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Of course we'd have to issue a public apology for the failure of the examiner on the trial. | 0:00:02 | 0:00:05 | |
It was the drug in its most rudimentary form | 0:00:05 | 0:00:07 | |
that caused those deaths. | 0:00:07 | 0:00:09 | |
Deaths, Fredrik? | 0:00:09 | 0:00:10 | |
What do you say, Fletch? | 0:00:10 | 0:00:11 | |
Do you want to be the Director of Nursing? | 0:00:11 | 0:00:13 | |
-Yale? -This is your ticket to a seat at the big girls' table. | 0:00:13 | 0:00:16 | |
Zosia, I'm seeing a psychotherapist. | 0:00:16 | 0:00:18 | |
They're worried you're not fit for work. | 0:00:18 | 0:00:20 | |
Your fiance has just turned down my elite CT placement | 0:00:20 | 0:00:22 | |
and is switching to Neuro. | 0:00:22 | 0:00:24 | |
Anabolic steroids. | 0:00:24 | 0:00:25 | |
There you go. | 0:00:25 | 0:00:27 | |
I'm not addicted. Are you happy now? | 0:00:27 | 0:00:29 | |
You'll never see us again. | 0:00:29 | 0:00:31 | |
That is the price I have to pay for my humanity. | 0:00:31 | 0:00:36 | |
Of course, the outcome would be different this time. | 0:01:16 | 0:01:21 | |
That would be guaranteed. | 0:01:23 | 0:01:25 | |
This can do it. | 0:01:27 | 0:01:28 | |
Really... do it. | 0:01:30 | 0:01:32 | |
It could be the breakthrough. | 0:01:33 | 0:01:35 | |
But I'm sure you have anticipated by now that... | 0:01:38 | 0:01:41 | |
..it also needs you... | 0:01:42 | 0:01:44 | |
..to, once again, safeguard the future of this family. | 0:01:46 | 0:01:49 | |
Your family. | 0:01:53 | 0:01:54 | |
But in the name of progress... | 0:01:57 | 0:01:58 | |
..because I hope you can understand my reputation in Sweden... | 0:02:00 | 0:02:05 | |
No. No. | 0:02:08 | 0:02:11 | |
I should state the science first. | 0:02:11 | 0:02:12 | |
-There's nothing like this on the market. -You have 12 weeks. | 0:02:12 | 0:02:15 | |
-There's plenty of time to get that bit right. -It is right. | 0:02:15 | 0:02:18 | |
So, earn his trust back and he will help. | 0:02:18 | 0:02:21 | |
It can't wait that long. | 0:02:21 | 0:02:22 | |
His recommendation is only the first part... | 0:02:22 | 0:02:24 | |
Yes, but it's the most important. | 0:02:24 | 0:02:26 | |
12 weeks. It's enough time to make it feel natural enough. | 0:02:28 | 0:02:31 | |
But, for now, your first day...? | 0:02:32 | 0:02:34 | |
You're determined to humiliate me. | 0:02:36 | 0:02:39 | |
Fredrik, you promised. | 0:02:39 | 0:02:40 | |
Because...I hope you can understand the position I'm in. | 0:02:47 | 0:02:51 | |
My reputation in Sweden is compromised... | 0:02:53 | 0:02:57 | |
-..despite my acquittal... -Fredrik. | 0:02:58 | 0:03:00 | |
But I understand why you did what you did. | 0:03:00 | 0:03:03 | |
Dominic Copeland, registrar. | 0:03:13 | 0:03:15 | |
Hm. | 0:03:15 | 0:03:17 | |
Just feels like another one of those "and then there were two" moments. | 0:03:19 | 0:03:23 | |
Going to be plenty more of those. | 0:03:24 | 0:03:26 | |
He would have been so proud today. | 0:03:29 | 0:03:31 | |
-I need staff. -I have that covered. | 0:03:34 | 0:03:36 | |
Three electives, a full clinic this afternoon, limited resources. | 0:03:36 | 0:03:39 | |
-Is there no way you can start Darwin? -Orders. Not mine. | 0:03:39 | 0:03:42 | |
-That means the Trust. -That means I can't say. | 0:03:42 | 0:03:45 | |
Ward by ward, consultant by consultant, | 0:03:45 | 0:03:47 | |
that's all anyone needs to know. | 0:03:47 | 0:03:49 | |
Great, so the wheel stops with me. | 0:03:49 | 0:03:50 | |
Sacha, it is one day under the microscope. | 0:03:50 | 0:03:53 | |
Which we all know leads to a lifetime of problems. | 0:03:53 | 0:03:56 | |
Career of problems. | 0:03:56 | 0:03:57 | |
Is there a difference? | 0:03:57 | 0:03:59 | |
That's the spirit. | 0:03:59 | 0:04:00 | |
Please. Come on, one day to clear my electives. | 0:04:00 | 0:04:04 | |
You're up first. Rally the Keller troops. | 0:04:04 | 0:04:07 | |
Did you say you had that covered? | 0:04:08 | 0:04:10 | |
Of course you did. | 0:04:13 | 0:04:15 | |
Hey, I found this gentleman struggling with | 0:04:16 | 0:04:19 | |
one of the lockers. Apparently he's one of us. | 0:04:19 | 0:04:21 | |
Fredrik Johanssen. Wow, that's an interactive resume. | 0:04:21 | 0:04:27 | |
I see your name and you pop up! | 0:04:27 | 0:04:29 | |
So, what do you prefer - Mr Johanssen, Fred, Freddie? | 0:04:30 | 0:04:32 | |
Fredrik is fine. | 0:04:32 | 0:04:34 | |
Great, super. | 0:04:35 | 0:04:36 | |
Where shall I start? | 0:04:36 | 0:04:38 | |
Um... | 0:04:38 | 0:04:39 | |
My... | 0:04:39 | 0:04:41 | |
..office? | 0:04:43 | 0:04:44 | |
Therapy. That's what they should give me. | 0:04:46 | 0:04:48 | |
How many years serving like a butler to that woman's every whim? | 0:04:48 | 0:04:51 | |
I take one break from her and she fills my return with | 0:04:51 | 0:04:54 | |
the equivalent of slopping out the outhouse. | 0:04:54 | 0:04:56 | |
-Your decision, I recall. -Stockholm syndrome. | 0:04:56 | 0:04:59 | |
Though even on AAU I'd wake up | 0:04:59 | 0:05:00 | |
in the middle of the night with a cold sweat. | 0:05:00 | 0:05:02 | |
Post traumatic Jac syndrome. | 0:05:02 | 0:05:04 | |
What can I say - I'm a woman on the verge of having it all? | 0:05:06 | 0:05:09 | |
Oh and how lucky am I to be a little wedge in your little pie chart? | 0:05:09 | 0:05:13 | |
"WHO ARE YOU" BY THE WHO BLARES | 0:05:13 | 0:05:17 | |
Hey, Zosh! Just in time. | 0:05:20 | 0:05:23 | |
What do you think? King or The Boss? | 0:05:23 | 0:05:25 | |
For Lord Fletcher? Of course. Three bags full. | 0:05:29 | 0:05:32 | |
Apparently, his brand spanking Darwin office isn't up | 0:05:33 | 0:05:36 | |
to his standard yet so he's slumming it with us proles for another day. | 0:05:36 | 0:05:39 | |
By "not up to standards" I take it you mean not ready? | 0:05:39 | 0:05:41 | |
Honestly, even if it was ready I don't think he'd sign off on it. | 0:05:41 | 0:05:44 | |
You seen my list? | 0:05:44 | 0:05:46 | |
And, by the way, that was a nurse calling for him. | 0:05:46 | 0:05:48 | |
He's already bagged himself a secretary. | 0:05:48 | 0:05:50 | |
Mr Brown needs his ECG. | 0:05:50 | 0:05:53 | |
In the meantime, his highness has sent down a list of tasks | 0:05:53 | 0:05:55 | |
he wants doing on top of the everyday survival of AAU. | 0:05:55 | 0:05:58 | |
Well, I wish him luck with that. So what have we got? | 0:05:58 | 0:06:01 | |
Two hot gallbladders and an incarcerated hernia. | 0:06:01 | 0:06:04 | |
-Donna! -Oh, here we go. -Can you give me a shout when you've done | 0:06:04 | 0:06:06 | |
the off duty? And there's rumours flying around that Darwin's next | 0:06:06 | 0:06:09 | |
on this merry-go-round of assessments so I need you | 0:06:09 | 0:06:12 | |
to plug the gap here while I dance between both wards, OK? | 0:06:12 | 0:06:14 | |
-Sorry. You're a life-saver! -I'm a life-saver, apparently. | 0:06:14 | 0:06:17 | |
If they bump up my pay-grade, I'll even do mouth-to-mouth. | 0:06:19 | 0:06:22 | |
Elective after elective, discharge times we have to | 0:06:22 | 0:06:24 | |
stick to or else we face a mountain of paperwork | 0:06:24 | 0:06:26 | |
explaining why we couldn't. | 0:06:26 | 0:06:28 | |
And the usual, no beds, no slots, no time... | 0:06:28 | 0:06:30 | |
Everything has to be meticulously planned or not at all. | 0:06:30 | 0:06:32 | |
Theatre lists need to be reviewed and noted. | 0:06:32 | 0:06:35 | |
OK, er, this pile underneath are dictations | 0:06:35 | 0:06:39 | |
for transplant assessments. | 0:06:39 | 0:06:41 | |
Good luck. | 0:06:41 | 0:06:42 | |
Well, these beds won't change themselves. | 0:06:45 | 0:06:48 | |
Bet it's not like that in Sweden. Reckon you're mad coming here. | 0:06:50 | 0:06:53 | |
12-week attachment. Little time for madness. | 0:06:53 | 0:06:57 | |
Few people would disagree with you there. | 0:06:57 | 0:06:59 | |
Him being one? | 0:07:00 | 0:07:01 | |
Mr Levy? He's really copping it today. | 0:07:01 | 0:07:04 | |
Bit tense. Apparently there's some kind of assessment | 0:07:04 | 0:07:07 | |
from the Trust, or the enigmatic Mr Hanssen. | 0:07:07 | 0:07:11 | |
He's Swedish as well. You might know him! | 0:07:11 | 0:07:13 | |
Bit weird. | 0:07:15 | 0:07:17 | |
Well, not weird, just... he's my boss so... Shut up, Lofty! | 0:07:17 | 0:07:22 | |
He's got ears everywhere, though. | 0:07:23 | 0:07:25 | |
I'm going to look into these electives, prepare myself. | 0:07:27 | 0:07:30 | |
Harvest, though, not Gold Rush. Needs the extra emotional depth. | 0:07:40 | 0:07:43 | |
They're both here somewhere. | 0:07:44 | 0:07:46 | |
I thought you'd done hundreds of subdural haematomas? | 0:07:46 | 0:07:48 | |
Thousands, probably. | 0:07:48 | 0:07:50 | |
But this is a microvascular decompression to cure | 0:07:50 | 0:07:53 | |
trigeminal neuralgia. | 0:07:53 | 0:07:55 | |
Extreme facial pain. And it requires a soundtrack. | 0:07:55 | 0:07:58 | |
-Yes, I know what it is. -It's a referral from the Lexington Neuro. | 0:07:58 | 0:08:01 | |
And did they ask for you specifically? | 0:08:01 | 0:08:03 | |
Well, they always ask for me specifically, | 0:08:03 | 0:08:05 | |
I just can't always say yes. | 0:08:05 | 0:08:06 | |
This, however, is what in Brain Geek Creek | 0:08:06 | 0:08:10 | |
we would call "irresistible." | 0:08:10 | 0:08:12 | |
And what in the Creek would they call this? | 0:08:12 | 0:08:15 | |
It's, er... just something that, um... | 0:08:16 | 0:08:20 | |
Dr Burton had me do. It's the rest of your mother's family. | 0:08:20 | 0:08:22 | |
You won't remember them. | 0:08:22 | 0:08:23 | |
-That's Auntie Chris? -That's right. | 0:08:23 | 0:08:26 | |
Yeah, I know. I stayed with her. And her daughter. | 0:08:26 | 0:08:29 | |
I should have invited them to the wedding. | 0:08:29 | 0:08:31 | |
Um, well, I don't think so. | 0:08:31 | 0:08:32 | |
Why not? | 0:08:34 | 0:08:35 | |
You're doing great, I'm doing great, it would be nice | 0:08:35 | 0:08:38 | |
to meet the rest of that side of the family... | 0:08:38 | 0:08:40 | |
Yes, but we have an operation to prepare for! | 0:08:40 | 0:08:42 | |
What about something classical? | 0:08:42 | 0:08:44 | |
Something with a bit of status, what do you think? | 0:08:44 | 0:08:46 | |
I had no idea he was your son. | 0:08:49 | 0:08:51 | |
No. Why would you? | 0:08:51 | 0:08:53 | |
Just, I had no idea he was coming, that's all. | 0:08:53 | 0:08:55 | |
KNOCK ON DOOR Come in. | 0:08:55 | 0:08:57 | |
Thank you, Ms Karnik. | 0:08:59 | 0:09:01 | |
So... | 0:09:09 | 0:09:11 | |
I get summoned like all the rest? | 0:09:11 | 0:09:13 | |
What are you here for, Fredrik? | 0:09:13 | 0:09:15 | |
A 12-week attachment. I need the practical experience. | 0:09:15 | 0:09:18 | |
Yes, I know what it says on the form but what I want to know is | 0:09:18 | 0:09:21 | |
what are you here for? | 0:09:21 | 0:09:22 | |
OK... | 0:09:24 | 0:09:25 | |
I was hoping you'd understand the position I'm in. | 0:09:30 | 0:09:34 | |
My reputation in Sweden is compromised... | 0:09:34 | 0:09:36 | |
-I can understand that. -I was acquitted! | 0:09:36 | 0:09:39 | |
I know. | 0:09:39 | 0:09:41 | |
You followed the trial? | 0:09:41 | 0:09:42 | |
Of course. | 0:09:42 | 0:09:44 | |
Hoping for what outcome? | 0:09:44 | 0:09:45 | |
Look, I know why you did what you did... | 0:09:52 | 0:09:58 | |
All right, we'll get you your practical experience, | 0:09:58 | 0:10:00 | |
if that's what you need. | 0:10:00 | 0:10:02 | |
What else would I need? | 0:10:04 | 0:10:05 | |
Oh, a set of scrubs for a start. | 0:10:05 | 0:10:08 | |
You look like you've come dressed for a funeral. | 0:10:08 | 0:10:10 | |
Fredrik. | 0:10:15 | 0:10:16 | |
I hope you know what you're doing. | 0:10:17 | 0:10:20 | |
You don't think I can do it? | 0:10:20 | 0:10:22 | |
What's this? | 0:10:31 | 0:10:32 | |
-Place settings. -For our wedding? | 0:10:32 | 0:10:34 | |
No, for the teddy bears' picnic in the woods. | 0:10:34 | 0:10:36 | |
-Yes! For our wedding. -Sorry, maybe my intonation was wrong. | 0:10:36 | 0:10:39 | |
For OUR wedding? | 0:10:39 | 0:10:41 | |
It's funny. I've seen them do it before. | 0:10:41 | 0:10:43 | |
Old photos of strangers in uncompromising positions. | 0:10:43 | 0:10:45 | |
-My family. -Oh! Family... in compromising positions. | 0:10:45 | 0:10:49 | |
-Those two are not related. -A family I never knew you had. | 0:10:49 | 0:10:52 | |
My mum's side. After she died I hardly saw them. | 0:10:52 | 0:10:55 | |
I met some, but... | 0:10:55 | 0:10:57 | |
So, what do you think? | 0:10:57 | 0:10:59 | |
We find the funniest photo and we use it as a place setting. | 0:10:59 | 0:11:02 | |
Sorry, so these old semi-naked Polish people that you barely know, | 0:11:02 | 0:11:06 | |
I've never met, let alone budgeted for, suddenly on top table? | 0:11:06 | 0:11:10 | |
I have to invite them first. | 0:11:10 | 0:11:11 | |
Assuming they're still alive. | 0:11:11 | 0:11:13 | |
Unless that's a problem? | 0:11:13 | 0:11:14 | |
We're at capacity. | 0:11:14 | 0:11:16 | |
If it's a cost thing, I'm sure my dad will help. | 0:11:16 | 0:11:18 | |
It's a capacity thing. Sorry, what about my family? | 0:11:18 | 0:11:20 | |
-And my extras? -Well, then you have to find some funny photos, too. | 0:11:20 | 0:11:23 | |
Oh, we don't have any funny photos. | 0:11:23 | 0:11:25 | |
And therein lies the problem with the Valentine family. | 0:11:25 | 0:11:27 | |
OK. | 0:11:27 | 0:11:28 | |
Far be it for me to be question the sudden shift from laissez-faire | 0:11:28 | 0:11:31 | |
to bridezilla, but... | 0:11:31 | 0:11:33 | |
why the sudden shift to bridezilla? | 0:11:33 | 0:11:35 | |
Hardly. | 0:11:36 | 0:11:37 | |
I just realised that maybe I was focusing a little bit too much on... | 0:11:37 | 0:11:41 | |
me. | 0:11:41 | 0:11:43 | |
Well you certainly look a lot different than the last time | 0:11:50 | 0:11:52 | |
I saw you. | 0:11:52 | 0:11:53 | |
Dr Copeland. | 0:11:56 | 0:11:57 | |
It's actually Mr now. Well, that was some pancreatic tear I treated. | 0:11:57 | 0:12:02 | |
-It must have taken you some time to get over... -Some. | 0:12:02 | 0:12:05 | |
Yeah, I'm not a great one for wallowing in self-pity. | 0:12:05 | 0:12:08 | |
Sacha and Lofty had absolutely no idea who you were. | 0:12:08 | 0:12:11 | |
They were both mortified, Lofty especially. | 0:12:11 | 0:12:13 | |
-Friendly guy. -Yeah, friendliest. And I'm going to come across | 0:12:13 | 0:12:16 | |
as the opposite of that now, but, I'm sorry, would you mind | 0:12:16 | 0:12:19 | |
if we give you a different locker? | 0:12:19 | 0:12:20 | |
They shouldn't have given that one out. We retired it | 0:12:20 | 0:12:22 | |
a little while ago. It belonged to a friend of ours. | 0:12:22 | 0:12:26 | |
Oh. Of course. Consider it done. | 0:12:26 | 0:12:30 | |
-Sorry, I know it's really weird. -No, I'm only here | 0:12:30 | 0:12:32 | |
for a few weeks, so I really don't care where I go, and... | 0:12:32 | 0:12:36 | |
And sorry about your friend. | 0:12:38 | 0:12:40 | |
Thank you. | 0:12:41 | 0:12:43 | |
I know he was like another son to my father. | 0:12:43 | 0:12:45 | |
Straight through to bay three, please. Dr Digby, I need you | 0:12:48 | 0:12:51 | |
to do an ABPI and check his lower limb pulse. | 0:12:51 | 0:12:53 | |
-We're waiting for an RTA. -Double leg fracture falling off a phone box. | 0:12:53 | 0:12:56 | |
Something to do with a couple of funny cigarettes, | 0:12:56 | 0:12:58 | |
-a stick of rock and a bottle of Remy Martin. Go figure. -Incoming! | 0:12:58 | 0:13:02 | |
-Here come the rest of So Solid Crew. -Give me strength. | 0:13:02 | 0:13:05 | |
Whoa, whoa, whoa! Can I stop you there, fellas? | 0:13:05 | 0:13:08 | |
Whose bright idea was it to redecorate | 0:13:08 | 0:13:10 | |
the penthouse during an amber alert? | 0:13:10 | 0:13:11 | |
I think you must be confused. We're doing a job for Budgie. | 0:13:11 | 0:13:14 | |
He's moving in to the big office here, just while upstairs | 0:13:14 | 0:13:18 | |
-get their act together. -Budgie? | 0:13:18 | 0:13:19 | |
Yeah, he's the new Director of Nursing. | 0:13:19 | 0:13:22 | |
Do you know what? He, um, he told me about this. | 0:13:27 | 0:13:30 | |
Why don't you pop that back and I'll take over? | 0:13:30 | 0:13:33 | |
I would love to help him out. | 0:13:33 | 0:13:34 | |
If you say so. To me, to me. | 0:13:34 | 0:13:36 | |
To you. | 0:13:36 | 0:13:38 | |
Mr Levy. I need to know which operations I'll be assisting on. | 0:13:42 | 0:13:46 | |
Ms Easterman, this is Mr Johanssen. He's going to be talking you | 0:13:48 | 0:13:50 | |
through everything before your operation, all right? | 0:13:50 | 0:13:53 | |
Ah, yes, you're the adrenalectomy for phaeochromocytoma. | 0:13:53 | 0:13:56 | |
-You've been experiencing anxiety, panic attacks. -Oh, he's cute. | 0:13:56 | 0:14:00 | |
I'm not great company at the best of times | 0:14:00 | 0:14:02 | |
but, yes, they call it anxiety. | 0:14:02 | 0:14:04 | |
Though, honestly, if you ask Mr Levy here, | 0:14:04 | 0:14:06 | |
I'm sure he can attest I'm much, much darker than that. | 0:14:06 | 0:14:09 | |
Right, I shall leave you in his capable hands. | 0:14:11 | 0:14:14 | |
Have I seen you here before? | 0:14:14 | 0:14:16 | |
I think I just have one of those faces. | 0:14:16 | 0:14:18 | |
-Fredrik, I'm mortified. -And I'm Ms Easterman. | 0:14:18 | 0:14:21 | |
I had no idea who you were and when I said "weird," I didn't... | 0:14:21 | 0:14:23 | |
Who is he? Good or bad? | 0:14:23 | 0:14:25 | |
I need to know if I'm being treated by a bad one. | 0:14:25 | 0:14:27 | |
Are you important Dr Johanssen? | 0:14:27 | 0:14:29 | |
I'm the opposite. | 0:14:29 | 0:14:31 | |
Mr Levy, I've done your dictations, referrals to transfer, | 0:14:31 | 0:14:34 | |
patient lists, everything asked of me, and, to be frank, | 0:14:34 | 0:14:37 | |
I feel a little like a second class citizen here | 0:14:37 | 0:14:39 | |
as everyone else disappears into surgery. | 0:14:39 | 0:14:42 | |
Well, I'm very sorry to hear that. | 0:14:42 | 0:14:43 | |
I don't see my name down even to assist. | 0:14:43 | 0:14:46 | |
The truth is we're still waiting on some paperwork. | 0:14:46 | 0:14:50 | |
Paperwork? I don't think so. | 0:14:50 | 0:14:51 | |
Some documentation has been held up, | 0:14:51 | 0:14:53 | |
your occupational health clearance or something, | 0:14:53 | 0:14:55 | |
and until that comes, I'm afraid I can't let you into theatre. | 0:14:55 | 0:14:59 | |
Sorry. | 0:15:01 | 0:15:02 | |
Marco has been bounced from specialist to specialist. | 0:15:04 | 0:15:07 | |
Fluid on the brain. | 0:15:07 | 0:15:08 | |
Yes. Hydrocephalus. And you had a shunt fitted a few weeks ago. | 0:15:08 | 0:15:12 | |
Turns out number one dad is also number one neuro surgeon. | 0:15:12 | 0:15:16 | |
He really came to my rescue with this shunt thing. | 0:15:16 | 0:15:19 | |
The sodium levels in the blood are normal, | 0:15:19 | 0:15:21 | |
but we will have to do a CT to check the shunt is in place. | 0:15:21 | 0:15:24 | |
So, we'll be back. | 0:15:24 | 0:15:25 | |
My opinion? Safe money is on a virus. | 0:15:31 | 0:15:35 | |
Based on his history? | 0:15:35 | 0:15:37 | |
Or the fact that he's reported drowsiness and headaches since he had it put in? | 0:15:37 | 0:15:40 | |
Based on the freezing cold temperatures he works in. | 0:15:40 | 0:15:43 | |
In Scotland? | 0:15:44 | 0:15:46 | |
Is that the coldest place you can think of? | 0:15:47 | 0:15:50 | |
No. Fish market. Marco is one of the last of the great fish porters. | 0:15:50 | 0:15:54 | |
Family business, lovely man. But we have bigger fish to fry. | 0:15:54 | 0:15:58 | |
Microvascular decompression awaits. | 0:15:58 | 0:16:00 | |
And I have just the piece to accompany it. | 0:16:00 | 0:16:03 | |
I'm more than happy to make this a silent relationship if you prefer? | 0:16:09 | 0:16:12 | |
Lean forward, please. | 0:16:14 | 0:16:15 | |
Your heart rate fluctuate much? | 0:16:20 | 0:16:22 | |
Everything that can go wrong does go wrong. I'd like an end. | 0:16:22 | 0:16:26 | |
That's the tumour talking. | 0:16:26 | 0:16:28 | |
You know that, do you? | 0:16:28 | 0:16:30 | |
Unless you really are as dark minded as you say. | 0:16:30 | 0:16:32 | |
I didn't mean that kind of end. | 0:16:32 | 0:16:34 | |
Though I suppose it's inevitable. | 0:16:34 | 0:16:36 | |
I have to ask. | 0:16:37 | 0:16:39 | |
Have you ever had suicidal thoughts? | 0:16:39 | 0:16:41 | |
No. | 0:16:42 | 0:16:43 | |
Have you? | 0:16:44 | 0:16:45 | |
Never. | 0:16:49 | 0:16:50 | |
You eating properly? | 0:16:50 | 0:16:52 | |
I don't do anything properly. | 0:16:52 | 0:16:54 | |
Apart from lying in bed and feeling sorry for yourself. | 0:16:54 | 0:16:57 | |
You know you have a strange sense of humour. | 0:16:57 | 0:17:00 | |
So much for that silent relationship. | 0:17:00 | 0:17:03 | |
Feeling sleepy? | 0:17:04 | 0:17:05 | |
OK, I've got you. | 0:17:05 | 0:17:08 | |
Just lay still. | 0:17:08 | 0:17:09 | |
Weirdo! Why would I say that? To his son! | 0:17:12 | 0:17:16 | |
I need to go and find that locker, the poor guy's... | 0:17:16 | 0:17:18 | |
Lofty, please, just give it a rest for a bit, will you, please? | 0:17:18 | 0:17:21 | |
-Sorry. -Are you all right? | 0:17:21 | 0:17:24 | |
Look, it's just...it's my first day as a registrar, | 0:17:24 | 0:17:27 | |
there are all these rumours going around the hospital, | 0:17:27 | 0:17:29 | |
Sacha's under pressure. | 0:17:29 | 0:17:31 | |
And now we've got Doctor Doom stalking the ward. | 0:17:31 | 0:17:33 | |
-Doctor Doom? -You do know that he conducted a drug trial that | 0:17:33 | 0:17:36 | |
resulted in the death of six people. | 0:17:36 | 0:17:38 | |
Six - I mean, call me old-fashioned but I'm not the kind of doctor | 0:17:38 | 0:17:42 | |
who believes in collateral when it comes to some sort of greater... | 0:17:42 | 0:17:45 | |
I don't think Dom, er... | 0:17:47 | 0:17:49 | |
Fredrik, I'm...I'm sorry, that was really insensitive of me. | 0:17:49 | 0:17:53 | |
I'm just, you know... | 0:17:54 | 0:17:56 | |
No, you're right. Six of them... | 0:17:56 | 0:17:59 | |
The first one had a peripheral vascular shutdown | 0:18:01 | 0:18:05 | |
causing paraesthesia. | 0:18:05 | 0:18:07 | |
The blood supply to his limbs was cut off, | 0:18:07 | 0:18:09 | |
which led to infection, amputation and a painful death. | 0:18:09 | 0:18:12 | |
I'm sorry, I... | 0:18:12 | 0:18:13 | |
The second was a myocardial infarction due to | 0:18:13 | 0:18:16 | |
lack of blood supply in the heart muscles. | 0:18:16 | 0:18:18 | |
Third one went blind due to ophthalmic problems. Should I go on? | 0:18:18 | 0:18:21 | |
The fourth one was found... | 0:18:21 | 0:18:23 | |
Fredrik. Honestly, it was a mistake. | 0:18:23 | 0:18:25 | |
It's just after everything today... | 0:18:25 | 0:18:27 | |
Yes, of course. You must be worried. | 0:18:27 | 0:18:30 | |
What do you mean by that? | 0:18:31 | 0:18:33 | |
Just the age of uncertainty in this country. Takeovers, mergers, | 0:18:33 | 0:18:39 | |
people having to re-apply for their own roles. | 0:18:39 | 0:18:41 | |
Well, I love my job. And I'm very good at it. | 0:18:43 | 0:18:46 | |
Oh, I don't doubt that. | 0:18:46 | 0:18:48 | |
Staying good, though... | 0:18:49 | 0:18:50 | |
..that's the important thing. | 0:18:52 | 0:18:54 | |
Which theatre is Mr Levy in? | 0:18:57 | 0:19:00 | |
This way... | 0:19:00 | 0:19:01 | |
-Miss Jackson. -Bloody hell, you gave me a fright. | 0:19:08 | 0:19:10 | |
There's a man over there saying he has an online order for you. | 0:19:10 | 0:19:14 | |
Something about free recycling? | 0:19:14 | 0:19:16 | |
Is that for Donna Jackson? That's me. | 0:19:16 | 0:19:18 | |
-All yours. -Thank you. Ah! | 0:19:18 | 0:19:21 | |
Let's have a look. Ah! How great is that? | 0:19:21 | 0:19:23 | |
-Is that what I think it is? -Certainly is. | 0:19:23 | 0:19:25 | |
It's going to a good home so thank you for coming all the way in. | 0:19:25 | 0:19:29 | |
-What is that? -Oh, it's just a scratch. | 0:19:29 | 0:19:31 | |
Hop on a stool in triage and I'll get someone to see you. | 0:19:31 | 0:19:34 | |
Ms Easterman, the phaeochromocytoma, | 0:19:36 | 0:19:38 | |
she's experiencing strange symptoms that... | 0:19:38 | 0:19:40 | |
Yes, that's what the tumour will do. | 0:19:40 | 0:19:42 | |
But unrelated. Drooling, memory problems, drowsiness, | 0:19:42 | 0:19:44 | |
-muscle weakness... -Panic attacks, feelings of gloom? | 0:19:44 | 0:19:46 | |
-She's been experiencing them for weeks. -Emotions all over the place, | 0:19:46 | 0:19:49 | |
I agree, but these are all specifically different | 0:19:49 | 0:19:51 | |
to anything she should be experiencing. | 0:19:51 | 0:19:53 | |
Once we do the operation, it should fix all of that. | 0:19:53 | 0:19:55 | |
I'm saying I don't think we should be operating yet until we know. | 0:19:55 | 0:19:59 | |
But I can help. | 0:19:59 | 0:20:00 | |
I know you think this is me delaying to get theatre time but, please... | 0:20:01 | 0:20:04 | |
I have to go, all right? We'll talk later. | 0:20:04 | 0:20:06 | |
You OK? | 0:20:15 | 0:20:16 | |
I need you to take the bloods from Ms Easterman | 0:20:18 | 0:20:20 | |
and send them to the lab. | 0:20:20 | 0:20:22 | |
I didn't want to knock on your door because it felt a little bit formal, | 0:20:26 | 0:20:29 | |
and I'd much rather this was off the record, if that's OK? | 0:20:29 | 0:20:32 | |
It's all right. | 0:20:32 | 0:20:34 | |
HE SIGHS | 0:20:35 | 0:20:37 | |
With everything that's been happening with me recently... | 0:20:37 | 0:20:42 | |
..I just didn't want to be the cause of any more... | 0:20:43 | 0:20:47 | |
You were never the cause. | 0:20:47 | 0:20:49 | |
I can't stop taking steroids. | 0:20:56 | 0:20:58 | |
I've been taking them for a while. | 0:21:04 | 0:21:06 | |
No-one knows. | 0:21:08 | 0:21:09 | |
I don't have symptoms, you know. I'm not angry. | 0:21:09 | 0:21:13 | |
I'm not going to get all psychotic. | 0:21:13 | 0:21:15 | |
I just wanted to come to you now | 0:21:17 | 0:21:21 | |
because I want to stay on top. | 0:21:21 | 0:21:23 | |
I want to...stay as good at my job as I always am. | 0:21:25 | 0:21:30 | |
And I'm always burdening Sacha with these things, so... | 0:21:34 | 0:21:37 | |
So I'm the only person you've told? | 0:21:37 | 0:21:39 | |
Well, this is an illness. You're ill. | 0:21:41 | 0:21:43 | |
And I can't ignore it, I'm afraid. | 0:21:43 | 0:21:45 | |
You know what, this was probably a bad idea. | 0:21:47 | 0:21:49 | |
It's my first day as registrar and I've already come to you for help. | 0:21:49 | 0:21:52 | |
So, we'll get you help from Occupational Therapy. | 0:21:54 | 0:21:57 | |
They'll do a psychological assessment | 0:21:57 | 0:22:00 | |
and report back to me in confidence. | 0:22:00 | 0:22:01 | |
I want you to do exactly as they say, please. | 0:22:01 | 0:22:05 | |
I'll monitor you on a weekly basis. | 0:22:05 | 0:22:07 | |
The fact that you came forward is important. | 0:22:11 | 0:22:14 | |
Thank you. | 0:22:17 | 0:22:19 | |
Is it because of Isaac? | 0:22:26 | 0:22:27 | |
It's just an illness. | 0:22:34 | 0:22:35 | |
Now, look. | 0:22:38 | 0:22:40 | |
You are a good doctor. | 0:22:40 | 0:22:42 | |
I believe in you. | 0:22:44 | 0:22:45 | |
CLASSICAL MUSIC: Spiegel Im Spiegel by Arvo Part | 0:22:58 | 0:23:01 | |
Through the archway... | 0:23:24 | 0:23:26 | |
and under. | 0:23:26 | 0:23:27 | |
Softly... | 0:23:29 | 0:23:30 | |
lift. | 0:23:30 | 0:23:31 | |
And lay her down. | 0:23:33 | 0:23:35 | |
There's that the buzz for you. | 0:23:45 | 0:23:47 | |
A thing of beauty, wasn't it? | 0:23:51 | 0:23:53 | |
Yes. It really was. | 0:23:55 | 0:23:56 | |
AMBULANCE SIREN BLARES THROUGH MUSIC | 0:23:58 | 0:24:03 | |
PHONE RINGS | 0:24:07 | 0:24:10 | |
Fredrik? | 0:24:10 | 0:24:11 | |
It's not as easy as I thought. | 0:24:11 | 0:24:13 | |
I think we're going to have to rethink. | 0:24:14 | 0:24:18 | |
Maybe look at another way of convincing him. | 0:24:18 | 0:24:21 | |
There are too many factors against, Sara! | 0:24:24 | 0:24:26 | |
Maybe we look for help from someone else. I don't know, I just... | 0:24:26 | 0:24:29 | |
I have to go. | 0:24:30 | 0:24:32 | |
Mr Johanssen! Ms Easterman, | 0:24:38 | 0:24:40 | |
pulse is low, BP through the roof. | 0:24:40 | 0:24:42 | |
How many fingers? | 0:24:52 | 0:24:53 | |
Five. | 0:24:54 | 0:24:55 | |
Which symptom of the tumour was worse? Crying? Panic attacks? | 0:25:00 | 0:25:05 | |
Benzodiazepines in your blood. | 0:25:05 | 0:25:08 | |
You're self-medicating. | 0:25:09 | 0:25:10 | |
I was right. These symptoms, | 0:25:12 | 0:25:14 | |
they're nothing to do with the phaeochromocytoma. | 0:25:14 | 0:25:17 | |
She's been self-medicating. | 0:25:17 | 0:25:19 | |
At a guess, it's safe to rule her out as a heroin, cocaine type. | 0:25:19 | 0:25:22 | |
So, which is it, diazepam? | 0:25:22 | 0:25:25 | |
And I'm going to hazard, stolen from a relative who was prescribed? | 0:25:29 | 0:25:33 | |
Who was it? | 0:25:34 | 0:25:35 | |
Mother. | 0:25:38 | 0:25:39 | |
Back pain. | 0:25:40 | 0:25:42 | |
Mr Levy. | 0:25:43 | 0:25:44 | |
Ms Easterman is using diazepam to combat the symptoms of the tumour. | 0:25:44 | 0:25:47 | |
Fredrik was right. | 0:25:47 | 0:25:48 | |
Double vision, memory loss, muscle fatigue. It all makes sense now. | 0:25:50 | 0:25:53 | |
-When is she due in theatre? -As soon as Theatre One is free. | 0:25:53 | 0:25:57 | |
We have to switch to alpha then beta blockers to get her BP down | 0:25:57 | 0:26:00 | |
to get the operation done in time. | 0:26:00 | 0:26:02 | |
Where's Mr Copeland? | 0:26:02 | 0:26:04 | |
I assumed with you. | 0:26:06 | 0:26:07 | |
-Lofty, can you inform the anaesthetist? -Great. | 0:26:09 | 0:26:11 | |
Well done. | 0:26:11 | 0:26:13 | |
Mr Levy? | 0:26:13 | 0:26:15 | |
I just want to be a part of this team. | 0:26:15 | 0:26:17 | |
I'll see what I can do. | 0:26:19 | 0:26:21 | |
Naylor's in theatre. | 0:26:41 | 0:26:43 | |
Yeah. I just came in to get these for a case coming up. | 0:26:43 | 0:26:48 | |
-Did you want something? -Microvascular decompression. | 0:26:48 | 0:26:50 | |
Yes. You should have seen him - | 0:26:50 | 0:26:54 | |
over, under, lifting these tiny veins with a feather touch. | 0:26:54 | 0:26:59 | |
His hand so still. It was him at his best. | 0:26:59 | 0:27:02 | |
He doesn't seem...off? | 0:27:02 | 0:27:05 | |
No. Quite the opposite. He seemed on. | 0:27:05 | 0:27:08 | |
-Hence the microvascular decompression. -Erratic, then? | 0:27:08 | 0:27:11 | |
It's just...a couple of weeks ago, in theatre, there was this moment. | 0:27:12 | 0:27:18 | |
Panic, loss of control. I don't know what you call it. | 0:27:18 | 0:27:21 | |
I mean, there are many accusations I'd love to throw at your dad | 0:27:21 | 0:27:24 | |
but I'd never seen this before. | 0:27:24 | 0:27:26 | |
-Did he mess up? -I mean, his behaviour... | 0:27:26 | 0:27:28 | |
Did he make an error? | 0:27:28 | 0:27:30 | |
No, not really. | 0:27:30 | 0:27:32 | |
So, a surgeon having a bad day? Hold the front page. | 0:27:32 | 0:27:36 | |
Yeah, it's just in hindsight, it felt like something. | 0:27:37 | 0:27:41 | |
Well, I think I would have noticed if it was something, don't you? | 0:27:43 | 0:27:46 | |
Hey, looking for Ms Naylor. | 0:27:48 | 0:27:50 | |
If you value your manhood, | 0:27:51 | 0:27:53 | |
I'd highly recommend you knocking next time. | 0:27:53 | 0:27:55 | |
I just want to clear the whole interview thing up with | 0:27:57 | 0:28:00 | |
me helping Fletch as well as you. | 0:28:00 | 0:28:01 | |
I don't want you to think I was being a turncoat, or anything... | 0:28:01 | 0:28:04 | |
Oh, honestly, you can be such a wet weekend sometimes. | 0:28:04 | 0:28:07 | |
-I'm moving on. -Exactly, yes! Of course you are! | 0:28:07 | 0:28:10 | |
And, for what it's worth, | 0:28:10 | 0:28:12 | |
if Fletch's old job does come up, I think you'd be... | 0:28:12 | 0:28:14 | |
-What are you still doing here? -Budgie said to wait. | 0:28:14 | 0:28:16 | |
But then someone was sick over there | 0:28:18 | 0:28:20 | |
and a fight broke out between the boys in the tracksuits. | 0:28:20 | 0:28:23 | |
And then he was called upstairs. | 0:28:24 | 0:28:25 | |
That looks very sore, how did you do it? | 0:28:26 | 0:28:29 | |
Pass me the chlorhexidine, please, Dr Digby? | 0:28:29 | 0:28:31 | |
Piece of glass from Stuart Wilson's Fanta bottle. | 0:28:31 | 0:28:33 | |
He went ballistic when he heard about the recruitment freeze thing | 0:28:33 | 0:28:37 | |
and smashed up the kitchen. | 0:28:37 | 0:28:38 | |
What, and they missed a bit cleaning up? | 0:28:38 | 0:28:40 | |
The Senior Porter role became available after Quinton | 0:28:40 | 0:28:42 | |
-got signed off for stress... -Whoa. What do you mean recruitment freeze? | 0:28:42 | 0:28:46 | |
He had some rude words about Mr Hanssen, | 0:28:46 | 0:28:48 | |
which I won't repeat in front of the lady. But Stuart Wilson... | 0:28:48 | 0:28:52 | |
We're all gutted about the pop anarchist Stuart, | 0:28:52 | 0:28:54 | |
-but what exactly did they say about this freeze thing? -Just that. | 0:28:54 | 0:28:57 | |
There'll be no more promotions until the uncertainty is over. | 0:28:57 | 0:29:00 | |
Uncertainty? | 0:29:00 | 0:29:02 | |
Don't say I never do anything for you. | 0:29:02 | 0:29:05 | |
A woman just left this at reception for Nurse Jackson. | 0:29:05 | 0:29:08 | |
Perhaps next time you could have your shopping | 0:29:08 | 0:29:10 | |
delivered directly to your home. | 0:29:10 | 0:29:11 | |
Thank you, Mr Griffin, you're a sweetheart. | 0:29:11 | 0:29:13 | |
It's just this way. Just through here. | 0:29:13 | 0:29:15 | |
KNOCKING ON DOOR | 0:29:20 | 0:29:22 | |
Mr Mereti's CT scans have come back. | 0:29:27 | 0:29:29 | |
And the ventricles in the brain look much larger than they should be. | 0:29:29 | 0:29:33 | |
Which means? | 0:29:33 | 0:29:34 | |
We need to relieve the pressure. We need to operate. | 0:29:34 | 0:29:37 | |
Shunt revision. | 0:29:38 | 0:29:40 | |
I'd like to know why it happened. | 0:29:40 | 0:29:42 | |
Agreed. So... | 0:29:42 | 0:29:44 | |
MRI scan? | 0:29:44 | 0:29:46 | |
I hear your patient's recovering beautifully. | 0:29:49 | 0:29:51 | |
You know...there's a point in there where you have to remain | 0:29:51 | 0:29:57 | |
so calm, so transfixed, it becomes meditative. | 0:29:57 | 0:30:03 | |
And your mind finds the quietest, calmest place... | 0:30:03 | 0:30:08 | |
It's almost as if you're enveloped in some kind of eternal shroud. | 0:30:09 | 0:30:14 | |
And you feel safe... | 0:30:16 | 0:30:18 | |
y'know? | 0:30:18 | 0:30:20 | |
To do your best work, | 0:30:20 | 0:30:23 | |
as if you're being guided, | 0:30:23 | 0:30:27 | |
encouraged... | 0:30:27 | 0:30:29 | |
..at peace... | 0:30:30 | 0:30:32 | |
Zosia, I'm so glad we got to spend this time together. | 0:30:37 | 0:30:41 | |
You've been a great daughter. | 0:30:42 | 0:30:44 | |
A great support. | 0:30:45 | 0:30:47 | |
I hope you'll be able to say the same thing about me one day. | 0:30:48 | 0:30:50 | |
OK, I think we need to get a little less Dr Burton, don't you? | 0:30:50 | 0:30:53 | |
I'm so proud of who you've become. | 0:30:53 | 0:30:55 | |
Yeah. Me, too. | 0:30:57 | 0:30:58 | |
OK, all set? | 0:31:10 | 0:31:11 | |
So, WHO checklist. | 0:31:13 | 0:31:15 | |
Laparoscopic adrenalectomy to remove phaeochromocytma tumour | 0:31:15 | 0:31:19 | |
on patient Anne-Marie Easterman, 31. | 0:31:19 | 0:31:21 | |
No allergies. Sacha Levy, consultant surgeon in charge. | 0:31:22 | 0:31:27 | |
Mr Dominic Copeland, registrar. | 0:31:27 | 0:31:30 | |
Mr Fredrik Johanssen, registrar. | 0:31:30 | 0:31:32 | |
Marco? Marco? Look at me. | 0:31:37 | 0:31:39 | |
Dr Ford? | 0:31:39 | 0:31:40 | |
Pupils have dilated. GCS is dropping. | 0:31:40 | 0:31:42 | |
He's losing consciousness. Find Mr Self. | 0:31:42 | 0:31:44 | |
Call the anaesthetist, please - we need to get him prepped for theatre as soon as possible. | 0:31:44 | 0:31:47 | |
Right, let's move! | 0:31:47 | 0:31:49 | |
Honestly, could he get any jammier? | 0:31:49 | 0:31:51 | |
One week before a promotion freeze | 0:31:51 | 0:31:53 | |
and he lands the Director of Nursing job! | 0:31:53 | 0:31:55 | |
Not that I'm not made up for him - obviously I am. | 0:31:55 | 0:31:58 | |
It's just, well, you know, what are the rest of us supposed to do? | 0:31:58 | 0:32:01 | |
Hand me a lemonade bottle, someone - I feel like rioting! | 0:32:01 | 0:32:03 | |
Look, I have to say I'm slightly more concerned | 0:32:03 | 0:32:05 | |
why there's a freeze in the first place. | 0:32:05 | 0:32:07 | |
Yeah, well, you would be. | 0:32:07 | 0:32:08 | |
Donna, I hope you don't mind me asking, but I don't understand | 0:32:08 | 0:32:12 | |
why you're slogging your guts out to do up the consultants' office, | 0:32:12 | 0:32:15 | |
which is only temporary, anyway, | 0:32:15 | 0:32:16 | |
until Fletch disappears off up to Darwin? | 0:32:16 | 0:32:19 | |
Now that, my friend, for once, is a very good question. | 0:32:19 | 0:32:22 | |
Sometimes you've just got to rise above it, haven't you? | 0:32:24 | 0:32:27 | |
OK, that is a brilliant dissection. | 0:32:32 | 0:32:36 | |
Is that the azygos vein? | 0:32:36 | 0:32:38 | |
Yes. | 0:32:38 | 0:32:39 | |
Wow! Not often that comes into view. | 0:32:39 | 0:32:42 | |
It's good retraction of the liver. | 0:32:43 | 0:32:45 | |
That's excellent use of the left hand. | 0:32:46 | 0:32:48 | |
Dad, where are you? | 0:32:57 | 0:32:59 | |
We need to do this operation and he hasn't got any time. | 0:32:59 | 0:33:01 | |
We're in Theatre One - can you get here as soon as you can? | 0:33:01 | 0:33:04 | |
-Thank you. Can you try paging him again? -Will do. | 0:33:04 | 0:33:07 | |
Is Mr Self here? | 0:33:07 | 0:33:09 | |
He's on his way. | 0:33:09 | 0:33:10 | |
Can you send him to me as soon as he gets here? | 0:33:10 | 0:33:13 | |
We're about to do an operation. | 0:33:13 | 0:33:14 | |
This can't wait. | 0:33:14 | 0:33:15 | |
Well, then I need to know. | 0:33:15 | 0:33:17 | |
He hasn't been attending his sessions with Dr Burton. | 0:33:18 | 0:33:20 | |
That's ridiculous. Of course he has. | 0:33:22 | 0:33:23 | |
He's been doing tasks for her. | 0:33:23 | 0:33:25 | |
This isn't the place. | 0:33:26 | 0:33:27 | |
Have you done this operation before? | 0:33:27 | 0:33:29 | |
He's on his way. | 0:33:29 | 0:33:30 | |
Send him to me as soon as you're finished. | 0:33:30 | 0:33:33 | |
We need to reopen the incision behind the ear where the | 0:33:41 | 0:33:44 | |
previous shunt was inserted, taking care not to dislodge the catheter, | 0:33:44 | 0:33:49 | |
identify the old valve and detach from the ventricular catheter, | 0:33:49 | 0:33:54 | |
pull out the old valve and tubing, | 0:33:54 | 0:33:56 | |
pass down a tunnelling device | 0:33:56 | 0:33:58 | |
from the cranial incision to the abdomen, | 0:33:58 | 0:34:01 | |
and replace with a new shunt. | 0:34:01 | 0:34:03 | |
If we can create a clear pathway for the fluid, | 0:34:04 | 0:34:06 | |
then we can release the pressure. | 0:34:06 | 0:34:08 | |
Music. | 0:34:12 | 0:34:13 | |
Clip, please. | 0:34:17 | 0:34:19 | |
Right, that's good stuff. | 0:34:22 | 0:34:23 | |
Just be careful, there's big vessels there. | 0:34:23 | 0:34:27 | |
I'm ligating the pedical. | 0:34:27 | 0:34:29 | |
The adrenal is extremely inflamed, so be careful of that renal vein. | 0:34:29 | 0:34:33 | |
Fredrik? | 0:34:38 | 0:34:39 | |
Fredrik. | 0:34:39 | 0:34:41 | |
MONITOR BEEPS | 0:34:41 | 0:34:42 | |
You've nicked it. | 0:34:42 | 0:34:43 | |
Suction. Argh! | 0:34:43 | 0:34:44 | |
Mr Copeland, can you take over the retraction and the camera, please? | 0:34:44 | 0:34:47 | |
Let me fix it - that wasn't my fault. | 0:34:47 | 0:34:49 | |
Big bleed. Tonsil swab. | 0:34:49 | 0:34:51 | |
Thank you. | 0:34:51 | 0:34:52 | |
Can you take five minutes, please? | 0:34:52 | 0:34:54 | |
I've got it. | 0:34:54 | 0:34:55 | |
Now. | 0:34:55 | 0:34:57 | |
Determined to humiliate me. | 0:35:11 | 0:35:13 | |
Actually, I'm not here for you, Fredrik. | 0:35:13 | 0:35:15 | |
Oh, come on! You have to admit there's an irony to that. | 0:35:16 | 0:35:19 | |
This is about Mr Levy. | 0:35:21 | 0:35:23 | |
Right. The assessment. | 0:35:23 | 0:35:25 | |
And it's about the team. | 0:35:25 | 0:35:27 | |
And that is all. | 0:35:28 | 0:35:29 | |
Mr Johanssen, are you OK? | 0:36:03 | 0:36:04 | |
I'm fine, thank you. | 0:36:04 | 0:36:05 | |
We're nearly there. | 0:36:09 | 0:36:11 | |
Would you like to take over? | 0:36:13 | 0:36:15 | |
Fredrik, I'm going to increase abdominal pressure | 0:36:23 | 0:36:26 | |
and when the bleeding stops, | 0:36:26 | 0:36:27 | |
I'm going to clip above and below the injury. | 0:36:27 | 0:36:29 | |
All right? | 0:36:29 | 0:36:30 | |
Yes, Mr Levy. | 0:36:30 | 0:36:32 | |
CLASSICAL MUSIC: Spiegel Im Spiegel by Arvo Part | 0:36:43 | 0:36:48 | |
Turn it off. | 0:37:04 | 0:37:06 | |
Turn the music off! Turn it off! | 0:37:06 | 0:37:07 | |
Miss March? | 0:37:07 | 0:37:09 | |
Miss March! | 0:37:09 | 0:37:11 | |
MUSIC STOPS | 0:37:11 | 0:37:13 | |
OK. Come on. | 0:37:14 | 0:37:15 | |
Come on. | 0:37:19 | 0:37:21 | |
OK. | 0:37:23 | 0:37:24 | |
The pressure's been released. | 0:37:28 | 0:37:30 | |
Let's close him up. | 0:37:32 | 0:37:34 | |
Where are you? Pick up your phone. | 0:37:38 | 0:37:40 | |
Have you seen Mr Self? | 0:37:40 | 0:37:42 | |
No. | 0:37:42 | 0:37:43 | |
He's not in his office. He's not picking up his phone. | 0:37:43 | 0:37:46 | |
Ms Easterman's X-ray? | 0:37:52 | 0:37:53 | |
Yes. | 0:37:53 | 0:37:54 | |
Hey, Fredrik. | 0:38:01 | 0:38:02 | |
Look, I was just chatting to Sacha about how impressive it was | 0:38:02 | 0:38:05 | |
how you handled earlier. | 0:38:05 | 0:38:07 | |
We all make mistakes... What's up? What's going on? | 0:38:07 | 0:38:09 | |
Ms Easterman's post-op X-ray results. | 0:38:09 | 0:38:11 | |
Yeah - the central line still in place? | 0:38:11 | 0:38:13 | |
Central line is fine. But... | 0:38:13 | 0:38:14 | |
I think it's a swab. | 0:38:16 | 0:38:17 | |
No, no, it can't be. | 0:38:17 | 0:38:19 | |
Look at it again. | 0:38:19 | 0:38:20 | |
We counted all the swabs. They were all accounted for. | 0:38:20 | 0:38:22 | |
Let's take her down for a CT scan to be sure. | 0:38:22 | 0:38:25 | |
-I don't think we should tell Mr Levy yet. -No, no, we have to! | 0:38:25 | 0:38:27 | |
With the medical director breathing down his neck? | 0:38:27 | 0:38:30 | |
Yes! If that is a swab then this is a major mistake! | 0:38:30 | 0:38:32 | |
-There'll be a full investigation. -Sacha's under assessment. | 0:38:32 | 0:38:34 | |
I know that, but if that's a swab and we don't tell someone now, | 0:38:34 | 0:38:38 | |
then we're all in big, big trouble - we'll end up having to re-operate | 0:38:38 | 0:38:41 | |
on a woman who barely survived the first high-risk surgery. | 0:38:41 | 0:38:43 | |
If it is and we leave it in then she'll get an abscess, | 0:38:43 | 0:38:46 | |
sepsis and in her condition there's no way she could survive. | 0:38:46 | 0:38:48 | |
-I agree, but... -We have to look out for Sacha! | 0:38:48 | 0:38:50 | |
There's every chance it's nothing. | 0:38:50 | 0:38:53 | |
What's nothing? | 0:38:54 | 0:38:56 | |
Nurse Fletcher has had some directive from Hanssen | 0:38:56 | 0:38:59 | |
insisting that everybody is up-to-date with their aseptic non-touch technique | 0:38:59 | 0:39:02 | |
and statutory mandatory training, | 0:39:02 | 0:39:04 | |
and to say Fletch is eager to enforce it, | 0:39:04 | 0:39:07 | |
well, it would be an understatement. | 0:39:07 | 0:39:09 | |
Nurse Fletcher needs to pick a ward and stick with it. | 0:39:09 | 0:39:12 | |
There is a reason why directors of nursing get an office. | 0:39:12 | 0:39:15 | |
It's so they can stay in it and leave the rest of us to treat patients. | 0:39:15 | 0:39:18 | |
Mr Griffin, do you think she's all right about not getting the job? | 0:39:21 | 0:39:24 | |
She's fine. | 0:39:24 | 0:39:26 | |
There are worse vices than spring cleaning, believe me. | 0:39:27 | 0:39:31 | |
Where were you? Why haven't you been answering your phone? | 0:39:43 | 0:39:46 | |
That music, the music you've been playing in theatre, | 0:39:48 | 0:39:51 | |
that was Mama's, wasn't it? She used to listen to it. | 0:39:51 | 0:39:54 | |
You give me this big speech about being a good daughter and then | 0:39:55 | 0:39:58 | |
you do this last big operation that gets you all emotional and I thought... | 0:39:58 | 0:40:01 | |
Last big operation? And you thought what? | 0:40:01 | 0:40:04 | |
-You haven't been going to your meetings. -Listen to me. | 0:40:04 | 0:40:07 | |
Is it true? Is it true? | 0:40:07 | 0:40:08 | |
Listen to me! | 0:40:08 | 0:40:09 | |
-What happened in there? -What? | 0:40:09 | 0:40:11 | |
-What happened in theatre? -I don't care about theatre! | 0:40:11 | 0:40:13 | |
Yes, you do. What happened to Marco? | 0:40:13 | 0:40:17 | |
The shunt was blocked with blood - we released the pressure, | 0:40:17 | 0:40:20 | |
we reversed it. | 0:40:20 | 0:40:21 | |
No! You released the pressure, you reversed the shunt! | 0:40:21 | 0:40:25 | |
You did that operation, Zosia. | 0:40:25 | 0:40:27 | |
You set me up. Made me do it all on my own... | 0:40:29 | 0:40:32 | |
Felt good, didn't it? | 0:40:32 | 0:40:34 | |
Yes. | 0:40:35 | 0:40:37 | |
It did...until... | 0:40:37 | 0:40:38 | |
Ms Karnik said you're not going to your meetings. | 0:40:40 | 0:40:43 | |
No, I went to see Dr Burton, | 0:40:44 | 0:40:46 | |
and knowing the finish line's in sight I stopped a few sessions early. | 0:40:46 | 0:40:50 | |
I mean, do I look like I need some messed-up post grad student | 0:40:51 | 0:40:55 | |
telling me what my brain is doing? | 0:40:55 | 0:40:57 | |
The CT scan's unmistakable. That's definitely a swab. | 0:41:00 | 0:41:04 | |
Myself and two nurses did the count twice. | 0:41:04 | 0:41:06 | |
There'll be an investigation. I'll have to let Hanssen know. | 0:41:07 | 0:41:10 | |
It'll then be flagged up to local councillors | 0:41:10 | 0:41:12 | |
and the Department of Health and that will be followed up with a full report. | 0:41:12 | 0:41:16 | |
This isn't just going to go away. | 0:41:16 | 0:41:19 | |
The patient will sue us. | 0:41:19 | 0:41:20 | |
OK, Sacha, I need you to remember every detail of what happened. | 0:41:20 | 0:41:24 | |
We closed together... as we do in every operation. | 0:41:26 | 0:41:30 | |
I was preparing to loop the PDS suture to close the extraction site. | 0:41:30 | 0:41:34 | |
And I was assisting, clearing the way. | 0:41:34 | 0:41:36 | |
That's the last one. | 0:41:36 | 0:41:38 | |
The scrub nurse called the count. | 0:41:39 | 0:41:41 | |
We were one down. | 0:41:46 | 0:41:48 | |
She thought it was in the patient. | 0:41:48 | 0:41:50 | |
-But somehow it ended up on the floor. -Here! | 0:41:52 | 0:41:54 | |
So once that was handed over | 0:41:54 | 0:41:56 | |
and counted, it was the same amount as we came in with. | 0:41:56 | 0:41:59 | |
15 large, ten medium and ten tonsil. | 0:42:00 | 0:42:03 | |
And that was it. We counted again - all present. | 0:42:05 | 0:42:09 | |
I've absolutely no idea how this happened. | 0:42:11 | 0:42:13 | |
It's like there was an extra swab. | 0:42:15 | 0:42:16 | |
I did it. | 0:42:18 | 0:42:20 | |
I'm new. I messed up. | 0:42:26 | 0:42:29 | |
So let's just say I did it. | 0:42:33 | 0:42:35 | |
Fredrik, that's very honourable of you, | 0:42:37 | 0:42:39 | |
but I'm afraid it doesn't work that way. | 0:42:39 | 0:42:42 | |
Sacha's the consultant on the case. | 0:42:42 | 0:42:45 | |
Ultimately all responsibility falls on him, whatever happened. | 0:42:45 | 0:42:49 | |
I mean, there was clearly no individual error. | 0:42:49 | 0:42:52 | |
We all did the count, in full, twice. | 0:42:52 | 0:42:56 | |
We came in with 15, 10, 10. | 0:42:57 | 0:42:59 | |
We left with 15, 10, 10. | 0:42:59 | 0:43:01 | |
The clip's in a precarious enough position as it is. | 0:43:01 | 0:43:04 | |
If we go back in, it's going to be tight. | 0:43:04 | 0:43:06 | |
Well, then we have no room for error. | 0:43:06 | 0:43:08 | |
I'd like to inform the patient. I feel responsible for her. | 0:43:09 | 0:43:14 | |
No. | 0:43:15 | 0:43:16 | |
Nope. It has to be me. | 0:43:16 | 0:43:19 | |
KNOCKING | 0:43:24 | 0:43:26 | |
Come in. | 0:43:26 | 0:43:27 | |
Henrik? | 0:43:32 | 0:43:33 | |
Good to see you again. Sara? | 0:43:33 | 0:43:36 | |
Fredrik's wife. | 0:43:37 | 0:43:39 | |
Do they think I'm going to sue them or something? | 0:43:56 | 0:43:58 | |
It's a very serious matter internally - protocol, that's all. | 0:43:58 | 0:44:03 | |
So much for that end. | 0:44:04 | 0:44:06 | |
The end is in sight. | 0:44:06 | 0:44:08 | |
Your symptoms have been alleviated, you can go back to your old self. | 0:44:08 | 0:44:12 | |
Unlike the rest of us. | 0:44:13 | 0:44:15 | |
People like me don't just get fixed. | 0:44:15 | 0:44:18 | |
You seem like you know that. | 0:44:18 | 0:44:20 | |
No, I don't know what you mean. | 0:44:20 | 0:44:23 | |
I've watched you. | 0:44:24 | 0:44:26 | |
You're like me...a lone wolf. | 0:44:26 | 0:44:29 | |
I'm a family man. | 0:44:32 | 0:44:33 | |
It's your silence. | 0:44:34 | 0:44:36 | |
Believe me, I've spent a long time in a fight with silence. | 0:44:40 | 0:44:44 | |
There is no fix because there is no all-singing, all-dancing me. | 0:44:44 | 0:44:48 | |
You need medication. | 0:44:48 | 0:44:49 | |
Think I'm depressed? | 0:44:49 | 0:44:52 | |
You sound like my family. | 0:44:52 | 0:44:54 | |
I'm fairly sure depression is the secret every family has. | 0:44:56 | 0:45:00 | |
Hm. | 0:45:03 | 0:45:05 | |
Just don't be afraid. | 0:45:07 | 0:45:08 | |
Sometimes I lie alone at night and I can hear my heart beating | 0:45:11 | 0:45:14 | |
and I'm convinced that this is the night it stops. | 0:45:14 | 0:45:17 | |
Hear it thumping itself out... | 0:45:19 | 0:45:21 | |
..how loud it is. | 0:45:26 | 0:45:27 | |
I have to warn you about this second surgery... | 0:45:33 | 0:45:36 | |
that there is still a risk. | 0:45:36 | 0:45:38 | |
Well, I trust you to keep me safe. | 0:45:40 | 0:45:42 | |
You mustn't tell him I came in. He'd be... | 0:45:45 | 0:45:48 | |
He mustn't know. | 0:45:48 | 0:45:50 | |
I won't say. | 0:45:50 | 0:45:51 | |
This relationship you two have, or don't have, | 0:45:52 | 0:45:55 | |
I stay out of that, | 0:45:55 | 0:45:57 | |
but he's a good father, and a good husband. My husband. | 0:45:57 | 0:46:02 | |
And I stand by him. | 0:46:02 | 0:46:04 | |
You know he doesn't blame you for what happened. | 0:46:06 | 0:46:08 | |
He knows you had to do that. You had to report him. | 0:46:08 | 0:46:11 | |
Well, what's done is done. | 0:46:11 | 0:46:13 | |
The correct people decided he was innocent | 0:46:13 | 0:46:15 | |
and I'm not going to make a judgment about that. | 0:46:15 | 0:46:18 | |
Are you here for the duration of his attachment? | 0:46:20 | 0:46:23 | |
Where are you staying? | 0:46:24 | 0:46:26 | |
Just outside of town. We have Oskar here, too. | 0:46:26 | 0:46:28 | |
He's with a friend now, but he's four and growing - | 0:46:28 | 0:46:32 | |
seeing you again, I have to say he looks a lot like you. | 0:46:32 | 0:46:35 | |
Well, I'd like to meet him one day. | 0:46:38 | 0:46:41 | |
That'd be lovely. | 0:46:41 | 0:46:43 | |
I'm just here because... | 0:46:45 | 0:46:47 | |
Henrik, Fredrik is trying. | 0:46:48 | 0:46:50 | |
I'm sure he is. | 0:46:50 | 0:46:52 | |
LONG BEEPING | 0:46:53 | 0:46:55 | |
The clip has slipped. | 0:46:55 | 0:46:57 | |
Do you think we can extract the swab? | 0:46:57 | 0:46:59 | |
I think I can. | 0:46:59 | 0:47:01 | |
She's struggling. | 0:47:01 | 0:47:03 | |
Listen, we might have to take the kidney out. | 0:47:04 | 0:47:07 | |
No. Wait. | 0:47:07 | 0:47:08 | |
If we switch to open we can use a clip to stop the bleeding | 0:47:08 | 0:47:11 | |
and save the kidney. | 0:47:11 | 0:47:12 | |
He's right! | 0:47:14 | 0:47:16 | |
OK, scalpel, please. | 0:47:16 | 0:47:19 | |
We need to extend the incision. | 0:47:19 | 0:47:20 | |
Zosia? | 0:47:22 | 0:47:24 | |
It was fine. I was operating and it was fine. | 0:47:24 | 0:47:26 | |
No, it was better than fine. It was great. | 0:47:26 | 0:47:28 | |
And then the song came on... | 0:47:28 | 0:47:30 | |
-What? What song? -In theatre. | 0:47:30 | 0:47:32 | |
He left me alone and the song came on and it suddenly made sense | 0:47:32 | 0:47:35 | |
why he didn't show up and I thought maybe he was... | 0:47:35 | 0:47:37 | |
He didn't show up to theatre? | 0:47:37 | 0:47:39 | |
He'd given me this big speech about what a great daughter I was | 0:47:39 | 0:47:42 | |
and how he was proud of me and the photos felt like he was | 0:47:42 | 0:47:46 | |
suddenly saying goodbye to everyone and as though he wanted me | 0:47:46 | 0:47:49 | |
to remember him through the music when he was gone... | 0:47:49 | 0:47:52 | |
He left you alone to operate? | 0:47:52 | 0:47:53 | |
He did it on purpose. And it worked. | 0:47:53 | 0:47:56 | |
He wanted me to operate alone and he gave me the buzz for neuro. | 0:47:56 | 0:47:59 | |
This is so, so wrong! | 0:47:59 | 0:48:00 | |
-No, you're not understanding me! -OK, then help me! | 0:48:00 | 0:48:03 | |
I... | 0:48:05 | 0:48:06 | |
I accused him. | 0:48:08 | 0:48:09 | |
I made an assumption about him. | 0:48:12 | 0:48:15 | |
And I was wrong. Just like everyone had been with me. | 0:48:16 | 0:48:19 | |
OK. | 0:48:19 | 0:48:20 | |
You know better than anyone it's OK to be... | 0:48:22 | 0:48:26 | |
to be wrong... | 0:48:26 | 0:48:27 | |
Great, I think we're done. | 0:48:34 | 0:48:36 | |
Swab extracted, bleeding stopped. | 0:48:36 | 0:48:38 | |
Kidney intact. | 0:48:38 | 0:48:40 | |
Good work. Really, really good work from both of you. | 0:48:40 | 0:48:43 | |
Well done. | 0:48:43 | 0:48:45 | |
Thank you. | 0:48:58 | 0:48:59 | |
You know, it's funny. People here hold you in such high esteem. | 0:49:02 | 0:49:05 | |
They say you're always in the right place at the right time. | 0:49:05 | 0:49:08 | |
It's been a long day, I think. | 0:49:08 | 0:49:09 | |
Oh, been a long day in your big chair, has it? | 0:49:09 | 0:49:11 | |
Had some tricky decisions to make about other people's lives? | 0:49:11 | 0:49:14 | |
Funny how my papers seemed to get held back from theatre for a while. | 0:49:14 | 0:49:17 | |
Yes, I heard about today's events. | 0:49:17 | 0:49:18 | |
Then why is it so hard for you to say what everyone else in this place has been saying all day? | 0:49:18 | 0:49:22 | |
-Fredrik, I... -I diagnosed the diazepam, I spotted the swab, | 0:49:22 | 0:49:25 | |
I prevented an unnecessary nephrectomy! | 0:49:25 | 0:49:27 | |
You're tired. | 0:49:27 | 0:49:29 | |
Yes, I'm tired! Because I've thought about what you did to me. | 0:49:29 | 0:49:32 | |
For months, it's all I've thought about. | 0:49:34 | 0:49:38 | |
I can't stop thinking about it. | 0:49:38 | 0:49:40 | |
Who does that to their own son? | 0:49:41 | 0:49:43 | |
Go home, Fredrik. Go to your family. | 0:49:47 | 0:49:50 | |
Did you get that list I sent over? | 0:49:56 | 0:49:58 | |
The ward is in good hands. Nurse Jackson is all over it. | 0:49:58 | 0:50:02 | |
Yeah, she's a firefighter, that one. | 0:50:02 | 0:50:04 | |
That's one word for it. | 0:50:04 | 0:50:06 | |
Where are you heading? | 0:50:06 | 0:50:07 | |
The office. | 0:50:07 | 0:50:08 | |
Not to be too big for my boots, | 0:50:08 | 0:50:10 | |
but the amount of paperwork I've got to get through... | 0:50:10 | 0:50:12 | |
It's just that Nurse Jackson may have a little surprise for you. | 0:50:12 | 0:50:15 | |
Er...Mr Griffin. How many left for theatre? | 0:50:15 | 0:50:20 | |
Just one to go. Thank you for checking, Nurse Fletcher. | 0:50:20 | 0:50:24 | |
That is still how we should address you? | 0:50:24 | 0:50:27 | |
Well, for now, but Lord does have quite a nice ring to it. | 0:50:27 | 0:50:30 | |
HE LAUGHS | 0:50:37 | 0:50:38 | |
In case anyone's wondering, the bearskin rug is completely fake. | 0:50:47 | 0:50:50 | |
Oh, go on, I'll give you that one. Got a bit carried away with myself today, didn't I? | 0:50:50 | 0:50:53 | |
Far be it for me to say, Lord Fletcher. | 0:50:53 | 0:50:56 | |
Oh. My. God! | 0:50:58 | 0:51:00 | |
I think this might just be the best office in the building. | 0:51:00 | 0:51:03 | |
Thank you! | 0:51:03 | 0:51:04 | |
So, all this is, what... | 0:51:04 | 0:51:06 | |
Just stuff people wanted to chuck out. | 0:51:06 | 0:51:08 | |
I know! I can't believe it, either! | 0:51:08 | 0:51:09 | |
So, when you go upstairs, Budgie, who gets the throne? | 0:51:10 | 0:51:14 | |
I got something to show you. | 0:51:15 | 0:51:16 | |
As if you're getting away without a photo. Come on. In there. | 0:51:16 | 0:51:20 | |
Hat on, please. | 0:51:20 | 0:51:22 | |
Oh, very good. Very good. | 0:51:22 | 0:51:24 | |
-Yes. -Oh, yeah. Smile! | 0:51:24 | 0:51:27 | |
You so deserve it! | 0:51:30 | 0:51:31 | |
Mr Moretti. It went well. | 0:51:31 | 0:51:34 | |
And thank Mr Self for me. | 0:51:35 | 0:51:37 | |
Yes, I'll be sure to. Thank you. | 0:51:37 | 0:51:40 | |
All OK? Was it a virus? | 0:51:43 | 0:51:46 | |
It's just the MRI scan I ordered this morning. | 0:51:48 | 0:51:51 | |
It's fine. Just stay out of those freezers for a while. | 0:51:54 | 0:51:59 | |
What does this look like to you? | 0:52:09 | 0:52:10 | |
Marco Moretti? I thought it was a virus... | 0:52:12 | 0:52:14 | |
Just look at it! | 0:52:14 | 0:52:15 | |
Lines of scarring around the right lateral ventricle. | 0:52:18 | 0:52:22 | |
And evidence of blood tracking into the occipital lobe. | 0:52:24 | 0:52:27 | |
As if whoever did it created multiple puncture wounds. | 0:52:27 | 0:52:30 | |
It's like they've been stabbing blindly and hoping... | 0:52:30 | 0:52:32 | |
OK, that's enough. | 0:52:32 | 0:52:34 | |
Dr March? | 0:52:34 | 0:52:36 | |
Dr March. | 0:52:36 | 0:52:37 | |
Look, maybe I was a bit harsh earlier about your ideas | 0:52:39 | 0:52:43 | |
for the wedding. A limit of four, | 0:52:43 | 0:52:45 | |
you've got a big family, it's a bit unfair... | 0:52:45 | 0:52:47 | |
The wedding stays exactly how it is. No extra guests. | 0:52:47 | 0:52:50 | |
OK, well, I'll let the mariachi band | 0:52:50 | 0:52:52 | |
know that we can afford to feed them. | 0:52:52 | 0:52:54 | |
-Zosia! -Yeah? | 0:52:54 | 0:52:55 | |
Look, I know how you're feeling right now, | 0:52:55 | 0:52:57 | |
but like I say, it's OK to feel concerned about him. | 0:52:57 | 0:53:00 | |
I contributed to that. | 0:53:00 | 0:53:02 | |
Look, the main thing is, we were wrong... | 0:53:02 | 0:53:05 | |
-he's fine. -Yeah, see you later. | 0:53:05 | 0:53:07 | |
Well, good. Bye. | 0:53:11 | 0:53:13 | |
Oh, I hate doing this! OK. | 0:53:14 | 0:53:17 | |
-Nearly there. -OK. | 0:53:17 | 0:53:19 | |
Stop. | 0:53:19 | 0:53:20 | |
Ooh! | 0:53:23 | 0:53:25 | |
Open. | 0:53:25 | 0:53:27 | |
SHE SIGHS | 0:53:30 | 0:53:32 | |
I feel like a right mug now! | 0:53:33 | 0:53:35 | |
Look, I know it's only pokey, | 0:53:36 | 0:53:37 | |
but when the ward manager job does become available... | 0:53:37 | 0:53:40 | |
kind of got your name all over it. | 0:53:40 | 0:53:43 | |
You're a good man. You know that? | 0:53:43 | 0:53:44 | |
Oh, shut up. | 0:53:44 | 0:53:46 | |
What is that? | 0:53:46 | 0:53:47 | |
You could at least have got a decent photo of me. | 0:53:47 | 0:53:51 | |
Like the one I've got of you. | 0:53:51 | 0:53:53 | |
BEEPING | 0:53:53 | 0:53:54 | |
Naylor's paging me. | 0:53:54 | 0:53:56 | |
Trust me, that'll be for me. | 0:53:56 | 0:53:59 | |
Of course, you know Fletch's old job won't really be available, | 0:53:59 | 0:54:03 | |
don't you? | 0:54:03 | 0:54:04 | |
Recruitment freeze. It's not me that I'm worried about. | 0:54:04 | 0:54:10 | |
It's just... | 0:54:10 | 0:54:12 | |
I just don't know how many more free dinners in the hotel buffet | 0:54:12 | 0:54:15 | |
we can handle without some glimmer of hope that something might change. | 0:54:15 | 0:54:18 | |
You're staying in a hotel? | 0:54:18 | 0:54:20 | |
Donna, I had no idea... | 0:54:20 | 0:54:23 | |
Come and stay with me. | 0:54:26 | 0:54:27 | |
I've got a big enough place. | 0:54:28 | 0:54:30 | |
I've got two spare rooms, | 0:54:30 | 0:54:31 | |
and I've got my eye on that throne. | 0:54:31 | 0:54:34 | |
You know that I've got royal blood? | 0:54:36 | 0:54:38 | |
Come on, what do you say? | 0:54:38 | 0:54:40 | |
As long as you need. | 0:54:46 | 0:54:47 | |
Night. | 0:54:51 | 0:54:52 | |
Night. | 0:54:52 | 0:54:54 | |
Hey. | 0:55:33 | 0:55:35 | |
I just wanted to say that I appreciate what you did for Sacha earlier - trying to take the blame. | 0:55:35 | 0:55:41 | |
I sometimes wonder if that's the only way we get on in this place - by looking out for each other. | 0:55:41 | 0:55:46 | |
I also wanted to apologise for the way I spoke about your trial. | 0:55:46 | 0:55:50 | |
I have a tendency to exaggerate things for dramatic effect. | 0:55:51 | 0:55:56 | |
It's my inner narcissist coming out. | 0:55:56 | 0:55:58 | |
I'm more than aware pharmaceuticals aren't all big evil corporations and mad scientists. | 0:55:58 | 0:56:04 | |
Also, I have this. I was reading another article in it, | 0:56:05 | 0:56:09 | |
but it is the last one in the building. | 0:56:09 | 0:56:12 | |
The last one in the building? | 0:56:14 | 0:56:15 | |
Yeah. | 0:56:15 | 0:56:17 | |
Mr Hanssen had them all banned after what they wrote about you, so... | 0:56:17 | 0:56:21 | |
He's a good man. | 0:56:21 | 0:56:22 | |
We want them to have the best bits of us, don't we? | 0:56:43 | 0:56:46 | |
I'm always on the lookout for those. | 0:56:48 | 0:56:50 | |
Just wonder if I gave her any chance at all. | 0:56:52 | 0:56:56 | |
BREATHES DEEPLY | 0:57:35 | 0:57:37 | |
Subtitles by Ericsson | 0:57:51 | 0:57:53 |