Browse content similar to Polyhedrus. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Cafe Khalil, four o'clock. Don't be late. | 0:00:02 | 0:00:04 | |
-Do you expect to come back to work? -I'm your best operative. | 0:00:04 | 0:00:07 | |
Target is Jack Turner. He is currently bidding to | 0:00:07 | 0:00:09 | |
acquire the Upper Khyber Dam. | 0:00:09 | 0:00:10 | |
JTRP holdings, £1 billion. | 0:00:10 | 0:00:13 | |
Dad, we're short 30 million quid. | 0:00:13 | 0:00:15 | |
We'll just have to get hold of it, won't we? | 0:00:15 | 0:00:17 | |
This is Gary. | 0:00:17 | 0:00:19 | |
You're the mole. | 0:00:20 | 0:00:21 | |
I did lie. I had to. | 0:00:21 | 0:00:23 | |
The lovely Miss Thorpe was blackmailing me. | 0:00:23 | 0:00:25 | |
I know we can never get back what we lost. | 0:00:25 | 0:00:27 | |
What WE lost? | 0:00:27 | 0:00:29 | |
You nearly lost your life, but the baby... | 0:00:29 | 0:00:33 | |
that was my loss, too. | 0:00:33 | 0:00:35 | |
Five major multinational corporations. | 0:00:35 | 0:00:39 | |
They formed a secret pact. | 0:00:39 | 0:00:41 | |
They called it Hourglass. | 0:00:41 | 0:00:42 | |
What's Keel's connection? | 0:00:42 | 0:00:44 | |
Three members of the Byzantium board are CEOs of Hourglass Corporations. | 0:00:44 | 0:00:49 | |
'I want people to become angry | 0:00:49 | 0:00:50 | |
'about the corrupt elements in our country. | 0:00:50 | 0:00:53 | |
'You referring to the privatisation of the Khyber Dam? | 0:00:53 | 0:00:55 | |
'I intend to expose and stop it.' | 0:00:55 | 0:00:57 | |
I went to the hospital this afternoon. | 0:00:57 | 0:00:59 | |
They said you checked yourself out right after we left. | 0:00:59 | 0:01:02 | |
This programme contains some violent scenes. | 0:01:03 | 0:01:08 | |
This programme contains some scenes of a sexual nature. | 0:01:08 | 0:01:14 | |
SPEECH INAUDIBLE | 0:02:23 | 0:02:25 | |
FAX MACHINE BEEPS | 0:02:54 | 0:02:56 | |
Then we're going ahead? | 0:03:42 | 0:03:44 | |
Of course. | 0:03:44 | 0:03:45 | |
You want me to tell Dave? | 0:03:45 | 0:03:47 | |
Dave's turning into a useless old fart. | 0:03:47 | 0:03:50 | |
Just tell Tyrone. | 0:03:50 | 0:03:51 | |
Sorry. I had to make a phone call. | 0:03:58 | 0:03:59 | |
Another one of your girlfriends? | 0:03:59 | 0:04:02 | |
You know me too well, Auntie. | 0:04:02 | 0:04:03 | |
You want to help on this campaign, | 0:04:04 | 0:04:06 | |
you can't keep disappearing all the time. | 0:04:06 | 0:04:08 | |
I would do anything for you. You know that. | 0:04:08 | 0:04:11 | |
You seem worried, Umair. | 0:04:11 | 0:04:13 | |
Aren't you? | 0:04:14 | 0:04:15 | |
What is it? | 0:04:27 | 0:04:28 | |
I know how important this is, but the risks are considerable. | 0:04:28 | 0:04:31 | |
I will do whatever it takes, however long it takes. | 0:04:41 | 0:04:45 | |
Do you understand? | 0:04:47 | 0:04:48 | |
You have my loyalty. You know that. | 0:04:49 | 0:04:52 | |
SHE GASPS | 0:05:17 | 0:05:20 | |
WHISPERS: That was nice. | 0:05:52 | 0:05:54 | |
It's been a while. | 0:05:55 | 0:05:56 | |
Glad it was me. | 0:05:58 | 0:06:00 | |
Me too. | 0:06:01 | 0:06:02 | |
That was from the accident. | 0:06:20 | 0:06:21 | |
We've both lost so much. | 0:06:25 | 0:06:28 | |
Get some sleep. | 0:06:35 | 0:06:36 | |
You all right? | 0:07:23 | 0:07:24 | |
Oh, it's nothing. | 0:07:24 | 0:07:26 | |
I get these sometimes. | 0:07:34 | 0:07:36 | |
And the bruises on your back? | 0:07:44 | 0:07:45 | |
I'm really sorry. | 0:07:46 | 0:07:47 | |
You don't pay me to look like this. | 0:07:50 | 0:07:52 | |
Perhaps you should tell me what's the matter. | 0:07:54 | 0:07:57 | |
I'm fine, really. | 0:07:57 | 0:07:58 | |
I'm asking. | 0:08:00 | 0:08:02 | |
It's a platelet disorder. | 0:08:05 | 0:08:07 | |
MDS. | 0:08:07 | 0:08:08 | |
Are you on medication? | 0:08:08 | 0:08:10 | |
Mm-hm. | 0:08:10 | 0:08:11 | |
I feel weak. I'm tired all the time. | 0:08:13 | 0:08:17 | |
Don't worry for myself so much, but... | 0:08:18 | 0:08:20 | |
..I have a little girl. | 0:08:21 | 0:08:23 | |
Must be very difficult. | 0:08:25 | 0:08:27 | |
All these months, I've never asked your name. | 0:08:40 | 0:08:43 | |
It's Lianne. | 0:08:45 | 0:08:47 | |
Lianne Wells. | 0:08:48 | 0:08:49 | |
DIALS NUMBER ON PHONE | 0:08:56 | 0:08:58 | |
This is Rupert Keel. | 0:09:06 | 0:09:08 | |
My regular girl, Lianne Wells... | 0:09:09 | 0:09:12 | |
..I don't want to see her any longer. | 0:09:14 | 0:09:17 | |
Send someone new next week. | 0:09:17 | 0:09:19 | |
PHONE VIBRATES | 0:09:24 | 0:09:26 | |
You were supposed to be here an hour ago. | 0:09:44 | 0:09:46 | |
Stephen made a pass at me. | 0:09:46 | 0:09:48 | |
You reciprocated? | 0:09:50 | 0:09:51 | |
What do you think? | 0:09:51 | 0:09:53 | |
And what motivated you to take THAT course of action? | 0:09:55 | 0:09:58 | |
My job. | 0:09:58 | 0:09:59 | |
So sleeping with him had nothing to do with the fact you actually care about him? | 0:10:00 | 0:10:04 | |
And his son? | 0:10:04 | 0:10:05 | |
It's a little late to be jealous, don't you think? | 0:10:05 | 0:10:07 | |
Or maybe you let yourself feel something for me again yesterday? | 0:10:07 | 0:10:10 | |
Must have scared the hell out of you. | 0:10:10 | 0:10:12 | |
-This is not about you. -No, Sam. | 0:10:12 | 0:10:14 | |
It's about you. | 0:10:14 | 0:10:16 | |
Always looking for a way, any way you can, to push me aside. | 0:10:16 | 0:10:19 | |
Why would I need to do that when I don't even know who you are? | 0:10:19 | 0:10:21 | |
Yes, you do. | 0:10:21 | 0:10:23 | |
You have since the moment we met. | 0:10:24 | 0:10:25 | |
You just keep forgetting, that's all. | 0:10:25 | 0:10:28 | |
ENGINE STARTS | 0:10:28 | 0:10:29 | |
Sam. Aidan. | 0:10:37 | 0:10:38 | |
Where's Fowkes? | 0:10:38 | 0:10:39 | |
Unavailable. But this couldn't wait. Zoe. | 0:10:39 | 0:10:42 | |
So apparently, Jack Turner did more than go drinking yesterday. | 0:10:42 | 0:10:45 | |
He had his financing for the Khyber Dam put into liquidity. | 0:10:45 | 0:10:48 | |
£1 billion in total. | 0:10:48 | 0:10:49 | |
He's fully vested now. One phone call away from purchasing the dam. | 0:10:49 | 0:10:53 | |
Then at 01:35 this morning, he received a fax. | 0:10:53 | 0:10:55 | |
We don't know the contents. | 0:10:55 | 0:10:57 | |
A fax is still almost impossible to intercept digitally. | 0:10:57 | 0:11:00 | |
-What's remarkable about this? -Where it came from. Private airfield in Pakistan. | 0:11:00 | 0:11:04 | |
According to our Islamabad office, only one flight left at that hour. | 0:11:04 | 0:11:07 | |
And it was carrying Fatima Zahir to London. | 0:11:07 | 0:11:09 | |
Two hours later, | 0:11:12 | 0:11:13 | |
the body of a Pakistani officer was found at the airfield. He'd been strangled. | 0:11:13 | 0:11:17 | |
That can't be a coincidence. | 0:11:17 | 0:11:19 | |
No, it can't. | 0:11:19 | 0:11:20 | |
We need to know who sent this fax, what it said and why it's worth killing for. | 0:11:20 | 0:11:23 | |
Perhaps Stephen Turner can be helpful. He's Sam's latest conquest. | 0:11:23 | 0:11:27 | |
He seems to know little or nothing | 0:11:29 | 0:11:31 | |
about the criminal side of his father's activities. | 0:11:31 | 0:11:34 | |
I could speak to Lewis Conroy. | 0:11:34 | 0:11:36 | |
Lewis Conroy is dead. | 0:11:37 | 0:11:39 | |
How? | 0:11:44 | 0:11:46 | |
We led Jack Turner to believe his secretary saw him | 0:11:46 | 0:11:49 | |
murder the economics professor, Vincent Cage. | 0:11:49 | 0:11:52 | |
Was this necessary? | 0:11:52 | 0:11:54 | |
It became necessary when you let yourself be seen. | 0:11:54 | 0:11:57 | |
That's all. Thanks. | 0:12:00 | 0:12:03 | |
Look, I just can't get past this. | 0:12:14 | 0:12:16 | |
You're human. I forgive you. | 0:12:16 | 0:12:18 | |
-It's not your forgiveness I need. -What, then? | 0:12:18 | 0:12:20 | |
Aidan. I still think he's lying. | 0:12:20 | 0:12:22 | |
He is. | 0:12:22 | 0:12:23 | |
Then you think he got Hasan captured, | 0:12:23 | 0:12:25 | |
despite what Natalie Thorpe told you? | 0:12:25 | 0:12:27 | |
And Sam knows about it. It seems they're working together. | 0:12:27 | 0:12:30 | |
Then we're being lied to. | 0:12:30 | 0:12:32 | |
That's not a surprise. | 0:12:32 | 0:12:34 | |
We've known that since the day Sam returned. | 0:12:34 | 0:12:37 | |
If he got Hasan killed, then the rest of us could still be at risk. | 0:12:37 | 0:12:40 | |
-Aidan had a chance to kill us yesterday and he didn't. -Doesn't mean anything | 0:12:40 | 0:12:43 | |
-or explain why he's looking into Hourglass. -We have a client to serve. | 0:12:43 | 0:12:46 | |
He's grown very restive of late. | 0:12:46 | 0:12:48 | |
Jack Turner seems far too confident. | 0:12:48 | 0:12:51 | |
Complete the op. | 0:12:51 | 0:12:52 | |
I'll take care of Sam and Aidan. | 0:12:52 | 0:12:54 | |
HE VOMITS | 0:13:13 | 0:13:15 | |
So, you was in the Army, yeah? | 0:13:47 | 0:13:49 | |
You feeling all right, Mr T? | 0:13:52 | 0:13:54 | |
I mean, you're actually talking to me. | 0:13:54 | 0:13:56 | |
Dave says you was in the Army. | 0:13:58 | 0:14:00 | |
Yes. I was in the Army. | 0:14:02 | 0:14:04 | |
So you got to shoot rifles and all of that? | 0:14:04 | 0:14:07 | |
Rifles, guns, knives. | 0:14:07 | 0:14:09 | |
If it hurt people, I learned how to use it. | 0:14:09 | 0:14:12 | |
Sounds like fun. | 0:14:13 | 0:14:15 | |
Yeah. A lot of laughs. Shooting people, getting shot at. | 0:14:15 | 0:14:19 | |
Good times all round. | 0:14:19 | 0:14:20 | |
What are we doing here? | 0:14:32 | 0:14:33 | |
DOOR BUZZER | 0:14:33 | 0:14:35 | |
What's the matter, you don't trust me anymore? | 0:14:48 | 0:14:51 | |
Who's your friend? | 0:14:52 | 0:14:53 | |
Weapons man. | 0:14:53 | 0:14:55 | |
It's in there. | 0:15:00 | 0:15:01 | |
It's a beaut. | 0:15:26 | 0:15:27 | |
Where's the money? | 0:15:29 | 0:15:30 | |
GUNSHOTS | 0:15:38 | 0:15:39 | |
What'd you do that for? | 0:15:41 | 0:15:42 | |
Don't forget the case. | 0:15:51 | 0:15:52 | |
I got down early. | 0:16:28 | 0:16:29 | |
Managed to make a cup before Mrs Sidwa came in. | 0:16:29 | 0:16:32 | |
That's the best cup of coffee I've ever had in this house. | 0:16:38 | 0:16:41 | |
SHE CHUCKLES | 0:16:41 | 0:16:44 | |
I should go. | 0:16:53 | 0:16:54 | |
Eddie will be awake in a minute. | 0:16:54 | 0:16:56 | |
I don't know what to say. | 0:16:59 | 0:17:00 | |
You don't have to say anything. | 0:17:04 | 0:17:06 | |
SHOWER RUNS | 0:17:28 | 0:17:30 | |
There are seven members of the Byzantium board of directors. | 0:17:36 | 0:17:39 | |
-Three are Hourglass conspirators. -So where do we start? | 0:17:39 | 0:17:41 | |
Polyhedrus - the third largest private corporation in the world. | 0:17:41 | 0:17:44 | |
Dr Hill, I'm going to get you out of here. | 0:18:11 | 0:18:13 | |
Any luck with the fax? | 0:18:23 | 0:18:24 | |
I'm trying to recapture audio. No luck. | 0:18:24 | 0:18:27 | |
What about Zahir? | 0:18:27 | 0:18:28 | |
Her plane landed at Heathrow an hour ago. | 0:18:28 | 0:18:30 | |
She's on a one-day fund-raising trip. All closed meetings at the hotel with big-money donors. | 0:18:30 | 0:18:34 | |
Except for a speech this afternoon | 0:18:34 | 0:18:36 | |
at the Asia Promise Society at 3pm. | 0:18:36 | 0:18:38 | |
That's her only public appearance. | 0:18:38 | 0:18:40 | |
Rahim Soomro, the Pakistani minister auctioning the dam will also be there. | 0:18:40 | 0:18:43 | |
I'm assuming Jack Turner is nowhere on that itinerary. | 0:18:43 | 0:18:46 | |
Turner's hardly the sort of man she'd invite to tea. | 0:18:46 | 0:18:49 | |
Everything all right, Deacon? | 0:18:51 | 0:18:53 | |
Bloody hell, it's good to be back here. | 0:18:53 | 0:18:56 | |
Never thought those words would pass my lips. | 0:18:56 | 0:18:59 | |
Why are you dumping this shit on my desk? | 0:19:04 | 0:19:07 | |
-It's for you. -What is it? | 0:19:07 | 0:19:09 | |
Address and description of two blokes Tyrone murdered. | 0:19:09 | 0:19:12 | |
I wrote those notes in the toilet. | 0:19:12 | 0:19:13 | |
What did he murder them for? | 0:19:13 | 0:19:15 | |
That's what I'd like to know. | 0:19:15 | 0:19:16 | |
-He shot them both in cold blood. -Arts dealer? | 0:19:16 | 0:19:19 | |
-Arms. Says "arms." -Uh-huh. | 0:19:19 | 0:19:22 | |
Nice bit of kit, actually - | 0:19:22 | 0:19:23 | |
heads-up display, lightweight stock... | 0:19:23 | 0:19:26 | |
Wait a minute, you're talking about a sniper rifle? | 0:19:26 | 0:19:30 | |
Tyrone said he needed it for something this afternoon. | 0:19:30 | 0:19:32 | |
What? | 0:19:35 | 0:19:36 | |
Candidate Zahir. | 0:19:55 | 0:19:56 | |
It's a privilege to welcome you to London. | 0:19:56 | 0:19:58 | |
I appreciate your courtesy, Minister. | 0:19:58 | 0:20:00 | |
But forgive me if I question your sincerity. | 0:20:00 | 0:20:03 | |
We may disagree politically, but we both serve the same great nation. | 0:20:03 | 0:20:06 | |
I know what interests you serve - | 0:20:06 | 0:20:07 | |
the corporations that would loot our treasury and line your pockets. | 0:20:07 | 0:20:11 | |
Surely even you appreciate the need for investment. | 0:20:11 | 0:20:13 | |
To raise the standard of living for our people. | 0:20:13 | 0:20:15 | |
If only that were your intent, Minister. | 0:20:15 | 0:20:18 | |
Then you and I would have no quarrel at all. | 0:20:18 | 0:20:20 | |
Excuse me. | 0:20:20 | 0:20:22 | |
Morning, all. | 0:20:32 | 0:20:34 | |
Coffee? | 0:20:34 | 0:20:36 | |
Er... | 0:20:36 | 0:20:38 | |
No, thank you. | 0:20:38 | 0:20:40 | |
PHONE RINGS | 0:20:41 | 0:20:42 | |
-What's the book, Eddie? -It's The Snow Maiden. Alex gave it to me. | 0:20:42 | 0:20:46 | |
My mother used to read it to me. | 0:20:46 | 0:20:48 | |
She did, did she? | 0:20:48 | 0:20:50 | |
-Huh. -Mr Stephen. It's for you. | 0:20:51 | 0:20:54 | |
Hello... | 0:20:56 | 0:20:57 | |
Yeah. | 0:21:02 | 0:21:04 | |
Yeah. | 0:21:09 | 0:21:10 | |
Thank you. | 0:21:15 | 0:21:16 | |
What is it? | 0:21:27 | 0:21:28 | |
Um... | 0:21:29 | 0:21:31 | |
You saw Lewis the other night. How did he seem to you? | 0:21:31 | 0:21:33 | |
He was fine. He seemed fine. | 0:21:33 | 0:21:35 | |
Stephen, what's wrong? | 0:21:35 | 0:21:37 | |
Morning. | 0:21:37 | 0:21:38 | |
What's the matter, Stevie? | 0:21:39 | 0:21:41 | |
Er...that was the police. | 0:21:41 | 0:21:43 | |
Lewis is dead. | 0:21:43 | 0:21:45 | |
What? | 0:21:46 | 0:21:47 | |
Did they say what happened? | 0:21:47 | 0:21:48 | |
Er...murder-suicide. | 0:21:48 | 0:21:50 | |
They're saying that he killed his secretary and her husband too. | 0:21:50 | 0:21:52 | |
Oh, no. That's awful. | 0:21:52 | 0:21:54 | |
Offed himself? | 0:21:54 | 0:21:55 | |
Well, I didn't see that one coming. | 0:21:55 | 0:21:57 | |
No. | 0:21:58 | 0:21:59 | |
That's a heavy blow, son. He was a... | 0:21:59 | 0:22:02 | |
Was a good friend to this family. | 0:22:02 | 0:22:03 | |
I don't want to tell Eddie, not just yet. | 0:22:03 | 0:22:05 | |
No, no. Whatever you think best. | 0:22:05 | 0:22:07 | |
-I just need a moment. Can you get him ready for school? -Right away. | 0:22:07 | 0:22:11 | |
Come on, sweetheart. | 0:22:12 | 0:22:13 | |
OK. | 0:22:13 | 0:22:15 | |
Here, let me help you. Do you need these? | 0:22:17 | 0:22:18 | |
-Mm-hm. -OK. | 0:22:18 | 0:22:19 | |
CAMERA SHUTTER CLICKS | 0:22:24 | 0:22:26 | |
Inspector. | 0:22:26 | 0:22:27 | |
Same prints here, on the door frame and the door latch. | 0:22:27 | 0:22:31 | |
PHONE RINGS | 0:22:32 | 0:22:34 | |
-This is Everett. -DI Everett, my name's Stephen Turner. | 0:22:36 | 0:22:38 | |
I understand you're investigating the death of my friend. Lewis Conroy. | 0:22:38 | 0:22:41 | |
That's right. | 0:22:41 | 0:22:43 | |
'I wonder if we might speak in person.' | 0:22:43 | 0:22:46 | |
What's this about? | 0:22:46 | 0:22:47 | |
I have some information I think you should hear. | 0:22:47 | 0:22:50 | |
What's your address, Mr Turner? | 0:22:51 | 0:22:53 | |
What's this? | 0:23:38 | 0:23:39 | |
Remains of the fax Jack received. | 0:23:39 | 0:23:40 | |
Good. We'll see what Zoe can do. | 0:23:40 | 0:23:42 | |
I also found a report. With Horst Goebel's name on it. | 0:23:42 | 0:23:46 | |
You've had a busy morning. Where'd you find it? | 0:23:46 | 0:23:48 | |
Stephen's bedroom. | 0:23:49 | 0:23:51 | |
What kind of report? | 0:23:53 | 0:23:54 | |
Highly technical, about the completion of the Khyber Dam. | 0:23:55 | 0:23:58 | |
Apparently Goebel is one of the engineers. | 0:23:58 | 0:24:00 | |
But I saw another name I recognised. | 0:24:00 | 0:24:03 | |
Arthur Hill. | 0:24:03 | 0:24:04 | |
-The doctor Faroux tortured in Tangier? -He works at Polyhedrus. | 0:24:05 | 0:24:08 | |
Hourglass. | 0:24:08 | 0:24:09 | |
Yeah, it all fits together rather nicely. | 0:24:09 | 0:24:11 | |
Very snugly. | 0:24:11 | 0:24:13 | |
-What are you going to do? -Polyhedrus has offices in London. | 0:24:14 | 0:24:17 | |
I'm going to see if I can find Hill for some answers. | 0:24:17 | 0:24:19 | |
That's bad timing. | 0:24:19 | 0:24:20 | |
Jack Turner's planning to have Zahir assassinated later on today. | 0:24:20 | 0:24:24 | |
I didn't know Jack was in the assassination business. | 0:24:24 | 0:24:27 | |
Fowkes picked up a sniper's rifle with Tyrone. | 0:24:27 | 0:24:29 | |
-We think they're going to use it at the Asia Promise Society this afternoon. -Why would he kill Zahir? | 0:24:29 | 0:24:33 | |
-She's opposed to the sale of the dam. -She may be, but she can't stop it. He doesn't need her dead. | 0:24:33 | 0:24:38 | |
Perhaps. But we think he wants her dead anyway. | 0:24:38 | 0:24:40 | |
Keel won't tolerate you pursuing personal business. Today of all days. | 0:24:40 | 0:24:44 | |
This isn't personal. | 0:24:44 | 0:24:46 | |
I need to know what was in that case that Horst Goebel gave Turner. | 0:24:46 | 0:24:51 | |
And Hill might have some answers. | 0:24:51 | 0:24:53 | |
"C...4." | 0:25:11 | 0:25:14 | |
"I'm trusting you." | 0:25:15 | 0:25:16 | |
-Why would Zahir trust Jack Turner? -She wouldn't. | 0:25:16 | 0:25:20 | |
And what is "Something something C4"? | 0:25:20 | 0:25:23 | |
PHONE VIBRATES | 0:25:23 | 0:25:24 | |
Tyrone again. | 0:25:24 | 0:25:26 | |
Right, I want you to stay on him, you understand? | 0:25:26 | 0:25:29 | |
You've got to make sure he doesn't use that rifle. | 0:25:29 | 0:25:32 | |
Don't let him out of your sight. | 0:25:32 | 0:25:34 | |
Thank you for coming, Inspector. | 0:25:43 | 0:25:45 | |
Please. | 0:25:57 | 0:25:59 | |
You said you had, er... | 0:26:02 | 0:26:05 | |
information. | 0:26:05 | 0:26:06 | |
Your officer told me that Trudy Barnes and her husband, | 0:26:06 | 0:26:10 | |
they were shot with the same weapon that killed Lewis. | 0:26:10 | 0:26:12 | |
That's correct. | 0:26:12 | 0:26:14 | |
Well, I can understand why you'd conclude this was a murder-suicide. | 0:26:14 | 0:26:18 | |
But I can tell you, Inspector, it wasn't. | 0:26:18 | 0:26:21 | |
How do you know that? | 0:26:21 | 0:26:22 | |
He told me two days ago how happy he was that she'd gotten married. | 0:26:22 | 0:26:26 | |
The idea that he'd kill her or himself... | 0:26:26 | 0:26:28 | |
..it's not possible. | 0:26:30 | 0:26:31 | |
Mr Turner, if people never did anything out of character, | 0:26:33 | 0:26:38 | |
we wouldn't have any murders, would we? | 0:26:38 | 0:26:40 | |
Well, were you aware that his professor was killed two days ago? | 0:26:43 | 0:26:47 | |
Yes. | 0:26:47 | 0:26:48 | |
And we've already made an arrest in that case. | 0:26:50 | 0:26:53 | |
With a full confession. | 0:26:53 | 0:26:54 | |
I read it in the paper. | 0:26:54 | 0:26:56 | |
But you still think there might be a connection? | 0:26:58 | 0:27:00 | |
Well, I don't know. But it seems worth looking at, doesn't it? | 0:27:01 | 0:27:04 | |
Two friends killed in a matter of days. | 0:27:04 | 0:27:06 | |
It certainly does seem worth looking at. And I'll do just that. | 0:27:09 | 0:27:11 | |
Thank you, Inspector. I appreciate it. | 0:27:11 | 0:27:13 | |
And please don't hesitate to call me if you think of anything else. | 0:27:13 | 0:27:17 | |
I'll see myself out. | 0:27:17 | 0:27:18 | |
Are you all right, Stevie? | 0:27:48 | 0:27:50 | |
Yeah. Yeah, fine. | 0:27:53 | 0:27:55 | |
How's it coming? With the bid for the dam, I mean. | 0:27:57 | 0:28:00 | |
Well, now that we're funded, | 0:28:00 | 0:28:02 | |
we just have to persuade Soomro to accept our offer over the Chinese. | 0:28:02 | 0:28:05 | |
How do we do that? | 0:28:05 | 0:28:07 | |
I'm working on it. | 0:28:07 | 0:28:08 | |
You know our portfolio went up by £32 million yesterday, | 0:28:08 | 0:28:11 | |
-right when we needed the money? -That's right. | 0:28:11 | 0:28:14 | |
That's an awfully neat trick, Dad. | 0:28:14 | 0:28:16 | |
Lucky, Stevie, that's all. | 0:28:17 | 0:28:19 | |
Just lucky. | 0:28:19 | 0:28:20 | |
This is where she's giving her speech? | 0:28:28 | 0:28:30 | |
Yeah, in less than four hours. | 0:28:30 | 0:28:32 | |
'Thank you. Thank you all.' | 0:28:55 | 0:28:57 | |
Well? | 0:29:03 | 0:29:04 | |
She's as good as dead. | 0:29:06 | 0:29:08 | |
Gary, what you doing here? | 0:29:12 | 0:29:14 | |
Tyrone rang me. | 0:29:14 | 0:29:16 | |
Keeping you busy, is he? | 0:29:16 | 0:29:18 | |
We had a long night. | 0:29:18 | 0:29:19 | |
You watch yourself, d'you understand? | 0:29:19 | 0:29:22 | |
I always watch myself, Dave. | 0:29:22 | 0:29:24 | |
No, I mean it. He's up to something. | 0:29:24 | 0:29:26 | |
I don't know what. | 0:29:26 | 0:29:29 | |
I thought all the jobs come through you. | 0:29:29 | 0:29:31 | |
I'm being put out to pasture, more and more. | 0:29:31 | 0:29:33 | |
Whatever Tyrone's got you doing, they don't tell me. | 0:29:33 | 0:29:36 | |
Hey. | 0:29:36 | 0:29:38 | |
Yeah, what do you want? | 0:29:38 | 0:29:39 | |
My business is with him. | 0:29:39 | 0:29:40 | |
No, any business you do through me. I still run things round here. | 0:29:40 | 0:29:43 | |
You got some glasses to wash, old man. | 0:29:43 | 0:29:46 | |
PHONE RINGS | 0:30:19 | 0:30:21 | |
Arthur Hill. | 0:30:23 | 0:30:24 | |
'This is Southern Counties Power. We have a report of a gas leak at your property.' | 0:30:24 | 0:30:28 | |
Oh...um... | 0:30:28 | 0:30:29 | |
Could you look into it for me, please? | 0:30:29 | 0:30:31 | |
Cos, um...I'm very busy at work, er... | 0:30:31 | 0:30:33 | |
'An engineer is on his way, but I'm afraid you need to let him into the property.' | 0:30:33 | 0:30:36 | |
HE SIGHS | 0:30:36 | 0:30:38 | |
Right, right. | 0:30:38 | 0:30:39 | |
Dr Hill. | 0:30:46 | 0:30:47 | |
That was you on the phone. | 0:30:49 | 0:30:50 | |
I need some answers, doctor. | 0:30:55 | 0:30:57 | |
Answers? | 0:30:58 | 0:31:00 | |
I think you owe me that much after I saved your life last year. | 0:31:00 | 0:31:03 | |
What do you want to know? | 0:31:04 | 0:31:06 | |
A few hours after I rescued you, I was ambushed by three men. | 0:31:06 | 0:31:09 | |
I have reason to believe they were sent by your employer. | 0:31:09 | 0:31:12 | |
-My employer? -Polyhedrus. | 0:31:12 | 0:31:14 | |
-Why would they want to hurt you? -You tell me. | 0:31:14 | 0:31:16 | |
-I don't know anything about this. -What about Hourglass? | 0:31:18 | 0:31:21 | |
Hourglass? | 0:31:21 | 0:31:22 | |
What's Hourglass? | 0:31:22 | 0:31:23 | |
Look, um...can I get back to work now? Cos I've got a lot to do. | 0:31:32 | 0:31:36 | |
Just one more question. | 0:31:36 | 0:31:38 | |
The man who captured you, Bernard Faroux. | 0:31:40 | 0:31:43 | |
Yes? | 0:31:43 | 0:31:44 | |
He was bidding on the Khyber Dam in Pakistan. | 0:31:44 | 0:31:46 | |
The dam was built by Polyhedrus. | 0:31:48 | 0:31:50 | |
You were an engineer on the project. | 0:31:50 | 0:31:52 | |
That's right. | 0:31:52 | 0:31:54 | |
What made you so valuable to him? | 0:32:03 | 0:32:05 | |
What do you mean? | 0:32:07 | 0:32:08 | |
He had you tortured. | 0:32:10 | 0:32:11 | |
He must've been trying to find out something. | 0:32:12 | 0:32:15 | |
I don't know. | 0:32:16 | 0:32:17 | |
You're a poor liar, doctor. | 0:32:18 | 0:32:20 | |
-'Which floor?' -Seven. | 0:32:44 | 0:32:46 | |
Got a positive ID. | 0:32:51 | 0:32:52 | |
'Room 712, she's on her laptop now.' | 0:32:52 | 0:32:54 | |
Got it. Reading her loud and clear. | 0:32:57 | 0:33:00 | |
She's having a private chat with someone in his 20s, | 0:33:03 | 0:33:06 | |
-'slicked back hair.' -Who is it? | 0:33:06 | 0:33:07 | |
Umair Qassani, ex-Pakistani special forces. | 0:33:16 | 0:33:19 | |
His family's a major clan, allied to the Zahirs. | 0:33:19 | 0:33:22 | |
-Any connection to the dam? -'Not directly.' | 0:33:22 | 0:33:24 | |
But the Qassanis' ancestral territory is the Khyber Valley. It's where the dam's built. | 0:33:24 | 0:33:27 | |
Good. Thank you. | 0:33:33 | 0:33:34 | |
Are you sure about this? | 0:33:34 | 0:33:36 | |
Of course I'm not sure. | 0:33:37 | 0:33:39 | |
But I'm going to do it anyway. | 0:33:39 | 0:33:41 | |
DIALS NUMBER | 0:33:45 | 0:33:47 | |
PHONE RINGS | 0:33:49 | 0:33:51 | |
'Yeah?' | 0:33:56 | 0:33:57 | |
She's going ahead. | 0:33:57 | 0:33:59 | |
Mm-hmm. | 0:33:59 | 0:34:00 | |
GRIME MUSIC PLAYS | 0:34:00 | 0:34:02 | |
Perfect. | 0:34:02 | 0:34:03 | |
Where we headed? | 0:34:05 | 0:34:07 | |
Cos you don't pay me enough to listen to this shit. | 0:34:07 | 0:34:09 | |
Shopping. | 0:34:11 | 0:34:13 | |
What are you doing in here? | 0:34:46 | 0:34:48 | |
I don't see what business that is of yours. | 0:34:50 | 0:34:53 | |
-This is your father's office. -It's a room in my home. | 0:34:56 | 0:34:58 | |
And you work here for me. | 0:35:00 | 0:35:01 | |
I work for your father, sir. | 0:35:01 | 0:35:03 | |
And he wouldn't like you snooping around his affairs. | 0:35:03 | 0:35:05 | |
Well then, let him tell me that himself. | 0:35:05 | 0:35:07 | |
I'm afraid I have to ask you to leave. | 0:35:07 | 0:35:09 | |
Or what? | 0:35:09 | 0:35:10 | |
You threatening me, Bingham? | 0:35:11 | 0:35:13 | |
You going to take me down to the basement? | 0:35:14 | 0:35:16 | |
What happened to that man down there, anyway? | 0:35:16 | 0:35:19 | |
You didn't take him to the police, did you? | 0:35:19 | 0:35:21 | |
Best ask your father. | 0:35:24 | 0:35:25 | |
I have an idea of the kind of work you do for my father, Bingham. | 0:35:27 | 0:35:30 | |
I don't like it. | 0:35:32 | 0:35:33 | |
You don't have to like it. | 0:35:33 | 0:35:35 | |
Sir. | 0:35:35 | 0:35:36 | |
SHE SIGHS | 0:36:31 | 0:36:33 | |
Excuse me, Miss? May I have a word? | 0:37:08 | 0:37:11 | |
ALARM RINGS | 0:37:33 | 0:37:35 | |
Stop there. | 0:37:35 | 0:37:37 | |
You bastard. | 0:38:14 | 0:38:16 | |
All right, guys, she's gathering her things. | 0:38:19 | 0:38:21 | |
Her next meeting is on the tenth floor. | 0:38:21 | 0:38:23 | |
-How many guards? -'Two.' | 0:38:23 | 0:38:25 | |
Let's take a walk. | 0:38:28 | 0:38:29 | |
Madame Zahir. | 0:38:56 | 0:38:58 | |
Don't be afraid. We're here to help you. | 0:38:58 | 0:39:00 | |
That's why you assault my guards? To help me? | 0:39:00 | 0:39:04 | |
Someone in your party sent a fax to a British businessman. | 0:39:04 | 0:39:07 | |
Jack Turner? | 0:39:07 | 0:39:08 | |
I don't know any Jack Turner. | 0:39:09 | 0:39:11 | |
He's one of the bidders on the Khyber Dam. | 0:39:11 | 0:39:13 | |
And he's prepared to kill anyone who gets in his way. | 0:39:13 | 0:39:17 | |
Including you. | 0:39:17 | 0:39:18 | |
What is it you want? | 0:39:18 | 0:39:20 | |
We need you to cancel your speech | 0:39:20 | 0:39:22 | |
at the Asia Promise Society this afternoon. | 0:39:22 | 0:39:24 | |
We think that's where he plans to have you shot. | 0:39:24 | 0:39:26 | |
And who is this "we," exactly? | 0:39:27 | 0:39:30 | |
My client has asked us to ensure your safety. | 0:39:31 | 0:39:33 | |
Your client? | 0:39:33 | 0:39:35 | |
And who might that be? | 0:39:35 | 0:39:36 | |
Does it matter? | 0:39:37 | 0:39:39 | |
Someone wants to kill you. | 0:39:39 | 0:39:40 | |
In my country, someone is trying to kill me every day. | 0:39:42 | 0:39:46 | |
If I let that stop me, I would never get out of bed. | 0:39:46 | 0:39:49 | |
I have a meeting, and I'm late. | 0:39:50 | 0:39:52 | |
So unless you intend to kill me yourself... | 0:39:53 | 0:39:56 | |
I understand what you're fighting against, Madam Zahir. | 0:39:56 | 0:39:58 | |
But you can't win the battle if you're dead. | 0:40:00 | 0:40:02 | |
LIFT PINGS | 0:40:02 | 0:40:04 | |
That's him. | 0:40:11 | 0:40:14 | |
What do you want with him? | 0:40:15 | 0:40:17 | |
You remember where I said to meet? | 0:40:17 | 0:40:19 | |
Yeah. | 0:40:19 | 0:40:20 | |
HE WHISTLES TUNLESSLY | 0:40:28 | 0:40:30 | |
Long day? | 0:40:35 | 0:40:37 | |
It's harder being a rabbit than it looks. | 0:40:37 | 0:40:39 | |
GUN COCKS | 0:40:45 | 0:40:46 | |
Fancy a carrot? | 0:40:46 | 0:40:48 | |
Wallet and keys. | 0:41:01 | 0:41:03 | |
You're mugging Rafi the Rabbit? Are you bloody serious? | 0:41:03 | 0:41:06 | |
Oi, give me the gun. | 0:41:15 | 0:41:16 | |
Get in. | 0:41:28 | 0:41:30 | |
Now look, I... | 0:41:38 | 0:41:39 | |
I said, get in. | 0:41:39 | 0:41:40 | |
I've done nothing to you, what is all this about? | 0:41:40 | 0:41:43 | |
What are you doing? | 0:41:43 | 0:41:44 | |
THE MAN GROANS | 0:41:44 | 0:41:46 | |
Please, no. | 0:41:50 | 0:41:51 | |
GUNSHOTS | 0:41:52 | 0:41:54 | |
-Are you freaking crazy?! -Get in the car. | 0:41:55 | 0:41:57 | |
Get in the car! | 0:42:00 | 0:42:01 | |
Sorry to keep you waiting. | 0:42:28 | 0:42:30 | |
Right, now, we've received your latest imaging scans. | 0:42:30 | 0:42:35 | |
And at least the news isn't any worse. | 0:42:35 | 0:42:37 | |
You can see here, the astrocytoma in your temporal lobe. | 0:42:38 | 0:42:42 | |
In the past few weeks, it's actually shrunk a few millimetres. | 0:42:42 | 0:42:47 | |
So the medication's working? | 0:42:47 | 0:42:49 | |
It's possible, but with a malignant tumour, unlikely. | 0:42:49 | 0:42:53 | |
I don't want you to raise your hopes. | 0:42:53 | 0:42:56 | |
Have you thought more about what we discussed? | 0:42:57 | 0:43:00 | |
It is important you get your affairs in order. | 0:43:00 | 0:43:02 | |
Yes. | 0:43:03 | 0:43:05 | |
How are you bearing up? | 0:43:05 | 0:43:06 | |
I'm throwing up two or three times a day. | 0:43:06 | 0:43:08 | |
I feel weak down my left side, | 0:43:08 | 0:43:09 | |
and I have a headache more or less all the time. | 0:43:09 | 0:43:11 | |
Mm. | 0:43:11 | 0:43:13 | |
I'm wondering about your spirits. Your state of mind. | 0:43:13 | 0:43:17 | |
Oh, my state of mind? | 0:43:17 | 0:43:18 | |
How would you imagine it is? | 0:43:21 | 0:43:23 | |
Of course, this is difficult. | 0:43:23 | 0:43:25 | |
Yeah. | 0:43:25 | 0:43:27 | |
Facing one's own mortality is frightening. | 0:43:27 | 0:43:30 | |
But it's also an opportunity. | 0:43:30 | 0:43:32 | |
Is it? For what? | 0:43:32 | 0:43:33 | |
To assess, to appreciate. To find meaning in one's life. | 0:43:33 | 0:43:38 | |
Can I have a word? | 0:43:42 | 0:43:43 | |
Alone. | 0:43:46 | 0:43:48 | |
Of course. | 0:43:49 | 0:43:51 | |
Bingham said you'd had words. | 0:43:59 | 0:44:01 | |
I can understand if you're upset about Lewis. | 0:44:03 | 0:44:06 | |
About Lewis? | 0:44:07 | 0:44:08 | |
How stupid do you think I am, Dad? | 0:44:12 | 0:44:14 | |
I don't think you're stupid at all. | 0:44:15 | 0:44:17 | |
You weren't "lucky". You caused the explosion at Goncourt. | 0:44:17 | 0:44:21 | |
That's how you raised £32 million overnight. | 0:44:21 | 0:44:24 | |
A woman was killed. | 0:44:25 | 0:44:26 | |
-I don't know what you're talking about, Stevie. -Yeah, you do. | 0:44:30 | 0:44:34 | |
I'm your son, Dad. | 0:44:34 | 0:44:36 | |
I tell you what you need to know. | 0:44:43 | 0:44:46 | |
I need to know the truth. | 0:44:46 | 0:44:47 | |
You never had any intention of going legitimate with this dam. | 0:44:47 | 0:44:51 | |
That word - "legitimate." | 0:44:51 | 0:44:53 | |
You really think these men you went to your fancy schools with, | 0:44:53 | 0:44:57 | |
these bankers and lawyers, are better than your own father? | 0:44:57 | 0:44:59 | |
-They don't get people killed. -Don't they? | 0:44:59 | 0:45:01 | |
Read the papers, son. What do you think's happening out there? | 0:45:01 | 0:45:04 | |
You're crying because, what, you want respect? | 0:45:04 | 0:45:06 | |
I'm not looking for your RESPECT, Dad! | 0:45:06 | 0:45:09 | |
You don't respect the life I've built for you and for your son. | 0:45:09 | 0:45:11 | |
This life is rotten. | 0:45:11 | 0:45:13 | |
Eddie and I should've left a long time ago. | 0:45:13 | 0:45:15 | |
You want to go? Leave, anytime. | 0:45:15 | 0:45:18 | |
But you'll never take my grandson. | 0:45:18 | 0:45:20 | |
Where the hell are we going? | 0:45:34 | 0:45:36 | |
IN URDU: | 0:45:41 | 0:45:44 | |
PHONE BEEPS | 0:46:06 | 0:46:08 | |
Flat 33, yeah? | 0:46:27 | 0:46:29 | |
I'll be right there. | 0:46:29 | 0:46:31 | |
Where the hell are you going? | 0:46:31 | 0:46:33 | |
I said, "I'll be right there." | 0:46:33 | 0:46:35 | |
NOISE OF CROWD DROWNS OUT SPEECH | 0:47:27 | 0:47:31 | |
-Gentlemen, will you excuse me, please? -Yes, sure. | 0:47:32 | 0:47:35 | |
-That was good. -Absolutely. | 0:47:35 | 0:47:36 | |
A man got to her. | 0:47:36 | 0:47:38 | |
-He got past her guards in the lift. -What are you talking about? | 0:47:38 | 0:47:41 | |
She told me he warned her she was going to be killed this afternoon. | 0:47:41 | 0:47:44 | |
-Has she changed her plans? -No. She's going forward. | 0:47:44 | 0:47:47 | |
Then hold your nerve, Umair. | 0:47:49 | 0:47:51 | |
Your family stands to make a lot of money when this dam is sold. | 0:47:51 | 0:47:54 | |
It's going to be a good day. | 0:47:55 | 0:47:58 | |
A VERY good day. | 0:47:58 | 0:48:00 | |
Just seen Qassani talking to Soomro. | 0:48:07 | 0:48:09 | |
'What about?' | 0:48:09 | 0:48:11 | |
'I don't know, but I think I could guess.' | 0:48:11 | 0:48:14 | |
Let's go. | 0:48:19 | 0:48:20 | |
How did you got here? | 0:48:20 | 0:48:22 | |
Got a call from Keel. | 0:48:22 | 0:48:24 | |
How did HE know I was here? | 0:48:25 | 0:48:27 | |
He didn't say. He just said to come get you. | 0:48:27 | 0:48:29 | |
Now come on, Zahir's speech is starting. | 0:48:29 | 0:48:32 | |
APPLAUSE | 0:48:35 | 0:48:38 | |
Thank you. | 0:48:52 | 0:48:54 | |
Thank you. Thank you all. | 0:48:56 | 0:48:58 | |
It's a cold day outside | 0:48:59 | 0:49:01 | |
but I am warmed by the sight of so many friendly faces. | 0:49:01 | 0:49:06 | |
Our country is blessed with natural resources, | 0:49:11 | 0:49:15 | |
but riven with sectarian conflict, | 0:49:15 | 0:49:18 | |
making us vulnerable to predators - | 0:49:18 | 0:49:21 | |
multinational corporations, | 0:49:21 | 0:49:23 | |
interested in ever greater wealth and power. | 0:49:23 | 0:49:27 | |
Where the hell is he? | 0:49:28 | 0:49:30 | |
It's not just Pakistan whose fate is at stake. | 0:49:30 | 0:49:32 | |
This financial crisis was engineered | 0:49:32 | 0:49:35 | |
by those same banks and corporations... | 0:49:35 | 0:49:38 | |
..willing to make billions suffer. | 0:49:38 | 0:49:42 | |
Together we will fight this fight... | 0:49:42 | 0:49:45 | |
..bless our country... | 0:49:45 | 0:49:47 | |
..only to further enrich themselves... | 0:49:47 | 0:49:49 | |
..economic justice with just words... | 0:49:49 | 0:49:51 | |
We will protect the interests of our nation. | 0:49:52 | 0:49:56 | |
We will gather evidence against foreign corporations, | 0:49:56 | 0:50:00 | |
bring them to justice... | 0:50:00 | 0:50:02 | |
..make it the right of the Pakistani people | 0:50:02 | 0:50:05 | |
to live in a nation ruled by law, not by profit. | 0:50:05 | 0:50:08 | |
Thank you. | 0:50:08 | 0:50:10 | |
APPLAUSE | 0:50:10 | 0:50:13 | |
I found the original document on Hill's desk. | 0:50:21 | 0:50:25 | |
That fax you intercepted wasn't from Zahir, | 0:50:25 | 0:50:27 | |
it was sent to her from Doctor Hill. | 0:50:27 | 0:50:29 | |
And a call log showed that he sent a fax to Pakistan. | 0:50:29 | 0:50:31 | |
Why would someone from Zahir's camp forward that to Jack Turner? | 0:50:31 | 0:50:34 | |
Because Hill's some kind of whistle-blower. | 0:50:34 | 0:50:36 | |
-He ran when I questioned him. -So what is it he knows? | 0:50:36 | 0:50:40 | |
I don't know, but it must be something worth killing for. | 0:50:40 | 0:50:43 | |
BRAKES SCREECH | 0:50:59 | 0:51:01 | |
Well? | 0:51:03 | 0:51:05 | |
There's no hurry, the speech is over. | 0:51:05 | 0:51:07 | |
-What happened? -Zahir's gone back to the hotel with her entourage. | 0:51:07 | 0:51:10 | |
-Sam thinks Zahir's going to meet with a whistle-blower. -Dr Hill. | 0:51:10 | 0:51:13 | |
The man we rescued in Tangier. | 0:51:13 | 0:51:14 | |
-PHONE RINGS -It's Fowkes. Where's Tyrone? | 0:51:14 | 0:51:16 | |
'I was trying to reach you. He murdered Rafi the Rabbit.' | 0:51:16 | 0:51:19 | |
-What? -Tyrone. He killed Rafi the Rabbit. | 0:51:19 | 0:51:21 | |
-Now he's got me waiting in his flat. -What, Tyrone's? | 0:51:21 | 0:51:23 | |
-No. Rafi's! -You're waiting in Rafi the Rabbit's flat - for what? | 0:51:23 | 0:51:27 | |
It can't be good. He said he'd be right up. | 0:51:27 | 0:51:29 | |
'Here's the thing, Rafi's flat is across from Brensham Hotel.' | 0:51:29 | 0:51:32 | |
-He's opposite Zahir's hotel. -'He's got to be messing with me.' | 0:51:32 | 0:51:35 | |
Stay put. Wait for him to come back. We're on our way. | 0:51:35 | 0:51:38 | |
If Turner wants to stop Hill talking, why wait for him to show? | 0:51:56 | 0:51:59 | |
The fax was unsigned. He knows there's a whistle-blower, but not that it's Hill. | 0:51:59 | 0:52:02 | |
-He'll know it's Hill when he shows up for their meeting. -That's when Tyrone'll pull the trigger. | 0:52:02 | 0:52:07 | |
Fax said "4," that's two minutes from now. | 0:52:07 | 0:52:09 | |
-Yeah, but we don't know where it's taking place. -Zahir does. | 0:52:09 | 0:52:11 | |
Split up, we need to find her. | 0:52:11 | 0:52:13 | |
It's all right, Umair. No-one's seen us. | 0:52:17 | 0:52:20 | |
I just want to make sure you're safe. | 0:52:20 | 0:52:22 | |
SAM: 'They're not in the conference room.' | 0:52:24 | 0:52:27 | |
-AIDAN: -'No sign of them on the third floor.' | 0:52:28 | 0:52:31 | |
"WSC." They're in the Winston Churchill room. | 0:52:53 | 0:52:55 | |
-Which floor? -'Second. Second floor.' | 0:52:55 | 0:52:58 | |
Madame Zahir. | 0:53:02 | 0:53:03 | |
Thank you for trusting me, Dr Hill. You're a very brave man. | 0:53:03 | 0:53:07 | |
No, I'm not brave. | 0:53:07 | 0:53:09 | |
I just couldn't live with this anymore. | 0:53:09 | 0:53:12 | |
What is it you have to tell me? | 0:53:12 | 0:53:14 | |
Hundreds were killed. | 0:53:20 | 0:53:22 | |
And I'm responsible. | 0:53:23 | 0:53:25 | |
Get down! | 0:53:32 | 0:53:34 | |
GUNSHOT GLASS SMASHES | 0:53:34 | 0:53:36 | |
TYRONE: 'So, you was in the army, yeah?' | 0:53:55 | 0:53:57 | |
I'm the patsy. | 0:54:00 | 0:54:02 | |
I'm the bloody patsy. | 0:54:03 | 0:54:05 | |
Hill? | 0:54:07 | 0:54:08 | |
What did he tell you? | 0:54:09 | 0:54:12 | |
I don't know, something about the dam. Some terrible crime. | 0:54:12 | 0:54:15 | |
How did they find out? This meeting was secret. | 0:54:15 | 0:54:19 | |
You can't think that it was me? | 0:54:22 | 0:54:24 | |
Armed police! Armed police! | 0:54:34 | 0:54:36 | |
Go, go, go! Clear! | 0:54:36 | 0:54:37 | |
Armed police! | 0:54:38 | 0:54:40 | |
Suspect's in flight. | 0:54:42 | 0:54:44 | |
SIRENS BLARE | 0:54:50 | 0:54:54 | |
Eddie? What are you doing in here? | 0:55:03 | 0:55:05 | |
Dad's out, and I didn't want to be alone. | 0:55:06 | 0:55:10 | |
What's the matter? | 0:55:19 | 0:55:21 | |
Nothing. | 0:55:22 | 0:55:23 | |
You're sure? Nothing happened today? | 0:55:24 | 0:55:27 | |
Uncle Lewis died. Did Daddy tell you? | 0:55:29 | 0:55:34 | |
Yes, he did. | 0:55:34 | 0:55:35 | |
We only saw him a couple days ago. | 0:55:35 | 0:55:37 | |
And now he's gone. | 0:55:39 | 0:55:40 | |
Just like Mum. | 0:55:42 | 0:55:43 | |
Can you read your book to me? | 0:55:53 | 0:55:54 | |
Sure I can. | 0:55:58 | 0:56:00 | |
I'm glad you're here, Alex. | 0:56:09 | 0:56:11 | |
So am I. | 0:56:14 | 0:56:15 | |
Mr Turner. | 0:56:23 | 0:56:25 | |
Why all the cloak and dagger? | 0:56:27 | 0:56:29 | |
You know, I would've been happy to meet back at your house. | 0:56:30 | 0:56:33 | |
I saw you talking with Bingham this morning. | 0:56:35 | 0:56:37 | |
He's paying you, isn't he? | 0:56:39 | 0:56:40 | |
You'd best talk to Mr Bingham about that. | 0:56:41 | 0:56:43 | |
Whatever he's paying you, I'll double it. | 0:56:43 | 0:56:46 | |
Here's £10,000. Take it. It's a down payment. | 0:56:47 | 0:56:52 | |
A down payment on what? | 0:56:52 | 0:56:53 | |
Information. Anything you tell him, I want you to tell me first. | 0:56:53 | 0:56:58 | |
I don't think Mr Bingham would like that too much. | 0:56:59 | 0:57:01 | |
He won't know. | 0:57:02 | 0:57:04 | |
C'mon, Inspector, take it. We're all on the same side. | 0:57:05 | 0:57:09 | |
I just don't like being kept in the dark, that's all. | 0:57:09 | 0:57:11 | |
As it happens, Mr Turner, I do I have some information | 0:57:20 | 0:57:24 | |
that I was planning to take to Mr Bingham this evening. | 0:57:24 | 0:57:27 | |
What is it? | 0:57:27 | 0:57:29 | |
That woman you have working in your house... | 0:57:29 | 0:57:31 | |
Alex Kent? | 0:57:33 | 0:57:34 | |
..she's not who you think she is. | 0:57:40 | 0:57:43 | |
-Explain this. -Are you accusing me of something? | 0:57:51 | 0:57:53 | |
Just answer the question. | 0:57:53 | 0:57:54 | |
'Sam was nearly killed and Ballard's dead.' | 0:57:54 | 0:57:56 | |
You think they'd hesitate to kill you too? | 0:57:56 | 0:57:58 | |
You trusted me, that trust nearly got you killed. | 0:57:58 | 0:58:01 | |
And cost us our child. | 0:58:01 | 0:58:02 | |
I hope you don't expect pity. | 0:58:02 | 0:58:04 | |
No, not pity. | 0:58:04 | 0:58:05 | |
Respect. | 0:58:07 | 0:58:08 | |
Jack Turner's finally shown his hand. | 0:58:08 | 0:58:11 | |
And it's blackmail. | 0:58:11 | 0:58:12 | |
Our client wants you dead. That's why you disappeared last year. | 0:58:14 | 0:58:18 | |
SHE YELLS | 0:58:18 | 0:58:21 | |
'There was something else in his files.' | 0:58:21 | 0:58:23 | |
The murder of Katherine Morton. She was my mother. | 0:58:23 | 0:58:26 | |
Subtitles by Red Bee Media Ltd | 0:58:46 | 0:58:50 |