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-Katherine Morton? -My mother. | 0:00:02 | 0:00:03 | |
You need to remember what you saw before it's too late. | 0:00:03 | 0:00:06 | |
Four months before the dam was due to open, | 0:00:06 | 0:00:08 | |
a natural disaster struck Gedawar. | 0:00:08 | 0:00:10 | |
Polyhedrus exterminated 600 people. We're working for a mass murderer? | 0:00:10 | 0:00:15 | |
Doctor, what's in the case? | 0:00:15 | 0:00:16 | |
Evidence. | 0:00:16 | 0:00:17 | |
Turner gave him a decoy. | 0:00:17 | 0:00:19 | |
The real case never left, it's still in the library. | 0:00:19 | 0:00:21 | |
I'm told Jack Turner has evidence incriminating Polyhedrus. | 0:00:21 | 0:00:25 | |
Jack Turner is to be eliminated. | 0:00:25 | 0:00:27 | |
Facing one's own mortality is frightening, | 0:00:27 | 0:00:29 | |
but it's also an opportunity to find meaning in one's life. | 0:00:29 | 0:00:32 | |
Hey, Alex, I've almost finished your book. | 0:00:32 | 0:00:34 | |
-Enjoying it? -How does it end? -You don't want me to tell you that. | 0:00:34 | 0:00:37 | |
That would spoil it. | 0:00:37 | 0:00:38 | |
Why come to me and not Aidan? | 0:00:38 | 0:00:40 | |
This opens a safe-deposit box. His MI6 file's inside. | 0:00:40 | 0:00:43 | |
I'm sorry, you trusted me, it cost us our child. | 0:00:43 | 0:00:47 | |
-Sam Hunter. -I'm supposed to be hunting her, not the other way round. | 0:00:47 | 0:00:51 | |
You came to my home, what is it you want from me? | 0:00:51 | 0:00:54 | |
I need you to bring Sam to me so I can talk to her without him knowing. | 0:00:54 | 0:00:56 | |
She's being paid to screw you. | 0:00:56 | 0:00:58 | |
She's a plant...a professional. | 0:00:58 | 0:01:01 | |
Whatever she's done, you don't hurt her. | 0:01:01 | 0:01:03 | |
I promise. | 0:01:03 | 0:01:04 | |
Once upon a time, | 0:02:06 | 0:02:07 | |
there lived a poor and lonely soldier's wife. | 0:02:07 | 0:02:10 | |
One day, while out gathering wood, the wife built a maiden out of snow. | 0:02:10 | 0:02:15 | |
"If only you were real," she sighed, "how I would love and treasure you." | 0:02:15 | 0:02:21 | |
The Frost Queen heard the wife's wish | 0:02:21 | 0:02:24 | |
and she promised to turn the Snow Maiden into a real girl, | 0:02:24 | 0:02:27 | |
but with one condition - | 0:02:27 | 0:02:28 | |
in place of her heart, she shall have an icicle. | 0:02:28 | 0:02:32 | |
With that, the maiden magically came to life. | 0:02:32 | 0:02:36 | |
"If she ever steps outside this forest", | 0:02:36 | 0:02:38 | |
the Frost Queen warned, | 0:02:38 | 0:02:40 | |
"the ice will melt and she will die." | 0:02:40 | 0:02:42 | |
For many years, the Snow Maiden and the wife lived together. | 0:02:44 | 0:02:47 | |
But then one day, the wife died. | 0:02:47 | 0:02:51 | |
And the Snow Maiden was sad and wandered the forest | 0:02:51 | 0:02:54 | |
until she came upon a young boy from the village, lost in the woods. | 0:02:54 | 0:02:58 | |
Taking pity, the Snow Maiden led him to the edge of the forest. | 0:02:58 | 0:03:02 | |
If she walked any further, she knew her heart of ice would melt. | 0:03:02 | 0:03:06 | |
The Snow Maiden looked in the boy's eyes and knew what she must do. | 0:03:06 | 0:03:11 | |
She took the boy to his father. | 0:03:13 | 0:03:15 | |
As she watched these two happy souls, her heart of ice melted. | 0:03:15 | 0:03:20 | |
And she died. | 0:03:20 | 0:03:22 | |
Let me out! Let me out! | 0:03:51 | 0:03:53 | |
Why the change in orders? | 0:04:15 | 0:04:18 | |
I don't know. | 0:04:18 | 0:04:19 | |
Just make sure you're not in the car when they leave the party. | 0:04:19 | 0:04:22 | |
Don't tell me you're upset about Jack Turner. | 0:04:22 | 0:04:24 | |
It's not Jack. It's...that little boy's been through hell. | 0:04:24 | 0:04:28 | |
You care about him, don't you? | 0:04:28 | 0:04:30 | |
What about the case? | 0:04:30 | 0:04:31 | |
You're to retrieve it immediately after. | 0:04:33 | 0:04:35 | |
Zoe thinks there must be a wall safe here. | 0:04:35 | 0:04:39 | |
Three video eyes and none of them found it. | 0:04:39 | 0:04:41 | |
Yeah, bad luck for us. | 0:04:41 | 0:04:43 | |
You realise this op may be the only reason our client hasn't killed | 0:04:43 | 0:04:46 | |
-you yet. -I realise. | 0:04:46 | 0:04:48 | |
It ends today, Sam. | 0:04:48 | 0:04:49 | |
You don't have any more time to remember what it was you saw. | 0:04:51 | 0:04:53 | |
When... | 0:04:55 | 0:04:57 | |
..when I found out I was going to be a mother... | 0:04:59 | 0:05:02 | |
..I started thinking... | 0:05:04 | 0:05:05 | |
..about all the things that I hadn't thought about in a long time. | 0:05:07 | 0:05:11 | |
Things that I didn't want to remember, ever again. | 0:05:13 | 0:05:16 | |
And now you're telling me to remember | 0:05:16 | 0:05:18 | |
when all I want to do is forget. | 0:05:18 | 0:05:20 | |
Those things that happened to you... | 0:05:24 | 0:05:26 | |
..hurt very deeply. | 0:05:29 | 0:05:32 | |
And to remember them | 0:05:33 | 0:05:34 | |
is like living through them all over again. | 0:05:34 | 0:05:37 | |
It's terrifying. | 0:05:37 | 0:05:38 | |
But it's your past, Sam. | 0:05:42 | 0:05:43 | |
If you can remember it, you can put it behind you. | 0:05:43 | 0:05:47 | |
You won't have to be afraid anymore. | 0:05:47 | 0:05:49 | |
Zoe... | 0:06:21 | 0:06:22 | |
What is it? | 0:06:26 | 0:06:27 | |
Nothing. | 0:06:32 | 0:06:34 | |
-Zoe, wait... -Shh... | 0:06:44 | 0:06:46 | |
-Stop. -Mm. | 0:06:53 | 0:06:55 | |
-Just stop! -What? | 0:06:55 | 0:06:57 | |
-We need to talk. -About shagging? | 0:06:59 | 0:07:02 | |
About shagging to avoid talking. | 0:07:02 | 0:07:04 | |
What's bothering you? | 0:07:10 | 0:07:12 | |
New orders came in last night. We've got a big job today. | 0:07:19 | 0:07:23 | |
Big job... | 0:07:23 | 0:07:24 | |
Nothing to do with your friend yesterday? | 0:07:27 | 0:07:31 | |
I'd tell you if it were, Andrew. | 0:07:31 | 0:07:33 | |
It's my legs that don't work anymore, Zoe. Not my eyes. | 0:07:36 | 0:07:39 | |
What are you saying? | 0:07:39 | 0:07:41 | |
I can see when something's bothering you. Let me in! | 0:07:41 | 0:07:46 | |
You know I can't talk about work, so why do you keep asking? | 0:07:46 | 0:07:49 | |
How much? | 0:08:12 | 0:08:14 | |
Just enough to slow her down. | 0:08:14 | 0:08:16 | |
We don't want to alarm her friends, watching in the library. | 0:08:16 | 0:08:18 | |
-We should keep her away from there. -No. | 0:08:20 | 0:08:22 | |
I want whoever she works for to see there's nothing to worry about. | 0:08:22 | 0:08:25 | |
Make sure she's not left on her own in there. | 0:08:25 | 0:08:27 | |
How long do we keep this up for? | 0:08:27 | 0:08:28 | |
Not long at all now. | 0:08:28 | 0:08:30 | |
Just till Soomro signs the deal. | 0:08:30 | 0:08:33 | |
Morning, Alex. | 0:08:39 | 0:08:40 | |
-You ready for your party? -Yeah, SO ready. Granddad. | 0:08:40 | 0:08:43 | |
-Nice to see him excited. -Yeah. | 0:08:45 | 0:08:47 | |
-What is it? -What do you mean? | 0:08:53 | 0:08:56 | |
Yesterday we were leaving together | 0:08:57 | 0:08:58 | |
and today you can't look me in the eye. | 0:08:58 | 0:09:00 | |
Look, I'm sorry, I should've explained... | 0:09:00 | 0:09:03 | |
Did something happen with your father? | 0:09:03 | 0:09:05 | |
Yeah. Things are more complicated than I thought. Don't worry. | 0:09:05 | 0:09:08 | |
It wouldn't be a surprise, would it? | 0:09:08 | 0:09:10 | |
-Are we all ready then? -Yeah. | 0:09:10 | 0:09:12 | |
Let's go. | 0:09:12 | 0:09:13 | |
Have you booked your driving lessons? | 0:09:14 | 0:09:17 | |
I'm 11. | 0:09:17 | 0:09:18 | |
What do you reckon, eh? | 0:09:34 | 0:09:36 | |
Know where you're going? Any idea? Hey? | 0:09:36 | 0:09:39 | |
Elvis is in the building. | 0:09:43 | 0:09:45 | |
On it. | 0:09:47 | 0:09:48 | |
Come on, Eddie! | 0:09:50 | 0:09:51 | |
Go on, Eddie! | 0:09:55 | 0:09:57 | |
-Miss Kent. Champagne? -Thank you. | 0:10:00 | 0:10:03 | |
Cheers. | 0:10:03 | 0:10:05 | |
Shameless, that is. Using the boy. | 0:10:46 | 0:10:50 | |
Why are we keeping her on? Why not just let her go? | 0:10:50 | 0:10:52 | |
We will let her go, when the time's right. | 0:10:52 | 0:10:56 | |
Targets leaving the building. | 0:11:04 | 0:11:07 | |
'Stand by.' | 0:11:07 | 0:11:09 | |
'Target should be in your line of sight... | 0:11:10 | 0:11:14 | |
'now. | 0:11:14 | 0:11:15 | |
'Targets entering kill zone... | 0:11:16 | 0:11:18 | |
'Armed.' | 0:11:18 | 0:11:19 | |
Just hold on a second. | 0:11:19 | 0:11:21 | |
-'Hang on, he's walking away from the vehicle.' -Shit. | 0:11:21 | 0:11:23 | |
Eddie. | 0:11:25 | 0:11:27 | |
Why don't you come back with Granddad? | 0:11:27 | 0:11:30 | |
We have plenty of room. | 0:11:30 | 0:11:31 | |
Well, I thought we'd go get some ice cream on the way home. | 0:11:31 | 0:11:34 | |
-Can I, Dad? -Yeah, I suppose so. | 0:11:34 | 0:11:36 | |
-He just...he just had cake. -It's all right. | 0:11:36 | 0:11:39 | |
Come on, Son. | 0:11:41 | 0:11:42 | |
Bollocks, the kid's getting in the wrong car. | 0:11:42 | 0:11:45 | |
-Deacon... -Shit! | 0:11:45 | 0:11:46 | |
Target's entering kill zone. | 0:11:50 | 0:11:52 | |
What shall we do? | 0:11:52 | 0:11:53 | |
Deacon!? | 0:11:54 | 0:11:56 | |
Aaah! Ah! | 0:11:57 | 0:12:00 | |
-Shit! Sam... -Alex...? | 0:12:01 | 0:12:02 | |
Do it, do it now. | 0:12:02 | 0:12:04 | |
Target is moving away. | 0:12:04 | 0:12:06 | |
Now. Do it now. | 0:12:07 | 0:12:09 | |
'Did we get him?' | 0:12:18 | 0:12:20 | |
'Stand by.' | 0:12:20 | 0:12:21 | |
Are you OK? | 0:12:21 | 0:12:24 | |
Yeah, I'm OK. | 0:12:24 | 0:12:25 | |
Sir. | 0:12:25 | 0:12:26 | |
Are you OK? | 0:12:34 | 0:12:35 | |
Yeah, I'm OK. | 0:12:35 | 0:12:37 | |
Sir, leave him. Leave him, sir. There's nothing we can do for him. | 0:12:40 | 0:12:44 | |
Let's get out of here. | 0:12:47 | 0:12:49 | |
There's nothing we can do, we have to leave him now. | 0:12:49 | 0:12:52 | |
-Side arms out front. -Yes, sir. | 0:13:02 | 0:13:05 | |
-SMG's in the garden. -Yes, Mr Bingham. | 0:13:06 | 0:13:08 | |
-You should go to a hospital, Dad. -Nah. | 0:13:08 | 0:13:11 | |
-Hey, how you doing? You OK? -I'm fine. | 0:13:18 | 0:13:20 | |
How's your ankle, Miss Kent? | 0:13:20 | 0:13:22 | |
It's nothing. I just twisted it a little. | 0:13:22 | 0:13:26 | |
You sure? | 0:13:26 | 0:13:27 | |
Good thing, too. We owe you our lives, don't we, Eddie? | 0:13:27 | 0:13:31 | |
I think we're all a bit shaken up. | 0:13:31 | 0:13:33 | |
Rubbish. Eddie's all right, aren't you, Son? | 0:13:33 | 0:13:36 | |
Yeah. Yeah, I'm OK. | 0:13:37 | 0:13:38 | |
That's the best firework display you'll ever see, eh? | 0:13:38 | 0:13:41 | |
It's a good job your presents were in the other car. | 0:13:41 | 0:13:44 | |
Bingham, would you see that Eddie's presents are taken into the library? | 0:13:45 | 0:13:49 | |
-Of course. -Miss Kent will help you unwrap them. | 0:13:49 | 0:13:52 | |
Won't you, Miss Kent? | 0:13:52 | 0:13:53 | |
Is that what you want to do? Open presents? | 0:13:53 | 0:13:56 | |
-I suppose so. -'Course it is. | 0:13:57 | 0:13:59 | |
What happened back there? | 0:14:04 | 0:14:06 | |
Somebody tried to kill me, obviously. | 0:14:07 | 0:14:10 | |
Someone nearly killed my son. | 0:14:11 | 0:14:13 | |
Yeah, they're desperate. We have them just where we want them. | 0:14:13 | 0:14:15 | |
This is about the dam, isn't it? | 0:14:15 | 0:14:17 | |
It's game over, Stevie. | 0:14:17 | 0:14:19 | |
They won't get to me again. | 0:14:19 | 0:14:21 | |
-We've won. -I'm taking Eddie away. -No, you're not. | 0:14:21 | 0:14:24 | |
-Look at him he's scared to death. -It's not safe. | 0:14:24 | 0:14:27 | |
Dad, there are men outside the house with guns! | 0:14:27 | 0:14:29 | |
For my protection and yours. | 0:14:29 | 0:14:30 | |
Inside this house is the safest place on earth | 0:14:30 | 0:14:33 | |
till that contract's signed. | 0:14:33 | 0:14:34 | |
She saved your life. | 0:14:37 | 0:14:38 | |
She saved the boy. | 0:14:42 | 0:14:44 | |
Only proves she's a spy. | 0:14:46 | 0:14:49 | |
How else would she know there was a bomb. | 0:14:50 | 0:14:52 | |
Yeah, I'm watching. | 0:15:08 | 0:15:11 | |
Where would you like the gifts, Miss Kent? | 0:15:11 | 0:15:13 | |
-On the coffee table, right, Eddie? -Yeah. | 0:15:13 | 0:15:15 | |
May I have a word, please? | 0:15:22 | 0:15:24 | |
I'm afraid I have to ask for your mobile phone. | 0:15:30 | 0:15:33 | |
What for? | 0:15:37 | 0:15:39 | |
It's for everyone's protection, under the circumstances. | 0:15:39 | 0:15:43 | |
OK. | 0:15:45 | 0:15:46 | |
Come on... | 0:15:51 | 0:15:52 | |
I have to ask you not to leave the house. | 0:15:56 | 0:15:58 | |
Am I under arrest or something? | 0:15:58 | 0:16:02 | |
I apologise for the inconvenience, Miss Kent. | 0:16:02 | 0:16:04 | |
It's just for a short while. | 0:16:04 | 0:16:07 | |
The whole house is crawling with guards. And they've taken her phone. | 0:16:14 | 0:16:17 | |
Do you think they know she's a spy? | 0:16:17 | 0:16:19 | |
Saving that boy's life, she sentenced herself to death. | 0:16:19 | 0:16:22 | |
-She had to know that. -Then why'd she do it? | 0:16:22 | 0:16:24 | |
I thought Sam had ice in her veins. | 0:16:24 | 0:16:26 | |
-We need to get her out of there, Deacon. -Yeah. | 0:16:26 | 0:16:29 | |
They'll torture her like they did Hasan. | 0:16:29 | 0:16:33 | |
Do you want to lose another operative? | 0:16:35 | 0:16:37 | |
You saying I lost Hasan? | 0:16:39 | 0:16:41 | |
I'm saying you're team leader, it's your call. | 0:16:41 | 0:16:44 | |
My call? | 0:16:44 | 0:16:45 | |
My call would've had your ass fired the second I found out | 0:16:46 | 0:16:49 | |
you lied about Hasan. | 0:16:49 | 0:16:50 | |
Well, we're talking about Sam now. | 0:16:50 | 0:16:52 | |
-Get out of my face. -Not until you give the order to get her out. | 0:16:52 | 0:16:55 | |
Enough! | 0:16:55 | 0:16:57 | |
Sam's fine. | 0:17:11 | 0:17:13 | |
-They're going to kill her. -Why haven't they done that already? | 0:17:15 | 0:17:17 | |
This, this is for show. They've figured out we're watching. | 0:17:17 | 0:17:20 | |
She's not in immediate danger. | 0:17:20 | 0:17:21 | |
They could kill her at any moment, and you know it. | 0:17:21 | 0:17:24 | |
We need to pull her out. | 0:17:24 | 0:17:26 | |
How do you suggest we do that? | 0:17:26 | 0:17:27 | |
-We go in. -Well, that would blow the op. | 0:17:27 | 0:17:29 | |
That's not an option, is it, Deacon? | 0:17:29 | 0:17:31 | |
Turner's still alive, he still has the evidence against our client. | 0:17:31 | 0:17:36 | |
And that's worth the life of your best operative, is it? | 0:17:36 | 0:17:39 | |
We get Turner's evidence out, then we get Sam out. Not before. | 0:17:39 | 0:17:43 | |
How do we get the case out? With all those guards | 0:17:43 | 0:17:45 | |
- surrounding the place... - Good question. | 0:17:45 | 0:17:47 | |
We don't get the case out. | 0:17:50 | 0:17:52 | |
Well, then how do we complete the op? | 0:17:52 | 0:17:54 | |
There's another way. | 0:17:54 | 0:17:56 | |
Why doesn't she get the case? | 0:18:34 | 0:18:36 | |
Because either Eddie or Bingham has been in there all day. | 0:18:36 | 0:18:38 | |
-Still... -Next time, why don't you strap on a bra and try being Sam, | 0:18:38 | 0:18:41 | |
OK? | 0:18:41 | 0:18:43 | |
You're tense. What you need's a wee neck rub. | 0:18:43 | 0:18:45 | |
Put your hands on me, I'll break them off. | 0:18:45 | 0:18:48 | |
All right, Keel has asked the client to instruct Soomro to go to | 0:18:48 | 0:18:52 | |
-Turner's house tomorrow morning. -What for? | 0:18:52 | 0:18:54 | |
To sign the contract for the dam. | 0:18:54 | 0:18:56 | |
That's your plan? Letting Turner win? | 0:18:56 | 0:18:58 | |
How does that help? | 0:18:58 | 0:18:59 | |
You'll go with Soomro, as a member of his security detail. | 0:18:59 | 0:19:02 | |
Once the evidence is verified, you'll destroy it. | 0:19:02 | 0:19:05 | |
No need to take the evidence out of the house if it doesn't exist. | 0:19:05 | 0:19:07 | |
Turner's blackmail goes away. And he doesn't win the contract. | 0:19:07 | 0:19:10 | |
The client wins. Once the evidence's is destroyed, the op is over. | 0:19:10 | 0:19:13 | |
We get Sam out of there. | 0:19:13 | 0:19:15 | |
I am so sorry you didn't get any presents again this year. | 0:19:24 | 0:19:27 | |
Hungry? | 0:19:28 | 0:19:30 | |
-Yeah. -Come on, dinner's ready. | 0:19:30 | 0:19:32 | |
-I think I'll go upstairs and rest, if that's OK. -You all right? | 0:19:36 | 0:19:40 | |
Bit of a headache, that's all. I'll be fine. | 0:19:40 | 0:19:42 | |
No... | 0:20:03 | 0:20:04 | |
'A man has been killed and several other people injured | 0:20:11 | 0:20:14 | |
'in a suspected bomb attack in East London. | 0:20:14 | 0:20:16 | |
'The Metropolitan Police say the man, who has not been identified, | 0:20:16 | 0:20:19 | |
'was sitting in the stationary car when it exploded | 0:20:19 | 0:20:21 | |
'at a go-karting track in the London Docklands area. | 0:20:21 | 0:20:25 | |
-'Detectives are investigating...' -Very messy. | 0:20:25 | 0:20:27 | |
'..an explosive device was deliberately placed | 0:20:27 | 0:20:29 | |
'under the vehicle. | 0:20:29 | 0:20:30 | |
'Eye witnesses described a huge fireball and blast, | 0:20:30 | 0:20:34 | |
'which shook windows in a nearby building.' | 0:20:34 | 0:20:36 | |
You should know I have a gun in my hand. | 0:20:36 | 0:20:38 | |
Just in case you're thinking of jabbing me | 0:20:38 | 0:20:40 | |
with one of your little needles. | 0:20:40 | 0:20:42 | |
I'm just here to talk. | 0:20:42 | 0:20:43 | |
Why you haven't retrieved Sam Hunter yet? | 0:20:44 | 0:20:47 | |
I didn't come here to answer your questions. | 0:20:47 | 0:20:49 | |
So, why did you come here? | 0:20:49 | 0:20:51 | |
You think you can rattle me. | 0:20:58 | 0:21:00 | |
You know how this will end. | 0:21:02 | 0:21:04 | |
You don't scare me. | 0:21:06 | 0:21:09 | |
Byzantium may have disappointed my employer. | 0:21:10 | 0:21:13 | |
But I won't. | 0:21:17 | 0:21:18 | |
Then one of us will walk away from this. | 0:21:18 | 0:21:21 | |
And one of us won't. | 0:21:22 | 0:21:24 | |
Thank you. | 0:21:35 | 0:21:37 | |
Mr Stephen, something here for you. | 0:21:45 | 0:21:47 | |
Thank you. | 0:21:47 | 0:21:48 | |
Excuse me. | 0:22:17 | 0:22:18 | |
Did you send me this? | 0:22:19 | 0:22:20 | |
Can you open the gate? | 0:22:23 | 0:22:24 | |
Stephen Turner's just left the house. | 0:22:30 | 0:22:32 | |
Excuse me! | 0:22:34 | 0:22:35 | |
Hang on! | 0:22:37 | 0:22:38 | |
Miss? | 0:22:44 | 0:22:46 | |
What's this about? | 0:22:46 | 0:22:48 | |
I don't want them seeing me. | 0:22:51 | 0:22:53 | |
What are you so afraid of? | 0:22:55 | 0:22:57 | |
You don't know, do you? | 0:22:57 | 0:22:59 | |
Why don't you tell me? | 0:23:02 | 0:23:03 | |
I can't, they'll do the same thing to me as they did to your wife. | 0:23:05 | 0:23:10 | |
I think you'd better tell me what you're talking about. | 0:23:15 | 0:23:18 | |
I watch your house, from my room. | 0:23:18 | 0:23:21 | |
I should've told you before, but I was so scared... | 0:23:21 | 0:23:23 | |
-What are you...! -Please! | 0:23:23 | 0:23:26 | |
..talking about? | 0:23:26 | 0:23:29 | |
Your wife. | 0:23:32 | 0:23:33 | |
They killed her. | 0:23:35 | 0:23:36 | |
My wife killed herself. | 0:23:41 | 0:23:43 | |
Yes, she drowned herself. | 0:23:43 | 0:23:45 | |
In the pool, in the back garden. | 0:23:45 | 0:23:47 | |
She...she drowned, but she didn't kill herself. | 0:23:48 | 0:23:52 | |
Do you want money, is that it? | 0:23:56 | 0:23:58 | |
No. Listen to me. | 0:23:58 | 0:24:00 | |
I saw them do something to her, in her room... | 0:24:00 | 0:24:04 | |
She went outside and... She was so weak, she could barely stand. | 0:24:07 | 0:24:13 | |
And he was there. | 0:24:14 | 0:24:15 | |
Who? | 0:24:16 | 0:24:17 | |
It was a black guy in a hoodie. | 0:24:17 | 0:24:19 | |
I've seen him outside your house before. | 0:24:19 | 0:24:22 | |
And he pushed her in. | 0:24:23 | 0:24:25 | |
I was just...waiting and waiting | 0:24:26 | 0:24:31 | |
for her to come back up or to swim, but... | 0:24:31 | 0:24:35 | |
she was just floating there. | 0:24:35 | 0:24:37 | |
Like an angel. | 0:24:39 | 0:24:41 | |
Why are you telling me this now? | 0:24:44 | 0:24:47 | |
Because it's happening again. | 0:24:48 | 0:24:50 | |
To that other woman. | 0:24:51 | 0:24:53 | |
SHE MOANS | 0:24:55 | 0:24:58 | |
There's Sam. | 0:26:16 | 0:26:17 | |
She's going for the case. | 0:26:19 | 0:26:22 | |
-AIDAN: -She doesn't look well. | 0:26:22 | 0:26:23 | |
Bingham's outside. | 0:26:23 | 0:26:25 | |
-CRANE: -That's good. | 0:26:25 | 0:26:26 | |
Bingham's going back in. | 0:26:40 | 0:26:42 | |
-Well, he's going to walk in on her. -We need to warn her. | 0:26:42 | 0:26:45 | |
-How? -Give me my phone. -She doesn't have hers. -Just give it to me! | 0:26:45 | 0:26:48 | |
PHONE RINGS | 0:26:53 | 0:26:56 | |
Hello? | 0:26:56 | 0:26:58 | |
Hello? | 0:26:58 | 0:27:00 | |
What are you doing in here? Answer the question. | 0:27:06 | 0:27:09 | |
I was just getting Eddie's things. | 0:27:09 | 0:27:12 | |
Wait. | 0:27:12 | 0:27:13 | |
What? | 0:27:13 | 0:27:15 | |
Wait here. | 0:27:15 | 0:27:17 | |
Forgive me. As you can see, I'm a little on edge. | 0:27:25 | 0:27:28 | |
My name's Stephen Turner. | 0:28:08 | 0:28:10 | |
Yeah, I know who you are. | 0:28:10 | 0:28:12 | |
Where's Dave? | 0:28:15 | 0:28:16 | |
Dave's dead. Someone bumped him off. | 0:28:19 | 0:28:23 | |
Did you kill him? | 0:28:27 | 0:28:28 | |
Like you killed my wife? | 0:28:32 | 0:28:34 | |
-What? -You heard me. | 0:28:35 | 0:28:36 | |
If I did, or didn't, | 0:28:43 | 0:28:45 | |
you really think I'd tell you? | 0:28:45 | 0:28:46 | |
Why? | 0:28:47 | 0:28:49 | |
Why does anything happen? | 0:28:51 | 0:28:53 | |
I mean, why am I living in a shitty dump while you're up there | 0:28:54 | 0:28:57 | |
in the big house with the old man? | 0:28:57 | 0:28:59 | |
I don't feel sorry for you. | 0:29:02 | 0:29:04 | |
Nah... | 0:29:06 | 0:29:07 | |
Nah, 'course you don't. | 0:29:09 | 0:29:11 | |
You don't even know who I am, do you? | 0:29:11 | 0:29:13 | |
You with all your money. | 0:29:16 | 0:29:18 | |
Your heirs. | 0:29:18 | 0:29:19 | |
You think you're better than me. | 0:29:21 | 0:29:23 | |
You ain't. | 0:29:25 | 0:29:26 | |
I'm a better son to him than you'll ever be. | 0:29:31 | 0:29:33 | |
Who are you? | 0:29:41 | 0:29:42 | |
Up you go. | 0:30:13 | 0:30:15 | |
Miss Kent. | 0:30:22 | 0:30:23 | |
May I have a word, please? | 0:30:23 | 0:30:25 | |
Of course. | 0:30:25 | 0:30:27 | |
You should really drink more liquids, Miss Kent. | 0:30:47 | 0:30:51 | |
There, there. | 0:30:56 | 0:30:58 | |
You rest now. | 0:30:58 | 0:31:00 | |
We'll take good care of you. | 0:31:00 | 0:31:03 | |
Mr Soomro. Right this way. | 0:31:19 | 0:31:24 | |
You must be disappointed, seeing me alive. | 0:31:27 | 0:31:30 | |
I've learned not to underestimate you, Mr Turner. | 0:31:30 | 0:31:33 | |
-You brought the contract? -I did, but I won't sign it. | 0:31:33 | 0:31:36 | |
Not until the validity of your evidence is confirmed. | 0:31:36 | 0:31:39 | |
I understand. | 0:31:39 | 0:31:41 | |
Well, they said it was hydrogen sulphide | 0:31:41 | 0:31:45 | |
that bubbled up from the bottom of that lake | 0:31:45 | 0:31:47 | |
and killed 600 villagers in Pakistan. | 0:31:47 | 0:31:50 | |
But a Dutch engineer named Horst Goebel knew better. | 0:31:50 | 0:31:56 | |
He went out on that lake, and he took sediment samples. | 0:31:56 | 0:32:00 | |
And what do you think he found? | 0:32:02 | 0:32:04 | |
No hydrogen sulphide at the bottom of the lake. | 0:32:08 | 0:32:11 | |
How could that be? | 0:32:11 | 0:32:12 | |
Unless the gas didn't come from underwater... | 0:32:15 | 0:32:17 | |
It was sprayed in the air. | 0:32:19 | 0:32:22 | |
All to make way for a dam. | 0:32:23 | 0:32:25 | |
Can you prove this is what you say it is? | 0:32:39 | 0:32:42 | |
Well... | 0:32:42 | 0:32:43 | |
..sediment samples are as unique and undeniable | 0:32:44 | 0:32:47 | |
as a fingerprint, more so cos they can't be faked. | 0:32:47 | 0:32:51 | |
That one's for you, Mr Soomro. | 0:32:56 | 0:32:58 | |
Go ahead, have it analysed. | 0:32:58 | 0:33:00 | |
I'll wait. | 0:33:00 | 0:33:02 | |
You looking for someone? | 0:33:21 | 0:33:23 | |
Where is he? | 0:33:37 | 0:33:39 | |
-He's in the library. -Tell him I need to see him in his office. | 0:33:39 | 0:33:42 | |
I'm afraid he can't be disturbed right now. | 0:33:42 | 0:33:45 | |
Are you going to tell him, or shall I? | 0:33:45 | 0:33:47 | |
Dad. | 0:33:59 | 0:34:00 | |
How you doing? | 0:34:11 | 0:34:12 | |
I'm OK. | 0:34:12 | 0:34:14 | |
-Where's Alex? -She's in her room. | 0:34:15 | 0:34:17 | |
Mr Bingham says she's not feeling well. | 0:34:17 | 0:34:20 | |
How do you fancy going to Jackson's, watch a DVD. | 0:34:22 | 0:34:24 | |
-OK. -Good. Mrs Sidwa, would you mind taking him over? | 0:34:24 | 0:34:28 | |
'Course not. | 0:34:28 | 0:34:29 | |
No rocks this time? | 0:34:34 | 0:34:35 | |
It's the real deal. But Turner's still got a sample. | 0:34:35 | 0:34:38 | |
We need that sample destroyed. | 0:34:38 | 0:34:41 | |
I couldn't locate Sam. | 0:34:41 | 0:34:42 | |
Do you think she's OK? | 0:34:42 | 0:34:43 | |
Get that to Keel. Make it fast. | 0:34:45 | 0:34:47 | |
Let me out, let me out, let me out, let me out! | 0:35:17 | 0:35:23 | |
-How long will it take you to analyse this? -Minutes. | 0:35:48 | 0:35:50 | |
Dam's as good as ours, Stevie. | 0:36:04 | 0:36:06 | |
Soomro's in there shitting himself. | 0:36:06 | 0:36:08 | |
The Chinese won't be happy. | 0:36:10 | 0:36:12 | |
Not the Chinese... | 0:36:13 | 0:36:15 | |
..Polyhedrus. | 0:36:16 | 0:36:18 | |
The Chinese were fronting for them. | 0:36:18 | 0:36:20 | |
Controlling water. | 0:36:20 | 0:36:22 | |
That's pretty valuable to a multinational corporation, isn't it? | 0:36:24 | 0:36:27 | |
Water's the future, Stevie. | 0:36:27 | 0:36:29 | |
A few years, it'll be more valuable than oil. | 0:36:29 | 0:36:31 | |
Take it from them now, | 0:36:33 | 0:36:34 | |
when their entire corporation's counting on it... | 0:36:34 | 0:36:37 | |
-We've hurt them. Badly. -Why? | 0:36:37 | 0:36:40 | |
What do you mean, why? | 0:36:40 | 0:36:42 | |
Well, you don't care about water... | 0:36:42 | 0:36:43 | |
..or the dam. | 0:36:45 | 0:36:46 | |
So, why did you go to all this trouble? | 0:36:48 | 0:36:51 | |
-Stevie... -Don't lie to me, Dad. Just for once in your life. | 0:36:51 | 0:36:55 | |
Justice. | 0:37:07 | 0:37:08 | |
Justice... | 0:37:10 | 0:37:11 | |
When I was building my fortune in Docklands... | 0:37:13 | 0:37:17 | |
..who do you think tried to bully me, | 0:37:18 | 0:37:20 | |
tried to run me out of business, | 0:37:20 | 0:37:22 | |
threaten me if I wouldn't get out of their way? | 0:37:22 | 0:37:24 | |
And when that didn't work, they took my eldest son, | 0:37:24 | 0:37:27 | |
your brother, | 0:37:27 | 0:37:28 | |
and they cut his poor body to pieces. | 0:37:28 | 0:37:31 | |
John was murdered... | 0:37:33 | 0:37:34 | |
..by two Pakistani men. | 0:37:37 | 0:37:38 | |
And you had them killed. | 0:37:41 | 0:37:43 | |
Them bastards were just following orders. | 0:37:43 | 0:37:46 | |
It wasn't the man who gave the order to kill your brother. | 0:37:47 | 0:37:51 | |
If it had been, I'd have killed his sons, killed his whole family. | 0:37:52 | 0:37:57 | |
It was Polyhedrus. | 0:37:57 | 0:37:59 | |
A corporation. | 0:37:59 | 0:38:00 | |
So, what was I to do... | 0:38:02 | 0:38:04 | |
to get justice for my dead son? | 0:38:04 | 0:38:07 | |
If I couldn't kill a man, I'd bloody well kill a corporation. | 0:38:09 | 0:38:14 | |
It's taken me the best part of 20 years, | 0:38:17 | 0:38:21 | |
but I've done it, Stevie. | 0:38:21 | 0:38:22 | |
I've finally done it. | 0:38:24 | 0:38:25 | |
John's still dead, Dad. | 0:38:26 | 0:38:28 | |
I spoke to your...son. | 0:38:32 | 0:38:33 | |
He told me what happened. | 0:38:35 | 0:38:36 | |
My SON? | 0:38:40 | 0:38:41 | |
Yeah, the one you won't admit to, because his skin's the wrong colour. | 0:38:42 | 0:38:47 | |
The one you had murder my wife. | 0:38:53 | 0:38:55 | |
His name's Tyrone. | 0:39:03 | 0:39:05 | |
And he's always been loyal. | 0:39:07 | 0:39:09 | |
He's never crossed me. | 0:39:10 | 0:39:12 | |
She was no good for you, Stevie. | 0:39:16 | 0:39:18 | |
She wanted to take you and Eddie away. | 0:39:19 | 0:39:22 | |
And she would've, too. | 0:39:23 | 0:39:25 | |
She would've destroyed this family. | 0:39:25 | 0:39:28 | |
Stevie... | 0:39:28 | 0:39:29 | |
Stevie! | 0:39:29 | 0:39:31 | |
It's been good, you know. | 0:39:43 | 0:39:44 | |
Really been enjoying it. | 0:39:48 | 0:39:51 | |
I just wanted to say, thanks for giving me a chance. | 0:39:52 | 0:39:54 | |
Not everyone would. | 0:39:57 | 0:39:58 | |
What? What's it say? | 0:40:12 | 0:40:15 | |
PHONE RINGS | 0:40:15 | 0:40:17 | |
Crane. | 0:40:17 | 0:40:18 | |
Yeah. | 0:40:20 | 0:40:21 | |
Got it. | 0:40:23 | 0:40:24 | |
You better get back to that house. | 0:40:26 | 0:40:28 | |
What is it? | 0:40:28 | 0:40:30 | |
Not what we thought. | 0:40:30 | 0:40:31 | |
-Where do you think you're going, sir? -I'm leaving. | 0:40:35 | 0:40:38 | |
I'm taking her with me. | 0:40:38 | 0:40:40 | |
No, she's not going anywhere. | 0:40:40 | 0:40:42 | |
-This should be interesting. -Mmmm. | 0:41:00 | 0:41:03 | |
Goodbye, Mr Turner. | 0:41:13 | 0:41:15 | |
Mr Soomro... | 0:41:18 | 0:41:20 | |
We've got a contract to sign. | 0:41:20 | 0:41:21 | |
We won't be signing any contract. | 0:41:21 | 0:41:24 | |
You think I won't go public with this? | 0:41:24 | 0:41:27 | |
I'll splash this over every newspaper in time | 0:41:27 | 0:41:29 | |
for the shareholders meeting tomorrow morning. | 0:41:29 | 0:41:32 | |
I don't think the shareholders would be | 0:41:32 | 0:41:34 | |
much interested in a tube of dirt. | 0:41:34 | 0:41:37 | |
What are you saying? | 0:41:38 | 0:41:40 | |
Your sample, Mr Turner. | 0:41:40 | 0:41:42 | |
It's nothing but nitrogen fertilizer. | 0:41:42 | 0:41:44 | |
You've been had. | 0:41:46 | 0:41:48 | |
And so have I. | 0:41:49 | 0:41:51 | |
Police, please. | 0:42:08 | 0:42:10 | |
Come on... | 0:42:12 | 0:42:13 | |
Are you all right, sir? | 0:42:24 | 0:42:25 | |
Clear the house. | 0:42:27 | 0:42:29 | |
Everybody except Alex Kent. | 0:42:30 | 0:42:33 | |
Aidan, where are you? | 0:42:37 | 0:42:38 | |
I'm going back in. | 0:42:38 | 0:42:40 | |
Yeah, there's two cars coming in. | 0:42:40 | 0:42:43 | |
-Load up the car. -Yeah. | 0:42:43 | 0:42:45 | |
-Move, move, move! -What's going on? Bingham! | 0:42:45 | 0:42:47 | |
What's happening? Bingham! | 0:42:47 | 0:42:50 | |
Shit! | 0:43:04 | 0:43:05 | |
Mr Marsh. | 0:43:20 | 0:43:22 | |
Who are you? | 0:43:22 | 0:43:24 | |
You need to get into that house. Now. | 0:43:24 | 0:43:27 | |
What do you know? | 0:43:27 | 0:43:29 | |
She's been poisoned. You need to give her this. | 0:43:29 | 0:43:32 | |
How do I know this isn't poison? | 0:43:36 | 0:43:38 | |
Why would I need to kill someone who's already dying. | 0:43:38 | 0:43:41 | |
-How can we get back in? -Who are you? | 0:44:19 | 0:44:22 | |
-He'll kill her. Can you get me in? -Bingham's got the override key. | 0:44:22 | 0:44:25 | |
-He's gone round the back. -Stay here. | 0:44:25 | 0:44:27 | |
Don't move. | 0:44:36 | 0:44:38 | |
GIRL SCREAMS | 0:45:03 | 0:45:05 | |
Help! | 0:45:10 | 0:45:12 | |
MURMURING | 0:45:14 | 0:45:17 | |
Let me out! | 0:45:19 | 0:45:21 | |
GIRL SCREAMS | 0:45:27 | 0:45:30 | |
'Once upon a time, in a deep, frozen forest...' | 0:45:30 | 0:45:33 | |
GIRL SCREAMS | 0:46:24 | 0:46:26 | |
Sam, hide. | 0:46:42 | 0:46:43 | |
Sam! | 0:46:45 | 0:46:46 | |
Aaah! | 0:47:06 | 0:47:08 | |
SHE GASPS FOR BREATH | 0:47:24 | 0:47:26 | |
Wait there! | 0:47:35 | 0:47:37 | |
Sam... | 0:47:42 | 0:47:44 | |
Sam, can you hear me? | 0:47:44 | 0:47:46 | |
Sam... | 0:47:57 | 0:47:59 | |
You're late. | 0:48:19 | 0:48:20 | |
It's OK. You're going to be OK. | 0:48:25 | 0:48:27 | |
I remember... | 0:48:28 | 0:48:30 | |
I remember. | 0:48:32 | 0:48:33 | |
Good morning, Mr Keel. | 0:49:03 | 0:49:05 | |
I'm afraid I don't know your name. | 0:49:07 | 0:49:09 | |
Only that it isn't Horst Goebel. | 0:49:09 | 0:49:12 | |
You've given your client everything he asked. | 0:49:13 | 0:49:16 | |
Except this. | 0:49:16 | 0:49:17 | |
I gather you took that from the real Horst Goebel. | 0:49:19 | 0:49:22 | |
Among other things. | 0:49:24 | 0:49:26 | |
I wouldn't surrender this to Jack Turner. | 0:49:31 | 0:49:33 | |
Not the real case. | 0:49:35 | 0:49:37 | |
Not once I realised its value. | 0:49:38 | 0:49:41 | |
What is it you want? | 0:49:47 | 0:49:49 | |
Not what, Mr Keel. | 0:49:49 | 0:49:52 | |
Who. | 0:49:53 | 0:49:54 | |
When will you be back? | 0:50:38 | 0:50:40 | |
I need some answers. About Hourglass. | 0:50:40 | 0:50:42 | |
At least now I know what I'm looking for. | 0:50:44 | 0:50:46 | |
This is goodbye, then. | 0:50:50 | 0:50:52 | |
Be careful. | 0:50:58 | 0:50:59 | |
Andrew... | 0:51:36 | 0:51:37 | |
Andrew? | 0:51:41 | 0:51:42 | |
Where is he? | 0:51:44 | 0:51:45 | |
I told him you were in the cafe. | 0:51:45 | 0:51:48 | |
-He's waiting for you. -What do you want? | 0:51:48 | 0:51:51 | |
I...I'm not here to threaten you. | 0:51:51 | 0:51:54 | |
You being here is a threat. | 0:51:54 | 0:51:57 | |
Everything's going to be fine, Zoe. | 0:51:57 | 0:51:59 | |
So long as you bring her to me. | 0:51:59 | 0:52:01 | |
And if I don't? | 0:52:01 | 0:52:02 | |
Oh, you will. | 0:52:02 | 0:52:03 | |
What's that? | 0:52:16 | 0:52:17 | |
My letter of resignation. | 0:52:17 | 0:52:19 | |
A man with your skill set is rare, Deacon. | 0:52:23 | 0:52:26 | |
I don't think you'll find fulfilment managing | 0:52:26 | 0:52:28 | |
security guards in a shopping mall. | 0:52:28 | 0:52:31 | |
I can't compromise my conscience any more. | 0:52:31 | 0:52:33 | |
Not for you. Not for anyone. | 0:52:33 | 0:52:36 | |
Take responsibility for anything in life | 0:52:36 | 0:52:38 | |
if you find yourself compromised, Deacon. | 0:52:38 | 0:52:40 | |
The greater the responsibility, the heavier the burden. | 0:52:40 | 0:52:45 | |
-You don't seem burdened. -I don't seek to deny human nature. | 0:52:45 | 0:52:49 | |
Maybe you wouldn't either, if you were sitting in my chair. | 0:52:49 | 0:52:51 | |
Well, I'm not, am I? | 0:52:51 | 0:52:53 | |
No, but you could be. Sooner than you think. | 0:52:53 | 0:52:56 | |
I'd like to think a man like you will take over from me after I go. | 0:52:56 | 0:53:00 | |
Can I leave now? | 0:53:00 | 0:53:02 | |
There's one last decision to be taken. | 0:53:02 | 0:53:04 | |
What's that? | 0:53:06 | 0:53:08 | |
Our Horst Goebel impersonator. | 0:53:08 | 0:53:11 | |
He has possession of Turner's evidence against our client. | 0:53:11 | 0:53:14 | |
What's he going to do with it? | 0:53:14 | 0:53:16 | |
-Expose our client. Unless we give him what he wants. -Which is? | 0:53:16 | 0:53:19 | |
Sam Hunter. | 0:53:19 | 0:53:21 | |
It seems our client's employed a competing operative | 0:53:21 | 0:53:24 | |
to take her life. | 0:53:24 | 0:53:25 | |
-What are you going to do? -What would you do... | 0:53:25 | 0:53:28 | |
if it was your decision? | 0:53:28 | 0:53:30 | |
I'd like to finish this once and for all. | 0:53:32 | 0:53:34 | |
But I need your assistance. | 0:53:34 | 0:53:36 | |
Thanks for coming. | 0:53:46 | 0:53:48 | |
I'm sorry about your grandfather. | 0:53:52 | 0:53:54 | |
Dad said you're going back to America. | 0:53:56 | 0:53:58 | |
I have to. | 0:53:58 | 0:53:59 | |
I wanted to tell you that I finished your mother's book. | 0:54:02 | 0:54:04 | |
Did you find the ending sad? | 0:54:06 | 0:54:08 | |
No. | 0:54:09 | 0:54:11 | |
No, I liked it. It's just... | 0:54:12 | 0:54:14 | |
She didn't really die, did she? | 0:54:16 | 0:54:18 | |
I'm going to miss you, Alex. | 0:54:27 | 0:54:29 | |
I'm going to miss you, too. | 0:54:31 | 0:54:33 | |
Come on. | 0:54:36 | 0:54:38 | |
PHONE RINGS | 0:54:56 | 0:54:59 | |
-Yes. -I need to see you. | 0:55:01 | 0:55:03 | |
-What is it? -Something you need to know. | 0:55:03 | 0:55:05 | |
Can you meet me at Victoria Dock? | 0:55:05 | 0:55:07 | |
OK. | 0:55:07 | 0:55:08 | |
-It's urgent. -I'll be there as soon as I can. | 0:55:08 | 0:55:11 | |
How shit is this? | 0:56:32 | 0:56:34 | |
'The Snow Maiden looked into the boy's eyes | 0:57:40 | 0:57:43 | |
'and knew what she must do. | 0:57:43 | 0:57:46 | |
'She took the boy to his father. | 0:57:46 | 0:57:48 | |
'As she watched these two happy souls, | 0:57:51 | 0:57:54 | |
'her heart of ice melted, and she died.' | 0:57:54 | 0:57:57 | |
Hello, you... Come here. | 0:58:21 | 0:58:24 | |
'But the Snow Maiden's body turned into a perfect snowflake | 0:58:30 | 0:58:35 | |
'that rose into the air and danced on the breeze. | 0:58:35 | 0:58:39 | |
'Until at last, it vanished in the sunlight.' | 0:58:43 | 0:58:46 | |
Subtitles by Red Bee Media Ltd | 0:58:55 | 0:58:58 |