Oh, I told him about my military background | 0:27:18 | 0:27:20 | |
and he's been e-mailing me conspiracy theories ever since. | 0:27:20 | 0:27:24 | |
And do you reply? | 0:27:24 | 0:27:25 | |
I give the odd thank-you, but nothing beyond that. | 0:27:25 | 0:27:27 | |
He seems very concerned with your welfare. | 0:27:27 | 0:27:31 | |
Do you think Psych need to have a little chat? | 0:27:31 | 0:27:33 | |
There's a history of depression but no other mental health issues in his notes. | 0:27:33 | 0:27:36 | |
Even so... He's harmless enough. | 0:27:36 | 0:27:38 | |
Not stalker material? | 0:27:38 | 0:27:40 | |
If we called Psych down for every oddball admitted to the ward, | 0:27:40 | 0:27:42 | |
we'd come to a grinding halt. | 0:27:42 | 0:27:44 | |
'As CEO it is my duty, on occasion, to make unpopular decisions. | 0:27:47 | 0:27:53 | |
'I do appreciate the public's concern, | 0:27:53 | 0:27:55 | |
'however, I will not reopen the hospital fully until I am satisfied | 0:27:55 | 0:27:59 | |
'that it is a safe environment for staff and patients alike.' | 0:27:59 | 0:28:04 | |
Hey. | 0:28:10 | 0:28:11 | |
Found her. Who? | 0:28:13 | 0:28:16 | |
Roberta's daughter. Oh. | 0:28:16 | 0:28:19 | |
Is that it? "Oh"? | 0:28:19 | 0:28:21 | |
Did you make contact? Yeah, I left a message. Any reply? | 0:28:21 | 0:28:25 | |
Well, I'm still waiting. | 0:28:25 | 0:28:27 | |
I hope it all works out. | 0:28:27 | 0:28:28 | |
You know, it could be the real turning point for Roberta. | 0:28:29 | 0:28:33 | |
Maybe. | 0:28:33 | 0:28:34 | |
A daughter and a grandchild. | 0:28:35 | 0:28:38 | |
She's a grandmother? Mm-hm. | 0:28:38 | 0:28:40 | |
Could give her something to live for, you know. | 0:28:40 | 0:28:42 | |
A proper Hollywood ending. | 0:28:42 | 0:28:44 | |
What's that supposed to mean? | 0:28:47 | 0:28:49 | |
Nothing. No, go on. Just say it. | 0:28:49 | 0:28:52 | |
Finding her is the easy part. Yeah, I know that. | 0:28:56 | 0:28:59 | |
What happens next is the tricky bit. | 0:29:01 | 0:29:03 | |
What, so you think I did the wrong thing? | 0:29:06 | 0:29:10 | |
Did I say that? | 0:29:10 | 0:29:12 | |
Not in so many words. | 0:29:12 | 0:29:13 | |
Look. Be careful, yeah? | 0:29:15 | 0:29:19 | |
Yeah. | 0:29:20 | 0:29:21 | |
James. This helicopter crash was no accident. | 0:29:36 | 0:29:38 | |
Yeah, it was. Where are you going? | 0:29:38 | 0:29:41 | |
To see the CEO. Major Wolfe is in serious danger. | 0:29:41 | 0:29:43 | |
OK. How do you know that? | 0:29:43 | 0:29:45 | |
I can't prove anything yet, but... | 0:29:46 | 0:29:47 | |
But what? | 0:29:49 | 0:29:50 | |
The things she's seen, the secrets she must hold. | 0:29:51 | 0:29:54 | |
And are they all in your book? | 0:29:57 | 0:29:58 | |
Don't patronise me. | 0:30:01 | 0:30:02 | |
I'm not. This is real. | 0:30:02 | 0:30:05 | |
Listen, would you go back to bed, if I promise that we discuss this later? | 0:30:05 | 0:30:10 | |
The powers that be want to silence her for good. | 0:30:11 | 0:30:15 | |
And we'll go through all that when we've got a little bit more time. | 0:30:15 | 0:30:18 | |
Hello, Morven. | 0:30:42 | 0:30:43 | |
Jason! | 0:30:43 | 0:30:46 | |
Why are you not at work? | 0:30:46 | 0:30:47 | |
They sent all non-essential staff home. | 0:30:47 | 0:30:50 | |
So you came here for lunch instead? | 0:30:50 | 0:30:52 | |
I've heard that it's lovely and I believe it. | 0:30:52 | 0:30:55 | |
It's sausage and mash on Wednesdays. | 0:30:55 | 0:30:57 | |
Yeah, I know that. I'm a volunteer here. | 0:30:57 | 0:31:00 | |
You do realise the centre's for homeless people, don't you? | 0:31:00 | 0:31:04 | |
Yeah, but the sign outside says "everyone welcome". | 0:31:04 | 0:31:07 | |
Yeah, that's true, but what it also meant was... | 0:31:07 | 0:31:10 | |
Sausage and mash is my all-time favourite. Lots of gravy, please. | 0:31:10 | 0:31:15 | |
I'm looking forward to Friday. I've heard it's lasagne. | 0:31:16 | 0:31:21 | |
Oh, hi. Hello, Roberta. | 0:31:21 | 0:31:23 | |
Have you heard anything yet? | 0:31:23 | 0:31:25 | |
Not yet. | 0:31:25 | 0:31:26 | |
What happened to your arm? | 0:31:26 | 0:31:27 | |
Hang on, how come you know one another? | 0:31:27 | 0:31:30 | |
Roberta lives by the library. I broke it. | 0:31:30 | 0:31:33 | |
There's been a helicopter crash at the hospital. I know. | 0:31:33 | 0:31:36 | |
So far there have been eight fatalities, | 0:31:36 | 0:31:38 | |
although that figure may rise in the coming days. | 0:31:38 | 0:31:42 | |
Roberta, do you want anything to eat? | 0:31:42 | 0:31:44 | |
Nah, not hungry. | 0:31:44 | 0:31:45 | |
Can I have Roberta's mash? | 0:31:49 | 0:31:51 | |
What are you doing? I'm seeing if there's any message. | 0:32:02 | 0:32:06 | |
Oh. It won't just pop up, you have to open the messaging page. | 0:32:06 | 0:32:10 | |
Well, how am I meant to know that? | 0:32:10 | 0:32:13 | |
Shall we have a little look? Yeah. | 0:32:13 | 0:32:16 | |
Her name's come up. | 0:32:22 | 0:32:23 | |
Yep. | 0:32:25 | 0:32:26 | |
Press open. | 0:32:27 | 0:32:28 | |
I don't know how to do that. | 0:32:29 | 0:32:31 | |
Do you want me to give you a bit of privacy? | 0:32:37 | 0:32:39 | |
No. I'll just... | 0:32:39 | 0:32:41 | |
Roberta? Leave me alone! | 0:32:57 | 0:33:00 | |
Argh! Argh! | 0:33:08 | 0:33:10 | |
CRYING | 0:33:13 | 0:33:15 | |
You all right? It's my stomach. I'm in agony. | 0:33:15 | 0:33:19 | |
Lie back for me. | 0:33:19 | 0:33:20 | |
SHE MOANS | 0:33:20 | 0:33:22 | |
Oh, what's happening? Argh! | 0:33:22 | 0:33:24 | |
No. Right, OK. | 0:33:24 | 0:33:26 | |
Don't let me die. I won't. | 0:33:26 | 0:33:28 | |
BUZZER | 0:33:28 | 0:33:29 | |
What if I die without seeing my little girl again? | 0:33:29 | 0:33:31 | |
I need some help in here, please! | 0:33:31 | 0:33:34 | |
The wound's open and her bowel's come out. | 0:33:34 | 0:33:36 | |
Let's get her into theatre, please. | 0:33:36 | 0:33:38 | |
Raf, can you scrub in? | 0:33:38 | 0:33:39 | |
What have we got? Full thickness dehiscence. | 0:33:39 | 0:33:41 | |
What's happening? She's not well, mate. | 0:33:41 | 0:33:44 | |
Don't let her near the Major. Please don't start. | 0:33:44 | 0:33:47 | |
Can someone shut the door? | 0:33:47 | 0:33:48 | |
Just saw Roberta heading out. Really? | 0:33:48 | 0:33:51 | |
Nearly flattened me, she was in that much of a hurry. | 0:33:51 | 0:33:55 | |
Did she hear from her daughter? | 0:33:55 | 0:33:56 | |
Can you grab the rest of those cups, please? | 0:33:56 | 0:33:58 | |
How'd it go? Badly. She doesn't want to see her. | 0:34:00 | 0:34:03 | |
You tried your best. All I wanted to do was go to work and be a good doctor. | 0:34:03 | 0:34:09 | |
But every time I think I'm OK, something else goes wrong | 0:34:09 | 0:34:11 | |
and then I'm right back to where I started. | 0:34:11 | 0:34:13 | |
And then I come here and then I mess up someone else's life. | 0:34:13 | 0:34:16 | |
Where did that come from? Forget it. | 0:34:16 | 0:34:18 | |
How's she doing? | 0:34:28 | 0:34:30 | |
She's coagulopathic again. | 0:34:30 | 0:34:31 | |
She's really been through the mill, this one, hasn't she? | 0:34:32 | 0:34:36 | |
She's hanging on in there, though. | 0:34:36 | 0:34:38 | |
When you're free, I'd like a Psych consult. | 0:34:39 | 0:34:43 | |
Who for? James Fielding. | 0:34:43 | 0:34:44 | |
What's the problem? | 0:34:46 | 0:34:48 | |
He's delusional, paranoid, agitated. | 0:34:48 | 0:34:50 | |
He's been through a hell of an ordeal. | 0:34:50 | 0:34:53 | |
So has everyone. | 0:34:54 | 0:34:55 | |
Are you sure about this? | 0:34:55 | 0:34:57 | |
Why are you so resistant? | 0:34:57 | 0:34:59 | |
I don't want to put a label on him just because... | 0:34:59 | 0:35:02 | |
Do we even know what he was doing at the hospital when the helicopter crashed? | 0:35:02 | 0:35:05 | |
Visiting patients? Or keeping tabs on you, maybe. | 0:35:05 | 0:35:08 | |
He's never displayed any kind of threatening behaviour. | 0:35:08 | 0:35:11 | |
Have you ever seen him hanging round the hospital before? | 0:35:11 | 0:35:14 | |
I did run into him a while ago but I thought nothing of it. | 0:35:14 | 0:35:18 | |
See...I would be so much happier if we had a Psych consult. | 0:35:18 | 0:35:22 | |
Yep, I'll talk to him. | 0:35:25 | 0:35:26 | |
Hope Street Drop-In. | 0:35:26 | 0:35:29 | |
No, you're looking for Mount Drive Medicentre. | 0:35:29 | 0:35:32 | |
Yeah, it's by the station. No problem. | 0:35:32 | 0:35:35 | |
Bye. | 0:35:36 | 0:35:37 | |
What's all this? | 0:35:38 | 0:35:40 | |
Tea-break? | 0:35:40 | 0:35:42 | |
Thanks. | 0:35:42 | 0:35:43 | |
Don't be so hard on yourself. | 0:35:44 | 0:35:46 | |
Tea AND a pep talk. | 0:35:46 | 0:35:48 | |
You tried your best. | 0:35:48 | 0:35:49 | |
I really thought they could reconnect, you know? | 0:35:50 | 0:35:53 | |
Mums and their offspring - it's complicated stuff. | 0:35:53 | 0:35:57 | |
Very profound. | 0:35:57 | 0:35:59 | |
I read that in a Christmas cracker. | 0:35:59 | 0:36:02 | |
You make a decent cuppa. | 0:36:02 | 0:36:04 | |
Actually, my mum's a high-flying surgeon, | 0:36:04 | 0:36:06 | |
so the whole beauty-school dropout routine didn't go down too well. | 0:36:06 | 0:36:10 | |
Hmm. Well, my mum's not around, | 0:36:10 | 0:36:12 | |
so at least I don't have any of that stuff to deal with. | 0:36:12 | 0:36:15 | |
I was thinking of going for a drink later. | 0:36:18 | 0:36:20 | |
Really? | 0:36:21 | 0:36:23 | |
Roberta. | 0:36:23 | 0:36:25 | |
You do-gooders make me laugh! | 0:36:25 | 0:36:27 | |
Guilty conscience, is it? | 0:36:27 | 0:36:29 | |
Right, Roberta. You've been drinking | 0:36:29 | 0:36:31 | |
and you know you're not allowed to drink in the centre. | 0:36:31 | 0:36:33 | |
I don't know why you bother. Right, give me the bottle. | 0:36:33 | 0:36:35 | |
No chance. I said, give me the bottle. | 0:36:35 | 0:36:37 | |
Stop telling me what to do! | 0:36:37 | 0:36:39 | |
It's all right. It's OK. It's all right, Roberta. | 0:36:46 | 0:36:49 | |
It's all right, it's all right. It's OK. I've got you. | 0:36:49 | 0:36:51 | |
Can you get the first-aid kit, please? | 0:36:51 | 0:36:54 | |
And call an ambulance. | 0:36:54 | 0:36:55 | |
It's all right. Don't worry. | 0:36:56 | 0:36:58 | |
That police officer is here to protect her, not guard her. | 0:37:06 | 0:37:10 | |
Who? Stephanie Sims. | 0:37:10 | 0:37:12 | |
James, I know you've had a bit of a shock but... | 0:37:14 | 0:37:16 | |
So that she can complete her mission. | 0:37:16 | 0:37:18 | |
Which is? | 0:37:18 | 0:37:20 | |
To silence you. | 0:37:23 | 0:37:25 | |
I think you're blurring fact and fiction, James. | 0:37:25 | 0:37:28 | |
I'm trying to save your life. | 0:37:28 | 0:37:29 | |
Look, I promise you, I am not in any danger. | 0:37:29 | 0:37:32 | |
That's what they want you to think. | 0:37:32 | 0:37:34 | |
We'd like you to talk to someone. | 0:37:39 | 0:37:41 | |
Who? A psychiatrist. Absolutely not. | 0:37:41 | 0:37:44 | |
I think it might help. I think it's a waste of time. | 0:37:44 | 0:37:46 | |
I disagree. I said no. | 0:37:46 | 0:37:48 | |
Well, I think YOU need protection, | 0:37:50 | 0:37:53 | |
so I'm going to request a consultation which may result in you receiving treatment. | 0:37:53 | 0:37:59 | |
I'm the only thing that's stood between you and... You'll be assessed by myself, | 0:37:59 | 0:38:03 | |
a psychiatrist and an approved mental health professional. | 0:38:03 | 0:38:06 | |
I...I'm not having this! | 0:38:09 | 0:38:10 | |
OK, James. Sit down. | 0:38:10 | 0:38:12 | |
Major Wolfe, please. | 0:38:12 | 0:38:13 | |
It's for the best. | 0:38:15 | 0:38:16 | |
Are you part of this? Is that what this is? | 0:38:20 | 0:38:23 | |
We'll make sure you have some medication to help you sleep tonight, James, OK? | 0:38:23 | 0:38:29 | |
OK. | 0:38:31 | 0:38:32 | |
You be careful. | 0:38:34 | 0:38:36 | |
Hey, guys. What have we got? | 0:38:39 | 0:38:41 | |
This is Roberta Blake, mid-60s, several lacerations | 0:38:41 | 0:38:45 | |
and she's drunk - at least half a bottle of vodka as well. | 0:38:45 | 0:38:48 | |
So this is where you've been hiding. My flatmate. | 0:38:48 | 0:38:51 | |
I thought I recognised you. Yeah, I'm a doctor at Holby. | 0:38:51 | 0:38:54 | |
Come on, then, rookie, what do we do? | 0:38:54 | 0:38:56 | |
Pain relief, dress the wounds, IV fluid and oxygen. | 0:38:56 | 0:38:59 | |
Make a medic out of you yet. | 0:38:59 | 0:39:01 | |
Didn't know you worked at Holby. Yeah. | 0:39:01 | 0:39:03 | |
Hello, Roberta, I'm Jez. I'm just going to give you some oxygen, OK? | 0:39:03 | 0:39:06 | |
My mum's Berenice Wolfe. | 0:39:06 | 0:39:09 | |
What? | 0:39:09 | 0:39:10 | |
Proper reunion, this, isn't it? | 0:39:10 | 0:39:12 | |
Jez, I'll get the scoop. | 0:39:12 | 0:39:14 | |
I was really sorry to hear about your husband. | 0:39:15 | 0:39:18 | |
Thank you. | 0:39:19 | 0:39:21 | |
Look, I'm taking the boys out for some drinks tomorrow night. | 0:39:21 | 0:39:25 | |
Or so she keeps telling us. You should come. | 0:39:25 | 0:39:28 | |
Thank you but we're already actually going out for a drink. | 0:39:28 | 0:39:31 | |
How many times have we been out since we moved in together? | 0:39:31 | 0:39:34 | |
None. None? What kind of housemate are you? | 0:39:34 | 0:39:37 | |
An extremely tidy one. | 0:39:37 | 0:39:40 | |
I'm up for a drink tomorrow night. | 0:39:40 | 0:39:42 | |
See? There you go. The more the merrier. | 0:39:42 | 0:39:44 | |
How did it go? | 0:39:53 | 0:39:54 | |
The doctors will talk you through it. | 0:39:55 | 0:39:57 | |
Please. | 0:40:01 | 0:40:02 | |
Just stay for a few minutes. | 0:40:04 | 0:40:05 | |
I was about to go home for the night. | 0:40:09 | 0:40:11 | |
I can't stand lying here on my own just going over everything. | 0:40:13 | 0:40:17 | |
Try and get some rest. | 0:40:23 | 0:40:24 | |
I keep thinking - what will Carmel's father say to her about me? | 0:40:24 | 0:40:28 | |
He'll paint me as a monster. | 0:40:29 | 0:40:31 | |
He'll kill any love she has left for me. | 0:40:31 | 0:40:34 | |
You don't know that. | 0:40:34 | 0:40:35 | |
PHONE RINGS | 0:40:35 | 0:40:37 | |
Is that important? | 0:40:39 | 0:40:41 | |
It's my daughter again. | 0:40:41 | 0:40:42 | |
Sorry. | 0:40:44 | 0:40:45 | |
You should speak to her. | 0:40:47 | 0:40:49 | |
Get some sleep. | 0:40:51 | 0:40:54 | |
It'll do you good. | 0:40:54 | 0:40:55 | |
SHE SIGHS | 0:41:00 | 0:41:01 | |
Hello, Evie. | 0:41:15 | 0:41:16 | |
'I'm pleased to say that our emergency department | 0:41:19 | 0:41:22 | |
'has now reopened, though do please be prepared for longer wait times | 0:41:22 | 0:41:27 | |
'than usual and also restricted access due to areas outside | 0:41:27 | 0:41:31 | |
'of the hospital still being cordoned off by the police.' | 0:41:31 | 0:41:34 | |
I went to see Roberta. | 0:41:42 | 0:41:43 | |
What, in hospital? No, where she lives, by the library. | 0:41:43 | 0:41:47 | |
She had another accident, Jason. | 0:41:47 | 0:41:50 | |
No, she's throwing all her things out onto the road. | 0:41:50 | 0:41:53 | |
Oh, no. | 0:41:53 | 0:41:54 | |
Why would Roberta do that? I don't know. | 0:41:54 | 0:41:57 | |
It's going to be difficult for her to tidy up with a broken arm. | 0:41:57 | 0:42:01 | |
Hello, Jay. | 0:42:01 | 0:42:02 | |
Can you finish off here for me, please? | 0:42:02 | 0:42:04 | |
Yeah, why? | 0:42:04 | 0:42:06 | |
I need to go and find Roberta. | 0:42:06 | 0:42:07 | |
You all right? No. What's wrong? | 0:42:13 | 0:42:15 | |
Can't catch my breath. | 0:42:15 | 0:42:17 | |
Try and relax for me. | 0:42:17 | 0:42:19 | |
What's the matter with me? We'll get you checked out now. I'm scared. | 0:42:20 | 0:42:24 | |
Look, I know you can't lend me your mobile phone but could you call my husband? | 0:42:26 | 0:42:30 | |
No. I just want to talk to Carmel. I can't. | 0:42:30 | 0:42:33 | |
Make sure she's OK. I'm sorry. | 0:42:33 | 0:42:35 | |
Surely YOU can understand that. | 0:42:35 | 0:42:38 | |
Look. I'm sure your daughter's going to be well looked after by her dad. | 0:42:40 | 0:42:43 | |
He'll take her as far away from here as he can. | 0:42:43 | 0:42:45 | |
You don't know that. I'll never see her again. | 0:42:45 | 0:42:48 | |
I'm going to get you a doctor. SHE BREATHES HEAVILY | 0:42:48 | 0:42:51 | |
Roberta? | 0:42:58 | 0:42:59 | |
If you just lean forward for me. | 0:43:05 | 0:43:07 | |
Breath in...and out... | 0:43:07 | 0:43:10 | |
SHE BREATHES DEEPLY | 0:43:10 | 0:43:11 | |
Nothing unusual there. | 0:43:11 | 0:43:13 | |
BP and temperature both normal. | 0:43:13 | 0:43:16 | |
What, do you think I'm making it up? | 0:43:16 | 0:43:17 | |
SHE COUGHS | 0:43:17 | 0:43:20 | |
What's wrong with me? | 0:43:21 | 0:43:23 | |
We'll send you for a chest X-ray, | 0:43:23 | 0:43:24 | |
just to make sure we haven't missed anything, but at this stage, | 0:43:24 | 0:43:27 | |
I really don't think there's too much to worry about. | 0:43:27 | 0:43:30 | |
Thank you, Doctor. | 0:43:31 | 0:43:32 | |
What's up? | 0:43:51 | 0:43:52 | |
I thought she'd been moved to ITU? | 0:43:52 | 0:43:55 | |
She had, only for her artery to go into spasm, and here we are again. | 0:43:55 | 0:43:59 | |
Wouldn't do that girl's lottery ticket, would you? | 0:43:59 | 0:44:02 | |
Mental health have postponed James Fielding's assessment. | 0:44:02 | 0:44:06 | |
What? | 0:44:06 | 0:44:07 | |
A higher priority case came in. Great(!) | 0:44:07 | 0:44:10 | |
They can't see him until tomorrow. | 0:44:10 | 0:44:11 | |
Do you think we should consider sectioning him? | 0:44:11 | 0:44:14 | |
Not unless he seriously deteriorates. | 0:44:14 | 0:44:16 | |
Well. Keep a close eye. | 0:44:16 | 0:44:19 | |
Will do. | 0:44:19 | 0:44:20 | |
You should be in hospital. | 0:44:32 | 0:44:33 | |
I've discharged myself. | 0:44:33 | 0:44:35 | |
Why? | 0:44:35 | 0:44:37 | |
Because I need to find a photograph of my daughter. | 0:44:37 | 0:44:40 | |
Do you have any idea where it is? | 0:44:43 | 0:44:44 | |
It's in one of these bags. I haven't seen it anywhere. | 0:44:44 | 0:44:47 | |
Well, she made it clear to me that she didn't want to know me, | 0:44:49 | 0:44:52 | |
but it's all I've got of her. | 0:44:52 | 0:44:54 | |
OK. | 0:44:56 | 0:44:57 | |
You wait over here and let me go and have a little look for it, OK? | 0:44:58 | 0:45:02 | |
Right. | 0:45:04 | 0:45:06 | |
Here it is. | 0:45:19 | 0:45:21 | |
SHE SOBS | 0:45:23 | 0:45:24 | |
Oh, I'm sorry! | 0:45:26 | 0:45:29 | |
I'm so, so sorry. | 0:45:29 | 0:45:33 | |
It's OK, it's all right. | 0:45:33 | 0:45:35 | |
It's all right. | 0:45:35 | 0:45:37 | |
Why are you being so nice to me? | 0:45:38 | 0:45:41 | |
We're going to get you back to hospital where you belong. | 0:45:42 | 0:45:45 | |
All right? | 0:45:45 | 0:45:46 | |
You're a good girl. I bet your mum's really proud of you. | 0:45:47 | 0:45:51 | |
How many kids did you say you had? | 0:45:56 | 0:45:58 | |
I didn't. | 0:45:58 | 0:46:00 | |
Four. | 0:46:01 | 0:46:02 | |
Yeah, well, imagine never seeing those four faces again. | 0:46:02 | 0:46:06 | |
That's why you need to face up to what you've done. | 0:46:06 | 0:46:09 | |
I love her so much! | 0:46:09 | 0:46:11 | |
But I'm sure it'll get better. | 0:46:24 | 0:46:26 | |
It's not that bad. | 0:46:26 | 0:46:27 | |
At least someone's having fun. | 0:46:29 | 0:46:31 | |
There's your orange juice. | 0:46:31 | 0:46:32 | |
Oh, party animal. That's me. | 0:46:32 | 0:46:34 | |
Thank you. Cheers. | 0:46:34 | 0:46:37 | |
All right, down after three. | 0:46:37 | 0:46:40 | |
One, two, three! | 0:46:40 | 0:46:42 | |
Come on, Doc, you can do better than that. | 0:46:45 | 0:46:47 | |
Nah, I'm one of life's sippers, thank you very much. | 0:46:47 | 0:46:49 | |
You know what? Let's get the DJ, yeah, to get some sick tunes. | 0:46:49 | 0:46:53 | |
Hang on a minute, Jez. | 0:46:53 | 0:46:55 | |
Listen, I think I'm going to give this a miss. | 0:46:56 | 0:46:58 | |
Yeah, yeah, a couple of drinks and we're gone, man. | 0:46:58 | 0:47:00 | |
So, how's it all going with Oliver Valentine? | 0:47:00 | 0:47:03 | |
Oh, he's playing hard to get. | 0:47:03 | 0:47:05 | |
You know, basically ignored me all week. | 0:47:05 | 0:47:07 | |
I wonder which paramedic you've got your eye on. | 0:47:09 | 0:47:13 | |
Any requests? | 0:47:13 | 0:47:14 | |
I owe you an apology. What for? | 0:47:23 | 0:47:26 | |
Being such a bore you had to resort to texting. | 0:47:26 | 0:47:28 | |
Oh, I'm so sorry. I've just got to send my dad this quick text. | 0:47:28 | 0:47:32 | |
Done! I'm all yours. | 0:47:34 | 0:47:37 | |
So what happened to your husband? | 0:47:38 | 0:47:40 | |
What? | 0:47:40 | 0:47:41 | |
One of the paramedics said, "Sorry about your husband." | 0:47:41 | 0:47:44 | |
Right, uh... Yeah. Um... | 0:47:44 | 0:47:46 | |
PHONE RINGS | 0:47:46 | 0:47:48 | |
Sorry, I've got to get this. | 0:47:48 | 0:47:51 | |
Dad? | 0:47:51 | 0:47:52 | |
Oh, Bernie? Yep? | 0:47:56 | 0:47:58 | |
I think you'd better take a look at this... | 0:47:58 | 0:48:00 | |
Good God. It's pretty graphic stuff. | 0:48:09 | 0:48:12 | |
Where is he? I've no idea. | 0:48:12 | 0:48:14 | |
I'll call security. | 0:48:14 | 0:48:15 | |
Right, that's us... | 0:48:20 | 0:48:22 | |
No chance. | 0:48:22 | 0:48:23 | |
Yeah, it is. Jez, we've got that thing to do, right? | 0:48:23 | 0:48:25 | |
Yeah, yeah. I ordered the house specials. | 0:48:25 | 0:48:27 | |
What, MORE drinks? | 0:48:27 | 0:48:29 | |
Yeah, and the DJ's ready to go, so... | 0:48:29 | 0:48:31 | |
Actually, uh... Yeah. | 0:48:33 | 0:48:35 | |
Yeah, I wouldn't mind sticking around. | 0:48:35 | 0:48:38 | |
Great. | 0:48:38 | 0:48:40 | |
What?! | 0:48:40 | 0:48:41 | |
You all right, mate? | 0:48:41 | 0:48:42 | |
Is that a mate of his? | 0:48:44 | 0:48:45 | |
Yeah. Or will be, after tonight. | 0:48:47 | 0:48:49 | |
Sorry? | 0:48:51 | 0:48:52 | |
They look very...cosy. | 0:48:52 | 0:48:55 | |
Let's dance. | 0:48:59 | 0:49:00 | |
I can't. I'm carrying an injury! | 0:49:00 | 0:49:02 | |
I don't care. | 0:49:02 | 0:49:03 | |
That looks spectacular. | 0:49:03 | 0:49:06 | |
Yeah. It's very... | 0:49:06 | 0:49:08 | |
Squinty? | 0:49:09 | 0:49:10 | |
Mm. Squinty, yeah... | 0:49:10 | 0:49:12 | |
How's Roberta doing? | 0:49:14 | 0:49:15 | |
I dropped her back off at St James', you know. | 0:49:15 | 0:49:18 | |
Got her settled in. | 0:49:18 | 0:49:19 | |
I messaged her daughter again. | 0:49:21 | 0:49:23 | |
That was brave. | 0:49:23 | 0:49:24 | |
Well, I can't give up now, can I? | 0:49:24 | 0:49:26 | |
A lot of people would. | 0:49:26 | 0:49:27 | |
Do you think you'll go back to medicine? | 0:49:30 | 0:49:32 | |
Dunno. | 0:49:35 | 0:49:36 | |
Why not? | 0:49:36 | 0:49:38 | |
Cos that is exactly what my mother would want me to do. | 0:49:38 | 0:49:41 | |
Seriously. | 0:49:41 | 0:49:43 | |
No. I do miss it. | 0:49:44 | 0:49:46 | |
Do you think you made a mistake? | 0:49:46 | 0:49:47 | |
You want to dance? | 0:49:51 | 0:49:53 | |
Ah...oh. Uh... | 0:49:54 | 0:49:56 | |
Yeah... Maybe later? | 0:49:56 | 0:49:58 | |
PHONE RINGS | 0:50:10 | 0:50:12 | |
Kids again? | 0:50:13 | 0:50:14 | |
Just take her through, please. | 0:50:14 | 0:50:16 | |
Hello, Evie, darling... | 0:50:18 | 0:50:19 | |
No, it's all right, I can talk. | 0:50:19 | 0:50:21 | |
He's glued his shoes to what? | 0:50:23 | 0:50:25 | |
How'd he manage that? | 0:50:25 | 0:50:26 | |
Do you know what, don't worry about it, I'll sort it out when I get home. | 0:50:27 | 0:50:30 | |
Evie... | 0:50:30 | 0:50:32 | |
do us a favour, will you grab all the kids, give them a kiss and tell them that Daddy loves them? | 0:50:32 | 0:50:36 | |
Thanks, sweetheart. | 0:50:37 | 0:50:39 | |
What's the matter? | 0:50:45 | 0:50:46 | |
You... | 0:50:53 | 0:50:54 | |
I know what you're planning. | 0:50:56 | 0:50:58 | |
Stop! | 0:50:58 | 0:50:59 | |
Stop, stop! | 0:51:01 | 0:51:03 | |
What do you want? | 0:51:03 | 0:51:04 | |
I won't let you hurt her. | 0:51:05 | 0:51:07 | |
I just want to get out of here. | 0:51:07 | 0:51:09 | |
You're going to kill her. | 0:51:09 | 0:51:10 | |
Kill who? | 0:51:10 | 0:51:12 | |
You were sent here...sent here to murder Major Wolfe. | 0:51:12 | 0:51:16 | |
I just want to see my daughter. Leave me alone. | 0:51:17 | 0:51:20 | |
SHE GROANS | 0:51:20 | 0:51:21 | |
Right, let's just calm down, all right? | 0:51:25 | 0:51:27 | |
I need to get you both back on the ward. | 0:51:27 | 0:51:29 | |
I need to stop her. | 0:51:29 | 0:51:30 | |
Look, I need you to put the screwdriver down. | 0:51:32 | 0:51:35 | |
James. Put the screwdriver down, mate. | 0:51:36 | 0:51:39 | |
Good lad. | 0:51:43 | 0:51:44 | |
All right? | 0:51:46 | 0:51:47 | |
OK. | 0:51:48 | 0:51:49 | |
Yeah, I found her, Raf, we're downstairs in the basement, mate. | 0:51:52 | 0:51:55 | |
She's acting! | 0:51:55 | 0:51:57 | |
I need some space. | 0:51:57 | 0:51:58 | |
Hang in there, mate. You're going to be OK. | 0:52:20 | 0:52:22 | |
I just heard. You get scrubbed in. | 0:52:22 | 0:52:24 | |
Quite a collection of drinks you're building up there. | 0:52:27 | 0:52:31 | |
Well, a girl needs a hobby. | 0:52:31 | 0:52:32 | |
Listen, I didn't mean to intrude before. | 0:52:33 | 0:52:36 | |
He died. | 0:52:36 | 0:52:37 | |
My husband. He died. | 0:52:39 | 0:52:40 | |
Three months ago now. | 0:52:41 | 0:52:43 | |
Cancer. | 0:52:44 | 0:52:45 | |
I'm a widow. | 0:52:47 | 0:52:48 | |
Well, that's how the world sees me now, anyway. | 0:52:50 | 0:52:52 | |
The widow Digby. | 0:52:53 | 0:52:54 | |
Who falls to pieces at the first sign of crisis. | 0:52:56 | 0:52:59 | |
Who feels guilty being here, | 0:53:00 | 0:53:03 | |
having a drink with people who might just make her laugh. | 0:53:03 | 0:53:06 | |
Is that why you volunteer? | 0:53:08 | 0:53:10 | |
No-one at the centre knows any of that. | 0:53:10 | 0:53:12 | |
So, for a few hours a week I get to be the person I used to be. | 0:53:12 | 0:53:17 | |
I know it's not the same but when I split with my girlfriend | 0:53:17 | 0:53:20 | |
the other week... Hang on. If you're about to compare your latest break-up with | 0:53:20 | 0:53:24 | |
the death of my husband, | 0:53:24 | 0:53:26 | |
I'm literally going to punch you in the ear. | 0:53:26 | 0:53:28 | |
I think it's my round. | 0:53:30 | 0:53:31 | |
Yeah. I think it is, too. | 0:53:31 | 0:53:32 | |
Fluid in the pericardium. | 0:53:34 | 0:53:36 | |
Screwdriver must have penetrated the heart. | 0:53:36 | 0:53:38 | |
You deal with that, I'll deal with the diaphragm problem. | 0:53:38 | 0:53:41 | |
2-0 vicryl, please. | 0:53:41 | 0:53:42 | |
Looks like a through and through enterotomy. | 0:53:48 | 0:53:50 | |
He's lost a hell of a lot of blood. | 0:53:50 | 0:53:51 | |
Getting colder by the minute. | 0:53:51 | 0:53:53 | |
There's not much more we can do for him now other than stabilise him. | 0:53:53 | 0:53:56 | |
It's damage limitation at this point in the game. | 0:53:56 | 0:53:58 | |
OK, let's staple it and get him up to ITU. | 0:53:58 | 0:54:00 | |
Stapler, please. | 0:54:00 | 0:54:01 | |
Come on, Super Dad. | 0:54:01 | 0:54:02 | |
MUSIC: Freed From Desire by Gala | 0:54:06 | 0:54:08 | |
Oh, I love this one! Yeah? | 0:54:08 | 0:54:10 | |
Come and dance. | 0:54:10 | 0:54:11 | |
# My love has got no money - he's got his strong beliefs | 0:54:27 | 0:54:30 | |
# My love has got no power - he's got his strong beliefs | 0:54:30 | 0:54:33 | |
# My love has got no fame - he's got his strong beliefs | 0:54:33 | 0:54:37 | |
# My love has got no money - he's got his strong beliefs | 0:54:37 | 0:54:41 | |
# Want more and more | 0:54:42 | 0:54:44 | |
# People just want more and more | 0:54:44 | 0:54:46 | |
# Freedom and love... # | 0:54:46 | 0:54:48 | |
Thanks, Raf. | 0:54:49 | 0:54:50 | |
Look, I'd better go and explain to the kids what's happened to | 0:54:50 | 0:54:53 | |
their dad. Oh, those poor children. | 0:54:53 | 0:54:55 | |
Any news...let me know, yeah? | 0:54:55 | 0:54:57 | |
Yes, of course. | 0:54:57 | 0:54:58 | |
This is all my fault. | 0:55:03 | 0:55:05 | |
What? | 0:55:07 | 0:55:08 | |
He pushed for an assessment and I fobbed him off. | 0:55:08 | 0:55:11 | |
How could you have known things would turn out like this? | 0:55:11 | 0:55:14 | |
The warning signs were all there. What, a history of depression? | 0:55:14 | 0:55:17 | |
His behaviour on the ward. | 0:55:17 | 0:55:19 | |
We have an endless stream of broken people coming through our doors. | 0:55:19 | 0:55:23 | |
That's no excuse. | 0:55:23 | 0:55:24 | |
Maybe he was misdiagnosed or just slipped under the radar. | 0:55:24 | 0:55:28 | |
How is that down to you? | 0:55:28 | 0:55:29 | |
Our friend and colleague is fighting for his life... | 0:55:32 | 0:55:35 | |
And he would be the first person to say | 0:55:36 | 0:55:40 | |
that you are the most fantastic, | 0:55:40 | 0:55:44 | |
fearless doctor in this entire hospital. | 0:55:44 | 0:55:48 | |
Fletch? Fletch? | 0:56:17 | 0:56:20 | |
What's happened to him? | 0:56:20 | 0:56:22 | |
What's happened to him?! | 0:56:22 | 0:56:23 | |
I knew you were a fighter. | 0:56:38 | 0:56:40 | |
'Hello, my name's Fletch and I'm really proud to be a nurse. | 0:56:49 | 0:56:53 | |
'We have to take whatever life throws at you in this game. | 0:56:54 | 0:56:57 | |
'Only yesterday an air ambulance dropped out of the bright | 0:56:57 | 0:57:00 | |
'blue sky and crashed into the ED. | 0:57:00 | 0:57:03 | |
'No warning, no nothing - boom. Just like that. | 0:57:03 | 0:57:06 | |
'It's times like this you have to be all things to all people. | 0:57:07 | 0:57:10 | |
'Sergeant major...bouncer... counsellor...priest. | 0:57:10 | 0:57:16 | |
'What's the best thing about this job? | 0:57:18 | 0:57:21 | |
'You get to make a difference. | 0:57:21 | 0:57:23 | |
'And I wouldn't change that for the world.' | 0:57:23 | 0:57:25 | |
I have some sense that there is some kind of malice at work here. | 0:57:58 | 0:58:01 | |
They do not see that the workhouse is for their own safety. | 0:58:01 | 0:58:04 | |
Welcome back, Inspector. | 0:58:04 | 0:58:06 | |
Here are boys - one dead, three missing. | 0:58:06 | 0:58:09 |