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-Perhaps Stephen Turner can help. -I found a report with Horst Goebel's name | 0:00:03 | 0:00:06 | |
about the Khyber Dam. I saw another name - Arthur Hill. | 0:00:06 | 0:00:09 | |
Thank you for trusting me, Dr Hill. | 0:00:09 | 0:00:12 | |
Hundreds were killed and I'm responsible. | 0:00:12 | 0:00:14 | |
I'm the bloody patsy. | 0:00:14 | 0:00:16 | |
You're the mole. | 0:00:19 | 0:00:20 | |
I didn't have a choice. I couldn't tell you. | 0:00:20 | 0:00:23 | |
-What about Byzantium? -I cleaned that up too. | 0:00:23 | 0:00:25 | |
You're innocent. | 0:00:25 | 0:00:27 | |
Until now, Natalie Thorp was the only person who knew I'd lied about my identity. Now you know it too. | 0:00:27 | 0:00:32 | |
Horst Goebel. His body was found floating in the Keizersgracht canal. | 0:00:32 | 0:00:36 | |
Whoever he was, I believe he murdered Goebel then took his place. | 0:00:36 | 0:00:39 | |
I spent the past year searching for you. | 0:00:39 | 0:00:41 | |
I need to take you somewhere safe, beyond their reach. | 0:00:41 | 0:00:44 | |
You mean Hourglass. | 0:00:44 | 0:00:45 | |
You treat that with respect. It's my future in there. | 0:00:45 | 0:00:48 | |
I need to know what's in that case that Horst Goebel gave to Turner. | 0:00:48 | 0:00:51 | |
That woman you have working in your house. | 0:00:51 | 0:00:54 | |
She's not who you think she is. | 0:00:54 | 0:00:56 | |
I've been here before. | 0:00:56 | 0:00:58 | |
You sure this is safe, Dr Goebel? | 0:02:15 | 0:02:16 | |
We'll find out, won't we? | 0:02:16 | 0:02:18 | |
Go slow. | 0:02:28 | 0:02:29 | |
Oh, my God. | 0:02:38 | 0:02:39 | |
Don't look, don't look. Noura, don't look. | 0:02:39 | 0:02:42 | |
Stop. | 0:03:00 | 0:03:01 | |
This is where she saw them, right? | 0:03:18 | 0:03:20 | |
HE QUESTIONS HER | 0:03:20 | 0:03:21 | |
They went out in two boats, with cylinders in the back. | 0:03:23 | 0:03:27 | |
Doctor, what's in the case? | 0:04:12 | 0:04:14 | |
Evidence. | 0:04:15 | 0:04:16 | |
SCREAMING ECHOES | 0:06:12 | 0:06:15 | |
Is this your blood? | 0:08:12 | 0:08:14 | |
Natalie Thorpe's communiques. | 0:08:23 | 0:08:25 | |
All the intel I sent her about you in Tangier. | 0:08:25 | 0:08:28 | |
-How did Hector Stokes get these? -That's what I need you to find out. | 0:08:31 | 0:08:35 | |
He must have sent the hit men to Cafe Kalil. | 0:08:36 | 0:08:39 | |
He might have. | 0:08:39 | 0:08:41 | |
And you still have no idea why. | 0:08:41 | 0:08:43 | |
What is it? | 0:08:46 | 0:08:48 | |
There was something else in his files. | 0:08:49 | 0:08:53 | |
A police report from 1986. | 0:08:53 | 0:08:55 | |
About what? | 0:08:56 | 0:08:57 | |
The murder of Katherine Morton. | 0:09:00 | 0:09:03 | |
Who's Katherine Morton? | 0:09:03 | 0:09:04 | |
She was my mother. | 0:09:06 | 0:09:07 | |
She was killed at a petrol station when I was 11. | 0:09:12 | 0:09:16 | |
Then they took me away. | 0:09:17 | 0:09:19 | |
To the oast houses. | 0:09:22 | 0:09:24 | |
And you don't know why? | 0:09:24 | 0:09:25 | |
If this connects to who killed your mother and kidnapped you, | 0:09:31 | 0:09:36 | |
why would they come looking for you now, after all these years? | 0:09:36 | 0:09:39 | |
You must know something, Sam. | 0:09:42 | 0:09:45 | |
Something that threatens Stokes, his corporation... | 0:09:45 | 0:09:49 | |
..maybe even Hourglass itself. | 0:09:51 | 0:09:54 | |
I told you, I don't know. | 0:09:54 | 0:09:55 | |
KNOCKING ON DOOR | 0:10:07 | 0:10:08 | |
Come in. | 0:10:12 | 0:10:14 | |
You asked me to monitor the offices of Polyhedrus | 0:10:14 | 0:10:17 | |
for anything relating to Sam Hunter. | 0:10:17 | 0:10:19 | |
Did you find something? | 0:10:19 | 0:10:20 | |
Not at their offices, no. But we just intercepted this. | 0:10:20 | 0:10:24 | |
Where was this taken? | 0:10:27 | 0:10:29 | |
At the country estate of their CEO, Hector Stokes. | 0:10:29 | 0:10:33 | |
PHONE RINGING | 0:10:40 | 0:10:44 | |
Pronto. | 0:10:44 | 0:10:45 | |
'It's Hector Stokes. Where are you?' | 0:10:45 | 0:10:47 | |
'In Rome.' | 0:10:47 | 0:10:49 | |
I need you here, now. | 0:10:49 | 0:10:51 | |
There's a problem. | 0:10:51 | 0:10:53 | |
I'll be on the next plane. | 0:10:53 | 0:10:55 | |
-NEWSREADER: -'The news at seven o'clock. | 0:11:03 | 0:11:05 | |
'Police are this morning continuing to investigate the fatal shooting | 0:11:05 | 0:11:08 | |
'of a prominent engineer at a hotel in London. | 0:11:08 | 0:11:11 | |
'Dr Arthur Hill was in a meeting room at the Brensham Hotel...' | 0:11:11 | 0:11:15 | |
'..The controversial Pakistani presidential candidate...' | 0:11:31 | 0:11:35 | |
Alex. | 0:11:50 | 0:11:52 | |
Alex? | 0:11:55 | 0:11:57 | |
Eddie... | 0:12:00 | 0:12:02 | |
Mrs Sidwa, have you seen Alex and Eddie? | 0:12:05 | 0:12:08 | |
They left early. I'm sorry, I thought you knew. | 0:12:08 | 0:12:11 | |
Is that him? | 0:12:16 | 0:12:18 | |
It's him. | 0:12:18 | 0:12:19 | |
Oh Eddie, he's beautiful. Can I feed him? | 0:12:27 | 0:12:31 | |
You have to know the trick. | 0:12:31 | 0:12:32 | |
What trick? | 0:12:32 | 0:12:33 | |
Hold your hand out flat so he doesn't bite you by accident. | 0:12:40 | 0:12:43 | |
Try? | 0:12:44 | 0:12:47 | |
It tickles! | 0:12:50 | 0:12:52 | |
Good boy. | 0:12:54 | 0:12:56 | |
How often did you come here? | 0:12:56 | 0:12:58 | |
Every week. | 0:12:58 | 0:13:00 | |
You're a brave man, Eddie. | 0:13:04 | 0:13:06 | |
Your mother would've been happy that you came here. | 0:13:06 | 0:13:09 | |
You never met her. | 0:13:09 | 0:13:11 | |
No. | 0:13:12 | 0:13:14 | |
Then how would you know what she wanted? | 0:13:14 | 0:13:17 | |
I know she loved you very much, | 0:13:20 | 0:13:22 | |
and that she'd want you to be with the people | 0:13:22 | 0:13:25 | |
and do the things you love. | 0:13:25 | 0:13:27 | |
Morning, you two. | 0:13:32 | 0:13:33 | |
Morning, Dad. | 0:13:33 | 0:13:35 | |
Morning. | 0:13:35 | 0:13:36 | |
Alex, can I have a word? | 0:13:36 | 0:13:39 | |
Sure. | 0:13:39 | 0:13:41 | |
You should've told me you were doing this. | 0:13:47 | 0:13:49 | |
I'm sorry, I could see he wanted to come. | 0:13:49 | 0:13:52 | |
You're just dredging up memories. It's his birthday tomorrow. | 0:13:52 | 0:13:54 | |
-What is it? What's bothering you? -Explain this. | 0:13:54 | 0:13:57 | |
My fingerprints... | 0:14:06 | 0:14:07 | |
The police found them. | 0:14:07 | 0:14:09 | |
Where? | 0:14:09 | 0:14:11 | |
There was a break-in at Lewis' office | 0:14:11 | 0:14:13 | |
the night before he was murdered. | 0:14:13 | 0:14:14 | |
How did you get these? | 0:14:16 | 0:14:17 | |
They're yours, aren't they? | 0:14:17 | 0:14:19 | |
-Are you spying on me? -What were you doing there? | 0:14:19 | 0:14:21 | |
Are you accusing me of something? | 0:14:21 | 0:14:23 | |
Just answer the question! | 0:14:23 | 0:14:24 | |
-Lewis took me there that night. -He took you? | 0:14:25 | 0:14:28 | |
He said he had urgent business, something to do with your father. | 0:14:28 | 0:14:31 | |
Goncourt, or something? | 0:14:31 | 0:14:33 | |
Goncourt... | 0:14:33 | 0:14:34 | |
I would expect this from your father. Not from you. | 0:14:34 | 0:14:37 | |
I'm sorry. | 0:14:40 | 0:14:42 | |
I guess I'm getting as paranoid as my dad. | 0:14:46 | 0:14:48 | |
What is it? What happened? | 0:14:50 | 0:14:51 | |
I think my father had something to do with Lewis' death. | 0:14:51 | 0:14:55 | |
I thought he killed himself. | 0:14:55 | 0:14:57 | |
I don't think so. I don't mean to scare you. | 0:14:58 | 0:15:01 | |
Although I am scared to death... | 0:15:02 | 0:15:04 | |
What are you going to do? | 0:15:04 | 0:15:06 | |
Leave. With Eddie. | 0:15:06 | 0:15:09 | |
When? | 0:15:11 | 0:15:13 | |
Tonight. | 0:15:13 | 0:15:15 | |
Come with us. | 0:15:15 | 0:15:17 | |
'Hey, Lee Harvey Oswald.' | 0:15:28 | 0:15:30 | |
Ha. You're a comedian now(!) | 0:15:30 | 0:15:32 | |
-Jack Turner's leaving the house. -Yeah, no shit. -Get your butt in gear...killer. | 0:15:32 | 0:15:36 | |
Tears of laughter, really(!) | 0:15:36 | 0:15:38 | |
Jack's got a little rendezvous going. | 0:16:04 | 0:16:06 | |
We're going to want to hear this. | 0:16:06 | 0:16:08 | |
Thought you might. | 0:16:08 | 0:16:11 | |
I used to unload ships down here, a long time ago. | 0:16:24 | 0:16:27 | |
24-hour shifts. Real work, that was. | 0:16:27 | 0:16:33 | |
Made your hands raw. | 0:16:33 | 0:16:36 | |
Not like the bankers I sold the land onto. | 0:16:36 | 0:16:38 | |
Men with soft hands. | 0:16:38 | 0:16:41 | |
Men like me. | 0:16:41 | 0:16:44 | |
Come to think of it... | 0:16:44 | 0:16:45 | |
Men like you have made a lot of money off the backs of men like me. | 0:16:45 | 0:16:49 | |
-THROUGH HEADPHONES: -'You seem to have done just fine, Mr Turner.' | 0:16:49 | 0:16:51 | |
'I've fought and scraped for every penny.' | 0:16:51 | 0:16:55 | |
I don't have an army of lawyers... | 0:16:57 | 0:16:59 | |
-Thought I recognised him. -Who is it? | 0:16:59 | 0:17:01 | |
That Pakistani minister. Soomro. | 0:17:01 | 0:17:03 | |
'I hope you don't expect pity.' | 0:17:03 | 0:17:05 | |
No, not pity. | 0:17:05 | 0:17:08 | |
Respect. | 0:17:08 | 0:17:10 | |
You've disappointed me, Mr Turner. | 0:17:10 | 0:17:14 | |
-'I've disappointed you?! -The terms of our deal were not met. | 0:17:14 | 0:17:17 | |
'Madam Zahir is alive and well.' | 0:17:17 | 0:17:19 | |
Yeah we took care of that whistle blower she met with - | 0:17:19 | 0:17:22 | |
that was the main bit. | 0:17:22 | 0:17:23 | |
-Hold on, he knocked off Hill for Soomro? -Shut up and listen. | 0:17:23 | 0:17:26 | |
'I've been through hoops for you, Mr Soomro.' | 0:17:26 | 0:17:29 | |
Raising our bid to a billion pounds, | 0:17:29 | 0:17:31 | |
bumping off your whistle blower... | 0:17:31 | 0:17:33 | |
and you just keep moving the goal posts. | 0:17:33 | 0:17:35 | |
The government of Pakistan has decided to award | 0:17:35 | 0:17:38 | |
the Khyber Dam to the Chinese. | 0:17:38 | 0:17:41 | |
At last. Hallelujah. | 0:17:42 | 0:17:44 | |
Shut up! | 0:17:44 | 0:17:45 | |
Turner's lost the bid. We've won, haven't we? | 0:17:45 | 0:17:48 | |
The "government has awarded the contract". | 0:17:48 | 0:17:50 | |
You mean you. | 0:17:50 | 0:17:53 | |
And you've been bought and paid for by Polyhedrus. | 0:17:54 | 0:17:58 | |
Polyhedrus? | 0:17:59 | 0:18:02 | |
You're confused, Mr Turner. | 0:18:02 | 0:18:05 | |
-Polyhedrus hasn't bid on the dam. -Polyhedrus built the dam | 0:18:05 | 0:18:07 | |
for your government. | 0:18:07 | 0:18:09 | |
Might upset people if they knew you were selling it back to them. | 0:18:09 | 0:18:12 | |
-For less than you paid them to build it. -I told you, | 0:18:12 | 0:18:15 | |
-the Chinese have been awarded the contract. -Well, of course they have. As a front for Polyhedrus. | 0:18:15 | 0:18:19 | |
Who want to control the water supply in Central Asia. That's no secret. | 0:18:19 | 0:18:23 | |
These are conspiracy theories. | 0:18:23 | 0:18:25 | |
You call them what you like. | 0:18:25 | 0:18:28 | |
Goodbye, Mr Turner. | 0:18:28 | 0:18:30 | |
Mr Soomro, you think I didn't see the double-cross coming? | 0:18:32 | 0:18:35 | |
I know what your whistle blower was going to say. | 0:18:35 | 0:18:38 | |
So what if you do? Dr Hill is dead. | 0:18:38 | 0:18:40 | |
I've got something he didn't have. Proof. | 0:18:40 | 0:18:44 | |
Proof? | 0:18:47 | 0:18:48 | |
Of what Polyhedrus did to get that dam built. | 0:18:48 | 0:18:52 | |
If word got out, their shares would tumble. | 0:18:55 | 0:18:59 | |
Cost them tens of billions, markets the way they are. | 0:19:00 | 0:19:03 | |
You tell your masters what I said. Then you come back | 0:19:05 | 0:19:09 | |
with the contract for me to sign. | 0:19:09 | 0:19:11 | |
It's taken longer than we thought, | 0:19:11 | 0:19:14 | |
but Jack Turner's finally shown his hand. And it's blackmail. | 0:19:14 | 0:19:18 | |
Against? | 0:19:18 | 0:19:19 | |
Polyhedrus. | 0:19:19 | 0:19:20 | |
Polyhedrus is one of the largest corporations in the world. | 0:19:20 | 0:19:23 | |
Annual revenues of 150 billion dollars. | 0:19:23 | 0:19:26 | |
Nearly 200,000 employees worldwide. | 0:19:26 | 0:19:28 | |
Holdings in coal, construction, water | 0:19:28 | 0:19:30 | |
and raw materials from Sierra Leone to Afghanistan. | 0:19:30 | 0:19:33 | |
Hector Stokes. | 0:19:33 | 0:19:35 | |
-Yeah, the CEO of Polyhedrus. -Sits on the board of Byzantium. | 0:19:35 | 0:19:38 | |
That's right. | 0:19:38 | 0:19:39 | |
So the Chinese bidder isn't our client. | 0:19:39 | 0:19:42 | |
It's Polyhedrus - Hector Stokes? | 0:19:42 | 0:19:44 | |
I mean, can't help drawing conclusions, can I? | 0:19:46 | 0:19:48 | |
Try not to, Mr Fowkes. | 0:19:48 | 0:19:51 | |
Turner claims that Polyhedrus is using the Chinese as a front, | 0:19:51 | 0:19:55 | |
buying the dam on its behalf. | 0:19:55 | 0:19:58 | |
He says he has evidence that will stop the sale. | 0:19:58 | 0:20:02 | |
But we don't know what it is. | 0:20:02 | 0:20:04 | |
No, but we have a fair idea where is it. | 0:20:04 | 0:20:07 | |
In that case that he gave Dave Ryder. | 0:20:07 | 0:20:09 | |
-That bloody case. The curse of my life. -You need to find it. | 0:20:09 | 0:20:14 | |
It's not at the club, not any more. I can tell you that much. | 0:20:14 | 0:20:17 | |
Dave Ryder's your mate. Just get him to take you where it is. | 0:20:17 | 0:20:19 | |
I can't very well go see him now, can I? | 0:20:19 | 0:20:21 | |
Not with Mr T and half the police out looking for me. | 0:20:21 | 0:20:24 | |
That's exactly why you need to see him. Turn that to your advantage. | 0:20:24 | 0:20:29 | |
How you getting on with Stephen Turner, Sam? | 0:20:29 | 0:20:32 | |
Jack keeps him out of his meetings. | 0:20:32 | 0:20:33 | |
I doubt if he knows anything about the black case. | 0:20:33 | 0:20:35 | |
-No. But he writes the cheques for JTRP Holdings, doesn't he? -I had Zoe check, | 0:20:35 | 0:20:40 | |
nothing's been paid into Goebel's account. | 0:20:40 | 0:20:42 | |
Which is strange, if the contents of that case is so valuable. | 0:20:42 | 0:20:47 | |
Our client's Hector Stokes. We've been working for the man who wants you dead. | 0:20:49 | 0:20:52 | |
-Ballard warned me as much. -Keel doesn't know. | 0:20:52 | 0:20:55 | |
It's only a matter of time before he finds out. | 0:20:55 | 0:20:58 | |
I need a plant in today's newspaper about the death of Horst Goebel. | 0:20:58 | 0:21:00 | |
The drowning of a Dutch water engineer's not very big news. | 0:21:00 | 0:21:03 | |
Put it in Metro, page 22. Ironic headline. No pictures. | 0:21:03 | 0:21:07 | |
Suggest foul play, about his trip to London. | 0:21:07 | 0:21:09 | |
-Right. How quickly do you need it? -Right away. -OK. | 0:21:09 | 0:21:12 | |
When you were a child, you must have seen or heard something that | 0:21:14 | 0:21:17 | |
explains Stokes' interest in you. | 0:21:17 | 0:21:19 | |
Whatever you know, it must threaten him, Sam. | 0:21:20 | 0:21:23 | |
Which means it's leverage we can use to keep you alive. | 0:21:23 | 0:21:25 | |
If you can remember? | 0:21:25 | 0:21:27 | |
I told you. I...can't. | 0:21:27 | 0:21:30 | |
I know this is hard. | 0:21:31 | 0:21:33 | |
But you need to remember what you saw. Before it's too late. | 0:21:33 | 0:21:37 | |
-Sam Hunter... -In my house. One guard injured, one dead. | 0:21:52 | 0:21:58 | |
I'm supposed to be hunting her, not the other way round. | 0:21:58 | 0:22:01 | |
Do you think Keel knows? | 0:22:01 | 0:22:03 | |
No, and I'd like to keep it that way. | 0:22:03 | 0:22:05 | |
He's handling a rather important case for us just now. | 0:22:06 | 0:22:10 | |
A case in which Sam Hunter is the prime operative. | 0:22:10 | 0:22:13 | |
Which complicates our task considerably. | 0:22:13 | 0:22:15 | |
And what task is that, Hector? | 0:22:15 | 0:22:18 | |
Terminating her, of course. | 0:22:19 | 0:22:21 | |
I know you, Hector. | 0:22:21 | 0:22:23 | |
You wouldn't be calling me if there weren't more to it. | 0:22:23 | 0:22:26 | |
There is this... | 0:22:28 | 0:22:31 | |
Who's paying him? | 0:22:38 | 0:22:39 | |
I couldn't tell you even if I knew. | 0:22:39 | 0:22:41 | |
He's already approached her. | 0:22:41 | 0:22:43 | |
Undoubtedly, he claims to be her protector. | 0:22:43 | 0:22:46 | |
What makes you think that? | 0:22:46 | 0:22:47 | |
We believe he took out our man with a sniper shot a couple days ago. | 0:22:47 | 0:22:51 | |
I need information. Everyone on Sam Hunter's team at Byzantium. | 0:22:53 | 0:22:59 | |
I believe this is yours. | 0:23:25 | 0:23:27 | |
Blood? | 0:23:27 | 0:23:29 | |
It's Sam's. | 0:23:29 | 0:23:31 | |
Take that. | 0:23:31 | 0:23:34 | |
What's that stain? | 0:23:36 | 0:23:39 | |
You don't recognise it? | 0:23:40 | 0:23:42 | |
We need to know who gave these to Hector Stokes. | 0:23:43 | 0:23:46 | |
Sam found them at his estate. | 0:23:46 | 0:23:48 | |
Ballard said that only he and the Minister saw these. | 0:23:48 | 0:23:50 | |
Obviously not. I'd say Byzantium's not the only one with a mole. | 0:23:50 | 0:23:55 | |
You're jumping to conclusions. Let me find out how this happened. | 0:23:55 | 0:23:59 | |
Well, I'd be very careful if I were you. | 0:23:59 | 0:24:01 | |
-You're in a rather melodramatic mood today, aren't you? -Am I? | 0:24:01 | 0:24:06 | |
Sam was nearly killed, and Ballard's dead. | 0:24:06 | 0:24:09 | |
You think they'd hesitate to kill you, too? | 0:24:09 | 0:24:12 | |
I'm surprised she trusted you enough to bring you these. | 0:24:12 | 0:24:16 | |
After she found out you lied to her. | 0:24:16 | 0:24:18 | |
I've told her I'm not who I said I am. | 0:24:18 | 0:24:22 | |
But you didn't tell her who you really are. | 0:24:22 | 0:24:24 | |
And when she finds out? | 0:24:26 | 0:24:28 | |
KNOCK AT DOOR | 0:24:46 | 0:24:47 | |
Can I talk to you for a second? | 0:24:49 | 0:24:52 | |
Sure. | 0:24:52 | 0:24:54 | |
Have you seen this? | 0:24:58 | 0:25:01 | |
That's the man that came here the day I arrived, isn't it? | 0:25:01 | 0:25:05 | |
Yeah. Horst Goebel. | 0:25:05 | 0:25:07 | |
It says he died three weeks ago. Right after he left here. | 0:25:07 | 0:25:09 | |
That can't be a coincidence. | 0:25:09 | 0:25:11 | |
They might think you had something to do with it. | 0:25:11 | 0:25:13 | |
I doubt it. I didn't really have anything to do with my father's business with Dr Goebel. | 0:25:13 | 0:25:17 | |
He just had me pay him, and Dr Goebel refused even that. | 0:25:17 | 0:25:21 | |
He refused...? | 0:25:22 | 0:25:23 | |
He had all his money sent to a trust, the Asia Promise Society. | 0:25:23 | 0:25:27 | |
I never thanked you for this morning. | 0:25:29 | 0:25:32 | |
That was a big moment for Eddie, going back to those stables. | 0:25:32 | 0:25:35 | |
-You don't need to thank me. -Yeah, I do. | 0:25:35 | 0:25:37 | |
I'm doing something now I should've done a long time ago. | 0:25:39 | 0:25:42 | |
It's because of you. | 0:25:44 | 0:25:45 | |
Mr Turner. We're going to have to stop meeting like this. | 0:27:03 | 0:27:07 | |
I just wanted to thank you for those fingerprints you gave me last night. | 0:27:07 | 0:27:10 | |
That was very helpful. | 0:27:10 | 0:27:12 | |
Happy to oblige. | 0:27:12 | 0:27:14 | |
I'm wondering what other services you can offer. | 0:27:17 | 0:27:19 | |
Services? | 0:27:19 | 0:27:20 | |
Besides the information you give my father, are you able to... | 0:27:22 | 0:27:25 | |
take certain actions? | 0:27:25 | 0:27:27 | |
You're being vague, Mr Turner. Whatever it is, just say it. | 0:27:27 | 0:27:32 | |
My father... I'm sure he's asked you to... | 0:27:32 | 0:27:35 | |
..take care of people. | 0:27:38 | 0:27:39 | |
Ah. I see. | 0:27:41 | 0:27:42 | |
If there was somebody that I need taken care of... | 0:27:42 | 0:27:46 | |
I don't "take care of people". | 0:27:46 | 0:27:48 | |
You don't... I thought that Lewis Conroy... | 0:27:48 | 0:27:51 | |
No. Jack gives orders to Bingham. Bingham gives orders to Dave Ryder. | 0:27:51 | 0:27:57 | |
And Dave Ryder... Well, Dave... has a lot of lads hanging about. | 0:27:58 | 0:28:03 | |
So it was one of them. | 0:28:05 | 0:28:06 | |
Yeah, a bloke in a hoodie. | 0:28:06 | 0:28:10 | |
I don't recommend you try hiring him yourself. | 0:28:11 | 0:28:15 | |
Look, if you get rid of someone, you tell me. | 0:28:15 | 0:28:23 | |
And for a price, I can help... steer the investigation. | 0:28:23 | 0:28:27 | |
Like you did with Lewis. Getting it ruled a murder-suicide. | 0:28:27 | 0:28:30 | |
That's right. He was your friend, wasn't he? | 0:28:30 | 0:28:35 | |
I'm sorry about that. | 0:28:35 | 0:28:36 | |
Don't touch me. | 0:28:36 | 0:28:38 | |
Bastard. | 0:28:42 | 0:28:45 | |
'Jack gives orders to Bingham. Bingham gives orders to Dave Ryder. | 0:28:55 | 0:28:59 | |
'And Dave Ryder... Well, Dave... has a lot of lads hanging about.' | 0:28:59 | 0:29:03 | |
Be careful, yeah. | 0:29:15 | 0:29:16 | |
Am I hearing genuine concern for my wellbeing? | 0:29:16 | 0:29:19 | |
No, I just don't want you to screw this up for the rest of us. | 0:29:19 | 0:29:22 | |
Now what makes you think I'd do that? | 0:29:22 | 0:29:25 | |
Let's just say your reputation in the Forces precedes you. | 0:29:25 | 0:29:28 | |
My temper got the best of me...once. | 0:29:31 | 0:29:34 | |
I came here to make a fresh start, you understand? | 0:29:36 | 0:29:38 | |
-Beat it then. -Yeah. OK. | 0:29:42 | 0:29:45 | |
MOBILE RINGS | 0:29:48 | 0:29:51 | |
-Andrew? -You busy? | 0:29:51 | 0:29:53 | |
-Yeah? -Someone's here to see you, says she is an old friend. | 0:29:53 | 0:29:55 | |
What did she say? | 0:29:55 | 0:29:57 | |
Nothing, just that she really wants to see you. | 0:29:57 | 0:30:00 | |
Don't go anywhere. I'll be right there. | 0:30:00 | 0:30:02 | |
Surprised to see me? | 0:30:12 | 0:30:14 | |
You can't be coming in here. | 0:30:17 | 0:30:18 | |
Have you got a death-wish or something? | 0:30:21 | 0:30:23 | |
Where am I supposed to go? Cops are swarming all over the place. | 0:30:23 | 0:30:26 | |
What the hell happened yesterday? | 0:30:26 | 0:30:28 | |
Your mate Tyrone set me up, that's what happened. | 0:30:28 | 0:30:31 | |
Shot some bloke through a window, then planted the evidence on me. | 0:30:31 | 0:30:34 | |
That's why they shut me out then. | 0:30:34 | 0:30:36 | |
-They knew I wouldn't stand for it. -You've got to let me stay here. | 0:30:36 | 0:30:39 | |
He's been here twice looking for you already. | 0:30:39 | 0:30:41 | |
-Then take me to your place. -My place? -They won't look for me there. | 0:30:41 | 0:30:45 | |
You got me into this. | 0:30:47 | 0:30:48 | |
Andrew? | 0:30:53 | 0:30:55 | |
Zoe. There you are. We've been having a lovely chat, haven't we? | 0:30:55 | 0:31:00 | |
Zoe, great to see you again. How long has it been? Eight years, nine? | 0:31:00 | 0:31:03 | |
Oh, at least, yeah. | 0:31:03 | 0:31:05 | |
I've just been telling Andrew about our Grade II-listed Georgian | 0:31:05 | 0:31:08 | |
-we're wanting to restore. -Georgian. | 0:31:08 | 0:31:10 | |
Andrew's speciality. | 0:31:10 | 0:31:13 | |
Isn't that a coincidence? I've just been showing her my work. | 0:31:13 | 0:31:15 | |
I'll have to talk to Craig, but I think you would be perfect for the job. | 0:31:15 | 0:31:17 | |
I have some drawings and photographs | 0:31:17 | 0:31:20 | |
-from my last restoration. -I'd love to see them, thank you. | 0:31:20 | 0:31:24 | |
Who the frick are you? | 0:31:35 | 0:31:37 | |
I needed to draw you away from Byzantium. | 0:31:37 | 0:31:41 | |
You haven't answered my question. | 0:31:41 | 0:31:43 | |
I'm a private security contractor, just like you, Miss Morgan. | 0:31:43 | 0:31:47 | |
You came to my home. | 0:31:48 | 0:31:49 | |
My home! | 0:31:51 | 0:31:53 | |
I'm here to help a friend of yours. | 0:31:56 | 0:31:58 | |
Sam Hunter. | 0:32:00 | 0:32:01 | |
Let's take a walk. | 0:32:05 | 0:32:06 | |
I'm sure you've been asking yourself questions, | 0:32:08 | 0:32:10 | |
everyone on your team has. | 0:32:10 | 0:32:14 | |
About? | 0:32:14 | 0:32:15 | |
Sam disappears after your op in Tangier last year, | 0:32:15 | 0:32:18 | |
then suddenly resurfaces, without explanation. | 0:32:18 | 0:32:21 | |
I suppose you know what happened. | 0:32:21 | 0:32:23 | |
She was shot. | 0:32:23 | 0:32:24 | |
At a cafe in Tangier, while waiting to meet Aidan Marsh. | 0:32:24 | 0:32:27 | |
Did he set her up? | 0:32:29 | 0:32:31 | |
She wasn't sure who set her up. Which is why she returned, | 0:32:31 | 0:32:33 | |
but didn't tell anyone what had happened. | 0:32:33 | 0:32:35 | |
She didn't feel she could trust any of you. | 0:32:35 | 0:32:37 | |
If that's true, I can't say I blame her. | 0:32:37 | 0:32:40 | |
The op you're on is about to end and, when it does, she'll be persuaded to go away with this man. | 0:32:40 | 0:32:45 | |
Do you recognise him? | 0:32:47 | 0:32:48 | |
He wants her to believe he's going to help her. | 0:32:49 | 0:32:51 | |
But if she goes with him, she'll never come back. | 0:32:51 | 0:32:54 | |
Why hasn't he killed her already? | 0:32:54 | 0:32:56 | |
He needs something from her first. | 0:32:56 | 0:32:58 | |
-Whereas you...? -Well, I'd be lying if I was to tell you | 0:32:58 | 0:33:01 | |
the motives of my employer were benign. | 0:33:01 | 0:33:03 | |
What is it you want from me? | 0:33:05 | 0:33:07 | |
This man is watching her. | 0:33:08 | 0:33:09 | |
I need you to bring Sam to me. | 0:33:11 | 0:33:12 | |
So I can talk to her without him knowing. | 0:33:12 | 0:33:14 | |
You want me to lie to Sam. | 0:33:14 | 0:33:16 | |
So I can help her, yes. | 0:33:16 | 0:33:17 | |
And how are you going to do that? | 0:33:17 | 0:33:19 | |
By giving her answers about who's trying to kill her and why. | 0:33:19 | 0:33:22 | |
Giving her the chance to live the rest of her life without looking over her shoulder. | 0:33:22 | 0:33:26 | |
I'll be in touch. | 0:33:27 | 0:33:28 | |
Miss Thorpe, come in. Come in. | 0:33:38 | 0:33:40 | |
Good afternoon, Under Secretary. | 0:33:40 | 0:33:43 | |
Do sit down. | 0:33:43 | 0:33:44 | |
-I've just been reading about your rather impressive career. -Have you? Whatever for? | 0:33:44 | 0:33:50 | |
You're in line for George Ballard's job. | 0:33:50 | 0:33:52 | |
Sad circumstances, of course, | 0:33:52 | 0:33:54 | |
but I'd say you have an excellent chance of getting it. | 0:33:54 | 0:33:57 | |
Thank you, sir. | 0:33:57 | 0:33:58 | |
Now what can I do for you? | 0:33:58 | 0:34:00 | |
I'd appreciate it if you told no-one in your office about this. | 0:34:00 | 0:34:04 | |
-Very well. What is it? -These are classified communiques I sent to George Ballard last year. | 0:34:04 | 0:34:08 | |
Based on intel supplied by a mole inside Byzantium. | 0:34:08 | 0:34:11 | |
I believe this information was used to target a Byzantium | 0:34:11 | 0:34:14 | |
operative for assassination. | 0:34:14 | 0:34:17 | |
Assassination? By whom? | 0:34:18 | 0:34:19 | |
These reports were found in files belonging to Hector Stokes. | 0:34:20 | 0:34:24 | |
The CEO of Polyhedrus? | 0:34:24 | 0:34:26 | |
Do you have any idea how he might have got these? | 0:34:27 | 0:34:30 | |
Those communiques only went to Ballard and this Ministry. | 0:34:31 | 0:34:36 | |
Do you think the Minister or someone in this office passed them | 0:34:38 | 0:34:41 | |
on to Stokes? | 0:34:41 | 0:34:44 | |
It's possible. | 0:34:44 | 0:34:45 | |
That's a very distressing thought. | 0:34:45 | 0:34:48 | |
It gets more distressing, sir. | 0:34:48 | 0:34:50 | |
George was looking into a conspiracy when he was murdered. | 0:34:50 | 0:34:53 | |
Something called Hourglass. | 0:34:53 | 0:34:55 | |
I'm afraid you'll have to enlighten me. | 0:34:56 | 0:34:57 | |
The CEOs of five major corporations colluding to concentrate power and wealth into their own hands. | 0:34:57 | 0:35:03 | |
And he believed Hector Stokes was one of them. | 0:35:03 | 0:35:05 | |
Sounds like George must've been spending too much time on the Internet. | 0:35:05 | 0:35:09 | |
You've been investigating his death. | 0:35:09 | 0:35:13 | |
-You've found nothing linking back to any of this? -No. Of course not. | 0:35:13 | 0:35:16 | |
I really should be going. | 0:35:20 | 0:35:23 | |
Miss Thorpe...I think it best we keep this to ourselves. | 0:35:23 | 0:35:28 | |
Tell no-one of your suspicions. | 0:35:28 | 0:35:29 | |
Of course, sir. And thank you for your time. | 0:35:32 | 0:35:35 | |
Home sweet home. Such as it is. | 0:36:00 | 0:36:03 | |
Fancy a drink? | 0:36:03 | 0:36:04 | |
Sure. Why not? | 0:36:04 | 0:36:05 | |
How long you been here then? | 0:36:21 | 0:36:22 | |
Ten, twelve years. Since the missus up and left. | 0:36:22 | 0:36:26 | |
Sorry to hear that. | 0:36:26 | 0:36:28 | |
She never had much use for me, anyway. | 0:36:28 | 0:36:31 | |
This your daughter? | 0:36:31 | 0:36:33 | |
-Yeah, Susan. She's all grown now. -You see her much? | 0:36:33 | 0:36:35 | |
Nah. Suppose she doesn't have much use for me neither. | 0:36:35 | 0:36:38 | |
Cheers. | 0:36:40 | 0:36:41 | |
Right, I better get back. | 0:36:41 | 0:36:43 | |
-Don't open that door for no-one but me, understand? -OK. Got it. | 0:36:43 | 0:36:47 | |
Anything? | 0:37:01 | 0:37:03 | |
It's just as Stephen said. | 0:37:03 | 0:37:04 | |
Goebel had his fee transferred to the Asia Promise Society. | 0:37:04 | 0:37:07 | |
Two million pounds. | 0:37:07 | 0:37:09 | |
Dr Goebel seems an unlikely Samaritan. | 0:37:09 | 0:37:12 | |
Most of the funds were earmarked for a Pakistani refugee centre in London. | 0:37:12 | 0:37:15 | |
I don't understand the connection. | 0:37:15 | 0:37:17 | |
Neither did we. | 0:37:17 | 0:37:19 | |
Until Simran discovered he visited the centre six times in the past year. | 0:37:19 | 0:37:22 | |
What for? | 0:37:22 | 0:37:23 | |
He was sponsoring the care of a refugee, | 0:37:23 | 0:37:25 | |
a 16-year-old girl called Noura Khatami from Gedawar. | 0:37:25 | 0:37:28 | |
Sam... | 0:37:29 | 0:37:31 | |
..I'm sorry. | 0:37:34 | 0:37:35 | |
-You're sorry? -You trusted me. | 0:37:39 | 0:37:41 | |
Until last night, I didn't realise how hard that must've been for you. | 0:37:41 | 0:37:47 | |
That trust nearly got you killed. | 0:37:48 | 0:37:50 | |
And cost us our child. | 0:37:51 | 0:37:53 | |
What is it you want? Forgiveness? | 0:37:54 | 0:37:59 | |
Because now you think you "understand"? | 0:38:00 | 0:38:04 | |
I don't forgive you. | 0:38:04 | 0:38:05 | |
And you don't understand me. | 0:38:07 | 0:38:10 | |
My mistake was thinking for a moment you could. | 0:38:10 | 0:38:13 | |
Noura? I'm sorry, they said I could let myself in. | 0:39:00 | 0:39:02 | |
I'm a friend of Dr Goebel's. | 0:39:02 | 0:39:05 | |
Did someone kill him? | 0:39:07 | 0:39:08 | |
I'm afraid so. | 0:39:11 | 0:39:14 | |
I knew something had happened. When I didn't hear from him. | 0:39:14 | 0:39:17 | |
He brought you here from Pakistan? | 0:39:17 | 0:39:20 | |
You're not a friend of his, are you? | 0:39:23 | 0:39:25 | |
No. I'm not. | 0:39:27 | 0:39:29 | |
-Do you work for them? -Who? | 0:39:29 | 0:39:32 | |
The men who built that dam. | 0:39:32 | 0:39:34 | |
Who did this to my face. | 0:39:35 | 0:39:37 | |
What happened? | 0:39:41 | 0:39:42 | |
They came to my village. With gas. | 0:39:42 | 0:39:44 | |
They killed everyone. | 0:39:44 | 0:39:46 | |
-Why? -So they could open the dam, of course. | 0:39:46 | 0:39:49 | |
I showed Dr Goebel where to get the proof from the lake, the mud. | 0:39:50 | 0:39:55 | |
But the men from the dam, they found out. | 0:39:55 | 0:39:59 | |
And they burned my face. So that I wouldn't tell anyone else. | 0:39:59 | 0:40:05 | |
I'm so sorry. | 0:40:06 | 0:40:08 | |
The proof he collected. Do you know where it is? | 0:40:11 | 0:40:14 | |
It was in a case. A black case. | 0:40:14 | 0:40:17 | |
Yes! Thank you! | 0:40:40 | 0:40:43 | |
Sorry. | 0:40:49 | 0:40:50 | |
It's all right, Gary. | 0:40:50 | 0:40:52 | |
You're still a good bloke. | 0:40:54 | 0:40:55 | |
GUNSHOT | 0:40:55 | 0:40:58 | |
Get back! Get back! | 0:41:09 | 0:41:11 | |
SCREAMING | 0:41:53 | 0:41:56 | |
This is where the Upper Khyber Dam was constructed. | 0:42:11 | 0:42:13 | |
At the mouth of the Gedawar River. | 0:42:13 | 0:42:15 | |
Polyhedrus intended to dam seven billion gallons of water, | 0:42:15 | 0:42:18 | |
flooding 80 square miles. | 0:42:18 | 0:42:20 | |
Only one small problem. | 0:42:20 | 0:42:22 | |
The ancient village of Gedawar | 0:42:22 | 0:42:24 | |
sat right in the middle of the flood plain. | 0:42:24 | 0:42:26 | |
Noura's village. | 0:42:26 | 0:42:28 | |
Yeah. The residents had no desire to leave their homes. | 0:42:28 | 0:42:31 | |
They were increasingly vocal about it, in fact, | 0:42:31 | 0:42:33 | |
and they were gaining support. | 0:42:33 | 0:42:35 | |
And then, four months before the dam was due to open, | 0:42:35 | 0:42:37 | |
what was described as a natural disaster struck Gedawar. | 0:42:37 | 0:42:41 | |
Seismic activity in the Gedawar lake | 0:42:41 | 0:42:44 | |
caused the release of a cloud of hydrogen sulphide gas. | 0:42:44 | 0:42:47 | |
It's highly toxic. | 0:42:47 | 0:42:49 | |
Nearly all of the 600 inhabitants were killed in minutes. | 0:42:54 | 0:42:56 | |
Polyhedrus' own consultants, Drs Hill and Goebel, | 0:43:07 | 0:43:09 | |
determined the gas release was a freak occurrence | 0:43:09 | 0:43:12 | |
posing no threat whatsoever to the integrity of the dam, | 0:43:12 | 0:43:15 | |
which subsequently opened a month ahead of schedule. | 0:43:15 | 0:43:18 | |
This is what Dr Hill was going to blow the whistle on. | 0:43:27 | 0:43:31 | |
Or what Goebel intended to expose until Jack Turner got to him first. | 0:43:31 | 0:43:34 | |
And the "mud" that Noura told Sam he collected | 0:43:34 | 0:43:36 | |
must have been sediment samples, proving that the hydrogen sulphide | 0:43:36 | 0:43:39 | |
couldn't have come from the bottom of that lake. | 0:43:39 | 0:43:42 | |
Polyhedrus exterminated 600 people. | 0:43:47 | 0:43:49 | |
We're working for a mass murderer. | 0:43:57 | 0:43:58 | |
We don't draw conclusions. We execute orders. | 0:43:59 | 0:44:02 | |
You want your case? Here's your case! | 0:44:04 | 0:44:08 | |
Hi, I'm Stephen Turner. I've got an appointment with Commander Brooke. | 0:44:46 | 0:44:50 | |
You wanted to see me? | 0:44:58 | 0:45:00 | |
You should've come to me, Sam. | 0:45:15 | 0:45:16 | |
Instead of getting Aidan to cover for you. | 0:45:16 | 0:45:21 | |
Our client wants you dead. That's why you disappeared last year. | 0:45:22 | 0:45:29 | |
And why you broke into his estate last night. | 0:45:29 | 0:45:34 | |
How much do you know? | 0:45:37 | 0:45:39 | |
You came back to Byzantium to find out who tried to kill you and why. | 0:45:39 | 0:45:43 | |
You didn't trust me, of course. | 0:45:47 | 0:45:49 | |
I still don't. | 0:45:50 | 0:45:52 | |
I got you released from Polyhedrus. | 0:45:52 | 0:45:54 | |
If Stokes found out you were there you might be dead already. | 0:45:54 | 0:45:57 | |
So you're helping me now, is that it? | 0:45:57 | 0:46:00 | |
So, what are you going to do? | 0:46:04 | 0:46:05 | |
Nothing, until the op is over. | 0:46:07 | 0:46:10 | |
And then you'll just hand me to Stokes. | 0:46:11 | 0:46:14 | |
What makes you say that? | 0:46:14 | 0:46:16 | |
Well, it's nothing personal, and you may even be sad, | 0:46:16 | 0:46:20 | |
given my value to you and our relationship, such as it is. | 0:46:20 | 0:46:22 | |
But as much as you don't like being kept in the dark, you said it - | 0:46:24 | 0:46:28 | |
you "execute orders", Mr Keel. | 0:46:28 | 0:46:30 | |
It's not your decision to make. | 0:46:30 | 0:46:32 | |
I'd suggest you don't try and run away again. | 0:46:35 | 0:46:38 | |
How did you know they tried to kill me? | 0:46:38 | 0:46:41 | |
I located your medical reports | 0:46:41 | 0:46:44 | |
from the hospital you checked into under an assumed name. | 0:46:44 | 0:46:47 | |
In Istanbul. | 0:46:47 | 0:46:49 | |
I know, Sam. | 0:46:49 | 0:46:51 | |
Miss Hunter. | 0:47:07 | 0:47:08 | |
What are you doing here? | 0:47:10 | 0:47:12 | |
-I needed to see you. -For what? | 0:47:12 | 0:47:14 | |
Those communiques you found were passed onto Hector Stokes by Edward Gillespie. | 0:47:14 | 0:47:17 | |
Who's he? | 0:47:17 | 0:47:19 | |
The under-secretary for the Ministry of Defence. | 0:47:19 | 0:47:22 | |
Ballard didn't know, obviously. | 0:47:22 | 0:47:23 | |
You're in great danger. We both are. | 0:47:23 | 0:47:26 | |
Why come to me and not Aidan? | 0:47:26 | 0:47:28 | |
He told you about him and me? | 0:47:28 | 0:47:30 | |
-He has. -But he hasn't told you who he really is. | 0:47:30 | 0:47:32 | |
No. | 0:47:34 | 0:47:36 | |
I think you should know - before you decide whether to trust him again. | 0:47:36 | 0:47:39 | |
This opens a safe deposit box in Tottenham Court Road. | 0:47:39 | 0:47:42 | |
His MI6 file's inside. | 0:47:45 | 0:47:47 | |
You OK? | 0:48:13 | 0:48:14 | |
What is it? | 0:48:16 | 0:48:17 | |
Dave Ryder. | 0:48:19 | 0:48:21 | |
I keep seeing the look on his face. | 0:48:21 | 0:48:23 | |
Yeah, I know. It's hard. | 0:48:28 | 0:48:31 | |
Betraying someone who trusts you? Bloody miserable. | 0:48:31 | 0:48:34 | |
And all for a box of rocks? | 0:48:36 | 0:48:39 | |
Deacon? That girl told Sam the case contained sediment samples, right? | 0:48:42 | 0:48:45 | |
Right. | 0:48:45 | 0:48:46 | |
Proving Polyhedrus poisoned those villagers. | 0:48:46 | 0:48:49 | |
Well, it didn't, did it? Unless that Horst Goebel impersonator took them. | 0:48:49 | 0:48:53 | |
I think Jack Turner would've noticed if he took receipt of a bunch of rocks. | 0:48:53 | 0:48:57 | |
Then where'd those samples go? | 0:48:57 | 0:48:58 | |
Nowhere. Take a look. | 0:48:58 | 0:49:00 | |
This is the night Jack takes possession of the case. | 0:49:00 | 0:49:03 | |
He stows it here. | 0:49:03 | 0:49:04 | |
That's the case he gave Dave. | 0:49:04 | 0:49:06 | |
Is it? | 0:49:06 | 0:49:07 | |
This is footage from the next day, | 0:49:07 | 0:49:09 | |
when he gives the case to Dave Ryder. | 0:49:09 | 0:49:11 | |
Wait a minute. How'd it get over there? | 0:49:11 | 0:49:13 | |
It didn't. Turner gave him a decoy. The real case never left that room. It's still in the library. | 0:49:13 | 0:49:17 | |
Son of a bitch! | 0:49:17 | 0:49:19 | |
I've been waiting for an hour. | 0:49:19 | 0:49:21 | |
Yes, Mr Turner. I just got the call. I'll take you back now. | 0:49:21 | 0:49:24 | |
Call yourself a son? Call yourself my son? | 0:49:46 | 0:49:49 | |
Betray your own father? | 0:49:49 | 0:49:51 | |
You had Lewis murdered and I can prove it! | 0:49:51 | 0:49:53 | |
Who's listening? You treacherous little shit..! | 0:49:53 | 0:49:56 | |
You want to call the police? | 0:49:57 | 0:50:00 | |
Your answer for everything! | 0:50:00 | 0:50:02 | |
Whatever you think I've done, you don't betray your own blood. | 0:50:02 | 0:50:06 | |
He was my friend! | 0:50:06 | 0:50:08 | |
Lewis? Good friend, was he? | 0:50:08 | 0:50:10 | |
He was knobbing your wife, I know that. | 0:50:10 | 0:50:12 | |
You're disgusting. | 0:50:12 | 0:50:13 | |
I reckon the guilt was too much for her. That's why she offed herself. | 0:50:13 | 0:50:18 | |
Eddie and I are leaving. | 0:50:18 | 0:50:20 | |
You taking the tart with you? | 0:50:22 | 0:50:24 | |
Careful, son. You don't like violence. | 0:50:24 | 0:50:28 | |
She is a tart, you know. | 0:50:31 | 0:50:32 | |
Say that again and I will break your neck! | 0:50:32 | 0:50:35 | |
She's being paid to screw you. | 0:50:35 | 0:50:37 | |
She is screwing you, isn't she? | 0:50:39 | 0:50:41 | |
You turn everything to filth. | 0:50:42 | 0:50:47 | |
She's a plant. | 0:50:47 | 0:50:48 | |
A professional. | 0:50:48 | 0:50:50 | |
Eddie's kidnap - | 0:50:51 | 0:50:53 | |
she staged it with that bloody bag of shit we had down in the basement. | 0:50:53 | 0:50:56 | |
-To win your trust. -You're lying. | 0:50:56 | 0:50:59 | |
I wish I was. | 0:50:59 | 0:51:00 | |
We know about the fingerprints, Stevie. | 0:51:00 | 0:51:03 | |
Bingham found cameras in the library. | 0:51:03 | 0:51:05 | |
Who do you think put them there? | 0:51:05 | 0:51:08 | |
Mmm? | 0:51:08 | 0:51:09 | |
I know this hurts. | 0:51:09 | 0:51:12 | |
But you're still my son. | 0:51:12 | 0:51:14 | |
You're still my family. | 0:51:15 | 0:51:16 | |
These are powerful people we're up against. | 0:51:18 | 0:51:21 | |
They will use anyone, do anything, to destroy me. | 0:51:21 | 0:51:25 | |
Alex was my mistake. | 0:51:33 | 0:51:36 | |
I'll get her out of the house. | 0:51:37 | 0:51:39 | |
That's the last thing you'll do. | 0:51:39 | 0:51:41 | |
She's a spy. | 0:51:41 | 0:51:42 | |
We don't want her employers suspecting we suspect her. | 0:51:42 | 0:51:45 | |
Just carry on as normal. | 0:51:46 | 0:51:49 | |
When all this is over, I'll deal with her. | 0:51:49 | 0:51:52 | |
Whatever she's done, you don't hurt her. | 0:51:55 | 0:51:58 | |
I promise - I won't hurt her. | 0:52:01 | 0:52:04 | |
Now come on, son. Let's go home. | 0:52:06 | 0:52:09 | |
What happened to your face then? | 0:52:26 | 0:52:28 | |
Would you care to explain how Stephen Turner got hold of these? | 0:52:31 | 0:52:35 | |
I was going to give 'em to you. | 0:52:43 | 0:52:45 | |
He paid you, is that it? | 0:52:45 | 0:52:46 | |
No. Course not. | 0:52:46 | 0:52:49 | |
Do you expect to lie your way out of this one, Inspector? | 0:52:49 | 0:52:53 | |
You can't kill a cop, Mr Bingham. | 0:52:55 | 0:52:58 | |
Not without getting into a whole world of trouble. | 0:52:58 | 0:53:03 | |
-Rupert. -Hector. | 0:54:04 | 0:54:06 | |
These offices were built two years ago at a cost of £120 million. | 0:54:06 | 0:54:12 | |
We've yet to find a tenant. | 0:54:13 | 0:54:15 | |
Difficult times. | 0:54:15 | 0:54:16 | |
Well, Every Achilles has his heel. | 0:54:17 | 0:54:20 | |
We can ill afford mistakes. | 0:54:20 | 0:54:22 | |
Mistakes? | 0:54:22 | 0:54:24 | |
I'm told Jack Turner has evidence incriminating Polyhedrus. | 0:54:24 | 0:54:28 | |
He'll go public unless he's awarded the dam. | 0:54:28 | 0:54:31 | |
No doubt he intends to go public regardless. | 0:54:31 | 0:54:34 | |
That evidence could bring down this corporation. | 0:54:34 | 0:54:38 | |
And me. | 0:54:38 | 0:54:39 | |
Jack Turner's only just shown his hand. | 0:54:40 | 0:54:42 | |
It would've been helpful if you'd told me about this before. | 0:54:42 | 0:54:45 | |
I wasn't aware he knew, obviously. | 0:54:45 | 0:54:47 | |
600 villagers killed to make way for a dam. | 0:54:47 | 0:54:49 | |
You might have guessed this would've come out sooner or later. | 0:54:49 | 0:54:52 | |
Polyhedrus is used to keeping its secrets. | 0:54:52 | 0:54:55 | |
In any case, I've decided on a new course. | 0:54:56 | 0:54:59 | |
Which course is that? | 0:54:59 | 0:55:01 | |
Jack Turner is to be eliminated. | 0:55:01 | 0:55:03 | |
At once. | 0:55:04 | 0:55:06 | |
I'd advise against undue haste. | 0:55:06 | 0:55:09 | |
I have a shareholders' meeting in less than 48 hours. | 0:55:09 | 0:55:12 | |
Just get rid of him, Rupert. | 0:55:12 | 0:55:14 | |
And the evidence against you? | 0:55:14 | 0:55:16 | |
Secure it. After he's dead. | 0:55:16 | 0:55:18 | |
Any other reason you want this concluded so quickly? | 0:55:18 | 0:55:21 | |
Such as? | 0:55:24 | 0:55:26 | |
-Hey, Alex. -Hey! | 0:55:47 | 0:55:49 | |
I've almost finished your book. | 0:55:49 | 0:55:52 | |
Are you enjoying it? | 0:55:52 | 0:55:53 | |
How does it end? | 0:55:55 | 0:55:57 | |
You don't want me to tell you that. | 0:55:57 | 0:55:59 | |
-I do. -That would spoil it. | 0:55:59 | 0:56:01 | |
I'm scared it's going to end sadly. | 0:56:03 | 0:56:05 | |
Mr Turner. There's tea in your office. | 0:56:07 | 0:56:08 | |
Thanks, Mrs S. | 0:56:08 | 0:56:10 | |
I'll be right back. | 0:56:10 | 0:56:12 | |
OK. | 0:56:12 | 0:56:13 | |
Are you OK? | 0:56:15 | 0:56:16 | |
Yeah. | 0:56:16 | 0:56:17 | |
What happened? | 0:56:17 | 0:56:19 | |
Erm... | 0:56:19 | 0:56:20 | |
Change of plan. We can't do this. Not tonight. | 0:56:22 | 0:56:24 | |
Are you OK? | 0:56:26 | 0:56:28 | |
I'm fine. | 0:56:28 | 0:56:29 | |
Fine. | 0:56:31 | 0:56:32 | |
Miss Kent? | 0:56:38 | 0:56:40 | |
Can I have a word? | 0:56:40 | 0:56:41 | |
Sure. | 0:56:44 | 0:56:45 | |
Please. | 0:56:47 | 0:56:48 | |
Would you like some tea? | 0:56:53 | 0:56:54 | |
I'm not an easy man, Miss Kent. | 0:57:00 | 0:57:03 | |
I know that. | 0:57:03 | 0:57:04 | |
I don't trust easily. | 0:57:06 | 0:57:07 | |
Because nothing's more important to me than my family. | 0:57:09 | 0:57:12 | |
Nothing. | 0:57:15 | 0:57:16 | |
Some milk? | 0:57:18 | 0:57:19 | |
But I'd be a fool not to notice the effect you've had on my grandson. | 0:57:22 | 0:57:26 | |
And my son, for that matter. | 0:57:26 | 0:57:29 | |
They both adore you. Even I can see that. | 0:57:32 | 0:57:36 | |
I've been too hard on you. | 0:57:42 | 0:57:43 | |
I just want to apologise. | 0:57:48 | 0:57:51 | |
And say I hope you'll stay with us for a long, long time. | 0:57:51 | 0:57:55 | |
(Thank you.) | 0:58:00 | 0:58:02 | |
Yesterday we were leaving together. Today you can't look me in the eye. | 0:58:05 | 0:58:09 | |
What is it you want? | 0:58:09 | 0:58:11 | |
Not what, Mr Keel. Who. | 0:58:11 | 0:58:13 | |
Those things that happened to you, | 0:58:13 | 0:58:16 | |
if you can remember it, you won't have to be afraid any more. | 0:58:16 | 0:58:20 | |
I have to ask you not to leave the house. | 0:58:20 | 0:58:22 | |
We need to get her out of there. | 0:58:22 | 0:58:24 | |
They'll torture her. Like they did Hasan. | 0:58:24 | 0:58:27 | |
-Standby. -Armed. | 0:58:27 | 0:58:28 | |
Targets entering kill zone. | 0:58:28 | 0:58:30 | |
What shall we do?! | 0:58:30 | 0:58:32 | |
Deacon? | 0:58:32 | 0:58:33 | |
Shit! | 0:58:33 | 0:58:35 | |
You know how this will end. | 0:58:35 | 0:58:37 | |
There's one last decision to be taken. | 0:58:37 | 0:58:39 | |
Which is? | 0:58:39 | 0:58:40 | |
Sam Hunter. | 0:58:40 | 0:58:42 | |
Subtitling by Red Bee Media Ltd | 0:59:05 | 0:59:09 |