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If you're too scared to work on the case, say it. | 0:00:02 | 0:00:04 | |
I'm probably the last person you wanted to see. | 0:00:04 | 0:00:07 | |
You know, you've got beautiful eyes. | 0:00:07 | 0:00:10 | |
Sorry. Didn't mean to embarrass you. I have a habit of thinking out loud. | 0:00:10 | 0:00:14 | |
No, no, it's OK. | 0:00:14 | 0:00:16 | |
I'll remember this moment. | 0:00:16 | 0:00:17 | |
Sitting under the canopy of this beautiful tree. | 0:00:19 | 0:00:22 | |
Where I decided to be happy. | 0:00:24 | 0:00:26 | |
I know this sounds a bit mad, but, when I'm finished here, would you like to go for a drink? | 0:00:31 | 0:00:35 | |
SHE BREATHES HARD | 0:01:22 | 0:01:24 | |
SHE EXHALES | 0:01:26 | 0:01:27 | |
LIGHT BUZZES | 0:01:27 | 0:01:30 | |
OK, so there's our cyst. Grasper. | 0:01:40 | 0:01:43 | |
STEADY BEEPING | 0:01:43 | 0:01:45 | |
OK, I've got a hold of it. | 0:01:51 | 0:01:53 | |
Staple, please. | 0:01:54 | 0:01:57 | |
Nice. | 0:01:58 | 0:02:00 | |
Talc, please. | 0:02:00 | 0:02:02 | |
Spraying the pleura. | 0:02:08 | 0:02:10 | |
Perfect. Like a little snowstorm. | 0:02:11 | 0:02:13 | |
-So, what's next? -Coffee. | 0:02:16 | 0:02:18 | |
No, I mean what extra can I do? | 0:02:18 | 0:02:20 | |
A VATS pneumothorax surgery isn't enough for one day? | 0:02:20 | 0:02:23 | |
It was amazing, but I want to do more. Whatever you've got. | 0:02:23 | 0:02:25 | |
LIGHT BUZZES | 0:02:25 | 0:02:27 | |
OK, I'm writing an editorial on frozen elephant trunk surgery | 0:02:27 | 0:02:30 | |
and I need someone to help me with the research. | 0:02:30 | 0:02:32 | |
-Think you can handle that? -Yeah. When do you need it? | 0:02:32 | 0:02:36 | |
-End of the week? -No problem. | 0:02:36 | 0:02:38 | |
What else have you got? | 0:02:38 | 0:02:40 | |
You can organise my paperwork for my catch-up with Hanssen. | 0:02:40 | 0:02:43 | |
-He's not in, he's off sick. -Words I thought I'd never hear. | 0:02:43 | 0:02:46 | |
Caitlin Callahan. She's 16 years old, she collapsed in PE. | 0:02:46 | 0:02:50 | |
-They brought her in through ED, gave her a chest drain. -There you go. | 0:02:50 | 0:02:53 | |
Yep. So today is chicken curry, tomorrow is lamb stew. | 0:02:57 | 0:03:01 | |
Thursday is that chickpea thing you made. | 0:03:01 | 0:03:03 | |
-No, that's Friday. -Does it matter? | 0:03:03 | 0:03:05 | |
-Yeah. Meat-free Friday! -OK. | 0:03:05 | 0:03:08 | |
Well, then, that means that Thursday is moussaka. | 0:03:08 | 0:03:10 | |
That's very good, it's very organised. | 0:03:10 | 0:03:12 | |
Well, we're just trying to shake off the shackles of the canteen. | 0:03:12 | 0:03:15 | |
Ah! That's very inspiring. | 0:03:15 | 0:03:17 | |
Have you spoken to Ric? | 0:03:17 | 0:03:20 | |
-Not yet. -I can't get my head around it. | 0:03:20 | 0:03:22 | |
Well, you all know that if someone makes a complaint, | 0:03:22 | 0:03:25 | |
we have to take it seriously, so... | 0:03:25 | 0:03:26 | |
But even if it comes from an F1 who's known him for about an hour? | 0:03:26 | 0:03:30 | |
Yes, even then. | 0:03:30 | 0:03:31 | |
Wow! | 0:03:34 | 0:03:35 | |
-Good morning. -Morning. | 0:03:38 | 0:03:40 | |
DOM CHUCKLES | 0:03:42 | 0:03:44 | |
Good for her. | 0:03:45 | 0:03:47 | |
Caitlin Callahan? Dr Zosia March. | 0:03:50 | 0:03:53 | |
Hello. This is my dad. | 0:03:53 | 0:03:55 | |
-Cash. Hi. -It's short for Casimir. | 0:03:55 | 0:03:57 | |
-Polish? -Mm. Well done. | 0:03:57 | 0:03:59 | |
-Warrior? -Actually, a king. | 0:03:59 | 0:04:01 | |
In fact, there were a number of Polish kings called Casimir, all the way back to 1016. | 0:04:01 | 0:04:05 | |
Dad? She was just being polite. | 0:04:05 | 0:04:07 | |
Gotcha. No history lesson. | 0:04:07 | 0:04:09 | |
-Probably for the best. -So, you, er...collapsed at school? | 0:04:09 | 0:04:12 | |
Yes. Playing netball in PE and everything just went fuzzy. | 0:04:12 | 0:04:16 | |
-First time it happened? -Yep. | 0:04:16 | 0:04:18 | |
Any heart disease in the family? | 0:04:18 | 0:04:20 | |
-I don't think so. -No. | 0:04:20 | 0:04:22 | |
-Any palpitations? -No. -Do you drink? -No. | 0:04:22 | 0:04:24 | |
-Do you smoke? -Yes. | 0:04:24 | 0:04:26 | |
-What?! -Just kidding. | 0:04:26 | 0:04:28 | |
HE CHUCKLES | 0:04:28 | 0:04:29 | |
Right, could you take a few deep breaths for me, please? | 0:04:29 | 0:04:32 | |
-Those are great. -Hm? Oh, no, they're just, er...sketches. | 0:04:37 | 0:04:40 | |
We're writing a comic book together. | 0:04:40 | 0:04:42 | |
No. She's writing it, I'm just, er...I'm just doing the drawings. | 0:04:42 | 0:04:46 | |
But the story and everything, it's...it's all her. | 0:04:46 | 0:04:49 | |
-Isn't it, Princess? -Dad! | 0:04:49 | 0:04:52 | |
Right, let's get an echocardiogram, | 0:04:52 | 0:04:54 | |
routine bloods, chest X-ray and an ECG, please. | 0:04:54 | 0:04:56 | |
We'll get you diagnosed, treated and back to the netball court before you know it. | 0:04:56 | 0:04:59 | |
-That's efficient. -I'm very good at my job. | 0:04:59 | 0:05:02 | |
Oi! | 0:05:12 | 0:05:14 | |
Hey! Stop! | 0:05:17 | 0:05:18 | |
Stop! | 0:05:20 | 0:05:21 | |
ESSIE BREATHES HARD | 0:05:21 | 0:05:23 | |
-Give it back. -I don't know what you're talking about. | 0:05:23 | 0:05:26 | |
-Do you want me to call the police? -OK, I know exactly what you're talking about. | 0:05:26 | 0:05:30 | |
You were stealing money from a patient's bag. | 0:05:30 | 0:05:32 | |
-Not a patient. -Right. So, exactly how would you describe her? | 0:05:32 | 0:05:35 | |
As my mum. | 0:05:35 | 0:05:37 | |
SHE SIGHS | 0:05:38 | 0:05:40 | |
Thank you. | 0:05:40 | 0:05:41 | |
LIFT: Doors opening. Lift going up. | 0:05:41 | 0:05:44 | |
I was just going to get you one. | 0:05:44 | 0:05:46 | |
-Why? -Because I'm a nice person. | 0:05:46 | 0:05:49 | |
Right. Thanks. Maybe next time. | 0:05:49 | 0:05:52 | |
-Are you OK, though? -Mm? | 0:05:52 | 0:05:54 | |
Just, er...you were just getting started when I left Albie's last night. | 0:05:54 | 0:05:57 | |
-You've been working quite long hours. -I'm a junior doctor. | 0:05:57 | 0:06:01 | |
Yes, but yesterday was quite a big day...wasn't it? | 0:06:01 | 0:06:04 | |
Are you still feeling OK? | 0:06:06 | 0:06:08 | |
You know we have broken up, right? | 0:06:11 | 0:06:14 | |
Because it feels like you think my life is somehow your business. | 0:06:14 | 0:06:17 | |
Thanks for the chat. | 0:06:19 | 0:06:20 | |
Hey. Hm. | 0:06:25 | 0:06:26 | |
APPLAUSE | 0:06:26 | 0:06:28 | |
Well, this is unexpected. | 0:06:28 | 0:06:30 | |
Well, first I have to thank our lord and saviour | 0:06:30 | 0:06:32 | |
-Jesus Christ for giving me... -OK, that's enough. | 0:06:32 | 0:06:35 | |
-Are you still puffing? -Oh! I've got a few years on you. | 0:06:35 | 0:06:38 | |
Still, I'd rate your aerobic capacity as poor. | 0:06:38 | 0:06:41 | |
-Noted. -And are you hungover? | 0:06:41 | 0:06:43 | |
-Hand it over. -What's that? | 0:06:45 | 0:06:48 | |
Oh, it's fine. It's my pocket money. | 0:06:48 | 0:06:50 | |
I wouldn't normally take it, but I needed a book for school. | 0:06:50 | 0:06:54 | |
Seeing as your mum's not here, I'll have to take your word for that, won't I? | 0:06:54 | 0:06:58 | |
Which is my bond. | 0:06:58 | 0:06:59 | |
-Which book did you need? -A Beginner's Guide To Pickpocketing. | 0:06:59 | 0:07:03 | |
I'll make sure that she gets it back. | 0:07:03 | 0:07:06 | |
And that'll be the last I see of it. | 0:07:08 | 0:07:09 | |
Sorry. You're right. | 0:07:12 | 0:07:14 | |
Well, we got there in the end, didn't we? | 0:07:14 | 0:07:17 | |
There we go. Just in case you're expecting to see | 0:07:22 | 0:07:24 | |
that bacon sandwich again any time soon. | 0:07:24 | 0:07:26 | |
FLETCH TAKES A DEEP BREATH | 0:07:29 | 0:07:31 | |
OK. Any pain? | 0:07:31 | 0:07:34 | |
No. Mate, I'm in absolute top nick, all right? | 0:07:34 | 0:07:37 | |
It's an incredible recovery. Look at this. | 0:07:37 | 0:07:39 | |
How's the shoulder? | 0:07:39 | 0:07:40 | |
The sling is just for show, all right? So, please, let me go. | 0:07:40 | 0:07:43 | |
-As soon as we've done the paperwork. -Oh, come on! | 0:07:43 | 0:07:46 | |
Look, do you really think we want you here? | 0:07:46 | 0:07:47 | |
There are four kids at home that, quite frankly, I am getting a bit sick of. | 0:07:47 | 0:07:51 | |
And he's got his eye on someone. | 0:07:51 | 0:07:53 | |
Ah, would this be the diva? | 0:07:53 | 0:07:55 | |
-Her name is Kim. -Can you be quiet? | 0:07:55 | 0:07:57 | |
I was sure you were going to ask her out last night. | 0:07:57 | 0:08:00 | |
Except that would be completely unprofessional. | 0:08:00 | 0:08:04 | |
I'd much rather prepare for | 0:08:04 | 0:08:06 | |
my complete mesocolic excision this afternoon. | 0:08:06 | 0:08:08 | |
What? Are you being serious? | 0:08:08 | 0:08:10 | |
Serena and I have been waiting for a suitable patient | 0:08:10 | 0:08:13 | |
for a while now and we've finally got one. | 0:08:13 | 0:08:15 | |
Is that why you were working late together last night? | 0:08:15 | 0:08:17 | |
-Yep, that's why. -How advanced is the cancer? | 0:08:17 | 0:08:20 | |
-Stage two. -And you'll be dissecting to the superior mesenteric artery? | 0:08:20 | 0:08:23 | |
-Yep. -That is going to be brilliant! | 0:08:23 | 0:08:26 | |
For your fellowship application. | 0:08:26 | 0:08:28 | |
Yeah, well, that might have been put on hold for a while. | 0:08:28 | 0:08:31 | |
Meanwhile, an almost perfectly healthy 41-year-old male | 0:08:31 | 0:08:34 | |
is still an unnecessary drain on the National Health Service. | 0:08:34 | 0:08:37 | |
Shouldn't be long. | 0:08:37 | 0:08:39 | |
Mr Di Lucca? That complete mesocolic excision? | 0:08:40 | 0:08:45 | |
-Mm? -Look, if you need any assisting... | 0:08:45 | 0:08:46 | |
That would be me. Serena's leading this one. | 0:08:46 | 0:08:48 | |
You know, just, I can hold a retractor or something. | 0:08:48 | 0:08:52 | |
It's just I've never seen it done before and I just want to help in any way I can. | 0:08:52 | 0:08:56 | |
-Actually, there might be something. -Anything! | 0:08:56 | 0:08:59 | |
Aiden Hammond. Fell down the stairs, cracked his head, | 0:08:59 | 0:09:01 | |
-needs regular obs. Keep a close eye on him. -Babysitting? | 0:09:01 | 0:09:04 | |
I knew you'd jump at the chance. Start with the stitches. | 0:09:04 | 0:09:07 | |
Well, I had to chase him through the ward. | 0:09:12 | 0:09:14 | |
Showing a surprising turn of speed. | 0:09:14 | 0:09:16 | |
Honestly, I'm impressed. | 0:09:16 | 0:09:18 | |
Give us a break, OK? I'm sorry. I'm very sorry, and so is Parker. | 0:09:18 | 0:09:22 | |
Which he will now demonstrate for you. | 0:09:24 | 0:09:26 | |
I'm sorry. | 0:09:26 | 0:09:28 | |
If you need money, darling, just ask me. | 0:09:28 | 0:09:30 | |
Good one, yeah. I'll remember that. | 0:09:30 | 0:09:32 | |
Ms Whitfield. Hi. | 0:09:34 | 0:09:36 | |
We haven't got all the results back at the moment, but the ones we do have | 0:09:36 | 0:09:39 | |
show that you have a haematoma just here, just under your hip, OK? | 0:09:39 | 0:09:44 | |
And it's developed into a rather large abscess. | 0:09:44 | 0:09:48 | |
Now, you said you had a fall? | 0:09:48 | 0:09:50 | |
I tripped on a rug. Idiot! | 0:09:50 | 0:09:52 | |
Always meant to put carpet down, but, well, you know. | 0:09:52 | 0:09:55 | |
And you were in AAU yesterday with a fall? | 0:09:55 | 0:09:58 | |
Just a klutz. | 0:09:58 | 0:09:59 | |
-But you didn't mention the hip then? -Why would I? | 0:09:59 | 0:10:02 | |
It's just, you know, an abscess like that | 0:10:02 | 0:10:04 | |
-can take four or five days to develop, so... -And now it has. | 0:10:04 | 0:10:07 | |
Yeah, but weren't you in pain? | 0:10:07 | 0:10:10 | |
I-I guess I just didn't notice. | 0:10:10 | 0:10:12 | |
Glass of bubbles cures all ills, right? | 0:10:12 | 0:10:15 | |
-Are you in pain? -She's fine. | 0:10:15 | 0:10:17 | |
Um...excuse me. | 0:10:17 | 0:10:19 | |
-Quite a bit, actually. -Well, we'll get you something for that. | 0:10:22 | 0:10:25 | |
-10 milligrams of morphine. -Mm-hm. | 0:10:25 | 0:10:27 | |
So, as I was saying, your bloods show | 0:10:27 | 0:10:29 | |
that you have a high white cell count | 0:10:29 | 0:10:31 | |
and a high CRP, which could indicate a significant infection. | 0:10:31 | 0:10:35 | |
So we need to take you into surgery and just drain the abscess. | 0:10:35 | 0:10:38 | |
What do you think's going on there? | 0:10:42 | 0:10:44 | |
I think a social life to rival yours, by the looks of it. | 0:10:44 | 0:10:47 | |
Huh! | 0:10:49 | 0:10:51 | |
SHE SIGHS | 0:10:53 | 0:10:55 | |
Hold the door! Thank you. | 0:10:55 | 0:10:58 | |
How's the head? | 0:10:58 | 0:11:00 | |
Fine. Why wouldn't it be? | 0:11:00 | 0:11:03 | |
LIFT: Doors closing. | 0:11:04 | 0:11:06 | |
What do you think of brown shoes with a navy suit? | 0:11:11 | 0:11:13 | |
-Sorry? -My instinct is always black shoes with navy trousers | 0:11:15 | 0:11:19 | |
but, well, I rather like it. | 0:11:19 | 0:11:23 | |
You should trust your instinct. | 0:11:23 | 0:11:25 | |
Tristan! How'd you hit them at the weekend? | 0:11:29 | 0:11:31 | |
Not bad. Putting a mess, but what can you do? | 0:11:31 | 0:11:34 | |
I know what you mean. | 0:11:34 | 0:11:35 | |
Listen, I've got a few CVs for you to look at. | 0:11:35 | 0:11:38 | |
A couple of Americans and a rather brilliant young Australian. | 0:11:38 | 0:11:41 | |
We just need to figure out if we want someone | 0:11:41 | 0:11:43 | |
who's a specialist in skull-base surgery, | 0:11:43 | 0:11:45 | |
or someone who can develop an expertise in functional surgery. | 0:11:45 | 0:11:48 | |
Can't we have both? | 0:11:48 | 0:11:49 | |
I suppose we can. Why not? | 0:11:51 | 0:11:53 | |
All we need to do now is figure out how much we're going to need Theatre Two. | 0:11:53 | 0:11:57 | |
LIFT: Doors closing. | 0:11:57 | 0:11:59 | |
Right. That is a week's meals catered for. | 0:12:04 | 0:12:07 | |
Dom and Isaac. | 0:12:07 | 0:12:09 | |
When did you cook all that? | 0:12:11 | 0:12:13 | |
Last night, when we got in. | 0:12:13 | 0:12:14 | |
Wild(!) | 0:12:15 | 0:12:16 | |
Well, we can't all go out on massive benders, can we? | 0:12:16 | 0:12:19 | |
We've got a slot for Ms Whitfield's ECG. | 0:12:25 | 0:12:29 | |
I'll do her obs. | 0:12:29 | 0:12:31 | |
OK. | 0:12:31 | 0:12:32 | |
Good night? | 0:12:37 | 0:12:38 | |
Yeah. | 0:12:38 | 0:12:41 | |
Good. | 0:12:41 | 0:12:42 | |
Good. | 0:12:42 | 0:12:44 | |
It just...it just seems a bit out of character. | 0:12:48 | 0:12:52 | |
The tattoos, the nights out, the guy in the car. | 0:12:52 | 0:12:55 | |
I'm just saying. | 0:12:58 | 0:12:59 | |
Yeah, well, I suppose when you find out you can't have children... | 0:13:01 | 0:13:04 | |
..it takes the fun out of clean living. | 0:13:05 | 0:13:08 | |
What? | 0:13:08 | 0:13:10 | |
Yeah. | 0:13:11 | 0:13:13 | |
I've been having fertility tests at the Rowland. | 0:13:13 | 0:13:16 | |
A few days ago, I found out that there's practically zero chance | 0:13:17 | 0:13:21 | |
of me ever being able to conceive a child. | 0:13:21 | 0:13:23 | |
With or without their help. | 0:13:23 | 0:13:25 | |
So there you go. Last laugh's on me. | 0:13:25 | 0:13:28 | |
Let's have a look. | 0:13:34 | 0:13:36 | |
Ah! How did you do that? | 0:13:37 | 0:13:39 | |
At work. Fell down some stairs. The nurse cleaned it up a bit. | 0:13:39 | 0:13:44 | |
Right. Well, I'll get that stitched up first. | 0:13:44 | 0:13:47 | |
What did you hit it on? | 0:13:47 | 0:13:49 | |
-Cracked it right on the volute. -Sorry, the what? | 0:13:49 | 0:13:51 | |
Oh, Morv, come on! The volute. | 0:13:51 | 0:13:53 | |
It's the scroll at the bottom of the stairs. | 0:13:53 | 0:13:55 | |
-Can't believe you didn't know that. You should be ashamed of yourself! -Right. | 0:13:55 | 0:13:58 | |
-So, what do you do? -I'm a joiner. Stairs, mainly. | 0:14:01 | 0:14:04 | |
-Oh! Like Snug. -Who? | 0:14:04 | 0:14:07 | |
Snug, the joiner from Midsummer. | 0:14:07 | 0:14:10 | |
-Shakespeare? -Haven't read a word. | 0:14:10 | 0:14:12 | |
Oh. | 0:14:12 | 0:14:14 | |
Did you lose consciousness? | 0:14:19 | 0:14:20 | |
Er...I don't think so. I was on my own. | 0:14:20 | 0:14:23 | |
Nah. | 0:14:23 | 0:14:24 | |
-Any vomiting? -Nope. | 0:14:24 | 0:14:26 | |
Any previous head injuries? Concussions? | 0:14:26 | 0:14:29 | |
The odd knock playing rugby at school, but nothing major. | 0:14:29 | 0:14:32 | |
-Flanker? -Ha! No. Outside centre. | 0:14:32 | 0:14:34 | |
-Any headaches? -No, not really. | 0:14:37 | 0:14:39 | |
Is that a not really, or a no? | 0:14:39 | 0:14:41 | |
She's a bit hard, this one. | 0:14:41 | 0:14:43 | |
Sorry, um...can you talk to me, please? | 0:14:43 | 0:14:46 | |
Thank you. | 0:14:48 | 0:14:49 | |
-So, have you had any headaches? -No. I'm sharp as ever. | 0:14:51 | 0:14:53 | |
Well, at least one of us thinks so. | 0:14:53 | 0:14:56 | |
We use Theatre Two constantly. | 0:14:57 | 0:14:59 | |
If we lose it, we'll have to cut our list. | 0:14:59 | 0:15:01 | |
-Does he want it fulltime? -I don't know. But it's an option. | 0:15:01 | 0:15:03 | |
-He's out of control. -I can talk to him. | 0:15:03 | 0:15:06 | |
-No, no, leave it with me. -Please. I want to help. | 0:15:06 | 0:15:08 | |
-Let me help. -Dr March, leave it! | 0:15:10 | 0:15:13 | |
Hi. Sorry, we might be a bit longer. | 0:15:18 | 0:15:20 | |
The theatres are all full today. How's the pain? | 0:15:20 | 0:15:24 | |
Yeah, it's fine. | 0:15:24 | 0:15:25 | |
-Is the morphine helping? -Getting there. | 0:15:25 | 0:15:28 | |
-Has Parker gone? -For a walk. | 0:15:30 | 0:15:32 | |
I'm sorry about chasing him earlier. I just thought... | 0:15:35 | 0:15:37 | |
Don't apologise. He could do with a clip around the ear sometimes. | 0:15:37 | 0:15:41 | |
-Is he a handful? -Huh! | 0:15:41 | 0:15:42 | |
It's not quite the word I'd use for it, but, um...yeah. | 0:15:42 | 0:15:46 | |
He didn't want to give that money back. | 0:15:50 | 0:15:52 | |
He's a 14-year-old boy. He thinks everything belongs to him. | 0:15:52 | 0:15:56 | |
It was like he didn't trust you to have it. | 0:15:56 | 0:15:59 | |
Like he wanted to be in control. | 0:15:59 | 0:16:02 | |
If there's anything that you think isn't right, you can tell me. | 0:16:06 | 0:16:09 | |
I'm here to help. | 0:16:09 | 0:16:11 | |
He has issues with boundaries, that's all. | 0:16:14 | 0:16:18 | |
I do struggle to cope with him sometimes, if I'm honest. | 0:16:22 | 0:16:24 | |
OK, Ms Whitfield, time to take you down for your scan. | 0:16:26 | 0:16:28 | |
Ah, lovely. | 0:16:28 | 0:16:30 | |
(If you want to talk...) | 0:16:30 | 0:16:32 | |
-Sorry, am I...? -No, no, no. Off we go. | 0:16:34 | 0:16:37 | |
Sorry. Tristan? | 0:16:39 | 0:16:41 | |
Busy suspending someone else? | 0:16:41 | 0:16:43 | |
I heard what happened with Mr Griffin. | 0:16:46 | 0:16:48 | |
Dr March, I'd expect more than snide comments | 0:16:48 | 0:16:51 | |
from one of Holby's greatest success stories. | 0:16:51 | 0:16:53 | |
I was made aware of how you handled yourself | 0:16:55 | 0:16:58 | |
when the press was circling a while ago. | 0:16:58 | 0:17:00 | |
I think it was magnificent. | 0:17:01 | 0:17:03 | |
Thank you. | 0:17:03 | 0:17:04 | |
And yet you still want to take Theatre Two away from us. | 0:17:06 | 0:17:08 | |
Ah! Back to business. No decision has been made either way. | 0:17:08 | 0:17:12 | |
I heard you spent time on Keller yesterday. | 0:17:12 | 0:17:14 | |
Why don't you spend the day on Darwin? | 0:17:16 | 0:17:18 | |
Do you even know what we do in CT? | 0:17:18 | 0:17:20 | |
As far as I can tell, you spend a lot of your time winding up board members. | 0:17:20 | 0:17:24 | |
No, but do you? | 0:17:26 | 0:17:27 | |
I have an inkling. | 0:17:27 | 0:17:29 | |
So, you're taking our theatre away from us based on an inkling? | 0:17:31 | 0:17:34 | |
Are you not worried you might be missing something? | 0:17:35 | 0:17:37 | |
-Am I? -Find out. | 0:17:37 | 0:17:39 | |
Cancel golf. Spend the day with us. | 0:17:41 | 0:17:44 | |
Maybe I will. | 0:17:47 | 0:17:48 | |
Right, um...if you can just hold your arms out like this, please? | 0:17:55 | 0:17:58 | |
Lovely. Now, don't let me pull them towards me, OK? | 0:17:58 | 0:18:02 | |
Lovely. And again. | 0:18:03 | 0:18:05 | |
You're going to have to work a bit harder than that. | 0:18:05 | 0:18:08 | |
Aiden, I have to tell you, mate, you want to watch out for this one. | 0:18:08 | 0:18:11 | |
This is her favourite bit. This and bedbaths. | 0:18:11 | 0:18:13 | |
Huh-huh! Cheers, mate. | 0:18:13 | 0:18:14 | |
Right, can you hold them like that again, please? Lovely. | 0:18:14 | 0:18:17 | |
Now, don't let me push them towards you. | 0:18:17 | 0:18:20 | |
Great. And again. | 0:18:20 | 0:18:22 | |
-Argh! -Ooo! That hurt? | 0:18:24 | 0:18:25 | |
-Just sore guts. -Was it like that before the fall? | 0:18:25 | 0:18:28 | |
-Nah. You reckon I knocked it? -Maybe. | 0:18:28 | 0:18:31 | |
Ah, Mr Hammond. I trust Dr Digby is taking care of you? | 0:18:31 | 0:18:33 | |
-Beautifully. -Good. | 0:18:33 | 0:18:37 | |
Atrial septal defect, or a hole in the heart. | 0:18:37 | 0:18:40 | |
It's probably been there since birth. | 0:18:40 | 0:18:42 | |
How did we not know? | 0:18:42 | 0:18:43 | |
You'd have no cause to, unless there were symptoms. | 0:18:43 | 0:18:45 | |
Can you fix it? | 0:18:45 | 0:18:47 | |
Hi. Jac Naylor, director of Cardiothoracics. | 0:18:47 | 0:18:49 | |
ASD. Yes, we can fix it. | 0:18:49 | 0:18:51 | |
-And then I'll be OK? -Yes. | 0:18:51 | 0:18:53 | |
But the blood bank tells me you're missing both Lutheran antibodies in your blood. | 0:18:53 | 0:18:57 | |
Firstly, what is that? And secondly, is it a problem? | 0:18:57 | 0:19:01 | |
It doesn't really matter what it is, but it is a small problem, yes. | 0:19:01 | 0:19:04 | |
We'll need blood on standby | 0:19:04 | 0:19:05 | |
just in case we need to do a transfusion during surgery. | 0:19:05 | 0:19:08 | |
Yours is very rare and it's not the type of thing the blood bank would have on hand. | 0:19:08 | 0:19:12 | |
-That sounds like a big problem. -Well, we just need to find a donor. | 0:19:12 | 0:19:15 | |
We usually find a match within the family. | 0:19:15 | 0:19:17 | |
-Me? -Siblings, mother. | 0:19:19 | 0:19:20 | |
No siblings and Caitlin's mum isn't with us any more, so... | 0:19:20 | 0:19:24 | |
Excuse me. Sorry. | 0:19:26 | 0:19:28 | |
Tristan Wood, chairman of the board here at the hospital. | 0:19:28 | 0:19:31 | |
-I'm just observing on Darwin today. -No, you're not. | 0:19:31 | 0:19:34 | |
I was invited by Dr March. | 0:19:34 | 0:19:38 | |
-Just pretend I'm not here. -Shouldn't be a problem. | 0:19:42 | 0:19:45 | |
So it looks like you're the one. | 0:19:47 | 0:19:49 | |
You'd have to take my blood? | 0:19:49 | 0:19:51 | |
-What? -He's scared of needles. | 0:19:53 | 0:19:55 | |
Caitlin, come on, there's no need to air our dirty laundry. | 0:19:55 | 0:19:58 | |
Look, if a little prick's too much to ask | 0:19:58 | 0:20:00 | |
-to save your daughter's life, then, that's cool. -Fine. | 0:20:00 | 0:20:04 | |
CASH SIGHS | 0:20:05 | 0:20:07 | |
Of course, I'll give as much blood as I can. | 0:20:07 | 0:20:10 | |
Dr March, could I have a word? | 0:20:10 | 0:20:12 | |
Excuse us, Mr Wood. | 0:20:13 | 0:20:15 | |
You know, I could get used to this, getting pushed around everywhere. | 0:20:20 | 0:20:23 | |
Never make your steps, though, would I? Swings and roundabouts. | 0:20:23 | 0:20:27 | |
I'm just going to check and see if they're ready for you. | 0:20:27 | 0:20:29 | |
-Kim? -Oh. Hello. | 0:20:43 | 0:20:45 | |
-What are you...? -I'm just here with a friend. Avery. | 0:20:45 | 0:20:49 | |
-Oh, right. -I know, who calls their kid Avery, right? | 0:20:49 | 0:20:52 | |
She has to have a scan. Thinks she's got everything and will be dead in a week. | 0:20:52 | 0:20:56 | |
-Sounds like a handful. -Total nightmare, to be honest. | 0:20:56 | 0:20:58 | |
But, um...I've known her since I was 12, so I'm stuck with her. | 0:20:58 | 0:21:02 | |
-How's the arm? -Yeah, it's, er...coming along. | 0:21:02 | 0:21:05 | |
-And the...? -I have to put a bag over it when I go outside. | 0:21:05 | 0:21:09 | |
What, are you saying my handiwork is shoddy? | 0:21:09 | 0:21:12 | |
Just saying the face is hideous. | 0:21:12 | 0:21:14 | |
Yeah, as if! | 0:21:14 | 0:21:15 | |
I, er...I came looking for you yesterday, actually. | 0:21:15 | 0:21:18 | |
-What for? -Just to say goodbye. | 0:21:18 | 0:21:22 | |
But you'd gone. | 0:21:22 | 0:21:23 | |
I am very elusive. | 0:21:23 | 0:21:25 | |
That you are. | 0:21:25 | 0:21:27 | |
Well, look, I'd better, er... | 0:21:28 | 0:21:30 | |
Of course. Off you go. Lives to save. | 0:21:30 | 0:21:33 | |
-It was good to see you. -Good to be seen. | 0:21:33 | 0:21:36 | |
-Did I not say leave it to me?! -It's a great opportunity. | 0:21:44 | 0:21:47 | |
Impress him and he'll realise he can't take our theatre away from us. | 0:21:47 | 0:21:50 | |
-It's not as simple as that! -It seems to be working for Neuro. | 0:21:50 | 0:21:53 | |
Yes, because Guy plans things meticulously! | 0:21:53 | 0:21:55 | |
He's a strategist. He uses smoke and mirrors | 0:21:55 | 0:21:58 | |
to make himself look like a god. | 0:21:58 | 0:21:59 | |
He doesn't invite people in to observe on a whim. | 0:21:59 | 0:22:01 | |
So we have to be brilliant. | 0:22:01 | 0:22:04 | |
We will keep our theatre, I promise. | 0:22:04 | 0:22:06 | |
OK. What's next? | 0:22:06 | 0:22:09 | |
I'm getting the impression you'd rather be somewhere else. | 0:22:18 | 0:22:21 | |
-No. -It's OK. | 0:22:21 | 0:22:24 | |
Probably more exciting jobs than babysitting some ugly joiner. | 0:22:25 | 0:22:29 | |
You're not ugly. | 0:22:29 | 0:22:31 | |
Now we're getting somewhere! | 0:22:32 | 0:22:34 | |
Sorry. | 0:22:39 | 0:22:41 | |
That was bad form. | 0:22:41 | 0:22:42 | |
Don't meet many girls making stairs. | 0:22:45 | 0:22:47 | |
I'm a little bit out of touch with the flirting. Sorry. | 0:22:49 | 0:22:53 | |
-It's a complete mesocolic excision. -Wow! | 0:22:54 | 0:22:57 | |
-I don't know what that means. -It's basically a massive deal. | 0:22:58 | 0:23:01 | |
And you're stuck with me. | 0:23:01 | 0:23:03 | |
It's fine. Go on, on you hop. | 0:23:04 | 0:23:06 | |
-That's it? -That's it. | 0:23:08 | 0:23:10 | |
Yeah, we'll do the head CT now and then do the abdominal one later on. | 0:23:10 | 0:23:13 | |
I go in that tube? | 0:23:15 | 0:23:17 | |
Is that OK? | 0:23:17 | 0:23:19 | |
Fine, yeah. | 0:23:19 | 0:23:21 | |
Very OK. | 0:23:21 | 0:23:23 | |
Because some people find it claustrophobic. | 0:23:23 | 0:23:25 | |
Do they? Pathetic! | 0:23:25 | 0:23:27 | |
-Do you? -Only massively. | 0:23:29 | 0:23:31 | |
But it's all right, I've got a coping technique. | 0:23:31 | 0:23:34 | |
Good. Well, just give us a shout if you need us. | 0:23:34 | 0:23:37 | |
You can hear me? | 0:23:37 | 0:23:39 | |
-Yeah, there's a microphone in there. -OK. | 0:23:39 | 0:23:41 | |
It's just that...with this coping technique, um... | 0:23:43 | 0:23:47 | |
it's... | 0:23:48 | 0:23:50 | |
I guess flamboyant is the word you'd use. | 0:23:50 | 0:23:52 | |
I'm sure I'll manage. | 0:23:52 | 0:23:54 | |
Right! Going in. | 0:23:56 | 0:23:59 | |
# And I think it's going to be a long, long time | 0:24:05 | 0:24:09 | |
# Till touchdown brings me around again to find | 0:24:09 | 0:24:13 | |
# I'm not the man they think I am at home | 0:24:13 | 0:24:16 | |
# Oh, no, no, no | 0:24:16 | 0:24:19 | |
# I'm a rocket man | 0:24:19 | 0:24:21 | |
# Rocket man | 0:24:21 | 0:24:23 | |
# Burning out his fuse up here alone. # | 0:24:23 | 0:24:26 | |
-OK, ready? -Absolutely, yeah. | 0:24:28 | 0:24:30 | |
It's fine. I'll hold your hand. | 0:24:30 | 0:24:33 | |
No, wait! | 0:24:33 | 0:24:34 | |
-RAPID BEEPING -Whoa! Caitlin, are you OK?! | 0:24:34 | 0:24:36 | |
-Caitlin, sit back. -Cait, are you OK?! | 0:24:36 | 0:24:38 | |
-CAITLIN GASPS FOR BREATH -She can't breathe! -She's OK. | 0:24:38 | 0:24:40 | |
Take a deep breath. | 0:24:43 | 0:24:44 | |
Is that better? | 0:24:46 | 0:24:47 | |
OK, stats up to 99. Better? | 0:24:49 | 0:24:52 | |
-What was that? -You disconnected your chest drain, | 0:24:53 | 0:24:56 | |
which disrupted the negative pressure holding your lungs to your chest wall. | 0:24:56 | 0:24:59 | |
-You can't move too quickly, OK? -(OK.) | 0:24:59 | 0:25:02 | |
Right, let's get bloods done. | 0:25:03 | 0:25:05 | |
-She's OK? -She's OK. | 0:25:05 | 0:25:08 | |
Yeah, I'm fine, Dad. You've got no excuses. | 0:25:08 | 0:25:11 | |
HE BREATHES DEEPLY | 0:25:12 | 0:25:14 | |
OK, do it. | 0:25:16 | 0:25:17 | |
What's your comic book about? | 0:25:21 | 0:25:23 | |
This girl, Thea, who discovers a secret portal | 0:25:23 | 0:25:25 | |
to another dimension in the back of her fridge. | 0:25:25 | 0:25:27 | |
But when she goes through it, she throws the universe off balance | 0:25:27 | 0:25:30 | |
and she has to try and figure out how to fix it. | 0:25:30 | 0:25:32 | |
-Brilliant, right? -Wow! | 0:25:32 | 0:25:34 | |
Right. That's it. | 0:25:34 | 0:25:36 | |
-That's it? -That's it. | 0:25:36 | 0:25:38 | |
Thanks, everyone. | 0:25:41 | 0:25:43 | |
That was brilliant! The way you fixed her... What was it? | 0:25:43 | 0:25:46 | |
-Chest drain. -Very impressive. | 0:25:46 | 0:25:49 | |
Enjoying yourself? | 0:25:49 | 0:25:51 | |
You know, I rather am. | 0:25:51 | 0:25:54 | |
That's what I'm here for. | 0:25:54 | 0:25:56 | |
-She tripped on a rug. -So she says. | 0:26:03 | 0:26:05 | |
Yeah, we can only go by what she says. | 0:26:05 | 0:26:08 | |
There are more ways to tell us than just telling us. | 0:26:08 | 0:26:10 | |
What do you mean? | 0:26:10 | 0:26:12 | |
She said something earlier about Parker and boundaries. | 0:26:13 | 0:26:18 | |
And he was really possessive about the money. | 0:26:18 | 0:26:21 | |
I mean, maybe she's trying to tell us something. | 0:26:21 | 0:26:23 | |
Like what? | 0:26:24 | 0:26:26 | |
Maybe Parker's responsible for her injuries. | 0:26:27 | 0:26:29 | |
-He's 14. -Well, that doesn't matter. | 0:26:29 | 0:26:33 | |
Just be careful, all right? | 0:26:34 | 0:26:36 | |
If you want to talk about...what you said earlier... | 0:26:40 | 0:26:44 | |
Thanks. I can cope. | 0:26:45 | 0:26:47 | |
Did you know that specialists have reported high risks | 0:26:54 | 0:26:58 | |
of neurological complications after frozen elephant trunk surgery? | 0:26:58 | 0:27:02 | |
Be careful, Zosia. | 0:27:04 | 0:27:05 | |
Hm? | 0:27:05 | 0:27:07 | |
No, no idea. | 0:27:09 | 0:27:11 | |
Tristan. | 0:27:11 | 0:27:13 | |
Perhaps you ought to consider whether flirting | 0:27:14 | 0:27:16 | |
is the right way of going about things. | 0:27:16 | 0:27:18 | |
Flirting? With Tristan?! | 0:27:18 | 0:27:21 | |
As if I'd go there. | 0:27:22 | 0:27:24 | |
-And what exactly do you think you do with him? -What? | 0:27:26 | 0:27:30 | |
"How'd you hit them at the weekend?" | 0:27:30 | 0:27:32 | |
Why don't you just kiss and get it over with it? | 0:27:32 | 0:27:35 | |
Hm! OK, so I use as much charm as I can to get what I want. | 0:27:35 | 0:27:39 | |
And I do what I can to make sure Cardiothoracics won't lose its theatre. | 0:27:39 | 0:27:43 | |
If you don't like it...I don't care. | 0:27:45 | 0:27:48 | |
-You're done. -Superb! | 0:27:57 | 0:27:59 | |
I'll get Lou to help you get dressed, if that's all right, Lou? | 0:27:59 | 0:28:02 | |
-Oi-oi. -Hey! Don't get too cocky now. | 0:28:02 | 0:28:05 | |
You're not as mobile as you think. | 0:28:05 | 0:28:07 | |
No, I completely understand. | 0:28:07 | 0:28:08 | |
Just glad to be going home so that I can relax looking after four kids. | 0:28:08 | 0:28:12 | |
-Aiden, mate, it's been a pleasure. -Likewise. | 0:28:12 | 0:28:15 | |
Look, when you get out of here, look me up. We'll hit the karaoke. | 0:28:15 | 0:28:18 | |
-I hear you're a bit of a rocket man. -Fletch! | 0:28:18 | 0:28:21 | |
-Aw! -What? -I'm so sorry. | 0:28:21 | 0:28:23 | |
I feel a bit betrayed right now. | 0:28:23 | 0:28:25 | |
Oh, no, don't be ashamed, mate. You smashed it. | 0:28:25 | 0:28:27 | |
-The recording's amazing. -There's a recording?! | 0:28:27 | 0:28:29 | |
There is no recording! | 0:28:29 | 0:28:30 | |
A little bit of privacy now, please, if you don't mind? Cheers, Lou. | 0:28:30 | 0:28:33 | |
-Oh! -I swear, there is no recording. | 0:28:34 | 0:28:37 | |
-I'm speechless. -Oh, there's no excuse, is there? | 0:28:37 | 0:28:41 | |
-SHE CHUCKLES -I'm so sorry. | 0:28:41 | 0:28:43 | |
I'm sure you'll find a way to make it up to me. | 0:28:43 | 0:28:45 | |
Yeah. Hm! | 0:28:45 | 0:28:47 | |
How about Friday? There's this ping-pong bar in town. | 0:28:47 | 0:28:50 | |
Plenty of tables, a few drinks. | 0:28:50 | 0:28:53 | |
-World's greatest sport. What do you say? -No. | 0:28:53 | 0:28:57 | |
OK. | 0:28:59 | 0:29:00 | |
We've still got your abdominal CT to do. | 0:29:00 | 0:29:03 | |
I'll get someone to take you down for that. | 0:29:03 | 0:29:05 | |
Why can't you do it? I've still got Tiny Dancer in the bag. | 0:29:05 | 0:29:09 | |
I've got other patients to deal with. | 0:29:09 | 0:29:11 | |
Um...Mr Di Lucca? That complete mesocolic excision, | 0:29:13 | 0:29:17 | |
are you absolutely sure there's nothing I can do? | 0:29:17 | 0:29:20 | |
-I don't think so. -Anything! Just anything! | 0:29:20 | 0:29:23 | |
I need to be in that theatre. | 0:29:23 | 0:29:25 | |
-OK, you can catheterise her. -Thank you. | 0:29:25 | 0:29:28 | |
What about Mr Hammond's abdominal CT? | 0:29:28 | 0:29:31 | |
-I'll get someone to take him down for that. -Make sure you do. | 0:29:31 | 0:29:34 | |
Dr Digby? | 0:29:35 | 0:29:36 | |
Mr Callahan's bloods. | 0:29:38 | 0:29:40 | |
What?! | 0:29:45 | 0:29:46 | |
-Hey. -Is she OK? | 0:29:59 | 0:30:02 | |
Yeah, she's fine. She's just going for a scan. | 0:30:02 | 0:30:06 | |
What have you got there? | 0:30:06 | 0:30:07 | |
Fixing the screen for a mate. | 0:30:07 | 0:30:09 | |
You know how to do that? | 0:30:09 | 0:30:10 | |
It's not hard. | 0:30:10 | 0:30:11 | |
Your mum's pretty banged up. | 0:30:14 | 0:30:17 | |
Yeah. | 0:30:17 | 0:30:18 | |
She's got a significant abscess with a serious infection. | 0:30:20 | 0:30:23 | |
OK. | 0:30:23 | 0:30:24 | |
She's unlucky to have got that just slipping off a chair. | 0:30:27 | 0:30:31 | |
She tripped on the rug in the sitting room. | 0:30:31 | 0:30:33 | |
Yeah, of course. | 0:30:33 | 0:30:35 | |
Even so, she has been in quite a lot recently. | 0:30:37 | 0:30:40 | |
She falls over a lot. | 0:30:40 | 0:30:42 | |
Or is someone else involved? | 0:30:44 | 0:30:46 | |
Like who? | 0:30:48 | 0:30:50 | |
Someone who's maybe angry, frustrated... | 0:30:50 | 0:30:53 | |
Are you joking? | 0:30:53 | 0:30:55 | |
I'm just asking. It's OK if sometimes you get angry. | 0:30:55 | 0:30:59 | |
This isn't my fault. | 0:30:59 | 0:31:00 | |
I didn't say it was your fault. | 0:31:00 | 0:31:02 | |
If anyone's to blame, it's her. | 0:31:02 | 0:31:03 | |
She's the one with the problems. | 0:31:03 | 0:31:06 | |
I know that it might feel like that sometimes, | 0:31:06 | 0:31:08 | |
but I am concerned about the number of times that she's fallen. | 0:31:08 | 0:31:11 | |
And there's no other reason you can think of that someone | 0:31:11 | 0:31:13 | |
might fall over a lot? | 0:31:13 | 0:31:16 | |
What other reasons might there be? | 0:31:16 | 0:31:18 | |
-Parker. -I need to finish this. | 0:31:19 | 0:31:21 | |
OK. | 0:31:24 | 0:31:25 | |
You're not a match. | 0:31:33 | 0:31:35 | |
But that can happen, can't it? | 0:31:39 | 0:31:41 | |
Yes, it can. | 0:31:41 | 0:31:42 | |
And you'll still find someone, won't you? She'll be all right? | 0:31:42 | 0:31:46 | |
We're hopeful we'll find a donor, yes. | 0:31:46 | 0:31:49 | |
The thing is, it's not just that you're not a match. | 0:31:49 | 0:31:52 | |
Mr Callahan, is Caitlin adopted? | 0:31:54 | 0:31:56 | |
ZOSIA HEARS BUZZING | 0:31:56 | 0:31:58 | |
No. | 0:31:58 | 0:32:00 | |
IVF, was there a donor involved? | 0:32:00 | 0:32:03 | |
No. | 0:32:03 | 0:32:04 | |
Then I am very sorry to have to tell you this, | 0:32:04 | 0:32:07 | |
but you're not Caitlin's father. | 0:32:07 | 0:32:09 | |
Yes, I am. | 0:32:09 | 0:32:11 | |
No, no you're not. You're AB and Caitlin is an O. | 0:32:11 | 0:32:14 | |
I don't want to get into the genetics of this, but the | 0:32:14 | 0:32:16 | |
short answer is it's practically impossible for you to be her father. | 0:32:16 | 0:32:19 | |
We'll give you a moment. | 0:32:19 | 0:32:21 | |
Look, I know, all right. | 0:32:21 | 0:32:24 | |
Of course I know. | 0:32:26 | 0:32:27 | |
Leah was pregnant when we got together, it wasn't a secret. | 0:32:29 | 0:32:33 | |
Two minutes old, | 0:32:36 | 0:32:39 | |
I made the choice that I would be her father. | 0:32:39 | 0:32:41 | |
You can't tell her why I'm not a match. | 0:32:45 | 0:32:47 | |
I'll do it one day, I promise. | 0:32:49 | 0:32:51 | |
When she's ready. | 0:32:52 | 0:32:53 | |
Not now. | 0:32:56 | 0:32:57 | |
Mr Callahan, we wouldn't tell her. | 0:32:57 | 0:32:59 | |
I promise. | 0:32:59 | 0:33:01 | |
Kim, can we have a quick chat? | 0:33:06 | 0:33:09 | |
Yeah. | 0:33:09 | 0:33:11 | |
Kim? | 0:33:13 | 0:33:14 | |
Sacha! | 0:33:18 | 0:33:20 | |
Kim, can you hear me? | 0:33:21 | 0:33:23 | |
Crash trolley, please. | 0:33:23 | 0:33:26 | |
What did you give her? | 0:33:26 | 0:33:27 | |
Just some morphine. | 0:33:27 | 0:33:28 | |
OK, 2mg of Naloxone, please. | 0:33:30 | 0:33:33 | |
Come on. | 0:33:41 | 0:33:42 | |
-She's still bradycardic. -2mg more? | 0:33:44 | 0:33:46 | |
Wait a second. | 0:33:49 | 0:33:51 | |
OK. | 0:33:52 | 0:33:53 | |
Heart rate rising. | 0:34:00 | 0:34:02 | |
They've got some issues. | 0:34:06 | 0:34:09 | |
I'm thinking a pericardial patch closure. | 0:34:09 | 0:34:11 | |
Why not a device closure? | 0:34:11 | 0:34:13 | |
Cos the defect is too large and there's no rim on the lower aspect | 0:34:13 | 0:34:17 | |
for the device to land on, so a device closure would be unsafe. | 0:34:17 | 0:34:20 | |
Good. Prep for that. | 0:34:20 | 0:34:21 | |
Did I miss anything? | 0:34:23 | 0:34:24 | |
No. | 0:34:24 | 0:34:26 | |
Surgery coming up? | 0:34:26 | 0:34:27 | |
Yes, a pericardial patch closure. | 0:34:27 | 0:34:30 | |
And that is...? | 0:34:30 | 0:34:32 | |
You'll see. | 0:34:32 | 0:34:33 | |
Ah, suspense - I like it. | 0:34:33 | 0:34:37 | |
And you took the father aside to run him through it? | 0:34:37 | 0:34:39 | |
Yes, amongst other things. | 0:34:39 | 0:34:41 | |
It's a bit of a delicate personal situation. | 0:34:43 | 0:34:45 | |
I can't go into it, I'm sorry. | 0:34:45 | 0:34:47 | |
Not at all. | 0:34:47 | 0:34:48 | |
One of the more difficult parts of the job, I imagine. | 0:34:48 | 0:34:51 | |
What's that supposed to mean? | 0:34:53 | 0:34:55 | |
Just that the emotional side of things must be | 0:34:55 | 0:34:58 | |
rather confronting at times. | 0:34:58 | 0:34:59 | |
-For me in particular or...? -No, why would I...? | 0:34:59 | 0:35:02 | |
Because I'm bipolar. | 0:35:02 | 0:35:04 | |
Because I have trouble managing my emotions. Is that what you mean? | 0:35:04 | 0:35:07 | |
That's absolutely not what I mean. | 0:35:07 | 0:35:09 | |
As I said earlier, I'm proud of both you and Holby. | 0:35:11 | 0:35:14 | |
Keep doing what you're doing. | 0:35:16 | 0:35:17 | |
How much morphine did you give her? | 0:35:23 | 0:35:26 | |
10mg, exactly like you ordered. | 0:35:26 | 0:35:28 | |
Are you sure? | 0:35:28 | 0:35:29 | |
Yes. | 0:35:29 | 0:35:31 | |
It's just if I didn't know better, | 0:35:31 | 0:35:32 | |
I would say that she's had a double dose. | 0:35:32 | 0:35:35 | |
Maybe she has. | 0:35:35 | 0:35:37 | |
And you're sure you didn't make a mistake? | 0:35:37 | 0:35:39 | |
I'm just hungover, I'm not an idiot. | 0:35:39 | 0:35:42 | |
Think about it. | 0:35:44 | 0:35:45 | |
She comes in here, she keeps falling over at home. | 0:35:45 | 0:35:48 | |
We give her more morphine, then she passes out, then she can't hear me. | 0:35:48 | 0:35:52 | |
So you think there's something in her system already. | 0:35:52 | 0:35:56 | |
So you're saying she's an addict? | 0:35:56 | 0:35:58 | |
Well, I think she's definitely using, | 0:35:58 | 0:36:00 | |
and that explains why she keeps falling over a lot. | 0:36:00 | 0:36:03 | |
Because she's out of it. | 0:36:03 | 0:36:04 | |
Well, it's very lucky that you didn't accuse her son of anything. | 0:36:06 | 0:36:10 | |
Oh, you're kidding. | 0:36:11 | 0:36:13 | |
What was I meant to do? | 0:36:13 | 0:36:14 | |
Well, you could have just left it. | 0:36:14 | 0:36:16 | |
I'll fix it. | 0:36:18 | 0:36:19 | |
It's like fixing a bike puncture. | 0:36:19 | 0:36:21 | |
We take a piece of your pericardium and stitch it over the hole. | 0:36:21 | 0:36:26 | |
When's it happening? | 0:36:26 | 0:36:27 | |
We're just waiting on the blood banks for some of your blood type. | 0:36:27 | 0:36:30 | |
I thought it was coming from Dad. | 0:36:30 | 0:36:31 | |
He's not a match. | 0:36:31 | 0:36:33 | |
But he's my dad. | 0:36:33 | 0:36:34 | |
How can my dad not be a match? | 0:36:34 | 0:36:36 | |
It's never 100%. | 0:36:36 | 0:36:37 | |
-Sorry, love. -It's OK. | 0:36:39 | 0:36:41 | |
This is morphine. | 0:37:07 | 0:37:09 | |
It's an opioid, one of the stronger ones around. | 0:37:09 | 0:37:12 | |
You might have seen Tramadol and Diazepam. | 0:37:14 | 0:37:18 | |
Now if you take too many of them or take them for too long, | 0:37:18 | 0:37:21 | |
it can cause grogginess, loss of co-ordination, loss of appetite. | 0:37:21 | 0:37:26 | |
How long has this been going on, Parker? | 0:37:30 | 0:37:33 | |
She's trying to stop. | 0:37:33 | 0:37:35 | |
How long? | 0:37:35 | 0:37:37 | |
Since the accident. | 0:37:37 | 0:37:38 | |
What accident? | 0:37:39 | 0:37:40 | |
She started acting weird. | 0:37:42 | 0:37:44 | |
Slept a lot. | 0:37:44 | 0:37:46 | |
She was out of it most of the time. | 0:37:46 | 0:37:48 | |
Fell over. | 0:37:49 | 0:37:51 | |
Stopped cooking. | 0:37:51 | 0:37:52 | |
This is why you didn't want her to have the money - | 0:37:52 | 0:37:54 | |
it just disappears. | 0:37:54 | 0:37:55 | |
Why didn't you tell someone? | 0:37:58 | 0:37:59 | |
Who am I going to tell? | 0:37:59 | 0:38:00 | |
-Me. -You thought I was beating her up. | 0:38:00 | 0:38:03 | |
She can do it. | 0:38:05 | 0:38:06 | |
Not on her own. | 0:38:08 | 0:38:09 | |
How do you know? | 0:38:09 | 0:38:10 | |
I just know. Trust me. | 0:38:12 | 0:38:15 | |
I know. | 0:38:15 | 0:38:17 | |
Right. | 0:38:20 | 0:38:21 | |
You can talk to me, | 0:38:21 | 0:38:23 | |
any time... | 0:38:23 | 0:38:25 | |
..and I will try to help. | 0:38:26 | 0:38:28 | |
Thanks, but... | 0:38:32 | 0:38:33 | |
..I don't need your help. | 0:38:35 | 0:38:37 | |
Ms Naylor. | 0:38:46 | 0:38:47 | |
It's about Zosia. | 0:38:47 | 0:38:49 | |
Dr March. | 0:38:49 | 0:38:51 | |
Of course, yes, Dr March. | 0:38:51 | 0:38:52 | |
I've been made aware of her situation. | 0:38:54 | 0:38:57 | |
Nothing underhand, just doing my due diligence. | 0:38:57 | 0:39:01 | |
Is it something I should be concerned about? | 0:39:01 | 0:39:03 | |
I don't understand. | 0:39:03 | 0:39:04 | |
Her condition. | 0:39:04 | 0:39:06 | |
By condition you mean the mental illness that is treated, | 0:39:06 | 0:39:09 | |
medicated and completely under control. | 0:39:09 | 0:39:11 | |
Well, is that how these things work? I don't know. | 0:39:11 | 0:39:15 | |
I had a headache this morning. | 0:39:15 | 0:39:16 | |
I took two paracetamol and now I'm fine. | 0:39:16 | 0:39:18 | |
Are you concerned about me? | 0:39:18 | 0:39:19 | |
I'm not sure it's quite the same thing. | 0:39:19 | 0:39:21 | |
It's exactly the same thing. | 0:39:21 | 0:39:23 | |
She has bipolar, she treats it, she comes to work. | 0:39:24 | 0:39:27 | |
I know there have been PR issues for the hospital in the past. | 0:39:27 | 0:39:31 | |
I would like to avoid a repeat of that if I could. | 0:39:31 | 0:39:34 | |
You don't have to worry about my team. | 0:39:34 | 0:39:37 | |
Good. | 0:39:37 | 0:39:38 | |
Thank you. | 0:39:39 | 0:39:40 | |
Not as far as I could throw him. | 0:39:44 | 0:39:47 | |
Look at you. | 0:39:49 | 0:39:51 | |
Not bad, eh? How was the op? | 0:39:51 | 0:39:54 | |
Amazing. | 0:39:54 | 0:39:56 | |
Watching Ms Campbell do something that innovative, you know. | 0:39:56 | 0:40:00 | |
Just being part of it, it was incredible. | 0:40:00 | 0:40:02 | |
Well, you might want to keep that down a little bit around Aiden. | 0:40:02 | 0:40:07 | |
What about Aiden? | 0:40:07 | 0:40:09 | |
The abdo CT, it showed a growth. | 0:40:09 | 0:40:11 | |
Suki, have you got Aiden's scan? | 0:40:11 | 0:40:13 | |
What sort of a growth? | 0:40:13 | 0:40:15 | |
Well, we've got to send it off, | 0:40:15 | 0:40:16 | |
and who knows what it'll come back with, but from what it looks like... | 0:40:16 | 0:40:20 | |
Cancer. | 0:40:22 | 0:40:23 | |
They reckon it's T4 bowel cancer, | 0:40:23 | 0:40:26 | |
invading the bladder and the small bowel too. | 0:40:26 | 0:40:29 | |
I mean, it could be diverticular disease though, couldn't it? | 0:40:29 | 0:40:33 | |
You're asking the wrong fella. | 0:40:33 | 0:40:34 | |
Who told him? | 0:40:34 | 0:40:36 | |
-Doomsday. -Oh, no. | 0:40:36 | 0:40:38 | |
Why did you let him? | 0:40:38 | 0:40:40 | |
It wasn't up to me. Anyway, there wasn't anyone else about. | 0:40:40 | 0:40:43 | |
My cab's here. | 0:40:44 | 0:40:46 | |
Well done for getting him the scan. | 0:40:50 | 0:40:52 | |
Good call. | 0:40:52 | 0:40:53 | |
Thanks. | 0:40:53 | 0:40:55 | |
Caitlin, we're ready for you. | 0:41:02 | 0:41:05 | |
-Is that a problem? -Just on a bit of a roll. | 0:41:05 | 0:41:07 | |
She has just had a brilliant idea. Have a look at this. | 0:41:07 | 0:41:09 | |
-I'm sorry, we have to... -Can Dad come in with me? | 0:41:09 | 0:41:12 | |
No. | 0:41:13 | 0:41:15 | |
Please. I want him in there. | 0:41:15 | 0:41:17 | |
No, I'm sorry. | 0:41:17 | 0:41:19 | |
I'll just sit in the corner. | 0:41:19 | 0:41:20 | |
You really can't, I'm afraid. | 0:41:20 | 0:41:21 | |
But you must have observers in there all the time. | 0:41:21 | 0:41:24 | |
-That's different. -It's fine, Dad. | 0:41:24 | 0:41:26 | |
No, hang on. How is it different? | 0:41:26 | 0:41:28 | |
-Is that board member bloke going to be in there? -Yes, but... | 0:41:28 | 0:41:31 | |
So why can't I be in there as well? | 0:41:31 | 0:41:32 | |
I've got a right to be there, I'm family. | 0:41:32 | 0:41:34 | |
Because there's a protocol about who's in the room. | 0:41:34 | 0:41:36 | |
Surgeons, anaesthetist, perfusionist, scrub nurses. | 0:41:36 | 0:41:39 | |
Occasionally observers, like Mr Wood, but never family, | 0:41:39 | 0:41:41 | |
whether they're genetic or not, it doesn't matter - | 0:41:41 | 0:41:43 | |
you can't be in there. | 0:41:43 | 0:41:45 | |
What did she say about genetic? | 0:41:50 | 0:41:51 | |
-I'm so sorry. -Caitlin. | 0:41:51 | 0:41:53 | |
What does she...? Dad, what does she mean? | 0:41:53 | 0:41:56 | |
-What's happening to her? -Excuse me. She's hypotensive. | 0:41:56 | 0:41:59 | |
Get some oxygen and we'll get her into theatre quickly. | 0:41:59 | 0:42:03 | |
I've drained Mrs Whitfield's abscess. | 0:42:12 | 0:42:15 | |
She'll be back on the ward in a bit. | 0:42:15 | 0:42:17 | |
He's 14, Sacha. | 0:42:17 | 0:42:19 | |
He has to pinch money off his mum to eat. | 0:42:20 | 0:42:22 | |
Poor kid. | 0:42:24 | 0:42:26 | |
All he needs is a mother. | 0:42:26 | 0:42:28 | |
Have you looked at any alternatives? | 0:42:34 | 0:42:36 | |
I don't want to talk about it. | 0:42:36 | 0:42:38 | |
Adoption. | 0:42:38 | 0:42:39 | |
-Fostering. -I said I don't want to talk about it. | 0:42:39 | 0:42:41 | |
I'm sick of talking about it. | 0:42:41 | 0:42:44 | |
I just want to do something for Parker. | 0:42:44 | 0:42:47 | |
OK, I'll come back. | 0:42:50 | 0:42:52 | |
No, don't. You just reminded me of something. | 0:42:52 | 0:42:54 | |
What are you doing? | 0:42:58 | 0:43:00 | |
I'm doing something. | 0:43:00 | 0:43:02 | |
Yeah, with my lunches. | 0:43:02 | 0:43:03 | |
You're a grown man with a good job and the means to buy yourself | 0:43:03 | 0:43:07 | |
lunch every day. | 0:43:07 | 0:43:08 | |
Thank you. | 0:43:08 | 0:43:09 | |
That's my moussaka. | 0:43:13 | 0:43:15 | |
No way. Absolutely not. | 0:43:18 | 0:43:20 | |
She's my patient. | 0:43:20 | 0:43:21 | |
-I don't care, you're not going in there. -Why not? | 0:43:21 | 0:43:24 | |
Is that a serious question? | 0:43:24 | 0:43:26 | |
I don't see how anything I've done today affects my ability to operate. | 0:43:26 | 0:43:29 | |
OK, so I didn't manage that very well. | 0:43:29 | 0:43:31 | |
Fine, we can talk about that later. | 0:43:31 | 0:43:33 | |
But the important thing right now is not their feelings, but that | 0:43:33 | 0:43:36 | |
we do a brilliant job on this procedure and we keep our theatre. | 0:43:36 | 0:43:38 | |
We need to focus on that. | 0:43:38 | 0:43:40 | |
Don't touch anything unless I say so. | 0:43:41 | 0:43:43 | |
This will keep you going for a while. | 0:43:53 | 0:43:56 | |
I'm sorry I didn't listen to you. | 0:44:00 | 0:44:02 | |
OK, cutting the pericardium. | 0:44:11 | 0:44:12 | |
-Do you want me to...? -No. | 0:44:12 | 0:44:14 | |
I can do it. | 0:44:14 | 0:44:16 | |
Dr March, I suggest you stay quiet. | 0:44:16 | 0:44:18 | |
Pericardium is open. | 0:44:23 | 0:44:25 | |
Heparin, please. | 0:44:25 | 0:44:26 | |
Purse strings. | 0:44:27 | 0:44:28 | |
OK. | 0:44:31 | 0:44:32 | |
I am putting a purse string around the aorta. | 0:44:32 | 0:44:36 | |
Can I have a purse string for the right atrium, please? | 0:44:36 | 0:44:38 | |
Do not give that to her! | 0:44:38 | 0:44:39 | |
Hi. | 0:44:47 | 0:44:48 | |
You heard? | 0:44:52 | 0:44:53 | |
I'm so sorry I wasn't here. | 0:44:53 | 0:44:55 | |
Don't be silly, you've got a job to do. | 0:44:55 | 0:44:57 | |
How was your thing? | 0:45:02 | 0:45:04 | |
Oh, I was practically a tea lady in there. | 0:45:04 | 0:45:08 | |
Anyone could have done it. | 0:45:08 | 0:45:09 | |
I only put my hand up because I wanted to get away. | 0:45:11 | 0:45:15 | |
From me? | 0:45:15 | 0:45:17 | |
Yeah, but not like that. | 0:45:17 | 0:45:18 | |
I'm sorry about the ping pong, | 0:45:19 | 0:45:21 | |
it was out of line. | 0:45:21 | 0:45:22 | |
To even think about a date - I mean, you're my doctor. | 0:45:24 | 0:45:28 | |
It wasn't like that. | 0:45:29 | 0:45:31 | |
My husband died... | 0:45:37 | 0:45:38 | |
..not long ago. | 0:45:41 | 0:45:42 | |
I'm so sorry. | 0:45:46 | 0:45:47 | |
What was his name? | 0:45:52 | 0:45:54 | |
Arthur. | 0:45:55 | 0:45:57 | |
And since... | 0:45:59 | 0:46:02 | |
..I haven't... | 0:46:05 | 0:46:06 | |
I mean, even the thought of going on a date... | 0:46:07 | 0:46:11 | |
I get it. I get it. | 0:46:11 | 0:46:12 | |
And I just feel bad, you know, like I led you to that. | 0:46:15 | 0:46:19 | |
Don't feel bad. | 0:46:19 | 0:46:20 | |
It was brilliant. | 0:46:21 | 0:46:22 | |
You're still a very good performer in that regard. | 0:46:24 | 0:46:27 | |
Probably better you weren't here actually. | 0:46:29 | 0:46:32 | |
-Really? -Yeah. I mean if you were, you know... | 0:46:32 | 0:46:35 | |
If you were to see me get the results... | 0:46:35 | 0:46:37 | |
I would have been a pity date. | 0:46:38 | 0:46:40 | |
You know what I mean? | 0:46:41 | 0:46:43 | |
Yeah, I do, I do. I know what you mean, actually. | 0:46:43 | 0:46:47 | |
No-one wants a pity date. | 0:46:47 | 0:46:48 | |
True. | 0:46:48 | 0:46:50 | |
Can I ask you something? | 0:46:52 | 0:46:53 | |
Of course. | 0:46:53 | 0:46:54 | |
I know the other doctor said we should wait | 0:46:56 | 0:46:58 | |
for the biopsy results, but you've seen the scan, right? | 0:46:58 | 0:47:01 | |
How bad is it? | 0:47:04 | 0:47:05 | |
It would have been better if we'd caught it earlier. | 0:47:07 | 0:47:10 | |
Right. | 0:47:10 | 0:47:11 | |
Better get that pity date in then. | 0:47:18 | 0:47:20 | |
I've removed a small piece of the pericardium, | 0:47:26 | 0:47:28 | |
we'll be using it to patch the hole. | 0:47:28 | 0:47:30 | |
If we stitch it here, it'll be a lot quicker. We'll get you out of here in no time. | 0:47:30 | 0:47:35 | |
Dr March, what are you doing? | 0:47:41 | 0:47:43 | |
Stitching the hole together. | 0:47:43 | 0:47:45 | |
From the wrong side of the table? | 0:47:45 | 0:47:46 | |
Yes, I can do it. | 0:47:46 | 0:47:47 | |
I'm trimming a piece of pericardium to patch it like we planned. | 0:47:47 | 0:47:50 | |
No, no, no, this is much better. | 0:47:50 | 0:47:52 | |
Stitching the defect together is a lot quicker and the less time | 0:47:52 | 0:47:54 | |
the aorta is cross-clamped, the less chance of mortality. | 0:47:54 | 0:47:56 | |
You know as well as I do that by stitching it | 0:47:56 | 0:47:58 | |
makes her more prone to arrhythmia. | 0:47:58 | 0:48:00 | |
No, no, this'll work. | 0:48:00 | 0:48:01 | |
It's not what we agreed. | 0:48:01 | 0:48:02 | |
It doesn't matter what we agreed, this is my patient | 0:48:02 | 0:48:05 | |
and this is a far better way of doing it. | 0:48:05 | 0:48:08 | |
I think you should scrub out. | 0:48:08 | 0:48:09 | |
It's OK, I promise. | 0:48:09 | 0:48:10 | |
No, I don't think it is. | 0:48:10 | 0:48:11 | |
This is faster and it's safer. She's 16, she can't be on bypass forever. | 0:48:11 | 0:48:15 | |
-Dr March. -Shut up. -Stop, please. | 0:48:15 | 0:48:18 | |
Shut up, shut up, shut up! Just leave me alone to do it, it will work. | 0:48:18 | 0:48:20 | |
Take your hands out of the patient. | 0:48:20 | 0:48:22 | |
No, I have to do it. | 0:48:22 | 0:48:24 | |
Everything depends on it. | 0:48:24 | 0:48:25 | |
It's like what we said, we have to be brilliant. We have to be brilliant! | 0:48:25 | 0:48:28 | |
Dr March. | 0:48:28 | 0:48:29 | |
Scissors, please. Let's take these stitches out. | 0:48:43 | 0:48:46 | |
BUZZING | 0:48:51 | 0:48:53 | |
Hey, how'd it go? | 0:49:01 | 0:49:02 | |
-Fine. Where is she? -Who? -Zosia. | 0:49:02 | 0:49:05 | |
I thought she was assisting you in theatre. | 0:49:05 | 0:49:06 | |
Yeah, I had to throw her out. | 0:49:06 | 0:49:07 | |
-Why? -She started stitching for a device closure when I was | 0:49:07 | 0:49:10 | |
literally holding a piece of pericardium to patch it. | 0:49:10 | 0:49:12 | |
She'd never make that mistake. | 0:49:12 | 0:49:14 | |
-No, she wouldn't. -You think...? | 0:49:14 | 0:49:16 | |
She was absolutely brilliant in surgery this morning. | 0:49:16 | 0:49:18 | |
-Hyper-focus. -How did I not see it? | 0:49:18 | 0:49:20 | |
She's very good at hiding it. | 0:49:20 | 0:49:22 | |
And now I have no idea where she's gone. | 0:49:22 | 0:49:25 | |
I have to do a post-op on Caitlin. Can you try and find her? | 0:49:25 | 0:49:29 | |
-Any nausea? -No. | 0:49:29 | 0:49:30 | |
And you're comfortable enough? | 0:49:30 | 0:49:32 | |
Bit of pain. | 0:49:32 | 0:49:34 | |
We need to have a conversation about that, Kim. | 0:49:37 | 0:49:39 | |
When you came in today, was there any medication in your system? | 0:49:39 | 0:49:43 | |
No, why would I? | 0:49:45 | 0:49:46 | |
It's just that your symptoms are consistent with a morphine overdose. | 0:49:46 | 0:49:50 | |
I'm trying to stop. | 0:49:57 | 0:49:59 | |
I know how hard that must be. | 0:49:59 | 0:50:01 | |
But you led me to believe that Parker assaulted you. | 0:50:03 | 0:50:06 | |
I never said that. | 0:50:06 | 0:50:07 | |
But you let me think it. | 0:50:07 | 0:50:09 | |
What I do with my son is my business. | 0:50:09 | 0:50:11 | |
Not if we think you're not coping. | 0:50:11 | 0:50:13 | |
I'm going to have to call Social Services. | 0:50:17 | 0:50:19 | |
No, please don't. | 0:50:23 | 0:50:24 | |
They'll take him away. | 0:50:24 | 0:50:26 | |
I'm a single mother. I can't lose him, please. | 0:50:27 | 0:50:31 | |
I know I should have told you about the pills, I'm not stupid. | 0:50:31 | 0:50:34 | |
I know I have to get off them but I'm trying, I promise you, | 0:50:34 | 0:50:38 | |
I'm trying. | 0:50:38 | 0:50:40 | |
I can be a mum to him. I can do this properly. | 0:50:40 | 0:50:42 | |
Please, just give me a chance. Please! | 0:50:42 | 0:50:44 | |
Hi, darling. | 0:50:50 | 0:50:52 | |
Are you OK? | 0:50:54 | 0:50:55 | |
I am, yes. | 0:50:55 | 0:50:56 | |
Good as new. | 0:50:57 | 0:50:59 | |
Hey, Parker. | 0:51:00 | 0:51:01 | |
Surgery went very well and she can go home very soon. | 0:51:01 | 0:51:05 | |
Isn't that good? | 0:51:07 | 0:51:09 | |
We'll leave you to it. | 0:51:11 | 0:51:13 | |
So we're expecting a normal recovery. | 0:51:20 | 0:51:23 | |
Thank you. | 0:51:23 | 0:51:25 | |
I want to offer my sincere apologies for Dr March's behaviour earlier on. | 0:51:25 | 0:51:29 | |
You told us something in confidence, and we betrayed that confidence. | 0:51:29 | 0:51:32 | |
It's unacceptable. | 0:51:32 | 0:51:34 | |
Where is she? | 0:51:34 | 0:51:35 | |
She's been taken ill. | 0:51:36 | 0:51:38 | |
I want her to apologise. | 0:51:38 | 0:51:40 | |
Well, again, we are very sorry. | 0:51:40 | 0:51:42 | |
I want Dr March to say it. | 0:51:42 | 0:51:44 | |
Dad, it doesn't matter, she doesn't have to do that. | 0:51:44 | 0:51:46 | |
Caitlin, let me handle this. They had no right. | 0:51:46 | 0:51:49 | |
It's fine, Dad. | 0:51:49 | 0:51:50 | |
You think I hadn't wondered about it? | 0:51:58 | 0:52:00 | |
What? | 0:52:00 | 0:52:01 | |
When you and Mum got together. | 0:52:01 | 0:52:04 | |
I knew you were abroad beforehand. | 0:52:04 | 0:52:06 | |
Yeah, but... | 0:52:06 | 0:52:07 | |
So I guess it was always there. | 0:52:10 | 0:52:11 | |
I tried not to think about it too much. | 0:52:13 | 0:52:15 | |
Why didn't you ever say anything? | 0:52:18 | 0:52:20 | |
Because it doesn't matter. | 0:52:20 | 0:52:22 | |
It doesn't matter. | 0:52:25 | 0:52:26 | |
Sacha. | 0:52:40 | 0:52:42 | |
Where have they gone? | 0:52:42 | 0:52:43 | |
I don't know. | 0:52:43 | 0:52:45 | |
Is there an address? | 0:52:45 | 0:52:47 | |
BS54. Does that even exist? | 0:52:47 | 0:52:50 | |
No, it's fake. | 0:52:51 | 0:52:53 | |
Well, they're on their own. | 0:52:54 | 0:52:57 | |
Yeah. | 0:52:57 | 0:52:59 | |
No wonder they left. | 0:52:59 | 0:53:00 | |
I accused him of abusing her. | 0:53:01 | 0:53:04 | |
I let my feelings get in the way. | 0:53:04 | 0:53:07 | |
I couldn't have played it worse. | 0:53:07 | 0:53:08 | |
Poor Parker. | 0:53:10 | 0:53:11 | |
I misread him completely. | 0:53:14 | 0:53:16 | |
Well, it's a good job I'm not going to be a mum, isn't it? Because I'm not a natural. | 0:53:17 | 0:53:20 | |
Don't say that. Don't ever say that. | 0:53:20 | 0:53:23 | |
Look at the way I handled it. | 0:53:25 | 0:53:27 | |
PHONE BEEPS | 0:53:29 | 0:53:30 | |
What is it? | 0:53:36 | 0:53:37 | |
"Sorry we had to go. | 0:53:39 | 0:53:40 | |
"Your kids are lucky to have you. | 0:53:41 | 0:53:44 | |
"PS, work on your stamina. | 0:53:44 | 0:53:47 | |
"Parker." | 0:53:49 | 0:53:50 | |
Well, you see, somebody already thinks you're a mother. | 0:53:54 | 0:53:57 | |
Anything? | 0:54:05 | 0:54:06 | |
Mobile keeps going straight to voicemail. | 0:54:06 | 0:54:08 | |
There's no answer on the landline. | 0:54:08 | 0:54:10 | |
So she's either not home or she's ignoring it. | 0:54:10 | 0:54:12 | |
Did you get hold of her psych? | 0:54:12 | 0:54:13 | |
He couldn't tell us anything, but between the lines, | 0:54:13 | 0:54:15 | |
she not been in touch. | 0:54:15 | 0:54:16 | |
So where the hell is she? | 0:54:16 | 0:54:18 | |
Thanks for joining me. | 0:54:22 | 0:54:24 | |
Quite a day, Dr March. | 0:54:27 | 0:54:29 | |
Impressed? | 0:54:29 | 0:54:31 | |
More concerned. | 0:54:31 | 0:54:32 | |
Didn't you find it exciting? | 0:54:32 | 0:54:34 | |
I'm not sure that's the word I'd use. | 0:54:34 | 0:54:36 | |
We saved a young girl's life today. | 0:54:36 | 0:54:38 | |
Without us, she would have been dead in a few years. | 0:54:38 | 0:54:41 | |
Can you get your head around that? | 0:54:41 | 0:54:43 | |
All that power, in our hands, every single day. | 0:54:44 | 0:54:47 | |
That's why we have to keep our theatre. | 0:54:48 | 0:54:50 | |
We'll see. | 0:54:53 | 0:54:54 | |
You know, I did make a mistake today. | 0:54:57 | 0:54:59 | |
Those brown shoes are very sexy. | 0:55:02 | 0:55:05 | |
What's this? | 0:55:13 | 0:55:15 | |
Where did you get this? | 0:55:23 | 0:55:24 | |
The gift shop has all kinds of tat. | 0:55:24 | 0:55:26 | |
Tat? This is the game they play in heaven. | 0:55:26 | 0:55:30 | |
Are you ready? | 0:55:30 | 0:55:32 | |
Ready. | 0:55:32 | 0:55:33 | |
See? | 0:55:36 | 0:55:37 | |
OK, start again. | 0:55:37 | 0:55:39 | |
Hi, I was just wondering if you could help me. | 0:55:39 | 0:55:44 | |
I'd like to enquire about becoming a foster parent. | 0:55:45 | 0:55:49 | |
Whoa, careful there. | 0:55:53 | 0:55:56 | |
Zosia. | 0:55:59 | 0:56:01 | |
I think you'd better go home. | 0:56:03 | 0:56:05 | |
Thank goodness you're here. | 0:56:07 | 0:56:08 | |
Get in. | 0:56:10 | 0:56:12 | |
Get in! | 0:56:12 | 0:56:13 | |
She's had a bit too much. | 0:56:16 | 0:56:18 | |
I was just making sure she got home safely. | 0:56:18 | 0:56:22 | |
You're a liar. | 0:56:22 | 0:56:24 | |
I'm sorry? | 0:56:24 | 0:56:25 | |
What did you just do? | 0:56:34 | 0:56:36 | |
Nothing. | 0:56:36 | 0:56:38 | |
I was getting the theatre. | 0:56:38 | 0:56:40 | |
We're going to keep the theatre. | 0:56:40 | 0:56:43 | |
Zosia, are you OK? | 0:56:43 | 0:56:44 | |
Yes. | 0:56:44 | 0:56:46 | |
Are you OK? | 0:56:47 | 0:56:48 | |
Yes, I just told you. | 0:56:48 | 0:56:50 | |
Look at me. | 0:56:50 | 0:56:51 | |
Look at me. | 0:56:53 | 0:56:54 | |
No. | 0:57:01 | 0:57:02 | |
I'm not OK. | 0:57:03 | 0:57:05 | |
I'm really not. | 0:57:05 | 0:57:06 | |
It's OK. It's all right. | 0:57:09 | 0:57:12 | |
It's going to be all right, I promise. | 0:57:12 | 0:57:15 |