Episode 2 Howards End


Episode 2

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Transcript


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I have always thought the care of your sister and brother

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too great a burden to place upon a young woman of your tender years.

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Oh, I'm not saying you've done badly by Helen and Tibby, dear.

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-Just for yourself.

-Aunt Juley!

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What sort of people are these Wilcoxes, Margaret?

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-I don't understand.

-I don't know any more than you do.

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We met them in Germany. Then they invited us to visit them when we came home.

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Then Tibby got hay fever and Helen went on alone.

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Paul and I are in love.

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Mother, are you aware that Paul has been playing the fool with that girl?

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They do not love any longer.

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Do you think personal relations lead to sloppiness in the end?

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It's been a disgusting business.

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-Did you hear the concert?

-I did, yes.

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That lady has quite inadvertently taken my umbrella.

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Oh, goodness gracious me, I'm so sorry!

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That is where we live.

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-Miss Schlegel!

-It's the Wilcoxes again.

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They've taken a flat across the street.

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I should like to give you something worth your acquaintance.

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But I don't want a Yuletide gift, Mrs Wilcox.

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I suppose Mr Wilcox is quite independent himself.

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He has such a strong character. A very fine nature, really.

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Come down with me now to Howards End. I want you to see it.

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Some other day?

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Forgive me, I came, I'm so sorry!

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-Why, Ruth!

-It is a lovely surprise!

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Miss Schlegel, our little outing must be another day.

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For as much as it hath pleased Almighty God in his great mercy

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to take unto himself the soul of our dear sister here departed.

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We therefore commit her body to the ground,

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earth to earth, ashes to ashes, dust to dust...

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..in the sure and certain hope of a resurrection unto eternal life,

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through our Lord, Jesus Christ...

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..who shall change the body

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that we be like unto his glorious body

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according to the mighty work,

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whereby he is able to subdue all things to himself.

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Mr Wilcox, I'm so dreadfully sorry.

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Miss Schlegel. You are very good to come.

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Very good.

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KNOCK AT DOOR

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The post's come, Father.

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Thanks. Put it down.

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-Was breakfast all right?

-Yes, thanks.

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Charles says do you want The Times?

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No, I'll read it later.

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Ring if you want anything, Father, will you?

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I've all I want.

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Father's eaten nothing.

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I don't understand.

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That is only a covering letter from the matron of the nursing home.

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-Yes, I see that.

-The other is from your mother, sealed inside...

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Yes, yes, I'm sorry, Father.

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I don't understand. Who is Miss Schlegel?

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-Miss Schlegel?

-Yes.

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She came down to the funeral service. She visited your mother at the nursing home.

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-I know who she is.

-She was a sort of friend of mother's.

-Oh.

-Yes.

-But what does it say?

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"To my dear husband,

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I should like Miss Margaret Schlegel to have Howards End."

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What?

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No date, no signature.

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It has been forwarded from the matron of the nursing home.

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-Now, the question is...

-But it can't be legal.

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Houses ought to be done by lawyers, Charles, surely.

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Give it to her, Charles.

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Why, it's only in pencil! I said so. Pencil never counts.

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We know it is not legally binding, Dolly. Please, don't interfere.

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-The question is...

-But she can't have meant to give Howards End to Miss Schlegel.

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I agree, it is very unlike her.

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You don't think Miss Schlegel...

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Whether she unduly...

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Oh, no. I don't think that.

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-Don't think what, Father?

-That she would...

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That it is a case of undue influence.

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No, no, to my mind the question is...

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It's your mother's condition at the time that she wrote.

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The house meant so much to her.

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It isn't like her to leave it to an outsider, who'd never appreciate it.

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-The whole thing is very unlike her.

-What about Miss Schlegel?

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Presumably she knows. Mother will have told her.

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She got twice or three times into the nursing home.

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Presumably she is expecting developments.

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What a horrid woman. Why, she could be coming down to turn us out now!

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-I wish she would. I could then deal with her.

-So could I.

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But she won't come.

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You're all a bit hard on Miss Schlegel.

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Your mother admired her, and Miss Schlegel was very kind to her.

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She was kind to visit your mother, when she was ill.

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-That Paul business was pretty scandalous, though.

-I want no more

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of the Paul business, Charles.

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-Upon my soul, she is honest.

-But those chrysanthemums.

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-Or coming down to the funeral at all.

-Why should she not come down?

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Certainly she should not have sent such flowers,

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but they may have seemed the right thing to her.

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And for all you know, they may be the custom in Germany.

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Oh, I forget she's a German. That would explain a lot, I suppose.

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But she isn't a German. She is only half-German.

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But what about this letter?

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Surely she had no claim on Howards End? Even if mother...

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The letter is in pencil,

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and your mother cannot have been herself when it was written.

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There we are.

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Charles, I'll take the newspaper, now, please, if you have finished reading it.

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-I jolly well wish she would come down here.

-Charles! Will you give me that newspaper?

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-Here, Father.

-Thank you, Evie.

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Oh, you're back! You're back!

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ALL CHATTER

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ALL TALK AT ONCE

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We'll serve it in a moment. Nancy?

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TIBBY AND HELEN CHATTER

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Anyway, then, after that we went to...

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Helen,

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I told you about poor Mrs Wilcox, that sad business?

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Yes. I was sorry to hear it.

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I had a correspondence from her son, Charles. He was winding up the estate and he wrote to ask

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whether his mother had wanted me to have anything.

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-Did he?

-I thought it very good of him, considering I knew her for so little.

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I said that she once spoke of giving me a Christmas present,

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but that we forgot about it afterwards.

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I hope Charles took the hint.

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Yes. That is to say, her husband wrote on.

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He thanked me for being a little kind to her.

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He hoped that this wasn't the end of our acquaintance,

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but that you and I will go and stop with Evie some time in the future.

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I like Mr Wilcox.

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He is taking up his work. Rubber. It is a big business.

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Yes, it is the business of killing black Africans in the Congo.

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-Oh, Tibby.

-Shut up, Tibby.

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Ask your pious, lecturing friends if it isn't.

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Women don't understand economics.

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I am sure Mr Wilcox is not a murderer.

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How do you think they get the rubber out of the trees, hmm?

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They get great gangs of natives out of the villages, put them into camps

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and set them about pulling the rubber out of the trees,

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boiling it in great vats and then they shoot them if they try to run away.

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Didn't you tell me that he runs the Imperial Rubber Company

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of West Africa or some such company, Helen? That's not in the Congo.

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I really don't remember. Certainly he is murdering someone.

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It is not funny, you know.

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What I wanted to tell you, Helen,

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is that Mr Wilcox actually gave me his wife's silver vinaigrette.

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Don't you think that is extraordinarily generous?

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-It makes me like him very much.

-It's lovely.

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I suppose the silver doesn't come from an African silver mine.

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I'm sure somebody died mining it.

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LIVELY PIANO MUSIC PLAYS

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Helen, I was just across the street and I saw Charles Wilcox.

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You'll never guess what? They're moving out!

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What do you think about that?

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BELL RINGS

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What's the matter, Len? You've not been yourself lately.

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-You do love me, don't you?

-Jacky, you know I do.

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But...

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Well? What is it?

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Well, just... You will make it all right, won't you, Len?

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-Between us, I mean.

-I've said so, haven't I?

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-Don't be angry.

-Haven't I said so a dozen times?

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Yes, you have, Len.

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It's just Cecile told the most dreadful story today about a girl she knows.

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-What's that got to do with me?

-Nothing, darling. Don't be angry.

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Only...

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Only it's not right we keep pretending.

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-You will make it all right, won't you, Len?

-I can't have you ask me that again!

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-I'm sorry.

-My word is my word.

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I will marry you as soon as ever I'm 21.

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-It's not long now.

-I know, darling.

-I can't keep on being worried!

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When a man gives his word... If my brother knew about us...

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-I know, Len. I'm sorry.

-Haven't I worries enough? Look at that.

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-That's another cuff gone.

-I'll mend it for you.

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That's six miles walking all this week to pay for a new pair!

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-I shall be for it tomorrow if anyone notices.

-I'm sorry. I am.

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I can't breathe in here. It's too close.

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LIVELY TUNE

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-What the devil are you playing?

-Isn't it lovely?

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No, it is not. You are giving me a headache.

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Both of you are giving me a headache. Do stop quarrelling.

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I've another one here called Who Threw The Overalls In Mrs Murphy's Chowder?

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-Meg!

-Oh, do please stop quarrelling!

-Sorry.

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MUSIC STOPS

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What's in that letter, Meg? Bad news?

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Oh, it's only a letter reminding us that the lease has expired

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and we have until May to clear out.

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I know it doesn't rate as one of life's great tragedies,

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we knew it was coming, but it's still a bit of a shock.

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Good God. Where will we move?

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I expect we'll find some place, Meg. Don't be too downhearted.

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Yes, luckily we have some money, too.

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-What is it, Annie?

-This lady, ma'am. She...

-Good afternoon.

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Have I the honour of speaking to Miss Margaret Schlegel?

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No. I'm Helen.

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VOICES CONTINUE OUTSIDE

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I don't know why I should be so upset.

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It's been such a happy house. Why does it have to be swept away?

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-TIBBY PLAYS PIANO

-Meg!

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Helen? Whatever is the matter? It's all right, Annie.

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-How do you do? I'm Miss Schlegel.

-Good afternoon, Miss Schlegel.

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If I have the honour of addressing Miss Margaret Schlegel...

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HELEN AND ANNIE TALK AT ONCE Yes, I'm Margaret.

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I have come in search of my husband, Mr Bast, who I have some reason

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to believe may be visiting the premises, if I may be so bold.

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-It's all right Annie. Thank you.

-Annie, will you go?

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Yes, Miss. I'm terribly sorry, Miss.

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-Now, Mrs... I'm so sorry.

-Bast, Miss.

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Mrs Leonard Bast, as I think Miss Schlegel has good reason to understand,

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-without her being told twice by me.

-I'm afraid I don't, quite.

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I say, what is all the hullabaloo?

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-Can't a chap play the piano in peace and quiet?

-Go away, Tibby.

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Won't you tell us what this is about, Mrs Bast?

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I think perhaps, Miss Schlegel,

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that the explanation rests on the other side, if you please.

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But...I don't understand.

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That is your card, is it not?

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Yes, an old one, by the look of it.

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Then will you please oblige me by explaining how my husband came to have it?

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And where he might be at this moment?

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And if he is here I should like a word with him, if you don't mind.

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-Here? Your husband?

-We don't know who your husband is.

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Truly we don't. We've never met a Mr Bast.

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Yes, you have.

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The chap with the umbrella at the Prince Regent's Hall.

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-What?

-Helen stole his brolly, Meg brought him home, and Aunt Juley was afraid he'd take the silver.

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-Don't be an idiot.

-Take the silver?

-No, you must forgive my brother.

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-My Len take your silver?

-You must remember?

-No-one has taken anything,

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and no-one is accused of taking anything.

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-But this gentleman just said...

-Please, won't you come in and have some tea?

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I only said our Aunt was afraid he'd take the silver.

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We never thought so. I wasn't so jolly sure, but...

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My Len would never steal so much as a lump of coal.

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-He didn't have time, he was only here ten minutes.

-Tibby be quiet!

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Won't you come in?

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No, no, no, thank you, Miss Schlegel. I just... I want my Len.

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And I can see now I was wrong.

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Please, what's become of him?

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-Tibby! Do go away at once!

-Stop crying, Mrs Bast. And tell us what it is you want?

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I just want my husband. And I thought he might be here.

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-But why would you imagine that?

-Because he'd got your card, Meg.

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But if he's missing, oughtn't we to call the police?

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No, no. Thank you, Miss. I'm so sorry.

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-Please - let me go.

-All right. If you had rather not.

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-May I have the card, please?

-Surely. But why...?

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Len'll be furious if he knows I've come here.

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Goodness. He won't strike you?

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My Len? Put his hands on me?

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Oh, Miss, please!

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I do so beg your pardon!

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-How extraordinary!

-Poor girl.

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It's all right now, Annie. No-one's to blame.

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-Yes, Miss. Thank you, Miss.

-Oh, Helen.

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So often I feel we live chattering away at the edge of a great abyss.

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I don't want to close my eyes to it,

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or comfortably pretend it isn't there,

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but I don't want to live in it.

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Is that very wicked and selfish of me?

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It's better than your friends the Wilcoxes, who batter their way

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through the abyss, pulling heaps of money from it.

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-Not the Wilcoxes.

-That's wrong and unfair.

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At least they live in the world and not on it, or...or above it.

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-What?

-Don't make fun, Tibby.

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Oh, I'm tired of the whole subject. TIBBY PLAYS PIANO

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I despise proofs. I despise cant. I loathe taking positions.

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I can only react to feelings.

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They are the only guide that matters.

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Yes, I think so, too. The personal is what's important.

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Your precious Ws don't think so.

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Even the Ws will come face to face with the personal some day.

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Dearest Meg, there we differ.

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I have seen, rather up close, I'm afraid,

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what they are like in a crisis.

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A rather small and tawdry one, I grant you - mine.

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I'm afraid that, for them, the personal was

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a whirlwind which they refused to see,

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and which knocked them about the room while they tried to

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sort out the best policy using practical business methods,

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which don't include whirlwinds in the balance sheet.

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But they were quite undone, because the main force in the room was invisible to them.

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But you said the best thing about them was how they treated Mrs Wilcox, didn't you?

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-Yes.

-That shows something fine in them, doesn't it?

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-PIANO STOPS

-Yes.

-This passage is deuced difficult.

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Can you imagine, really imagine, writing it when he was deaf,

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let alone playing it?

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Tibby, when do you go back to Oxford?

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I've just come back. I might not go back at all.

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-BOTH AT ONCE: You have to, Tibby.

-Oh, you must go, Tibby!

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You can't live on your inheritance, you know.

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Yours and Meg's supports the two of you. Why shouldn't mine?

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Because you're a man, Tibby. Yes, you are. You must work.

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It is a universal impulse.

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I thought you were opposed to cant and principles and positions,

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and cared only for feelings and personal relations.

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I don't know what I think any more at this moment, except that I wish

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the two of you would stop using the piano as a form of self-expression.

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-It's very wearing.

-Dear Meg.

-It's only Beethoven.

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I'm sorry.

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That woman upset me. She really did.

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And the letter.

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Where shall we live? I don't want to move.

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I've lived here all my life, and now it's to be swept away

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and turned into another block of flats like Wickham Mansions.

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I don't see why they should have the right to do that to every family on the street,

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even if they do own the freehold of Wickham. It's not just.

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I know we shall find somewhere to live, but..

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-That's how your Mr W would handle it.

-Leave Meg alone.

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Oh, yes. Well, that's right. When it's my chance to score, I'm told to be quiet.

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-When you're having a go at me...

-Please don't make me quarrel!

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I want to go to my room, my head is bursting. I'm sorry.

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TIBBY PLAYS PIANO

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BELL RINGS

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MUTED CHATTER

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-Is that Mr Bast?

-It looks like him.

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-Do you suppose it's he?

-Yes, it must be.

-Annie, we'll be three for tea.

0:23:260:23:29

-Yes, miss. Will you have it in the drawing room?

-Yes, the drawing room, Annie, thank you.

0:23:290:23:32

Now, Helen, don't let's act like fluttering idiots.

0:23:320:23:34

-Oh, yes, I agree.

-He's bound to be very much ashamed of himself and I want to make him feel at home.

0:23:340:23:38

I think he'll be very grateful to find we didn't mind Mrs Bast

0:23:380:23:40

and have nearly forgotten the entire incident.

0:23:400:23:42

-Helen, I'm being serious!

-So am I serious.

0:23:420:23:43

I won't have him treated like a social experiment! Do open the door.

0:23:430:23:46

He hasn't rung the bell. If we open the door before he rings

0:23:460:23:48

-he will certainly feel like a social experiment.

-Please be quiet!

0:23:480:23:52

KNOCK AT DOOR

0:23:520:23:53

-Yes?

-Good afternoon.

-Good afternoon.

0:23:530:23:56

No doubt you can remember the last occasion on which we met.

0:23:580:24:01

-Well, not exactly.

-We remember some of it.

0:24:010:24:03

My brother said that we stole your umbrella from the Prince Regent's.

0:24:030:24:06

Yes. They were playing Beethoven's Fifth that day.

0:24:060:24:08

We always go to the Fifth when they play it.

0:24:080:24:10

-I do remember stealing your umbrella.

-Quite inadvertently.

0:24:100:24:13

I suppose you can guess the reason for my visit today.

0:24:150:24:18

-Has it gone missing again?

-Helen!

0:24:180:24:20

No, no, it hasn't. That's all right, Miss Schlegel.

0:24:200:24:22

I'm so sorry. What an idiotic joke. Would you like to come inside?

0:24:220:24:25

Thank you. I should like to explain.

0:24:250:24:26

We are just about to sit down to some tea.

0:24:260:24:28

-I do hope you will join us.

-I don't like to impose.

0:24:280:24:31

-Oh, do, please!

-Yes, please don't refuse us!

0:24:310:24:33

Thanks. I should be very happy to.

0:24:330:24:35

-Won't you come this way?

-Thank you.

0:24:350:24:38

After you.

0:24:380:24:40

Thank you.

0:24:400:24:41

I still don't understand.

0:24:480:24:49

I went walking. That's all.

0:24:540:24:57

I walked all night, you see...

0:24:580:25:00

-Did you?!

-Did you?

0:25:000:25:02

Yes.

0:25:020:25:04

While I was gone, however, Mrs Bast needed me on important business,

0:25:040:25:08

and thought I had come here, owing to the card

0:25:080:25:10

Why should she think that?

0:25:100:25:12

Well, a card, belonging to a lady whose name she didn't know...

0:25:120:25:16

Why did you never tell her about your adventure, the time I took your umbrella?

0:25:160:25:20

-I didn't like to.

-Why not?

0:25:200:25:23

I suppose it was a secret I wanted to keep for myself.

0:25:230:25:26

I don't blame her.

0:25:280:25:30

But she should not have come here. If I had imagined...

0:25:300:25:32

It doesn't matter about that.

0:25:320:25:34

And all this time you were only walking?

0:25:340:25:36

-Yes.

-But how marvellous!

0:25:360:25:39

-Was it?

-Of course it was!

0:25:400:25:43

Where did you start from? Tell us more.

0:25:430:25:45

I...

0:25:450:25:47

Well, I took the Underground to Wimbledon and I had a bite to eat.

0:25:490:25:53

But not good country there, is it?

0:25:530:25:55

It was gas lamps for hours.

0:25:550:25:58

I did get into the woods presently, and...

0:25:580:26:02

being out was the great thing.

0:26:020:26:04

Were you walking alone, may I ask?

0:26:040:26:06

Yes. I don't know where, nor for how long.

0:26:060:26:09

It got too dark to see my watch.

0:26:100:26:12

I rather fancy it was those North Downs.

0:26:130:26:16

Then I found a road to a station,

0:26:160:26:17

and I got the first train I could back to London.

0:26:170:26:21

Was the dawn wonderful?

0:26:210:26:23

No. No, the dawn was only grey. Nothing to mention.

0:26:230:26:27

Yes. Just a grey evening turned upside down. I know.

0:26:270:26:30

Yes. Yes. And...

0:26:300:26:33

I was too tired to lift my head to look at it.

0:26:330:26:36

Looking back, it wasn't what you'd call enjoyment.

0:26:360:26:39

It was more a case of sticking to it.

0:26:390:26:42

Oh, hang it!

0:26:430:26:45

What's the good in living in a room forever?

0:26:450:26:47

There one goes, one day after day, same old game,

0:26:470:26:51

same up and down to town, until you forget there is any other game.

0:26:510:26:55

You ought to see once, in a way, what's going on outside.

0:26:550:26:59

-I should just think you ought.

-Yes.

0:26:590:27:02

Have you ever read Richard Jeffries?

0:27:040:27:06

Yes.

0:27:080:27:09

Or George Borrow, Stonehenge?

0:27:090:27:12

Yes, of course we have. But...

0:27:130:27:16

Well...

0:27:160:27:17

I've... I'm afraid I've imposed too far on your kindness.

0:27:240:27:27

Thank you for the tea.

0:27:270:27:29

I must be going.

0:27:290:27:31

-But why must you go?

-You will come another time, I hope.

0:27:310:27:34

MOTOR CAR PASSES

0:28:240:28:27

SHIP'S HORN SOUNDS

0:28:440:28:46

I say, Helen.

0:29:270:29:29

Well?

0:29:290:29:30

Do you think we'll really follow up Mr Bast?

0:29:300:29:33

-I don't know.

-Do you think we might try to?

0:29:350:29:38

How do you do?

0:29:380:29:40

I thought I recognised your voices. Whatever are you both doing here?

0:29:400:29:43

What an age it has been since I last saw you, Mr Wilcox.

0:29:430:29:46

We're just admiring the sunlight on the water.

0:29:460:29:48

-Now, tell me all your news.

-Oh, we've had a splendid afternoon.

0:29:510:29:55

We belong to a club that reads papers. There's a discussion after.

0:29:550:29:58

Today it was on how one ought to leave one's money.

0:29:580:30:00

whether to a friend, or to the poor, and, if so, how. Most interesting.

0:30:000:30:03

Sounds a most original entertainment.

0:30:030:30:05

I wish my Evie would go in for that sort of thing.

0:30:050:30:07

She's taken to breeding Aberdeen Terriers.

0:30:070:30:09

We pretend we're improving ourselves, you see.

0:30:090:30:12

Doubtless you find it wasteful.

0:30:120:30:13

Not at all, no. Nothing like a debate to teach you to be quick.

0:30:130:30:16

-Doesn't matter much on what subject.

-Does it not?

0:30:160:30:19

Oh, no, we won't argue.

0:30:190:30:20

I'll just put our special case to Mr Wilcox.

0:30:200:30:22

He knows about the poor and what's to be done with them.

0:30:220:30:24

-I don't know about that.

-Helen only means...

0:30:240:30:26

We've just come across a young fellow who's evidently very poor indeed,

0:30:260:30:30

although he aspires to higher things, however awkwardly, and he got mixed up in our debate.

0:30:300:30:34

-Yes? What's his profession?

-Clerk.

-Clerk.

0:30:340:30:37

-What in?

-What in?

-Oh. Do you remember, Helen?

0:30:370:30:40

The Porphyrion Fire Insurance Company.

0:30:400:30:41

-Porphyrion?

-That's it.

-Oh, well, in that case...

0:30:410:30:43

Now, how should such a man be helped?

0:30:430:30:45

Should he be given £300 a year direct, which was Margaret's plan?

0:30:450:30:49

Should he and those like him be given free libraries?

0:30:490:30:51

My suggestion was that he be given something every year towards a summer holiday.

0:30:510:30:55

-But then there's his wife...

-My dear Miss Schlegel, I will not rush in

0:30:550:30:58

where your sex has been unable to tread

0:30:580:31:00

Oh, why ever not?

0:31:000:31:01

Helen, Mr Wilcox will think you rude.

0:31:010:31:03

-Will he? I'm sorry.

-Not at all.

0:31:050:31:06

However, I'm afraid that my only contribution would be

0:31:060:31:09

to let your young friend clear out of the Porphyrion Fire Insurance Company with all possible speed.

0:31:090:31:13

Why?

0:31:130:31:15

I oughtn't to have spoken, but I happen to know, being more or less

0:31:150:31:18

behind the scenes, that it'll be in the Receiver's hands before Easter.

0:31:180:31:22

The Porphyrion's a bad, bad, concern. Don't say I said so.

0:31:220:31:25

-It's outside the Tariff Ring.

-Well, certainly we won't say.

0:31:250:31:28

We don't know what it means.

0:31:280:31:30

The Tariff Ring is an association of insurance companies.

0:31:300:31:32

I thought an insurance company never smashed. Don't the others always run in and save them?

0:31:320:31:36

You're thinking of reinsurance.

0:31:360:31:37

It's exactly there that the Porphyrion is weak, I'm afraid.

0:31:370:31:40

-We must warn Mr Bast.

-Yes. Thank you ever so much, Mr Wilcox.

0:31:400:31:43

And you are still in Wickham Place?

0:31:440:31:46

No... Yes. We've got to move out by May.

0:31:460:31:49

Oh, I'm sorry.

0:31:490:31:50

We've just taken a place in Ducie Street, near to Sloane Street.

0:31:500:31:53

And a place down in Shropshire, Oniton Grange.

0:31:530:31:55

Have you heard of Oniton? Do come and visit us.

0:31:550:31:58

Right away from everywhere, it's up toward Wales.

0:31:580:32:00

Oh, we shall. And Howards End?

0:32:000:32:03

-Oh, it's let.

-Oh, what change!

0:32:030:32:05

I can't imagine Howards End or Helton existing without you.

0:32:050:32:09

I should have kept such a remarkable place in the family.

0:32:090:32:12

Oh, it is. It is, I haven't sold it, I don't mean to.

0:32:120:32:15

No, but none of you are there.

0:32:150:32:16

And we have a splendid tenant now, a Mr Bryce, an invalid.

0:32:160:32:20

Charles and his wife live very near the old place.

0:32:200:32:22

-I forget whether you've been up there.

-The house, never.

0:32:220:32:25

No. Well...

0:32:260:32:28

Well, do remind Evie to come and see us. 2 Wickham Place.

0:32:300:32:33

-We shan't be there much longer, either.

-Everyone moving!

0:32:330:32:36

Goodbye.

0:32:370:32:38

-Goodbye.

-Goodbye.

0:32:400:32:41

"Dear Mr Bast, would you do us

0:33:010:33:02

"the kindness of stopping at Wickham Place tomorrow at tea-time?

0:33:020:33:06

"We should be so glad to see you. Your friend, Helen Schlegel."

0:33:060:33:10

How do you like your work?

0:33:250:33:27

My work?

0:33:270:33:28

-Yes.

-Oh, well enough.

0:33:280:33:32

Your company is the Porphyrion, isn't it?

0:33:320:33:35

Yes, that's so.

0:33:350:33:36

We were told the Porphyrion's no-go. We wanted to tell you.

0:33:410:33:44

That's why we wrote.

0:33:440:33:46

I see.

0:33:460:33:47

A friend of ours did say he thinks it is insufficiently reinsured.

0:33:490:33:53

And he advised us to tell you to clear out by Easter.

0:33:530:33:56

He did not advise us. He said it was bound to smash by Easter.

0:33:560:33:59

He did not advise us to say so.

0:33:590:34:01

You can tell your friend he's quite wrong.

0:34:010:34:03

Oh, good! Our friend, who is also a businessman, was so positive.

0:34:030:34:07

And he advised you to clear out of it.

0:34:070:34:09

He's made quite a lot of money.

0:34:090:34:11

I'm not one of those who mind their affairs being spoken of by others.

0:34:110:34:14

-Oh, I am glad!

-Men are so tactful. Women have no tact.

0:34:140:34:17

-Our friend is quite rich, you see, and seems to have a hand in all manners of concerns.

-Quite so.

0:34:170:34:21

But I don't see why he should know better than you do.

0:34:210:34:23

One can but see. As Ibsen says, "Things happen..."

0:34:230:34:27

Mr Wilcox and Miss Wilcox.

0:34:270:34:29

-Hello!

-Oh, the dears!

0:34:310:34:34

We brought the little fellows round.

0:34:340:34:36

I bred them myself. This is Ahab, and that's Jezebel.

0:34:360:34:39

Oh, really! Mr Bast, come play with the puppies.

0:34:390:34:41

-Mr Wilcox, Mr Bast.

-I must be going now.

0:34:410:34:43

-Must you really?

-Come again.

0:34:430:34:45

No. No, I shan't.

0:34:450:34:48

-But...

-I call that a very rude remark.

0:34:480:34:50

Are we intruding, Miss Schlegel? Or can we be of any use?

0:34:500:34:53

It's all right, Mr Wilcox.

0:34:530:34:54

I... Good day.

0:34:540:34:56

Helen, go after him.

0:34:580:35:00

Ought she to?

0:35:000:35:01

Can I help you now?

0:35:010:35:03

No, it's all right. Thank you. I'm very sorry.

0:35:030:35:05

He's a nice creature, really. I cannot think what set him off.

0:35:050:35:08

SHE LAUGHS

0:35:130:35:14

Where are you going?

0:35:190:35:20

What do you want to turn on me like that for?

0:35:210:35:23

-You ask me why I turn on you?

-Yes!

0:35:230:35:24

What do you want to have me in there for?

0:35:240:35:26

To help you, you silly boy. And don't shout.

0:35:260:35:28

Why should you help me? Why should I not help you?

0:35:280:35:32

Because... Well...

0:35:320:35:33

I don't want your patronage. I don't want your tea.

0:35:330:35:36

I was quite happy. What do you want to unsettle me for?

0:35:360:35:39

But why should you say so? What are you looking for?

0:35:390:35:41

-My hat!

-Annie!

0:35:410:35:43

Will you please bring Mr Bast his hat?

0:35:430:35:45

Yes, Miss.

0:35:450:35:46

When you asked me to tea, I...

0:35:520:35:54

Yes?

0:35:540:35:55

Of course, if there's been a misunderstanding...

0:35:580:36:00

We did not have you here out of charity. But because

0:36:000:36:03

we hoped there would be a connection between last Sunday and other days.

0:36:030:36:07

-We thought...

-It's no good.

-But...

0:36:070:36:08

You don't want to discuss books with me, or music,

0:36:080:36:10

-or any of the things that I like...

-Mr Bast...

0:36:100:36:13

And I can't discuss them in your easy way.

0:36:130:36:16

I don't know how.

0:36:160:36:18

But I suppose they mean ever as much to me as they do to you.

0:36:180:36:21

We don't discuss them in an easy way.

0:36:230:36:24

You do! You think I am a... comic character.

0:36:240:36:27

-I do not.

-Here you are, sir.

0:36:270:36:29

That's not mine.

0:36:310:36:33

Annie, you have brought the gentleman Mr Wilcox's hat.

0:36:330:36:35

I'm sorry, Miss. I won't be a moment.

0:36:350:36:38

-We don't think you're a comic character.

-But you do.

0:36:380:36:40

You think I'm superficial if I want to talk about books.

0:36:400:36:43

If I tell you about Carlyle. Or...or, erm...

0:36:430:36:48

-Ruskin?

-Ruskin, yes. Or Dostoevsky.

0:36:480:36:51

-Oh. Yes.

-You don't care for Dostoevsky.

0:36:510:36:54

Well, I don't, no. But...

0:36:540:36:55

Dostoevsky? I mean, does any body like him?

0:36:550:36:57

-Tibby, please.

-All that eternal fainting and screaming.

0:36:570:37:00

You can't cut a single page without someone collapsing on the floor.

0:37:000:37:03

-Tibby, go away.

-Might I have my hat, do you suppose?

0:37:030:37:05

Yes, yes, I can't think where's she's got to...

0:37:050:37:07

Would you be so good as to introduce me to this gentleman, Helen?

0:37:070:37:11

I will not. Go away, Tibby.

0:37:110:37:13

-We have met before.

-Have we?

0:37:130:37:15

I can't remember.

0:37:150:37:17

You're one of Meg and Helen's social experiments?

0:37:170:37:19

-Tibby!

-I'm sure I don't know.

0:37:190:37:21

I say! Are you that poor devil of a clerk they have debates over,

0:37:210:37:24

-at the Chelsea Women's Political Club?

-He is not.

0:37:240:37:27

I'm sure I couldn't say.

0:37:290:37:30

I'm sure I should be honoured if I were.

0:37:310:37:34

Oh, that's all right, then.

0:37:340:37:35

Where do you chaps stand on the suffrage question?

0:37:350:37:38

-We don't get much of the working man's view in our circle.

-Nancy!

-I have no fixed opinion.

0:37:380:37:42

-Yes, Miss?

-No fixed opinion?

-Can you find Annie, please?

0:37:420:37:44

-She has disappeared with the gentleman's hat.

-Yes, Miss.

0:37:440:37:47

If you lived with Meg and Helen you'd have a fixed opinion, and no mistake!

0:37:470:37:49

A lot of footle, if you ask me. I say the world's gone off its onion.

0:37:490:37:52

-Tibby, if you don't go this instant, I shall scream.

-All right, then.

0:37:520:37:55

Mr Bast, I...

0:37:580:37:59

Thank you for your advice about the Porphyrion.

0:37:590:38:02

I am not a businessman, like your friend.

0:38:020:38:04

-He is not our friend.

-I am only a clerk. But even a clerk...

0:38:040:38:08

-No, it's useless.

-But we're not... We only...

0:38:120:38:15

-Your hat, sir.

-Thank you.

-Annie! Whatever has been keeping you?

0:38:150:38:18

I'm sorry, Miss. I'd got them muddled and...

0:38:180:38:21

Oh, it's all right.

0:38:220:38:23

Miss Schlegel...

0:38:430:38:45

All I can do is go.

0:38:460:38:48

Thank you for trying to help me.

0:38:510:38:53

Goodbye.

0:38:550:38:56

But who was he?

0:39:080:39:09

He was the young man we were to warn against the Porphyrion.

0:39:090:39:12

We warn him and look!

0:39:120:39:14

Miss Schlegel, may I speak to you as a friend?

0:39:150:39:17

-Yes, of course.

-In that case, well, oughtn't you to be more careful?

0:39:170:39:22

-Careful?

-You're too kind.

0:39:220:39:24

Yes, indeed.

0:39:240:39:25

You behave much too well to people, and then they impose on you.

0:39:250:39:28

When I came in and saw that young man

0:39:280:39:30

I could tell straight away that you weren't treating him properly.

0:39:300:39:32

I know the type. You have to keep them at a distance

0:39:320:39:35

or they take advantage. It's sad, but true.

0:39:350:39:37

Let me explain why we like this young man, and why we want to see him again.

0:39:370:39:40

Oh, you shall never make me believe that you really like him!

0:39:400:39:43

We do. We do.

0:39:430:39:44

I'm afraid that you and your sister...

0:39:450:39:47

We want to show him how he may get upsides with life.

0:39:470:39:50

Something to relieve life's daily grey.

0:39:500:39:52

Ah, well, that that is where you make your mistake, Miss Schlegel. And it is a great mistake.

0:39:520:39:56

-Yes, indeed.

-Evie.

-Where? I mean, why?

0:39:560:39:58

This young man has his own life.

0:39:580:40:00

What right have you to conclude it is an unsuccessful one?

0:40:000:40:03

-Or, as you call it, "grey"?

-Because...

0:40:030:40:06

-One minute.

-Well...

-One minute! You know nothing of him.

0:40:060:40:08

He probably has his own joys and interests.

0:40:080:40:11

A wife, children, snug little home.

0:40:110:40:13

I look at the faces of the clerks in my own office.

0:40:130:40:16

I don't know what's going on beneath, I don't presume to.

0:40:160:40:18

-So, by the way, with London.

-Yes?

-What do you know about London?

0:40:180:40:22

Yesterday you were pleased to admire the sunlight on the Thames at high tide.

0:40:220:40:26

Well, the tide is higher and the sunlight more pleasant because

0:40:260:40:29

my fellow capitalists and I have shares in the lock at Teddington

0:40:290:40:32

and now we've shortened the tidal trough under London Bridge.

0:40:320:40:35

Result - higher tides for shipping, more sunlight on the water.

0:40:350:40:39

Yes, I see.

0:40:390:40:41

You do have a nice way of taking the poetry out of everything, Mr Wilcox.

0:40:410:40:44

Why should you say so?

0:40:440:40:45

If your poetry means what you say it does,

0:40:450:40:47

why should it not be proof against a piece of civil engineering

0:40:470:40:50

which means millions of pounds a year in reduced shipping costs

0:40:500:40:53

for every sort of business under the sun?

0:40:530:40:55

Your mistake, Miss Schlegel,

0:40:550:40:57

is only to see civilisation from the outside.

0:40:570:40:59

All I can say is that we like this young man

0:41:010:41:03

and we see something fine in him.

0:41:030:41:05

Miss Schlegel, you're a pair of charitable creatures,

0:41:060:41:09

but you really ought to be more careful in this uncharitable world.

0:41:090:41:12

What about your brother? What does he say?

0:41:140:41:17

As the man of the house, oughtn't he to take an interest?

0:41:170:41:19

Excuse me. I must see what Helen is doing.

0:41:190:41:21

Well! What about this?

0:41:250:41:27

Helen?

0:41:310:41:33

Why, you're all alone!

0:41:330:41:35

Yes, he's been gone some time.

0:41:350:41:37

But what happened?

0:41:370:41:38

It's all right. Such a muddle of a man.

0:41:400:41:43

I like him so much.

0:41:430:41:45

Well, come back to the Wilcoxes and tell me later.

0:41:450:41:48

Mr W is much concerned, and slightly titillated.

0:41:480:41:51

Oh, I have no patience with him. I hate him.

0:41:510:41:53

You hate him? I thought him rather splendid.

0:41:530:41:57

Only because you dissect him.

0:41:570:41:59

Why should you say so? Don't you dissect Mr Bast?

0:41:590:42:02

-I don't.

-You do. We both do. We're always dissecting people.

0:42:020:42:06

It does sound rather disgusting when you say it like that.

0:42:060:42:09

Come play with puppies. And don't discuss Mr Bast with the Wilcoxes.

0:42:100:42:14

They don't understand him.

0:42:140:42:16

MARGARET SIGHS

0:43:040:43:06

-Hello! Where have you been?

-BOTH: Looking at houses.

0:43:060:43:10

I do wish you'd find something.

0:43:100:43:12

I can't bear to look at any more. I don't know what I'm looking for.

0:43:170:43:21

What are we going to do with all this furniture?

0:43:210:43:24

And father's books? We are simply running out of time.

0:43:240:43:26

We are to go nowhere and be at home for no-one until we've found a house.

0:43:260:43:31

DOORBELL CHIMES

0:43:320:43:34

It's from Evie Wilcox,

0:43:520:43:54

inviting me to lunch at Simpson's tomorrow with her fiance, Mr Cahill.

0:43:540:43:57

"The three of us can have a jolly chat."

0:43:570:44:00

Egads.

0:44:000:44:01

It is kind of her to remember. Perhaps I've misjudged her.

0:44:010:44:05

She is so excessively athletic.

0:44:050:44:07

Perhaps it blocks out her other good qualities.

0:44:070:44:09

I don't see why she invites me and not you. I thought she disliked me.

0:44:090:44:12

Perhaps it is a ploy to drive you into the arms of her father.

0:44:120:44:15

Do you think so?

0:44:150:44:17

It would save us the trouble of finding a house.

0:44:170:44:20

Yes, that's true.

0:44:200:44:21

Will you go?

0:44:210:44:22

Oh, I must.

0:44:240:44:25

Stalwart Meg.

0:44:250:44:27

Did I tell you Father might be at the party?

0:44:330:44:36

Yes, there he is!

0:44:360:44:37

I thought I'd get round if I could.

0:44:390:44:40

When I heard about Evie's little plan,

0:44:400:44:42

I slipped in to secure a table. Always secure a table first.

0:44:420:44:44

And tip the carver. That's the golden rule. "Tip everywhere" is my motto.

0:44:440:44:48

Now, Evie, don't pretend you want to sit by your old father,

0:44:480:44:51

because I know you don't. Miss Schlegel, come round my side.

0:44:510:44:54

That's it.

0:45:050:45:06

INAUDIBLE DIALOGUE

0:45:090:45:11

-How's your discussion society getting on? Any new utopias?

-No.

0:45:310:45:35

My goodness, you look tired.

0:45:350:45:36

Have you been worrying after your young clerks?

0:45:360:45:38

No, houses. Do you know of any?

0:45:380:45:40

-No, I'm afraid I don't.

-What's that, Father?

0:45:400:45:42

We must find a new home in May.

0:45:420:45:44

-Someone has to find it. I can't.

-Percy, do you know of anything?

0:45:440:45:48

Can't say I do.

0:45:480:45:50

-How like you! You're never any good.

-Never any good! Just listen to her!

0:45:500:45:53

Never any good. Oh, come!

0:45:530:45:55

Well, you aren't. Miss Schlegel, is he?

0:45:550:45:57

-Miss Schlegel? Gruyere? Or Stilton?

-Gruyere, please.

0:45:570:46:00

-Better have Stilton. Evie?

-Oh, Stilton, please.

-Mr Cahill?

0:46:000:46:03

-Have you any Gouda?

-Of course they haven't any Gouda at Simpson's.

0:46:110:46:14

-He'll have the Stilton.

-I don't want Stilton.

0:46:140:46:16

You should have whatever you like, Mr Cahill.

0:46:160:46:19

Don't let Evie bully you.

0:46:190:46:20

How about a nice bit of Altenburger Ziegenkase?

0:46:200:46:23

-I beg your pardon?

-Altenburger Ziegenkase.

0:46:230:46:25

It's Saxon, or Thuringian, depending on one's loyalties.

0:46:250:46:28

It gets a bit gooey in the warm weather, but otherwise it's excellent.

0:46:280:46:31

-I suppose you've run out?

-I'm afraid...

0:46:310:46:33

Well done, Miss Schlegel! Very well done!

0:46:330:46:36

-I'll have the Gruyere.

-Thank you, sir.

0:46:360:46:38

Are you coming with us to the Hippodrome, Miss Schlegel?

0:46:390:46:41

No, thank you. I must get back to my house hunting.

0:46:410:46:44

Oh, but you must! It's meant to be marvellous.

0:46:440:46:46

They release 300,000 gallons of water on a village wedding

0:46:460:46:49

and sweep away the huntsmen and all show folk,

0:46:490:46:51

and the entire wedding party into oblivion.

0:46:510:46:54

I should be sorry to miss that.

0:46:540:46:56

They say it's very realistic.

0:46:560:46:58

Yes, but why put Aimee Roberts on the stage only to sweep her off

0:46:580:47:00

again along with 300,000 gallons of water and a lot of huntsmen?

0:47:000:47:03

Why come to Simpson's to get a French cheese?

0:47:030:47:06

You see? You see how she chafes me?

0:47:060:47:08

How's your house?

0:47:080:47:10

Ducie Street? Much the same. Comfortable enough.

0:47:100:47:12

I don't mean Ducie Street. I meant Howards End, of course.

0:47:120:47:15

-Why, "of course?"

-Can't you turn out your tenants

0:47:150:47:17

and let it to us instead? We're nearly demented.

0:47:170:47:19

Oh, we couldn't do that. It's let for three years.

0:47:190:47:22

Can't you help us, Mr Wilcox? We're merely looking for

0:47:220:47:25

a small house with large rooms, and plenty of them.

0:47:250:47:28

I wish I could. A piece of advice.

0:47:280:47:30

Fix your district and your price and then don't budge.

0:47:300:47:33

That's how I got both Ducie Street and the house in Oniton.

0:47:330:47:36

I thought to myself, "I mean to be exactly here."

0:47:360:47:38

And I was.

0:47:380:47:39

Thank you ever so much, Mr Wilcox.

0:47:440:47:46

Next time you shall come for lunch with me at Mr Eustace Miles.

0:47:460:47:49

-Pleasure.

-No, you'll hate it. It's full of proteins and body-buildings

0:47:490:47:52

and people coming up to you

0:47:520:47:53

-begging your pardon, but you have such a beautiful aura.

-A what?

0:47:530:47:56

Do you know, I suspect Mr Wilcox of planning the whole entertainment?

0:48:010:48:04

Not really? I meant that as a joke.

0:48:040:48:07

Yes, but if you reflect - I was very fond of his wife.

0:48:070:48:10

She really was an extraordinary person.

0:48:100:48:12

-You still think so, don't you?

-Oh, yes.

0:48:120:48:14

And he's always preferred me to you, which most men don't.

0:48:140:48:17

Well, that's something in his favour, anyhow.

0:48:170:48:19

Chaperone you and Mr Wilcox at lunch at Eustace Miles?

0:48:240:48:29

Are you mad?

0:48:290:48:30

Yes. I want to ask him. He promised to go.

0:48:300:48:32

He promised to eat proteins and body-builders.

0:48:320:48:34

But you don't really need a chaperone at your age?

0:48:340:48:37

It may surprise you, Tibby, to learn that I am only 28.

0:48:370:48:40

It does, rather.

0:48:400:48:42

I dare say you think of me as an old maid.

0:48:420:48:45

But I can't go to lunch with a single gentleman unchaperoned, that's flat.

0:48:450:48:48

If you don't go, I can't invite him.

0:48:480:48:50

All right, then.

0:48:530:48:54

ANIMATED CHATTER

0:49:000:49:04

This is ghastly.

0:49:210:49:23

What do you think of it, Mr Wilcox? I told you that you would hate it.

0:49:230:49:26

Not at all. Not at all. It may not suit every taste,

0:49:260:49:29

but it's widely known to be the healthiest kind of food.

0:49:290:49:32

Tell me, though, Miss Schlegel,

0:49:330:49:35

do you really believe in the supernatural?

0:49:350:49:37

Auras, and astral planes?

0:49:370:49:40

That's too big a question.

0:49:410:49:43

No, it isn't.

0:49:430:49:44

-Why's that?

-Because although I don't believe in auras,

0:49:470:49:50

and think theosophy may only be a halfway house.

0:49:500:49:52

-There may be something there after all.

-Not even that.

0:49:520:49:54

It may be halfway in the wrong direction. I can't explain.

0:49:540:49:57

I don't believe in all these fads,

0:49:570:49:59

but I don't like to say I don't believe in them.

0:49:590:50:02

I'm a little out of my depth.

0:50:020:50:04

Do you talk rather like this to your office boy?

0:50:040:50:07

I talk the same way to everyone. Or try to.

0:50:070:50:09

I don't believe in suiting my conversation to my company.

0:50:090:50:13

One can doubtless hit upon some medium of exchange

0:50:130:50:15

that seems to do well enough, but there's no nourishment in it.

0:50:150:50:18

You pass it down to the lower classes,

0:50:180:50:20

they pass it back up to you, and you call this a mutual endeavour,

0:50:200:50:23

when it's mutual priggishness if it's anything.

0:50:230:50:25

Our friends at Chelsea don't see this.

0:50:250:50:27

They say one ought to be, at all costs, intelligible,

0:50:270:50:30

-and sacrifice...

-You do admit there are rich and poor. That's something.

0:50:300:50:34

But of course I do.

0:50:340:50:36

And you do admit that, if wealth were divided equally,

0:50:360:50:38

in a few years there would be rich and poor again.

0:50:380:50:40

-Everyone admits that.

-Your socialists don't.

0:50:400:50:43

-My socialists do. Yours mayn't.

-I don't care.

0:50:430:50:45

You've just made two damaging admissions,

0:50:450:50:47

and I'm heartily with you in both.

0:50:470:50:48

Do you know that this wretched hash is called Reform Food?

0:50:480:50:51

Have you ever heard such a monstrous combination of words?

0:50:510:50:54

I think you are too severe, Mr Schlegel.

0:50:540:50:56

I think one should try new things occasionally.

0:50:560:50:58

Yes, but not this.

0:50:580:51:00

I find it quite good.

0:51:000:51:01

Yes, it's quite good.

0:51:040:51:06

"Dear Miss Schlegel..."

0:51:170:51:18

Perhaps we ought to give up for a while

0:51:200:51:22

and go down to the seaside for a month.

0:51:220:51:24

Oh, Margaret, do come!

0:51:240:51:26

London is so unhealthy at this time of year.

0:51:260:51:29

It's from Mr Wilcox.

0:51:290:51:30

He is announcing an important change in his plans.

0:51:300:51:33

-Who?

-BOTH:

-Mr Wilcox.

0:51:330:51:35

-He says owing to Evie's marriage, he has decided...

-Not your Wilcoxes,

0:51:350:51:38

-surely, Helen.

-They're Meg's.

-They are not!

0:51:380:51:41

"Owing to Evie's marriage, I have decided to give up

0:51:410:51:44

"the house in Ducie Street..."

0:51:440:51:45

-..and to let it out on a yearly tenancy.

-Where?

0:51:450:51:47

Ducie Street. Where Mr Wilcox lives.

0:51:470:51:49

-But I thought...

-He writes, if you and your family approve the rent,

0:51:490:51:52

please notify him at once - that's underlined twice -

0:51:520:51:55

-when I can go over the house with him.

-He's in love with you.

0:51:550:51:57

Oh, really. It's a very business-like letter.

0:51:570:51:59

-Why should he be in love with me?

-Why should he not be?

0:51:590:52:01

Good heavens, you're not going to marry that old man from the protein restaurant?

0:52:010:52:04

Marry? Margaret is engaged to marry?

0:52:040:52:06

Why shouldn't I, if he asks?

0:52:060:52:08

Oh, Meg, you wouldn't. I'm only joking.

0:52:080:52:10

Well, I think someone might have told me.

0:52:100:52:12

There's nothing to tell, Aunt Juley. I know he's been quite attentive...

0:52:120:52:16

The idea's appalling. He's a beast. He has no human feeling.

0:52:160:52:19

He is not a beast. You should have seen him

0:52:190:52:21

humbly eating his protein-builders at Eustace Miles.

0:52:210:52:23

-No-one could have been kinder. I was proud of him.

-Meg!

0:52:230:52:26

-Of Tibby? Well, naturally.

-It was rather a strain.

-Of Mr Wilcox!

0:52:260:52:28

I am sorry.

0:52:280:52:30

But what have I said?

0:52:300:52:31

Oh, honestly, Aunt Juley, nothing.

0:52:310:52:33

I'm only so anxious about finding a place to live.

0:52:330:52:35

Well, how do I prevent you?

0:52:350:52:37

Oh, dear, you don't.

0:52:370:52:40

Now, children, what's it to be? You all know Ducie Street?

0:52:420:52:46

Shall I say yes or should I say no? Tibby, which?

0:52:460:52:49

I specially want to pin you both.

0:52:490:52:51

-Say no.

-Say yes.

0:52:510:52:53

That's decided, then.

0:52:550:52:56

This is awfully kind, the house has not been built

0:53:010:53:03

that suits the Schlegel family.

0:53:030:53:04

-Have you come determined not to deal?

-Not exactly.

0:53:040:53:06

I hope she hasn't been hasty.

0:53:060:53:08

Well, well, well, all of you!

0:53:080:53:10

I do not intend to forget these Schlegels in a hurry.

0:53:100:53:13

If I find them monopolising my father I intend to put my foot down.

0:53:130:53:16

It's heartbreaking having to leave one's old home.

0:53:160:53:18

I scarcely remember anything before Wickham Place.

0:53:180:53:20

-Helen and Tibby were born there. Helen says...

-You, too, feel lonely?

0:53:200:53:24

Horribly.

0:53:250:53:27

You must write.

0:53:270:53:29

I'll write, I promise.

0:53:290:53:31

A man who had little money has less, owing to us.

0:53:310:53:34

Helen, neither you, nor I, nor the directors of the Porphyrion

0:53:340:53:37

are to blame for this clerk's loss in salary.

0:53:370:53:39

No-one is to blame.

0:53:390:53:41

I am.

0:53:410:53:42

More and more do I refuse to draw my income

0:53:420:53:45

and sneer at those who guarantee it.

0:53:450:53:48

Only connect.

0:53:480:53:49

That is the whole of my sermon.

0:53:490:53:51

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