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# My daddy, he's a handsome devil | 0:00:02 | 0:00:04 | |
# He's got a chain five miles long | 0:00:06 | 0:00:11 | |
# And on every link a heart does dangle... # | 0:00:12 | 0:00:17 | |
TYRES SCREECH | 0:00:25 | 0:00:28 | |
METAL CRUNCHES | 0:00:28 | 0:00:30 | |
LOUD SPLASH | 0:00:30 | 0:00:31 | |
MUFFLED YELLING | 0:00:38 | 0:00:40 | |
WOMAN SOBS | 0:00:44 | 0:00:46 | |
Help me. | 0:00:46 | 0:00:48 | |
Help me! | 0:00:49 | 0:00:51 | |
And in. | 0:01:32 | 0:01:34 | |
HE INHALES | 0:01:34 | 0:01:35 | |
And slowly out. | 0:01:35 | 0:01:37 | |
HE EXHALES | 0:01:37 | 0:01:39 | |
And again, please. | 0:01:39 | 0:01:41 | |
HE INHALES | 0:01:41 | 0:01:42 | |
HE EXHALES | 0:01:44 | 0:01:47 | |
Did I survive another year, Doctor? | 0:01:47 | 0:01:49 | |
Your as fit as a lop, as they say up here. | 0:01:49 | 0:01:53 | |
No idea what it means. | 0:01:53 | 0:01:54 | |
Lived here 26 years, still no idea what anyone's saying. | 0:01:54 | 0:01:59 | |
Tell me, Chief Inspector, when does it hurt the most? | 0:02:01 | 0:02:05 | |
First thing in the morning or last thing at night? | 0:02:05 | 0:02:09 | |
PHONE RINGS | 0:02:09 | 0:02:11 | |
SHE GROANS | 0:02:18 | 0:02:20 | |
Your phone. | 0:02:20 | 0:02:22 | |
No, I can't remember, either, pet. | 0:02:26 | 0:02:29 | |
I don't miss her less as time passes. | 0:02:34 | 0:02:37 | |
I just... | 0:02:39 | 0:02:40 | |
Just miss her differently. | 0:02:42 | 0:02:44 | |
How long? | 0:02:44 | 0:02:45 | |
Four years, three months, two weeks and... | 0:02:45 | 0:02:50 | |
HE CHUCKLES | 0:02:50 | 0:02:52 | |
It's the never again, you know? Never. | 0:02:52 | 0:02:56 | |
Do you talk about this to anybody? | 0:02:56 | 0:02:58 | |
No. | 0:02:58 | 0:02:59 | |
Your sergeant, perhaps? | 0:02:59 | 0:03:01 | |
HE GUFFAWS | 0:03:01 | 0:03:04 | |
Oh, yeah, that's a thought. | 0:03:04 | 0:03:06 | |
-Is she identified? -'Who?' | 0:03:06 | 0:03:08 | |
-Is the woman identified? -'Which woman?' | 0:03:08 | 0:03:12 | |
Which woman do you think I'm talking about?! | 0:03:12 | 0:03:14 | |
Twiggy? The woman in the car. | 0:03:14 | 0:03:16 | |
Listen, tell them, do not move that car until I get there, | 0:03:16 | 0:03:19 | |
-is that understood? -'Aye.' | 0:03:19 | 0:03:22 | |
And where's Gently? Has anybody found him? Has he gone fishing? | 0:03:22 | 0:03:24 | |
I bet he has! I bet he's gone fishing and not told anyone! | 0:03:24 | 0:03:28 | |
'We don't know where he is.' | 0:03:28 | 0:03:30 | |
Great, thanks, George. Thanks. I'll look after the dead woman, shall I? | 0:03:30 | 0:03:34 | |
On my only day off this month. Thanks, pal(!) | 0:03:34 | 0:03:37 | |
-Do you believe in dreams? -Try me. | 0:03:37 | 0:03:40 | |
I've been having the same one recently, time and time again. | 0:03:40 | 0:03:44 | |
I go back to a house that I used to live in. | 0:03:44 | 0:03:48 | |
And I meet a woman on the doorstep. She's...she's leaving. | 0:03:48 | 0:03:51 | |
And our hands brush. | 0:03:53 | 0:03:54 | |
-And she tells me she'll meet me again later. -Your wife? | 0:03:54 | 0:03:59 | |
Can't see her face. | 0:04:00 | 0:04:03 | |
Then I go through the door, I'm glad to be back... | 0:04:03 | 0:04:07 | |
..and then slowly I realise that everything's different. | 0:04:09 | 0:04:13 | |
All the rooms are different. | 0:04:13 | 0:04:15 | |
Different shapes, different sizes, different things in them. | 0:04:15 | 0:04:19 | |
Everything's changed. | 0:04:19 | 0:04:21 | |
And then... | 0:04:22 | 0:04:23 | |
-And then? -Then there's water coming down the walls and across the floor, | 0:04:23 | 0:04:28 | |
and I'm drowning. | 0:04:28 | 0:04:31 | |
Helpless and drowning. | 0:04:31 | 0:04:33 | |
Morning, sir. | 0:04:51 | 0:04:53 | |
Good morning, John. | 0:04:53 | 0:04:55 | |
Right, well, I wanted to have a look before they disturbed it. | 0:04:56 | 0:05:00 | |
Got a girl here with a bruise on her head. | 0:05:00 | 0:05:02 | |
Could've been unconscious. | 0:05:04 | 0:05:06 | |
Let's hope so. | 0:05:08 | 0:05:10 | |
This was in the car. | 0:05:10 | 0:05:12 | |
What about the driver? | 0:05:13 | 0:05:14 | |
Ah, there's no sign of him. | 0:05:14 | 0:05:17 | |
The metal's caved in by the impact. | 0:05:17 | 0:05:19 | |
And her left foot, it's trapped. You can see it. | 0:05:19 | 0:05:24 | |
OK? Right, let's cut her out! | 0:05:32 | 0:05:35 | |
I don't think she was unconscious. | 0:05:42 | 0:05:45 | |
Well, either way, he didn't call for help. | 0:05:45 | 0:05:47 | |
Panic maybe, because he'd nicked the car. | 0:05:47 | 0:05:50 | |
-Young man, too much to drink. Or an older one with a wife somewhere. -He left her to drown! | 0:05:50 | 0:05:55 | |
She was helpless. | 0:05:55 | 0:05:58 | |
Dead and alone out here. All night. | 0:05:58 | 0:06:00 | |
SAW WHIRRS | 0:06:04 | 0:06:06 | |
I woke up with a complete stranger next to us this morning. | 0:06:08 | 0:06:13 | |
Some men pay money for that. | 0:06:13 | 0:06:14 | |
Should have seen the state of her. | 0:06:14 | 0:06:17 | |
It's like waking up next to somebody's grandma. | 0:06:17 | 0:06:20 | |
Hair was sticking up, and... | 0:06:20 | 0:06:21 | |
POLICE RADIO Two secs. | 0:06:21 | 0:06:24 | |
Yes? | 0:06:27 | 0:06:29 | |
-'The Austin A40 is registered to Hector Blackstone.' -Guv. | 0:06:29 | 0:06:33 | |
'The address is Abberwick Hall.' | 0:06:33 | 0:06:36 | |
We got a trace on the vehicle. | 0:06:36 | 0:06:38 | |
Say that again for Mr Gently, will you, please? | 0:06:38 | 0:06:40 | |
-'Abberwick Hall.' -Registered to Hector Blackstone. | 0:06:40 | 0:06:43 | |
He's the 13th Earl of Guyzance, don't you know! | 0:06:43 | 0:06:47 | |
-Friend of yours? -No, no, but I know his son pretty well. James Blackstone. | 0:06:47 | 0:06:51 | |
I've nicked him twice for being drunk in charge of a vehicle. | 0:06:51 | 0:06:55 | |
-And...? -Mummy and Daddy hired expensive lawyers. | 0:06:55 | 0:06:58 | |
And Mummy and Daddy waved a magic wand over the charge sheet, | 0:06:58 | 0:07:01 | |
which then magically disappeared into thin air. | 0:07:01 | 0:07:05 | |
And then Mummy and Daddy got me reprimanded for victimisation. ..Yes? | 0:07:05 | 0:07:08 | |
Nothing on her, sir, except this key. | 0:07:08 | 0:07:11 | |
Thank you. We haven't even got her name. | 0:07:11 | 0:07:14 | |
I bet you 100 quid | 0:07:14 | 0:07:16 | |
-the Right Hon James Blackstone will know her name. -Why don't you go and ask him? | 0:07:16 | 0:07:20 | |
Nicely! | 0:07:20 | 0:07:22 | |
# On our block all of the guys call her Flamingo | 0:07:22 | 0:07:29 | |
# Cos her hair glows like the sun | 0:07:29 | 0:07:34 | |
# And her eyes can light the skies | 0:07:34 | 0:07:38 | |
# When she walks... # | 0:07:38 | 0:07:39 | |
Are we nearly there? I mean, how much of England is one bloke allowed to own? | 0:07:39 | 0:07:46 | |
# ..Crimson dress that clings so tight | 0:07:46 | 0:07:50 | |
# She's out of reach and out of sight | 0:07:50 | 0:07:56 | |
# When she walks by she brightens up the neighbourhood... # | 0:07:56 | 0:08:02 | |
HORN BEEPS | 0:08:02 | 0:08:04 | |
Do we get to Abberwick Hall if we keep going? | 0:08:04 | 0:08:07 | |
-CROAKY VOICE: -Did yous come through a big gate marked Abberwick Hall? | 0:08:07 | 0:08:11 | |
-Aye. -And have yous turned off the road since? | 0:08:11 | 0:08:15 | |
You got a cold or summat? | 0:08:15 | 0:08:17 | |
Throat cancer. | 0:08:17 | 0:08:18 | |
Oh. | 0:08:18 | 0:08:20 | |
You look more intelligent. | 0:08:27 | 0:08:29 | |
-Faint praise. -Hey, I've got four O-levels, me. | 0:08:29 | 0:08:32 | |
Tell us who wrote this and I'll tell yous the way. | 0:08:32 | 0:08:35 | |
We don't have time for double your money, pal, all right? | 0:08:35 | 0:08:39 | |
Who is there that has not jeered at the House of Lords, | 0:08:39 | 0:08:41 | |
the military caste, the Royal Family, the public schools, | 0:08:41 | 0:08:47 | |
the hunting and shooting set, the horrors of a country society? | 0:08:47 | 0:08:51 | |
-No, I'm sorry, I've no idea. -Rudyard Kipling. | 0:08:51 | 0:08:54 | |
Kipling was a king and country imperialist, you clot. | 0:08:54 | 0:08:59 | |
George Orwell. | 0:08:59 | 0:09:00 | |
And Orwell knew summat that gets forgot these days. | 0:09:00 | 0:09:05 | |
The English ruling class are not as stupid as they look. | 0:09:05 | 0:09:09 | |
Look at the workers in Paris last night. | 0:09:09 | 0:09:11 | |
Pulling up the pavements and chucking them at the boss class. | 0:09:11 | 0:09:15 | |
Now look at me, | 0:09:15 | 0:09:16 | |
repairing the boss's fences to keep his deer oot of his rose gardens. | 0:09:16 | 0:09:22 | |
Makes you think about this country, doesn't it, bonny lad? | 0:09:22 | 0:09:25 | |
Sorry? | 0:09:25 | 0:09:27 | |
200 yards. | 0:09:27 | 0:09:29 | |
Hang onto your wallets! They'll have the rings off your fingers! | 0:09:32 | 0:09:36 | |
They've stole England from the workers! | 0:09:36 | 0:09:39 | |
What the hell was all that about? | 0:09:43 | 0:09:45 | |
GEORGE CHUCKLES | 0:09:45 | 0:09:47 | |
Did you ever meet the Earl and his good lady? | 0:09:47 | 0:09:49 | |
POSH VOICE: Oh, no! Goodness, golly gosh, me? No. | 0:09:49 | 0:09:53 | |
NORMAL VOICE: No. I was never granted an audience. | 0:09:53 | 0:09:56 | |
But if they're anything like the son, get ready to throw up. | 0:09:56 | 0:10:00 | |
# ..Sha la la la la la la la Pretty Flamingo | 0:10:00 | 0:10:06 | |
# Some day I'll make her mine Sha la la la la la la la | 0:10:06 | 0:10:09 | |
# Yes, I will, yes, I will | 0:10:09 | 0:10:11 | |
# I'll make her mine... # | 0:10:11 | 0:10:13 | |
DOOR OPENS | 0:10:13 | 0:10:15 | |
Inspector Gently, Sergeant Bacchus, I'm so sorry. | 0:10:26 | 0:10:29 | |
I was in the stables, working on my motorcycles. | 0:10:29 | 0:10:32 | |
Something about a car, I'm told? | 0:10:32 | 0:10:35 | |
Yes, a car registered to you has been involved in a fatal accident, sir. | 0:10:35 | 0:10:39 | |
Hector, just call me Hector. | 0:10:39 | 0:10:40 | |
Is your son in at the minute, there, Hector? | 0:10:40 | 0:10:43 | |
-Fatal to whom? -A young woman, early 20s, late teens. | 0:10:43 | 0:10:46 | |
Does your son have a girlfriend, Hector? | 0:10:46 | 0:10:49 | |
-Which car was this? -Austin A90. -A40. | 0:10:49 | 0:10:53 | |
A40 Farina, blue, registration number BOJ 174C. | 0:10:53 | 0:10:57 | |
Are you saying that you weren't even aware that this car was missing? | 0:10:57 | 0:11:01 | |
-Totally. -Any chance of talking to your son, Hector, please? | 0:11:01 | 0:11:04 | |
I'm not sure if he's even here, Sergeant. | 0:11:04 | 0:11:08 | |
My wife may know. | 0:11:08 | 0:11:09 | |
Have you seen my wife, Colin? | 0:11:11 | 0:11:13 | |
She's through there, sir. Just in there. | 0:11:13 | 0:11:15 | |
Alethea? | 0:11:15 | 0:11:17 | |
TV ON | 0:11:17 | 0:11:18 | |
-Ah, there you are! These two gentlemen... -Just give me a second. | 0:11:18 | 0:11:23 | |
This man, Cohn-Bendit - someone should shoot him, shouldn't they? | 0:11:23 | 0:11:27 | |
Like they did the German, Red Rudi. | 0:11:27 | 0:11:31 | |
"Be realistic, demand the impossible." The naivety! | 0:11:33 | 0:11:37 | |
Do they really think they can overturn | 0:11:37 | 0:11:40 | |
the natural order of things by throwing a few stones? | 0:11:40 | 0:11:43 | |
De Gaulle's run away, of course. | 0:11:43 | 0:11:46 | |
-Chief Inspector Gently, Sergeant Bacchus. -Is there a problem? | 0:11:46 | 0:11:49 | |
A fatality. A young woman. | 0:11:49 | 0:11:52 | |
-Oh, dear. -We found your husband's car, Mrs Blackstone... | 0:11:52 | 0:11:55 | |
-I beg your pardon? -You hard of hearing? | 0:11:55 | 0:11:59 | |
My wife prefers to be Your Ladyship. | 0:11:59 | 0:12:01 | |
Well, I wouldn't mind being Bobby Charlton, but... | 0:12:01 | 0:12:03 | |
Your Ladyship, an Austin car belonging to your husband | 0:12:03 | 0:12:06 | |
was found five miles away, upside down in the river... | 0:12:06 | 0:12:10 | |
with a dead girl inside. | 0:12:10 | 0:12:13 | |
Well, then. Somebody's stolen one of our cars. | 0:12:23 | 0:12:27 | |
Is it a write-off? | 0:12:27 | 0:12:28 | |
Don't you care about the dead girl? | 0:12:28 | 0:12:31 | |
Why should I care about a car thief? | 0:12:31 | 0:12:32 | |
What if it wasn't stolen? | 0:12:32 | 0:12:34 | |
What other explanation is there? | 0:12:34 | 0:12:36 | |
-Is your son at home? -He may be. | 0:12:36 | 0:12:40 | |
It is a large house. | 0:12:40 | 0:12:41 | |
Would you like me to organise a search party(?) | 0:12:41 | 0:12:44 | |
-Was he here last night? -We had supper together. | 0:12:44 | 0:12:46 | |
Hector was at one of his... musical self-flagellation evenings in the village. | 0:12:46 | 0:12:53 | |
Musical what, sorry? | 0:12:53 | 0:12:56 | |
My husband likes the music of downtrodden workers. | 0:12:56 | 0:13:00 | |
Fiddles and squeezeboxes, | 0:13:00 | 0:13:04 | |
starving children, wicked mine owners, | 0:13:04 | 0:13:06 | |
tragic underground explosions. | 0:13:06 | 0:13:08 | |
Singers with their fingers in their ears. | 0:13:08 | 0:13:12 | |
That sort of thing. | 0:13:12 | 0:13:13 | |
So you stayed in with your son? | 0:13:13 | 0:13:16 | |
Mm-hm. James and I sat talking and playing backgammon. | 0:13:16 | 0:13:22 | |
I kissed him good night... at 1.00am. | 0:13:22 | 0:13:26 | |
And you haven't seen him this morning? | 0:13:26 | 0:13:29 | |
I'm his mother, not his maid. | 0:13:29 | 0:13:31 | |
Could you go and find your son? Now. | 0:13:31 | 0:13:34 | |
What sort of school did you go to, Sergeant? | 0:13:34 | 0:13:37 | |
One with an outside lav. | 0:13:37 | 0:13:38 | |
And did they teach you the word "please"? | 0:13:38 | 0:13:40 | |
Please. | 0:13:44 | 0:13:47 | |
Thank you. | 0:13:47 | 0:13:49 | |
When did you last use your car, sir? | 0:13:57 | 0:13:59 | |
It was the Austin, you say? | 0:13:59 | 0:14:01 | |
Yeah. | 0:14:01 | 0:14:02 | |
How many cars you got? | 0:14:02 | 0:14:03 | |
Well, there are seven or eight dotted around the estate, | 0:14:03 | 0:14:06 | |
all registered to my name for insurance purposes, | 0:14:06 | 0:14:09 | |
but intended for common use. | 0:14:09 | 0:14:11 | |
Austin A40 Farina. Blue. Registration number... | 0:14:11 | 0:14:14 | |
No idea when I last drove it. | 0:14:14 | 0:14:16 | |
I tend to avoid cars if at all possible. Prefer my motorcycles. | 0:14:16 | 0:14:20 | |
-So, you don't know who the girl was, then? -No, no, not yet. | 0:14:20 | 0:14:24 | |
You say various people had access to this car? | 0:14:24 | 0:14:28 | |
It's a very large estate. | 0:14:28 | 0:14:29 | |
Who keeps the ignition keys? | 0:14:29 | 0:14:31 | |
Actually, they're usually just kept in the cars. | 0:14:31 | 0:14:35 | |
Right. Well, I'm going to need a list of all the employees, then. | 0:14:35 | 0:14:38 | |
-Of course. -Right. (More money than sense.) | 0:14:38 | 0:14:41 | |
My wife has misremembered one thing, Inspector. | 0:14:43 | 0:14:47 | |
James did in fact come down to the village last night | 0:14:47 | 0:14:50 | |
to hear the music. | 0:14:50 | 0:14:52 | |
He then had a late supper with his mother on his return. | 0:14:52 | 0:14:55 | |
But not you? | 0:14:55 | 0:14:57 | |
No, I went straight to my rooms. | 0:14:57 | 0:14:59 | |
Your wife's a very forceful woman. | 0:14:59 | 0:15:02 | |
Alethea's my second wife, hence the discrepancy in our ages. | 0:15:02 | 0:15:06 | |
My first wife died 30 years ago. | 0:15:06 | 0:15:10 | |
Bonny. That was her name. | 0:15:10 | 0:15:13 | |
Though, in fact, she was very bonny. | 0:15:13 | 0:15:15 | |
An incurable disease. | 0:15:15 | 0:15:17 | |
Do you still miss her? | 0:15:19 | 0:15:21 | |
Miss her? Well, that would be disloyal, wouldn't it? | 0:15:21 | 0:15:24 | |
Guv! > | 0:15:24 | 0:15:25 | |
Guv! | 0:15:25 | 0:15:27 | |
Excuse me. | 0:15:27 | 0:15:29 | |
You found him, then. | 0:15:50 | 0:15:52 | |
Ah! Of course. It would be you. | 0:15:52 | 0:15:55 | |
Oh, um... | 0:15:55 | 0:15:57 | |
-Bacchus. -Sergeant Bacchus. Yes, of course. How splendid to see you again. | 0:15:57 | 0:16:02 | |
Ohh. That's a nasty cut you've got there, Your Highness. | 0:16:02 | 0:16:05 | |
Did you get that playing backgammon? | 0:16:05 | 0:16:07 | |
Sergeant. | 0:16:07 | 0:16:08 | |
I actually don't mind what he calls me, Chief Inspector. | 0:16:08 | 0:16:11 | |
Well, I do. So now, then, how did you come by that injury? | 0:16:11 | 0:16:15 | |
I fell into the French windows and broke a pane. | 0:16:15 | 0:16:18 | |
Can anybody corroborate that? | 0:16:18 | 0:16:19 | |
I can. If you're actually doubting my son's word. | 0:16:19 | 0:16:23 | |
So how did you come to walk into a pane of glass? | 0:16:23 | 0:16:26 | |
Um... Brandy. | 0:16:28 | 0:16:30 | |
When was this, exactly? | 0:16:30 | 0:16:32 | |
I can't exactly remember. | 0:16:32 | 0:16:34 | |
-Can't remember? A whack like that? -Of course he can remember. It... -I'm not asking you, I'm asking him. | 0:16:34 | 0:16:39 | |
It was just after supper. | 0:16:39 | 0:16:41 | |
-Yes. It was...just after supper. -Just after supper. Yeah. | 0:16:42 | 0:16:46 | |
-I'd like you to come down to headquarters. -Are you harassing my son again? | 0:16:46 | 0:16:49 | |
-No, I'm asking him to come down to headquarters. -Are you arresting my son? | 0:16:49 | 0:16:53 | |
No, but if he doesn't come voluntarily, I will arrest him. | 0:16:53 | 0:16:56 | |
-A lawyer will be present at all times. -You don't need a lawyer. He's not being charged with anything. | 0:16:56 | 0:17:01 | |
-Our solicitor will be present at all times. Hector, get on the phone. -Come on. | 0:17:01 | 0:17:05 | |
Mr Gently, you had better be SO careful. | 0:17:05 | 0:17:08 | |
You know, this could go very badly for you. | 0:17:08 | 0:17:10 | |
Do you know what makes me laugh, Your Battleship? | 0:17:10 | 0:17:12 | |
Your career prospects? | 0:17:12 | 0:17:14 | |
After all your greed and all your wealth and all your privileges | 0:17:14 | 0:17:17 | |
and it's all been shown up, | 0:17:17 | 0:17:19 | |
and the whole country is laughing at you for wearing tweed underwear | 0:17:19 | 0:17:23 | |
and shooting furry animals and going, "Oh yah, yah, Gertrude", | 0:17:23 | 0:17:26 | |
you still think you should be running the country, don't you? | 0:17:26 | 0:17:29 | |
You know, when I first met you, I took you as one of those | 0:17:29 | 0:17:33 | |
angry young men with a chip on his shoulder. | 0:17:33 | 0:17:35 | |
But now I see you're actually quite well balanced. | 0:17:35 | 0:17:38 | |
You have a chip on both your shoulders. | 0:17:38 | 0:17:40 | |
-Oooh. You're for the knacker's yard, Mrs Blacksmith. -Sergeant! | 0:17:40 | 0:17:44 | |
Tell me, Sergeant, who DOES run the country? | 0:17:44 | 0:17:47 | |
Grammar school boys like Mr Wilson? | 0:17:47 | 0:17:51 | |
Clever little men like David Frost? | 0:17:51 | 0:17:53 | |
The boilermakers' union? The Marxists at the BBC? | 0:17:53 | 0:17:56 | |
The Royal Shakespeare Homo Company? | 0:17:56 | 0:17:58 | |
OK, you're the expert on the Right Hon James Blackstone. | 0:18:02 | 0:18:07 | |
-Let's have it. -He's 24. | 0:18:07 | 0:18:09 | |
He's just resigned his commission in the Coldstream Guards, | 0:18:09 | 0:18:12 | |
which was Hector's regiment. | 0:18:12 | 0:18:13 | |
Studied at Marlborough public school, | 0:18:13 | 0:18:16 | |
then went on to St Edmund Hall, Oxford. | 0:18:16 | 0:18:18 | |
Apparently, that's where the thick ones with money get in. | 0:18:18 | 0:18:20 | |
-Says who? -I asked a friend of mine. | 0:18:20 | 0:18:23 | |
Good work, Sergeant. How many O-levels did you say you got? | 0:18:24 | 0:18:28 | |
General science, biology, German and technical drawing, OK? | 0:18:28 | 0:18:31 | |
-Fully rounded human being(!) -Look, are we discussing me or him? | 0:18:31 | 0:18:34 | |
Sorry, go on, carry on. | 0:18:34 | 0:18:36 | |
Right. Continuing the military theme, | 0:18:36 | 0:18:38 | |
he got made General of the Bullingdon Club. | 0:18:38 | 0:18:41 | |
Their main activity is getting plastered, smashing restaurants up, | 0:18:41 | 0:18:44 | |
throwing loads of money on the floor | 0:18:44 | 0:18:46 | |
and then leaving with stupid, smug grins on their faces. | 0:18:46 | 0:18:49 | |
Now about to take up a position - "take up a position" - | 0:18:49 | 0:18:53 | |
that's known to the rest of us as getting a job - | 0:18:53 | 0:18:56 | |
in the City, at Lloyd's, where he'll no doubt sit on his backside | 0:18:56 | 0:19:01 | |
until it's time to shoot pheasants or murder young women in car crashes. | 0:19:01 | 0:19:05 | |
-One of the two. -I don't think James'll be sitting on his backside. | 0:19:05 | 0:19:09 | |
Not with a mother like that. | 0:19:09 | 0:19:11 | |
-Sir? -Busy! | 0:19:11 | 0:19:13 | |
Bob Anderton's ready for you, sir. | 0:19:13 | 0:19:15 | |
Unknown female, approximately 20 years of age. | 0:19:21 | 0:19:24 | |
No distinguishing marks or features, | 0:19:24 | 0:19:27 | |
except the fingers are cut and scratched. | 0:19:27 | 0:19:29 | |
Death was by drowning. | 0:19:29 | 0:19:31 | |
What about this bruise on her head? | 0:19:31 | 0:19:35 | |
Consistent with the crash, but a glancing blow. | 0:19:35 | 0:19:37 | |
I doubt whether she lost consciousness. Sexually active. | 0:19:37 | 0:19:40 | |
-Recent? -I'd say fairly recent. | 0:19:40 | 0:19:43 | |
The fingernails on the left hand are much more worn than the right. | 0:19:43 | 0:19:47 | |
Presumably she was scrabbling at the door with that hand. | 0:19:47 | 0:19:50 | |
Or because she plays the violin, yes? | 0:19:50 | 0:19:52 | |
Anything else I should know at this point, Bob? | 0:19:54 | 0:19:57 | |
Yes. The blood sample on the metal frame, driver's side... | 0:19:58 | 0:20:03 | |
-Oh, aye? -Yeah. | 0:20:03 | 0:20:05 | |
It's a pretty rare type, actually. Might help you. | 0:20:05 | 0:20:08 | |
A2B positive. | 0:20:08 | 0:20:10 | |
After all night in the river? | 0:20:11 | 0:20:13 | |
Apparently the car was at a slight angle. | 0:20:13 | 0:20:16 | |
Not all the frame was submerged. | 0:20:16 | 0:20:19 | |
I see. | 0:20:21 | 0:20:23 | |
OK, well, I think we're done here, thanks. | 0:20:25 | 0:20:28 | |
Did James Blackstone have a rare blood group? | 0:20:36 | 0:20:39 | |
Oh, I can't remember. Why don't we go and ask him? | 0:20:39 | 0:20:42 | |
I'll ask the questions. You take a back seat. | 0:20:48 | 0:20:51 | |
Sir. Assistant Chief Constable's waiting for you in your office. | 0:20:55 | 0:20:59 | |
Ah! | 0:21:05 | 0:21:07 | |
Your questioning of His Lordship will take place here, | 0:21:07 | 0:21:10 | |
with Mrs Acklington in attendance. | 0:21:10 | 0:21:13 | |
I'll remain but will play no part. | 0:21:13 | 0:21:15 | |
Oh, I think you already have, sir. | 0:21:15 | 0:21:17 | |
This is not for discussion, Chief Inspector. | 0:21:17 | 0:21:20 | |
It's a necessary precaution, given the history. | 0:21:20 | 0:21:23 | |
How would you like me to address you? | 0:21:31 | 0:21:35 | |
James is fine. | 0:21:35 | 0:21:37 | |
Very well. James. | 0:21:37 | 0:21:40 | |
May I ask you once again how you came by that cut on your head? | 0:21:42 | 0:21:46 | |
You don't have to answer that. | 0:21:46 | 0:21:48 | |
Well, he's already told us, in fact, that he fell into a window frame, | 0:21:48 | 0:21:52 | |
whilst under the influence of alcohol. | 0:21:52 | 0:21:55 | |
Would he care to elaborate on that? | 0:21:57 | 0:22:00 | |
Were the French windows open or closed, for instance? | 0:22:00 | 0:22:03 | |
They were open. | 0:22:03 | 0:22:05 | |
I was talking to my mother. | 0:22:06 | 0:22:08 | |
Not paying attention properly. | 0:22:08 | 0:22:10 | |
-WHY were they open? -That's what French windows are for. | 0:22:10 | 0:22:14 | |
Quite. So, were you on the inside or on the outside? | 0:22:15 | 0:22:21 | |
We were outside. | 0:22:25 | 0:22:26 | |
-Just the two of you? -Yes. | 0:22:29 | 0:22:32 | |
No-one else to distract you? | 0:22:32 | 0:22:34 | |
No, I was drunk. | 0:22:34 | 0:22:37 | |
Yeah, you were drinking with your father. | 0:22:37 | 0:22:40 | |
At a musical event in the village. | 0:22:40 | 0:22:43 | |
Although Her Ladyship had previously told me | 0:22:43 | 0:22:46 | |
that you were at home having supper and playing backgammon. So, which is true? | 0:22:46 | 0:22:50 | |
-The countess isn't here to answer questions. -The question is for James. | 0:22:50 | 0:22:55 | |
They're both true. James and his father came back about 11. | 0:22:55 | 0:23:00 | |
So why did you first tell me... | 0:23:00 | 0:23:01 | |
The countess isn't here to answer questions. | 0:23:01 | 0:23:04 | |
Well, she has no problems answering for her son, I notice! | 0:23:04 | 0:23:07 | |
HE CLEARS HIS THROAT AND MOUTHS | 0:23:07 | 0:23:10 | |
James, we have a car upside down in a shallow river, | 0:23:13 | 0:23:16 | |
and a young girl dead. Do you know what happened to her last night? | 0:23:16 | 0:23:21 | |
The Chief Inspector must ask specific questions, | 0:23:21 | 0:23:25 | |
not go on a fishing trip. | 0:23:25 | 0:23:26 | |
-Agreed. -I'm asking James what he knows about a young girl | 0:23:26 | 0:23:30 | |
whose life ended in the early hours of this morning. | 0:23:30 | 0:23:33 | |
Trapped, frightened and helpless in a metal tomb, | 0:23:33 | 0:23:37 | |
waiting for the cold river water to enter her lungs and drown her. | 0:23:37 | 0:23:41 | |
Just a name would help. | 0:23:43 | 0:23:45 | |
A little bit of dignity for her? | 0:23:47 | 0:23:49 | |
I...I think I might know her. | 0:23:55 | 0:23:57 | |
-Put a stop to this. -James, there's absolutely no obligation to... | 0:23:57 | 0:24:01 | |
Why might you know her, James? | 0:24:01 | 0:24:02 | |
Just, um... | 0:24:05 | 0:24:06 | |
Just if...if she's local, I might recognise her. | 0:24:09 | 0:24:12 | |
Certainly. Would you like to see her? | 0:24:12 | 0:24:15 | |
She's here, just down the corridor. | 0:24:17 | 0:24:19 | |
Yes, I would. Very much. | 0:24:19 | 0:24:21 | |
-Stop this. James, I forbid this! -I strongly object to this procedure... | 0:24:21 | 0:24:26 | |
Mr Blackstone has very kindly agreed to assist in identifying the body. | 0:24:26 | 0:24:30 | |
This way, James. | 0:24:30 | 0:24:32 | |
You said you could control this man! | 0:24:34 | 0:24:37 | |
Come on. | 0:24:39 | 0:24:40 | |
Down there. | 0:24:42 | 0:24:43 | |
James? | 0:25:12 | 0:25:13 | |
Ellen. | 0:25:23 | 0:25:25 | |
Her name is Ellen. | 0:25:27 | 0:25:30 | |
No, no, no. You can't touch her. | 0:25:31 | 0:25:33 | |
You can never touch her again. | 0:25:35 | 0:25:37 | |
-Never? -No, never. | 0:25:42 | 0:25:45 | |
Were you driving the car, James? | 0:25:50 | 0:25:52 | |
James, were you driving the car? | 0:25:54 | 0:25:57 | |
Your son's waiting for you in reception. | 0:26:13 | 0:26:16 | |
What did he tell you? | 0:26:16 | 0:26:18 | |
Just the dead girl's name. Nothing more. | 0:26:18 | 0:26:20 | |
Aren't you curious to know what it is? | 0:26:22 | 0:26:24 | |
-Yes, of course. -Ellen Mallam. | 0:26:26 | 0:26:28 | |
Oh, well, that begins to make sense. Her father works for us. | 0:26:30 | 0:26:35 | |
Oh. Does he have access to the car? | 0:26:35 | 0:26:37 | |
He's free to use it any time. | 0:26:37 | 0:26:40 | |
Gosh. What a run of bad luck he's had. | 0:26:40 | 0:26:43 | |
He lost his wife, lost his job at the pit, throat cancer, | 0:26:43 | 0:26:49 | |
now this. | 0:26:49 | 0:26:51 | |
-Throat cancer? -Mm-hm. | 0:26:51 | 0:26:54 | |
Yous want to buy a compass, you two. | 0:27:09 | 0:27:12 | |
Straight past the House of Lords stable block. | 0:27:13 | 0:27:16 | |
Go quiet, cos they're fast asleep in the afternoons. | 0:27:16 | 0:27:19 | |
Turn right at the Profumo swimming pool, | 0:27:19 | 0:27:22 | |
over the bridge at the Christine Keeler goldfish pond... | 0:27:22 | 0:27:25 | |
Billy Mallam? | 0:27:28 | 0:27:30 | |
Aye. | 0:27:30 | 0:27:31 | |
I went over the water to see Ellen Wilkinson speak | 0:27:32 | 0:27:36 | |
the day the Jarrow March set out. | 0:27:36 | 0:27:39 | |
The Fiery Spark, they called her. | 0:27:39 | 0:27:42 | |
You know, she had that thing about her. | 0:27:44 | 0:27:47 | |
You moved towards her, you know? | 0:27:47 | 0:27:49 | |
And I thought to myself - and I hadn't even met her mother yet... | 0:27:49 | 0:27:54 | |
..if I ever have a girl child, I'll call her Ellen. | 0:27:56 | 0:28:00 | |
And my Ellen had that fiery spark, an' all. | 0:28:02 | 0:28:08 | |
# A holiday, a holy day | 0:28:34 | 0:28:37 | |
# The first one of the year | 0:28:37 | 0:28:38 | |
# Lord Arlen's wife came into church | 0:28:38 | 0:28:41 | |
# The gospel for to hear | 0:28:41 | 0:28:42 | |
# And when the meeting, it was done | 0:28:42 | 0:28:45 | |
# She cast her eyes about | 0:28:45 | 0:28:47 | |
# And there she saw little Matty Groves | 0:28:47 | 0:28:50 | |
# Walking in the crowd | 0:28:50 | 0:28:52 | |
# Come home with me little Matty Groves | 0:28:52 | 0:28:55 | |
# Come home with me tonight... # | 0:28:55 | 0:28:57 | |
-'This was last night, in the Miners' Welfare in your village? -Aye. | 0:28:57 | 0:29:00 | |
'I'm going to need the names of the other band members. | 0:29:00 | 0:29:05 | |
'It was whoever was free. Except Anthony.' | 0:29:05 | 0:29:07 | |
# ..You are Lord Arlen's wife... # | 0:29:07 | 0:29:10 | |
-'Anthony always played. -Anthony...? -Anthony Baugh.' | 0:29:10 | 0:29:15 | |
How can I find him? | 0:29:15 | 0:29:18 | |
Well he's here, usually. In the library. | 0:29:18 | 0:29:22 | |
Writing some kind of book. | 0:29:22 | 0:29:24 | |
-Weren't you concerned when Ellen didn't come home last night? -Well, nah. | 0:29:24 | 0:29:28 | |
Cos she told us she was getting the bus out of Newcastle, for London. | 0:29:29 | 0:29:33 | |
Bus leaves at three o'clock in the morning. | 0:29:33 | 0:29:36 | |
Her bags were packed, sitting on the floor. | 0:29:36 | 0:29:39 | |
She was going to slip in later, pick them up after I'd gone to bed. | 0:29:39 | 0:29:43 | |
They were still there this morning. | 0:29:43 | 0:29:46 | |
So was her bus ticket. | 0:29:46 | 0:29:48 | |
Did she have a boyfriend up here? | 0:29:48 | 0:29:50 | |
-No, no. -How long has she been home from London? | 0:29:50 | 0:29:54 | |
-Three or four days. -She was a student, yeah? | 0:29:54 | 0:29:58 | |
At the Royal College of Music. | 0:29:58 | 0:30:00 | |
From a bairn, Mr Bacchus, she could pick up any instrument | 0:30:01 | 0:30:05 | |
and play it. | 0:30:05 | 0:30:07 | |
Never knew where she got that from. | 0:30:09 | 0:30:12 | |
Not me or her mam. | 0:30:12 | 0:30:16 | |
What a voice. | 0:30:16 | 0:30:18 | |
She made the angels weep. | 0:30:18 | 0:30:21 | |
# Little Matty Groves, he laid down and took a little sleep | 0:30:24 | 0:30:28 | |
# When he awoke Lord Arlen was standing at his feet | 0:30:28 | 0:30:32 | |
# Saying, how do you like my featherbed? | 0:30:32 | 0:30:35 | |
# How do you like my sheets? | 0:30:35 | 0:30:36 | |
# How do you like my lady | 0:30:36 | 0:30:39 | |
# Who lies in your arms asleep? | 0:30:39 | 0:30:41 | |
# It's well I like your featherbed | 0:30:41 | 0:30:44 | |
# And well I like your sheets | 0:30:44 | 0:30:46 | |
# But better I like your lady gay who lies in my arms asleep | 0:30:46 | 0:30:51 | |
# Well, get up, get up! Lord Arlen cried | 0:30:51 | 0:30:53 | |
# Get up as quick as you can | 0:30:53 | 0:30:55 | |
# It'll never be said in fair England | 0:30:55 | 0:30:57 | |
-# I slew a naked man. -# | 0:30:57 | 0:30:59 | |
'Who was in the audience? | 0:30:59 | 0:31:02 | |
'People from the village. Farms round about. | 0:31:02 | 0:31:05 | |
'People from the hall. | 0:31:05 | 0:31:06 | |
'Who from the hall? | 0:31:06 | 0:31:08 | |
'Well, Hector. | 0:31:08 | 0:31:10 | |
'He always came when Ellen sang.' | 0:31:10 | 0:31:12 | |
So Hector had known Ellen all her life? | 0:31:14 | 0:31:17 | |
Always used to tell her she was beautiful, you know? | 0:31:17 | 0:31:20 | |
Give her presents on her birthday, and that. | 0:31:20 | 0:31:23 | |
She'd give him that big smile, and say, | 0:31:25 | 0:31:27 | |
"Hector, give all the land and money you've pinched back to the workers | 0:31:27 | 0:31:31 | |
"and I'll have a dirty weekend with you." | 0:31:31 | 0:31:34 | |
Oh, she made me blush sometimes. | 0:31:34 | 0:31:36 | |
She reminded him of his first wife, I think. | 0:31:36 | 0:31:40 | |
OK, yeah. So, Hector was there. | 0:31:40 | 0:31:43 | |
Why was James there? | 0:31:43 | 0:31:45 | |
I don't know. | 0:31:45 | 0:31:47 | |
But I do know he never took his eyes off Ellen all night. | 0:31:47 | 0:31:51 | |
# ..And then Lord Arlen He took his wife | 0:31:52 | 0:31:55 | |
# And he sat her on his knee | 0:31:55 | 0:31:56 | |
# Saying, who do you like the best of us, Matty Groves or me? | 0:31:56 | 0:32:00 | |
# And then up spoke his own dear wife | 0:32:00 | 0:32:03 | |
# Never known to speak so free | 0:32:03 | 0:32:05 | |
# I'd rather kiss dead Matty's lips than you and your finery! | 0:32:05 | 0:32:10 | |
# And then Lord Arlen, he stood up | 0:32:10 | 0:32:12 | |
# And loudly he did bawl | 0:32:12 | 0:32:14 | |
# He struck his wife right through the heart | 0:32:14 | 0:32:17 | |
# And pinned her against the wall | 0:32:17 | 0:32:19 | |
# A grave, a grave, Lord Arlen cried | 0:32:19 | 0:32:21 | |
# To put these lovers in | 0:32:21 | 0:32:23 | |
-# But bury my lady at the top for she was of noble kin. -# | 0:32:23 | 0:32:28 | |
-She had your politics? -She believed in justice and fair shares. | 0:32:30 | 0:32:35 | |
Thank you. You've been listening to The Fiery Spark. | 0:32:35 | 0:32:39 | |
Please give generously to the Vietnam Solidarity Campaign. | 0:32:39 | 0:32:42 | |
Support the people of Vietnam. Victory to the Vietcong! | 0:32:42 | 0:32:46 | |
America out! | 0:32:46 | 0:32:48 | |
One last time, Ellen Mallam! | 0:32:48 | 0:32:50 | |
If you want to hear her do one more, you better let her know. | 0:32:50 | 0:32:54 | |
COINS RATTLE Thank you. | 0:32:54 | 0:32:57 | |
Beautiful, darling, beautiful. | 0:32:57 | 0:33:00 | |
Very kind. Thank you. Thank you. I'm glad you enjoyed it. | 0:33:00 | 0:33:05 | |
Did James have a gash on his head, Mr Mallam? | 0:33:07 | 0:33:10 | |
-A gash? -Aye. -No, why? -Sure? | 0:33:10 | 0:33:15 | |
Has he got one now, like? | 0:33:15 | 0:33:16 | |
He says he walked into the French windows. | 0:33:18 | 0:33:21 | |
He's done this before, you know? | 0:33:21 | 0:33:23 | |
Crashed cars and got away with it. | 0:33:25 | 0:33:28 | |
Can you think of any reason why Ellen would be in a car | 0:33:29 | 0:33:33 | |
with James Blackstone late last night? | 0:33:33 | 0:33:35 | |
'They were talking, after the concert. | 0:33:39 | 0:33:43 | |
-'What were they talking about? -They were too far away. | 0:33:43 | 0:33:47 | |
'I just remember thinking, | 0:34:00 | 0:34:02 | |
' "There he goes again, drunk behind the wheel." | 0:34:02 | 0:34:07 | |
'Well, her coach was at 3am.' | 0:34:07 | 0:34:09 | |
Could he have been offering to come back later | 0:34:09 | 0:34:11 | |
and give her a lift to the coach station in Newcastle? | 0:34:11 | 0:34:15 | |
She did say she had a lift. | 0:34:15 | 0:34:16 | |
-With James? -Well, I assumed Anthony. | 0:34:16 | 0:34:19 | |
Anthony? | 0:34:19 | 0:34:21 | |
Oh, Anthony Baugh, the guitarist that's writing a book? | 0:34:21 | 0:34:24 | |
Why did you assume that? | 0:34:24 | 0:34:25 | |
Cos that's what usually happened. They were close. | 0:34:25 | 0:34:29 | |
-They grew up together. -Has he got a car? -No, he uses the ones off the estate. | 0:34:29 | 0:34:34 | |
So, if he thought he might be needing a car last night, he... | 0:34:34 | 0:34:38 | |
So sorry, Inspector. Billy, this is appalling. | 0:34:41 | 0:34:45 | |
This is appalling! | 0:34:45 | 0:34:46 | |
I'm sorry, I just wanted... | 0:34:46 | 0:34:50 | |
It's all right we'd finished anyway. | 0:34:50 | 0:34:52 | |
We want to speak to Anthony Baugh. | 0:34:52 | 0:34:53 | |
I'm afraid he's not here today. | 0:34:53 | 0:34:56 | |
-Could he have borrowed the Austin yesterday? -Yes, of course. He frequently takes a car. | 0:34:56 | 0:35:02 | |
-We need to find out who left her to drown, Hector. -Yes. Mr Gently will, I'm sure. | 0:35:02 | 0:35:06 | |
-Whoever it is, Hector. -Yes, of course. | 0:35:06 | 0:35:09 | |
Whoever. | 0:35:11 | 0:35:13 | |
I'm so sorry. | 0:35:16 | 0:35:18 | |
-He won't hesitate. -To do what? | 0:35:27 | 0:35:30 | |
Pull whatever strings it takes to save his son's neck. | 0:35:31 | 0:35:35 | |
Well, aye - he's going to be Prime Minister one day, | 0:35:36 | 0:35:40 | |
we keep getting told, whereas a young lass like Ellen - | 0:35:40 | 0:35:43 | |
who had more brains and more heart in her little finger | 0:35:43 | 0:35:47 | |
than he'll ever have - her life can be snuffed out like that. | 0:35:47 | 0:35:53 | |
He's killed her, hasn't he? | 0:35:57 | 0:35:59 | |
The only one who had any time for him, | 0:36:00 | 0:36:04 | |
and he's killed her. | 0:36:04 | 0:36:07 | |
Why is he not locked up? | 0:36:08 | 0:36:10 | |
Hall here. Village here. | 0:36:12 | 0:36:15 | |
A1 to Newcastle and the coach station here. | 0:36:15 | 0:36:19 | |
River winds round this way. Death occurs here at the bridge. | 0:36:19 | 0:36:22 | |
-Is there a point to this? -She had a ticket to London. | 0:36:22 | 0:36:24 | |
Her father told us she left her luggage in the middle of the floor, | 0:36:24 | 0:36:28 | |
so presumably whoever was driving her went back to pick it up. | 0:36:28 | 0:36:32 | |
The rest of her band had gone home in the van. | 0:36:32 | 0:36:35 | |
Guv, me brain's gone. We'll talk about this tomorrow. | 0:36:35 | 0:36:38 | |
You've got nothing to say to me? | 0:36:41 | 0:36:43 | |
-What about? -OK. | 0:36:45 | 0:36:48 | |
Let me just tell you one of the vast array of things wrong | 0:36:48 | 0:36:51 | |
with planting false evidence. | 0:36:51 | 0:36:53 | |
Whoa. Whoa there, Nelly. False evidence? | 0:36:53 | 0:36:56 | |
Yeah, the blood smear. | 0:36:56 | 0:36:58 | |
James Blackstone is A2B, I take it? | 0:36:58 | 0:37:00 | |
Come on, you must know from all the times you tried to nick him. | 0:37:00 | 0:37:04 | |
-So? -So, a smear of it turns up conveniently on the car frame. | 0:37:04 | 0:37:10 | |
That blood sample never even existed, did it? | 0:37:10 | 0:37:12 | |
Guv, he's got a three-inch gash on his head! | 0:37:12 | 0:37:15 | |
He's got previous for drinking and driving! | 0:37:15 | 0:37:17 | |
They tried to stop us putting him away twice before | 0:37:17 | 0:37:20 | |
and now, guess what, he's killed somebody, | 0:37:20 | 0:37:22 | |
and you're trying to stop us a third time?! | 0:37:22 | 0:37:24 | |
No, I'm trying to stop you from perjuring yourself and ruining Bob Anderton's career! | 0:37:24 | 0:37:28 | |
He's got a wife and four kids depending on his salary, | 0:37:28 | 0:37:32 | |
and you are asking him to risk all of that | 0:37:32 | 0:37:35 | |
because you are SURE you've got the right man, you just haven't got the evidence to prove it! | 0:37:35 | 0:37:39 | |
-Blokes your age, you can't help yourselves, can you? -What?! | 0:37:39 | 0:37:42 | |
"This bloke here, he was in the Army, he must be a good bloke. | 0:37:42 | 0:37:46 | |
"This bloke here, he's got a posh accent, | 0:37:46 | 0:37:48 | |
"he couldn't POSSIBLY tell a pack of lies!" | 0:37:48 | 0:37:51 | |
How many times have these people got a free pass | 0:37:51 | 0:37:54 | |
just because they won the pools on the day that they were born? | 0:37:54 | 0:37:57 | |
Is that what you think of me? | 0:37:57 | 0:37:59 | |
Somebody who knows his place? | 0:37:59 | 0:38:01 | |
These people have been farting in our faces for centuries | 0:38:01 | 0:38:04 | |
and now we don't have to take it any more | 0:38:04 | 0:38:07 | |
and here is my guv'nor calling this stuck up cow Your Ladyship. | 0:38:07 | 0:38:12 | |
And that excuses you from inventing evidence against her son? | 0:38:12 | 0:38:15 | |
A, I'm doing nothing of the kind. You're imagining it. | 0:38:15 | 0:38:18 | |
B, he's guilty. | 0:38:18 | 0:38:20 | |
And C, do you think these people got all their land, | 0:38:21 | 0:38:25 | |
all their titles, all their wealth | 0:38:25 | 0:38:28 | |
by sticking to the rules? | 0:38:28 | 0:38:29 | |
Go home. | 0:38:31 | 0:38:32 | |
-Guv... -Go home. | 0:38:32 | 0:38:35 | |
You disappoint me, John. | 0:38:36 | 0:38:38 | |
# You must leave now Take what you need | 0:38:52 | 0:38:55 | |
# You think will last | 0:38:55 | 0:38:58 | |
# But whatever you wish to keep | 0:39:00 | 0:39:03 | |
# You better grab it fast | 0:39:03 | 0:39:06 | |
# Yonder stands your orphan with his gun | 0:39:09 | 0:39:14 | |
# Crying like a fire in the sun | 0:39:17 | 0:39:23 | |
# Look out, baby The saints are comin' through | 0:39:26 | 0:39:32 | |
# And it's all over now Baby Blue... # | 0:39:34 | 0:39:40 | |
KNOCK AT DOOR | 0:39:40 | 0:39:43 | |
# ..The highway is for gamblers | 0:39:43 | 0:39:47 | |
# Better use your sense | 0:39:47 | 0:39:50 | |
# Take what you have gathered from coincidence | 0:39:53 | 0:39:57 | |
# The empty-handed painter from your streets | 0:40:00 | 0:40:06 | |
# Is drawing crazy patterns on your sheets | 0:40:09 | 0:40:15 | |
# The sky, too, is folding over you | 0:40:18 | 0:40:24 | |
# And it's all over now, Baby Blue | 0:40:26 | 0:40:32 | |
# Yeah, yeah, yeah | 0:40:32 | 0:40:35 | |
# It's all over It's all over now, Baby Blue | 0:40:35 | 0:40:40 | |
# It's all... | 0:40:42 | 0:40:45 | |
# It's all over now, oh, yeah. # | 0:40:45 | 0:40:49 | |
SIRENS WAIL | 0:40:49 | 0:40:52 | |
This wouldn't have happened if we'd arrested him yesterday. | 0:40:56 | 0:41:00 | |
Four O-levels AND 20/20 hindsight(!) | 0:41:00 | 0:41:03 | |
-What business is this of theirs? -How's your son? | 0:41:10 | 0:41:14 | |
They don't really know yet. Would you like a cup of tea? | 0:41:14 | 0:41:18 | |
-No, thank you. -I wouldn't mind, actually. | 0:41:18 | 0:41:20 | |
Anthony? And a tea for Sergeant Bacchus. | 0:41:20 | 0:41:23 | |
Anthony Baugh. | 0:41:23 | 0:41:25 | |
Yeah, you find out all you can. I'll take him outside. | 0:41:26 | 0:41:30 | |
So Alethea found James with his throat cut? | 0:41:33 | 0:41:37 | |
-Yes. -Did he manage to say anything? | 0:41:37 | 0:41:40 | |
Presumably not, with his throat cut(!) | 0:41:40 | 0:41:44 | |
Were you at the hall last night? | 0:41:44 | 0:41:45 | |
At night? Of course not. | 0:41:45 | 0:41:47 | |
How come you learned about James so quickly? | 0:41:47 | 0:41:49 | |
The countess telephoned. She was...very upset. I came over. | 0:41:49 | 0:41:55 | |
You think he tried to kill himself? | 0:41:57 | 0:41:59 | |
James was - is - probably the most unhappy human being I've ever met. | 0:41:59 | 0:42:05 | |
And one of the least likeable. | 0:42:05 | 0:42:07 | |
What makes him unhappy? | 0:42:07 | 0:42:09 | |
I'm not a psychiatrist. | 0:42:09 | 0:42:12 | |
What makes him unlikeable? | 0:42:12 | 0:42:14 | |
Proximity to him. | 0:42:14 | 0:42:16 | |
Where do you fit in at Abberwick Hall, Anthony? | 0:42:19 | 0:42:23 | |
The ruling class of England went mad about ten years ago, | 0:42:23 | 0:42:26 | |
shortly after Suez, didn't you notice? | 0:42:26 | 0:42:28 | |
I'm writing a book about it. | 0:42:28 | 0:42:30 | |
Through A Class Darkly - The Decline Of The Old Order. | 0:42:30 | 0:42:33 | |
Think it'll sell? | 0:42:33 | 0:42:35 | |
Is that your son's blood? | 0:42:49 | 0:42:51 | |
Why doesn't he make them open the kitchen? | 0:42:59 | 0:43:02 | |
Is there really not a woman here to boil a kettle? | 0:43:02 | 0:43:06 | |
What happened to your son? | 0:43:06 | 0:43:08 | |
He used be a soldier. | 0:43:09 | 0:43:12 | |
They play with death. | 0:43:13 | 0:43:16 | |
-They're reckless. -I'm sorry. | 0:43:17 | 0:43:19 | |
You're saying that James accidentally cut his own throat? | 0:43:20 | 0:43:24 | |
SHE SIGHS | 0:43:26 | 0:43:29 | |
He really is quite unbelievable, isn't he? | 0:43:29 | 0:43:33 | |
Darling? Do you have any shrapnel? | 0:43:33 | 0:43:35 | |
My husband was conceived upon a flannel. | 0:43:40 | 0:43:44 | |
I beg your pardon? | 0:43:45 | 0:43:47 | |
His mother - my predecessor as the Countess of Guyzance - | 0:43:47 | 0:43:51 | |
was a notorious "horizontale". | 0:43:51 | 0:43:53 | |
Sorry, I...? | 0:43:55 | 0:43:57 | |
Rarely in the vertical plane. | 0:43:57 | 0:43:58 | |
Oh, right. | 0:43:58 | 0:44:00 | |
Why am I telling you this? | 0:44:03 | 0:44:05 | |
-VOICE CRACKING: -Because sometimes... we just need to talk, don't you? | 0:44:07 | 0:44:13 | |
My parents owned the village shop. James and I were at school together. | 0:44:15 | 0:44:19 | |
-You went to public school? -Yep. | 0:44:19 | 0:44:23 | |
Thrifty shopkeepers. | 0:44:23 | 0:44:24 | |
Yes. But not that thrifty. | 0:44:24 | 0:44:27 | |
Hector paid for my education. | 0:44:27 | 0:44:29 | |
And, no, I'm not his illegitimate offspring, it was pure philanthropy. | 0:44:29 | 0:44:33 | |
Hector does a lot of good in this world. | 0:44:33 | 0:44:35 | |
-All he asks in return is that you try and do the same. -And will you? | 0:44:35 | 0:44:39 | |
I'd like to go into politics. | 0:44:39 | 0:44:41 | |
As James is meant to. | 0:44:41 | 0:44:43 | |
Except he's got a mother who controls the local Tory Party | 0:44:43 | 0:44:47 | |
-and decides who the MP will be. -Lucky boy, eh? | 0:44:47 | 0:44:50 | |
But if James was no longer a candidate...? | 0:44:50 | 0:44:52 | |
Oh, crikey. Am I a suspect? | 0:44:52 | 0:44:54 | |
Tell me why you shouldn't be. | 0:44:54 | 0:44:57 | |
What's your name? | 0:45:08 | 0:45:10 | |
John. | 0:45:10 | 0:45:12 | |
Well, John... She slept with everybody. | 0:45:12 | 0:45:16 | |
Except Hector's father, whom she couldn't abide. | 0:45:19 | 0:45:23 | |
You won't say a word of this to anyone, will you? Promise? | 0:45:25 | 0:45:29 | |
I promise. | 0:45:29 | 0:45:30 | |
So there came a point... | 0:45:32 | 0:45:35 | |
where they hadn't had "conjugale" for six years, | 0:45:35 | 0:45:39 | |
at which point the old bird announces she's pregnant. | 0:45:39 | 0:45:44 | |
Well, even Hector's father - | 0:45:44 | 0:45:46 | |
who was given dinners at Eton for his imbecility - | 0:45:46 | 0:45:49 | |
even HE could do simple arithmetic. | 0:45:49 | 0:45:52 | |
So he sued her for adultery in the High Court | 0:45:55 | 0:45:58 | |
and tried to have Hector declared a bastard. | 0:45:58 | 0:46:02 | |
-What happened? -Oh, he lost his case, obviously. | 0:46:04 | 0:46:08 | |
-Can I get you anything, you chaps? -Oh, no, no, no. -Are you sure? | 0:46:08 | 0:46:11 | |
Well... | 0:46:11 | 0:46:13 | |
how did the, um...the "old bird" get away with it? | 0:46:13 | 0:46:17 | |
She simply told the judge the facts of the matter. | 0:46:17 | 0:46:21 | |
-Which were...? -That because he wasn't getting any sex, | 0:46:21 | 0:46:24 | |
Hector's father was in the habit of relieving himself | 0:46:24 | 0:46:27 | |
on a flannel in her bathroom. | 0:46:27 | 0:46:30 | |
One night in her bath, | 0:46:30 | 0:46:31 | |
she used the flannel to wash herself down there, | 0:46:31 | 0:46:34 | |
thus impregnating herself with his sperm. | 0:46:34 | 0:46:39 | |
And the judge believed that? | 0:46:39 | 0:46:41 | |
Of course he believed her. Her father was a duke. | 0:46:41 | 0:46:45 | |
So who is Hector's real father? | 0:46:48 | 0:46:49 | |
Probably some horny-handed son of toil from the local coal mine. | 0:46:49 | 0:46:54 | |
That would explain a lot about Hector. | 0:46:56 | 0:46:59 | |
Tea at last! | 0:46:59 | 0:47:01 | |
Getting to know each other? | 0:47:04 | 0:47:06 | |
Is there a Mr and Mrs Guyzance here? | 0:47:07 | 0:47:10 | |
A friend of yours has just lost her life in a car crash, | 0:47:16 | 0:47:19 | |
somebody that you were close to, according to her father. Were you? | 0:47:19 | 0:47:23 | |
Mm. | 0:47:23 | 0:47:25 | |
So why weren't you driving the car? | 0:47:25 | 0:47:28 | |
Cos Billy... | 0:47:29 | 0:47:30 | |
Billy assumed that you would be giving her a lift | 0:47:30 | 0:47:33 | |
to the coach station. Why didn't you? | 0:47:33 | 0:47:35 | |
She wasn't going to the coach station. | 0:47:35 | 0:47:38 | |
James was driving them both to London. | 0:47:39 | 0:47:41 | |
-How do you know this? -She told me. | 0:47:41 | 0:47:44 | |
How close were you, Anthony? | 0:47:45 | 0:47:47 | |
Did you love Ellen, Anthony? | 0:47:49 | 0:47:51 | |
All my life. | 0:47:52 | 0:47:54 | |
Guv? | 0:47:54 | 0:47:56 | |
He lost too much blood. | 0:48:03 | 0:48:05 | |
They couldn't bring him back. | 0:48:05 | 0:48:07 | |
I'm very sorry. | 0:48:09 | 0:48:11 | |
What can you tell me about what happened? | 0:48:16 | 0:48:18 | |
Very little. | 0:48:18 | 0:48:20 | |
I heard my wife's screams, I went to the window, | 0:48:20 | 0:48:24 | |
I saw the scene and I immediately phoned for help. | 0:48:24 | 0:48:27 | |
When I got outside... | 0:48:29 | 0:48:31 | |
there was blood everywhere. | 0:48:31 | 0:48:33 | |
James was barely alive. | 0:48:33 | 0:48:36 | |
We tried to bandage his neck. | 0:48:37 | 0:48:39 | |
He was drowning in his own blood. | 0:48:39 | 0:48:42 | |
The ambulance took an age. | 0:48:42 | 0:48:44 | |
And you saw no-one else? | 0:48:44 | 0:48:47 | |
Such as who? | 0:48:48 | 0:48:49 | |
Anthony Baugh, for instance? | 0:48:50 | 0:48:53 | |
No, of course not. | 0:48:54 | 0:48:57 | |
And the previous evening, the night that Ellen met her death, | 0:48:57 | 0:49:00 | |
was he at the hall then? | 0:49:00 | 0:49:03 | |
Why would he be there in the evening? | 0:49:03 | 0:49:07 | |
Hector, I'm sorry, too. | 0:49:07 | 0:49:08 | |
The silver dagger that was found beside James? | 0:49:08 | 0:49:12 | |
It's a letter opener. | 0:49:12 | 0:49:13 | |
-Was it familiar to you? -It was my wife's. | 0:49:13 | 0:49:16 | |
-Oh. -A gift from James on her 40th birthday. | 0:49:16 | 0:49:19 | |
There's an inscription on it - | 0:49:19 | 0:49:21 | |
"To Mummy, from James". | 0:49:21 | 0:49:24 | |
It normally lives on a desk in the day room. | 0:49:24 | 0:49:27 | |
Do you think that your son could have ended his own life with it? | 0:49:27 | 0:49:32 | |
Yes. I do. | 0:49:35 | 0:49:37 | |
Why would he do that? | 0:49:37 | 0:49:38 | |
I don't know. | 0:49:40 | 0:49:41 | |
And yesterday evening, were the three of you at home together? | 0:49:41 | 0:49:45 | |
Yes. I myself went out for a while. | 0:49:45 | 0:49:49 | |
To go where? | 0:49:49 | 0:49:51 | |
I went to Billy Mallam's house to share a drink with him, | 0:49:51 | 0:49:54 | |
but he slammed the door on me. | 0:49:54 | 0:49:57 | |
There was real hatred in his eyes. | 0:49:57 | 0:50:00 | |
I fear he may have been led to the wrong conclusion | 0:50:01 | 0:50:04 | |
about his daughter's death. | 0:50:04 | 0:50:06 | |
I think your son killed himself last night | 0:50:06 | 0:50:08 | |
because he felt responsible for the death of Ellen Mallam. | 0:50:08 | 0:50:13 | |
Why do you keep pointing your finger at other people, I wonder? | 0:50:13 | 0:50:17 | |
Confucius had a saying, Sergeant - | 0:50:17 | 0:50:19 | |
"When a wise man points at the stars, | 0:50:19 | 0:50:21 | |
"only a fool stares at his finger". | 0:50:21 | 0:50:25 | |
DOOR LATCH CLICKS | 0:50:25 | 0:50:27 | |
Darling... | 0:50:33 | 0:50:35 | |
-Are we letting Anthony go? -Yeah. For now. | 0:50:54 | 0:50:57 | |
-These people are weird. -Yeah. | 0:50:57 | 0:51:00 | |
Better question Billy Mallam. | 0:51:00 | 0:51:02 | |
Oh, right. Yeah. | 0:51:04 | 0:51:06 | |
Billy Mallam has now gone to the hall, has he, huh? | 0:51:06 | 0:51:09 | |
To open James Blackstone's throat with a silver dagger that belonged to Alethea, huh? | 0:51:09 | 0:51:13 | |
And because of me, apparently. Are you taking this rubbish seriously? | 0:51:13 | 0:51:16 | |
-I have to. -What, because an earl says that it's true? | 0:51:16 | 0:51:19 | |
-Oh, well, then it must be(!) -You... | 0:51:19 | 0:51:21 | |
You as good as told Billy Mallam that James was driving the car! | 0:51:21 | 0:51:24 | |
It's a smoke screen, guv! The truth...the truth has just walked out that door! | 0:51:24 | 0:51:27 | |
Listen, you don't have to be there. I'll question him on my own. | 0:51:27 | 0:51:30 | |
No, no! I'll do it, sir. I'll do it! | 0:51:30 | 0:51:32 | |
It's all my fault, apparently, so I'll do it! | 0:51:32 | 0:51:34 | |
That's for slitting envelopes, not throats. | 0:51:40 | 0:51:43 | |
There's easier ways than that of killing a man, bonny lad. | 0:51:44 | 0:51:47 | |
-Such as? -A shotgun. | 0:51:47 | 0:51:49 | |
Yeah, but... | 0:51:49 | 0:51:51 | |
you wanted poetic justice, though, didn't you? | 0:51:51 | 0:51:56 | |
For your beautiful, artistic daughter? | 0:51:56 | 0:51:58 | |
Cut the killer's throat with a knife inscribed to his Mammy. | 0:51:58 | 0:52:02 | |
What's sweeter than that? | 0:52:02 | 0:52:04 | |
Having Ellen alive would be sweeter than that, bonny lad. | 0:52:04 | 0:52:08 | |
Yeah, but she's not alive, though, is she? | 0:52:08 | 0:52:10 | |
You're never going to see her again, Billy. Never. | 0:52:10 | 0:52:13 | |
You had hate in your heart last night, Billy. | 0:52:18 | 0:52:22 | |
Says who? | 0:52:22 | 0:52:23 | |
Who came knocking at your door? | 0:52:23 | 0:52:25 | |
Hector put yous up to this? | 0:52:28 | 0:52:29 | |
James Blackstone left Ellen to drown. | 0:52:29 | 0:52:32 | |
James Blackstone drowned in his own blood. | 0:52:32 | 0:52:35 | |
Nobody, nobody on Earth, | 0:52:35 | 0:52:38 | |
would blame you for that, Billy. Nobody. | 0:52:38 | 0:52:40 | |
Did you leave the house after Hector came to see you? | 0:52:40 | 0:52:44 | |
Where did you go to, Billy? | 0:52:47 | 0:52:50 | |
The river. | 0:52:52 | 0:52:54 | |
I went to the river. | 0:52:55 | 0:52:57 | |
To see where my bairn lost her life. | 0:52:59 | 0:53:01 | |
Thinking I might die in the same spot. | 0:53:02 | 0:53:05 | |
I couldn't kill myself last night. | 0:53:08 | 0:53:10 | |
This was not simple cowardice. | 0:53:11 | 0:53:13 | |
At age 19, | 0:53:15 | 0:53:17 | |
I spent six days trapped by a rock fall, | 0:53:17 | 0:53:21 | |
underground on me own, | 0:53:21 | 0:53:23 | |
so I've met despair before. | 0:53:23 | 0:53:26 | |
Wrapped tight round my throat in the dark. | 0:53:27 | 0:53:31 | |
But I survived it. | 0:53:32 | 0:53:35 | |
As I will the loss of Ellen. | 0:53:35 | 0:53:38 | |
As I have everything else. | 0:53:39 | 0:53:41 | |
Anthony Baugh says James and Ellen were leaving for London together. | 0:53:46 | 0:53:52 | |
Knows it for a fact, he says. | 0:53:52 | 0:53:54 | |
He only knows one thing for a fact - | 0:53:54 | 0:53:57 | |
that Anthony Baugh will one day be atop of the greasy pole. | 0:53:57 | 0:54:02 | |
I've watched that lad grow up. He believes in nothing except himself. | 0:54:02 | 0:54:07 | |
All the same, why would he make it up? Huh? | 0:54:07 | 0:54:12 | |
I mean, you said it yourself, didn't you? | 0:54:12 | 0:54:15 | |
James held onto her hand, she kissed him. | 0:54:15 | 0:54:17 | |
That's a funny thing for a fiery working-class lass to be doing. | 0:54:18 | 0:54:22 | |
Standing necking on the street with a bloke whose mum's posher than the Queen. | 0:54:22 | 0:54:26 | |
Billy... | 0:54:26 | 0:54:28 | |
..the postmortem tells us | 0:54:29 | 0:54:32 | |
that Ellen had sex with somebody in the days before she died. | 0:54:32 | 0:54:36 | |
Did yous have to tell us that? | 0:54:36 | 0:54:38 | |
Could it have been James? | 0:54:38 | 0:54:41 | |
-Never in a million year. -Anthony? | 0:54:41 | 0:54:43 | |
I think they used to... but that was years ago. | 0:54:44 | 0:54:49 | |
Well... Thank you very much, Mr Mallam. | 0:54:50 | 0:54:53 | |
I'll arrange for a squad car to take you home. | 0:54:53 | 0:54:56 | |
When the undertakers have done their work, | 0:54:58 | 0:55:02 | |
people can come and pay their respects. | 0:55:02 | 0:55:05 | |
He was so, so very loved, my son. | 0:55:09 | 0:55:14 | |
England has lost a future leader. | 0:55:18 | 0:55:20 | |
Have you ever lost anyone you were really close to, George? | 0:55:32 | 0:55:36 | |
Of course you have. | 0:55:36 | 0:55:38 | |
We're the generation, aren't we? | 0:55:40 | 0:55:42 | |
I lost my father | 0:55:47 | 0:55:49 | |
and my brother in the war. | 0:55:49 | 0:55:53 | |
In the same week. | 0:55:53 | 0:55:55 | |
I lost some comrades. Anzio. | 0:55:57 | 0:56:00 | |
Sicily before that. | 0:56:01 | 0:56:04 | |
I also lost my wife a few years ago. | 0:56:07 | 0:56:10 | |
I'm so sorry. | 0:56:13 | 0:56:14 | |
It's been very much on my mind recently. | 0:56:17 | 0:56:19 | |
I can't quite work out why. | 0:56:21 | 0:56:23 | |
It's because you're a sensitive man, George. | 0:56:23 | 0:56:26 | |
But life will be good again. | 0:56:28 | 0:56:31 | |
Life always works out well in the end for good men... | 0:56:32 | 0:56:37 | |
like you. | 0:56:37 | 0:56:39 | |
Your Ladyship... | 0:56:41 | 0:56:42 | |
Why don't you call me Alethea? Hmm? | 0:56:42 | 0:56:45 | |
When no-one else is around. | 0:56:47 | 0:56:49 | |
I think I'll call you Your Ladyship, if it's all the same to you. | 0:56:51 | 0:56:54 | |
The night Ellen died... | 0:56:56 | 0:56:58 | |
Back to that again, are we? | 0:57:00 | 0:57:02 | |
Anthony Baugh says James and Ellen were going away to London together. | 0:57:03 | 0:57:07 | |
Gosh! | 0:57:09 | 0:57:10 | |
Hasn't he a lot to say for the son of village shopkeepers? | 0:57:11 | 0:57:15 | |
-Can I help you in some way? -Yeah. | 0:57:28 | 0:57:31 | |
Sometime before she died, somebody shagged Ellen. Any idea who? | 0:57:31 | 0:57:35 | |
You really are something. | 0:57:35 | 0:57:38 | |
An easier one, then - was it you or was it James? | 0:57:39 | 0:57:43 | |
Body's hardly cold, Sergeant. | 0:57:43 | 0:57:46 | |
I'm sorry. | 0:57:46 | 0:57:47 | |
If you want coppers with good taste, | 0:57:48 | 0:57:50 | |
then mebbies they should send us all to public school. | 0:57:50 | 0:57:53 | |
Could learn how to cane each other. | 0:57:53 | 0:57:55 | |
I just went to the local grammar, me, so I never really got into bondage. | 0:57:55 | 0:57:59 | |
This is an amazing, kind, | 0:57:59 | 0:58:00 | |
beautiful, talented human being | 0:58:00 | 0:58:02 | |
who's lost her life in tragic circumstances. | 0:58:02 | 0:58:05 | |
The fact that you think it's funny, | 0:58:05 | 0:58:06 | |
the fact that you think she's to be mocked, does you no credit. | 0:58:06 | 0:58:10 | |
And, actually, maybe that IS something to do with your education. | 0:58:10 | 0:58:15 | |
Oh, where did I go wrong? | 0:58:15 | 0:58:16 | |
Let me tell you what I'm thinking, Ant. | 0:58:16 | 0:58:19 | |
I'm thinking this - there's you sent to school | 0:58:19 | 0:58:22 | |
to learn how to parrot the upper classes, right? | 0:58:22 | 0:58:25 | |
But it'll always be all right, won't it? | 0:58:25 | 0:58:28 | |
Because there's Ellen, childhood sweetheart, | 0:58:28 | 0:58:31 | |
the Fiery Spark, | 0:58:31 | 0:58:34 | |
Red Ellen. | 0:58:34 | 0:58:35 | |
And as long as she still loves you, | 0:58:37 | 0:58:39 | |
then you haven't turned into a complete toady. | 0:58:39 | 0:58:42 | |
And then one day - disaster. | 0:58:42 | 0:58:45 | |
She thinks to herself, "Why am I wasting my time dropping my knickers | 0:58:45 | 0:58:50 | |
"for a pretend upper-class twit when I can have a proper one?" | 0:58:50 | 0:58:54 | |
Eh? | 0:58:56 | 0:58:58 | |
James never took his eyes off her at that concert. | 0:58:59 | 0:59:02 | |
That must have made you angry, did it? | 0:59:02 | 0:59:04 | |
Then he leaves her to drown in a river. | 0:59:04 | 0:59:07 | |
You expect me to believe that you spent all last night | 0:59:07 | 0:59:10 | |
playing draughts with your mam and dad up in Seahouses? | 0:59:10 | 0:59:13 | |
-Ask them. -I have. | 0:59:13 | 0:59:15 | |
"Ah, yeah, no, he was here the whole time, honest." | 0:59:16 | 0:59:21 | |
What are mums and dads for? | 0:59:22 | 0:59:25 | |
What was James's relationship with Ellen Mallam? | 0:59:30 | 0:59:33 | |
"Relationship"? | 0:59:35 | 0:59:36 | |
James was a man of action. A soldier. | 0:59:38 | 0:59:43 | |
They're allowed to sow wild oats. | 0:59:43 | 0:59:45 | |
Well, village girls... | 0:59:46 | 0:59:49 | |
sometimes get the wrong idea. | 0:59:49 | 0:59:51 | |
She laid herself down for him | 0:59:52 | 0:59:56 | |
and then expected a wedding ring. | 0:59:56 | 0:59:59 | |
So she threw herself at him? | 0:59:59 | 1:00:01 | |
She...ensnared him with sex. | 1:00:01 | 1:00:05 | |
This proud working-class girl, | 1:00:05 | 1:00:08 | |
named after a famous working-class heroine, | 1:00:08 | 1:00:11 | |
expected a life with your son? | 1:00:11 | 1:00:13 | |
And isn't that just typical of the working classes? | 1:00:13 | 1:00:18 | |
Once they smell money and opportunity... | 1:00:18 | 1:00:21 | |
They envy wealth, success, brilliance - | 1:00:22 | 1:00:25 | |
all the things that James had in spades. | 1:00:25 | 1:00:28 | |
-Exactly. -So why did he kill himself? | 1:00:28 | 1:00:31 | |
He didn't kill himself. | 1:00:31 | 1:00:33 | |
Your husband says it was suicide. | 1:00:33 | 1:00:36 | |
How would he know? | 1:00:36 | 1:00:38 | |
He wasn't there. | 1:00:38 | 1:00:39 | |
Nor were you. | 1:00:39 | 1:00:41 | |
Exactly. Nobody was. | 1:00:41 | 1:00:44 | |
So nobody can say that James killed himself. | 1:00:44 | 1:00:48 | |
Mm. Anthony Baugh says so, too. | 1:00:48 | 1:00:51 | |
Well, God damn Anthony Baugh. | 1:00:52 | 1:00:54 | |
-He would say that, wouldn't he? -Why? | 1:00:57 | 1:01:01 | |
Because he hated my son. | 1:01:02 | 1:01:05 | |
Hated and envied him. | 1:01:05 | 1:01:07 | |
Because you can give a boy an education... | 1:01:09 | 1:01:11 | |
..but you can't give him breeding. | 1:01:12 | 1:01:14 | |
But Anthony's family, really, isn't he? | 1:01:14 | 1:01:17 | |
James is home, my dear. | 1:01:23 | 1:01:25 | |
Would you excuse us now, please? | 1:01:25 | 1:01:28 | |
One more question. | 1:01:29 | 1:01:31 | |
Did Ellen visit you the night she died? | 1:01:33 | 1:01:36 | |
What an absurd idea. | 1:01:36 | 1:01:38 | |
Were you here at the club the night Ellen Mallam was playing? | 1:01:45 | 1:01:48 | |
I wouldn't miss it. | 1:01:48 | 1:01:50 | |
So you knew Ellen, I assume? | 1:01:50 | 1:01:52 | |
Watched her grow up. Lovely lass. | 1:01:52 | 1:01:55 | |
Breaks your heart, you know? | 1:01:57 | 1:02:00 | |
Was there anything different about her that night? | 1:02:00 | 1:02:02 | |
Anything unusual happen? | 1:02:02 | 1:02:04 | |
Well, she was never usually short of a lift. | 1:02:04 | 1:02:08 | |
Sorry? | 1:02:08 | 1:02:10 | |
Turns the lights out, locks the place up, | 1:02:10 | 1:02:13 | |
she was out here, sitting here on her own. | 1:02:13 | 1:02:16 | |
What did she say? | 1:02:17 | 1:02:19 | |
Just her lift never turned up. | 1:02:19 | 1:02:21 | |
Did she say who the lift was? | 1:02:22 | 1:02:23 | |
No. She just said, "I don't care, I'll walk." | 1:02:23 | 1:02:29 | |
Like, determined, you know? | 1:02:29 | 1:02:31 | |
If I don't see you through the week, I'll see you through the window. | 1:02:33 | 1:02:37 | |
'And she gives us this big smacker on the lips. | 1:02:37 | 1:02:40 | |
'She was...happy.' | 1:02:40 | 1:02:43 | |
Heading which way? | 1:02:43 | 1:02:45 | |
That way. | 1:02:45 | 1:02:46 | |
Towards Abberwick Hall? | 1:02:47 | 1:02:50 | |
It's a simple enough question, Tone - was it you | 1:02:50 | 1:02:53 | |
or was it James who shagged her before she died? | 1:02:53 | 1:02:55 | |
Well, it wasn't me, no. | 1:02:55 | 1:02:57 | |
Oh, dear. The thought of her and James would have hurt, wouldn't it? | 1:02:57 | 1:03:01 | |
But it wasn't James either, was it? | 1:03:02 | 1:03:04 | |
I nicked him twice before for being drunk behind the wheel. | 1:03:04 | 1:03:08 | |
Both times he was with a lad. | 1:03:08 | 1:03:11 | |
Different lads, but never any sign of any lasses. | 1:03:11 | 1:03:15 | |
And Billy? He just laughed at the idea of her and James. | 1:03:15 | 1:03:18 | |
James was queer. Everybody knew that. Except one person, of course. | 1:03:18 | 1:03:23 | |
Four prancing horses will draw your carriage. | 1:03:23 | 1:03:26 | |
You will be engraved in marble. | 1:03:33 | 1:03:35 | |
Earls and dukes will attend you. | 1:03:42 | 1:03:45 | |
And men and women everywhere... | 1:03:50 | 1:03:52 | |
..will weep... | 1:03:54 | 1:03:55 | |
..for their fallen hero. | 1:03:57 | 1:03:59 | |
'Ellen gave him hope.' | 1:04:10 | 1:04:12 | |
For the first and only time in his stupid life, he had hope. | 1:04:12 | 1:04:16 | |
-How'd she do that? -By singing to him. A song called Silver Dagger. | 1:04:16 | 1:04:20 | |
-Silver Dagger? -It was the last song she ever sang. | 1:04:21 | 1:04:24 | |
'It's about a mother who won't let go of her son.' | 1:04:26 | 1:04:30 | |
One more, then. This is for mothers everywhere. | 1:04:32 | 1:04:35 | |
# Don't sing love songs | 1:04:39 | 1:04:43 | |
# You'll wake your mother | 1:04:43 | 1:04:46 | |
# She's laying there | 1:04:47 | 1:04:50 | |
# Right by your side | 1:04:50 | 1:04:54 | |
# And in her right hand | 1:04:55 | 1:04:59 | |
# A silver dagger | 1:04:59 | 1:05:02 | |
# She says that I | 1:05:04 | 1:05:08 | |
# Can't be your bride | 1:05:08 | 1:05:11 | |
# All maids are false | 1:05:16 | 1:05:21 | |
# Says your mother | 1:05:21 | 1:05:24 | |
# They'll tell you wicked | 1:05:24 | 1:05:29 | |
# Winning lies | 1:05:29 | 1:05:33 | |
# And the very next evening | 1:05:33 | 1:05:37 | |
# They'll love another | 1:05:37 | 1:05:41 | |
# Leave you alone | 1:05:41 | 1:05:46 | |
# To pine and cry | 1:05:46 | 1:05:51 | |
# Go find yourself | 1:05:54 | 1:05:58 | |
# A rich young maiden | 1:05:58 | 1:06:01 | |
# And hope that she | 1:06:02 | 1:06:06 | |
# Will be your wife | 1:06:06 | 1:06:09 | |
# For I've been warned | 1:06:10 | 1:06:14 | |
# And I've decided | 1:06:14 | 1:06:18 | |
# To live alone | 1:06:19 | 1:06:23 | |
# All of my life... # | 1:06:23 | 1:06:26 | |
So what were your movements after the concert? | 1:06:46 | 1:06:50 | |
Packed up the instruments, offered Ellen a lift, | 1:06:50 | 1:06:52 | |
-but she declined because she was... -DOOR BANGS | 1:06:52 | 1:06:55 | |
Carry on. | 1:06:55 | 1:06:57 | |
She was waiting for James to come back and pick her up, | 1:06:57 | 1:06:59 | |
-which obviously he did. -Why do you say that? | 1:06:59 | 1:07:02 | |
Come on. We all know who was driving the car. | 1:07:02 | 1:07:05 | |
But it wasn't James's car that crashed. It was an old Austin. | 1:07:05 | 1:07:09 | |
-Well, then that's the car he was driving that night. -No, no. | 1:07:09 | 1:07:11 | |
James was in his Volvo P1800 earlier outside the Miners' Welfare. | 1:07:11 | 1:07:15 | |
Well, then... | 1:07:15 | 1:07:17 | |
for some reason he must've come back for her in the Austin. | 1:07:17 | 1:07:20 | |
Why? | 1:07:20 | 1:07:22 | |
What car were you driving, Anthony? | 1:07:22 | 1:07:24 | |
Just one of the Abberwick cars. I don't remember which. | 1:07:24 | 1:07:27 | |
Don't you? | 1:07:27 | 1:07:29 | |
Ellen walked to the hall. | 1:07:29 | 1:07:31 | |
I have an eye witness. | 1:07:31 | 1:07:34 | |
Five miles on her own in the dark. | 1:07:34 | 1:07:37 | |
It is now nearly one in the morning | 1:07:37 | 1:07:39 | |
and Ellen will soon get into the car that will crash and drown her. | 1:07:39 | 1:07:43 | |
Where were you? | 1:07:44 | 1:07:46 | |
I was at home. | 1:07:47 | 1:07:49 | |
Stop wasting our time. | 1:07:50 | 1:07:53 | |
You were about to get a big surprise, weren't you? | 1:07:53 | 1:07:56 | |
Not to mention the countess. | 1:07:56 | 1:07:58 | |
Oh. | 1:08:00 | 1:08:02 | |
Is that why he paid for you to go to that posh school is it, Anthony? | 1:08:02 | 1:08:06 | |
So his wife could have a bit of well-spoken rough? | 1:08:06 | 1:08:10 | |
Or is this your way of saying, "Thank you, Hector"? | 1:08:10 | 1:08:13 | |
I was with Alethea when Ellen arrived. | 1:08:13 | 1:08:16 | |
Doing what, exactly? | 1:08:17 | 1:08:20 | |
How's the uprising going, village boy? | 1:08:21 | 1:08:24 | |
Oh, it's... It's coming along. | 1:08:24 | 1:08:27 | |
Give me some of that. | 1:08:27 | 1:08:29 | |
Good. Because I'm ready. | 1:08:35 | 1:08:39 | |
RADIO: '..resembles a battlefield after an uprising on a scale | 1:08:57 | 1:09:00 | |
'unequalled in the postwar period...' | 1:09:00 | 1:09:02 | |
That'll be you one day, my lady. | 1:09:02 | 1:09:04 | |
Your house will burn, baby, burn. | 1:09:04 | 1:09:09 | |
Oh, really? I'm so scared. | 1:09:09 | 1:09:14 | |
The working classes on the rise. | 1:09:14 | 1:09:17 | |
At last seeing through all our ruses to keep them enslaved. | 1:09:18 | 1:09:23 | |
Oh, Lord, what shall become of me? | 1:09:23 | 1:09:26 | |
You'll be up against a wall. | 1:09:26 | 1:09:28 | |
Oh, will I? Up against a wall... | 1:09:28 | 1:09:31 | |
And where will you be, village boy? | 1:09:33 | 1:09:35 | |
-I'll be standing right behind you with my gun in my... -Sh. | 1:09:35 | 1:09:39 | |
VIOLIN PLAYS "SILVER DAGGER" | 1:09:39 | 1:09:41 | |
-This girl is insane! -She's come to collect James, Alethea. | 1:09:59 | 1:10:02 | |
He wants to go to London with her. | 1:10:02 | 1:10:05 | |
Wants to drop out. Find his own space. | 1:10:05 | 1:10:07 | |
The police can deal with this. | 1:10:07 | 1:10:09 | |
Tell her she has ten minutes to get off my property! | 1:10:09 | 1:10:13 | |
-I can't talk to her! -Oh, she still doesn't know? | 1:10:13 | 1:10:17 | |
Well, I think that it's about time that she did! | 1:10:17 | 1:10:23 | |
Alethea, why not just let him go with her? | 1:10:23 | 1:10:25 | |
He isn't what you think he is. He isn't clever enough. | 1:10:25 | 1:10:28 | |
Oh, and you are, I suppose? | 1:10:28 | 1:10:32 | |
Don't get ideas above your station, Anthony. Your parents ran a shop! | 1:10:32 | 1:10:36 | |
He's weak, Alethea. | 1:10:36 | 1:10:37 | |
And not very bright. | 1:10:37 | 1:10:40 | |
Have you ever met any Government ministers? | 1:10:40 | 1:10:42 | |
I wrote his essays all through school and Oxford. | 1:10:42 | 1:10:44 | |
-And were amply rewarded! -Can't you see what you've turned him into? | 1:10:44 | 1:10:48 | |
He's a vain, lazy, stupid... | 1:10:48 | 1:10:50 | |
# And I've decided | 1:10:52 | 1:10:55 | |
# To live alone all of... # | 1:10:55 | 1:11:01 | |
Anthony? | 1:11:02 | 1:11:04 | |
Oh, Anthony... | 1:11:08 | 1:11:11 | |
I always worried you might sell your granny | 1:11:11 | 1:11:13 | |
-but I never thought you'd shag her! -Make her shut up! | 1:11:13 | 1:11:16 | |
You are a total nightmare, Mrs Guyzance, do you know that? | 1:11:16 | 1:11:20 | |
Does Hector know? | 1:11:20 | 1:11:21 | |
Well... | 1:11:23 | 1:11:25 | |
Good luck. | 1:11:26 | 1:11:28 | |
Get rid of her. | 1:11:29 | 1:11:31 | |
I'll take you to the coach station, Ellen. | 1:11:33 | 1:11:35 | |
No, thanks. I've got a lift. | 1:11:35 | 1:11:37 | |
But she did get in that car. Who with? | 1:11:46 | 1:11:49 | |
I don't know. I went back upstairs. | 1:11:49 | 1:11:52 | |
That was the last I ever saw of Ellen. | 1:11:52 | 1:11:55 | |
Stay here. Don't talk to anybody. | 1:12:23 | 1:12:25 | |
ENGINE RUMBLES | 1:12:28 | 1:12:31 | |
I call them my steeds. They're like old friends, really. | 1:12:38 | 1:12:42 | |
Ellen Mallam came here the night she died. | 1:12:42 | 1:12:45 | |
You've been lying to us. | 1:12:45 | 1:12:47 | |
Isn't that against the rules for barons? | 1:12:47 | 1:12:50 | |
Yes, she was here. | 1:12:51 | 1:12:53 | |
Were you expecting her? | 1:12:53 | 1:12:55 | |
I thought I was dreaming. | 1:12:55 | 1:12:57 | |
VIOLIN PLAYS "SILVER DAGGER" | 1:12:57 | 1:12:59 | |
Shall I tell you something, Chief Inspector? | 1:13:02 | 1:13:05 | |
If I'd been 40 years younger, I wouldn't have hesitated. | 1:13:05 | 1:13:08 | |
I would have run off with her myself. | 1:13:08 | 1:13:10 | |
You knew why she'd come, then? | 1:13:11 | 1:13:13 | |
To rescue James. | 1:13:13 | 1:13:15 | |
# Right by your side | 1:13:15 | 1:13:19 | |
# And in her right hand | 1:13:19 | 1:13:22 | |
# A silver dagger | 1:13:22 | 1:13:26 | |
# She says that I... # | 1:13:26 | 1:13:28 | |
'James wasn't at all what he appeared to be. | 1:13:28 | 1:13:31 | |
'He was a frightened young man, really. | 1:13:31 | 1:13:33 | |
'Desperately unsure of what he wanted of life.' | 1:13:33 | 1:13:35 | |
Desperately unsure he could deliver | 1:13:35 | 1:13:38 | |
what life seemed to be asking of him. | 1:13:38 | 1:13:40 | |
What life was asking of him? Or his mother? | 1:13:40 | 1:13:43 | |
Where was she while all this was happening? | 1:13:43 | 1:13:45 | |
-You'll have to ask her that. -Oh, no, I'm asking you. -No, no. -What? | 1:13:45 | 1:13:48 | |
We spoke to Anthony Baugh. | 1:13:48 | 1:13:51 | |
We know where your wife was. | 1:13:51 | 1:13:53 | |
Where is your wife now, please? | 1:13:53 | 1:13:56 | |
Asleep. Exhausted. | 1:13:56 | 1:13:58 | |
Somebody's responsible for the death of Ellen Mallam and I think she knows who, | 1:13:58 | 1:14:02 | |
so could you go and tell your wife "wakey, wakey", now, please? | 1:14:02 | 1:14:07 | |
All right. | 1:14:07 | 1:14:08 | |
You do it your way, I'll do it mine, all right? | 1:14:14 | 1:14:17 | |
I'm sick to the back teeth of these toffee-nosed hypocrites. | 1:14:17 | 1:14:21 | |
-All right. We'll do it your way. -Right. | 1:14:22 | 1:14:26 | |
Ellen Mallam walked here at 1am the night she died. | 1:14:29 | 1:14:33 | |
According to your husband, she came here to talk to James. | 1:14:33 | 1:14:37 | |
You were in your bedroom. | 1:14:37 | 1:14:39 | |
With him. | 1:14:41 | 1:14:43 | |
Oh, aye, he's given us all the gory details. | 1:14:43 | 1:14:46 | |
So what happened next, when Ellen tried to take your son away from you? | 1:14:46 | 1:14:50 | |
VIOLIN PLAYS "SILVER DAGGER" | 1:14:50 | 1:14:53 | |
Go back to bed. | 1:15:05 | 1:15:07 | |
Come with me. It's not as hard as you think, James. | 1:15:08 | 1:15:12 | |
Go inside, James. | 1:15:12 | 1:15:14 | |
There's an amazing world out here, beautiful man. | 1:15:15 | 1:15:18 | |
You'll find different friends, do different things - I promise. | 1:15:18 | 1:15:22 | |
I'll help you. | 1:15:24 | 1:15:25 | |
Just...forget about me, Ellen. | 1:15:27 | 1:15:31 | |
No, I won't just forget about you. | 1:15:31 | 1:15:32 | |
The police will be here shortly, my dear, | 1:15:32 | 1:15:34 | |
so I suggest that you pack up your fiddle | 1:15:34 | 1:15:37 | |
and clear off back where you belong. | 1:15:37 | 1:15:39 | |
Let him choose his own life, Alethea. | 1:15:39 | 1:15:41 | |
He has chosen. | 1:15:41 | 1:15:43 | |
Haven't you, James? | 1:15:43 | 1:15:45 | |
Get back in the house. | 1:15:47 | 1:15:49 | |
Now! | 1:15:49 | 1:15:51 | |
GLASS SHATTERS | 1:15:59 | 1:16:01 | |
For goodness' sake. Oh, my God, James! | 1:16:01 | 1:16:04 | |
Are you all right? | 1:16:04 | 1:16:06 | |
Now do you see what you've done?! | 1:16:06 | 1:16:08 | |
'So Anthony had gone upstairs, yes?' | 1:16:10 | 1:16:13 | |
Yes. | 1:16:13 | 1:16:16 | |
Another man she had twisted round her little finger. | 1:16:16 | 1:16:18 | |
Really, what was the attraction? | 1:16:18 | 1:16:22 | |
Why all this fuss about her? | 1:16:22 | 1:16:24 | |
-For goodness' sake, Alethea, she was an extraordinary creature! -So... | 1:16:24 | 1:16:28 | |
She left in a car. | 1:16:28 | 1:16:30 | |
Driven by whom? | 1:16:31 | 1:16:33 | |
We have no idea. | 1:16:34 | 1:16:36 | |
We were with James and his cut head. | 1:16:40 | 1:16:44 | |
James was...hardly conscious. | 1:16:45 | 1:16:47 | |
Chief Inspector, it seems to me | 1:16:47 | 1:16:50 | |
that you would like us to solve this mystery for you. | 1:16:50 | 1:16:54 | |
And you've obviously failed to come up with any evidence | 1:16:56 | 1:16:59 | |
of who was behind the wheel or you'd have produced it by now. | 1:16:59 | 1:17:02 | |
That's where you're wrong. | 1:17:05 | 1:17:06 | |
-John...? -No, no. They're not getting away with this. | 1:17:06 | 1:17:10 | |
We have a blood sample. | 1:17:15 | 1:17:18 | |
Taken from the crashed car. It's quite rare. | 1:17:18 | 1:17:20 | |
A2B, James's blood type. | 1:17:20 | 1:17:24 | |
So presumably one of yours as well. | 1:17:24 | 1:17:27 | |
-Blood types...? -It's quite simple, Mrs Blackstone. | 1:17:27 | 1:17:31 | |
James was A2B, | 1:17:31 | 1:17:34 | |
so one of his parents must be. | 1:17:34 | 1:17:37 | |
What are you? | 1:17:39 | 1:17:40 | |
O. | 1:17:42 | 1:17:43 | |
And you? | 1:17:49 | 1:17:51 | |
It was my blood. | 1:17:53 | 1:17:54 | |
I drove the car. | 1:17:54 | 1:17:56 | |
Somebody had to. | 1:17:57 | 1:17:59 | |
James was incapable, my wife was under the influence, | 1:17:59 | 1:18:04 | |
so I took the nearest car and drove Ellen home for her baggage. | 1:18:04 | 1:18:08 | |
Except we didn't get there. | 1:18:08 | 1:18:11 | |
I lost control of the car on a bend. | 1:18:11 | 1:18:14 | |
I lost consciousness for a while. | 1:18:15 | 1:18:17 | |
When I came to, we were upside down in the river. | 1:18:17 | 1:18:21 | |
Ellen was trapped. | 1:18:22 | 1:18:24 | |
I tried to free her. The water was rising. | 1:18:24 | 1:18:28 | |
I kicked my door open and I scrambled out. | 1:18:29 | 1:18:32 | |
God help me, I tried to save her, | 1:18:32 | 1:18:35 | |
but I couldn't free her foot! | 1:18:35 | 1:18:38 | |
I talked to her. | 1:18:40 | 1:18:42 | |
And I held her hand until she was covered by the water | 1:18:42 | 1:18:47 | |
and then she drowned. | 1:18:47 | 1:18:48 | |
You could've just told us all this from the beginning, man. | 1:18:48 | 1:18:51 | |
What, and have all of this brought up for public scrutiny? | 1:18:51 | 1:18:54 | |
My life - our lives - a laughing stock? | 1:18:54 | 1:18:57 | |
There go the aristocracy again! Mad, degenerate, sexually incontinent, | 1:18:57 | 1:19:02 | |
no longer fit to lead... | 1:19:02 | 1:19:04 | |
Who wants to be led by people | 1:19:04 | 1:19:06 | |
who can leave a dead girl in a drowned car all night?! | 1:19:06 | 1:19:10 | |
You're under arrest. | 1:19:10 | 1:19:12 | |
He's under arrest when I say he is. | 1:19:12 | 1:19:14 | |
Your blood type's B, Hector. | 1:19:14 | 1:19:18 | |
I checked in the hospital. | 1:19:19 | 1:19:20 | |
-What? -That's just basic police work, Sergeant. | 1:19:20 | 1:19:23 | |
Then how could there be an A2B blood stain in the car? | 1:19:23 | 1:19:27 | |
Well, yes. Good point. How could there be, Sergeant? | 1:19:27 | 1:19:31 | |
CLEARS THROAT NERVOUSLY | 1:19:31 | 1:19:34 | |
-Must have been some kind of mistake. -Yeah. | 1:19:34 | 1:19:36 | |
Just like Hector thinking that James was his son. | 1:19:39 | 1:19:42 | |
I was never under that misapprehension, Sergeant. | 1:19:42 | 1:19:45 | |
We have no evidence except your confession. | 1:19:45 | 1:19:49 | |
Do you wish to retract it? | 1:19:50 | 1:19:52 | |
No. Someone should pay. | 1:19:54 | 1:19:57 | |
I was brought up to honour a debt. | 1:19:57 | 1:19:59 | |
You are a fool, Hector. | 1:20:01 | 1:20:03 | |
Perhaps so. | 1:20:03 | 1:20:05 | |
But I can live with being a fool, Alethea. | 1:20:05 | 1:20:08 | |
What I couldn't live with, however, | 1:20:08 | 1:20:11 | |
was knowing that I'd as good as killed my own son. | 1:20:11 | 1:20:14 | |
How could the poor chap live, after all you'd done to him? | 1:20:15 | 1:20:18 | |
No, it was... | 1:20:18 | 1:20:20 | |
a silly accident | 1:20:20 | 1:20:22 | |
I saw it, Alethea! I saw it! | 1:20:22 | 1:20:25 | |
Please, James, please! I am begging you. Sweetheart, please don't. | 1:20:25 | 1:20:30 | |
-I am going to count to ten. One... -No, no, please don't! | 1:20:30 | 1:20:33 | |
No, no, no, because you're brilliant. | 1:20:33 | 1:20:35 | |
-..two... -This is us. We can talk away any problem. | 1:20:35 | 1:20:39 | |
-..three... -I love you with every fibre of my being! | 1:20:39 | 1:20:44 | |
-..four... -What if I do this? What if I crawl? What if I crawl to you? | 1:20:44 | 1:20:49 | |
Yes, laugh at me, but don't destroy yourself! | 1:20:49 | 1:20:52 | |
Please, not after everything that we have done together! | 1:20:52 | 1:20:56 | |
-What have I ever done? -The world is waiting for you. | 1:20:56 | 1:20:59 | |
Ah... | 1:20:59 | 1:21:00 | |
-The world. Five, six... -Please. Please, please, please! | 1:21:02 | 1:21:07 | |
Let me take all the pain away! | 1:21:07 | 1:21:09 | |
She was the only friend I've ever had | 1:21:09 | 1:21:12 | |
because she didn't want anything from me. | 1:21:12 | 1:21:15 | |
She only wanted to help me. | 1:21:15 | 1:21:18 | |
Tell me, Mummy, why did she have to die? | 1:21:19 | 1:21:23 | |
It is so, so hard to lose what's precious, | 1:21:24 | 1:21:30 | |
which is why you must not do this. | 1:21:30 | 1:21:32 | |
Why? Because it will hurt you? | 1:21:32 | 1:21:35 | |
Because the world needs you. | 1:21:35 | 1:21:37 | |
You know that, James. You've always known that. | 1:21:37 | 1:21:40 | |
We've always said that, haven't we? | 1:21:40 | 1:21:42 | |
Since you were a little boy. | 1:21:42 | 1:21:44 | |
No, no. YOU have always said that. | 1:21:44 | 1:21:47 | |
I just wanted a life to live. | 1:21:50 | 1:21:53 | |
You are the master of your own destiny, James, | 1:21:54 | 1:21:58 | |
and, one day, of all our destinies. | 1:21:58 | 1:22:01 | |
My darling son. | 1:22:04 | 1:22:07 | |
My brave, | 1:22:08 | 1:22:10 | |
brave boy. | 1:22:10 | 1:22:12 | |
She was right about you. | 1:22:12 | 1:22:14 | |
You are a nightmare. | 1:22:14 | 1:22:17 | |
James? | 1:22:18 | 1:22:19 | |
Seven, eight, nine, Mummy... | 1:22:19 | 1:22:23 | |
SHE SCREAMS | 1:22:23 | 1:22:25 | |
Help! Hector! | 1:22:27 | 1:22:30 | |
Hector, would you stand up, please? | 1:22:32 | 1:22:35 | |
Hector Blackstone, | 1:22:42 | 1:22:44 | |
I'm charging you with causing death by dangerous driving | 1:22:44 | 1:22:47 | |
and attempting to pervert the course of justice. | 1:22:47 | 1:22:49 | |
You do not have to say anything, but anything you do say | 1:22:49 | 1:22:52 | |
may be used in evidence. Do you understand? | 1:22:52 | 1:22:55 | |
Perfectly, thank you. | 1:22:55 | 1:22:57 | |
Is there anything? | 1:22:57 | 1:22:59 | |
Yes. | 1:22:59 | 1:23:00 | |
No, I'd like you to hear this, too, Alethea. | 1:23:00 | 1:23:04 | |
I want you to know exactly what happened | 1:23:04 | 1:23:06 | |
because I will never tell it to a court. | 1:23:06 | 1:23:10 | |
ELLEN: Stop for a minute. I want to talk to you. | 1:23:13 | 1:23:16 | |
Hector... | 1:23:25 | 1:23:27 | |
..when did you stop breathing? | 1:23:29 | 1:23:30 | |
-Let's go for a walk. -But... -There's bags of time. | 1:23:35 | 1:23:39 | |
# My daddy, he's a handsome devil | 1:23:39 | 1:23:45 | |
# He's got a chain five miles long | 1:23:45 | 1:23:50 | |
# And on every link a heart does dangle | 1:23:51 | 1:23:56 | |
# Of another maid he's loved and wronged. # | 1:23:57 | 1:24:02 | |
What are you thinking of? | 1:24:07 | 1:24:10 | |
Or should I say "who"? | 1:24:10 | 1:24:12 | |
I've never, ever been so happy in all my life. | 1:24:12 | 1:24:15 | |
Ah. Is he waiting for you in London? | 1:24:15 | 1:24:18 | |
It can happen for you as well, Hector. | 1:24:20 | 1:24:22 | |
HE LAUGHS I want you to believe that. Can you? | 1:24:22 | 1:24:26 | |
I'll try to believe it. | 1:24:26 | 1:24:28 | |
Good. When you get home, | 1:24:30 | 1:24:32 | |
start making changes. | 1:24:32 | 1:24:34 | |
OK? Promise? | 1:24:34 | 1:24:37 | |
I promise. | 1:24:37 | 1:24:39 | |
Look at the time! | 1:24:42 | 1:24:44 | |
Oh, God! Come on! | 1:24:44 | 1:24:46 | |
It's perhaps hard for you to understand | 1:24:50 | 1:24:53 | |
what those few minutes meant to me. | 1:24:53 | 1:24:57 | |
Just to be touched by a beautiful young woman. | 1:24:57 | 1:25:00 | |
It was only when Ellen kissed me | 1:25:01 | 1:25:03 | |
that I realised the truth of what she'd said. | 1:25:03 | 1:25:06 | |
I had stopped breathing. | 1:25:07 | 1:25:09 | |
I had stopped breathing the day Bonny died. | 1:25:11 | 1:25:15 | |
We were late. | 1:25:25 | 1:25:27 | |
I wanted Ellen to get to London | 1:25:27 | 1:25:31 | |
to meet the man she'd fallen in love with. | 1:25:31 | 1:25:33 | |
-I drove too fast. -METAL CRUNCHES | 1:25:33 | 1:25:37 | |
He'll get off, guv. I'm telling you, he'll get off. | 1:25:59 | 1:26:03 | |
His posh lawyer'll say he was in shock or something. | 1:26:03 | 1:26:05 | |
He held her hand until she died, John. | 1:26:05 | 1:26:08 | |
And then he walked home and he told his wife | 1:26:08 | 1:26:10 | |
and his wife's boyfriend what had happened. | 1:26:10 | 1:26:14 | |
I don't understand these people. | 1:26:18 | 1:26:21 | |
It's like The Wizard Of Oz, isn't it? | 1:26:21 | 1:26:24 | |
Everyone thinks there's some amazing brains running the operation | 1:26:24 | 1:26:29 | |
and you look behind the curtain, it's just some weird Hooray Henry | 1:26:29 | 1:26:34 | |
who was once in the Bullingdon Club. | 1:26:34 | 1:26:36 | |
But the game's up. Because once you start laughing at the high-ups... | 1:26:36 | 1:26:40 | |
..they lose their power. | 1:26:42 | 1:26:43 | |
I wouldn't worry too much on their behalf. | 1:26:43 | 1:26:46 | |
It might be all over for the toffs, | 1:26:46 | 1:26:49 | |
but they've trained the Anthony Baughs of this world | 1:26:49 | 1:26:52 | |
to carry on the good fight. | 1:26:52 | 1:26:55 | |
Hi. I'm Anthony. | 1:26:55 | 1:26:57 | |
I think, you know, people like me cos I'm a straight sort of guy. | 1:26:57 | 1:27:01 | |
That's why people trust me. | 1:27:01 | 1:27:03 | |
CLEARS THROAT | 1:27:05 | 1:27:06 | |
Hi. Call me Tony. | 1:27:06 | 1:27:08 | |
OK, why should you vote for me? | 1:27:10 | 1:27:12 | |
All right. The blood thing, that was a mistake. | 1:27:23 | 1:27:27 | |
But it got us a confession. | 1:27:28 | 1:27:31 | |
So...bingo. | 1:27:31 | 1:27:35 | |
-No. Not "bingo". -I wouldn't have had to make it up, would I, | 1:27:35 | 1:27:39 | |
if he'd have coughed up in the first place. | 1:27:39 | 1:27:41 | |
What were the lies all about? | 1:27:41 | 1:27:42 | |
Honour, I think. | 1:27:42 | 1:27:45 | |
Dignity. | 1:27:45 | 1:27:46 | |
Memory. | 1:27:47 | 1:27:49 | |
Well, like I said, I don't understand these people. | 1:27:49 | 1:27:52 | |
Just out of interest, | 1:27:52 | 1:27:55 | |
what sort of people do you think should be running this country? | 1:27:55 | 1:27:59 | |
People like me. GEORGE LAUGHS | 1:28:01 | 1:28:04 | |
# A holiday, a holy day The first one of the year | 1:28:09 | 1:28:14 | |
# Lord Arlen's wife came into church The gospel for to hear | 1:28:14 | 1:28:18 | |
# And when the meeting, it was done She cast her eyes about | 1:28:18 | 1:28:23 | |
# And there she saw little Matty Groves | 1:28:23 | 1:28:25 | |
# Walking in the crowd. # | 1:28:25 | 1:28:29 | |
Subtitles by Red Bee Media Ltd | 1:28:31 | 1:28:34 |