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HORN HONKS | 0:01:17 | 0:01:18 | |
"My darling sister, it isn't going to be at all what we expected. | 0:02:00 | 0:02:04 | |
"The house is old and quaint and altogether delightful - | 0:02:07 | 0:02:11 | |
"red brick. | 0:02:11 | 0:02:12 | |
"The hall itself is practically a room. | 0:02:17 | 0:02:20 | |
"From there you go right or left into dining room or drawing room. | 0:02:20 | 0:02:23 | |
"Straight ahead there are the stairs going up to the first floor - | 0:02:26 | 0:02:29 | |
"three bedrooms there, and three attics above. | 0:02:29 | 0:02:33 | |
"There's a very big wych-elm in the field behind the house. | 0:02:33 | 0:02:37 | |
"I quite love that tree already... | 0:02:37 | 0:02:39 | |
"..and, of course, more ordinary trees, | 0:02:43 | 0:02:46 | |
"flowerbeds, bluebells, forget-me-nots, | 0:02:46 | 0:02:49 | |
"peonies, irises and azaleas... | 0:02:49 | 0:02:51 | |
"..and a wisteria and clematis which grows all around the house." | 0:02:51 | 0:02:55 | |
"And now for the family themselves..." | 0:03:00 | 0:03:02 | |
CLACKING OUTSIDE | 0:03:03 | 0:03:04 | |
"This morning I was awakened by a clicketing sound, | 0:03:04 | 0:03:06 | |
"coming from the garden..." | 0:03:06 | 0:03:08 | |
Oh, blast! | 0:03:12 | 0:03:14 | |
"It was Charles, the older son, practising his croquet on the lawn. | 0:03:14 | 0:03:18 | |
"I must stress the word 'practising'. | 0:03:19 | 0:03:21 | |
"A bit later I heard more clacketing. | 0:03:23 | 0:03:25 | |
"At first I thought they were having a game... | 0:03:32 | 0:03:34 | |
"..but no, it was Mr Wilcox, practising HIS croquet. | 0:03:37 | 0:03:41 | |
"Mr Wilcox prefers three hoops, Charles, one. | 0:03:41 | 0:03:44 | |
"After a bit comes Miss Evie Wilcox. | 0:03:46 | 0:03:49 | |
"She does exercises on a callisthenics machine | 0:03:53 | 0:03:56 | |
"that is hanging from a pergola. | 0:03:56 | 0:03:58 | |
"At last comes Mrs Wilcox, | 0:04:02 | 0:04:04 | |
"who is a creature of a very different sort... | 0:04:04 | 0:04:08 | |
"..because, for all their croquet and callisthenics, | 0:04:13 | 0:04:16 | |
"Mrs Wilcox seems, of all of them, | 0:04:16 | 0:04:19 | |
"to belong most completely to Howards End - | 0:04:19 | 0:04:22 | |
"and it to her. | 0:04:22 | 0:04:24 | |
"Paul, younger son, arrives this morning." | 0:04:26 | 0:04:28 | |
"Much love..." | 0:04:28 | 0:04:30 | |
"Modified love to Tibby..." | 0:04:30 | 0:04:31 | |
"..and love to Aunt Juley. | 0:04:31 | 0:04:32 | |
"So good of her to come and keep you company..." | 0:04:32 | 0:04:35 | |
"..but what a bore for you. Burn this." | 0:04:35 | 0:04:37 | |
"Will write again Thursday. Helen." | 0:04:37 | 0:04:39 | |
But what sort of people are these Wilcoxes, Margaret? | 0:04:40 | 0:04:43 | |
I don't understand. | 0:04:43 | 0:04:44 | |
-I don't know any more than you do. We met them in Germany. -Oh. | 0:04:44 | 0:04:47 | |
We had an awful expedition from Heidelberg to Speyer, | 0:04:47 | 0:04:50 | |
to see the old cathedral there. | 0:04:50 | 0:04:51 | |
We met the Wilcoxes in the public gardens. | 0:04:51 | 0:04:53 | |
They hadn't any German, and we took some drives together. | 0:04:53 | 0:04:55 | |
Then they invited us to visit them when we came home. | 0:04:55 | 0:04:57 | |
Then Tibby got hay fever and Helen went on alone. | 0:04:57 | 0:04:59 | |
That's really all I can tell you. | 0:04:59 | 0:05:01 | |
Oh, you girls have always been so independent. | 0:05:01 | 0:05:04 | |
Isn't that generally reckoned to be a good thing, Aunt Juley? | 0:05:04 | 0:05:06 | |
I'm sure I don't know - | 0:05:06 | 0:05:07 | |
but I have always thought that the care of your sister and brother | 0:05:07 | 0:05:10 | |
too great a burden to place upon a young woman of your tender years. | 0:05:10 | 0:05:14 | |
Your youth has practically been thrown away | 0:05:14 | 0:05:16 | |
on your precious independence. | 0:05:16 | 0:05:17 | |
Practically! | 0:05:17 | 0:05:19 | |
Yes, Margaret, it has! | 0:05:19 | 0:05:20 | |
Who is to say what the result might have proved by now, | 0:05:20 | 0:05:23 | |
had your father left you in my care, | 0:05:23 | 0:05:24 | |
which I know your dear mother would have wished, and as I... | 0:05:24 | 0:05:26 | |
Oh, dear Aunt Juley, let's not go over that again. | 0:05:26 | 0:05:29 | |
Poor Mother left it up to Papa to decide, Papa left it up to me, | 0:05:29 | 0:05:32 | |
and I don't think I have done so badly after all - | 0:05:32 | 0:05:33 | |
and I've always valued your advice. | 0:05:33 | 0:05:35 | |
Yes, but you never take it. | 0:05:35 | 0:05:38 | |
Oh, I'm not saying you've done badly by Helen and Tibby, dear. | 0:05:38 | 0:05:41 | |
-Just for yourself. -Aunt Juley! | 0:05:41 | 0:05:43 | |
Excuse me, Miss, but Master Tibby's asking for you again. | 0:05:43 | 0:05:46 | |
Thank you, Nancy. | 0:05:46 | 0:05:47 | |
Annie, I think you can clear away the breakfast things now. | 0:05:47 | 0:05:49 | |
Yes, Miss. | 0:05:49 | 0:05:50 | |
"Dearest Meg, I do wish you were here. | 0:06:21 | 0:06:24 | |
"The Wilcoxes continue to fascinate." | 0:06:24 | 0:06:26 | |
Ah - Miss Schlegel. This is my brother Paul. | 0:06:27 | 0:06:30 | |
Paul, Miss Schlegel is stopping with us for the week. | 0:06:30 | 0:06:32 | |
-How do you do? -How do you do? | 0:06:32 | 0:06:34 | |
"Paul, younger brother, is quite the handsomest of the lot, | 0:06:36 | 0:06:39 | |
"but not a bit conceited, | 0:06:39 | 0:06:41 | |
"nor over-serious, like Charles - older brother. | 0:06:41 | 0:06:44 | |
"Mr Wilcox runs the Imperial and West African Rubber Company, | 0:06:44 | 0:06:49 | |
"and says the most horrid things so nicely. | 0:06:49 | 0:06:53 | |
"When I said I believed in equality between the sexes | 0:06:53 | 0:06:55 | |
"he gave me such a setting down as I have never had. | 0:06:55 | 0:06:59 | |
"Like all really strong people, he did it without hurting me." | 0:06:59 | 0:07:02 | |
My dear Miss Schlegel, there is no equality among men - | 0:07:02 | 0:07:04 | |
how can there be equality between men and women? | 0:07:04 | 0:07:07 | |
What civilisation has ever existed | 0:07:07 | 0:07:09 | |
on terms of perfect equality among its constituents? | 0:07:09 | 0:07:11 | |
What household, for that matter? | 0:07:11 | 0:07:12 | |
"Only Paul tried to come to my rescue, | 0:07:12 | 0:07:15 | |
"but he was quite overmatched." | 0:07:15 | 0:07:17 | |
But then oughtn't your anti-Suffragists | 0:07:17 | 0:07:19 | |
object to being ruled by a woman for 63 years? | 0:07:19 | 0:07:21 | |
-Bosh. -64. -No, it was 63. -But why is it bosh? | 0:07:21 | 0:07:23 | |
-Because... -All right, then, 63. -And it's no good saying "bosh" | 0:07:23 | 0:07:26 | |
-when someone disagrees with you. -You can if it is bosh. | 0:07:26 | 0:07:28 | |
It's bosh because the exception proves the rule - | 0:07:28 | 0:07:30 | |
and you will search in vain | 0:07:30 | 0:07:32 | |
for as violent an enemy of your Suffragists as the late Queen. | 0:07:32 | 0:07:35 | |
But, well, wasn't that hypocrisy in her? | 0:07:35 | 0:07:37 | |
Not at all. | 0:07:37 | 0:07:38 | |
-Bosh. -THEY LAUGH | 0:07:38 | 0:07:40 | |
There was no hypocrisy in it. | 0:07:40 | 0:07:41 | |
It showed her perfect disinterest in the controversy. | 0:07:41 | 0:07:44 | |
"In five minutes he took up everything | 0:07:44 | 0:07:46 | |
"we were raised to believe in and ripped it entirely to shreds. | 0:07:46 | 0:07:49 | |
"It was lovely." Oh, dear. | 0:07:49 | 0:07:51 | |
One sound man of business does more good to the world | 0:07:52 | 0:07:55 | |
than a dozen of your social reformers. | 0:07:55 | 0:07:57 | |
Oh! | 0:07:57 | 0:07:58 | |
"But I have saved the best part for last." | 0:07:58 | 0:08:00 | |
Well, I dread to hear it! | 0:08:00 | 0:08:01 | |
I do suppose the arguments against women's suffrage | 0:08:01 | 0:08:03 | |
are frightfully strong, Mrs Wilcox? | 0:08:03 | 0:08:05 | |
Are they? | 0:08:05 | 0:08:06 | |
I never follow any arguments. | 0:08:06 | 0:08:08 | |
I am only too thankful not to have the vote myself. | 0:08:08 | 0:08:10 | |
-Would you pour the coffee, please? -Yes, Miss. -Thank you. | 0:08:10 | 0:08:13 | |
"And suddenly the discussion was over. | 0:08:15 | 0:08:19 | |
"I was never so much surprised in my life! | 0:08:19 | 0:08:21 | |
"So you see, Meg, I've got everything upso-down again. | 0:08:23 | 0:08:26 | |
"It is not Mr Wilcox who rules at Howards End, but his wife. | 0:08:26 | 0:08:31 | |
"She slams no doors, states no facts, and does no callisthenics. | 0:08:31 | 0:08:36 | |
"They worship and obey her. | 0:08:36 | 0:08:39 | |
"It makes one worship them in turn." | 0:08:39 | 0:08:41 | |
-JULEY: -But why our Helen should be so charmed | 0:08:45 | 0:08:47 | |
to find her deepest convictions so easily disaggregated, | 0:08:47 | 0:08:50 | |
I simply cannot imagine. | 0:08:50 | 0:08:52 | |
I think she's infatuated with the lot of them. | 0:08:52 | 0:08:55 | |
THEY LAUGH | 0:08:57 | 0:08:58 | |
Off we go! Onwards! | 0:09:11 | 0:09:12 | |
They sound to me quite the wrong sort of people for Helen. | 0:09:22 | 0:09:25 | |
Not our sort of people at all. | 0:09:25 | 0:09:27 | |
They are rather a breath of fresh air. | 0:09:27 | 0:09:30 | |
Sometimes I feel that we are swathed in cant, | 0:09:30 | 0:09:32 | |
and it is good for us to be stripped of it. | 0:09:32 | 0:09:35 | |
Stripped of what, dear? | 0:09:35 | 0:09:36 | |
Cant. Argot. Jargon, hypocrisy, sanctimoniousness. | 0:09:36 | 0:09:39 | |
Sometimes I long for someone dominating | 0:09:40 | 0:09:43 | |
to tell me that my ideas are sheltered and academic, | 0:09:43 | 0:09:46 | |
that equality is... | 0:09:46 | 0:09:48 | |
-Bosh. -Socialism? | 0:09:48 | 0:09:50 | |
Dangerous bosh. | 0:09:50 | 0:09:51 | |
Art and literature... | 0:09:51 | 0:09:53 | |
Oh, Margaret...! | 0:09:53 | 0:09:54 | |
Bosh! | 0:09:54 | 0:09:55 | |
This is really too much. | 0:09:55 | 0:09:57 | |
Except of course when conducive to strengthening the character. | 0:09:57 | 0:10:00 | |
Of course. | 0:10:00 | 0:10:02 | |
You have a strong character, Miss Schlegel... | 0:10:02 | 0:10:04 | |
Yes, it has been strengthened by art and literature. | 0:10:04 | 0:10:07 | |
Aha! You prove my point. | 0:10:07 | 0:10:08 | |
You are really the most peculiar girl. | 0:10:10 | 0:10:12 | |
"Yes, my darling Meg, | 0:10:17 | 0:10:18 | |
"one by one my Schlegel fetiches have been overthrown. | 0:10:18 | 0:10:22 | |
"The Wilcox men see everything with such freshness | 0:10:22 | 0:10:26 | |
"and clarity that nothing seems to muddle them." | 0:10:26 | 0:10:29 | |
The ruin dates from the eleventh century. | 0:10:29 | 0:10:31 | |
We can stop here for half an hour | 0:10:33 | 0:10:34 | |
and still be in time for some cricket. | 0:10:34 | 0:10:36 | |
But surely, Margaret, dear, | 0:10:49 | 0:10:51 | |
you can find in yourself no answering feeling | 0:10:51 | 0:10:54 | |
for that kind of push? | 0:10:54 | 0:10:55 | |
No, but I do sometimes think that the real world | 0:10:55 | 0:10:57 | |
has been marching past us for some time now, | 0:10:57 | 0:10:59 | |
and there's nothing wrong with Helen joining in the parade | 0:10:59 | 0:11:02 | |
for a week or two - | 0:11:02 | 0:11:03 | |
if only to ensure that we're not wholly and entirely left behind. | 0:11:03 | 0:11:07 | |
Well, I, for one, have never marched in a parade, | 0:11:07 | 0:11:09 | |
and I have no wish to do so now. | 0:11:09 | 0:11:12 | |
You and Helen may do as you choose, of course. | 0:11:12 | 0:11:14 | |
Oh, don't let's worry about Helen! | 0:11:14 | 0:11:16 | |
Her head may be easily turned, | 0:11:16 | 0:11:18 | |
but it does go on turning, if you see what I mean. | 0:11:18 | 0:11:20 | |
That's why it's got so much more sense in it than most people's. | 0:11:20 | 0:11:24 | |
At least...sometimes it does. | 0:11:24 | 0:11:25 | |
Miss Schlegel... | 0:11:29 | 0:11:31 | |
I... | 0:11:31 | 0:11:33 | |
-Helen... -Yes, do. | 0:11:33 | 0:11:35 | |
"Dearest, dearest Meg. I do not know what you will say. | 0:12:06 | 0:12:10 | |
"Paul, younger son, and I are in love." | 0:12:10 | 0:12:13 | |
Oh, dear. | 0:12:13 | 0:12:14 | |
But this is far too sudden, surely. | 0:12:17 | 0:12:19 | |
Has the young man made an offer? | 0:12:21 | 0:12:22 | |
She doesn't say. | 0:12:22 | 0:12:24 | |
Our Helen is not a girl to be trifled with - | 0:12:24 | 0:12:26 | |
and if he has not made an offer... | 0:12:26 | 0:12:28 | |
-She doesn't say, Aunt Juley. -What's to be done? | 0:12:28 | 0:12:31 | |
I don't think anything needs doing but I must go down to see her. | 0:12:31 | 0:12:34 | |
Margaret, dear. Quite frankly - you won't be offended? | 0:12:34 | 0:12:37 | |
I feel you are not up to this business. | 0:12:37 | 0:12:39 | |
This requires an older person. | 0:12:39 | 0:12:42 | |
You Schlegels, you are so impetuous. | 0:12:42 | 0:12:44 | |
You see far too many people here. Unshaven musicians. Actresses, even. | 0:12:44 | 0:12:48 | |
German cousins... | 0:12:48 | 0:12:49 | |
-Oh, Aunt Juley! -Acquaintances picked up at foreign hotels. -Really... | 0:12:49 | 0:12:52 | |
Disaster was bound to come. | 0:12:52 | 0:12:54 | |
How lucky that I happened to be on the spot when it came. | 0:12:54 | 0:12:57 | |
You would say the wrong thing. To a certainty you would. | 0:12:57 | 0:12:59 | |
In your anxiety for Helen's happiness, | 0:12:59 | 0:13:01 | |
you would offend the whole of these Wilcoxes | 0:13:01 | 0:13:02 | |
by asking one of your impetuous questions. | 0:13:02 | 0:13:04 | |
I shall ask no questions. | 0:13:04 | 0:13:05 | |
I have it from Helen that she is in love. | 0:13:05 | 0:13:07 | |
There is no question to ask, as long as she keeps to that. | 0:13:07 | 0:13:09 | |
A long engagement, if you like, but... | 0:13:09 | 0:13:11 | |
-Is there an engagement? -..I shall make no inquiries. | 0:13:11 | 0:13:13 | |
I don't know, Auntie. I presume, if they are in love... | 0:13:13 | 0:13:15 | |
Well, in that case, dear, why go down? | 0:13:15 | 0:13:17 | |
Because I love her and I must be near her in this crisis in her life. | 0:13:17 | 0:13:20 | |
If only to say brava for finding happiness, and, "Here I am, Helen!" | 0:13:20 | 0:13:24 | |
If you can't see that, I can't explain it to you. | 0:13:24 | 0:13:26 | |
-But... -Aunt Juley, I must go to Howards End myself. | 0:13:26 | 0:13:29 | |
I can never thank you properly for offering. | 0:13:29 | 0:13:31 | |
I mean to go down tomorrow, if Tibby is well enough, and that's flat. | 0:13:31 | 0:13:34 | |
HE SNEEZES Oh, dear. | 0:13:40 | 0:13:42 | |
I told you I was worse. | 0:13:45 | 0:13:47 | |
He does seem a bit feverish. | 0:13:47 | 0:13:49 | |
I might stop breathing at any moment. | 0:13:49 | 0:13:51 | |
I nearly suffocated in my sleep last night. | 0:13:51 | 0:13:53 | |
I really ought to have someone with me all the time | 0:13:53 | 0:13:56 | |
and Meg has promised to read to me from Walter Savage Landor. | 0:13:56 | 0:14:00 | |
Oh, really, Tibby. | 0:14:00 | 0:14:01 | |
-Helen... -I don't think he's in any grave danger | 0:14:01 | 0:14:05 | |
but I do recommend that someone keep an eye on him. | 0:14:05 | 0:14:07 | |
There! | 0:14:07 | 0:14:09 | |
Now, you will remember not to be drawn into any discussions | 0:14:18 | 0:14:21 | |
about an engagement, Aunt Juley? | 0:14:21 | 0:14:23 | |
Just give my letter to Helen | 0:14:23 | 0:14:24 | |
and say whatever you feel yourself to her | 0:14:24 | 0:14:27 | |
but only to her, and do keep clear of the relatives. | 0:14:27 | 0:14:30 | |
You may depend on me. | 0:14:30 | 0:14:31 | |
TRAIN WHISTLE ECHOES | 0:14:41 | 0:14:43 | |
"All over. Wish I had never written. | 0:14:59 | 0:15:01 | |
"Tell no-one. Helen." | 0:15:01 | 0:15:04 | |
Oh, crikey. | 0:15:04 | 0:15:05 | |
I want a house. Its name is Howards Lodge. | 0:15:09 | 0:15:12 | |
Do you know where it is? | 0:15:12 | 0:15:14 | |
Mr Wilcox...! | 0:15:14 | 0:15:15 | |
-Oh, dear. -The lady's wanting Howards End. | 0:15:16 | 0:15:18 | |
Excuse me asking, but are you the younger Mr Wilcox, or the elder? | 0:15:22 | 0:15:26 | |
The younger. Can I do anything for you? | 0:15:26 | 0:15:29 | |
Oh, well... Really. Are you? | 0:15:29 | 0:15:32 | |
My niece isn't with you, by any chance? | 0:15:35 | 0:15:38 | |
No, I came over with my father. | 0:15:38 | 0:15:39 | |
He has gone on north on your train. | 0:15:39 | 0:15:41 | |
You'll see Miss Schlegel at lunch. | 0:15:41 | 0:15:43 | |
-You're coming up to lunch, I hope? -Mm! | 0:15:43 | 0:15:45 | |
Oh, this is very good of you. Very good indeed. | 0:15:50 | 0:15:53 | |
So, you see, we have just heard from Helen last night. | 0:15:54 | 0:15:57 | |
Oh, yes? | 0:15:57 | 0:15:59 | |
So, naturally I am very anxious to talk to you. | 0:15:59 | 0:16:01 | |
Mr Wilcox, Margaret has told me everything. | 0:16:14 | 0:16:17 | |
I have seen Helen's letter. | 0:16:17 | 0:16:19 | |
I beg your pardon. I didn't catch. | 0:16:19 | 0:16:21 | |
About Helen. About Helen, of course! | 0:16:21 | 0:16:24 | |
I'm afraid I don't quite see what you're getting at. | 0:16:24 | 0:16:27 | |
Helen, Mr Wilcox. My niece and you. | 0:16:27 | 0:16:30 | |
Miss Schlegel and myself? | 0:16:30 | 0:16:32 | |
I trust there has been no misunderstanding. | 0:16:32 | 0:16:34 | |
You are Mr Paul Wilcox? | 0:16:34 | 0:16:35 | |
I'm not. | 0:16:35 | 0:16:37 | |
Then why did you say so at the station? | 0:16:37 | 0:16:39 | |
I beg your pardon, I said no such thing. | 0:16:39 | 0:16:40 | |
My name is Charles. | 0:16:40 | 0:16:42 | |
Charles! | 0:16:42 | 0:16:43 | |
You don't mean to say my brother Paul and Miss Schlegel... | 0:16:43 | 0:16:46 | |
Good God! | 0:16:46 | 0:16:48 | |
Mr Wilcox, my niece... | 0:16:48 | 0:16:49 | |
But he's going to Africa. The plans have all been made! | 0:16:49 | 0:16:51 | |
Well, perhaps they have, Mr Wilcox, but we are not in Africa now. | 0:16:51 | 0:16:54 | |
Has he promised to marry her? | 0:16:54 | 0:16:56 | |
Well, I have no such information, Mr Wilcox. | 0:16:56 | 0:16:58 | |
-Idiot! The idiot! -Why...?! | 0:16:58 | 0:17:00 | |
-GEARS GRIND -Oh! | 0:17:00 | 0:17:01 | |
Let me tell you, the thing's impossible and must be stopped. | 0:17:03 | 0:17:06 | |
Yes. Yes, it is impossible. | 0:17:06 | 0:17:07 | |
Yes, it will be stopped and I shall stop it. | 0:17:07 | 0:17:09 | |
I warn you, Paul hasn't a penny. | 0:17:09 | 0:17:10 | |
There's no need to warn us. The warning is all the other way. | 0:17:10 | 0:17:12 | |
-My niece... -He's to make his way out to Nigeria. | 0:17:12 | 0:17:14 | |
..is an exceptional person. | 0:17:14 | 0:17:15 | |
-He couldn't think of marrying for years. -I will not stand idle... | 0:17:15 | 0:17:18 | |
-When he does, it must be a woman... -..while she throws herself away | 0:17:18 | 0:17:21 | |
-on people who will not appreciate her. Will you let me finish? -No! | 0:17:21 | 0:17:23 | |
All I know is, she's spread the thing, and he hasn't. | 0:17:33 | 0:17:35 | |
-He was ashamed to tell us. -Will you please let me out of this motor car? | 0:17:35 | 0:17:38 | |
-He knows he's been a damned fool. -Aunt Juley! -Paul! | 0:17:38 | 0:17:41 | |
Oh, my poor Helen...! | 0:17:41 | 0:17:42 | |
-I have just had a telegram from Margaret. -Paul! | 0:17:44 | 0:17:45 | |
-I-I meant to stop your coming. It isn't - it's over. -Paul! | 0:17:45 | 0:17:49 | |
Over? | 0:17:49 | 0:17:50 | |
-Aunt Juley, dear, don't, please...! -Paul! | 0:17:50 | 0:17:52 | |
Don't let them know I've been so silly. It wasn't anything. | 0:17:52 | 0:17:55 | |
Paul, is there any truth to this? | 0:17:55 | 0:17:56 | |
Don't let them know. They are never to know. | 0:17:56 | 0:17:58 | |
-I didn't... -Do bear up, for my sake. -I don't... | 0:17:58 | 0:18:00 | |
Yes or no, man. Plain question. Plain answer. | 0:18:00 | 0:18:02 | |
Did or didn't Miss Schlegel...? | 0:18:02 | 0:18:04 | |
Charles? | 0:18:04 | 0:18:05 | |
Miss Schlegel, | 0:18:14 | 0:18:15 | |
would you take your aunt up to your room, | 0:18:15 | 0:18:18 | |
or to my room, if you think that's best? | 0:18:18 | 0:18:21 | |
Paul, do find Evie, and tell her lunch for six | 0:18:21 | 0:18:24 | |
but I'm not sure we shall all be downstairs for it. | 0:18:24 | 0:18:27 | |
Mother! | 0:18:34 | 0:18:36 | |
Are you aware that Paul has been playing the fool with that girl? | 0:18:36 | 0:18:39 | |
It's all right. They have broken off their engagement. | 0:18:40 | 0:18:44 | |
Engagement?! | 0:18:44 | 0:18:45 | |
-They do not love any longer, if you prefer it put that way. -Hm! | 0:18:45 | 0:18:49 | |
Would you please put the car away, and come in for lunch? | 0:18:51 | 0:18:54 | |
Yes, Mother. | 0:18:57 | 0:18:59 | |
It was the silliest thing. It was over at once. | 0:19:52 | 0:19:55 | |
As soon as I went into the dining room the next morning, | 0:19:55 | 0:19:58 | |
I knew it was no good. | 0:19:58 | 0:20:00 | |
There was Evie managing the tea urn - I can't explain - | 0:20:00 | 0:20:03 | |
and Mr Wilcox reading The Times, | 0:20:03 | 0:20:06 | |
and Charles talking to Paul about stocks and shares, and... | 0:20:06 | 0:20:10 | |
..he looked so frightened... | 0:20:13 | 0:20:16 | |
..and when I saw all the others so placid, with their newspapers, | 0:20:17 | 0:20:21 | |
and Paul mad with terror in case I said the wrong thing... | 0:20:21 | 0:20:25 | |
It was awful. | 0:20:25 | 0:20:27 | |
Good morning. | 0:20:27 | 0:20:28 | |
Good morning. | 0:20:30 | 0:20:31 | |
Oh, Meg, it was too idiotic. | 0:20:31 | 0:20:35 | |
I felt for a moment that the whole Wilcox family was a fraud - | 0:20:37 | 0:20:42 | |
just a wall of newspapers and motorcars and golf clubs, | 0:20:42 | 0:20:46 | |
and that if it fell, I should find nothing behind it | 0:20:46 | 0:20:49 | |
but panic and emptiness... | 0:20:49 | 0:20:53 | |
..and somehow I saw Mr Wilcox behind the whole miserable affair. | 0:20:53 | 0:20:58 | |
Reading his Times, thinking his mercenary thoughts, | 0:20:58 | 0:21:03 | |
reclining in his little kingdom | 0:21:03 | 0:21:05 | |
with Charles and Evie and Paul his little toy soldiers, | 0:21:05 | 0:21:08 | |
and not real people at all, | 0:21:08 | 0:21:09 | |
and Mrs Wilcox his only master, and then... | 0:21:09 | 0:21:13 | |
Ah, Miss Schlegel, I... | 0:21:13 | 0:21:14 | |
If you could just let me... | 0:21:14 | 0:21:17 | |
-I'm dreadfully sorry if I... -Oh, please... | 0:21:18 | 0:21:20 | |
You see...I leave for Africa in a couple of months. | 0:21:20 | 0:21:24 | |
Nigeria, in fact, and... | 0:21:24 | 0:21:26 | |
..I should like you to know that if I were free... | 0:21:26 | 0:21:30 | |
..I should feel obliged to...well... | 0:21:30 | 0:21:32 | |
-Please! -It's wrong to lead a girl, | 0:21:32 | 0:21:35 | |
-and I was brought up to... -Please don't go on. | 0:21:35 | 0:21:38 | |
It was nothing. | 0:21:38 | 0:21:40 | |
Paul? Anything wrong? | 0:21:40 | 0:21:42 | |
And when I couldn't get to the station to send another telegram... | 0:21:48 | 0:21:52 | |
It's been a disgusting business and to think that... | 0:21:53 | 0:21:56 | |
And to think that because you and a young man meet for a moment | 0:21:56 | 0:22:00 | |
there must be all these telegrams and anger. | 0:22:00 | 0:22:03 | |
Do you think personal relations lead to sloppiness in the end? | 0:22:03 | 0:22:06 | |
Oh, Meg, that's what I felt, | 0:22:06 | 0:22:09 | |
only not so clearly, when the Wilcoxes were so...competent, | 0:22:09 | 0:22:11 | |
and seemed to have their hands on all the ropes. | 0:22:11 | 0:22:15 | |
You don't feel that way now? | 0:22:15 | 0:22:16 | |
I remember Paul at breakfast. | 0:22:17 | 0:22:20 | |
I shall never forget him. | 0:22:20 | 0:22:22 | |
He had nothing to fall back upon. | 0:22:22 | 0:22:25 | |
Tibby, dear! Are you feeling any better? | 0:22:28 | 0:22:30 | |
I suppose so. | 0:22:30 | 0:22:31 | |
Hello, Helen. | 0:22:31 | 0:22:32 | |
How are all your Wilcoxes, then? | 0:22:32 | 0:22:34 | |
Don't tease her, Tibby. | 0:22:34 | 0:22:36 | |
I'm sorry. | 0:22:36 | 0:22:37 | |
Cheer up, old pal. | 0:22:37 | 0:22:39 | |
Someone's bound to marry you one of these days. | 0:22:39 | 0:22:41 | |
-No, thanks. -They are. | 0:22:41 | 0:22:43 | |
What about me? | 0:22:43 | 0:22:45 | |
Am I never to marry, Tibby? | 0:22:45 | 0:22:46 | |
Oh, gosh, no. | 0:22:46 | 0:22:47 | |
You could. You don't want anyone. | 0:22:47 | 0:22:49 | |
Don't I? | 0:22:49 | 0:22:50 | |
And soon no-one will want you. | 0:22:50 | 0:22:53 | |
Yes, they will! | 0:22:53 | 0:22:54 | |
THEY CHUCKLE But they shan't have her. | 0:22:54 | 0:22:56 | |
-Shall they, Tibs? -I shouldn't think so. | 0:22:56 | 0:22:58 | |
GENERAL CHATTER | 0:23:27 | 0:23:30 | |
Who's that sitting next to Helen? | 0:23:35 | 0:23:37 | |
I don't know. | 0:23:37 | 0:23:38 | |
MUSIC: Symphony No. 5 by Beethoven | 0:23:53 | 0:23:56 | |
SHE MURMURS APOLOGY | 0:25:31 | 0:25:33 | |
I say... | 0:25:35 | 0:25:36 | |
-Margaret, is Helen all right? -Oh, yes. | 0:25:43 | 0:25:46 | |
She is always running away in the middle of a programme. | 0:25:46 | 0:25:48 | |
Excuse me... | 0:25:48 | 0:25:50 | |
..that lady has...quite inadvertently taken my umbrella. | 0:25:52 | 0:25:55 | |
Oh, goodness gracious me! I'm so sorry. | 0:25:55 | 0:25:58 | |
Tibby, run after Helen. | 0:25:58 | 0:25:59 | |
I shall miss the Four Serious Songs if I do. | 0:25:59 | 0:26:01 | |
It isn't of any consequence. | 0:26:01 | 0:26:03 | |
Of course it is! | 0:26:03 | 0:26:04 | |
Tibby, you must go. Tibby! | 0:26:04 | 0:26:06 | |
APPLAUSE | 0:26:10 | 0:26:11 | |
Well, I can't go now. | 0:26:11 | 0:26:13 | |
My sister is so careless. | 0:26:16 | 0:26:18 | |
Not at all. | 0:26:18 | 0:26:20 | |
If you gave me your address... | 0:26:20 | 0:26:22 | |
Not at all, not at all. | 0:26:22 | 0:26:23 | |
That is where we live. | 0:26:30 | 0:26:31 | |
If you preferred, you could call for your umbrella after the concert. | 0:26:31 | 0:26:34 | |
Though I don't like to trouble you, when it's been all our fault. | 0:26:34 | 0:26:36 | |
-MAN: -# Denn es gehet... # | 0:26:36 | 0:26:39 | |
Oh, dear, it's the Brahms. | 0:26:39 | 0:26:42 | |
# ..dem Menschen wie Vieh | 0:26:42 | 0:26:47 | |
# Wie dies stirbt... # | 0:26:47 | 0:26:52 | |
Please, allow me. | 0:26:56 | 0:26:57 | |
Oh, that really isn't necessary, thank you. | 0:26:57 | 0:27:00 | |
May I carry your programme for you? | 0:27:02 | 0:27:04 | |
I'm really quite able... Oh, thank you. | 0:27:04 | 0:27:05 | |
It was a fine programme today, was it not? | 0:27:18 | 0:27:21 | |
The Beethoven was fine. I don't like the Brahms, though. | 0:27:21 | 0:27:24 | |
When my work permits, I attend the gallery for the Royal Opera. | 0:27:25 | 0:27:28 | |
Oh? | 0:27:28 | 0:27:30 | |
This year I have been three times. | 0:27:30 | 0:27:32 | |
To Faust, Tosca, and the Tannhauser. | 0:27:32 | 0:27:34 | |
Mm! | 0:27:34 | 0:27:37 | |
But surely you haven't forgotten the sound of the drum | 0:27:37 | 0:27:39 | |
steadily beating on the low C, Aunt Juley? | 0:27:39 | 0:27:41 | |
No-one could. | 0:27:41 | 0:27:42 | |
A specially loud part? | 0:27:42 | 0:27:44 | |
No, no - between the scherzo and the finale. | 0:27:44 | 0:27:47 | |
Do you think music is so different to pictures? | 0:27:47 | 0:27:49 | |
I... | 0:27:49 | 0:27:51 | |
-..should have thought so, sort of. -So should I. | 0:27:51 | 0:27:53 | |
Now, my sister declares they're just the same. | 0:27:53 | 0:27:55 | |
Do you agree, Mr Bast? | 0:27:55 | 0:27:57 | |
Oh, thank you. | 0:27:57 | 0:27:59 | |
We have great arguments over it. She says I'm dense. | 0:27:59 | 0:28:01 | |
I say she's sloppy. | 0:28:01 | 0:28:03 | |
Now doesn't that seem absurd to you? | 0:28:03 | 0:28:05 | |
What's the point of the arts if they're interchangeable? | 0:28:05 | 0:28:07 | |
At the moment, I think music is in a very serious state. | 0:28:07 | 0:28:10 | |
-Yes...! -Of course the real villain is Wagner. | 0:28:10 | 0:28:13 | |
Well... I do hope you'll stay for tea, Mr Bast. | 0:28:17 | 0:28:19 | |
We should be so glad. | 0:28:19 | 0:28:21 | |
We've dragged you so far out of your way. | 0:28:21 | 0:28:22 | |
Tibby, do you have the latchkey? Of course I've forgotten mine. | 0:28:22 | 0:28:25 | |
-Here. -Oh, never mind. | 0:28:25 | 0:28:27 | |
Helen! Let us in! | 0:28:31 | 0:28:32 | |
All right! | 0:28:34 | 0:28:35 | |
It's all right, Annie. | 0:28:35 | 0:28:37 | |
Helen! You've been taking this gentleman's umbrella | 0:28:39 | 0:28:41 | |
from the Prince Regent's Hall. | 0:28:41 | 0:28:42 | |
He's had the trouble of coming all this way for it. | 0:28:42 | 0:28:44 | |
-Taken a what? Oh! -His umbrella. | 0:28:44 | 0:28:46 | |
Helen, you must not be so ramshackly. | 0:28:46 | 0:28:48 | |
Oh, I'm so sorry! I do nothing but steal umbrellas. | 0:28:48 | 0:28:50 | |
I'm so very sorry. | 0:28:50 | 0:28:51 | |
Do come in and choose one. | 0:28:51 | 0:28:52 | |
Annie, another place for tea, please. | 0:28:52 | 0:28:56 | |
Is yours a hooky or a nobbly? | 0:28:56 | 0:28:59 | |
Mine's a nobbly. At least I think it is. | 0:28:59 | 0:29:01 | |
Tibby, do tell the maids to hurry tea up. | 0:29:01 | 0:29:04 | |
What about this one...? | 0:29:04 | 0:29:06 | |
No, it's all gone along the seams. It's an appalling umbrella. | 0:29:09 | 0:29:12 | |
-It must be mine. -No. It's mine. | 0:29:12 | 0:29:14 | |
Thank you. | 0:29:15 | 0:29:16 | |
I'm sorry to have put you to the trouble. | 0:29:16 | 0:29:18 | |
Oh, but... | 0:29:18 | 0:29:19 | |
Goodbye. | 0:29:19 | 0:29:21 | |
-But will you stop...? -Thank you. Goodbye. | 0:29:21 | 0:29:22 | |
Now, Helen, how stupid you've been! | 0:29:24 | 0:29:25 | |
What ever have I done? | 0:29:25 | 0:29:26 | |
Well, don't you see, you've frightened him away? | 0:29:26 | 0:29:28 | |
I meant him to stop for tea. | 0:29:28 | 0:29:29 | |
You oughtn't to talk about stealing or holes in umbrellas. | 0:29:29 | 0:29:32 | |
Well, no, it won't do a bit of good now! | 0:29:34 | 0:29:36 | |
Oh, do stop! | 0:29:38 | 0:29:39 | |
Well, I dare say it's for the best. | 0:29:56 | 0:29:58 | |
We know nothing about the young man, Margaret. | 0:29:58 | 0:30:00 | |
He might have stolen something. | 0:30:00 | 0:30:03 | |
Oh, Aunt Juley! How can you? | 0:30:03 | 0:30:05 | |
You make me more and more ashamed. | 0:30:05 | 0:30:07 | |
We could have easily let him have the spoons. | 0:30:07 | 0:30:09 | |
If you don't drink the tea now it will lose the aroma. | 0:30:09 | 0:30:11 | |
Well, I didn't find the young man especially distinguished. | 0:30:11 | 0:30:14 | |
You girls always have the most extraordinary people here. | 0:30:14 | 0:30:17 | |
I just cannot account for it. | 0:30:17 | 0:30:19 | |
I don't say he was distinguished. That's just it. | 0:30:19 | 0:30:22 | |
He said the most ordinary things imaginable about Faust and Tosca, | 0:30:22 | 0:30:25 | |
but he was so keen, and he had such nice, kind eyes. | 0:30:25 | 0:30:29 | |
Have you got a cigarette, Meg? | 0:30:29 | 0:30:31 | |
I suppose he was very good looking. | 0:30:33 | 0:30:35 | |
If only his face were not so thin. | 0:30:35 | 0:30:37 | |
Did you notice his right-hand cuff was frayed, | 0:30:37 | 0:30:39 | |
and he kept tucking it in? | 0:30:39 | 0:30:41 | |
I never notice the way anyone looks or dresses. | 0:30:41 | 0:30:43 | |
That's because you are what is called "attractive". | 0:30:43 | 0:30:45 | |
If you weren't, you shouldn't notice anything else. | 0:30:45 | 0:30:48 | |
At all events, | 0:30:48 | 0:30:49 | |
I do think we might have taken Mr Bast into the dining room. | 0:30:49 | 0:30:51 | |
I am really distressed he had no tea. | 0:30:51 | 0:30:53 | |
One more failure for Helen. | 0:30:53 | 0:30:55 | |
Aunt Juley, did you really not hear the drum beating on the low C | 0:30:55 | 0:30:58 | |
-all the time? -Oh, shut up, Tibby. -Oh, Tibby, don't go on, will you? | 0:30:58 | 0:31:01 | |
But it is unmistakable. | 0:31:01 | 0:31:02 | |
MUTED CHATTER | 0:31:06 | 0:31:08 | |
Good evening, Mr Bast. | 0:31:34 | 0:31:36 | |
Good evening, Mr Cunningham. | 0:31:36 | 0:31:37 | |
Hello? | 0:31:58 | 0:31:59 | |
DOOR OPENS | 0:32:21 | 0:32:23 | |
-Hello, Jacky. -Hello, Len. | 0:32:23 | 0:32:25 | |
SHE SIGHS | 0:32:26 | 0:32:27 | |
You all right? | 0:32:28 | 0:32:29 | |
Yes. | 0:32:29 | 0:32:31 | |
Give us a kiss, darlin'. | 0:32:31 | 0:32:32 | |
Did you hear the concert? | 0:32:37 | 0:32:38 | |
I did, yes. | 0:32:40 | 0:32:41 | |
What was it? | 0:32:41 | 0:32:42 | |
Oh - a classical concert. At the Prince Regent's Hall. | 0:32:42 | 0:32:47 | |
-What book is it? -It's just... | 0:32:47 | 0:32:50 | |
I love you, Lenny. | 0:33:01 | 0:33:03 | |
Jacky... | 0:33:06 | 0:33:07 | |
You mustn't mind if I... | 0:33:08 | 0:33:10 | |
Well, you mustn't mind me. | 0:33:12 | 0:33:14 | |
I don't mind you, darlin'. | 0:33:14 | 0:33:16 | |
BOOK FALLS | 0:33:22 | 0:33:23 | |
Bookmark. | 0:33:24 | 0:33:26 | |
Mr Wilcox! | 0:34:02 | 0:34:03 | |
-Miss Schlegel! -But how extraordinary! How do you do? | 0:34:05 | 0:34:07 | |
How do you do? | 0:34:07 | 0:34:08 | |
I... Yes, very well, thank you - how does Mrs Wilcox do? | 0:34:08 | 0:34:12 | |
Very well, very well. She's just upstairs. | 0:34:12 | 0:34:14 | |
Upstairs? | 0:34:14 | 0:34:15 | |
-But... Has... -We've taken a flat here. | 0:34:15 | 0:34:18 | |
A flat? Have you really? | 0:34:18 | 0:34:19 | |
Yes, we've just moved in! There's Evie, my daughter. | 0:34:19 | 0:34:21 | |
Oh, Evie - I've been longing to meet her. | 0:34:21 | 0:34:24 | |
Evie! Ah. | 0:34:24 | 0:34:25 | |
Evie! | 0:34:25 | 0:34:27 | |
Ah, well. | 0:34:27 | 0:34:28 | |
-But, Mr Wilcox, you know we live just up the road? -Yes, I know. | 0:34:28 | 0:34:30 | |
I know - how does your sister do? | 0:34:30 | 0:34:32 | |
Helen? Oh, yes, very well. | 0:34:32 | 0:34:34 | |
Please remember me to her. | 0:34:34 | 0:34:35 | |
We must pop round once we've settled in. | 0:34:35 | 0:34:37 | |
Evie will be so glad to make your acquaintance. | 0:34:37 | 0:34:39 | |
Oh, yes - you must. | 0:34:39 | 0:34:40 | |
Yes, well. This is jolly. | 0:34:42 | 0:34:43 | |
Yes! | 0:34:43 | 0:34:45 | |
Will you excuse me? My wife will be expecting me. | 0:34:45 | 0:34:47 | |
There's so much to do. | 0:34:47 | 0:34:48 | |
Yes, of course. Please give her my regards. | 0:34:48 | 0:34:50 | |
-Indeed. Good morning. -Hm! | 0:34:50 | 0:34:51 | |
But what a dreadful coincidence! Imagine the evenings. | 0:35:00 | 0:35:04 | |
You turn on an electric light here or there, | 0:35:04 | 0:35:05 | |
and it's almost the same room. | 0:35:05 | 0:35:08 | |
One evening they may forget to draw their blinds down, | 0:35:08 | 0:35:11 | |
and you'll see them, and they'll see you... | 0:35:11 | 0:35:14 | |
Impossible to water the plants or even to speak! | 0:35:14 | 0:35:17 | |
Does Helen know? | 0:35:17 | 0:35:18 | |
They've only just moved in. | 0:35:18 | 0:35:21 | |
But suppose Helen were to meet Paul on the street. | 0:35:21 | 0:35:23 | |
She cannot very well not bow. | 0:35:23 | 0:35:24 | |
Of course she must bow. | 0:35:24 | 0:35:26 | |
We must bow, and pay calls and leave cards - but the other thing is dead. | 0:35:26 | 0:35:30 | |
Helen doesn't mind, neither must we. | 0:35:30 | 0:35:32 | |
Oh, if only I had not to go home to Swanage tomorrow, | 0:35:32 | 0:35:35 | |
just when you girls are wanting me the most. | 0:35:35 | 0:35:37 | |
What's dead, and what doesn't Helen mind? | 0:35:37 | 0:35:40 | |
Oh, my poor, dear broken-hearted girl. | 0:35:40 | 0:35:43 | |
Am I? What's the matter? | 0:35:43 | 0:35:45 | |
It's the Wilcoxes again. | 0:35:45 | 0:35:47 | |
They've taken a flat across the street. | 0:35:47 | 0:35:49 | |
Have they? Well, that's... | 0:35:49 | 0:35:51 | |
I... | 0:35:53 | 0:35:54 | |
Oh, Helen! | 0:35:57 | 0:35:58 | |
You don't mind them coming, do you? | 0:35:58 | 0:36:00 | |
Of course she does! | 0:36:00 | 0:36:02 | |
Of course you do! | 0:36:02 | 0:36:03 | |
Of course I don't mind. | 0:36:03 | 0:36:04 | |
Only you and Meg are being so grave about it | 0:36:04 | 0:36:07 | |
when there's nothing to be grave about at all. | 0:36:07 | 0:36:09 | |
Are you all right? | 0:36:16 | 0:36:17 | |
I'm fine. | 0:36:17 | 0:36:19 | |
JAUNTY MELODY PLAYS ON PIANO | 0:36:20 | 0:36:23 | |
-Bye! -Bye! | 0:36:28 | 0:36:29 | |
-Bye-bye! -Goodbye, Aunt Juley! -Bye! | 0:36:29 | 0:36:31 | |
# Puff, puff, puff, puff | 0:36:51 | 0:36:54 | |
# Watching the smoke arising | 0:36:54 | 0:36:58 | |
# Puff, puff, puff, puff | 0:36:58 | 0:37:01 | |
# Soon you'll be realising | 0:37:01 | 0:37:05 | |
# That which the poet has written is true | 0:37:05 | 0:37:08 | |
# All love is a practical joke | 0:37:08 | 0:37:11 | |
-# For a woman is only... # -Mrs Wilcox has left this. | 0:37:11 | 0:37:14 | |
# ..a woman my boy | 0:37:14 | 0:37:16 | |
# But a good cigar is a smoke. # | 0:37:16 | 0:37:20 | |
Oh, bother, the whole family! | 0:37:20 | 0:37:21 | |
Why won't this woman leave us alone? | 0:37:23 | 0:37:25 | |
Mrs Wilcox has called. | 0:37:25 | 0:37:28 | |
Oh! Well, I am going to Germany with Frieda, | 0:37:28 | 0:37:30 | |
so, even if I were still in love with Paul, | 0:37:30 | 0:37:33 | |
I should be perfectly safe. | 0:37:33 | 0:37:35 | |
Fortunately, I am not - | 0:37:35 | 0:37:37 | |
but you may be sure I will bob up and down in the street | 0:37:37 | 0:37:40 | |
-like a jack-in-the-box whenever I meet the devils... -Oh, Helen! | 0:37:40 | 0:37:42 | |
..blushing all the while for acting the fool at Howards End... | 0:37:42 | 0:37:45 | |
Helen, you know I don't think that. | 0:37:45 | 0:37:46 | |
..managing as best I can all the same, | 0:37:46 | 0:37:48 | |
until the occasion of my next colossal blunder. | 0:37:48 | 0:37:50 | |
All right. | 0:37:52 | 0:37:53 | |
-Auf Wiedersehen! -Auf Wiedersehen! | 0:38:01 | 0:38:03 | |
"Dear Mrs Wilcox, | 0:38:06 | 0:38:07 | |
"I have to write something discourteous. | 0:38:07 | 0:38:09 | |
"It would be better if we did not meet. | 0:38:09 | 0:38:12 | |
"As far as I know, | 0:38:12 | 0:38:13 | |
"Helen no longer occupies her thoughts with your son. | 0:38:13 | 0:38:16 | |
"Both my sister and my aunt have given displeasure to your family, | 0:38:16 | 0:38:19 | |
"and it is therefore right that our acquaintance, | 0:38:19 | 0:38:22 | |
"which began so pleasantly in Germany, should end. | 0:38:22 | 0:38:26 | |
"Believe me, yours truly, Margaret Schlegel." | 0:38:26 | 0:38:29 | |
"Dear Miss Schlegel, | 0:38:40 | 0:38:41 | |
"you should not have written me such a letter. | 0:38:41 | 0:38:44 | |
"I called to tell you that Paul has gone abroad. | 0:38:44 | 0:38:46 | |
"Ruth Wilcox." | 0:38:46 | 0:38:47 | |
TIBBY: I say, Meg? | 0:38:58 | 0:39:00 | |
Will you turn the pages for me? | 0:39:00 | 0:39:01 | |
Good morning, Miss Schlegel. | 0:39:38 | 0:39:40 | |
Oh, Mrs Wilcox, I have made the baddest blunder. | 0:39:40 | 0:39:43 | |
I am more, more, more ashamed and sorry than I can say. | 0:39:43 | 0:39:46 | |
I knew Paul was going to India in November, but I forgot. | 0:39:46 | 0:39:49 | |
He sailed on the 17th for Nigeria, in Africa. | 0:39:49 | 0:39:53 | |
I knew - I know. | 0:39:53 | 0:39:54 | |
I have been too absurd all through. | 0:39:54 | 0:39:57 | |
I am more sorry than I can say, and I hope you can forgive me. | 0:39:57 | 0:39:59 | |
It doesn't matter, Miss Schlegel. | 0:39:59 | 0:40:01 | |
It is good of you to have come round so promptly. | 0:40:01 | 0:40:03 | |
It does matter! | 0:40:03 | 0:40:04 | |
I have been rude - and my sister is not even at home, | 0:40:04 | 0:40:07 | |
so there's not even that as an excuse. | 0:40:07 | 0:40:10 | |
-Indeed? -She's just gone away to Germany. | 0:40:10 | 0:40:12 | |
She's gone, as well... | 0:40:15 | 0:40:16 | |
I see. | 0:40:17 | 0:40:18 | |
You've been worrying, too! I can see that you have. | 0:40:18 | 0:40:21 | |
I did think it best that they didn't meet again. | 0:40:23 | 0:40:25 | |
Now, why? | 0:40:25 | 0:40:27 | |
That is a most difficult question. | 0:40:27 | 0:40:28 | |
I think you put it best in your letter - | 0:40:31 | 0:40:32 | |
it was just an instinct, which may be wrong. | 0:40:32 | 0:40:35 | |
I am always so anxious to protect Helen | 0:40:36 | 0:40:39 | |
when really it is we that should be protected from her. | 0:40:39 | 0:40:42 | |
I don't mean that she's foolish, or thoughtless, | 0:40:42 | 0:40:45 | |
but her mind goes along so quickly, and she rushes in everywhere. | 0:40:45 | 0:40:48 | |
Rather as I am now. | 0:40:48 | 0:40:50 | |
I've raised her, you see, and her brother, | 0:40:50 | 0:40:54 | |
ever since our father died, when they were still quite young, | 0:40:54 | 0:40:56 | |
and I was quite young myself, as I didn't wholly understand. | 0:40:56 | 0:41:01 | |
Oh, I shouldn't have sent my aunt away on such a commission. | 0:41:03 | 0:41:06 | |
I would have come myself, only Tibby was in bed with hay fever - | 0:41:06 | 0:41:09 | |
but I do hope it's perfectly all right now. | 0:41:09 | 0:41:11 | |
-Yes. -KNOCK AT DOOR | 0:41:13 | 0:41:15 | |
-DOOR OPENS -Yes, I'm sure it is. | 0:41:15 | 0:41:17 | |
I must be going - you'll be getting up. | 0:41:20 | 0:41:23 | |
No, please stop a little longer. | 0:41:23 | 0:41:24 | |
I am taking a day in bed. | 0:41:26 | 0:41:28 | |
Now and then I do. | 0:41:28 | 0:41:30 | |
I thought of you as one of the early risers. | 0:41:30 | 0:41:32 | |
At Howards End, yes. | 0:41:32 | 0:41:33 | |
There's nothing to get up for in London. | 0:41:33 | 0:41:35 | |
Nothing to get up for? | 0:41:35 | 0:41:37 | |
What with all the winter exhibitions and Ysaye playing in the afternoon? | 0:41:37 | 0:41:41 | |
Not to mention people. | 0:41:41 | 0:41:42 | |
The truth is, I'm a little tired. | 0:41:42 | 0:41:44 | |
First came the wedding, and then Paul went off, | 0:41:44 | 0:41:47 | |
and instead of resting yesterday I did a round of calls, | 0:41:47 | 0:41:50 | |
and now my family have gone to Yorkshire for a fortnight - | 0:41:50 | 0:41:53 | |
so you find me quite on my own. | 0:41:53 | 0:41:55 | |
Wedding? | 0:41:55 | 0:41:56 | |
Yes, Charles, my older son, is married. | 0:41:56 | 0:41:58 | |
-Indeed! -Yes. | 0:41:58 | 0:42:00 | |
There's a photograph of Charles and Dolly - | 0:42:00 | 0:42:03 | |
that is the name of his wife - in the double frame. | 0:42:03 | 0:42:06 | |
Oh! | 0:42:06 | 0:42:07 | |
She's very pretty. | 0:42:15 | 0:42:16 | |
Her father and Charles belong to the same club | 0:42:18 | 0:42:20 | |
and are both devoted to golf. | 0:42:20 | 0:42:22 | |
Dolly plays golf, too, though I believe not so well. | 0:42:22 | 0:42:26 | |
They first met in a mixed foursome. | 0:42:26 | 0:42:29 | |
Your family are so wonderfully athletic. | 0:42:29 | 0:42:31 | |
Do you play golf, Mrs Wilcox? | 0:42:31 | 0:42:32 | |
Good heavens, no. | 0:42:32 | 0:42:34 | |
But it amuses them. | 0:42:34 | 0:42:36 | |
And your husband is away? | 0:42:36 | 0:42:38 | |
All my family are away. | 0:42:38 | 0:42:39 | |
Are you quite sure I'm not interrupting? | 0:42:41 | 0:42:43 | |
Yes. | 0:42:43 | 0:42:45 | |
Quite. | 0:42:45 | 0:42:46 | |
I do hope you'll like Wickham Place, Mrs Wilcox. | 0:42:49 | 0:42:52 | |
I love our little house... | 0:42:52 | 0:42:54 | |
..though it's not half so glamorous as your lovely flat. | 0:42:54 | 0:42:57 | |
I should like to see it. | 0:42:57 | 0:42:59 | |
I should love to show it you! | 0:42:59 | 0:43:01 | |
It's a lovely old house. | 0:43:01 | 0:43:03 | |
We've lived there all our lives. | 0:43:03 | 0:43:05 | |
Our father came from Germany, you see, | 0:43:05 | 0:43:07 | |
just after the unification, and... | 0:43:07 | 0:43:09 | |
"My dear Mrs Wilcox. | 0:43:14 | 0:43:16 | |
"I wonder if I might tempt you to come to a little luncheon party | 0:43:16 | 0:43:18 | |
"I should like to give in your honour, next Thursday, | 0:43:18 | 0:43:21 | |
"to welcome you to Wickham Place. | 0:43:21 | 0:43:23 | |
"I should so like for you to meet my friends, | 0:43:23 | 0:43:26 | |
"and they are very keen to make your acquaintance. | 0:43:26 | 0:43:28 | |
"So, you see, I do hope you will join us. | 0:43:28 | 0:43:31 | |
"Yours truly, Margaret Schlegel." | 0:43:31 | 0:43:34 | |
-ALL CHATTER -..C-sharp minor as it passes... | 0:43:34 | 0:43:36 | |
The people at Stettin drop things into boats... | 0:43:36 | 0:43:39 | |
..affectation to compare the Rhine to music. | 0:43:39 | 0:43:41 | |
-..more liberty of action... -..out of overhanging warehouses. | 0:43:41 | 0:43:45 | |
But - but I should like to say something! | 0:43:45 | 0:43:46 | |
Now, don't say the Germans have no taste, or I shall scream. | 0:43:46 | 0:43:49 | |
They haven't, but they take poetry seriously. | 0:43:49 | 0:43:53 | |
The German is always on the lookout for beauty. | 0:43:53 | 0:43:55 | |
My blood boils - | 0:43:55 | 0:43:57 | |
well, I'm half German, so put it down to patriotism - | 0:43:57 | 0:43:59 | |
when I listen to the tasteful contempt of the average islander | 0:43:59 | 0:44:02 | |
for things Teutonic. | 0:44:02 | 0:44:04 | |
What do you think, Mrs Wilcox? | 0:44:04 | 0:44:05 | |
I'm not sure. | 0:44:06 | 0:44:08 | |
I think perhaps I am too old to discuss anything, | 0:44:08 | 0:44:12 | |
with or without humility. | 0:44:12 | 0:44:15 | |
We never discuss anything at Howards End. | 0:44:15 | 0:44:17 | |
THEY LAUGH | 0:44:17 | 0:44:19 | |
And I sometimes think - but I cannot expect your generation to agree... | 0:44:19 | 0:44:24 | |
-No, never mind us. Do say! -Please say! -Do say! | 0:44:24 | 0:44:27 | |
I think Miss Schlegel puts everything splendidly... | 0:44:29 | 0:44:33 | |
..but I sometimes think it is wiser | 0:44:33 | 0:44:35 | |
to leave action and discussion to men. | 0:44:35 | 0:44:39 | |
What an interesting life you live in London. | 0:44:45 | 0:44:47 | |
No, we don't. We lead the lives of gibbering monkeys. | 0:44:47 | 0:44:50 | |
Don't pretend you enjoyed your lunch, | 0:44:50 | 0:44:52 | |
Mrs Wilcox, for you loathed it! | 0:44:52 | 0:44:54 | |
But forgive me by coming again, alone, or by asking me to you. | 0:44:54 | 0:44:58 | |
I am used to young people, | 0:44:58 | 0:44:59 | |
and I enjoyed my lunch very much, Miss Schlegel, dear - | 0:44:59 | 0:45:03 | |
I'm not pretending! | 0:45:03 | 0:45:05 | |
I hear a great deal of chatter at home, | 0:45:05 | 0:45:08 | |
only with my family it's more sport and politics. | 0:45:08 | 0:45:12 | |
I only wish that I could have joined in more - | 0:45:12 | 0:45:15 | |
but you younger people, you move so quickly that it dazes me. | 0:45:15 | 0:45:20 | |
Oh, Mrs Wilcox, I like you so much! | 0:45:20 | 0:45:22 | |
-Goodbye. -Goodbye. | 0:45:25 | 0:45:27 | |
"Dear Miss Schlegel, | 0:45:29 | 0:45:31 | |
"would you like to join me tomorrow for some Christmas shopping? | 0:45:31 | 0:45:34 | |
"I have needed to take several days in bed and feel behindhand, | 0:45:34 | 0:45:38 | |
"and am anxious to make up for lost time. | 0:45:38 | 0:45:41 | |
"As ever, your friend, Ruth Wilcox." | 0:45:41 | 0:45:43 | |
First of all, we must make a list and tick off people's names. | 0:45:44 | 0:45:47 | |
Do you have any ideas? | 0:45:47 | 0:45:49 | |
I am not a good shopper. | 0:45:49 | 0:45:50 | |
Take my notebook, then, | 0:45:51 | 0:45:53 | |
-and write your own name at the top. -Oh, hooray! | 0:45:53 | 0:45:56 | |
How kind you are to start with me! | 0:45:56 | 0:45:58 | |
But I don't want a Yuletide gift, Mrs Wilcox. | 0:45:58 | 0:46:00 | |
I should like to give you something | 0:46:00 | 0:46:02 | |
worth your acquaintance, Miss Schlegel. | 0:46:02 | 0:46:04 | |
In memory of your kindness to me during my lonely fortnight, | 0:46:04 | 0:46:07 | |
with all my family away. | 0:46:07 | 0:46:08 | |
You have stopped me from brooding. | 0:46:08 | 0:46:11 | |
I am too apt to brood when Mr Wilcox is away. | 0:46:11 | 0:46:15 | |
I suppose it may be reckoned a fault. | 0:46:15 | 0:46:17 | |
To be fond of one's husband? I shouldn't think so. | 0:46:17 | 0:46:19 | |
To be too dependent. | 0:46:19 | 0:46:21 | |
I'm desperately dependent on Helen - | 0:46:21 | 0:46:23 | |
but if I have been of use to you, which I didn't know, | 0:46:23 | 0:46:26 | |
you can't repay me with anything tangible. | 0:46:26 | 0:46:28 | |
But one would like to. | 0:46:28 | 0:46:30 | |
Perhaps I shall think of something as we go about. | 0:46:30 | 0:46:34 | |
I suppose Mr Wilcox is quite independent, himself? | 0:46:34 | 0:46:37 | |
Mr Wilcox? | 0:46:37 | 0:46:38 | |
Well, he has such a strong character. | 0:46:38 | 0:46:41 | |
A very fine nature, really. Has he not? | 0:46:41 | 0:46:45 | |
You are so intellectual. | 0:46:45 | 0:46:48 | |
Am I? | 0:46:48 | 0:46:49 | |
Yes. | 0:46:49 | 0:46:50 | |
I admire you for it. | 0:46:50 | 0:46:52 | |
Well, usually we put the tree in the powder closet, | 0:46:56 | 0:46:58 | |
and draw a curtain when the candles are lighted - it's quite pretty. | 0:46:58 | 0:47:01 | |
I do wish we might have a powder closet in the next house. | 0:47:01 | 0:47:04 | |
Of course, the tree will have to be small, | 0:47:04 | 0:47:06 | |
and the presents don't hang on it. | 0:47:06 | 0:47:08 | |
Then you are leaving Wickham Place? | 0:47:08 | 0:47:10 | |
Yes. Quite soon, when the lease expires. | 0:47:10 | 0:47:14 | |
We must. | 0:47:14 | 0:47:15 | |
But couldn't you get the lease renewed? | 0:47:17 | 0:47:20 | |
No, they mean to pull down Wickham Place and build flats like yours. | 0:47:20 | 0:47:24 | |
I had no idea you had this hanging over you. | 0:47:24 | 0:47:27 | |
Howards End was nearly pulled down once. It would have killed me. | 0:47:27 | 0:47:30 | |
I lived there long before Mr Wilcox knew it. | 0:47:30 | 0:47:32 | |
I was born there. | 0:47:32 | 0:47:33 | |
It must be a very different sort of house to ours. | 0:47:33 | 0:47:35 | |
We are fond of it, but there's nothing distinctive about it. | 0:47:35 | 0:47:38 | |
We shall easily find another. | 0:47:38 | 0:47:40 | |
So you think. | 0:47:40 | 0:47:41 | |
Again, my lack of experience, I suppose! | 0:47:44 | 0:47:46 | |
I wish I could see myself the way you see me. | 0:47:47 | 0:47:50 | |
Wonderfully well read, but incapable of... | 0:47:50 | 0:47:53 | |
SHE LAUGHS | 0:47:54 | 0:47:56 | |
That's not at all how I see you, Miss Schlegel. | 0:47:57 | 0:48:01 | |
Come down with me now to Howards End. | 0:48:01 | 0:48:03 | |
I want you to see it. | 0:48:03 | 0:48:04 | |
Oh, Mrs Wilcox... | 0:48:04 | 0:48:06 | |
Later on, I would love it... | 0:48:06 | 0:48:08 | |
..but it's hardly the weather for such an expedition. | 0:48:08 | 0:48:11 | |
Might I come again some other day? | 0:48:11 | 0:48:13 | |
We can find a carriage back to Wickham Place. | 0:48:16 | 0:48:19 | |
A thousand thanks for all your help, Miss Schlegel. | 0:48:19 | 0:48:22 | |
Well... | 0:48:22 | 0:48:23 | |
Not at all. | 0:48:23 | 0:48:24 | |
But if I married and moved to Scotland, | 0:48:27 | 0:48:29 | |
would you call my son a Scot or an Englishman? | 0:48:29 | 0:48:31 | |
I haven't the faintest idea. | 0:48:33 | 0:48:34 | |
But it's the same question put a different way. | 0:48:34 | 0:48:37 | |
Now, take a Jew... | 0:48:48 | 0:48:49 | |
I shall go mad. | 0:48:49 | 0:48:51 | |
Mrs Wilcox! | 0:49:02 | 0:49:03 | |
Mrs Wilcox! | 0:49:33 | 0:49:34 | |
Forgive me, I came, I'm so sorry! | 0:49:39 | 0:49:42 | |
Thank you, Miss Schlegel! | 0:49:42 | 0:49:44 | |
I will come if I still may. | 0:49:44 | 0:49:45 | |
Yes - and you are coming to sleep, too, dear. | 0:49:45 | 0:49:48 | |
-Oh, but I haven't got my things... -We have everything you need. | 0:49:48 | 0:49:51 | |
You must see my house in the morning. | 0:49:51 | 0:49:53 | |
These London fogs never stray far. | 0:49:53 | 0:49:54 | |
I dare say they are sitting in the sun in Hertfordshire - | 0:49:54 | 0:49:58 | |
and you will never repent joining them. | 0:49:58 | 0:50:00 | |
I will never repent joining you. | 0:50:00 | 0:50:02 | |
-Mother? Mother! -Evie! | 0:50:02 | 0:50:04 | |
-Father, I say! -Evie, my pet! -Look who's here! | 0:50:04 | 0:50:06 | |
Why aren't you in Yorkshire? | 0:50:06 | 0:50:08 | |
-No - motor smash - the plans were changed. -Why, Ruth! | 0:50:08 | 0:50:10 | |
What in the name of all that's wonderful are you doing here? | 0:50:10 | 0:50:12 | |
Henry, dear! Here's a lovely surprise. | 0:50:12 | 0:50:15 | |
You know Miss Schlegel. | 0:50:15 | 0:50:16 | |
Oh, yes, of course, Miss Schlegel. How do you do? | 0:50:16 | 0:50:19 | |
-How do you do, Mr Wilcox? -Yes! | 0:50:19 | 0:50:20 | |
-Evie. -Miss Schlegel has been so kind to me in your absence, Henry. | 0:50:20 | 0:50:24 | |
Has she? Well, I'm very much indebted to you, Miss Schlegel. | 0:50:24 | 0:50:26 | |
-But how's yourself, Ruth? -Oh, I'm fine. | 0:50:26 | 0:50:28 | |
So are we - so was our car, before Ripon. | 0:50:28 | 0:50:30 | |
This wretched horse and cart with a foolish driver... | 0:50:30 | 0:50:33 | |
Miss Schlegel, our little outing must be another day. | 0:50:33 | 0:50:35 | |
As I was saying, this fool of a driver, | 0:50:35 | 0:50:37 | |
as the policeman himself admits... | 0:50:37 | 0:50:39 | |
Another day, Mrs Wilcox, of course. | 0:50:39 | 0:50:41 | |
As we're insured against third-party risks, | 0:50:41 | 0:50:43 | |
it won't matter so much... | 0:50:43 | 0:50:44 | |
Earth to earth, ashes to ashes, dust to dust. | 0:51:12 | 0:51:16 | |
I am so dreadfully sorry. | 0:51:16 | 0:51:18 | |
Miss Schlegel, you are very good to come. | 0:51:18 | 0:51:21 | |
The post's come. | 0:51:23 | 0:51:24 | |
Who is Miss Schlegel? | 0:51:24 | 0:51:25 | |
I don't understand. | 0:51:25 | 0:51:27 | |
Your mother cannot have been herself when it was written. | 0:51:27 | 0:51:29 | |
-Bad news? -Oh, it's only a letter reminding us | 0:51:29 | 0:51:32 | |
that the lease has expired and we need to clear out. | 0:51:32 | 0:51:34 | |
You will make it all right, won't you? | 0:51:34 | 0:51:36 | |
Haven't I said so, a dozen times? | 0:51:36 | 0:51:37 | |
That is your card, is it not? | 0:51:37 | 0:51:39 | |
Yes, an old one. | 0:51:39 | 0:51:40 | |
Then will you please oblige me | 0:51:40 | 0:51:41 | |
by explaining how my husband came to have it - | 0:51:41 | 0:51:43 | |
and where he might be at this moment? | 0:51:43 | 0:51:45 | |
I thought I recognised your voices. | 0:51:45 | 0:51:47 | |
Oh, what an age it has been since I last saw you, Mr Wilcox. | 0:51:47 | 0:51:49 | |
Am I never to marry, Tibby? | 0:51:49 | 0:51:51 | |
Oh, gosh, no. | 0:51:51 | 0:51:52 | |
You could. You don't want anyone. | 0:51:52 | 0:51:54 | |
Don't I? | 0:51:54 | 0:51:55 | |
It's from Evie Wilcox, inviting me to lunch at Simpson's tomorrow. | 0:51:55 | 0:51:58 | |
Perhaps it is a ploy to drive you into the arms of her father. | 0:51:58 | 0:52:01 | |
Miss Schlegel - come round my side. | 0:52:01 | 0:52:03 | |
I like Mr Wilcox. | 0:52:04 | 0:52:06 | |
He is in love with you. | 0:52:06 | 0:52:07 | |
Oh, really! Why should he be in love with me? | 0:52:07 | 0:52:09 | |
"Dear Miss Schlegel... | 0:52:09 | 0:52:10 | |
"I have decided to give up the house in Ducie Street..." | 0:52:10 | 0:52:12 | |
"..and to let it out on a yearly tenancy." | 0:52:12 | 0:52:14 | |
He's a beast. He has no human feeling. | 0:52:14 | 0:52:16 | |
He is not a beast. | 0:52:16 | 0:52:17 | |
I thought him rather splendid. | 0:52:17 | 0:52:19 |