Browse content similar to The Prisoner. Check below for episodes and series from the same categories and more!
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I've just heard that they may be investigating Lily and Warren's death. | 0:00:02 | 0:00:04 | |
Criminal charges relating to gross negligence. Manslaughter. | 0:00:04 | 0:00:07 | |
It's your duty to stay. It's your duty to become the consultant you should be. | 0:00:07 | 0:00:12 | |
Oliver's been shot in the head. | 0:00:12 | 0:00:14 | |
Well, it's completely fragmented inside the skull. | 0:00:14 | 0:00:16 | |
-What's happening? -He just started fitting. | 0:00:16 | 0:00:18 | |
He just wasn't ready, Dom. | 0:00:18 | 0:00:20 | |
Ric! Ric! | 0:00:20 | 0:00:22 | |
Get off me! | 0:00:22 | 0:00:23 | |
Assaulting AND intimidating a witness. | 0:00:23 | 0:00:26 | |
HE LAUGHS | 0:00:26 | 0:00:28 | |
MONITOR BEEPS | 0:01:11 | 0:01:16 | |
MONITOR BEEPS | 0:01:22 | 0:01:27 | |
Association, twice a week. | 0:01:37 | 0:01:38 | |
Exercise in the yard. | 0:01:38 | 0:01:40 | |
You'll be on cleaning duties - information on the posters. | 0:01:40 | 0:01:43 | |
Right, this is Eric Griffin. New arrival. | 0:01:48 | 0:01:50 | |
SPEECH INDISTINCT | 0:01:50 | 0:01:54 | |
Come on! Watch where you're going, mate. | 0:02:09 | 0:02:12 | |
Morse. | 0:02:12 | 0:02:13 | |
Come with me, Griffin. | 0:02:16 | 0:02:17 | |
You take your time. | 0:02:36 | 0:02:38 | |
Whenever you're ready. We're all waiting for you. | 0:02:40 | 0:02:43 | |
Eric, this is Grigor. Grigor, this is Eric. | 0:02:57 | 0:03:00 | |
-Pleased to meet you. -Jude. How is he? -No news. | 0:03:01 | 0:03:05 | |
Get your shoes on, Grigor. | 0:03:05 | 0:03:06 | |
Be ready for kitchen when I get back. | 0:03:06 | 0:03:08 | |
You work in the kitchen? | 0:03:11 | 0:03:12 | |
-What's the food like? -Warm. | 0:03:14 | 0:03:17 | |
-FROM OUTSIDE DOOR: -Laundry. | 0:03:17 | 0:03:19 | |
DOOR SHUTS | 0:03:26 | 0:03:28 | |
I'm here on remand. You? | 0:03:37 | 0:03:39 | |
MONITOR BEEPS | 0:04:09 | 0:04:13 | |
HE GASPS | 0:04:15 | 0:04:17 | |
Ollie. | 0:04:19 | 0:04:20 | |
OK, Oliver. I'm taking the tube out. | 0:04:21 | 0:04:24 | |
HE GAGS | 0:04:24 | 0:04:26 | |
It's all right, Oliver. | 0:04:26 | 0:04:28 | |
It's OK, deep breaths. | 0:04:28 | 0:04:29 | |
OK, Oliver, calm down. It's all right. | 0:04:29 | 0:04:33 | |
It's all right, Oliver. It's OK. | 0:04:33 | 0:04:35 | |
Take nice deep breaths. | 0:04:37 | 0:04:38 | |
-MUFFLED: -It's all right. | 0:04:38 | 0:04:41 | |
Steady breathing. Nice deep breaths. | 0:04:41 | 0:04:44 | |
-Calm down. -OK. | 0:04:46 | 0:04:47 | |
HE BREATHES STEADILY | 0:04:47 | 0:04:48 | |
You, man! You've got to help. | 0:04:54 | 0:04:57 | |
He's choking. | 0:04:57 | 0:04:58 | |
The towel. Give me the towel. | 0:05:09 | 0:05:11 | |
There you go, Oliver. | 0:05:14 | 0:05:15 | |
OK? | 0:05:19 | 0:05:20 | |
OK, Oliver, could you hold out your arms for me, please? | 0:05:22 | 0:05:25 | |
Keep them in place. Eyes closed, palms up. | 0:05:33 | 0:05:38 | |
Well done. Thank you. | 0:05:43 | 0:05:44 | |
HE WHIMPERS | 0:05:44 | 0:05:45 | |
Sh. It's OK, you're safe. | 0:05:45 | 0:05:48 | |
All done. Right. | 0:05:55 | 0:05:57 | |
Oliver? | 0:05:59 | 0:06:01 | |
Do you know what happened? | 0:06:01 | 0:06:02 | |
Where you are? | 0:06:05 | 0:06:06 | |
Er... | 0:06:10 | 0:06:11 | |
HE GASPS | 0:06:17 | 0:06:18 | |
We've got to get out. | 0:06:25 | 0:06:27 | |
I can't leave now. | 0:06:27 | 0:06:28 | |
Trust me. | 0:06:28 | 0:06:30 | |
Incident here. | 0:06:33 | 0:06:35 | |
Griffin, out. | 0:06:35 | 0:06:36 | |
He's having a seizure. He needs oxygen and Lorazepam. | 0:06:40 | 0:06:43 | |
Did you move him? Did you touch him? | 0:06:43 | 0:06:45 | |
We were talking, then his eyes rolled back and he went over. | 0:06:45 | 0:06:48 | |
-We barely did a thing before you turned up. -Right. | 0:06:48 | 0:06:51 | |
Anything like this happens ever again, you tell us, | 0:06:51 | 0:06:54 | |
and do nothing else. Is that clear? | 0:06:54 | 0:06:56 | |
Yes. | 0:06:58 | 0:06:59 | |
Crystal. | 0:06:59 | 0:07:01 | |
Move it. | 0:07:01 | 0:07:02 | |
He's awake and the good news is his reflexes are as I'd expect. | 0:07:09 | 0:07:15 | |
However, I have to stress it's too early to know for certain | 0:07:15 | 0:07:19 | |
the full extent of Oliver's condition. | 0:07:19 | 0:07:22 | |
-Can I see him? -He's a bit disorientated and distressed. | 0:07:22 | 0:07:25 | |
We're easing him back into the world after a significant trauma. | 0:07:25 | 0:07:29 | |
We don't want to overwhelm him. | 0:07:29 | 0:07:31 | |
I'm not going to. | 0:07:31 | 0:07:32 | |
We've got him back. | 0:07:37 | 0:07:40 | |
He's going to be OK. | 0:07:40 | 0:07:41 | |
I need to hear that from him. | 0:07:42 | 0:07:44 | |
I need to hear that he's OK, from him. | 0:07:44 | 0:07:46 | |
And you will. | 0:07:47 | 0:07:48 | |
He's going to look up at you with those big baby blues. | 0:07:49 | 0:07:52 | |
And you'll do your little Florence Nightingale smile and mop his brow. | 0:07:52 | 0:07:56 | |
Eddie Redmayne will play you both in the movie. | 0:07:56 | 0:07:58 | |
Win two Oscars. | 0:07:58 | 0:08:00 | |
-I'm over-doing it, aren't I? -Yeah. | 0:08:00 | 0:08:02 | |
HE MUMBLES | 0:08:11 | 0:08:15 | |
Sh. | 0:08:15 | 0:08:16 | |
You did it, darling. The hard part is over. | 0:08:16 | 0:08:20 | |
When we're ready, we can talk about next steps. | 0:08:20 | 0:08:22 | |
You don't have to do anything. You're here now. | 0:08:25 | 0:08:28 | |
That's all that matters. | 0:08:28 | 0:08:31 | |
Thanks, man. Appreciate you helping like that. | 0:08:31 | 0:08:34 | |
Let me guess... Clemens told you not to mix, make any friends? | 0:08:34 | 0:08:37 | |
Got a point. | 0:08:40 | 0:08:41 | |
Could be a bit nicer about it, but it keeps you safe, I suppose. | 0:08:41 | 0:08:45 | |
You do need to tread carefully in here. | 0:08:45 | 0:08:47 | |
Especially in those dapper shoes of yours. | 0:08:47 | 0:08:49 | |
Come straight from court, yeah? | 0:08:51 | 0:08:53 | |
Get some trainers if you can. | 0:08:53 | 0:08:55 | |
You and me, we need to stick together. | 0:08:56 | 0:08:58 | |
If you need any help with anything, just let me know. | 0:08:59 | 0:09:02 | |
I'm Dillon. | 0:09:04 | 0:09:05 | |
Eric. | 0:09:08 | 0:09:10 | |
Ric. | 0:09:10 | 0:09:11 | |
Hey. | 0:09:17 | 0:09:18 | |
Everything's going to be all right. | 0:09:29 | 0:09:32 | |
You're in the best place, with the best people, | 0:09:32 | 0:09:35 | |
and you have all the time in the world. | 0:09:35 | 0:09:37 | |
Ol... Ol... | 0:09:39 | 0:09:43 | |
HE EXHALES | 0:09:44 | 0:09:46 | |
-Oliver. I am Oliver. -Yes! | 0:09:52 | 0:09:56 | |
Yes. Well done. | 0:09:57 | 0:09:59 | |
I'm Zosia. | 0:10:16 | 0:10:17 | |
Danny! Come here. I want a word. | 0:10:28 | 0:10:31 | |
Watch yourself. | 0:10:31 | 0:10:32 | |
What can you remember, darling? | 0:10:39 | 0:10:41 | |
You've got to try now. | 0:10:42 | 0:10:44 | |
Pen... Pen... | 0:10:50 | 0:10:53 | |
Penny. | 0:10:55 | 0:10:57 | |
Where? | 0:10:59 | 0:11:00 | |
Do you know where you are? | 0:11:04 | 0:11:06 | |
Hol-by. | 0:11:11 | 0:11:12 | |
-That's right. -Work here. | 0:11:12 | 0:11:14 | |
You do. What do you do here? | 0:11:14 | 0:11:17 | |
Oliver. Please. | 0:11:20 | 0:11:21 | |
Do you know what happened to you? | 0:11:24 | 0:11:26 | |
You were shot in the head. | 0:11:31 | 0:11:32 | |
It's OK. It's over. | 0:11:34 | 0:11:36 | |
You're safe. | 0:11:36 | 0:11:37 | |
But we haven't been able to remove the pieces of bullet yet | 0:11:37 | 0:11:40 | |
from your brain and so we need to talk, you and I. | 0:11:40 | 0:11:42 | |
-HE GASPS -About surgery. | 0:11:42 | 0:11:44 | |
HE SOBS | 0:11:44 | 0:11:46 | |
-Oh, God. Do something! Please! -I'll sedate him. | 0:11:46 | 0:11:49 | |
HE SOBS | 0:11:49 | 0:11:51 | |
MONITOR BEEPS | 0:11:51 | 0:11:53 | |
It's OK. | 0:11:53 | 0:11:54 | |
HE MOANS | 0:11:54 | 0:11:57 | |
MONITOR BEEPS LOUDER | 0:11:57 | 0:12:01 | |
MONITOR STOPS | 0:12:01 | 0:12:03 | |
Hello! How are you? | 0:12:09 | 0:12:12 | |
HE LAUGHS | 0:12:12 | 0:12:15 | |
What are you on? | 0:12:15 | 0:12:16 | |
On my bunk. | 0:12:16 | 0:12:17 | |
CLASSICAL MUSIC PLAYS OUTSIDE | 0:12:21 | 0:12:26 | |
VOICE OUTSIDE | 0:12:26 | 0:12:29 | |
GRIGOR SHOUTS IN OWN LANGUAGE | 0:12:29 | 0:12:36 | |
MUSIC CONTINUES TO PLAY | 0:12:46 | 0:12:49 | |
GRIGOR SHOUTS IN OWN LANGUAGE | 0:12:49 | 0:12:52 | |
MUSIC CONTINUES | 0:12:52 | 0:12:56 | |
GRIGOR SHOUTS | 0:12:56 | 0:12:58 | |
MUSIC GETS LOUDER | 0:12:58 | 0:13:04 | |
GRIGOR SHOUTS | 0:13:04 | 0:13:09 | |
Er, he woke with quite a lot of screaming. | 0:13:14 | 0:13:17 | |
He's OK now. He soon fell asleep. | 0:13:17 | 0:13:20 | |
-What about Blanche? -She left at about 4am - went to the hotel. | 0:13:20 | 0:13:25 | |
-She'll be back soon. -OK. | 0:13:25 | 0:13:27 | |
-Thank you, Dom. Keep an eye on him. -OK. | 0:13:27 | 0:13:31 | |
New Year's Resolutions. You got anything planned? | 0:13:35 | 0:13:38 | |
-Er, no. Anything but that. -Why? | 0:13:38 | 0:13:41 | |
Because New Year's resolutions are right up there alongside babies and weddings. | 0:13:41 | 0:13:46 | |
It's things people tend to have when they've run out of other things to do. | 0:13:46 | 0:13:49 | |
Why? Have you got some? | 0:13:51 | 0:13:53 | |
Not going to tell you now, am I? | 0:13:53 | 0:13:54 | |
You're the one that started this conversation. | 0:13:54 | 0:13:57 | |
You'll have to guess. | 0:13:57 | 0:13:58 | |
HE CHUCKLES | 0:13:59 | 0:14:01 | |
TOILET FLUSHING | 0:14:06 | 0:14:09 | |
No, thanks. | 0:14:32 | 0:14:34 | |
I said no, thanks. | 0:14:37 | 0:14:38 | |
HE SPEAKS IN OWN LANGUAGE | 0:14:38 | 0:14:42 | |
Forget watch here. Nothing on time. | 0:14:44 | 0:14:47 | |
KEYS IN DOOR | 0:14:47 | 0:14:49 | |
-Grigor? Kitchen. -Yes, boss. | 0:14:52 | 0:14:54 | |
-Any news? -When I hear something, you'll be the first to know. | 0:14:54 | 0:14:58 | |
-Yeah. Right. -Come on. | 0:14:58 | 0:15:01 | |
Your friend. What happened to him? | 0:15:01 | 0:15:03 | |
-You took his bed. -Stop faffing. | 0:15:03 | 0:15:07 | |
Intensive care. He might not make it. | 0:15:09 | 0:15:11 | |
-I'll get someone. -You? | 0:15:28 | 0:15:30 | |
Zosia. | 0:15:36 | 0:15:37 | |
She hasn't come back. | 0:15:42 | 0:15:43 | |
Penny. | 0:15:45 | 0:15:47 | |
She never came back. | 0:15:47 | 0:15:48 | |
She went... | 0:15:50 | 0:15:51 | |
..to catch a train. | 0:15:53 | 0:15:55 | |
-I'll call your mother. -Help... | 0:15:58 | 0:16:01 | |
Please. | 0:16:02 | 0:16:03 | |
If you know me... | 0:16:05 | 0:16:06 | |
..help me. | 0:16:10 | 0:16:11 | |
How are you finding it? | 0:16:14 | 0:16:15 | |
Noisy. | 0:16:17 | 0:16:18 | |
I know people who get out of here and miss it. | 0:16:19 | 0:16:21 | |
Sleep with the radio on. | 0:16:21 | 0:16:23 | |
You been here a long time? | 0:16:24 | 0:16:27 | |
In and out. Like a lot of us. | 0:16:27 | 0:16:29 | |
What are you in for? | 0:16:30 | 0:16:31 | |
Doesn't matter much anyway. | 0:16:35 | 0:16:37 | |
Oh - our friend from yesterday is doing OK, you know. | 0:16:38 | 0:16:41 | |
Glad to hear it. What caused it? | 0:16:42 | 0:16:44 | |
Spice, probably. Mixed with something else. | 0:16:44 | 0:16:47 | |
Lot of it about in here, you know. Little industry. | 0:16:48 | 0:16:51 | |
Yes. I think I may have encountered some of it already. | 0:16:51 | 0:16:55 | |
Man. Your voice. I don't know why you stay so quiet. | 0:16:55 | 0:16:59 | |
If I had your voice, I wouldn't shut up. | 0:16:59 | 0:17:02 | |
-My voice? -Yeah. It's so posh! | 0:17:02 | 0:17:06 | |
First thing anyone says about you. | 0:17:06 | 0:17:08 | |
Did you know the man who had the cell before me? | 0:17:12 | 0:17:15 | |
Jude. Yeah. Terrible, that was. | 0:17:15 | 0:17:19 | |
We're all wanting to hear how he is. | 0:17:19 | 0:17:20 | |
Did someone hurt him? | 0:17:24 | 0:17:25 | |
Nah. Not exactly. | 0:17:25 | 0:17:27 | |
Tried to top himself. | 0:17:27 | 0:17:28 | |
Your go. | 0:17:36 | 0:17:37 | |
Picture Darwin. Who's there? | 0:17:39 | 0:17:41 | |
I am. | 0:17:43 | 0:17:44 | |
And Profess... Professor... | 0:17:47 | 0:17:49 | |
HE GASPS | 0:17:52 | 0:17:56 | |
There's no rush. | 0:17:56 | 0:17:57 | |
Christmas. | 0:17:59 | 0:18:01 | |
Yes. You missed it, I'm afraid. | 0:18:01 | 0:18:03 | |
I gave sweet? | 0:18:04 | 0:18:06 | |
Go on. | 0:18:07 | 0:18:08 | |
Lights. | 0:18:13 | 0:18:14 | |
Fizz. | 0:18:17 | 0:18:18 | |
Do you mean, fairy lights, champagne? | 0:18:20 | 0:18:23 | |
-Hello, Oliver. -Ollie. Champagne. When? | 0:18:25 | 0:18:30 | |
Champ...? | 0:18:33 | 0:18:34 | |
-Mother, this is Sausage. -SHE LAUGHS | 0:18:42 | 0:18:45 | |
Not Sausage, you wally. It's Zosia. Zosia. | 0:18:45 | 0:18:47 | |
-Zosia. -Yes. We've met. | 0:18:47 | 0:18:51 | |
Hello, Oliver. Looking much brighter today. | 0:18:51 | 0:18:54 | |
And do you remember what we were talking about yesterday? | 0:18:56 | 0:18:59 | |
-Yesterday? -Regarding surgery? | 0:19:00 | 0:19:02 | |
Do you really have to crowd in on him like this, | 0:19:07 | 0:19:09 | |
question after question? | 0:19:09 | 0:19:11 | |
-Can't he just rest? -Tired. | 0:19:11 | 0:19:13 | |
There you have it. | 0:19:13 | 0:19:15 | |
Of course. | 0:19:15 | 0:19:16 | |
Well played. | 0:19:25 | 0:19:26 | |
Listen, you know that fellow who was running out of the cell | 0:19:28 | 0:19:32 | |
when I came in to help? | 0:19:32 | 0:19:33 | |
Fincher. Danny Fincher. | 0:19:33 | 0:19:36 | |
He came up to me. | 0:19:36 | 0:19:37 | |
I don't know whether it was a warning or a threat, but... | 0:19:37 | 0:19:39 | |
He's a nutter. Forget him. | 0:19:39 | 0:19:42 | |
Come on, lads. Hurry it along. | 0:19:42 | 0:19:44 | |
Did Jude write this? | 0:20:11 | 0:20:13 | |
I don't know who. | 0:20:14 | 0:20:17 | |
So, you do one every year - a resolution? | 0:20:37 | 0:20:41 | |
Always, yeah. | 0:20:41 | 0:20:43 | |
And you don't give up on them midway through February like everyone else? | 0:20:43 | 0:20:46 | |
Never! | 0:20:46 | 0:20:47 | |
Since 2014, I've conquered my fear of woodlice, I can hold my breath | 0:20:47 | 0:20:50 | |
for three minutes, made a quilt and I can do a Japanese tea ceremony. | 0:20:50 | 0:20:55 | |
What? | 0:20:56 | 0:20:58 | |
Woodlice?! | 0:20:58 | 0:21:00 | |
What the hell? | 0:21:00 | 0:21:01 | |
Those two. Need...get a room. | 0:21:01 | 0:21:07 | |
That's so inoffensive! | 0:21:09 | 0:21:10 | |
Leave me alone! | 0:21:10 | 0:21:12 | |
Scrub means something different to you guys, doesn't it? | 0:21:20 | 0:21:23 | |
I'm right, though, aren't I? | 0:21:32 | 0:21:34 | |
Heard you got all medical when Andrews had his fit. | 0:21:34 | 0:21:36 | |
I thought doctor was the one job | 0:21:38 | 0:21:40 | |
where you could get away with murder. | 0:21:40 | 0:21:42 | |
What sort of doctor are you? | 0:21:51 | 0:21:52 | |
When you told me to watch myself, what did you mean? | 0:21:54 | 0:21:58 | |
Want to know why none of us trust this fellow? | 0:22:06 | 0:22:09 | |
Well, Jude's your answer. | 0:22:09 | 0:22:11 | |
Danny knew the man was planning something, | 0:22:11 | 0:22:13 | |
and he didn't do nothing about it. | 0:22:13 | 0:22:15 | |
Any of the rest of us known, we might have stopped it, | 0:22:15 | 0:22:17 | |
but Danny didn't say a thing, and now our mate's gone. | 0:22:17 | 0:22:21 | |
Dead. | 0:22:21 | 0:22:22 | |
I'm sorry. | 0:22:24 | 0:22:25 | |
At least now we know. | 0:22:28 | 0:22:29 | |
If he messes with you again, you just tell me, OK? | 0:22:31 | 0:22:37 | |
I think surgery should be our main priority. | 0:22:44 | 0:22:48 | |
We're lucky that most of the bullet is still intact. | 0:22:48 | 0:22:52 | |
Lucky? | 0:22:52 | 0:22:54 | |
I just mean, it makes it easier to remove. | 0:22:54 | 0:22:57 | |
Otherwise, it could cause untold damage. | 0:22:57 | 0:22:59 | |
Unless we get to the bullet, | 0:22:59 | 0:23:01 | |
I'm afraid we haven't seen the end of this injury. | 0:23:01 | 0:23:04 | |
But I need Oliver to engage with me so I can assess his understanding. | 0:23:04 | 0:23:08 | |
I was getting somewhere with him, I'm sure of it. | 0:23:08 | 0:23:11 | |
Just sitting with him and talking with him. | 0:23:11 | 0:23:13 | |
But if he remembers Penny, then I can talk to him about his childhood. | 0:23:13 | 0:23:18 | |
Strong emotional connections - that's the key to recovery, | 0:23:18 | 0:23:22 | |
-isn't it? -Yes, that's part of it... | 0:23:22 | 0:23:24 | |
..but I do believe that surgery is our best option. | 0:23:25 | 0:23:29 | |
What are you doing? | 0:23:36 | 0:23:38 | |
Shut up! I warned you and you didn't listen. | 0:23:38 | 0:23:41 | |
Warned me about what? | 0:23:41 | 0:23:42 | |
Dillon, man. Dillon. You're in with him, now, right? | 0:23:42 | 0:23:45 | |
I'm not "in" with anybody. | 0:23:45 | 0:23:46 | |
Now, you need to put my stuff back, right? | 0:23:46 | 0:23:49 | |
You couldn't decide whether you wanted to be David Gower | 0:24:04 | 0:24:09 | |
or half of Bros. | 0:24:09 | 0:24:11 | |
How about a game of gin? | 0:24:19 | 0:24:21 | |
I hate cards. | 0:24:22 | 0:24:24 | |
Don't be silly, darling. | 0:24:24 | 0:24:27 | |
We used to play all the time on holiday. | 0:24:27 | 0:24:29 | |
Fish stinks. | 0:24:34 | 0:24:36 | |
What do you want to do? | 0:24:39 | 0:24:40 | |
-I want my music! -Right. | 0:24:40 | 0:24:42 | |
I'll see what I can find. | 0:24:44 | 0:24:46 | |
Some music, to help with the noise. | 0:25:01 | 0:25:04 | |
Got some Sam Cooke on there. Thought that might be your deal. | 0:25:04 | 0:25:07 | |
Hey, look, I didn't ask you for anything. | 0:25:07 | 0:25:10 | |
I know. | 0:25:10 | 0:25:11 | |
It's not like the movies. No strings. | 0:25:11 | 0:25:14 | |
You don't owe me cigarettes now or anything like that. | 0:25:14 | 0:25:17 | |
Just a little bit of the outside world. | 0:25:21 | 0:25:24 | |
In case you feel cut off from it. | 0:25:24 | 0:25:26 | |
Looks good, Grigor. Nice work. | 0:25:35 | 0:25:39 | |
Thank you, my friend. | 0:25:39 | 0:25:41 | |
Thanks. | 0:25:41 | 0:25:43 | |
I'm sorry about your friend. | 0:25:43 | 0:25:46 | |
Got a bit emotional back there, didn't I? | 0:25:46 | 0:25:48 | |
Seeing Danny...set me off. | 0:25:48 | 0:25:51 | |
I caught him stealing some of my cleaning gear. | 0:25:51 | 0:25:54 | |
I tried to talk to him, but he lashed out. | 0:25:54 | 0:25:57 | |
Hit you? | 0:25:57 | 0:25:59 | |
It was more of a shove. | 0:25:59 | 0:26:01 | |
You kept your gear, though? | 0:26:01 | 0:26:02 | |
He got away with some bleach. | 0:26:02 | 0:26:04 | |
Why would he need bleach? | 0:26:04 | 0:26:06 | |
Put it this way - it's not to clean his room. | 0:26:06 | 0:26:10 | |
Don't worry. | 0:26:19 | 0:26:21 | |
Here. | 0:26:24 | 0:26:26 | |
Where did your mother disappear to? | 0:26:32 | 0:26:35 | |
Getting my music. | 0:26:35 | 0:26:37 | |
What do you want to listen to? | 0:26:37 | 0:26:39 | |
Pop song. Stuck in my head. | 0:26:39 | 0:26:42 | |
Pop song, Valentine? How very disappointing. | 0:26:42 | 0:26:44 | |
You sound like your father. | 0:26:44 | 0:26:46 | |
You remember my dad? | 0:26:49 | 0:26:50 | |
-Go on. -Guy... | 0:26:51 | 0:26:53 | |
Why do I... | 0:26:55 | 0:26:56 | |
Why did he...? | 0:26:58 | 0:26:59 | |
-Why did he, what? -Hate me. | 0:26:59 | 0:27:01 | |
Ruined wedding. | 0:27:04 | 0:27:06 | |
That's right, Oliver! | 0:27:07 | 0:27:10 | |
Our wedding! | 0:27:10 | 0:27:11 | |
Help me. | 0:27:47 | 0:27:48 | |
Please. | 0:27:48 | 0:27:50 | |
Show me your hands. | 0:27:50 | 0:27:51 | |
Show me. | 0:27:52 | 0:27:53 | |
What happened? | 0:27:55 | 0:27:57 | |
Don't call for help. Please. | 0:27:57 | 0:27:59 | |
-Don't be stupid. -I mean it! | 0:27:59 | 0:28:01 | |
If you grass, it'll be you, too. | 0:28:01 | 0:28:04 | |
Help me. | 0:28:06 | 0:28:07 | |
No. No. No! Go out! Go out! | 0:28:14 | 0:28:17 | |
He needs help. | 0:28:17 | 0:28:18 | |
Not my problem! | 0:28:18 | 0:28:19 | |
-He's bleeding here. -I could lose my job. | 0:28:19 | 0:28:21 | |
If you don't want me to throw | 0:28:21 | 0:28:22 | |
every last bit of your stash down the toilet, help! | 0:28:22 | 0:28:25 | |
Be quick. | 0:28:25 | 0:28:26 | |
I'm going to need clean towels, | 0:28:29 | 0:28:31 | |
cloths, anything. Have you got any...any vinegar? Alcohol? | 0:28:31 | 0:28:34 | |
If I lose this job, both of you will end up worse than this. | 0:28:36 | 0:28:40 | |
Wife? You? | 0:28:44 | 0:28:46 | |
Tara? | 0:28:47 | 0:28:48 | |
-We're married... -Quiet! Stop... | 0:28:48 | 0:28:51 | |
putting...in my head. Just... | 0:28:51 | 0:28:54 | |
Just be... | 0:28:56 | 0:28:58 | |
You're not my wife. I would know... | 0:29:06 | 0:29:08 | |
We're separated. We're trying to reset. | 0:29:08 | 0:29:10 | |
-I would know! -Oliver... | 0:29:10 | 0:29:12 | |
No! No! No! | 0:29:12 | 0:29:14 | |
-Nothing is real! -Please, just lie back. | 0:29:14 | 0:29:17 | |
Liar. Liar! Go away...all of you, just go away! | 0:29:17 | 0:29:19 | |
-God, what's happened? -I want to go home! | 0:29:19 | 0:29:22 | |
-Darling... -Oliver, I need you to calm down. | 0:29:22 | 0:29:24 | |
Why did you do it? Bring me back for this? | 0:29:24 | 0:29:26 | |
Keep pressing here. Press harder. | 0:29:27 | 0:29:30 | |
Grigor, hold it in place there. | 0:29:31 | 0:29:35 | |
That's it. | 0:29:35 | 0:29:36 | |
Hopefully, this will stop the bleeding... | 0:29:38 | 0:29:42 | |
..but I can't be sure about any infection. | 0:29:43 | 0:29:46 | |
Give me your top. The top, quickly. | 0:29:51 | 0:29:54 | |
You know that you're risking your health | 0:29:57 | 0:29:59 | |
if you don't get proper medical attention? | 0:29:59 | 0:30:01 | |
I'm risking more if they find out. | 0:30:01 | 0:30:03 | |
How did this happen? | 0:30:07 | 0:30:08 | |
No time! | 0:30:08 | 0:30:09 | |
Ai eshte anglez I trishtuar. Gjithmone duke lare duart. | 0:30:47 | 0:30:52 | |
Duhet t'a shohesh ne banjo me ato kepuce llustre. | 0:30:52 | 0:30:56 | |
Ika, mirupasfshim. | 0:30:56 | 0:30:58 | |
My friend, thank you. | 0:31:00 | 0:31:02 | |
So, are we even now? | 0:31:04 | 0:31:06 | |
Um... No. | 0:31:08 | 0:31:10 | |
Darla? | 0:31:17 | 0:31:19 | |
Hey, Darla, this is Grandad. | 0:31:21 | 0:31:24 | |
Don't call back when you hear this message - | 0:31:24 | 0:31:27 | |
I'll try calling back a bit later. | 0:31:27 | 0:31:30 | |
I just wanted to let you know that I'm OK and I miss you. | 0:31:30 | 0:31:37 | |
Yeah... Lots of love. | 0:31:39 | 0:31:41 | |
Is, um...girl in photo? | 0:31:43 | 0:31:46 | |
Yes. | 0:31:47 | 0:31:49 | |
My friend, you will see her again. | 0:31:51 | 0:31:54 | |
JANGLING | 0:31:56 | 0:31:58 | |
Breakfast! | 0:31:58 | 0:32:00 | |
Come on, breakfast. | 0:32:13 | 0:32:15 | |
Come on. Lie back. | 0:32:30 | 0:32:32 | |
Are you ready to tell me how this happened? | 0:32:40 | 0:32:42 | |
It was an accident, and if anybody asks, that's what you tell them. | 0:32:42 | 0:32:46 | |
It was Dillon, wasn't it? | 0:32:46 | 0:32:48 | |
That's why you tried to warn me? | 0:32:48 | 0:32:51 | |
That time in my cell. | 0:32:51 | 0:32:52 | |
Dillon came to threaten me, but my cellmate was out of it. | 0:32:52 | 0:32:56 | |
Had a seizure so I ran off. | 0:32:56 | 0:32:57 | |
They blame you for Jude? | 0:32:59 | 0:33:01 | |
It wasn't my fault. | 0:33:01 | 0:33:03 | |
He told me, and I didn't know what to do. | 0:33:03 | 0:33:05 | |
Why did he do it? | 0:33:05 | 0:33:07 | |
Dillon thought he was useful. Came to him as a friend. | 0:33:07 | 0:33:11 | |
Then it was too late. Jude had businesses. Deliveries. | 0:33:11 | 0:33:15 | |
You're important, right? | 0:33:16 | 0:33:18 | |
Out there? | 0:33:18 | 0:33:19 | |
Doctor, right? | 0:33:19 | 0:33:21 | |
That's why, then. Drugs. | 0:33:23 | 0:33:25 | |
So he's been setting me up the whole time. | 0:33:33 | 0:33:36 | |
I told him that you tried to steal from me. | 0:33:38 | 0:33:42 | |
That's why he came for you, isn't it? | 0:33:42 | 0:33:45 | |
I needed something. For protection. | 0:33:45 | 0:33:48 | |
I missed my chance. | 0:33:48 | 0:33:50 | |
HE SHIVERS | 0:33:50 | 0:33:52 | |
I've got to get you to the infirmary. | 0:33:56 | 0:33:58 | |
No. This was a warning. | 0:33:58 | 0:33:59 | |
If I go to the screws, I get the real thing. | 0:33:59 | 0:34:02 | |
VOICES | 0:34:03 | 0:34:06 | |
I'll be back. | 0:34:06 | 0:34:07 | |
Hello, Valentine. | 0:34:19 | 0:34:20 | |
Oh, no. | 0:34:20 | 0:34:22 | |
They told me you'd lost your memory. | 0:34:22 | 0:34:23 | |
Who...could forget you? | 0:34:23 | 0:34:25 | |
Shot. Same as you. Oh, I didn't jump in front of mine. | 0:34:27 | 0:34:31 | |
Looks like we're both on the bench for the time being. | 0:34:34 | 0:34:37 | |
When can I expect you back? | 0:34:37 | 0:34:39 | |
Surgery? Therapy? | 0:34:41 | 0:34:44 | |
Mess. | 0:34:44 | 0:34:45 | |
I don't know what is... | 0:34:47 | 0:34:49 | |
or isn't. | 0:34:49 | 0:34:51 | |
How do I know if... making right choice? | 0:34:53 | 0:34:59 | |
Most people don't. | 0:35:00 | 0:35:02 | |
What if damaged...for ever? | 0:35:02 | 0:35:05 | |
Afraid, Jac. | 0:35:12 | 0:35:14 | |
Well, that's just it, isn't it? It's a what if. | 0:35:16 | 0:35:20 | |
You don't know. | 0:35:20 | 0:35:21 | |
Zo-sha. | 0:35:25 | 0:35:26 | |
What were we like together? | 0:35:29 | 0:35:31 | |
I'm not the person to ask, Valentine. | 0:35:33 | 0:35:34 | |
You know I don't care about these things. | 0:35:34 | 0:35:37 | |
You had courage. | 0:35:41 | 0:35:43 | |
Both of you. | 0:35:44 | 0:35:46 | |
Anyway, I'm supposed to be in some sort of tedious physio right now. | 0:35:52 | 0:35:56 | |
Later, Valentine. | 0:35:56 | 0:35:58 | |
What do you need me to do? | 0:36:06 | 0:36:08 | |
ALARM RINGS | 0:36:15 | 0:36:17 | |
Back to your cell! That goes for everyone. | 0:36:17 | 0:36:20 | |
We're on lockdown. Behind the doors! | 0:36:20 | 0:36:23 | |
A candle. | 0:36:28 | 0:36:30 | |
A chocolate. | 0:36:30 | 0:36:32 | |
A bucket. | 0:36:32 | 0:36:33 | |
That's great. | 0:36:33 | 0:36:35 | |
Can you please draw a clock for me? | 0:36:37 | 0:36:40 | |
Ten to two. | 0:36:48 | 0:36:50 | |
Thank you very much, Oliver. | 0:36:52 | 0:36:54 | |
How did I do? | 0:36:54 | 0:36:56 | |
Well, you're rational. You're retaining information. | 0:36:57 | 0:37:01 | |
It's all positive. I'm satisfied. | 0:37:03 | 0:37:06 | |
So now you have a difficult decision to make. | 0:37:07 | 0:37:10 | |
I'd like to speak to Zosia. | 0:37:14 | 0:37:16 | |
Of course. | 0:37:19 | 0:37:20 | |
Was I a good doctor? | 0:37:35 | 0:37:37 | |
You were...out in the lead. | 0:37:39 | 0:37:43 | |
A specialist registrar. | 0:37:43 | 0:37:46 | |
Cardiothoracics. Trauma. | 0:37:47 | 0:37:50 | |
You'd been working on chest wall reconstructions. | 0:37:50 | 0:37:54 | |
You're an innovator, Oliver. | 0:37:56 | 0:37:57 | |
I don't believe you've lost that. It's who are you. | 0:37:58 | 0:38:01 | |
If you were... | 0:38:01 | 0:38:03 | |
Would you have this operation? | 0:38:07 | 0:38:09 | |
Well, you're a doctor. | 0:38:10 | 0:38:11 | |
If this was your patient, what would you recommend? | 0:38:11 | 0:38:14 | |
-I'm not a doctor. -Yes, you are. | 0:38:14 | 0:38:16 | |
I know you. | 0:38:17 | 0:38:18 | |
I could die. | 0:38:18 | 0:38:20 | |
I could get worse. | 0:38:23 | 0:38:25 | |
I could get better. | 0:38:28 | 0:38:29 | |
Yes. | 0:38:30 | 0:38:32 | |
I could get my life back. | 0:38:34 | 0:38:36 | |
Yes. | 0:38:38 | 0:38:39 | |
I want my life back. | 0:38:41 | 0:38:42 | |
Right, this is done. | 0:39:02 | 0:39:05 | |
Next. | 0:39:05 | 0:39:06 | |
Thanks. | 0:39:38 | 0:39:39 | |
I not do it for you. | 0:39:41 | 0:39:42 | |
I do it to protect me. | 0:39:42 | 0:39:45 | |
You trouble now. | 0:39:45 | 0:39:46 | |
Starting yoga? | 0:39:56 | 0:39:58 | |
Nope. | 0:39:58 | 0:39:59 | |
Becoming vegan? | 0:39:59 | 0:40:00 | |
-Nope. -Learning Esperanto. | 0:40:00 | 0:40:02 | |
No. | 0:40:02 | 0:40:04 | |
Er...growing a moustache. | 0:40:04 | 0:40:06 | |
Never. | 0:40:06 | 0:40:08 | |
Rude. | 0:40:08 | 0:40:09 | |
What? | 0:40:12 | 0:40:14 | |
You're still hankering after him? | 0:40:14 | 0:40:16 | |
No. No. He's right, the Universe is against us. | 0:40:16 | 0:40:21 | |
So I'm moving on. | 0:40:21 | 0:40:22 | |
-What? -Well, I don't want to spend New Year's on my own, | 0:40:22 | 0:40:26 | |
so I started texting around. | 0:40:26 | 0:40:28 | |
Oh, Dom! Really? | 0:40:28 | 0:40:30 | |
What? I'm only shopping. | 0:40:30 | 0:40:32 | |
Besides, maybe I'll just phone Eddie Redmayne | 0:40:32 | 0:40:35 | |
and tell him about my movie idea. | 0:40:35 | 0:40:37 | |
-I've got a great title as well. -Hm-mm? -Valentine In March. | 0:40:37 | 0:40:41 | |
But, now that you're back, | 0:40:44 | 0:40:46 | |
maybe I don't have to worry about being lonely. | 0:40:46 | 0:40:48 | |
You are back, aren't you? | 0:40:51 | 0:40:53 | |
Every other Thursday, Ollie checks on my dad. | 0:40:55 | 0:40:59 | |
They watch Blue Planet together. | 0:41:00 | 0:41:02 | |
You've always knew he's a boy scout. | 0:41:03 | 0:41:05 | |
He'd do anything for me, and he did. | 0:41:05 | 0:41:09 | |
He encouraged me to go chasing after whatever it was I was looking for. | 0:41:09 | 0:41:13 | |
So maybe I owe it to him to stay. | 0:41:15 | 0:41:17 | |
And what about Yale...? | 0:41:17 | 0:41:19 | |
I don't know. | 0:41:20 | 0:41:22 | |
I'm not sure I can give him up again. | 0:41:24 | 0:41:26 | |
I've got to get to theatre. | 0:41:29 | 0:41:31 | |
What's his CO2? | 0:41:51 | 0:41:52 | |
Steady at 5. | 0:41:54 | 0:41:56 | |
BEEPING | 0:41:56 | 0:41:57 | |
Head up, please! | 0:41:57 | 0:41:59 | |
Is the brain swelling? | 0:41:59 | 0:42:01 | |
Yes... | 0:42:01 | 0:42:03 | |
Shouldn't you stop? | 0:42:03 | 0:42:05 | |
I haven't even reached the bullet yet. | 0:42:05 | 0:42:07 | |
This isn't how we save him. | 0:42:10 | 0:42:12 | |
What's up, Doc? | 0:42:24 | 0:42:26 | |
Heard you've been busy. | 0:42:26 | 0:42:28 | |
When I told you about Danny, this isn't what I was after. | 0:42:29 | 0:42:32 | |
What happened to Danny? | 0:42:32 | 0:42:33 | |
Don't give me that. | 0:42:33 | 0:42:34 | |
What did you think was going to happen? | 0:42:34 | 0:42:36 | |
You knew I was looking out for you. | 0:42:36 | 0:42:38 | |
This isn't on me. | 0:42:38 | 0:42:39 | |
I don't think you understand. | 0:42:39 | 0:42:41 | |
There's a reason prison's been easy for you so far. | 0:42:41 | 0:42:44 | |
You really think that I'm going to be able to pull strings for you from in here? | 0:42:44 | 0:42:48 | |
See? You've got it. Get that phone. | 0:42:48 | 0:42:51 | |
Call one of your doctor pals at Holby City. | 0:42:51 | 0:42:54 | |
Oh, yeah. I know. | 0:42:54 | 0:42:57 | |
It's not looking good for you, Ric. | 0:42:57 | 0:42:59 | |
That's why a little arrangement like this could make life easy for you. | 0:42:59 | 0:43:03 | |
You get a stash in from your old work. | 0:43:03 | 0:43:05 | |
You help me process it and distribute in here. | 0:43:05 | 0:43:07 | |
You'll never have to worry about anything again. | 0:43:07 | 0:43:10 | |
And if I say no? | 0:43:11 | 0:43:13 | |
Ask Jude how that worked out for him. | 0:43:13 | 0:43:15 | |
Nice trainers. | 0:43:19 | 0:43:21 | |
Welcome back. | 0:43:38 | 0:43:39 | |
Don't...look...you... | 0:43:39 | 0:43:42 | |
Don't...look... | 0:43:43 | 0:43:45 | |
..happy. | 0:43:46 | 0:43:48 | |
We weren't able to remove the bullet. | 0:43:50 | 0:43:52 | |
I'm sorry. | 0:43:52 | 0:43:54 | |
The tissue, there was too much swelling... | 0:43:54 | 0:43:58 | |
Hard to reach. | 0:43:58 | 0:43:59 | |
Next... | 0:44:06 | 0:44:08 | |
..steps. | 0:44:08 | 0:44:10 | |
He, um...needs you more than he needs me. | 0:44:21 | 0:44:25 | |
How do you feel? | 0:44:38 | 0:44:40 | |
I need to keep going. | 0:44:40 | 0:44:41 | |
You do. | 0:44:42 | 0:44:44 | |
Forward. | 0:44:44 | 0:44:45 | |
We split. | 0:44:57 | 0:44:58 | |
It was mutual? | 0:45:00 | 0:45:02 | |
It was. It didn't come easily. | 0:45:03 | 0:45:06 | |
Why did I stay? | 0:45:08 | 0:45:10 | |
You still had ambitions here. | 0:45:12 | 0:45:14 | |
I stayed and all this happened. | 0:45:17 | 0:45:19 | |
Yale. | 0:45:24 | 0:45:25 | |
Not just anyone goes to Yale. | 0:45:26 | 0:45:29 | |
Jac says I can come back whenever I want. | 0:45:30 | 0:45:32 | |
Harder to impress Jac than Yale. | 0:45:34 | 0:45:37 | |
Yeah. | 0:45:37 | 0:45:39 | |
You're really good at this. | 0:45:39 | 0:45:40 | |
Don't lie. Please. | 0:45:41 | 0:45:43 | |
I think so. | 0:45:45 | 0:45:47 | |
-I could be. -You want to be. | 0:45:48 | 0:45:49 | |
You went to be...best... | 0:45:51 | 0:45:57 | |
..best version of yourself. | 0:46:03 | 0:46:06 | |
Yes. | 0:46:06 | 0:46:07 | |
I want to be best version of myself. | 0:46:07 | 0:46:10 | |
You are. | 0:46:11 | 0:46:13 | |
Surgery. Risk. Difficult decision. Right reasons. | 0:46:13 | 0:46:16 | |
I need to keep...going. | 0:46:16 | 0:46:20 | |
Difficult things. Right things. | 0:46:24 | 0:46:27 | |
You shouldn't be here. | 0:46:34 | 0:46:36 | |
They needed the beds. | 0:46:49 | 0:46:51 | |
I know how that works. How are you feeling? | 0:46:51 | 0:46:54 | |
Nice to have bandages, instead of being covered in food wrap. | 0:46:55 | 0:46:59 | |
What did I miss? | 0:47:01 | 0:47:02 | |
Dillon told me what he wants. | 0:47:04 | 0:47:06 | |
Sorry. | 0:47:09 | 0:47:10 | |
So Jude couldn't figure another way out of this. | 0:47:10 | 0:47:14 | |
He had years left in here. | 0:47:14 | 0:47:16 | |
How about you? How long have you got left? | 0:47:16 | 0:47:19 | |
Oh, my next hearing's in a few weeks | 0:47:19 | 0:47:21 | |
but I'll only end up back inside. | 0:47:21 | 0:47:23 | |
Why? | 0:47:23 | 0:47:24 | |
There's nothing much for me out there. | 0:47:24 | 0:47:27 | |
I'm sorry things have ended up like this for you. | 0:47:29 | 0:47:32 | |
You sorted me out. I owe you. | 0:47:34 | 0:47:37 | |
I don't really have anything to trade, in here. | 0:47:39 | 0:47:42 | |
But I will pay you back. I promise. | 0:47:42 | 0:47:44 | |
Danny, it's all right. | 0:47:44 | 0:47:46 | |
I didn't help you because I wanted something in return. | 0:47:46 | 0:47:48 | |
So will you do what Dillon says? Cos if you don't... | 0:47:52 | 0:47:56 | |
That's the choice, is it? | 0:47:58 | 0:47:59 | |
Submit or suffer. | 0:47:59 | 0:48:01 | |
If I go, it'll be back to America. | 0:48:05 | 0:48:09 | |
But I could help you, Oliver. I can be here... | 0:48:12 | 0:48:15 | |
I don't want you to. | 0:48:15 | 0:48:16 | |
You need to be your best self. | 0:48:17 | 0:48:20 | |
Whenever you're ready... | 0:48:29 | 0:48:30 | |
..whenever you...remember... | 0:48:32 | 0:48:36 | |
..I'll keep it all for us. | 0:48:38 | 0:48:40 | |
All our memories. | 0:48:43 | 0:48:44 | |
The good and the bad. | 0:48:44 | 0:48:46 | |
Everything. | 0:48:48 | 0:48:49 | |
Goodbye. | 0:49:03 | 0:49:05 | |
Take care. | 0:49:08 | 0:49:09 | |
It was...nice to meet you. | 0:49:09 | 0:49:12 | |
Would you mind doing this for me? | 0:49:24 | 0:49:26 | |
It's Mr Jenkin's - bay two. | 0:49:26 | 0:49:28 | |
Well, will you at least come for a goodbye drink later? | 0:49:41 | 0:49:44 | |
Will you try and... | 0:49:47 | 0:49:48 | |
Will you try and look after him? | 0:49:50 | 0:49:52 | |
Yes. Yes, I will. | 0:49:54 | 0:49:56 | |
It's time for me to go. | 0:50:01 | 0:50:03 | |
Right. | 0:50:04 | 0:50:05 | |
I'll keep in touch. I'll let you know how he is. | 0:50:09 | 0:50:12 | |
Thank you. | 0:50:14 | 0:50:15 | |
Take care, Zosia. | 0:50:22 | 0:50:24 | |
Tell everyone I miss them, and come and see me soon, OK? | 0:50:29 | 0:50:33 | |
Just bloody well sort it out with him. Don't swallow all this rubbish | 0:50:48 | 0:50:51 | |
about the Universe trying to tell you something. | 0:50:51 | 0:50:53 | |
Look around you, Dom. | 0:50:55 | 0:50:56 | |
You need to hold on to what you can. | 0:50:58 | 0:51:00 | |
Sorry. Clumsy accident. | 0:51:11 | 0:51:13 | |
You can shove your offer and you can shove your threats. | 0:51:15 | 0:51:18 | |
Is that so? | 0:51:18 | 0:51:19 | |
Thanks very much, but I'm more of a James Brown man. | 0:51:19 | 0:51:22 | |
Oh, yeah, you're super bad. | 0:51:22 | 0:51:24 | |
You don't scare me, Dillon. | 0:51:24 | 0:51:25 | |
I'm not afraid of you and your merry men. | 0:51:25 | 0:51:27 | |
You don't have to be. | 0:51:27 | 0:51:29 | |
Your friends do. Your family, too. | 0:51:29 | 0:51:31 | |
Darla not been to visit yet? | 0:51:32 | 0:51:35 | |
If only you had some way to warn them! | 0:51:35 | 0:51:37 | |
Don't fight it, Ric. | 0:51:40 | 0:51:42 | |
We don't need to be on the wrong side of each other. | 0:51:42 | 0:51:45 | |
You're already a crook, so why hold on to this integrity | 0:51:45 | 0:51:49 | |
when it's only going to get people hurt? | 0:51:49 | 0:51:51 | |
Be seeing you. | 0:51:54 | 0:51:55 | |
OK, well, I'm going to need a little more than just "pop song". | 0:52:02 | 0:52:05 | |
Lyrics? | 0:52:05 | 0:52:06 | |
# So when I speak, listen... | 0:52:09 | 0:52:15 | |
# This is my decision | 0:52:17 | 0:52:20 | |
# But you keep on messing up the words. # | 0:52:20 | 0:52:25 | |
Wow. I didn't have you down as a Saturdays fan. But hold on... | 0:52:25 | 0:52:29 | |
Yes! Yes! | 0:52:33 | 0:52:35 | |
Our little secret. | 0:52:37 | 0:52:39 | |
Cheers, Dom. | 0:52:39 | 0:52:41 | |
OK, fine. I have a resolution. | 0:53:04 | 0:53:06 | |
What is it? | 0:53:08 | 0:53:09 | |
I resolve not to let fate get the upper hand. | 0:53:10 | 0:53:14 | |
We make our own luck. | 0:53:15 | 0:53:17 | |
Come on, then, what's yours? | 0:53:20 | 0:53:22 | |
I'm learning the saxophone. | 0:53:22 | 0:53:24 | |
Can you flutter-tongue? | 0:53:28 | 0:53:29 | |
You're terrible! | 0:53:30 | 0:53:32 | |
Seriously shocking! | 0:53:32 | 0:53:34 | |
I used to love this, too. | 0:53:43 | 0:53:44 | |
Now I hate it. The only time I really miss things out there. | 0:53:46 | 0:53:50 | |
I don't need reminding. | 0:53:51 | 0:53:52 | |
How have you coped for so long? | 0:53:56 | 0:53:58 | |
You've just got to accept it, man. It's like the weather. | 0:54:00 | 0:54:02 | |
It rains, you get wet. You don't have any control. | 0:54:02 | 0:54:06 | |
You never have any control. | 0:54:07 | 0:54:09 | |
I appreciate you trying to fight my corner. It means something. | 0:54:12 | 0:54:15 | |
It really does. | 0:54:15 | 0:54:17 | |
But if you want to make it to the end, | 0:54:19 | 0:54:21 | |
you just have to accept what happens in here. | 0:54:21 | 0:54:24 | |
You'd better get away from me, Danny. | 0:54:30 | 0:54:32 | |
At least until this is all over. | 0:54:34 | 0:54:36 | |
I mean it. | 0:54:42 | 0:54:43 | |
Go. Now. | 0:54:45 | 0:54:46 | |
Well, one thing hasn't changed. | 0:55:30 | 0:55:33 | |
You're still a hopeless romantic idiot. | 0:55:33 | 0:55:35 | |
Just because I don't remember why I let her go, | 0:55:36 | 0:55:40 | |
it doesn't mean it wasn't right. | 0:55:40 | 0:55:43 | |
She's amazing. | 0:55:46 | 0:55:48 | |
I know I wouldn't have let that go on a whim. | 0:55:48 | 0:55:53 | |
-So what now? -Well... | 0:55:56 | 0:55:58 | |
Now I'm bitter and friendless... | 0:55:59 | 0:56:02 | |
..I thought I could be like you. | 0:56:04 | 0:56:06 | |
You taught me this, remember? | 0:56:09 | 0:56:12 | |
You said it would make me a better surgeon. | 0:56:13 | 0:56:16 | |
I gave all this for Holby. | 0:56:25 | 0:56:26 | |
And now I need to start over... | 0:56:30 | 0:56:33 | |
..earn it again. | 0:56:35 | 0:56:37 | |
That's all that matters. | 0:56:41 | 0:56:43 | |
Keep at it, Valentine. | 0:57:01 | 0:57:03 |