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-Artie! -Hello, my friend. -He left you his winnings, Fletch. | 0:00:02 | 0:00:04 | |
It's a lot of money. | 0:00:04 | 0:00:05 | |
-I'm not embarrassed to show you how I feel. -No, I see that. | 0:00:05 | 0:00:07 | |
What you do about it is out of my... | 0:00:07 | 0:00:10 | |
It just goes to show that some people aren't always what they seem. | 0:00:10 | 0:00:12 | |
And you'd know all about that, wouldn't you? | 0:00:12 | 0:00:14 | |
Chernik? Artem Chernik's daughter? | 0:00:14 | 0:00:16 | |
She's the heartless cow that wouldn't | 0:00:16 | 0:00:17 | |
come and see her dad on his deathbed. | 0:00:17 | 0:00:19 | |
Hey. | 0:00:19 | 0:00:20 | |
I don't need help and there is nothing wrong. | 0:00:22 | 0:00:25 | |
-Isaac and I are fine. -I wish I could believe that. | 0:00:25 | 0:00:29 | |
I love you, Dom. | 0:00:29 | 0:00:30 | |
No, you don't. | 0:00:32 | 0:00:33 | |
The car-boot sale's that way. | 0:01:20 | 0:01:22 | |
Oh...they're photo booth props. | 0:01:22 | 0:01:24 | |
And why exactly do we need these in a hospital? | 0:01:24 | 0:01:26 | |
I'm helping at the event at Albie's. Hashtag "show us your Holby selfie". | 0:01:26 | 0:01:30 | |
Never heard of it. | 0:01:30 | 0:01:31 | |
It's a fundraiser for new equipment across the whole hospital. | 0:01:31 | 0:01:34 | |
You're more than welcome to come along. | 0:01:34 | 0:01:36 | |
Oh, no, no, no. I have plans. | 0:01:36 | 0:01:38 | |
Oh, you washing McHottie's hair, are you? | 0:01:38 | 0:01:40 | |
You could always bring him. | 0:01:40 | 0:01:41 | |
And have the whole hospital speculate on my relationship status? | 0:01:41 | 0:01:44 | |
I don't think so. | 0:01:44 | 0:01:46 | |
Oh, another cosy night in then. | 0:01:46 | 0:01:48 | |
You'll be snuggled up in his and hers onesies before you know it. | 0:01:48 | 0:01:51 | |
If I ever own a onesie, | 0:01:51 | 0:01:53 | |
you have permission to put me out of my misery. | 0:01:53 | 0:01:55 | |
You're not objecting to the snuggling though. | 0:01:55 | 0:01:57 | |
Oh, you're coming tonight, aren't you? | 0:01:57 | 0:01:59 | |
Yeah, why not? And this... | 0:01:59 | 0:02:01 | |
this year I can afford to pay for a round. | 0:02:01 | 0:02:03 | |
OK, I think that's it. I's dotted. T's crossed. | 0:02:06 | 0:02:10 | |
"Chest Wall Trauma: Coordinating management of rib fractures | 0:02:11 | 0:02:15 | |
"and other injuries during trauma response". Nice font. | 0:02:15 | 0:02:19 | |
-You think it's a terrible idea. -I think it is a brilliant idea. | 0:02:19 | 0:02:23 | |
Jac can't fail to be impressed by how much work you've put in. | 0:02:23 | 0:02:25 | |
Just one more read-through... | 0:02:25 | 0:02:27 | |
Don't, leave it. Pitch it before you lose your nerve. | 0:02:27 | 0:02:31 | |
Matteo's coming back from Easter break today, | 0:02:31 | 0:02:33 | |
so, you never know, Jac might even be in a good mood. | 0:02:33 | 0:02:36 | |
And afterwards, we can celebrate. | 0:02:36 | 0:02:38 | |
My eyes are on the prize. | 0:02:38 | 0:02:41 | |
-OK, just quickly. -OK. That's all right. Here. | 0:02:41 | 0:02:44 | |
-Right. -OK? -Now. -Smile. -Do it. | 0:02:47 | 0:02:49 | |
OK, no, a bit higher. | 0:02:49 | 0:02:50 | |
It's accentuating your jowls. Put your chin down. | 0:02:50 | 0:02:52 | |
-I haven't got any...jowls. -Just put it down. Smile? | 0:02:52 | 0:02:55 | |
You didn't think those boyish good looks would last forever, | 0:02:55 | 0:02:58 | |
-did you, Valentine? -Jac. | 0:02:58 | 0:02:59 | |
-Busy, I see. -Yes, actually I'm working on... | 0:02:59 | 0:03:01 | |
This is a place of work. | 0:03:01 | 0:03:03 | |
I just knew it was too much to expect her to... | 0:03:07 | 0:03:09 | |
be in a...good mood. | 0:03:09 | 0:03:11 | |
-Very fetching. -Well, I thought I need to | 0:03:17 | 0:03:19 | |
look the part now I'm moving up in the world. | 0:03:19 | 0:03:20 | |
So it went well then? With the mortgage advisor. | 0:03:20 | 0:03:23 | |
Yeah, full steam ahead. | 0:03:23 | 0:03:24 | |
Looks like the Milky Bars are on me for once. Albie's tonight? | 0:03:24 | 0:03:27 | |
-Look, I'm really pleased for you, mate... -But? | 0:03:27 | 0:03:30 | |
Don't you think you're getting a bit ahead of yourself? | 0:03:30 | 0:03:32 | |
Here we go. | 0:03:32 | 0:03:33 | |
Artem's daughter, from what you said, it sounded like she was | 0:03:33 | 0:03:36 | |
dead-set on going after that money that he left you. | 0:03:36 | 0:03:38 | |
Do you know what, that's nothing but hot air. | 0:03:38 | 0:03:40 | |
I haven't seen sight nor sound of her | 0:03:40 | 0:03:43 | |
since she turned up here last week so... | 0:03:43 | 0:03:46 | |
You were saying? | 0:03:46 | 0:03:47 | |
I just want to put all of this behind me | 0:03:48 | 0:03:51 | |
and sign my statement for the police and move on. | 0:03:51 | 0:03:55 | |
Your ribs need time to heal, | 0:03:57 | 0:03:59 | |
and your haematoma needs to be reabsorbed. | 0:03:59 | 0:04:02 | |
I feel fine. I've had worse hangovers. | 0:04:02 | 0:04:05 | |
You feel fine because you're on morphine. | 0:04:05 | 0:04:08 | |
-You're going to be OK? -Yeah. -Good man. | 0:04:12 | 0:04:16 | |
Mint Imperial? | 0:04:22 | 0:04:24 | |
You look like you need one. | 0:04:24 | 0:04:26 | |
Well, did you miss me? | 0:04:29 | 0:04:31 | |
It's been three days. | 0:04:31 | 0:04:33 | |
Three days of boredom, loneliness, pining. | 0:04:33 | 0:04:36 | |
I managed to distract myself with the odd surgery. | 0:04:36 | 0:04:39 | |
But no passion. No moonlight. Nothing to make your heart race. | 0:04:39 | 0:04:42 | |
Oh, nothing makes my heart race like open-heart surgery - | 0:04:42 | 0:04:45 | |
I thought you knew that. | 0:04:45 | 0:04:47 | |
-That is exactly why you need a holiday. -A what? | 0:04:47 | 0:04:50 | |
While I was away, I missed you. | 0:04:50 | 0:04:51 | |
It made me realise what I really want is to be with you. | 0:04:51 | 0:04:54 | |
Oh, and here we are. Dreams can come true. | 0:04:54 | 0:04:56 | |
Not here. I have a few days off at the end of the week. | 0:04:56 | 0:04:59 | |
I saw in the diary that you do too. | 0:04:59 | 0:05:01 | |
Let me take you out tonight, we can discuss our fantasy destinations. | 0:05:01 | 0:05:05 | |
My fantasy destination is already booked for those dates, thank you. | 0:05:05 | 0:05:08 | |
Tutto solo? | 0:05:08 | 0:05:09 | |
I'm going to the Thoracic Surgery Conference in Copenhagen. | 0:05:09 | 0:05:13 | |
Ah, there we go. My heart is racing already. | 0:05:13 | 0:05:15 | |
Should I be worried? | 0:05:15 | 0:05:16 | |
Hardly. He's in for a tricuspid repair. | 0:05:16 | 0:05:18 | |
But in a couple of hours, that man's heart will be in my hand, | 0:05:18 | 0:05:21 | |
what could be more thrilling than that? | 0:05:21 | 0:05:23 | |
I'm sure I can think of something. At least think about it. | 0:05:23 | 0:05:27 | |
And while you do, here, an Easter gift. | 0:05:28 | 0:05:31 | |
I haven't been into the Easter Bunny since I experienced | 0:05:33 | 0:05:36 | |
myxomatosis up close. | 0:05:36 | 0:05:38 | |
Shame, you'd make an adorable bunny girl. | 0:05:38 | 0:05:41 | |
You might even find a treat in the basket. | 0:05:42 | 0:05:44 | |
One for you. | 0:05:55 | 0:05:57 | |
New girl. Thought I'd better get me feet under the table. | 0:05:57 | 0:06:00 | |
Aw, thank you. That's really sweet of you. Cheers. | 0:06:00 | 0:06:04 | |
And, of course, Nurse Fletcher. | 0:06:04 | 0:06:06 | |
I wouldn't want to miss you out, would I? | 0:06:06 | 0:06:08 | |
You can add it to what you owe me. | 0:06:09 | 0:06:11 | |
-You're not serious? -Deadly. | 0:06:12 | 0:06:14 | |
You're going to be seeing a lot more of me around here until I get | 0:06:14 | 0:06:17 | |
what's rightfully mine. Enjoy your drinks. | 0:06:17 | 0:06:21 | |
Well, at least it's good coffee. | 0:06:23 | 0:06:26 | |
Sorry. | 0:06:26 | 0:06:27 | |
I'm not going to take it, I'm going to talk to Bernie. | 0:06:27 | 0:06:29 | |
What, and say what? You're the one | 0:06:29 | 0:06:31 | |
who recommended her in the first place. | 0:06:31 | 0:06:33 | |
Yeah, but I didn't know who she was then, did I? | 0:06:33 | 0:06:35 | |
Look, she hasn't done proper nursing in years. | 0:06:35 | 0:06:37 | |
She probably doesn't know her appendix from her elbow. | 0:06:37 | 0:06:39 | |
So she's going to slip up and when she does - bang - off the ward. | 0:06:39 | 0:06:42 | |
Oh, Fletch, I've been meaning to say thank you for recommending | 0:06:42 | 0:06:45 | |
Nurse Somers. She's an absolute marvel. | 0:06:45 | 0:06:48 | |
Well, a couple of caramel lattes doesn't make her | 0:06:48 | 0:06:50 | |
a great nurse though, does it? | 0:06:50 | 0:06:52 | |
No, but she's already got the obs | 0:06:52 | 0:06:53 | |
and admissions statements up to date. | 0:06:53 | 0:06:55 | |
Most agency nurses don't even know where the bedpans are. | 0:06:55 | 0:06:58 | |
Oh, it's not a problem for you, is it, her being here? | 0:06:58 | 0:07:01 | |
No. Professional to the core. You know me, Major. | 0:07:01 | 0:07:05 | |
VOMITING | 0:07:05 | 0:07:07 | |
If she thinks she can get to me on me own turf, | 0:07:07 | 0:07:10 | |
she's got another think coming. | 0:07:10 | 0:07:13 | |
Nurse Somers, when you've got a minute... | 0:07:13 | 0:07:15 | |
We've got a vomiter in bed seven. | 0:07:17 | 0:07:20 | |
And seeing as though you're so keen to impress, all yours. | 0:07:20 | 0:07:23 | |
VOMITING | 0:07:26 | 0:07:28 | |
I'd leave your coffee here, though, if I was you. | 0:07:28 | 0:07:31 | |
Needs a bit of sugar. | 0:07:40 | 0:07:41 | |
MUSIC: Tilted by Christine And The Queens | 0:07:43 | 0:07:47 | |
MOBILE ALERT TONE | 0:07:47 | 0:07:49 | |
Anything good? | 0:08:04 | 0:08:07 | |
Sorry? | 0:08:07 | 0:08:08 | |
-Are you listening to anything good? -Yeah, I was. | 0:08:08 | 0:08:11 | |
Well, you wouldn't know them. | 0:08:13 | 0:08:15 | |
-Try me. -OK, Christine And The Queens. | 0:08:15 | 0:08:19 | |
Ooh, I love a bit of Christine, me. | 0:08:19 | 0:08:22 | |
# But I'm actually good Can't help it if we're tilted... # | 0:08:22 | 0:08:26 | |
You see, it's just got the perfect rhythm for the hip-lock walk down. | 0:08:26 | 0:08:30 | |
-The hip-lock what now? -It's a pole fit routine. | 0:08:32 | 0:08:36 | |
You are probably looking at the oldest pole fit dancer to | 0:08:36 | 0:08:41 | |
master the arms only climb straddle. | 0:08:41 | 0:08:44 | |
Took it up on my 70th birthday. | 0:08:44 | 0:08:47 | |
I don't even know where to begin with this conversation. | 0:08:48 | 0:08:51 | |
# Hey, Mr Policeman I don't want no trouble | 0:08:55 | 0:08:59 | |
# Just want to drop my jiggling down to the floor. # | 0:08:59 | 0:09:03 | |
Well, that definitely doesn't sound like Christine And The Queens. | 0:09:03 | 0:09:07 | |
No, it's timely though. | 0:09:07 | 0:09:09 | |
Right. Is it possible if you could come back later on? | 0:09:14 | 0:09:16 | |
Look, I know he's keen to get things moving so... | 0:09:16 | 0:09:19 | |
-Good morning, Gaz. -It's Gareth, these days. | 0:09:22 | 0:09:25 | |
My new man says Gaz makes me sound like an out of work trucker | 0:09:25 | 0:09:28 | |
-with athlete's foot and sweaty... -Right. Gareth, it is. | 0:09:28 | 0:09:31 | |
It's all part of my transformation, see? | 0:09:31 | 0:09:33 | |
Him indoors took me to get my colours done. | 0:09:33 | 0:09:35 | |
All those years in black T-shirts when apparently I'm a warm spring. | 0:09:35 | 0:09:40 | |
What you're experiencing is known as tricuspid valve regurgitation. | 0:09:40 | 0:09:43 | |
It's the reason you're having breathlessness and palpitations. | 0:09:43 | 0:09:48 | |
The operation should alleviate those symptoms. | 0:09:48 | 0:09:50 | |
And the sleep apnoea - will it cure that as well? | 0:09:50 | 0:09:53 | |
Well, not necessarily. I thought your sleep apnoea was under control? | 0:09:53 | 0:09:57 | |
-Sorry to interrupt. -Can we help you? | 0:09:57 | 0:10:00 | |
I just wanted to pass on Mr Shah's results. | 0:10:00 | 0:10:02 | |
Thank you. I'll take a look. | 0:10:02 | 0:10:04 | |
And while I'm here, that other matter... | 0:10:04 | 0:10:06 | |
did you look at the documents I gave you? | 0:10:06 | 0:10:08 | |
No, I haven't had a chance yet. | 0:10:08 | 0:10:09 | |
Overworked. I have a solution for that. | 0:10:09 | 0:10:13 | |
The ideal solution would be you leaving me alone to do my job. | 0:10:13 | 0:10:16 | |
Message received and understood. | 0:10:18 | 0:10:20 | |
Ms Naylor is very much in demand. You're lucky to have her. | 0:10:20 | 0:10:24 | |
What do I have to do to get his hands on me? | 0:10:28 | 0:10:31 | |
Oh... I'm not sure you're... his type. | 0:10:31 | 0:10:34 | |
Oh, well, a man can dream. | 0:10:34 | 0:10:36 | |
Ms Naylor however might not have to. | 0:10:36 | 0:10:37 | |
I could practically feel the sparks. | 0:10:37 | 0:10:40 | |
We're going to need to run some tests. | 0:10:41 | 0:10:43 | |
Is it rejection you're afraid of? | 0:10:43 | 0:10:45 | |
Because you're a very beautiful woman. | 0:10:45 | 0:10:48 | |
Should we... get back to the matter at hand? | 0:10:48 | 0:10:51 | |
Although, have you thought about getting your colours done? | 0:10:51 | 0:10:54 | |
I bet there's a hot summer hiding under that winter there somewhere. | 0:10:54 | 0:10:58 | |
Dr Digby? Our upper leg laceration. | 0:11:00 | 0:11:04 | |
It's all right, Ben, you're going to be fine. | 0:11:04 | 0:11:06 | |
OK, he's losing a lot of blood. | 0:11:06 | 0:11:08 | |
Let's push fluids please and let's get him straight to theatre. | 0:11:08 | 0:11:11 | |
Yeah, BP's 90/60. Pulse 120. | 0:11:11 | 0:11:14 | |
-Are you Mikey's dad? -Alfie's dad, right? | 0:11:14 | 0:11:17 | |
I thought I recognised you but I got distracted by your leg. | 0:11:17 | 0:11:20 | |
-What happened? -I fell - on my bike. I say fell. | 0:11:20 | 0:11:22 | |
Some clown drove me off the road. He'll regret that. | 0:11:22 | 0:11:25 | |
I got his reg plates. There'll be a price to pay. | 0:11:25 | 0:11:27 | |
Yeah, don't worry about that, the police will handle it. | 0:11:27 | 0:11:29 | |
Well, it's hardly a priority, is it? School run, there's kids everywhere. | 0:11:29 | 0:11:33 | |
What kind of an idiot like that | 0:11:33 | 0:11:34 | |
-drives near a school? -Try to stay calm. | 0:11:34 | 0:11:36 | |
You're not going to tell my ex, are you? | 0:11:36 | 0:11:37 | |
She usually has the kids during the week. | 0:11:37 | 0:11:39 | |
I don't want her to think I can't get them | 0:11:39 | 0:11:40 | |
to school without getting mowed down. | 0:11:40 | 0:11:42 | |
Anyone else you want me to call? | 0:11:42 | 0:11:43 | |
No, just patch me up and get me back out there. | 0:11:43 | 0:11:45 | |
I've got stuff to get done. In fact... | 0:11:45 | 0:11:46 | |
No, none of that stuff matters more than your health. | 0:11:46 | 0:11:49 | |
Your health doesn't matter if you can't earn a living. | 0:11:49 | 0:11:51 | |
Actually, I've got clients who need me! | 0:11:51 | 0:11:53 | |
All right, let's stay calm. | 0:11:53 | 0:11:54 | |
Right, you are losing lots of blood. | 0:11:54 | 0:11:56 | |
Your blood pressure is dangerously low. | 0:11:56 | 0:11:58 | |
If you don't settle down and let Dr Digby do her job, then you | 0:11:58 | 0:12:01 | |
won't need to earn a living, because you won't be living, do you get me? | 0:12:01 | 0:12:04 | |
-Are we good? -We're good. | 0:12:06 | 0:12:09 | |
-Right, can we get IV antibiotics as well, please? -On it. | 0:12:09 | 0:12:12 | |
Most agency nurses, they... | 0:12:17 | 0:12:19 | |
they crumble at the first sign of a troublemaker. | 0:12:19 | 0:12:21 | |
Well, it don't take a genius. | 0:12:21 | 0:12:23 | |
You know even the friendliest of pooches get grouchy | 0:12:23 | 0:12:25 | |
with a thorn in their paw. | 0:12:25 | 0:12:26 | |
Oh, no, he's more like a pit bull. He's a claims lawyer. | 0:12:26 | 0:12:29 | |
Yeah, well, whoever he is, I can hold my own. Ta. | 0:12:29 | 0:12:32 | |
Suit yourself. That's what you want. | 0:12:33 | 0:12:36 | |
It's too short notice. I need time to organise... | 0:12:46 | 0:12:49 | |
All right, I'll get there. | 0:12:51 | 0:12:52 | |
-Ms Naylor. -Oh, I was just about to ring you. | 0:12:55 | 0:12:58 | |
Tell me, what do you think of when I say Copenhagen? | 0:12:58 | 0:13:01 | |
Pastry. Mermaids. | 0:13:03 | 0:13:05 | |
Wrong. | 0:13:05 | 0:13:06 | |
It should be the International Thoracic Surgery Conference. | 0:13:06 | 0:13:10 | |
Ah. A bit above my pay grade, I'm afraid. | 0:13:11 | 0:13:13 | |
I'd have to sell a kidney to get there. | 0:13:13 | 0:13:15 | |
I have a spare place. | 0:13:15 | 0:13:16 | |
-You want me to go with you? -No, I'm unable to attend. | 0:13:19 | 0:13:22 | |
-So you want me to go with Matteo? -Mr Rossini won't be there either. | 0:13:22 | 0:13:26 | |
What? Why on earth not? | 0:13:26 | 0:13:28 | |
Look, if you can't handle | 0:13:28 | 0:13:29 | |
representing the hospital, just say so. | 0:13:29 | 0:13:32 | |
No, No, I... I can handle it. I'd love to come. | 0:13:32 | 0:13:34 | |
-It's just that... -Great, that's settled then. | 0:13:34 | 0:13:37 | |
OK. Actually, sorry, while I'm here, | 0:13:39 | 0:13:43 | |
I just wondered if you had a moment to hear my proposal. | 0:13:43 | 0:13:47 | |
I don't have the time right now. And neither do you. | 0:13:47 | 0:13:50 | |
You need to get preparing for Copenhagen. | 0:13:50 | 0:13:52 | |
Obviously I've booked the sessions according to my own | 0:13:52 | 0:13:55 | |
-preferences but I look forward to your detailed notes. -Good. | 0:13:55 | 0:14:00 | |
Won't be the same at this fundraiser without you. | 0:14:17 | 0:14:20 | |
Remember the last one when you were twerking at the bar? | 0:14:20 | 0:14:23 | |
I knew he was a wild one. The police were after him earlier. | 0:14:23 | 0:14:26 | |
-How'd it go? -Pretended to be asleep. | 0:14:27 | 0:14:30 | |
I didn't pretend. | 0:14:30 | 0:14:32 | |
It's...it's fine, they'll be back in a little bit. | 0:14:33 | 0:14:36 | |
Well, I'll go and see if they're still around. | 0:14:36 | 0:14:39 | |
Hello! | 0:14:42 | 0:14:43 | |
How are you? | 0:14:46 | 0:14:47 | |
I am so sick of being asked that every hour. | 0:14:47 | 0:14:50 | |
Well, they do say doctors make the worst patients. | 0:14:50 | 0:14:53 | |
You never said you were a doctor. | 0:14:53 | 0:14:55 | |
Zosia, Joan. Joan, Zosia. | 0:14:55 | 0:14:57 | |
I thought this might cheer you up. | 0:15:00 | 0:15:02 | |
-Gee, thanks. -They're meant to be ironic. | 0:15:10 | 0:15:12 | |
Look, I could really do with getting out of here for a minute. | 0:15:14 | 0:15:18 | |
-You're supposed to be resting. -Please. | 0:15:18 | 0:15:21 | |
So all I have to do now is dig out my Mickey Mouse ears. | 0:15:22 | 0:15:25 | |
What? What's embarrassing about that? I know. Look, I've gotta go. | 0:15:25 | 0:15:31 | |
-I love you too, darling, bye. -Good news? | 0:15:33 | 0:15:36 | |
Just been booking our summer holiday. | 0:15:36 | 0:15:38 | |
Ooh, lovely. Where are you going? | 0:15:38 | 0:15:40 | |
France, would you believe? It's all Evie's idea. | 0:15:40 | 0:15:43 | |
She's gone a bit "ooh, la-la" lately. | 0:15:43 | 0:15:45 | |
I reckon it's cos she fancies some lad in her French class. | 0:15:45 | 0:15:48 | |
So we're going to do a bit of beach, then Disneyland. | 0:15:48 | 0:15:50 | |
It's going to be like every holiday they missed out on, | 0:15:50 | 0:15:53 | |
all rolled into one. | 0:15:53 | 0:15:54 | |
Super! La France est tres, tres belle. | 0:15:54 | 0:15:56 | |
Yeah, OK... Looks like I'm going to need to get a phrase book. | 0:15:58 | 0:16:02 | |
-How's Ben Francis getting on? -I'm just about to do his obs. | 0:16:02 | 0:16:07 | |
Looks like Nurse Somers has it covered. | 0:16:07 | 0:16:10 | |
She has quite the bedside manner, hasn't she? | 0:16:10 | 0:16:13 | |
That's one way to put it. | 0:16:14 | 0:16:16 | |
It's Casablanca. | 0:16:18 | 0:16:19 | |
He shouldn't be contacting you. Have you told the police? | 0:16:21 | 0:16:25 | |
No, I haven't spoken to the police. | 0:16:25 | 0:16:26 | |
Well, why not? Aren't you meant to be doing your statement today? | 0:16:26 | 0:16:30 | |
Don't tell me you're having second thoughts. | 0:16:30 | 0:16:33 | |
Maybe this is his way of... apologising. | 0:16:33 | 0:16:36 | |
This is no apology. | 0:16:36 | 0:16:38 | |
If I press charges, he will more than likely end up going to prison. | 0:16:38 | 0:16:42 | |
No matter what went on between us, I... | 0:16:44 | 0:16:46 | |
He loved me once. | 0:16:51 | 0:16:52 | |
That wasn't love, Dom. He's manipulating you. | 0:16:53 | 0:16:56 | |
Surely you can see that? | 0:16:56 | 0:16:58 | |
Wait. Dom. | 0:17:00 | 0:17:01 | |
Thank you for the tea. I'll... make my own way back up. | 0:17:02 | 0:17:06 | |
-I won't be taking any beginner routes. -I'm sorry? | 0:17:08 | 0:17:10 | |
And if you can't keep up, | 0:17:10 | 0:17:11 | |
-I'll meet you in the bar at the end of the ride. -I don't follow. | 0:17:11 | 0:17:14 | |
I haven't been away for a long time but I'm fairly confident | 0:17:14 | 0:17:17 | |
Oliver won't damage the hospital's reputation if I send him to | 0:17:17 | 0:17:21 | |
Copenhagen in my place. | 0:17:21 | 0:17:22 | |
-I can't. -I'm sorry? | 0:17:22 | 0:17:24 | |
Those dates, they're no longer convenient. | 0:17:24 | 0:17:27 | |
-What? -It's Berlin. | 0:17:27 | 0:17:29 | |
-Berlin? -My old flat. | 0:17:29 | 0:17:31 | |
There have been some complications with the lease | 0:17:31 | 0:17:33 | |
and I have to go and sort it out. | 0:17:33 | 0:17:35 | |
And this has to happen in person straight away? | 0:17:35 | 0:17:37 | |
We can do the biking trip another time. Are you angry? | 0:17:37 | 0:17:41 | |
No, I'm not angry. | 0:17:41 | 0:17:43 | |
-Disappointed? -Irritated. | 0:17:43 | 0:17:45 | |
I'm sorry, I didn't mean for you to miss out on Copenhagen. | 0:17:45 | 0:17:48 | |
I won't be missing anything. | 0:17:48 | 0:17:50 | |
So we're going to start at this little self-catering place. | 0:17:51 | 0:17:54 | |
Which apparently isn't an apartment, it's a "geet". | 0:17:54 | 0:17:57 | |
Ah, I think you'll find it's called a gite. | 0:17:57 | 0:18:00 | |
Sorry, this is a private conversation. | 0:18:00 | 0:18:02 | |
-Oh, don't mind me, I just wanted to give you this. -What is it? | 0:18:02 | 0:18:05 | |
It's a pre-action letter from my legal advisor - setting out | 0:18:05 | 0:18:08 | |
how we intend to go about contesting Artem's will. | 0:18:08 | 0:18:11 | |
-It's pretty self-explanatory. -What's going on? | 0:18:11 | 0:18:15 | |
Oh, I'm sorry. If you've got any questions, | 0:18:15 | 0:18:17 | |
-you'd be better off asking my legal counsel. -Him? Seriously? | 0:18:17 | 0:18:22 | |
He's a pit bull - or so I'm told. | 0:18:22 | 0:18:25 | |
-Why are you doing this? -Artem owes me. | 0:18:27 | 0:18:31 | |
He told me he took care of you. | 0:18:31 | 0:18:33 | |
All right, he won big | 0:18:33 | 0:18:34 | |
and that was to take you through university and stuff. | 0:18:34 | 0:18:38 | |
Oh, I'm sure he had plenty to say about the ups. | 0:18:38 | 0:18:42 | |
Not so chatty about the downs, I bet. | 0:18:42 | 0:18:44 | |
I know your old man wasn't perfect, OK? But I'm just... | 0:18:45 | 0:18:49 | |
Look, our whole lives were sold to pay off his debt. | 0:18:49 | 0:18:54 | |
Our house, everything. Do you know how humiliating that was? | 0:18:54 | 0:18:58 | |
How frightening? | 0:18:58 | 0:18:59 | |
My so-called dad didn't provide for me when he was alive, | 0:19:01 | 0:19:04 | |
the least he can do is provide for me now. | 0:19:04 | 0:19:07 | |
KNOCK AT DOOR | 0:19:14 | 0:19:16 | |
You can stop the grovelling. It doesn't suit you. | 0:19:16 | 0:19:19 | |
-So? Shall I take this back? -I didn't say I didn't want it. | 0:19:19 | 0:19:24 | |
PHONE RINGS | 0:19:25 | 0:19:26 | |
Oh, sorry. | 0:19:26 | 0:19:28 | |
Yes. Yes. I have already said. | 0:19:30 | 0:19:34 | |
HE SPEAKS GERMAN | 0:19:37 | 0:19:41 | |
Something the matter? | 0:19:41 | 0:19:43 | |
It's nothing. An old colleague. | 0:19:43 | 0:19:45 | |
From the team you worked with in Berlin? | 0:19:45 | 0:19:47 | |
He's a friend living in the flat. He left me in the lurch. No storage. | 0:19:47 | 0:19:52 | |
Oh, you didn't mention him before. | 0:19:52 | 0:19:54 | |
There's always been something more interesting. | 0:19:54 | 0:19:57 | |
-We're at work. -In a private office. | 0:20:00 | 0:20:05 | |
I have an operation to prep. | 0:20:05 | 0:20:06 | |
Tonight then? | 0:20:09 | 0:20:10 | |
We'll see. | 0:20:10 | 0:20:12 | |
I live in hope. | 0:20:14 | 0:20:15 | |
Alfie! Get out the road. He's going to get killed! Move! | 0:20:24 | 0:20:28 | |
Easy there, eh? | 0:20:28 | 0:20:29 | |
All right, all right. You're in hospital, remember? | 0:20:29 | 0:20:31 | |
OK, you've had an operation. | 0:20:31 | 0:20:33 | |
There was an accident. But you're OK and nobody else was hurt. | 0:20:33 | 0:20:36 | |
Sorry, I got a bit confused. | 0:20:36 | 0:20:38 | |
Heart rate's a bit high. | 0:20:39 | 0:20:41 | |
Don't worry, though. It won't be a regular occurrence. | 0:20:41 | 0:20:44 | |
I'll be sharp as a pin when you need me. | 0:20:44 | 0:20:46 | |
-See that? -Just a reaction to the morphine. | 0:20:46 | 0:20:50 | |
Maybe. | 0:20:50 | 0:20:51 | |
Right, well, we're going to let you get some rest. Right. | 0:20:52 | 0:20:57 | |
Elevated heart rate, skin rash, something doesn't add up. | 0:21:00 | 0:21:04 | |
I know what you're trying to do. You're trying to undermine him. | 0:21:04 | 0:21:07 | |
Ben's warned me about the tricks people play just to | 0:21:07 | 0:21:10 | |
try and wriggle out of a claim. | 0:21:10 | 0:21:12 | |
-Is everything OK? -Ben Francis. | 0:21:12 | 0:21:14 | |
Just tried to get out of bed. He's agitated, confused. | 0:21:14 | 0:21:17 | |
Elevated heart rate, skin rash... | 0:21:17 | 0:21:19 | |
But it just looks like a simple reaction to the morphine to me. | 0:21:19 | 0:21:22 | |
Well, let's get him a prescription for chlorpheniamine, | 0:21:22 | 0:21:25 | |
see if the rash clears up. | 0:21:25 | 0:21:26 | |
And as for the other symptoms, | 0:21:26 | 0:21:28 | |
-let's keep him under close observations, all right? -OK. | 0:21:28 | 0:21:31 | |
Gareth Jensen's theatre slot's booked. | 0:21:42 | 0:21:45 | |
Excellent. At least he can't talk while he's under anaesthetic. | 0:21:45 | 0:21:49 | |
Actually there's a fascinating presentation on heart surgery | 0:21:50 | 0:21:53 | |
without general anaesthesia in Copenhagen, | 0:21:53 | 0:21:56 | |
although obviously the Berlin research will be the highlight. | 0:21:56 | 0:21:59 | |
Matteo's old team? I didn't know they were presenting. | 0:21:59 | 0:22:02 | |
-Oh, it was a late addition to the schedule, I think. -How late? | 0:22:02 | 0:22:06 | |
Added today, I think. Plenty of buzz about it on social media. | 0:22:06 | 0:22:10 | |
Do you know the title of the research? | 0:22:10 | 0:22:13 | |
I can find the link for you. | 0:22:13 | 0:22:15 | |
PHONE RINGS | 0:22:15 | 0:22:18 | |
You need to answer that. | 0:22:18 | 0:22:20 | |
It's not me. It's... | 0:22:20 | 0:22:22 | |
PHONE CONTINUES TO RING | 0:22:22 | 0:22:24 | |
Matteo must have left his phone here earlier. | 0:22:25 | 0:22:28 | |
I can call him for you if you want. | 0:22:28 | 0:22:30 | |
No. I can take this...in private. | 0:22:30 | 0:22:32 | |
Hello? This is Mr Rossini's phone. This is Ms Naylor. | 0:22:39 | 0:22:42 | |
I... I can't hear... | 0:22:42 | 0:22:45 | |
It's a very bad line. | 0:22:45 | 0:22:48 | |
Hello? No, I can't... Hello? | 0:22:48 | 0:22:51 | |
Hello? | 0:22:51 | 0:22:53 | |
Mrs Compton, I've reviewed your ultrasound scan | 0:22:59 | 0:23:02 | |
and I'm satisfied that there is a reducible hernia. | 0:23:02 | 0:23:05 | |
So we're going to treat it conservatively. | 0:23:05 | 0:23:08 | |
I don't want to manage the hernia symptoms. | 0:23:08 | 0:23:10 | |
I want to get rid of them. | 0:23:10 | 0:23:11 | |
Dr Copeland? | 0:23:13 | 0:23:15 | |
Joan might have asked if I would take a look at her case... | 0:23:20 | 0:23:24 | |
Oh, she did, did she? | 0:23:25 | 0:23:26 | |
Look, Mr Levy, how often do we have to tell patients to keep active? | 0:23:28 | 0:23:33 | |
And here we have a patient who wants to keep active. | 0:23:33 | 0:23:36 | |
If we do the operation laparoscopically, this allows | 0:23:37 | 0:23:40 | |
her to just do that. | 0:23:40 | 0:23:41 | |
You know you'll need to give your body full time to recover | 0:23:43 | 0:23:46 | |
-before you return to fitness. -Is that a yes? | 0:23:46 | 0:23:49 | |
I do have a cancellation this afternoon. | 0:23:49 | 0:23:51 | |
But only if you're absolutely sure this is what you want? | 0:23:51 | 0:23:55 | |
-Absolutely. -All right. OK. | 0:23:55 | 0:23:56 | |
Thank you. | 0:23:56 | 0:23:58 | |
If you'll excuse me... | 0:23:58 | 0:24:00 | |
Any questions at all, any questions, don't hesitate to ask. | 0:24:00 | 0:24:04 | |
All right? | 0:24:04 | 0:24:05 | |
Mum! | 0:24:14 | 0:24:16 | |
Imogen. What are you doing here? | 0:24:18 | 0:24:21 | |
I went round to your place to drop off your knitting magazines. | 0:24:21 | 0:24:24 | |
I was panicking when you weren't there. | 0:24:24 | 0:24:26 | |
And then Rita from next door said you were in hospital, | 0:24:26 | 0:24:29 | |
she said something about it being routine, | 0:24:29 | 0:24:31 | |
but there was nothing on the shared calendar... | 0:24:31 | 0:24:33 | |
I... I must have forgotten. | 0:24:33 | 0:24:35 | |
Is that what this is about - the forgetfulness? | 0:24:37 | 0:24:39 | |
Because this isn't the first time | 0:24:39 | 0:24:40 | |
you've forgotten to tell me where you are. | 0:24:40 | 0:24:42 | |
-I...I know, but... -OK, then, your blood pressure? | 0:24:42 | 0:24:45 | |
You've got to let me come in with you the next time you see your GP. | 0:24:45 | 0:24:48 | |
I'm not having them bamboozle you again like this. | 0:24:48 | 0:24:51 | |
It's not like that. | 0:24:51 | 0:24:52 | |
-Mr Rossini? -Yes? | 0:24:54 | 0:24:56 | |
Sign here, please. | 0:24:56 | 0:24:57 | |
-Consultants' office - thank you. -Cheers. | 0:25:01 | 0:25:05 | |
-You left this in my office. -Thank you. | 0:25:13 | 0:25:16 | |
It rang. | 0:25:16 | 0:25:18 | |
-And you answered? -It was a Berlin number. | 0:25:18 | 0:25:20 | |
-And as this flat situation is so urgent... -Was there any message? | 0:25:20 | 0:25:24 | |
It was a bad line. | 0:25:24 | 0:25:26 | |
Oliver tells me your old team are presenting in Copenhagen. | 0:25:27 | 0:25:30 | |
Are you accusing me of something? | 0:25:32 | 0:25:34 | |
Just as we're making a breakthrough with the Digby stent, | 0:25:34 | 0:25:37 | |
a Berlin research team swoop in and steal the glory. | 0:25:37 | 0:25:39 | |
Sound familiar? | 0:25:39 | 0:25:40 | |
You think I've been sharing our research with my old colleagues? | 0:25:40 | 0:25:44 | |
Why would I do that? | 0:25:44 | 0:25:46 | |
History has a habit of repeating itself. | 0:25:46 | 0:25:48 | |
At the time, I had | 0:25:48 | 0:25:49 | |
no idea that the research information was confidential. | 0:25:49 | 0:25:52 | |
It was Guy Self who betrayed you, not me. | 0:25:52 | 0:25:55 | |
This stent development is my work. | 0:25:55 | 0:25:58 | |
Why would I give it away to Berlin? | 0:25:58 | 0:26:00 | |
Conversations in German, sudden changes to your schedule. | 0:26:00 | 0:26:03 | |
What am I supposed to think? | 0:26:03 | 0:26:05 | |
Ring Deiter yourself if you don't believe me. | 0:26:05 | 0:26:08 | |
I've been packing up my old life. | 0:26:09 | 0:26:11 | |
Those phone calls today - that was the end of it, no more Berlin. | 0:26:11 | 0:26:15 | |
I'm committed to Holby. Absolutely. Professionally and... | 0:26:16 | 0:26:21 | |
otherwise. | 0:26:21 | 0:26:22 | |
What you said earlier about Artem and how things were when | 0:26:31 | 0:26:35 | |
you were younger, I didn't realise. | 0:26:35 | 0:26:38 | |
Can you not even have a cappuccino around here without somebody | 0:26:38 | 0:26:41 | |
splurging their emotional baggage all over the table? | 0:26:41 | 0:26:45 | |
I just wanted to chat to you person to person | 0:26:46 | 0:26:48 | |
without all that lawyer nonsense. | 0:26:48 | 0:26:50 | |
I've got a right to legal representation. | 0:26:50 | 0:26:53 | |
Yeah, but does it really have to be him? | 0:26:53 | 0:26:55 | |
He's as dodgy as they come. | 0:26:55 | 0:26:57 | |
You're grieving and he's preying on it. | 0:26:59 | 0:27:02 | |
Yeah, well, it's hard to grieve a man who hurt me like he did. | 0:27:03 | 0:27:07 | |
You honestly think that that money's going to fix it? | 0:27:07 | 0:27:10 | |
-Call it reparations. -Fine. | 0:27:10 | 0:27:13 | |
-What? -Have it. | 0:27:17 | 0:27:20 | |
Just like that? | 0:27:20 | 0:27:22 | |
If you think that that money is going to make you forget what | 0:27:24 | 0:27:27 | |
happened between you and Artem, | 0:27:27 | 0:27:29 | |
then, yeah, you should have the money. | 0:27:29 | 0:27:31 | |
I mean, I know as well as anyone, that families are...tricky. | 0:27:32 | 0:27:37 | |
And if that money is what you need to move on, | 0:27:40 | 0:27:42 | |
then who am I to stop you? | 0:27:42 | 0:27:44 | |
I don't know what to say. | 0:27:48 | 0:27:50 | |
Don't say anything. | 0:27:50 | 0:27:51 | |
Just...come back to work and concentrate on being a nurse. | 0:27:53 | 0:27:57 | |
-Mr Valentine - a word, please. -Everything all right? | 0:28:06 | 0:28:10 | |
It's about Copenhagen. I don't think you should go. | 0:28:11 | 0:28:14 | |
-What? -I've taken a look at your proposal. | 0:28:14 | 0:28:18 | |
-Oh, you have...thank you. -It has potential. | 0:28:18 | 0:28:21 | |
I can see how a closer relationship between cardiothoracics and | 0:28:21 | 0:28:23 | |
the trauma team could reap rewards. | 0:28:23 | 0:28:25 | |
But it's going to take a lot more work if we're going to convince | 0:28:25 | 0:28:28 | |
-Hanssen to take it seriously. -We? | 0:28:28 | 0:28:31 | |
So, I've decided your time would be better spent developing the idea. | 0:28:31 | 0:28:34 | |
-Ah, well... -No need to thank me. | 0:28:34 | 0:28:36 | |
Do you really think his proposal has merit? | 0:28:39 | 0:28:41 | |
-Or do you just want back in on Copenhagen? -A bit of both. | 0:28:41 | 0:28:45 | |
Why? My being in Copenhagen isn't a problem for you, is it? | 0:28:45 | 0:28:48 | |
Why would it be? | 0:28:48 | 0:28:49 | |
-He's using. -Are you sure? | 0:28:53 | 0:28:57 | |
Skin rash. Dizziness. Increased heart rate. | 0:28:58 | 0:29:02 | |
Hallucinations. Hand tremors. | 0:29:02 | 0:29:04 | |
Zhenamil. Yeah, that could fit. | 0:29:06 | 0:29:09 | |
Students use it to bone up before a big exam. | 0:29:09 | 0:29:12 | |
Right then. One thing for it. | 0:29:14 | 0:29:15 | |
Fletch. Fletch. Are you sure you want to do this? | 0:29:17 | 0:29:20 | |
-Yep. -What's going on? | 0:29:20 | 0:29:22 | |
Earlier, I noticed that your hand was shaking. | 0:29:22 | 0:29:24 | |
Do you want to tell me about it? | 0:29:24 | 0:29:26 | |
This is harassment. Is it the case, because you know we're going to win? | 0:29:26 | 0:29:29 | |
-Well... -No, no, no, this isn't about that. He's agreed to settle. | 0:29:29 | 0:29:32 | |
What? Why didn't you tell me? | 0:29:32 | 0:29:34 | |
Can we get back to the hand tremors, please? | 0:29:34 | 0:29:36 | |
It's nothing. They just happen every so often. | 0:29:36 | 0:29:38 | |
-So why didn't you mention it? -So who's the lawyer here? | 0:29:38 | 0:29:40 | |
And the rash, that's not from the morphine | 0:29:40 | 0:29:42 | |
-because you had that already. -So? | 0:29:42 | 0:29:44 | |
So, how did you lose control of your bike? | 0:29:44 | 0:29:46 | |
I told you, some idiot. | 0:29:46 | 0:29:48 | |
-Did you cause that accident because you were high? -I'm not a junkie. | 0:29:48 | 0:29:50 | |
So what would you call it then? | 0:29:50 | 0:29:52 | |
I just take some pills to stay awake, that's all. | 0:29:52 | 0:29:55 | |
Because I've got to keep on it. | 0:29:55 | 0:29:56 | |
Because I've got some clients who rely on me. | 0:29:56 | 0:29:58 | |
You're delusional. I mean, how important do you think you are? | 0:29:58 | 0:30:01 | |
You convince vulnerable people that | 0:30:01 | 0:30:02 | |
a wad of money's going to sort out all their problems. | 0:30:02 | 0:30:05 | |
You are a professional stirrer and you think that's worth | 0:30:05 | 0:30:07 | |
getting high for? | 0:30:07 | 0:30:08 | |
Driving dangerously, putting your life at risk | 0:30:08 | 0:30:10 | |
and everyone else's around you? | 0:30:10 | 0:30:11 | |
Nurse Fletcher, that is enough. | 0:30:11 | 0:30:13 | |
Gareth's scans. Shouldn't be any nasty surprises when we open him up. | 0:30:16 | 0:30:20 | |
He's a man who takes pride in his appearance, wouldn't you say? | 0:30:21 | 0:30:25 | |
A mini thoracotomy would afford sufficient access to the valve, | 0:30:25 | 0:30:28 | |
without the same degree of scarring. | 0:30:28 | 0:30:30 | |
Our job is to save his life, his vanity is his own business. | 0:30:30 | 0:30:34 | |
If slightly above average pectoral muscles is the summit of his | 0:30:34 | 0:30:38 | |
achievements, that is not my problem. | 0:30:38 | 0:30:40 | |
The operation remains the same whichever way you access the heart. | 0:30:40 | 0:30:44 | |
I could do it with a mini thoracotomy. I know I could. | 0:30:44 | 0:30:47 | |
Or don't you trust me? | 0:30:47 | 0:30:48 | |
Fine. Let's go and talk to the patient. | 0:30:50 | 0:30:53 | |
Please, don't take that off on my account. | 0:31:01 | 0:31:04 | |
I don't want anything obstructing my view. | 0:31:04 | 0:31:06 | |
I heard you were taken. | 0:31:06 | 0:31:08 | |
Oh, don't worry - he won't object to a little window shopping. | 0:31:08 | 0:31:11 | |
We'd like to talk to you about your surgery. | 0:31:11 | 0:31:14 | |
Is everything OK? | 0:31:14 | 0:31:16 | |
I would like to proceed with the open-heart surgery, | 0:31:16 | 0:31:18 | |
which is the safest route. | 0:31:18 | 0:31:19 | |
-Or we can proceed with a mini thoracotomy. -A mini...? | 0:31:19 | 0:31:22 | |
It's a less invasive procedure. | 0:31:22 | 0:31:24 | |
We would make small incisions through the ribs and then use | 0:31:24 | 0:31:26 | |
an instrument called a thoroscope to access your heart. | 0:31:26 | 0:31:29 | |
But is that more dangerous? | 0:31:29 | 0:31:30 | |
It's more difficult. The advantage is scarring will be minimal. | 0:31:30 | 0:31:34 | |
Oh, I don't want a scar. | 0:31:34 | 0:31:35 | |
The amount of work I've put into this chest. | 0:31:35 | 0:31:38 | |
-So, you're happy to proceed with the mini thoracotomy? -Yeah. | 0:31:38 | 0:31:41 | |
Fine. | 0:31:41 | 0:31:42 | |
I know what you're going to say but nobody else picked up on the | 0:31:47 | 0:31:49 | |
symptoms, I had to get him to admit it. | 0:31:49 | 0:31:51 | |
And you really think you went about it in the right way? | 0:31:51 | 0:31:55 | |
I shouldn't have lost my rag. But today's just been a bit... | 0:31:55 | 0:31:59 | |
I know you've been under pressure. This business with Nurse Somers. | 0:31:59 | 0:32:03 | |
Maybe you need a break. | 0:32:03 | 0:32:05 | |
Is it possible you could bring your holiday forward? | 0:32:06 | 0:32:10 | |
-The holiday's not going to happen now. -What? | 0:32:10 | 0:32:13 | |
I'm going to give Artem's money to Sydney. | 0:32:13 | 0:32:16 | |
I can't get rich off another family's misery. | 0:32:16 | 0:32:18 | |
I was going to come and talk about some overtime. | 0:32:18 | 0:32:21 | |
It might not be that simple. | 0:32:22 | 0:32:24 | |
Ben Francis has made a complaint. | 0:32:24 | 0:32:26 | |
-Am I going to be suspended? -No. | 0:32:28 | 0:32:31 | |
But it might take the pressure off if you give yourself a break. | 0:32:31 | 0:32:35 | |
I can't let things get how they were before. I just can't. | 0:32:35 | 0:32:38 | |
All right. All right, we'll see what we can do about the overtime. | 0:32:38 | 0:32:41 | |
But in the meantime, you steer well clear of Ben Francis. | 0:32:41 | 0:32:44 | |
-Joan, how are you feeling? -She's anxious, obviously. | 0:32:50 | 0:32:53 | |
OK, well, we can talk through any concerns. | 0:32:53 | 0:32:56 | |
Here's your consent form. | 0:32:58 | 0:32:59 | |
What kind of recovery time are we looking at? | 0:33:02 | 0:33:05 | |
Well, it depends. | 0:33:05 | 0:33:06 | |
I mean, for a while she's going to have to take it easy. | 0:33:06 | 0:33:09 | |
I'll take care of that. You will stay with us - obviously. | 0:33:09 | 0:33:12 | |
I've spoken to Neil. The granny flat is all ready for you. | 0:33:12 | 0:33:16 | |
Installed a pole, have you? | 0:33:18 | 0:33:20 | |
I beg your pardon? | 0:33:20 | 0:33:22 | |
I was just joking. The nature of your mother's fall. | 0:33:24 | 0:33:28 | |
I honestly think I'll be all right at home. | 0:33:29 | 0:33:32 | |
Nonsense. You heard Mr Levy. You need your rest. | 0:33:32 | 0:33:36 | |
Besides, staying with us will give you | 0:33:37 | 0:33:39 | |
a break from that awful woman, Rita. | 0:33:39 | 0:33:42 | |
After a few weeks without you, | 0:33:42 | 0:33:43 | |
she might get out of the habit of popping in uninvited. | 0:33:43 | 0:33:46 | |
-She really doesn't worry me. -You need to be more assertive, Mum. | 0:33:46 | 0:33:50 | |
Tell her you've got quite enough friends already and you | 0:33:50 | 0:33:53 | |
certainly don't want one like her. | 0:33:53 | 0:33:55 | |
How many times have I told you? You'll catch your death. | 0:33:56 | 0:34:00 | |
-She doesn't want the blanket. -I beg your pardon? | 0:34:01 | 0:34:04 | |
Joan is perfectly capable of deciding how warm she is | 0:34:04 | 0:34:07 | |
and of speaking for herself | 0:34:07 | 0:34:09 | |
and certainly of choosing who she's friends with. | 0:34:09 | 0:34:12 | |
And while we're at it, Mr Levy, | 0:34:12 | 0:34:13 | |
those consent forms were for Joan, not for you. | 0:34:13 | 0:34:15 | |
Dominic. | 0:34:15 | 0:34:16 | |
I'm really sorry... | 0:34:18 | 0:34:19 | |
How dare you? My mum knows I'm only looking out for her. | 0:34:19 | 0:34:22 | |
A woman on her own at her age - she needs someone to look after her. | 0:34:23 | 0:34:27 | |
-Don't you, Mum? -Of course. | 0:34:29 | 0:34:32 | |
Imogen's right. It is a bit nippy. | 0:34:34 | 0:34:38 | |
I have no idea why Sacha let you muscle in on his patient. | 0:34:48 | 0:34:52 | |
But I do have a very good idea why you're suddenly interested in | 0:34:52 | 0:34:55 | |
the lovely Joan. | 0:34:55 | 0:34:56 | |
The police left this. | 0:35:00 | 0:35:02 | |
Sacha. | 0:36:04 | 0:36:06 | |
No, absolutely not. | 0:36:06 | 0:36:08 | |
Look, I recommended that she do this. | 0:36:08 | 0:36:10 | |
The least I can do is see it through. Please. | 0:36:10 | 0:36:12 | |
All right. Well, look, you can stay but you promise me | 0:36:14 | 0:36:17 | |
the minute you feel tired you sit down. | 0:36:17 | 0:36:19 | |
BP's falling. | 0:36:29 | 0:36:31 | |
Yes, we've got it under control, thank you. | 0:36:31 | 0:36:33 | |
Is that a bleed? | 0:36:39 | 0:36:41 | |
Suction please. | 0:36:41 | 0:36:42 | |
What's happening? | 0:36:49 | 0:36:52 | |
Ah, it's going to be tough to stem this bleed. | 0:36:52 | 0:36:55 | |
She's losing quite a lot. | 0:36:55 | 0:36:57 | |
-It looks like the inferior epigastric. -Sacha? | 0:36:57 | 0:37:00 | |
Can we fast-push one unit, please? Thank you. | 0:37:01 | 0:37:06 | |
Right, OK, I'm coming in. | 0:37:06 | 0:37:08 | |
No. Actually, I want you back on the ward. | 0:37:08 | 0:37:12 | |
Honestly, I mean it. | 0:37:12 | 0:37:14 | |
Go on, Dom. We've got this. | 0:37:14 | 0:37:15 | |
What is going on? | 0:37:39 | 0:37:41 | |
Is this the flat-mate you were telling me about? | 0:37:42 | 0:37:46 | |
I must say I love her dress. It's very chic. | 0:37:46 | 0:37:49 | |
And look at you - so happy, so in love. | 0:37:49 | 0:37:53 | |
It could almost be a different person. But it's not, is it? | 0:37:53 | 0:37:56 | |
It is very definitely you, | 0:37:56 | 0:37:59 | |
with a bride that you somehow forgot to mention! | 0:37:59 | 0:38:03 | |
You had no right. These are my private things. | 0:38:03 | 0:38:06 | |
Oh, I know they're your things. | 0:38:06 | 0:38:08 | |
The vanity of keeping your own press, | 0:38:08 | 0:38:10 | |
I expected the tacky poetry and your own personal grooming salon. | 0:38:10 | 0:38:15 | |
And this, what is all this? | 0:38:17 | 0:38:18 | |
A wife. Her perfume. | 0:38:18 | 0:38:20 | |
-Her tat... -Don't touch that! | 0:38:20 | 0:38:22 | |
You lied to me and you say I have no right? | 0:38:26 | 0:38:29 | |
Jac, please, I never lied. | 0:38:30 | 0:38:33 | |
There are things - memories - I have to leave behind. | 0:38:33 | 0:38:36 | |
Gareth Jensen's consent forms are signed. | 0:38:36 | 0:38:38 | |
Everything all right? | 0:38:38 | 0:38:40 | |
I won't be in theatre this afternoon. | 0:38:42 | 0:38:45 | |
OK, you need me to assist. Why the change of plan? | 0:38:45 | 0:38:49 | |
The relationship between two surgeons needs to be one of | 0:38:49 | 0:38:53 | |
respect and trust. | 0:38:53 | 0:38:54 | |
And it appears Mr Rossini and I have neither. | 0:38:54 | 0:38:58 | |
OK, well, happy to step in. | 0:38:58 | 0:38:59 | |
You'll be doing the operation my way though - through open-heart surgery. | 0:38:59 | 0:39:02 | |
It's the safest route. | 0:39:02 | 0:39:04 | |
What? Why? We've already promised the patient. | 0:39:04 | 0:39:06 | |
Well, you'll have to go back | 0:39:06 | 0:39:08 | |
and tell him that circumstances have changed! | 0:39:08 | 0:39:10 | |
This is a cardiothoracics department, | 0:39:10 | 0:39:13 | |
we don't deal in promises here. | 0:39:13 | 0:39:15 | |
Don't go, I'm sorry. | 0:39:17 | 0:39:20 | |
Ben? | 0:39:20 | 0:39:21 | |
-Dee, I need you. -Everything all right? | 0:39:22 | 0:39:25 | |
Yeah, yeah, I can handle it. | 0:39:25 | 0:39:26 | |
Right, Ben, you need to lie back down. | 0:39:26 | 0:39:28 | |
It doesn't matter. None of this matters. | 0:39:28 | 0:39:30 | |
All right, it's me, you and Alfie. All right, it's Alfie and us. | 0:39:30 | 0:39:33 | |
-Alfie...get out the road! No! -Ben! | 0:39:33 | 0:39:35 | |
HE CRIES OUT | 0:39:35 | 0:39:37 | |
Assessment? Look, listen, feel, remember? Bernie! | 0:39:37 | 0:39:41 | |
HE GROANS | 0:39:41 | 0:39:44 | |
Right, he's bleeding from the op site. | 0:39:44 | 0:39:47 | |
We need to get him into theatre as quickly as possible. | 0:39:47 | 0:39:49 | |
-Trolley, please! -And a spinal board! | 0:39:49 | 0:39:51 | |
All right, Ben, we've got you. | 0:39:53 | 0:39:55 | |
-Why don't you take the lead from here? -Thank you. | 0:39:57 | 0:40:01 | |
-I'll guide you through it. -Right. | 0:40:03 | 0:40:05 | |
That's it. Good. | 0:40:13 | 0:40:14 | |
Now we need to excise the valve. | 0:40:14 | 0:40:17 | |
Carefully cut... | 0:40:18 | 0:40:19 | |
OK, I can't... | 0:40:25 | 0:40:29 | |
No, it's OK. It's stuck to the muscle. | 0:40:33 | 0:40:36 | |
Let me see. | 0:40:37 | 0:40:38 | |
I think you made a hole. | 0:40:41 | 0:40:43 | |
OK. We can fix this. | 0:40:45 | 0:40:47 | |
I need a 4-0 prolene stitch and bovine pericardial patch, please. | 0:40:47 | 0:40:52 | |
Could someone call Ms Naylor, please? | 0:40:54 | 0:40:56 | |
Is that Dee Francis? | 0:40:58 | 0:41:00 | |
Yeah, I'm calling from Holby City Hospital. Your ex-husband, Ben, | 0:41:00 | 0:41:04 | |
has been involved in an accident... No. | 0:41:04 | 0:41:07 | |
No, but he has got quite a nasty gash on his leg. | 0:41:08 | 0:41:12 | |
He's in theatre as we speak. | 0:41:12 | 0:41:14 | |
You're still down as his next of kin. | 0:41:15 | 0:41:18 | |
I think he could really do with a visit from you. | 0:41:18 | 0:41:22 | |
Thank you. | 0:41:25 | 0:41:26 | |
No, thanks. | 0:41:27 | 0:41:29 | |
That night, with...with Artem. It meant a lot that you called me. | 0:41:32 | 0:41:36 | |
Not exactly what you said at the time, was it? | 0:41:38 | 0:41:40 | |
Yeah, well, I was wrong. | 0:41:40 | 0:41:43 | |
You're an incredible nurse. | 0:41:43 | 0:41:44 | |
I think that's debatable. | 0:41:47 | 0:41:49 | |
Step aside, Mr Valentine. | 0:41:52 | 0:41:53 | |
-And you. -What? You need me. -No. I don't. | 0:41:55 | 0:41:59 | |
If we don't fix this quickly, the patient won't survive. | 0:41:59 | 0:42:01 | |
I'm well aware of that, thank you. | 0:42:01 | 0:42:03 | |
-Then let me help. -You have done enough. | 0:42:03 | 0:42:05 | |
Now, step away from my patient or I'll have security remove you. | 0:42:05 | 0:42:09 | |
5-0 prolene stitch, please. Let's fix this mess. | 0:42:12 | 0:42:15 | |
Why do you pretend to be someone you're clearly not? | 0:42:23 | 0:42:27 | |
Imogen's a worrier. | 0:42:28 | 0:42:30 | |
She'd never understand why I wanted the surgery or go to the pole fit. | 0:42:31 | 0:42:37 | |
Anything risky or daring is completely alien to her. | 0:42:37 | 0:42:42 | |
Yeah, but you're not asking her to climb a pole, are you? | 0:42:42 | 0:42:46 | |
Well, it's not worth it. | 0:42:46 | 0:42:48 | |
I like to keep my arguments to a minimum. | 0:42:48 | 0:42:52 | |
What she doesn't know won't harm her. | 0:42:52 | 0:42:54 | |
Anything I think she'll object to I tend to keep quiet... | 0:42:55 | 0:42:59 | |
..then we both get our own way. | 0:43:00 | 0:43:02 | |
Why don't you just show her the real you, that way she might | 0:43:03 | 0:43:07 | |
realise she doesn't need to constantly keep you safe, | 0:43:07 | 0:43:10 | |
controlling you. | 0:43:10 | 0:43:11 | |
You can't change people, you know, no matter how much you love them. | 0:43:13 | 0:43:17 | |
Even if it means permanently living in that granny flat? | 0:43:20 | 0:43:24 | |
I don't think that's very likely, do you? | 0:43:24 | 0:43:27 | |
I've just learned to pick my battles, that's all... | 0:43:27 | 0:43:31 | |
I tried ringing the knitting circle to let them know you couldn't | 0:43:38 | 0:43:41 | |
make it but it just kept ringing out. | 0:43:41 | 0:43:44 | |
Are you sure you gave me the right number? | 0:43:44 | 0:43:46 | |
I must have got it muddled - you know what I'm like. | 0:43:46 | 0:43:49 | |
Excuse me. | 0:43:51 | 0:43:52 | |
Congratulations, Mr Rossini, | 0:44:02 | 0:44:04 | |
you successfully created a ventricular septal defect. | 0:44:04 | 0:44:07 | |
Actually...it was me. | 0:44:07 | 0:44:09 | |
Mistakes happen. | 0:44:11 | 0:44:13 | |
Yes, well, thankfully, I was able to fix it. | 0:44:13 | 0:44:16 | |
The valve is down and fitting well. You should have been leading. | 0:44:17 | 0:44:21 | |
This is a teaching hospital, remember? | 0:44:21 | 0:44:23 | |
We're not sticking plasters on cuddly toys. | 0:44:23 | 0:44:26 | |
This was the wrong case to be training someone on. | 0:44:26 | 0:44:28 | |
Especially when that someone is more interested in their pet project | 0:44:28 | 0:44:31 | |
than actually improving their surgical skills. | 0:44:31 | 0:44:34 | |
That isn't fair. | 0:44:34 | 0:44:35 | |
Nor is the fact that you put a hole in this man's ventricle. | 0:44:35 | 0:44:37 | |
Perhaps you'd like to be the one to explain why | 0:44:37 | 0:44:39 | |
he nearly spent the rest of his life on a pacemaker? | 0:44:39 | 0:44:42 | |
It was my decision to let him lead. I take responsibility for that. | 0:44:42 | 0:44:45 | |
Perhaps if we had done things my way, | 0:44:45 | 0:44:47 | |
there would not have been a problem. | 0:44:47 | 0:44:49 | |
You opened him up and you still got it wrong. | 0:44:49 | 0:44:52 | |
Imagine how disastrous a mini thoracotomy could have been. | 0:44:52 | 0:44:55 | |
Now, are both of you just going to stand there | 0:44:55 | 0:44:58 | |
or is one of you capable of cutting sutures? | 0:44:58 | 0:45:00 | |
Mr Fletcher. | 0:45:04 | 0:45:06 | |
You treated me, after I made a complaint. | 0:45:06 | 0:45:08 | |
Yes, I did. What are you going to do, sue me? | 0:45:08 | 0:45:11 | |
Go for it. | 0:45:11 | 0:45:12 | |
-Is that what you think of me? -That's what your job is, isn't it? | 0:45:12 | 0:45:15 | |
Accidents, mishaps, good deeds, you can turn them all into a pound note. | 0:45:15 | 0:45:19 | |
Nothing wrong with people claiming what they're entitled to. | 0:45:19 | 0:45:22 | |
Some things just aren't worth the money. | 0:45:22 | 0:45:24 | |
I'm not going to sue you. I've withdrawn the complaint. | 0:45:24 | 0:45:27 | |
Look, you saved my life. Thank you. | 0:45:27 | 0:45:29 | |
You can thank me by looking after yourself. | 0:45:29 | 0:45:33 | |
-I love my job. -Worth risking your health for, is it? | 0:45:33 | 0:45:37 | |
-Yeah, that was stupid. -Yeah, tell me about it. | 0:45:37 | 0:45:40 | |
But being sharp, it's...addictive. | 0:45:40 | 0:45:43 | |
And since Dee left, what else have I got? | 0:45:43 | 0:45:46 | |
Yeah, look, about that, I... | 0:45:46 | 0:45:48 | |
Look, I'm not going to make any promises but I called her. | 0:45:48 | 0:45:51 | |
And as soon as she found out where you were | 0:45:51 | 0:45:54 | |
she couldn't get here quick enough. | 0:45:54 | 0:45:55 | |
You didn't tell her about the drugs? | 0:45:55 | 0:45:57 | |
No, of course I didn't, but I think you should. | 0:45:57 | 0:46:00 | |
-So she can help. -An honest lawyer? | 0:46:00 | 0:46:02 | |
Well, stranger things have happened. | 0:46:02 | 0:46:05 | |
Well, it's regrettable that it has come to this. | 0:46:18 | 0:46:20 | |
But now that I have been made aware of the situation, | 0:46:20 | 0:46:22 | |
I will have to follow procedure. I will keep you updated. | 0:46:22 | 0:46:25 | |
Mr Valentine. | 0:46:25 | 0:46:26 | |
You spoke to Hanssen? | 0:46:28 | 0:46:29 | |
Look, I know I messed up but the patient's OK. | 0:46:29 | 0:46:31 | |
-Did you have to make it official? -This is my ward. | 0:46:31 | 0:46:33 | |
If there's a serious incident, it is my duty to report it, | 0:46:33 | 0:46:35 | |
whether you think it's of consequence or not. | 0:46:35 | 0:46:37 | |
I really thought we were getting somewhere. | 0:46:37 | 0:46:39 | |
I've got ambitions. What's Hanssen going to think of me now? | 0:46:39 | 0:46:42 | |
Don't worry your pretty head, Valentine. | 0:46:42 | 0:46:44 | |
I have bigger fish than you to fry. | 0:46:44 | 0:46:46 | |
It's just the same old Isaac, isn't it? | 0:46:52 | 0:46:54 | |
You know you really can't change people. | 0:46:58 | 0:47:01 | |
You just have to learn whether or not you can accept them for | 0:47:03 | 0:47:09 | |
who they really are. | 0:47:09 | 0:47:11 | |
And? | 0:47:14 | 0:47:15 | |
I don't accept it. | 0:47:23 | 0:47:25 | |
I'm going to speak to the police. | 0:47:28 | 0:47:30 | |
Excellent. Although you really should be taking these yourself. | 0:47:34 | 0:47:39 | |
No, I don't think so, thank you. | 0:47:39 | 0:47:41 | |
Oh, Mr Hanssen, you're telling me you don't take the occasional selfie | 0:47:41 | 0:47:44 | |
when there isn't a mirror to hand? | 0:47:44 | 0:47:46 | |
Self-portraiture is an ancient and noble art-form. | 0:47:46 | 0:47:48 | |
Well, they say Van Gogh was the original selfie king. | 0:47:48 | 0:47:51 | |
This, however, is narcissism. | 0:47:51 | 0:47:53 | |
When the art historians of the future complete their | 0:47:54 | 0:47:57 | |
analysis of 21st century self-obsession, they will not | 0:47:57 | 0:48:01 | |
judge the selfie as great art. | 0:48:01 | 0:48:03 | |
Well, either way, these are going to be a right money-spinner. | 0:48:04 | 0:48:09 | |
You might even go viral. | 0:48:09 | 0:48:11 | |
Oh, my Lord. | 0:48:11 | 0:48:12 | |
Won't catch me modelling any time soon. | 0:48:15 | 0:48:19 | |
Let's just hope my Mark likes scars after all. | 0:48:19 | 0:48:22 | |
I'm sure he's not really so shallow. | 0:48:22 | 0:48:24 | |
Gareth, I've checked the records of your sleep patterns. | 0:48:24 | 0:48:28 | |
If you're interested in my night-time activities, | 0:48:28 | 0:48:30 | |
you only had to ask. | 0:48:30 | 0:48:32 | |
They're much more irregular than we'd expect, | 0:48:32 | 0:48:34 | |
given your sleep apnoea is supposedly being treated. | 0:48:34 | 0:48:37 | |
You lied, didn't you? You haven't been wearing your sleep mask. | 0:48:39 | 0:48:43 | |
For the first time I've... | 0:48:43 | 0:48:45 | |
I've got somebody who actually wants to go to bed with me | 0:48:45 | 0:48:48 | |
who isn't out like a shot the next morning. I... | 0:48:48 | 0:48:50 | |
I don't want to waste our nights hooked up to some machine. | 0:48:50 | 0:48:53 | |
Sure, but you only wear the mask to sleep, not to have... | 0:48:53 | 0:48:55 | |
Have you heard the noise that thing makes? | 0:48:55 | 0:48:58 | |
I sound like Darth Vader on his deathbed. | 0:48:58 | 0:49:00 | |
Taking the mask off was stupid, you risked your life. | 0:49:00 | 0:49:03 | |
And for what? The best of you is living, breathing, heart racing. | 0:49:03 | 0:49:07 | |
That's the you he fell in love with. | 0:49:07 | 0:49:09 | |
From now on, you wear the mask, yes? | 0:49:11 | 0:49:13 | |
I see you have Gareth Jensen eating out of the palm of your hand. | 0:49:21 | 0:49:25 | |
Do we have to snipe like this? | 0:49:25 | 0:49:27 | |
We still have to work together, | 0:49:27 | 0:49:28 | |
no matter what quarrels there are between us. | 0:49:28 | 0:49:30 | |
Quarrels. That's a quaint way to say "over". | 0:49:30 | 0:49:32 | |
I never meant to deceive you. | 0:49:32 | 0:49:34 | |
So, you're just an accidental liar? | 0:49:34 | 0:49:37 | |
There was no lie. My marriage is over. | 0:49:37 | 0:49:39 | |
What difference would telling you about it have made? | 0:49:39 | 0:49:41 | |
It was obviously important enough for you to hide it. | 0:49:41 | 0:49:43 | |
Who do you think we are? | 0:49:43 | 0:49:45 | |
Some fawning couple who stay up late into the night, | 0:49:45 | 0:49:47 | |
pouring out our souls? | 0:49:47 | 0:49:49 | |
That isn't us. I have a past, Jac. So do you. | 0:49:49 | 0:49:53 | |
If I was married, I would have told you. | 0:49:53 | 0:49:55 | |
-Are you still in love with her, is that it? -No. No. | 0:49:58 | 0:50:01 | |
Then, what? | 0:50:01 | 0:50:02 | |
There are parts of you, Jac Naylor, you will never let any man see. | 0:50:05 | 0:50:09 | |
I know that. I respect it. | 0:50:09 | 0:50:11 | |
I have never asked you to give me your secrets. | 0:50:11 | 0:50:14 | |
I thought you of all people might understand. | 0:50:14 | 0:50:17 | |
I'm glad I caught you. | 0:50:25 | 0:50:26 | |
It's been a long day. Can we... can we just do this later? | 0:50:28 | 0:50:32 | |
-I...I don't want the money. -What? | 0:50:32 | 0:50:36 | |
You were right. | 0:50:38 | 0:50:39 | |
I thought the money - winning it might make me feel | 0:50:40 | 0:50:44 | |
a little bit less terrible and it turns out, I feel even worse. | 0:50:44 | 0:50:49 | |
You're a decent bloke and your kids are lucky to have you. | 0:50:52 | 0:50:56 | |
You should take them to that gite. | 0:50:58 | 0:51:00 | |
Just, I don't know... don't go embarrassing them | 0:51:03 | 0:51:05 | |
by saying everything in a stupid French accent. | 0:51:05 | 0:51:07 | |
Really? | 0:51:11 | 0:51:12 | |
Yeah. | 0:51:14 | 0:51:15 | |
Then my kids are going to be very grateful for that advice. | 0:51:17 | 0:51:21 | |
It was never about his money. | 0:51:34 | 0:51:36 | |
Not then and not now. | 0:51:39 | 0:51:41 | |
It was always him that I wanted. | 0:51:46 | 0:51:48 | |
I'm really sorry about your dad. | 0:51:55 | 0:51:57 | |
There is something you could give me. | 0:52:08 | 0:52:10 | |
What's that? | 0:52:10 | 0:52:11 | |
Just tell me about him. What he was like in the end. | 0:52:13 | 0:52:17 | |
You must have liked him. | 0:52:17 | 0:52:19 | |
He was a good laugh. With a very big heart. | 0:52:21 | 0:52:24 | |
Yeah, there's a couple of stories I could tell you. | 0:52:26 | 0:52:29 | |
MUSIC BOX PLAYS | 0:52:41 | 0:52:44 | |
Hey. | 0:52:54 | 0:52:55 | |
Hey. | 0:52:57 | 0:52:58 | |
-Look, about earlier... -It's OK. | 0:53:02 | 0:53:05 | |
I spoke to the police... | 0:53:05 | 0:53:07 | |
..and told them everything. | 0:53:08 | 0:53:10 | |
That can't have been easy. | 0:53:12 | 0:53:13 | |
You were right. | 0:53:15 | 0:53:17 | |
Whatever Isaac felt for me... | 0:53:18 | 0:53:22 | |
..it certainly wasn't love. | 0:53:25 | 0:53:27 | |
One day you'll meet someone who deserves you. | 0:53:28 | 0:53:31 | |
Yeah. Sure(!) | 0:53:31 | 0:53:33 | |
You look nice. | 0:53:39 | 0:53:40 | |
It's the fundraiser at Albie's. But I can stay here? | 0:53:42 | 0:53:46 | |
Oh, don't be ridiculous. | 0:53:46 | 0:53:49 | |
I wish you could come. | 0:53:49 | 0:53:51 | |
Yeah, you and me both. | 0:53:51 | 0:53:52 | |
-Shall we set the standard? -As if you need to ask. | 0:53:55 | 0:53:57 | |
See, hashtag that and watch the re-posts roll in. | 0:54:03 | 0:54:07 | |
Once I've heavily filtered it. | 0:54:07 | 0:54:10 | |
You're sure you're going to be OK? | 0:54:10 | 0:54:12 | |
-Love you. -Love you. | 0:54:14 | 0:54:16 | |
Jasmine! | 0:54:49 | 0:54:50 | |
That event tonight, there'll be plenty of alcohol, right? | 0:54:50 | 0:54:54 | |
-You're coming? -Oh, you know me, charitable to a fault. | 0:54:55 | 0:54:58 | |
Ah, Mr Rossini, I'm glad I caught you. | 0:54:58 | 0:55:01 | |
I wanted to discuss the incident in theatre this afternoon. | 0:55:01 | 0:55:04 | |
I'm sorry, now is not a good time for me. | 0:55:04 | 0:55:06 | |
I understand a patient was put at risk. | 0:55:06 | 0:55:08 | |
I think that's worth making time for, don't you? | 0:55:08 | 0:55:11 | |
Am I in some kind of trouble? | 0:55:11 | 0:55:13 | |
Let's discuss it in my office, shall we? | 0:55:13 | 0:55:15 | |
So I made a mistake in theatre. | 0:55:15 | 0:55:17 | |
And, OK, it shouldn't have happened. | 0:55:17 | 0:55:18 | |
But she's supposed to be my mentor. She's supposed to have my back. | 0:55:18 | 0:55:22 | |
Instead, she goes running off to tell Hanssen. | 0:55:22 | 0:55:24 | |
-Have you spoken to her about this? -I tried. | 0:55:24 | 0:55:26 | |
It's just she told me she had bigger fish to fry. | 0:55:26 | 0:55:28 | |
Well, I wouldn't want to be that fish. | 0:55:28 | 0:55:31 | |
That's all any of us are anyway, isn't it? | 0:55:31 | 0:55:33 | |
Pets for her own amusement. | 0:55:33 | 0:55:35 | |
-That is a perfect pout. Shall we? -Yeah, go on... | 0:55:35 | 0:55:40 | |
-Oh, no. -Awful. -Dinner. | 0:55:40 | 0:55:42 | |
-Yes. -Yes. -Please. | 0:55:42 | 0:55:43 | |
That's it, guys, keep them coming and don't forget the hashtag. | 0:55:43 | 0:55:46 | |
It's really close at the top of the leader board. | 0:55:46 | 0:55:50 | |
-Speccy selfie? -What do you think? | 0:55:50 | 0:55:53 | |
-Fletch? -Yeah, why not? | 0:55:54 | 0:55:56 | |
I will have another drink, though. Double this time, please. | 0:55:56 | 0:55:59 | |
This on you...gorgeous. | 0:55:59 | 0:56:03 | |
Ready? | 0:56:03 | 0:56:04 | |
Oh! | 0:56:04 | 0:56:06 | |
Yeah, I might have to Photoshop me out. | 0:56:09 | 0:56:11 | |
-But apart from that... -Check it out. | 0:56:11 | 0:56:14 | |
Where are we? Shall we sit with Fletch? | 0:56:14 | 0:56:16 | |
No, maybe leave him to it. Hang here. I'll get some drinks. | 0:56:16 | 0:56:20 | |
Can I have a pint and a dry white wine, please? | 0:56:20 | 0:56:24 | |
-Having fun? -I've had worse, mate. Here you are. | 0:56:24 | 0:56:28 | |
No, no thanks. | 0:56:28 | 0:56:30 | |
Cheers. | 0:56:30 | 0:56:31 | |
Tell you what, your old man would've loved this. | 0:56:32 | 0:56:35 | |
-Bit of a showman, Old Fish Eyes. -What, they still call him that? | 0:56:35 | 0:56:38 | |
Yeah. Very proud of his reputation, your dad. | 0:56:38 | 0:56:41 | |
All that money he won and wasted. | 0:56:41 | 0:56:44 | |
But he did have a good heart. | 0:56:46 | 0:56:48 | |
You know what, he'd have been standing on this bar, | 0:56:48 | 0:56:51 | |
daring everyone to give as big as he was. | 0:56:51 | 0:56:53 | |
Hold that thought. | 0:56:55 | 0:56:57 | |
-Jasmine. -Yeah? | 0:56:57 | 0:56:58 | |
What are you doing? | 0:57:01 | 0:57:02 | |
-Are you serious? -Yeah, why not? | 0:57:04 | 0:57:06 | |
Everyone, everyone! | 0:57:07 | 0:57:09 | |
Anything that's donated in the next 20 minutes, | 0:57:09 | 0:57:12 | |
-Fletch is going to double it. -In memory of Old Fish Eyes. | 0:57:12 | 0:57:16 | |
You're the best! | 0:57:16 | 0:57:18 | |
You don't have to do that. | 0:57:18 | 0:57:20 | |
He would have done exactly the same. | 0:57:21 | 0:57:23 | |
Thank you. | 0:57:25 | 0:57:26 | |
To Artem. | 0:57:27 | 0:57:30 | |
To Artem. And to second chances. | 0:57:30 | 0:57:33 | |
CHEERING | 0:57:39 | 0:57:42 |