Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
I have always thought the care of your sister and brother | 0:00:02 | 0:00:04 | |
too great a burden to place upon a young woman of your tender years. | 0:00:04 | 0:00:06 | |
Oh, I'm not saying you've done badly by Helen and Tibby, dear. | 0:00:06 | 0:00:08 | |
-Just for yourself. -Aunt Juley! | 0:00:08 | 0:00:10 | |
What sort of people are these Wilcoxes, Margaret? | 0:00:10 | 0:00:13 | |
-I don't understand. -I don't know any more than you do. | 0:00:13 | 0:00:15 | |
We met them in Germany. Then they invited us to visit them when we came home. | 0:00:15 | 0:00:19 | |
Then Tibby got hay fever and Helen went on alone. | 0:00:19 | 0:00:21 | |
Paul and I are in love. | 0:00:21 | 0:00:23 | |
Mother, are you aware that Paul has been playing the fool with that girl? | 0:00:23 | 0:00:27 | |
They do not love any longer. | 0:00:27 | 0:00:28 | |
Do you think personal relations lead to sloppiness in the end? | 0:00:28 | 0:00:31 | |
It's been a disgusting business. | 0:00:31 | 0:00:33 | |
-Did you hear the concert? -I did, yes. | 0:00:33 | 0:00:35 | |
That lady has quite inadvertently taken my umbrella. | 0:00:35 | 0:00:39 | |
Oh, goodness gracious me, I'm so sorry! | 0:00:39 | 0:00:41 | |
That is where we live. | 0:00:41 | 0:00:43 | |
-Miss Schlegel! -It's the Wilcoxes again. | 0:00:43 | 0:00:45 | |
They've taken a flat across the street. | 0:00:45 | 0:00:47 | |
I should like to give you something worth your acquaintance. | 0:00:47 | 0:00:49 | |
But I don't want a Yuletide gift, Mrs Wilcox. | 0:00:49 | 0:00:52 | |
I suppose Mr Wilcox is quite independent himself. | 0:00:52 | 0:00:55 | |
He has such a strong character. A very fine nature, really. | 0:00:55 | 0:00:59 | |
Come down with me now to Howards End. I want you to see it. | 0:00:59 | 0:01:02 | |
Some other day? | 0:01:02 | 0:01:04 | |
Forgive me, I came, I'm so sorry! | 0:01:04 | 0:01:07 | |
-Why, Ruth! -It is a lovely surprise! | 0:01:07 | 0:01:09 | |
Miss Schlegel, our little outing must be another day. | 0:01:09 | 0:01:12 | |
For as much as it hath pleased Almighty God in his great mercy | 0:03:03 | 0:03:07 | |
to take unto himself the soul of our dear sister here departed. | 0:03:07 | 0:03:10 | |
We therefore commit her body to the ground, | 0:03:11 | 0:03:15 | |
earth to earth, ashes to ashes, dust to dust... | 0:03:15 | 0:03:19 | |
..in the sure and certain hope of a resurrection unto eternal life, | 0:03:21 | 0:03:25 | |
through our Lord, Jesus Christ... | 0:03:25 | 0:03:27 | |
..who shall change the body | 0:03:29 | 0:03:32 | |
that we be like unto his glorious body | 0:03:32 | 0:03:35 | |
according to the mighty work, | 0:03:35 | 0:03:38 | |
whereby he is able to subdue all things to himself. | 0:03:38 | 0:03:42 | |
Mr Wilcox, I'm so dreadfully sorry. | 0:04:06 | 0:04:08 | |
Miss Schlegel. You are very good to come. | 0:04:08 | 0:04:11 | |
Very good. | 0:04:14 | 0:04:15 | |
KNOCK AT DOOR | 0:05:23 | 0:05:25 | |
The post's come, Father. | 0:05:30 | 0:05:32 | |
Thanks. Put it down. | 0:05:32 | 0:05:33 | |
-Was breakfast all right? -Yes, thanks. | 0:05:49 | 0:05:51 | |
Charles says do you want The Times? | 0:05:53 | 0:05:56 | |
No, I'll read it later. | 0:05:56 | 0:05:58 | |
Ring if you want anything, Father, will you? | 0:06:01 | 0:06:03 | |
I've all I want. | 0:06:03 | 0:06:05 | |
Father's eaten nothing. | 0:06:22 | 0:06:23 | |
I don't understand. | 0:06:50 | 0:06:51 | |
That is only a covering letter from the matron of the nursing home. | 0:06:51 | 0:06:55 | |
-Yes, I see that. -The other is from your mother, sealed inside... | 0:06:55 | 0:06:57 | |
Yes, yes, I'm sorry, Father. | 0:06:57 | 0:06:58 | |
I don't understand. Who is Miss Schlegel? | 0:06:58 | 0:07:01 | |
-Miss Schlegel? -Yes. | 0:07:01 | 0:07:03 | |
She came down to the funeral service. She visited your mother at the nursing home. | 0:07:03 | 0:07:07 | |
-I know who she is. -She was a sort of friend of mother's. -Oh. -Yes. -But what does it say? | 0:07:07 | 0:07:11 | |
"To my dear husband, | 0:07:13 | 0:07:15 | |
I should like Miss Margaret Schlegel to have Howards End." | 0:07:15 | 0:07:18 | |
What? | 0:07:19 | 0:07:20 | |
No date, no signature. | 0:07:24 | 0:07:27 | |
It has been forwarded from the matron of the nursing home. | 0:07:27 | 0:07:30 | |
-Now, the question is... -But it can't be legal. | 0:07:30 | 0:07:32 | |
Houses ought to be done by lawyers, Charles, surely. | 0:07:32 | 0:07:35 | |
Give it to her, Charles. | 0:07:35 | 0:07:36 | |
Why, it's only in pencil! I said so. Pencil never counts. | 0:07:38 | 0:07:41 | |
We know it is not legally binding, Dolly. Please, don't interfere. | 0:07:41 | 0:07:43 | |
-The question is... -But she can't have meant to give Howards End to Miss Schlegel. | 0:07:43 | 0:07:46 | |
I agree, it is very unlike her. | 0:07:46 | 0:07:48 | |
You don't think Miss Schlegel... | 0:07:48 | 0:07:51 | |
Whether she unduly... | 0:07:51 | 0:07:52 | |
Oh, no. I don't think that. | 0:07:52 | 0:07:55 | |
-Don't think what, Father? -That she would... | 0:07:55 | 0:07:57 | |
That it is a case of undue influence. | 0:07:57 | 0:07:59 | |
No, no, to my mind the question is... | 0:07:59 | 0:08:02 | |
It's your mother's condition at the time that she wrote. | 0:08:04 | 0:08:06 | |
The house meant so much to her. | 0:08:06 | 0:08:08 | |
It isn't like her to leave it to an outsider, who'd never appreciate it. | 0:08:08 | 0:08:11 | |
-The whole thing is very unlike her. -What about Miss Schlegel? | 0:08:11 | 0:08:14 | |
Presumably she knows. Mother will have told her. | 0:08:14 | 0:08:16 | |
She got twice or three times into the nursing home. | 0:08:16 | 0:08:18 | |
Presumably she is expecting developments. | 0:08:18 | 0:08:20 | |
What a horrid woman. Why, she could be coming down to turn us out now! | 0:08:20 | 0:08:23 | |
-I wish she would. I could then deal with her. -So could I. | 0:08:23 | 0:08:25 | |
But she won't come. | 0:08:27 | 0:08:29 | |
You're all a bit hard on Miss Schlegel. | 0:08:29 | 0:08:31 | |
Your mother admired her, and Miss Schlegel was very kind to her. | 0:08:31 | 0:08:34 | |
She was kind to visit your mother, when she was ill. | 0:08:34 | 0:08:37 | |
-That Paul business was pretty scandalous, though. -I want no more | 0:08:37 | 0:08:39 | |
of the Paul business, Charles. | 0:08:39 | 0:08:41 | |
-Upon my soul, she is honest. -But those chrysanthemums. | 0:08:42 | 0:08:44 | |
-Or coming down to the funeral at all. -Why should she not come down? | 0:08:44 | 0:08:47 | |
Certainly she should not have sent such flowers, | 0:08:47 | 0:08:49 | |
but they may have seemed the right thing to her. | 0:08:49 | 0:08:51 | |
And for all you know, they may be the custom in Germany. | 0:08:51 | 0:08:54 | |
Oh, I forget she's a German. That would explain a lot, I suppose. | 0:08:54 | 0:08:56 | |
But she isn't a German. She is only half-German. | 0:08:56 | 0:08:58 | |
But what about this letter? | 0:08:58 | 0:08:59 | |
Surely she had no claim on Howards End? Even if mother... | 0:08:59 | 0:09:02 | |
The letter is in pencil, | 0:09:02 | 0:09:04 | |
and your mother cannot have been herself when it was written. | 0:09:04 | 0:09:06 | |
There we are. | 0:09:10 | 0:09:11 | |
Charles, I'll take the newspaper, now, please, if you have finished reading it. | 0:09:13 | 0:09:16 | |
-I jolly well wish she would come down here. -Charles! Will you give me that newspaper? | 0:09:16 | 0:09:19 | |
-Here, Father. -Thank you, Evie. | 0:09:19 | 0:09:21 | |
Oh, you're back! You're back! | 0:09:50 | 0:09:52 | |
ALL CHATTER | 0:09:57 | 0:10:02 | |
ALL TALK AT ONCE | 0:10:04 | 0:10:06 | |
We'll serve it in a moment. Nancy? | 0:10:06 | 0:10:10 | |
TIBBY AND HELEN CHATTER | 0:10:10 | 0:10:12 | |
Anyway, then, after that we went to... | 0:10:15 | 0:10:19 | |
Helen, | 0:10:29 | 0:10:31 | |
I told you about poor Mrs Wilcox, that sad business? | 0:10:31 | 0:10:34 | |
Yes. I was sorry to hear it. | 0:10:34 | 0:10:36 | |
I had a correspondence from her son, Charles. He was winding up the estate and he wrote to ask | 0:10:36 | 0:10:40 | |
whether his mother had wanted me to have anything. | 0:10:40 | 0:10:42 | |
-Did he? -I thought it very good of him, considering I knew her for so little. | 0:10:42 | 0:10:45 | |
I said that she once spoke of giving me a Christmas present, | 0:10:45 | 0:10:48 | |
but that we forgot about it afterwards. | 0:10:48 | 0:10:51 | |
I hope Charles took the hint. | 0:10:51 | 0:10:53 | |
Yes. That is to say, her husband wrote on. | 0:10:53 | 0:10:55 | |
He thanked me for being a little kind to her. | 0:10:55 | 0:10:58 | |
He hoped that this wasn't the end of our acquaintance, | 0:10:58 | 0:11:01 | |
but that you and I will go and stop with Evie some time in the future. | 0:11:01 | 0:11:05 | |
I like Mr Wilcox. | 0:11:05 | 0:11:06 | |
He is taking up his work. Rubber. It is a big business. | 0:11:07 | 0:11:11 | |
Yes, it is the business of killing black Africans in the Congo. | 0:11:11 | 0:11:14 | |
-Oh, Tibby. -Shut up, Tibby. | 0:11:14 | 0:11:16 | |
Ask your pious, lecturing friends if it isn't. | 0:11:16 | 0:11:19 | |
Women don't understand economics. | 0:11:19 | 0:11:20 | |
I am sure Mr Wilcox is not a murderer. | 0:11:20 | 0:11:23 | |
How do you think they get the rubber out of the trees, hmm? | 0:11:23 | 0:11:25 | |
They get great gangs of natives out of the villages, put them into camps | 0:11:25 | 0:11:29 | |
and set them about pulling the rubber out of the trees, | 0:11:29 | 0:11:31 | |
boiling it in great vats and then they shoot them if they try to run away. | 0:11:31 | 0:11:34 | |
Didn't you tell me that he runs the Imperial Rubber Company | 0:11:34 | 0:11:37 | |
of West Africa or some such company, Helen? That's not in the Congo. | 0:11:37 | 0:11:39 | |
I really don't remember. Certainly he is murdering someone. | 0:11:39 | 0:11:42 | |
It is not funny, you know. | 0:11:42 | 0:11:44 | |
What I wanted to tell you, Helen, | 0:11:44 | 0:11:46 | |
is that Mr Wilcox actually gave me his wife's silver vinaigrette. | 0:11:46 | 0:11:50 | |
Don't you think that is extraordinarily generous? | 0:11:50 | 0:11:53 | |
-It makes me like him very much. -It's lovely. | 0:12:05 | 0:12:08 | |
I suppose the silver doesn't come from an African silver mine. | 0:12:08 | 0:12:11 | |
I'm sure somebody died mining it. | 0:12:11 | 0:12:13 | |
LIVELY PIANO MUSIC PLAYS | 0:12:30 | 0:12:36 | |
Helen, I was just across the street and I saw Charles Wilcox. | 0:12:51 | 0:12:53 | |
You'll never guess what? They're moving out! | 0:12:53 | 0:12:56 | |
What do you think about that? | 0:12:56 | 0:12:58 | |
BELL RINGS | 0:13:25 | 0:13:26 | |
What's the matter, Len? You've not been yourself lately. | 0:14:14 | 0:14:16 | |
-You do love me, don't you? -Jacky, you know I do. | 0:14:19 | 0:14:22 | |
But... | 0:14:23 | 0:14:24 | |
Well? What is it? | 0:14:26 | 0:14:27 | |
Well, just... You will make it all right, won't you, Len? | 0:14:29 | 0:14:32 | |
-Between us, I mean. -I've said so, haven't I? | 0:14:32 | 0:14:35 | |
-Don't be angry. -Haven't I said so a dozen times? | 0:14:35 | 0:14:37 | |
Yes, you have, Len. | 0:14:37 | 0:14:39 | |
It's just Cecile told the most dreadful story today about a girl she knows. | 0:14:39 | 0:14:42 | |
-What's that got to do with me? -Nothing, darling. Don't be angry. | 0:14:42 | 0:14:45 | |
Only... | 0:14:45 | 0:14:47 | |
Only it's not right we keep pretending. | 0:14:48 | 0:14:50 | |
-You will make it all right, won't you, Len? -I can't have you ask me that again! | 0:14:50 | 0:14:53 | |
-I'm sorry. -My word is my word. | 0:14:53 | 0:14:55 | |
I will marry you as soon as ever I'm 21. | 0:14:55 | 0:14:57 | |
-It's not long now. -I know, darling. -I can't keep on being worried! | 0:14:57 | 0:15:01 | |
When a man gives his word... If my brother knew about us... | 0:15:02 | 0:15:05 | |
-I know, Len. I'm sorry. -Haven't I worries enough? Look at that. | 0:15:05 | 0:15:08 | |
-That's another cuff gone. -I'll mend it for you. | 0:15:08 | 0:15:10 | |
That's six miles walking all this week to pay for a new pair! | 0:15:10 | 0:15:12 | |
-I shall be for it tomorrow if anyone notices. -I'm sorry. I am. | 0:15:12 | 0:15:15 | |
I can't breathe in here. It's too close. | 0:15:15 | 0:15:18 | |
LIVELY TUNE | 0:16:24 | 0:16:27 | |
-What the devil are you playing? -Isn't it lovely? | 0:16:29 | 0:16:32 | |
No, it is not. You are giving me a headache. | 0:16:32 | 0:16:33 | |
Both of you are giving me a headache. Do stop quarrelling. | 0:16:33 | 0:16:36 | |
I've another one here called Who Threw The Overalls In Mrs Murphy's Chowder? | 0:16:36 | 0:16:39 | |
-Meg! -Oh, do please stop quarrelling! -Sorry. | 0:16:39 | 0:16:42 | |
MUSIC STOPS | 0:16:42 | 0:16:44 | |
What's in that letter, Meg? Bad news? | 0:16:44 | 0:16:46 | |
Oh, it's only a letter reminding us that the lease has expired | 0:16:46 | 0:16:49 | |
and we have until May to clear out. | 0:16:49 | 0:16:50 | |
I know it doesn't rate as one of life's great tragedies, | 0:16:50 | 0:16:53 | |
we knew it was coming, but it's still a bit of a shock. | 0:16:53 | 0:16:55 | |
Good God. Where will we move? | 0:16:55 | 0:16:57 | |
I expect we'll find some place, Meg. Don't be too downhearted. | 0:16:57 | 0:17:00 | |
Yes, luckily we have some money, too. | 0:17:00 | 0:17:02 | |
-What is it, Annie? -This lady, ma'am. She... -Good afternoon. | 0:17:02 | 0:17:05 | |
Have I the honour of speaking to Miss Margaret Schlegel? | 0:17:05 | 0:17:08 | |
No. I'm Helen. | 0:17:08 | 0:17:09 | |
VOICES CONTINUE OUTSIDE | 0:17:09 | 0:17:12 | |
I don't know why I should be so upset. | 0:17:12 | 0:17:14 | |
It's been such a happy house. Why does it have to be swept away? | 0:17:15 | 0:17:18 | |
-TIBBY PLAYS PIANO -Meg! | 0:17:18 | 0:17:20 | |
Helen? Whatever is the matter? It's all right, Annie. | 0:17:21 | 0:17:23 | |
-How do you do? I'm Miss Schlegel. -Good afternoon, Miss Schlegel. | 0:17:23 | 0:17:26 | |
If I have the honour of addressing Miss Margaret Schlegel... | 0:17:26 | 0:17:28 | |
HELEN AND ANNIE TALK AT ONCE Yes, I'm Margaret. | 0:17:28 | 0:17:30 | |
I have come in search of my husband, Mr Bast, who I have some reason | 0:17:30 | 0:17:32 | |
to believe may be visiting the premises, if I may be so bold. | 0:17:32 | 0:17:35 | |
-It's all right Annie. Thank you. -Annie, will you go? | 0:17:35 | 0:17:37 | |
Yes, Miss. I'm terribly sorry, Miss. | 0:17:37 | 0:17:40 | |
-Now, Mrs... I'm so sorry. -Bast, Miss. | 0:17:40 | 0:17:42 | |
Mrs Leonard Bast, as I think Miss Schlegel has good reason to understand, | 0:17:42 | 0:17:46 | |
-without her being told twice by me. -I'm afraid I don't, quite. | 0:17:46 | 0:17:48 | |
I say, what is all the hullabaloo? | 0:17:48 | 0:17:51 | |
-Can't a chap play the piano in peace and quiet? -Go away, Tibby. | 0:17:51 | 0:17:53 | |
Won't you tell us what this is about, Mrs Bast? | 0:17:53 | 0:17:56 | |
I think perhaps, Miss Schlegel, | 0:17:56 | 0:17:57 | |
that the explanation rests on the other side, if you please. | 0:17:57 | 0:18:01 | |
But...I don't understand. | 0:18:01 | 0:18:03 | |
That is your card, is it not? | 0:18:03 | 0:18:05 | |
Yes, an old one, by the look of it. | 0:18:05 | 0:18:06 | |
Then will you please oblige me by explaining how my husband came to have it? | 0:18:06 | 0:18:09 | |
And where he might be at this moment? | 0:18:09 | 0:18:11 | |
And if he is here I should like a word with him, if you don't mind. | 0:18:11 | 0:18:13 | |
-Here? Your husband? -We don't know who your husband is. | 0:18:13 | 0:18:16 | |
Truly we don't. We've never met a Mr Bast. | 0:18:16 | 0:18:18 | |
Yes, you have. | 0:18:18 | 0:18:19 | |
The chap with the umbrella at the Prince Regent's Hall. | 0:18:19 | 0:18:22 | |
-What? -Helen stole his brolly, Meg brought him home, and Aunt Juley was afraid he'd take the silver. | 0:18:22 | 0:18:27 | |
-Don't be an idiot. -Take the silver? -No, you must forgive my brother. | 0:18:27 | 0:18:29 | |
-My Len take your silver? -You must remember? -No-one has taken anything, | 0:18:29 | 0:18:32 | |
and no-one is accused of taking anything. | 0:18:32 | 0:18:33 | |
-But this gentleman just said... -Please, won't you come in and have some tea? | 0:18:33 | 0:18:36 | |
I only said our Aunt was afraid he'd take the silver. | 0:18:36 | 0:18:38 | |
We never thought so. I wasn't so jolly sure, but... | 0:18:38 | 0:18:40 | |
My Len would never steal so much as a lump of coal. | 0:18:40 | 0:18:42 | |
-He didn't have time, he was only here ten minutes. -Tibby be quiet! | 0:18:42 | 0:18:45 | |
Won't you come in? | 0:18:45 | 0:18:46 | |
No, no, no, thank you, Miss Schlegel. I just... I want my Len. | 0:18:46 | 0:18:49 | |
And I can see now I was wrong. | 0:18:49 | 0:18:51 | |
Please, what's become of him? | 0:18:51 | 0:18:53 | |
-Tibby! Do go away at once! -Stop crying, Mrs Bast. And tell us what it is you want? | 0:18:53 | 0:18:56 | |
I just want my husband. And I thought he might be here. | 0:18:56 | 0:18:58 | |
-But why would you imagine that? -Because he'd got your card, Meg. | 0:18:58 | 0:19:01 | |
But if he's missing, oughtn't we to call the police? | 0:19:01 | 0:19:03 | |
No, no. Thank you, Miss. I'm so sorry. | 0:19:03 | 0:19:06 | |
-Please - let me go. -All right. If you had rather not. | 0:19:06 | 0:19:08 | |
-May I have the card, please? -Surely. But why...? | 0:19:08 | 0:19:10 | |
Len'll be furious if he knows I've come here. | 0:19:10 | 0:19:13 | |
Goodness. He won't strike you? | 0:19:13 | 0:19:15 | |
My Len? Put his hands on me? | 0:19:16 | 0:19:19 | |
Oh, Miss, please! | 0:19:19 | 0:19:21 | |
I do so beg your pardon! | 0:19:21 | 0:19:23 | |
-How extraordinary! -Poor girl. | 0:19:28 | 0:19:30 | |
It's all right now, Annie. No-one's to blame. | 0:19:35 | 0:19:37 | |
-Yes, Miss. Thank you, Miss. -Oh, Helen. | 0:19:37 | 0:19:41 | |
So often I feel we live chattering away at the edge of a great abyss. | 0:19:41 | 0:19:46 | |
I don't want to close my eyes to it, | 0:19:46 | 0:19:48 | |
or comfortably pretend it isn't there, | 0:19:48 | 0:19:50 | |
but I don't want to live in it. | 0:19:50 | 0:19:52 | |
Is that very wicked and selfish of me? | 0:19:52 | 0:19:55 | |
It's better than your friends the Wilcoxes, who batter their way | 0:19:55 | 0:19:58 | |
through the abyss, pulling heaps of money from it. | 0:19:58 | 0:20:00 | |
-Not the Wilcoxes. -That's wrong and unfair. | 0:20:00 | 0:20:03 | |
At least they live in the world and not on it, or...or above it. | 0:20:03 | 0:20:06 | |
-What? -Don't make fun, Tibby. | 0:20:06 | 0:20:08 | |
Oh, I'm tired of the whole subject. TIBBY PLAYS PIANO | 0:20:08 | 0:20:10 | |
I despise proofs. I despise cant. I loathe taking positions. | 0:20:10 | 0:20:14 | |
I can only react to feelings. | 0:20:14 | 0:20:15 | |
They are the only guide that matters. | 0:20:15 | 0:20:18 | |
Yes, I think so, too. The personal is what's important. | 0:20:18 | 0:20:21 | |
Your precious Ws don't think so. | 0:20:21 | 0:20:23 | |
Even the Ws will come face to face with the personal some day. | 0:20:23 | 0:20:26 | |
Dearest Meg, there we differ. | 0:20:26 | 0:20:28 | |
I have seen, rather up close, I'm afraid, | 0:20:30 | 0:20:33 | |
what they are like in a crisis. | 0:20:33 | 0:20:35 | |
A rather small and tawdry one, I grant you - mine. | 0:20:35 | 0:20:39 | |
I'm afraid that, for them, the personal was | 0:20:39 | 0:20:41 | |
a whirlwind which they refused to see, | 0:20:41 | 0:20:43 | |
and which knocked them about the room while they tried to | 0:20:43 | 0:20:47 | |
sort out the best policy using practical business methods, | 0:20:47 | 0:20:50 | |
which don't include whirlwinds in the balance sheet. | 0:20:50 | 0:20:53 | |
But they were quite undone, because the main force in the room was invisible to them. | 0:20:53 | 0:20:58 | |
But you said the best thing about them was how they treated Mrs Wilcox, didn't you? | 0:20:58 | 0:21:02 | |
-Yes. -That shows something fine in them, doesn't it? | 0:21:04 | 0:21:07 | |
-PIANO STOPS -Yes. -This passage is deuced difficult. | 0:21:09 | 0:21:12 | |
Can you imagine, really imagine, writing it when he was deaf, | 0:21:12 | 0:21:16 | |
let alone playing it? | 0:21:16 | 0:21:18 | |
Tibby, when do you go back to Oxford? | 0:21:18 | 0:21:20 | |
I've just come back. I might not go back at all. | 0:21:20 | 0:21:22 | |
-BOTH AT ONCE: You have to, Tibby. -Oh, you must go, Tibby! | 0:21:22 | 0:21:24 | |
You can't live on your inheritance, you know. | 0:21:24 | 0:21:25 | |
Yours and Meg's supports the two of you. Why shouldn't mine? | 0:21:25 | 0:21:28 | |
Because you're a man, Tibby. Yes, you are. You must work. | 0:21:28 | 0:21:31 | |
It is a universal impulse. | 0:21:31 | 0:21:33 | |
I thought you were opposed to cant and principles and positions, | 0:21:33 | 0:21:36 | |
and cared only for feelings and personal relations. | 0:21:36 | 0:21:38 | |
I don't know what I think any more at this moment, except that I wish | 0:21:38 | 0:21:41 | |
the two of you would stop using the piano as a form of self-expression. | 0:21:41 | 0:21:44 | |
-It's very wearing. -Dear Meg. -It's only Beethoven. | 0:21:44 | 0:21:46 | |
I'm sorry. | 0:21:46 | 0:21:47 | |
That woman upset me. She really did. | 0:21:49 | 0:21:52 | |
And the letter. | 0:21:52 | 0:21:53 | |
Where shall we live? I don't want to move. | 0:21:54 | 0:21:58 | |
I've lived here all my life, and now it's to be swept away | 0:21:58 | 0:22:00 | |
and turned into another block of flats like Wickham Mansions. | 0:22:00 | 0:22:03 | |
I don't see why they should have the right to do that to every family on the street, | 0:22:03 | 0:22:06 | |
even if they do own the freehold of Wickham. It's not just. | 0:22:06 | 0:22:08 | |
I know we shall find somewhere to live, but.. | 0:22:08 | 0:22:10 | |
-That's how your Mr W would handle it. -Leave Meg alone. | 0:22:10 | 0:22:13 | |
Oh, yes. Well, that's right. When it's my chance to score, I'm told to be quiet. | 0:22:13 | 0:22:17 | |
-When you're having a go at me... -Please don't make me quarrel! | 0:22:17 | 0:22:19 | |
I want to go to my room, my head is bursting. I'm sorry. | 0:22:19 | 0:22:23 | |
TIBBY PLAYS PIANO | 0:22:27 | 0:22:31 | |
BELL RINGS | 0:22:47 | 0:22:50 | |
MUTED CHATTER | 0:22:50 | 0:22:53 | |
-Is that Mr Bast? -It looks like him. | 0:23:11 | 0:23:14 | |
-Do you suppose it's he? -Yes, it must be. -Annie, we'll be three for tea. | 0:23:26 | 0:23:29 | |
-Yes, miss. Will you have it in the drawing room? -Yes, the drawing room, Annie, thank you. | 0:23:29 | 0:23:32 | |
Now, Helen, don't let's act like fluttering idiots. | 0:23:32 | 0:23:34 | |
-Oh, yes, I agree. -He's bound to be very much ashamed of himself and I want to make him feel at home. | 0:23:34 | 0:23:38 | |
I think he'll be very grateful to find we didn't mind Mrs Bast | 0:23:38 | 0:23:40 | |
and have nearly forgotten the entire incident. | 0:23:40 | 0:23:42 | |
-Helen, I'm being serious! -So am I serious. | 0:23:42 | 0:23:43 | |
I won't have him treated like a social experiment! Do open the door. | 0:23:43 | 0:23:46 | |
He hasn't rung the bell. If we open the door before he rings | 0:23:46 | 0:23:48 | |
-he will certainly feel like a social experiment. -Please be quiet! | 0:23:48 | 0:23:52 | |
KNOCK AT DOOR | 0:23:52 | 0:23:53 | |
-Yes? -Good afternoon. -Good afternoon. | 0:23:53 | 0:23:56 | |
No doubt you can remember the last occasion on which we met. | 0:23:58 | 0:24:01 | |
-Well, not exactly. -We remember some of it. | 0:24:01 | 0:24:03 | |
My brother said that we stole your umbrella from the Prince Regent's. | 0:24:03 | 0:24:06 | |
Yes. They were playing Beethoven's Fifth that day. | 0:24:06 | 0:24:08 | |
We always go to the Fifth when they play it. | 0:24:08 | 0:24:10 | |
-I do remember stealing your umbrella. -Quite inadvertently. | 0:24:10 | 0:24:13 | |
I suppose you can guess the reason for my visit today. | 0:24:15 | 0:24:18 | |
-Has it gone missing again? -Helen! | 0:24:18 | 0:24:20 | |
No, no, it hasn't. That's all right, Miss Schlegel. | 0:24:20 | 0:24:22 | |
I'm so sorry. What an idiotic joke. Would you like to come inside? | 0:24:22 | 0:24:25 | |
Thank you. I should like to explain. | 0:24:25 | 0:24:26 | |
We are just about to sit down to some tea. | 0:24:26 | 0:24:28 | |
-I do hope you will join us. -I don't like to impose. | 0:24:28 | 0:24:31 | |
-Oh, do, please! -Yes, please don't refuse us! | 0:24:31 | 0:24:33 | |
Thanks. I should be very happy to. | 0:24:33 | 0:24:35 | |
-Won't you come this way? -Thank you. | 0:24:35 | 0:24:38 | |
After you. | 0:24:38 | 0:24:40 | |
Thank you. | 0:24:40 | 0:24:41 | |
I still don't understand. | 0:24:48 | 0:24:49 | |
I went walking. That's all. | 0:24:54 | 0:24:57 | |
I walked all night, you see... | 0:24:58 | 0:25:00 | |
-Did you?! -Did you? | 0:25:00 | 0:25:02 | |
Yes. | 0:25:02 | 0:25:04 | |
While I was gone, however, Mrs Bast needed me on important business, | 0:25:04 | 0:25:08 | |
and thought I had come here, owing to the card | 0:25:08 | 0:25:10 | |
Why should she think that? | 0:25:10 | 0:25:12 | |
Well, a card, belonging to a lady whose name she didn't know... | 0:25:12 | 0:25:16 | |
Why did you never tell her about your adventure, the time I took your umbrella? | 0:25:16 | 0:25:20 | |
-I didn't like to. -Why not? | 0:25:20 | 0:25:23 | |
I suppose it was a secret I wanted to keep for myself. | 0:25:23 | 0:25:26 | |
I don't blame her. | 0:25:28 | 0:25:30 | |
But she should not have come here. If I had imagined... | 0:25:30 | 0:25:32 | |
It doesn't matter about that. | 0:25:32 | 0:25:34 | |
And all this time you were only walking? | 0:25:34 | 0:25:36 | |
-Yes. -But how marvellous! | 0:25:36 | 0:25:39 | |
-Was it? -Of course it was! | 0:25:40 | 0:25:43 | |
Where did you start from? Tell us more. | 0:25:43 | 0:25:45 | |
I... | 0:25:45 | 0:25:47 | |
Well, I took the Underground to Wimbledon and I had a bite to eat. | 0:25:49 | 0:25:53 | |
But not good country there, is it? | 0:25:53 | 0:25:55 | |
It was gas lamps for hours. | 0:25:55 | 0:25:58 | |
I did get into the woods presently, and... | 0:25:58 | 0:26:02 | |
being out was the great thing. | 0:26:02 | 0:26:04 | |
Were you walking alone, may I ask? | 0:26:04 | 0:26:06 | |
Yes. I don't know where, nor for how long. | 0:26:06 | 0:26:09 | |
It got too dark to see my watch. | 0:26:10 | 0:26:12 | |
I rather fancy it was those North Downs. | 0:26:13 | 0:26:16 | |
Then I found a road to a station, | 0:26:16 | 0:26:17 | |
and I got the first train I could back to London. | 0:26:17 | 0:26:21 | |
Was the dawn wonderful? | 0:26:21 | 0:26:23 | |
No. No, the dawn was only grey. Nothing to mention. | 0:26:23 | 0:26:27 | |
Yes. Just a grey evening turned upside down. I know. | 0:26:27 | 0:26:30 | |
Yes. Yes. And... | 0:26:30 | 0:26:33 | |
I was too tired to lift my head to look at it. | 0:26:33 | 0:26:36 | |
Looking back, it wasn't what you'd call enjoyment. | 0:26:36 | 0:26:39 | |
It was more a case of sticking to it. | 0:26:39 | 0:26:42 | |
Oh, hang it! | 0:26:43 | 0:26:45 | |
What's the good in living in a room forever? | 0:26:45 | 0:26:47 | |
There one goes, one day after day, same old game, | 0:26:47 | 0:26:51 | |
same up and down to town, until you forget there is any other game. | 0:26:51 | 0:26:55 | |
You ought to see once, in a way, what's going on outside. | 0:26:55 | 0:26:59 | |
-I should just think you ought. -Yes. | 0:26:59 | 0:27:02 | |
Have you ever read Richard Jeffries? | 0:27:04 | 0:27:06 | |
Yes. | 0:27:08 | 0:27:09 | |
Or George Borrow, Stonehenge? | 0:27:09 | 0:27:12 | |
Yes, of course we have. But... | 0:27:13 | 0:27:16 | |
Well... | 0:27:16 | 0:27:17 | |
I've... I'm afraid I've imposed too far on your kindness. | 0:27:24 | 0:27:27 | |
Thank you for the tea. | 0:27:27 | 0:27:29 | |
I must be going. | 0:27:29 | 0:27:31 | |
-But why must you go? -You will come another time, I hope. | 0:27:31 | 0:27:34 | |
MOTOR CAR PASSES | 0:28:24 | 0:28:27 | |
SHIP'S HORN SOUNDS | 0:28:44 | 0:28:46 | |
I say, Helen. | 0:29:27 | 0:29:29 | |
Well? | 0:29:29 | 0:29:30 | |
Do you think we'll really follow up Mr Bast? | 0:29:30 | 0:29:33 | |
-I don't know. -Do you think we might try to? | 0:29:35 | 0:29:38 | |
How do you do? | 0:29:38 | 0:29:40 | |
I thought I recognised your voices. Whatever are you both doing here? | 0:29:40 | 0:29:43 | |
What an age it has been since I last saw you, Mr Wilcox. | 0:29:43 | 0:29:46 | |
We're just admiring the sunlight on the water. | 0:29:46 | 0:29:48 | |
-Now, tell me all your news. -Oh, we've had a splendid afternoon. | 0:29:51 | 0:29:55 | |
We belong to a club that reads papers. There's a discussion after. | 0:29:55 | 0:29:58 | |
Today it was on how one ought to leave one's money. | 0:29:58 | 0:30:00 | |
whether to a friend, or to the poor, and, if so, how. Most interesting. | 0:30:00 | 0:30:03 | |
Sounds a most original entertainment. | 0:30:03 | 0:30:05 | |
I wish my Evie would go in for that sort of thing. | 0:30:05 | 0:30:07 | |
She's taken to breeding Aberdeen Terriers. | 0:30:07 | 0:30:09 | |
We pretend we're improving ourselves, you see. | 0:30:09 | 0:30:12 | |
Doubtless you find it wasteful. | 0:30:12 | 0:30:13 | |
Not at all, no. Nothing like a debate to teach you to be quick. | 0:30:13 | 0:30:16 | |
-Doesn't matter much on what subject. -Does it not? | 0:30:16 | 0:30:19 | |
Oh, no, we won't argue. | 0:30:19 | 0:30:20 | |
I'll just put our special case to Mr Wilcox. | 0:30:20 | 0:30:22 | |
He knows about the poor and what's to be done with them. | 0:30:22 | 0:30:24 | |
-I don't know about that. -Helen only means... | 0:30:24 | 0:30:26 | |
We've just come across a young fellow who's evidently very poor indeed, | 0:30:26 | 0:30:30 | |
although he aspires to higher things, however awkwardly, and he got mixed up in our debate. | 0:30:30 | 0:30:34 | |
-Yes? What's his profession? -Clerk. -Clerk. | 0:30:34 | 0:30:37 | |
-What in? -What in? -Oh. Do you remember, Helen? | 0:30:37 | 0:30:40 | |
The Porphyrion Fire Insurance Company. | 0:30:40 | 0:30:41 | |
-Porphyrion? -That's it. -Oh, well, in that case... | 0:30:41 | 0:30:43 | |
Now, how should such a man be helped? | 0:30:43 | 0:30:45 | |
Should he be given £300 a year direct, which was Margaret's plan? | 0:30:45 | 0:30:49 | |
Should he and those like him be given free libraries? | 0:30:49 | 0:30:51 | |
My suggestion was that he be given something every year towards a summer holiday. | 0:30:51 | 0:30:55 | |
-But then there's his wife... -My dear Miss Schlegel, I will not rush in | 0:30:55 | 0:30:58 | |
where your sex has been unable to tread | 0:30:58 | 0:31:00 | |
Oh, why ever not? | 0:31:00 | 0:31:01 | |
Helen, Mr Wilcox will think you rude. | 0:31:01 | 0:31:03 | |
-Will he? I'm sorry. -Not at all. | 0:31:05 | 0:31:06 | |
However, I'm afraid that my only contribution would be | 0:31:06 | 0:31:09 | |
to let your young friend clear out of the Porphyrion Fire Insurance Company with all possible speed. | 0:31:09 | 0:31:13 | |
Why? | 0:31:13 | 0:31:15 | |
I oughtn't to have spoken, but I happen to know, being more or less | 0:31:15 | 0:31:18 | |
behind the scenes, that it'll be in the Receiver's hands before Easter. | 0:31:18 | 0:31:22 | |
The Porphyrion's a bad, bad, concern. Don't say I said so. | 0:31:22 | 0:31:25 | |
-It's outside the Tariff Ring. -Well, certainly we won't say. | 0:31:25 | 0:31:28 | |
We don't know what it means. | 0:31:28 | 0:31:30 | |
The Tariff Ring is an association of insurance companies. | 0:31:30 | 0:31:32 | |
I thought an insurance company never smashed. Don't the others always run in and save them? | 0:31:32 | 0:31:36 | |
You're thinking of reinsurance. | 0:31:36 | 0:31:37 | |
It's exactly there that the Porphyrion is weak, I'm afraid. | 0:31:37 | 0:31:40 | |
-We must warn Mr Bast. -Yes. Thank you ever so much, Mr Wilcox. | 0:31:40 | 0:31:43 | |
And you are still in Wickham Place? | 0:31:44 | 0:31:46 | |
No... Yes. We've got to move out by May. | 0:31:46 | 0:31:49 | |
Oh, I'm sorry. | 0:31:49 | 0:31:50 | |
We've just taken a place in Ducie Street, near to Sloane Street. | 0:31:50 | 0:31:53 | |
And a place down in Shropshire, Oniton Grange. | 0:31:53 | 0:31:55 | |
Have you heard of Oniton? Do come and visit us. | 0:31:55 | 0:31:58 | |
Right away from everywhere, it's up toward Wales. | 0:31:58 | 0:32:00 | |
Oh, we shall. And Howards End? | 0:32:00 | 0:32:03 | |
-Oh, it's let. -Oh, what change! | 0:32:03 | 0:32:05 | |
I can't imagine Howards End or Helton existing without you. | 0:32:05 | 0:32:09 | |
I should have kept such a remarkable place in the family. | 0:32:09 | 0:32:12 | |
Oh, it is. It is, I haven't sold it, I don't mean to. | 0:32:12 | 0:32:15 | |
No, but none of you are there. | 0:32:15 | 0:32:16 | |
And we have a splendid tenant now, a Mr Bryce, an invalid. | 0:32:16 | 0:32:20 | |
Charles and his wife live very near the old place. | 0:32:20 | 0:32:22 | |
-I forget whether you've been up there. -The house, never. | 0:32:22 | 0:32:25 | |
No. Well... | 0:32:26 | 0:32:28 | |
Well, do remind Evie to come and see us. 2 Wickham Place. | 0:32:30 | 0:32:33 | |
-We shan't be there much longer, either. -Everyone moving! | 0:32:33 | 0:32:36 | |
Goodbye. | 0:32:37 | 0:32:38 | |
-Goodbye. -Goodbye. | 0:32:40 | 0:32:41 | |
"Dear Mr Bast, would you do us | 0:33:01 | 0:33:02 | |
"the kindness of stopping at Wickham Place tomorrow at tea-time? | 0:33:02 | 0:33:06 | |
"We should be so glad to see you. Your friend, Helen Schlegel." | 0:33:06 | 0:33:10 | |
How do you like your work? | 0:33:25 | 0:33:27 | |
My work? | 0:33:27 | 0:33:28 | |
-Yes. -Oh, well enough. | 0:33:28 | 0:33:32 | |
Your company is the Porphyrion, isn't it? | 0:33:32 | 0:33:35 | |
Yes, that's so. | 0:33:35 | 0:33:36 | |
We were told the Porphyrion's no-go. We wanted to tell you. | 0:33:41 | 0:33:44 | |
That's why we wrote. | 0:33:44 | 0:33:46 | |
I see. | 0:33:46 | 0:33:47 | |
A friend of ours did say he thinks it is insufficiently reinsured. | 0:33:49 | 0:33:53 | |
And he advised us to tell you to clear out by Easter. | 0:33:53 | 0:33:56 | |
He did not advise us. He said it was bound to smash by Easter. | 0:33:56 | 0:33:59 | |
He did not advise us to say so. | 0:33:59 | 0:34:01 | |
You can tell your friend he's quite wrong. | 0:34:01 | 0:34:03 | |
Oh, good! Our friend, who is also a businessman, was so positive. | 0:34:03 | 0:34:07 | |
And he advised you to clear out of it. | 0:34:07 | 0:34:09 | |
He's made quite a lot of money. | 0:34:09 | 0:34:11 | |
I'm not one of those who mind their affairs being spoken of by others. | 0:34:11 | 0:34:14 | |
-Oh, I am glad! -Men are so tactful. Women have no tact. | 0:34:14 | 0:34:17 | |
-Our friend is quite rich, you see, and seems to have a hand in all manners of concerns. -Quite so. | 0:34:17 | 0:34:21 | |
But I don't see why he should know better than you do. | 0:34:21 | 0:34:23 | |
One can but see. As Ibsen says, "Things happen..." | 0:34:23 | 0:34:27 | |
Mr Wilcox and Miss Wilcox. | 0:34:27 | 0:34:29 | |
-Hello! -Oh, the dears! | 0:34:31 | 0:34:34 | |
We brought the little fellows round. | 0:34:34 | 0:34:36 | |
I bred them myself. This is Ahab, and that's Jezebel. | 0:34:36 | 0:34:39 | |
Oh, really! Mr Bast, come play with the puppies. | 0:34:39 | 0:34:41 | |
-Mr Wilcox, Mr Bast. -I must be going now. | 0:34:41 | 0:34:43 | |
-Must you really? -Come again. | 0:34:43 | 0:34:45 | |
No. No, I shan't. | 0:34:45 | 0:34:48 | |
-But... -I call that a very rude remark. | 0:34:48 | 0:34:50 | |
Are we intruding, Miss Schlegel? Or can we be of any use? | 0:34:50 | 0:34:53 | |
It's all right, Mr Wilcox. | 0:34:53 | 0:34:54 | |
I... Good day. | 0:34:54 | 0:34:56 | |
Helen, go after him. | 0:34:58 | 0:35:00 | |
Ought she to? | 0:35:00 | 0:35:01 | |
Can I help you now? | 0:35:01 | 0:35:03 | |
No, it's all right. Thank you. I'm very sorry. | 0:35:03 | 0:35:05 | |
He's a nice creature, really. I cannot think what set him off. | 0:35:05 | 0:35:08 | |
SHE LAUGHS | 0:35:13 | 0:35:14 | |
Where are you going? | 0:35:19 | 0:35:20 | |
What do you want to turn on me like that for? | 0:35:21 | 0:35:23 | |
-You ask me why I turn on you? -Yes! | 0:35:23 | 0:35:24 | |
What do you want to have me in there for? | 0:35:24 | 0:35:26 | |
To help you, you silly boy. And don't shout. | 0:35:26 | 0:35:28 | |
Why should you help me? Why should I not help you? | 0:35:28 | 0:35:32 | |
Because... Well... | 0:35:32 | 0:35:33 | |
I don't want your patronage. I don't want your tea. | 0:35:33 | 0:35:36 | |
I was quite happy. What do you want to unsettle me for? | 0:35:36 | 0:35:39 | |
But why should you say so? What are you looking for? | 0:35:39 | 0:35:41 | |
-My hat! -Annie! | 0:35:41 | 0:35:43 | |
Will you please bring Mr Bast his hat? | 0:35:43 | 0:35:45 | |
Yes, Miss. | 0:35:45 | 0:35:46 | |
When you asked me to tea, I... | 0:35:52 | 0:35:54 | |
Yes? | 0:35:54 | 0:35:55 | |
Of course, if there's been a misunderstanding... | 0:35:58 | 0:36:00 | |
We did not have you here out of charity. But because | 0:36:00 | 0:36:03 | |
we hoped there would be a connection between last Sunday and other days. | 0:36:03 | 0:36:07 | |
-We thought... -It's no good. -But... | 0:36:07 | 0:36:08 | |
You don't want to discuss books with me, or music, | 0:36:08 | 0:36:10 | |
-or any of the things that I like... -Mr Bast... | 0:36:10 | 0:36:13 | |
And I can't discuss them in your easy way. | 0:36:13 | 0:36:16 | |
I don't know how. | 0:36:16 | 0:36:18 | |
But I suppose they mean ever as much to me as they do to you. | 0:36:18 | 0:36:21 | |
We don't discuss them in an easy way. | 0:36:23 | 0:36:24 | |
You do! You think I am a... comic character. | 0:36:24 | 0:36:27 | |
-I do not. -Here you are, sir. | 0:36:27 | 0:36:29 | |
That's not mine. | 0:36:31 | 0:36:33 | |
Annie, you have brought the gentleman Mr Wilcox's hat. | 0:36:33 | 0:36:35 | |
I'm sorry, Miss. I won't be a moment. | 0:36:35 | 0:36:38 | |
-We don't think you're a comic character. -But you do. | 0:36:38 | 0:36:40 | |
You think I'm superficial if I want to talk about books. | 0:36:40 | 0:36:43 | |
If I tell you about Carlyle. Or...or, erm... | 0:36:43 | 0:36:48 | |
-Ruskin? -Ruskin, yes. Or Dostoevsky. | 0:36:48 | 0:36:51 | |
-Oh. Yes. -You don't care for Dostoevsky. | 0:36:51 | 0:36:54 | |
Well, I don't, no. But... | 0:36:54 | 0:36:55 | |
Dostoevsky? I mean, does any body like him? | 0:36:55 | 0:36:57 | |
-Tibby, please. -All that eternal fainting and screaming. | 0:36:57 | 0:37:00 | |
You can't cut a single page without someone collapsing on the floor. | 0:37:00 | 0:37:03 | |
-Tibby, go away. -Might I have my hat, do you suppose? | 0:37:03 | 0:37:05 | |
Yes, yes, I can't think where's she's got to... | 0:37:05 | 0:37:07 | |
Would you be so good as to introduce me to this gentleman, Helen? | 0:37:07 | 0:37:11 | |
I will not. Go away, Tibby. | 0:37:11 | 0:37:13 | |
-We have met before. -Have we? | 0:37:13 | 0:37:15 | |
I can't remember. | 0:37:15 | 0:37:17 | |
You're one of Meg and Helen's social experiments? | 0:37:17 | 0:37:19 | |
-Tibby! -I'm sure I don't know. | 0:37:19 | 0:37:21 | |
I say! Are you that poor devil of a clerk they have debates over, | 0:37:21 | 0:37:24 | |
-at the Chelsea Women's Political Club? -He is not. | 0:37:24 | 0:37:27 | |
I'm sure I couldn't say. | 0:37:29 | 0:37:30 | |
I'm sure I should be honoured if I were. | 0:37:31 | 0:37:34 | |
Oh, that's all right, then. | 0:37:34 | 0:37:35 | |
Where do you chaps stand on the suffrage question? | 0:37:35 | 0:37:38 | |
-We don't get much of the working man's view in our circle. -Nancy! -I have no fixed opinion. | 0:37:38 | 0:37:42 | |
-Yes, Miss? -No fixed opinion? -Can you find Annie, please? | 0:37:42 | 0:37:44 | |
-She has disappeared with the gentleman's hat. -Yes, Miss. | 0:37:44 | 0:37:47 | |
If you lived with Meg and Helen you'd have a fixed opinion, and no mistake! | 0:37:47 | 0:37:49 | |
A lot of footle, if you ask me. I say the world's gone off its onion. | 0:37:49 | 0:37:52 | |
-Tibby, if you don't go this instant, I shall scream. -All right, then. | 0:37:52 | 0:37:55 | |
Mr Bast, I... | 0:37:58 | 0:37:59 | |
Thank you for your advice about the Porphyrion. | 0:37:59 | 0:38:02 | |
I am not a businessman, like your friend. | 0:38:02 | 0:38:04 | |
-He is not our friend. -I am only a clerk. But even a clerk... | 0:38:04 | 0:38:08 | |
-No, it's useless. -But we're not... We only... | 0:38:12 | 0:38:15 | |
-Your hat, sir. -Thank you. -Annie! Whatever has been keeping you? | 0:38:15 | 0:38:18 | |
I'm sorry, Miss. I'd got them muddled and... | 0:38:18 | 0:38:21 | |
Oh, it's all right. | 0:38:22 | 0:38:23 | |
Miss Schlegel... | 0:38:43 | 0:38:45 | |
All I can do is go. | 0:38:46 | 0:38:48 | |
Thank you for trying to help me. | 0:38:51 | 0:38:53 | |
Goodbye. | 0:38:55 | 0:38:56 | |
But who was he? | 0:39:08 | 0:39:09 | |
He was the young man we were to warn against the Porphyrion. | 0:39:09 | 0:39:12 | |
We warn him and look! | 0:39:12 | 0:39:14 | |
Miss Schlegel, may I speak to you as a friend? | 0:39:15 | 0:39:17 | |
-Yes, of course. -In that case, well, oughtn't you to be more careful? | 0:39:17 | 0:39:22 | |
-Careful? -You're too kind. | 0:39:22 | 0:39:24 | |
Yes, indeed. | 0:39:24 | 0:39:25 | |
You behave much too well to people, and then they impose on you. | 0:39:25 | 0:39:28 | |
When I came in and saw that young man | 0:39:28 | 0:39:30 | |
I could tell straight away that you weren't treating him properly. | 0:39:30 | 0:39:32 | |
I know the type. You have to keep them at a distance | 0:39:32 | 0:39:35 | |
or they take advantage. It's sad, but true. | 0:39:35 | 0:39:37 | |
Let me explain why we like this young man, and why we want to see him again. | 0:39:37 | 0:39:40 | |
Oh, you shall never make me believe that you really like him! | 0:39:40 | 0:39:43 | |
We do. We do. | 0:39:43 | 0:39:44 | |
I'm afraid that you and your sister... | 0:39:45 | 0:39:47 | |
We want to show him how he may get upsides with life. | 0:39:47 | 0:39:50 | |
Something to relieve life's daily grey. | 0:39:50 | 0:39:52 | |
Ah, well, that that is where you make your mistake, Miss Schlegel. And it is a great mistake. | 0:39:52 | 0:39:56 | |
-Yes, indeed. -Evie. -Where? I mean, why? | 0:39:56 | 0:39:58 | |
This young man has his own life. | 0:39:58 | 0:40:00 | |
What right have you to conclude it is an unsuccessful one? | 0:40:00 | 0:40:03 | |
-Or, as you call it, "grey"? -Because... | 0:40:03 | 0:40:06 | |
-One minute. -Well... -One minute! You know nothing of him. | 0:40:06 | 0:40:08 | |
He probably has his own joys and interests. | 0:40:08 | 0:40:11 | |
A wife, children, snug little home. | 0:40:11 | 0:40:13 | |
I look at the faces of the clerks in my own office. | 0:40:13 | 0:40:16 | |
I don't know what's going on beneath, I don't presume to. | 0:40:16 | 0:40:18 | |
-So, by the way, with London. -Yes? -What do you know about London? | 0:40:18 | 0:40:22 | |
Yesterday you were pleased to admire the sunlight on the Thames at high tide. | 0:40:22 | 0:40:26 | |
Well, the tide is higher and the sunlight more pleasant because | 0:40:26 | 0:40:29 | |
my fellow capitalists and I have shares in the lock at Teddington | 0:40:29 | 0:40:32 | |
and now we've shortened the tidal trough under London Bridge. | 0:40:32 | 0:40:35 | |
Result - higher tides for shipping, more sunlight on the water. | 0:40:35 | 0:40:39 | |
Yes, I see. | 0:40:39 | 0:40:41 | |
You do have a nice way of taking the poetry out of everything, Mr Wilcox. | 0:40:41 | 0:40:44 | |
Why should you say so? | 0:40:44 | 0:40:45 | |
If your poetry means what you say it does, | 0:40:45 | 0:40:47 | |
why should it not be proof against a piece of civil engineering | 0:40:47 | 0:40:50 | |
which means millions of pounds a year in reduced shipping costs | 0:40:50 | 0:40:53 | |
for every sort of business under the sun? | 0:40:53 | 0:40:55 | |
Your mistake, Miss Schlegel, | 0:40:55 | 0:40:57 | |
is only to see civilisation from the outside. | 0:40:57 | 0:40:59 | |
All I can say is that we like this young man | 0:41:01 | 0:41:03 | |
and we see something fine in him. | 0:41:03 | 0:41:05 | |
Miss Schlegel, you're a pair of charitable creatures, | 0:41:06 | 0:41:09 | |
but you really ought to be more careful in this uncharitable world. | 0:41:09 | 0:41:12 | |
What about your brother? What does he say? | 0:41:14 | 0:41:17 | |
As the man of the house, oughtn't he to take an interest? | 0:41:17 | 0:41:19 | |
Excuse me. I must see what Helen is doing. | 0:41:19 | 0:41:21 | |
Well! What about this? | 0:41:25 | 0:41:27 | |
Helen? | 0:41:31 | 0:41:33 | |
Why, you're all alone! | 0:41:33 | 0:41:35 | |
Yes, he's been gone some time. | 0:41:35 | 0:41:37 | |
But what happened? | 0:41:37 | 0:41:38 | |
It's all right. Such a muddle of a man. | 0:41:40 | 0:41:43 | |
I like him so much. | 0:41:43 | 0:41:45 | |
Well, come back to the Wilcoxes and tell me later. | 0:41:45 | 0:41:48 | |
Mr W is much concerned, and slightly titillated. | 0:41:48 | 0:41:51 | |
Oh, I have no patience with him. I hate him. | 0:41:51 | 0:41:53 | |
You hate him? I thought him rather splendid. | 0:41:53 | 0:41:57 | |
Only because you dissect him. | 0:41:57 | 0:41:59 | |
Why should you say so? Don't you dissect Mr Bast? | 0:41:59 | 0:42:02 | |
-I don't. -You do. We both do. We're always dissecting people. | 0:42:02 | 0:42:06 | |
It does sound rather disgusting when you say it like that. | 0:42:06 | 0:42:09 | |
Come play with puppies. And don't discuss Mr Bast with the Wilcoxes. | 0:42:10 | 0:42:14 | |
They don't understand him. | 0:42:14 | 0:42:16 | |
MARGARET SIGHS | 0:43:04 | 0:43:06 | |
-Hello! Where have you been? -BOTH: Looking at houses. | 0:43:06 | 0:43:10 | |
I do wish you'd find something. | 0:43:10 | 0:43:12 | |
I can't bear to look at any more. I don't know what I'm looking for. | 0:43:17 | 0:43:21 | |
What are we going to do with all this furniture? | 0:43:21 | 0:43:24 | |
And father's books? We are simply running out of time. | 0:43:24 | 0:43:26 | |
We are to go nowhere and be at home for no-one until we've found a house. | 0:43:26 | 0:43:31 | |
DOORBELL CHIMES | 0:43:32 | 0:43:34 | |
It's from Evie Wilcox, | 0:43:52 | 0:43:54 | |
inviting me to lunch at Simpson's tomorrow with her fiance, Mr Cahill. | 0:43:54 | 0:43:57 | |
"The three of us can have a jolly chat." | 0:43:57 | 0:44:00 | |
Egads. | 0:44:00 | 0:44:01 | |
It is kind of her to remember. Perhaps I've misjudged her. | 0:44:01 | 0:44:05 | |
She is so excessively athletic. | 0:44:05 | 0:44:07 | |
Perhaps it blocks out her other good qualities. | 0:44:07 | 0:44:09 | |
I don't see why she invites me and not you. I thought she disliked me. | 0:44:09 | 0:44:12 | |
Perhaps it is a ploy to drive you into the arms of her father. | 0:44:12 | 0:44:15 | |
Do you think so? | 0:44:15 | 0:44:17 | |
It would save us the trouble of finding a house. | 0:44:17 | 0:44:20 | |
Yes, that's true. | 0:44:20 | 0:44:21 | |
Will you go? | 0:44:21 | 0:44:22 | |
Oh, I must. | 0:44:24 | 0:44:25 | |
Stalwart Meg. | 0:44:25 | 0:44:27 | |
Did I tell you Father might be at the party? | 0:44:33 | 0:44:36 | |
Yes, there he is! | 0:44:36 | 0:44:37 | |
I thought I'd get round if I could. | 0:44:39 | 0:44:40 | |
When I heard about Evie's little plan, | 0:44:40 | 0:44:42 | |
I slipped in to secure a table. Always secure a table first. | 0:44:42 | 0:44:44 | |
And tip the carver. That's the golden rule. "Tip everywhere" is my motto. | 0:44:44 | 0:44:48 | |
Now, Evie, don't pretend you want to sit by your old father, | 0:44:48 | 0:44:51 | |
because I know you don't. Miss Schlegel, come round my side. | 0:44:51 | 0:44:54 | |
That's it. | 0:45:05 | 0:45:06 | |
INAUDIBLE DIALOGUE | 0:45:09 | 0:45:11 | |
-How's your discussion society getting on? Any new utopias? -No. | 0:45:31 | 0:45:35 | |
My goodness, you look tired. | 0:45:35 | 0:45:36 | |
Have you been worrying after your young clerks? | 0:45:36 | 0:45:38 | |
No, houses. Do you know of any? | 0:45:38 | 0:45:40 | |
-No, I'm afraid I don't. -What's that, Father? | 0:45:40 | 0:45:42 | |
We must find a new home in May. | 0:45:42 | 0:45:44 | |
-Someone has to find it. I can't. -Percy, do you know of anything? | 0:45:44 | 0:45:48 | |
Can't say I do. | 0:45:48 | 0:45:50 | |
-How like you! You're never any good. -Never any good! Just listen to her! | 0:45:50 | 0:45:53 | |
Never any good. Oh, come! | 0:45:53 | 0:45:55 | |
Well, you aren't. Miss Schlegel, is he? | 0:45:55 | 0:45:57 | |
-Miss Schlegel? Gruyere? Or Stilton? -Gruyere, please. | 0:45:57 | 0:46:00 | |
-Better have Stilton. Evie? -Oh, Stilton, please. -Mr Cahill? | 0:46:00 | 0:46:03 | |
-Have you any Gouda? -Of course they haven't any Gouda at Simpson's. | 0:46:11 | 0:46:14 | |
-He'll have the Stilton. -I don't want Stilton. | 0:46:14 | 0:46:16 | |
You should have whatever you like, Mr Cahill. | 0:46:16 | 0:46:19 | |
Don't let Evie bully you. | 0:46:19 | 0:46:20 | |
How about a nice bit of Altenburger Ziegenkase? | 0:46:20 | 0:46:23 | |
-I beg your pardon? -Altenburger Ziegenkase. | 0:46:23 | 0:46:25 | |
It's Saxon, or Thuringian, depending on one's loyalties. | 0:46:25 | 0:46:28 | |
It gets a bit gooey in the warm weather, but otherwise it's excellent. | 0:46:28 | 0:46:31 | |
-I suppose you've run out? -I'm afraid... | 0:46:31 | 0:46:33 | |
Well done, Miss Schlegel! Very well done! | 0:46:33 | 0:46:36 | |
-I'll have the Gruyere. -Thank you, sir. | 0:46:36 | 0:46:38 | |
Are you coming with us to the Hippodrome, Miss Schlegel? | 0:46:39 | 0:46:41 | |
No, thank you. I must get back to my house hunting. | 0:46:41 | 0:46:44 | |
Oh, but you must! It's meant to be marvellous. | 0:46:44 | 0:46:46 | |
They release 300,000 gallons of water on a village wedding | 0:46:46 | 0:46:49 | |
and sweep away the huntsmen and all show folk, | 0:46:49 | 0:46:51 | |
and the entire wedding party into oblivion. | 0:46:51 | 0:46:54 | |
I should be sorry to miss that. | 0:46:54 | 0:46:56 | |
They say it's very realistic. | 0:46:56 | 0:46:58 | |
Yes, but why put Aimee Roberts on the stage only to sweep her off | 0:46:58 | 0:47:00 | |
again along with 300,000 gallons of water and a lot of huntsmen? | 0:47:00 | 0:47:03 | |
Why come to Simpson's to get a French cheese? | 0:47:03 | 0:47:06 | |
You see? You see how she chafes me? | 0:47:06 | 0:47:08 | |
How's your house? | 0:47:08 | 0:47:10 | |
Ducie Street? Much the same. Comfortable enough. | 0:47:10 | 0:47:12 | |
I don't mean Ducie Street. I meant Howards End, of course. | 0:47:12 | 0:47:15 | |
-Why, "of course?" -Can't you turn out your tenants | 0:47:15 | 0:47:17 | |
and let it to us instead? We're nearly demented. | 0:47:17 | 0:47:19 | |
Oh, we couldn't do that. It's let for three years. | 0:47:19 | 0:47:22 | |
Can't you help us, Mr Wilcox? We're merely looking for | 0:47:22 | 0:47:25 | |
a small house with large rooms, and plenty of them. | 0:47:25 | 0:47:28 | |
I wish I could. A piece of advice. | 0:47:28 | 0:47:30 | |
Fix your district and your price and then don't budge. | 0:47:30 | 0:47:33 | |
That's how I got both Ducie Street and the house in Oniton. | 0:47:33 | 0:47:36 | |
I thought to myself, "I mean to be exactly here." | 0:47:36 | 0:47:38 | |
And I was. | 0:47:38 | 0:47:39 | |
Thank you ever so much, Mr Wilcox. | 0:47:44 | 0:47:46 | |
Next time you shall come for lunch with me at Mr Eustace Miles. | 0:47:46 | 0:47:49 | |
-Pleasure. -No, you'll hate it. It's full of proteins and body-buildings | 0:47:49 | 0:47:52 | |
and people coming up to you | 0:47:52 | 0:47:53 | |
-begging your pardon, but you have such a beautiful aura. -A what? | 0:47:53 | 0:47:56 | |
Do you know, I suspect Mr Wilcox of planning the whole entertainment? | 0:48:01 | 0:48:04 | |
Not really? I meant that as a joke. | 0:48:04 | 0:48:07 | |
Yes, but if you reflect - I was very fond of his wife. | 0:48:07 | 0:48:10 | |
She really was an extraordinary person. | 0:48:10 | 0:48:12 | |
-You still think so, don't you? -Oh, yes. | 0:48:12 | 0:48:14 | |
And he's always preferred me to you, which most men don't. | 0:48:14 | 0:48:17 | |
Well, that's something in his favour, anyhow. | 0:48:17 | 0:48:19 | |
Chaperone you and Mr Wilcox at lunch at Eustace Miles? | 0:48:24 | 0:48:29 | |
Are you mad? | 0:48:29 | 0:48:30 | |
Yes. I want to ask him. He promised to go. | 0:48:30 | 0:48:32 | |
He promised to eat proteins and body-builders. | 0:48:32 | 0:48:34 | |
But you don't really need a chaperone at your age? | 0:48:34 | 0:48:37 | |
It may surprise you, Tibby, to learn that I am only 28. | 0:48:37 | 0:48:40 | |
It does, rather. | 0:48:40 | 0:48:42 | |
I dare say you think of me as an old maid. | 0:48:42 | 0:48:45 | |
But I can't go to lunch with a single gentleman unchaperoned, that's flat. | 0:48:45 | 0:48:48 | |
If you don't go, I can't invite him. | 0:48:48 | 0:48:50 | |
All right, then. | 0:48:53 | 0:48:54 | |
ANIMATED CHATTER | 0:49:00 | 0:49:04 | |
This is ghastly. | 0:49:21 | 0:49:23 | |
What do you think of it, Mr Wilcox? I told you that you would hate it. | 0:49:23 | 0:49:26 | |
Not at all. Not at all. It may not suit every taste, | 0:49:26 | 0:49:29 | |
but it's widely known to be the healthiest kind of food. | 0:49:29 | 0:49:32 | |
Tell me, though, Miss Schlegel, | 0:49:33 | 0:49:35 | |
do you really believe in the supernatural? | 0:49:35 | 0:49:37 | |
Auras, and astral planes? | 0:49:37 | 0:49:40 | |
That's too big a question. | 0:49:41 | 0:49:43 | |
No, it isn't. | 0:49:43 | 0:49:44 | |
-Why's that? -Because although I don't believe in auras, | 0:49:47 | 0:49:50 | |
and think theosophy may only be a halfway house. | 0:49:50 | 0:49:52 | |
-There may be something there after all. -Not even that. | 0:49:52 | 0:49:54 | |
It may be halfway in the wrong direction. I can't explain. | 0:49:54 | 0:49:57 | |
I don't believe in all these fads, | 0:49:57 | 0:49:59 | |
but I don't like to say I don't believe in them. | 0:49:59 | 0:50:02 | |
I'm a little out of my depth. | 0:50:02 | 0:50:04 | |
Do you talk rather like this to your office boy? | 0:50:04 | 0:50:07 | |
I talk the same way to everyone. Or try to. | 0:50:07 | 0:50:09 | |
I don't believe in suiting my conversation to my company. | 0:50:09 | 0:50:13 | |
One can doubtless hit upon some medium of exchange | 0:50:13 | 0:50:15 | |
that seems to do well enough, but there's no nourishment in it. | 0:50:15 | 0:50:18 | |
You pass it down to the lower classes, | 0:50:18 | 0:50:20 | |
they pass it back up to you, and you call this a mutual endeavour, | 0:50:20 | 0:50:23 | |
when it's mutual priggishness if it's anything. | 0:50:23 | 0:50:25 | |
Our friends at Chelsea don't see this. | 0:50:25 | 0:50:27 | |
They say one ought to be, at all costs, intelligible, | 0:50:27 | 0:50:30 | |
-and sacrifice... -You do admit there are rich and poor. That's something. | 0:50:30 | 0:50:34 | |
But of course I do. | 0:50:34 | 0:50:36 | |
And you do admit that, if wealth were divided equally, | 0:50:36 | 0:50:38 | |
in a few years there would be rich and poor again. | 0:50:38 | 0:50:40 | |
-Everyone admits that. -Your socialists don't. | 0:50:40 | 0:50:43 | |
-My socialists do. Yours mayn't. -I don't care. | 0:50:43 | 0:50:45 | |
You've just made two damaging admissions, | 0:50:45 | 0:50:47 | |
and I'm heartily with you in both. | 0:50:47 | 0:50:48 | |
Do you know that this wretched hash is called Reform Food? | 0:50:48 | 0:50:51 | |
Have you ever heard such a monstrous combination of words? | 0:50:51 | 0:50:54 | |
I think you are too severe, Mr Schlegel. | 0:50:54 | 0:50:56 | |
I think one should try new things occasionally. | 0:50:56 | 0:50:58 | |
Yes, but not this. | 0:50:58 | 0:51:00 | |
I find it quite good. | 0:51:00 | 0:51:01 | |
Yes, it's quite good. | 0:51:04 | 0:51:06 | |
"Dear Miss Schlegel..." | 0:51:17 | 0:51:18 | |
Perhaps we ought to give up for a while | 0:51:20 | 0:51:22 | |
and go down to the seaside for a month. | 0:51:22 | 0:51:24 | |
Oh, Margaret, do come! | 0:51:24 | 0:51:26 | |
London is so unhealthy at this time of year. | 0:51:26 | 0:51:29 | |
It's from Mr Wilcox. | 0:51:29 | 0:51:30 | |
He is announcing an important change in his plans. | 0:51:30 | 0:51:33 | |
-Who? -BOTH: -Mr Wilcox. | 0:51:33 | 0:51:35 | |
-He says owing to Evie's marriage, he has decided... -Not your Wilcoxes, | 0:51:35 | 0:51:38 | |
-surely, Helen. -They're Meg's. -They are not! | 0:51:38 | 0:51:41 | |
"Owing to Evie's marriage, I have decided to give up | 0:51:41 | 0:51:44 | |
"the house in Ducie Street..." | 0:51:44 | 0:51:45 | |
-..and to let it out on a yearly tenancy. -Where? | 0:51:45 | 0:51:47 | |
Ducie Street. Where Mr Wilcox lives. | 0:51:47 | 0:51:49 | |
-But I thought... -He writes, if you and your family approve the rent, | 0:51:49 | 0:51:52 | |
please notify him at once - that's underlined twice - | 0:51:52 | 0:51:55 | |
-when I can go over the house with him. -He's in love with you. | 0:51:55 | 0:51:57 | |
Oh, really. It's a very business-like letter. | 0:51:57 | 0:51:59 | |
-Why should he be in love with me? -Why should he not be? | 0:51:59 | 0:52:01 | |
Good heavens, you're not going to marry that old man from the protein restaurant? | 0:52:01 | 0:52:04 | |
Marry? Margaret is engaged to marry? | 0:52:04 | 0:52:06 | |
Why shouldn't I, if he asks? | 0:52:06 | 0:52:08 | |
Oh, Meg, you wouldn't. I'm only joking. | 0:52:08 | 0:52:10 | |
Well, I think someone might have told me. | 0:52:10 | 0:52:12 | |
There's nothing to tell, Aunt Juley. I know he's been quite attentive... | 0:52:12 | 0:52:16 | |
The idea's appalling. He's a beast. He has no human feeling. | 0:52:16 | 0:52:19 | |
He is not a beast. You should have seen him | 0:52:19 | 0:52:21 | |
humbly eating his protein-builders at Eustace Miles. | 0:52:21 | 0:52:23 | |
-No-one could have been kinder. I was proud of him. -Meg! | 0:52:23 | 0:52:26 | |
-Of Tibby? Well, naturally. -It was rather a strain. -Of Mr Wilcox! | 0:52:26 | 0:52:28 | |
I am sorry. | 0:52:28 | 0:52:30 | |
But what have I said? | 0:52:30 | 0:52:31 | |
Oh, honestly, Aunt Juley, nothing. | 0:52:31 | 0:52:33 | |
I'm only so anxious about finding a place to live. | 0:52:33 | 0:52:35 | |
Well, how do I prevent you? | 0:52:35 | 0:52:37 | |
Oh, dear, you don't. | 0:52:37 | 0:52:40 | |
Now, children, what's it to be? You all know Ducie Street? | 0:52:42 | 0:52:46 | |
Shall I say yes or should I say no? Tibby, which? | 0:52:46 | 0:52:49 | |
I specially want to pin you both. | 0:52:49 | 0:52:51 | |
-Say no. -Say yes. | 0:52:51 | 0:52:53 | |
That's decided, then. | 0:52:55 | 0:52:56 | |
This is awfully kind, the house has not been built | 0:53:01 | 0:53:03 | |
that suits the Schlegel family. | 0:53:03 | 0:53:04 | |
-Have you come determined not to deal? -Not exactly. | 0:53:04 | 0:53:06 | |
I hope she hasn't been hasty. | 0:53:06 | 0:53:08 | |
Well, well, well, all of you! | 0:53:08 | 0:53:10 | |
I do not intend to forget these Schlegels in a hurry. | 0:53:10 | 0:53:13 | |
If I find them monopolising my father I intend to put my foot down. | 0:53:13 | 0:53:16 | |
It's heartbreaking having to leave one's old home. | 0:53:16 | 0:53:18 | |
I scarcely remember anything before Wickham Place. | 0:53:18 | 0:53:20 | |
-Helen and Tibby were born there. Helen says... -You, too, feel lonely? | 0:53:20 | 0:53:24 | |
Horribly. | 0:53:25 | 0:53:27 | |
You must write. | 0:53:27 | 0:53:29 | |
I'll write, I promise. | 0:53:29 | 0:53:31 | |
A man who had little money has less, owing to us. | 0:53:31 | 0:53:34 | |
Helen, neither you, nor I, nor the directors of the Porphyrion | 0:53:34 | 0:53:37 | |
are to blame for this clerk's loss in salary. | 0:53:37 | 0:53:39 | |
No-one is to blame. | 0:53:39 | 0:53:41 | |
I am. | 0:53:41 | 0:53:42 | |
More and more do I refuse to draw my income | 0:53:42 | 0:53:45 | |
and sneer at those who guarantee it. | 0:53:45 | 0:53:48 | |
Only connect. | 0:53:48 | 0:53:49 | |
That is the whole of my sermon. | 0:53:49 | 0:53:51 |