Browse content similar to Gently in the Cathedral. Check below for episodes and series from the same categories and more!
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-Happy? -All I've ever wanted to do. | 0:00:09 | 0:00:13 | |
See you in the morning. | 0:00:16 | 0:00:17 | |
Tell us all about it. | 0:00:19 | 0:00:20 | |
Get all that in the overnight. I'm having a drink with somebody. | 0:01:03 | 0:01:06 | |
Righteo, Mister Rivers. | 0:01:06 | 0:01:08 | |
Broke down, have yous, lads? | 0:01:45 | 0:01:47 | |
One of yous the owner of this car? | 0:01:51 | 0:01:52 | |
Move back, please, if you wouldn't mind. | 0:01:59 | 0:02:01 | |
Right back, please. | 0:02:15 | 0:02:16 | |
I just got married in November. | 0:02:55 | 0:02:57 | |
Give us a chance, will you? | 0:03:01 | 0:03:03 | |
GUNSHOT | 0:03:05 | 0:03:07 | |
I want a visiting order. | 0:03:38 | 0:03:40 | |
I'll get your form tomorrow. | 0:03:40 | 0:03:42 | |
Just fill it out and get it delivered, first thing. | 0:03:42 | 0:03:45 | |
Where to? | 0:03:45 | 0:03:46 | |
Durham Police Headquarters. Name of Chief Inspector George Gently. | 0:03:46 | 0:03:50 | |
And hurry up, I need a shower. | 0:03:53 | 0:03:56 | |
I wanted to put, "Murdered while doing his duty." | 0:04:11 | 0:04:13 | |
But they wouldn't let us. | 0:04:16 | 0:04:17 | |
You've moved away, Bernie. | 0:04:26 | 0:04:28 | |
I couldn't live around here anymore. | 0:04:28 | 0:04:29 | |
I've borrowed a place out past Rothbury. | 0:04:29 | 0:04:32 | |
Is that a good idea? | 0:04:32 | 0:04:33 | |
I don't know what's worse - | 0:04:33 | 0:04:35 | |
people's sympathy or knowing that some of them believe the lies. | 0:04:35 | 0:04:39 | |
I mean, this was the honestest man in the world, | 0:04:40 | 0:04:43 | |
doing the job that he'd always wanted... | 0:04:43 | 0:04:45 | |
Even his mates believe it, don't they? | 0:04:47 | 0:04:49 | |
That he was taking bribe money, and that's how he got shot. | 0:04:50 | 0:04:53 | |
Well, where's the bribe money? | 0:04:54 | 0:04:56 | |
Can I have it, please, cos I've got nowt. | 0:04:56 | 0:04:58 | |
You know, I never believed any of this. | 0:05:00 | 0:05:02 | |
You've been great, Mr Gently. Thank you. | 0:05:04 | 0:05:06 | |
I came up here to tell you something, Bernie. | 0:05:08 | 0:05:11 | |
Don't go to the inquest tomorrow. | 0:05:11 | 0:05:13 | |
It's not be unlawful killing, | 0:05:15 | 0:05:17 | |
for which I've been arguing. | 0:05:17 | 0:05:19 | |
It's not even be an open verdict, I'm afraid. | 0:05:20 | 0:05:23 | |
Well what is it going be...? | 0:05:23 | 0:05:25 | |
Oh no, no... not suicide. | 0:05:31 | 0:05:34 | |
Probably. | 0:05:35 | 0:05:36 | |
No pension. No insurance. | 0:05:39 | 0:05:42 | |
No Gavin. | 0:05:48 | 0:05:49 | |
I won't give up on this, Bernie. I promise. | 0:05:57 | 0:06:01 | |
How did she take it? | 0:06:16 | 0:06:17 | |
How'd you think she took it? | 0:06:17 | 0:06:19 | |
She can't even bear to stay in Durham. | 0:06:19 | 0:06:21 | |
She's hiding herself away in Rothbury. | 0:06:21 | 0:06:23 | |
What's the letter? | 0:06:25 | 0:06:27 | |
What letter? | 0:06:27 | 0:06:28 | |
The one you didn't want me to see. | 0:06:28 | 0:06:31 | |
Rothbury's miles away, ain't it... | 0:06:31 | 0:06:32 | |
Yeah, miles away from the people she thinks deserted her, | 0:06:32 | 0:06:36 | |
and destroyed her husband's reputation. | 0:06:36 | 0:06:39 | |
Oh, well... you've heard the whispers... | 0:06:39 | 0:06:41 | |
What whispers are they, John? | 0:06:43 | 0:06:44 | |
Ah, come on, guv...you know? | 0:06:44 | 0:06:46 | |
About how Gavin Henderson was in hock to the gangs in Newcastle... | 0:06:46 | 0:06:51 | |
This bloke Rivers who's done a bunk. So, you know, it was going to come out. | 0:06:51 | 0:06:54 | |
-"In hock"? -A-ha. | 0:06:54 | 0:06:56 | |
There is absolutely no evidence to support those "whispers", | 0:06:56 | 0:07:00 | |
apart from what's coming out of London, of course. | 0:07:00 | 0:07:03 | |
Aye. Yeah. "Evidence from London". | 0:07:03 | 0:07:06 | |
That means "lies", don't it? To you. | 0:07:06 | 0:07:08 | |
Automatically. 100,000 coppers - all bent. | 0:07:08 | 0:07:12 | |
You ever thought maybe you've just got this a little bit wrong, guv? | 0:07:12 | 0:07:15 | |
-Wrong..? -Exaggerated, | 0:07:15 | 0:07:17 | |
when you talk about how many bent coppers there are in the Met... | 0:07:17 | 0:07:20 | |
Well actually, John, I've never tried to put a number | 0:07:20 | 0:07:23 | |
to how many bent coppers there are in the Met. | 0:07:23 | 0:07:25 | |
All I've ever said is what I know to be a fact - | 0:07:25 | 0:07:28 | |
which is that during the time I was working there, I knew of at least seven career criminals. | 0:07:28 | 0:07:32 | |
-Seven? -Yes, seven. | 0:07:32 | 0:07:34 | |
Out of 100,000. It's not that many, is it? | 0:07:34 | 0:07:37 | |
That's all I'm saying. | 0:07:37 | 0:07:39 | |
Who was the letter from? | 0:07:41 | 0:07:43 | |
Serious Crime Squad. | 0:07:50 | 0:07:52 | |
London gangs are moving into the north east for the fruit machines. | 0:07:53 | 0:07:57 | |
They're recruiting somebody with local roots and experience. | 0:07:58 | 0:08:01 | |
And they just happened to choose you. | 0:08:01 | 0:08:04 | |
-Yeah. -Why you? | 0:08:04 | 0:08:05 | |
-Why not me? -No, no, no. Why you? | 0:08:05 | 0:08:08 | |
Because maybe they don't think of me as just your sergeant, guv. | 0:08:08 | 0:08:11 | |
Maybe they think of me as... "A rising talent". | 0:08:11 | 0:08:15 | |
Well, congratulations. | 0:08:16 | 0:08:17 | |
You've tried to stop us in the past... | 0:08:18 | 0:08:21 | |
This time you can make your own decisions, John. | 0:08:21 | 0:08:23 | |
Here, marked "urgent" from the jail, sir. | 0:08:23 | 0:08:26 | |
Get me a cup of tea. | 0:08:26 | 0:08:28 | |
Toto sees smoke signals, Kimosabbi. | 0:08:28 | 0:08:30 | |
Kettle boiling. | 0:08:30 | 0:08:31 | |
Melvyn Rattigan, you have been found not guilty of murder on one count, | 0:08:47 | 0:08:54 | |
but guilty of manslaughter, armed robbery... | 0:08:54 | 0:08:57 | |
-Hats off to the Judy. -...and extortion. | 0:08:57 | 0:08:59 | |
I'm sorry, my Lord, but credit where it's due. | 0:08:59 | 0:09:01 | |
Could of been the gallows, eh? Disappointed, Gently? | 0:09:01 | 0:09:05 | |
Melvyn Rattigan, you are a vicious, committed career criminal. | 0:09:05 | 0:09:09 | |
And I therefore sentence you to 30 years imprisonment. | 0:09:09 | 0:09:13 | |
Take him down. | 0:09:13 | 0:09:14 | |
I'll be out, and it won't be no 30 years. | 0:09:17 | 0:09:20 | |
No chaperone? | 0:10:10 | 0:10:12 | |
I asked for a bit of privacy. | 0:10:12 | 0:10:14 | |
Something to say to me? | 0:10:16 | 0:10:17 | |
I had a nephew what done himself in. | 0:10:23 | 0:10:26 | |
Went under a tube at Mile End. | 0:10:26 | 0:10:28 | |
His wife never got over it, poor thing. | 0:10:28 | 0:10:30 | |
When they marked it down to depression. | 0:10:30 | 0:10:32 | |
I don't know what he had to be depressed about, he was a jockey. | 0:10:32 | 0:10:35 | |
I didn't like him much, actually. | 0:10:35 | 0:10:37 | |
OK, so you know that Gavin Henderson's murder | 0:10:38 | 0:10:42 | |
is about to be called suicide. | 0:10:42 | 0:10:44 | |
Anything else? | 0:10:45 | 0:10:46 | |
Do you know how much I hate you, George Gently? | 0:10:54 | 0:10:56 | |
I hate the sound of your voice. | 0:10:57 | 0:10:59 | |
I hate your stupid face. | 0:11:00 | 0:11:02 | |
I even hate the smell of you. | 0:11:02 | 0:11:04 | |
Do you know what you smell like? | 0:11:04 | 0:11:06 | |
Holy water. | 0:11:06 | 0:11:07 | |
Sanctimonious. | 0:11:09 | 0:11:10 | |
Stale from all the fingers what have been dipped in you. | 0:11:10 | 0:11:14 | |
Well... | 0:11:15 | 0:11:16 | |
Will that be all? | 0:11:16 | 0:11:17 | |
Or have you got some actual information about Gavin Henderson's death? | 0:11:19 | 0:11:23 | |
Well not now, I haven't. | 0:11:23 | 0:11:25 | |
I mean, I come all this way and all I get is sarcasm. | 0:11:25 | 0:11:28 | |
Ah, well. Never mind. | 0:11:28 | 0:11:30 | |
You'll be out in...1991? | 0:11:30 | 0:11:37 | |
And they reckon we'll be all riding round in spaceships by then. I'll fly you to the moon. | 0:11:38 | 0:11:42 | |
Look forward to it. | 0:11:42 | 0:11:43 | |
Oi, send my love to Gitta Bronson, won't you? | 0:11:46 | 0:11:49 | |
Yeah. When they offered me a Judy for my brief, I nearly told them where to shove it. | 0:11:52 | 0:11:55 | |
But she was good. | 0:11:55 | 0:11:57 | |
What a clever woman. Well, that's Jews for you. | 0:11:58 | 0:12:02 | |
What makes you think I'll be seeing her? | 0:12:03 | 0:12:05 | |
Oh, you'll be seeing her. | 0:12:07 | 0:12:08 | |
HE KNOCKS ON DOOR | 0:12:12 | 0:12:13 | |
What do you say about the allegations against you? | 0:12:24 | 0:12:27 | |
Have you got any comments to make on Rattigan's release? | 0:12:27 | 0:12:30 | |
-Can we actually have a comment? -Comment on what? | 0:12:30 | 0:12:32 | |
On Rattigan's release | 0:12:32 | 0:12:34 | |
and these allegations of corruption against you. | 0:12:34 | 0:12:36 | |
Release....? | 0:12:36 | 0:12:37 | |
What did you talk about, Mr Gently? | 0:12:37 | 0:12:39 | |
Did you ask him to withdraw his allegations against you? | 0:12:39 | 0:12:41 | |
What's the story, Inspector? | 0:12:44 | 0:12:46 | |
Hello, John. | 0:13:10 | 0:13:12 | |
Rattigan's being bailed pending an appeal. | 0:13:18 | 0:13:20 | |
What? How did he get bail? On what grounds? | 0:13:21 | 0:13:26 | |
There's new evidence. | 0:13:27 | 0:13:28 | |
Allegations that he made at the time of the trial are being re-examined. | 0:13:28 | 0:13:33 | |
Which ones? | 0:13:33 | 0:13:34 | |
That you had a corrupt relationship with him. | 0:13:36 | 0:13:39 | |
That you framed him to cover your own crimes. | 0:13:39 | 0:13:42 | |
Well I'd like to see the evidence for that, | 0:13:44 | 0:13:46 | |
cos there isn't any. | 0:13:46 | 0:13:47 | |
Well, there is, Sir. | 0:13:47 | 0:13:49 | |
Fraud Squad are saying | 0:13:53 | 0:13:54 | |
that they've uncovered bank accounts in your name, | 0:13:54 | 0:13:58 | |
with regular payments through 59, 60 and 61 - all from Rattigan. | 0:13:58 | 0:14:03 | |
Guv, they don't let a guy like Rattigan back on the streets | 0:14:08 | 0:14:10 | |
just because he asks nicely.... | 0:14:10 | 0:14:12 | |
What do you think this is all about? | 0:14:16 | 0:14:18 | |
It doesn't matter what I think, does it? | 0:14:22 | 0:14:27 | |
I don't know maybe it's all a mistake... I don't know, guv. | 0:14:27 | 0:14:29 | |
-A "mistake"?! -Guv, please. | 0:14:29 | 0:14:32 | |
You think this is a mistake? | 0:14:32 | 0:14:33 | |
The Fraud Squad finds bank accounts in my name, | 0:14:35 | 0:14:38 | |
the Home Office lets Rattigan out of jail, | 0:14:38 | 0:14:40 | |
and the Serious Crimes Squad offers you a job? | 0:14:40 | 0:14:43 | |
And you think that's a mistake? | 0:14:43 | 0:14:44 | |
I think you've left out "who really killed Kennedy" there, sir. | 0:14:47 | 0:14:50 | |
Is that it? | 0:14:52 | 0:14:53 | |
Does the name Gitta Bronson ring a bell? | 0:14:56 | 0:14:58 | |
Yeah, Rattigan's defence counsel, why? | 0:14:58 | 0:15:00 | |
Well, she's saying that Rattigan showed her evidence of your corrupt | 0:15:02 | 0:15:06 | |
relationship with him at the time of the trial. | 0:15:06 | 0:15:08 | |
Who's been telling you this? | 0:15:11 | 0:15:13 | |
Yeah, I see.... | 0:15:17 | 0:15:19 | |
When's your interview? | 0:15:19 | 0:15:20 | |
-Tomorrow. -Tomorrow. Yeah. | 0:15:22 | 0:15:24 | |
Before you go to London, ring this number. | 0:15:38 | 0:15:44 | |
The man who answers will meet you at King's Cross, | 0:15:46 | 0:15:51 | |
and give you something to bring to me. | 0:15:51 | 0:15:53 | |
OK. OK. | 0:15:57 | 0:15:59 | |
I love this place. | 0:16:04 | 0:16:05 | |
I don't like churches - makes me think of funerals. | 0:16:07 | 0:16:11 | |
Good luck with your interview. | 0:16:15 | 0:16:17 | |
7am, David, for the assizes. | 0:16:39 | 0:16:42 | |
Hello, Gitta. | 0:16:53 | 0:16:55 | |
I thought I might see you. | 0:16:56 | 0:16:58 | |
There'll be two for supper, please, Tim. | 0:17:02 | 0:17:04 | |
Well I suppose you'd like some sort of explanation? | 0:17:06 | 0:17:09 | |
Just let me get out of this awful uniform. | 0:17:09 | 0:17:12 | |
Thank you, Tim. | 0:17:27 | 0:17:30 | |
I was devastated about Isabella's murder. | 0:17:35 | 0:17:38 | |
-I did write to you. Did you...? -Yes, I got your letter. Thank you. | 0:17:38 | 0:17:41 | |
The same sort of scum who killed her is coming after me, | 0:17:44 | 0:17:47 | |
and you're helping him. | 0:17:47 | 0:17:49 | |
-George, you know I had to tell the truth. -The truth? | 0:17:49 | 0:17:52 | |
Look, I know exactly what Rattigan is... | 0:17:53 | 0:17:57 | |
I did spend six months defending him! | 0:17:57 | 0:17:59 | |
You misled the court, Gitta. | 0:17:59 | 0:18:00 | |
You knew he was a pack of lies, didn't you? | 0:18:00 | 0:18:03 | |
No, I didn't! | 0:18:03 | 0:18:04 | |
I'm not allowed to tell a lie in court, | 0:18:06 | 0:18:08 | |
you know that. | 0:18:08 | 0:18:10 | |
You were brilliant, Gitta. | 0:18:10 | 0:18:12 | |
You even had me doubting his guilt for a while. | 0:18:12 | 0:18:15 | |
You should've gone on the stage. | 0:18:15 | 0:18:17 | |
Look, if it'd been down to me, | 0:18:21 | 0:18:22 | |
I would have cheerfully hammered a six inch nail into his head. | 0:18:22 | 0:18:27 | |
But it was not down to me. | 0:18:27 | 0:18:28 | |
This story he spun you, about him and me being partners in crime...? | 0:18:31 | 0:18:36 | |
He wanted it brought out in court. | 0:18:36 | 0:18:38 | |
-Yeah. Why didn't you? -I didn't believe it. | 0:18:38 | 0:18:41 | |
No, no, no, no. | 0:18:41 | 0:18:42 | |
You just told me it didn't matter what you believe... | 0:18:43 | 0:18:46 | |
Yes, all right. It wouldn't've helped his case. | 0:18:46 | 0:18:50 | |
It came down to his word against yours, | 0:18:52 | 0:18:54 | |
and the jury would've believed you. | 0:18:54 | 0:18:56 | |
-George Gently, the Met's Mister Clean. -Well... | 0:18:56 | 0:19:00 | |
The Fraud Squad's apparently "found" documents that incriminate me. | 0:19:00 | 0:19:05 | |
This wasn't the same stuff that Rattigan showed you seven years ago? | 0:19:07 | 0:19:10 | |
Very much doubt it. | 0:19:10 | 0:19:11 | |
-You haven't seen it, then? -No. | 0:19:11 | 0:19:13 | |
All they wanted from me was confirmation that Rattigan | 0:19:13 | 0:19:16 | |
claimed that at the time that you were corrupt. | 0:19:16 | 0:19:19 | |
Someone's building a case against you, George. An expert. | 0:19:21 | 0:19:26 | |
Someone who wants to discredit George Gently, | 0:19:27 | 0:19:30 | |
and I don't think that this is just Rattigan. | 0:19:30 | 0:19:33 | |
No. He just wants to kill me. | 0:19:33 | 0:19:34 | |
Yes, but... Why is it so personal for him? | 0:19:34 | 0:19:37 | |
What? You mean apart from me putting him away for 30 years. | 0:19:37 | 0:19:40 | |
I don't know. I've sent down dozens like him... | 0:19:40 | 0:19:42 | |
But why now? | 0:19:42 | 0:19:43 | |
Well, Rattigan says he knows something | 0:19:45 | 0:19:48 | |
about the death of a young copper on my force. | 0:19:48 | 0:19:51 | |
And he wants me to know that he knows something. | 0:19:51 | 0:19:53 | |
-Yes. And what's the connection? -I don't know. | 0:19:53 | 0:19:55 | |
I've been trying to trace this man in the fruit machine rackets. | 0:19:55 | 0:19:59 | |
A man called Rivers. He's come up from London. | 0:19:59 | 0:20:02 | |
He's a presence in the Newcastle underworld. | 0:20:02 | 0:20:04 | |
So, he phones me and asks for a meeting and then suddenly, | 0:20:04 | 0:20:08 | |
bang, | 0:20:08 | 0:20:09 | |
he's vanished. | 0:20:09 | 0:20:11 | |
Are you happy to be out? | 0:20:15 | 0:20:17 | |
All of the false evidence against me has been set aside, | 0:20:17 | 0:20:20 | |
and the evidence against the true villain, | 0:20:20 | 0:20:24 | |
Inspector George Gently, is in the hands of the authorities. | 0:20:24 | 0:20:28 | |
Rattigan, are you accusing Mr Gently of corruption? | 0:20:28 | 0:20:31 | |
Oi. Oi. | 0:20:54 | 0:20:56 | |
Hello there. | 0:20:59 | 0:21:00 | |
John Bacchus, Detective Sergeant Kieran Lawson. | 0:21:00 | 0:21:03 | |
-Keiran. Nice to meet you. -I'm Detective Inspector Reese Statham. | 0:21:03 | 0:21:05 | |
-Hello. -Thanks for coming. Cheers. | 0:21:05 | 0:21:07 | |
Ah, It's my pleasure. Listen, thanks for inviting us down. It's a... | 0:21:07 | 0:21:11 | |
It's a big ambition of mine to join the Met, actually... | 0:21:11 | 0:21:13 | |
There is no job, John. I'm sorry. | 0:21:13 | 0:21:15 | |
What? | 0:21:17 | 0:21:19 | |
I got you down here under false pretences. | 0:21:19 | 0:21:22 | |
Serious Crimes really needs your help. | 0:21:22 | 0:21:24 | |
What kind of help? | 0:21:26 | 0:21:27 | |
Did you bring your guvnor's diary? | 0:21:27 | 0:21:29 | |
-No. -Told you. Boy Scout. | 0:21:32 | 0:21:34 | |
Hey, no... You asked me to steal my guvnor's diary... | 0:21:34 | 0:21:37 | |
Borrow. Not steal. | 0:21:37 | 0:21:39 | |
No. No, I didn't. | 0:21:42 | 0:21:43 | |
But I did copy down the entries of the days that you asked me for. | 0:21:50 | 0:21:54 | |
Have you got it? | 0:21:54 | 0:21:55 | |
Why don't you give me a good reason? | 0:21:57 | 0:21:59 | |
What we're about to tell you, John, cannot go further than this room. | 0:22:05 | 0:22:09 | |
You cannot tell Gently about it. | 0:22:10 | 0:22:13 | |
If you do, there will be serious repercussions for your career. | 0:22:13 | 0:22:17 | |
-Go on. -OK. | 0:22:18 | 0:22:20 | |
We're trying to find out what happened to this man. | 0:22:22 | 0:22:25 | |
Does the name Rivers mean anything? | 0:22:26 | 0:22:29 | |
-This is Ernie Rivers? -What do you know about him? | 0:22:30 | 0:22:34 | |
Well he's connected to the fruit machine racket. | 0:22:36 | 0:22:39 | |
He contacted Gently, but he never made the meeting. | 0:22:42 | 0:22:44 | |
He just disappeared. | 0:22:44 | 0:22:45 | |
Yeah, how do you know he never made the meeting? | 0:22:45 | 0:22:47 | |
Because he never called back. | 0:22:47 | 0:22:49 | |
No, no, no. How do you know they never met? | 0:22:49 | 0:22:53 | |
Why would he lie to me? | 0:22:57 | 0:22:59 | |
Rivers was one of us. | 0:22:59 | 0:23:00 | |
He'd infiltrated a London gang who are currently taking over | 0:23:00 | 0:23:04 | |
a big, big slice of the bandit business in your area. | 0:23:04 | 0:23:08 | |
These are major criminals, John. | 0:23:08 | 0:23:10 | |
We were never told about any of this. | 0:23:10 | 0:23:11 | |
Yeah, we're not going to put an advert in the paper. | 0:23:11 | 0:23:14 | |
All right, then. What happened with Rivers? | 0:23:17 | 0:23:19 | |
His real name is Bill Denmoor, Detective Sergeant Bill Denmoor. | 0:23:19 | 0:23:24 | |
We think he's dead. | 0:23:24 | 0:23:26 | |
We think somebody found out he was Serious Crimes and killed him. | 0:23:26 | 0:23:30 | |
"Somebody"? | 0:23:30 | 0:23:32 | |
You mean Gently, don't you? | 0:23:32 | 0:23:34 | |
Bill Denmoor called in on the first of March | 0:23:34 | 0:23:37 | |
to say he was setting up a meeting to brief Gently. | 0:23:37 | 0:23:39 | |
-We never heard from him again. -Gently's career's dead in the water, John, believe me. | 0:23:39 | 0:23:43 | |
I've seen the bank accounts. | 0:23:43 | 0:23:44 | |
So could you tell us, please? | 0:23:44 | 0:23:46 | |
What's in Gently's log for that day? | 0:23:46 | 0:23:48 | |
Friday the first of March, yeah? | 0:23:59 | 0:24:03 | |
"Meet ER. Question mark." | 0:24:03 | 0:24:04 | |
-Mr Clean. -Gently's been working hand in glove | 0:24:04 | 0:24:07 | |
-with the London underworld for years. -According to Rattigan... | 0:24:07 | 0:24:10 | |
We're going to need you, John. You effectively work for us now. | 0:24:10 | 0:24:15 | |
What? What do you mean? | 0:24:15 | 0:24:17 | |
Yeah, I'll get that put in writing, if you want. | 0:24:20 | 0:24:23 | |
We need you to help us nail Gently. | 0:24:23 | 0:24:25 | |
I'll organise you somewhere to kip tonight. | 0:24:25 | 0:24:28 | |
No! I can't. I can't stay in London. | 0:24:28 | 0:24:29 | |
I haven't got any stuff with us. | 0:24:29 | 0:24:31 | |
What's in the bag, then? | 0:24:31 | 0:24:32 | |
It's just some erm...stuff. | 0:24:32 | 0:24:35 | |
It's just some stuff that Gently asked me to get for him. | 0:24:39 | 0:24:42 | |
Like what? | 0:24:42 | 0:24:43 | |
I don't know. I don't know he... | 0:24:43 | 0:24:44 | |
He didn't want me to find out. Come on. Look, no... | 0:24:44 | 0:24:47 | |
I don't think we should be doing this. Let's just leave it. | 0:24:47 | 0:24:50 | |
You thought you knew the man. You didn't. | 0:25:10 | 0:25:14 | |
I've got to go. | 0:25:14 | 0:25:16 | |
Kieran'll look after you. | 0:25:17 | 0:25:19 | |
Bit of a shock, I expect. | 0:25:26 | 0:25:27 | |
There's no job for you here yet, | 0:26:01 | 0:26:02 | |
but you help us get this right and there will be. | 0:26:04 | 0:26:07 | |
This is your future now - not him. | 0:26:08 | 0:26:10 | |
All the same... | 0:26:12 | 0:26:14 | |
What exactly do you owe him? | 0:26:15 | 0:26:17 | |
He stood in your way when you tried to move down here four years ago. | 0:26:17 | 0:26:20 | |
How do you know about that? | 0:26:23 | 0:26:25 | |
I made it my business to know. | 0:26:25 | 0:26:27 | |
I saw the letter he wrote, blocking your move. | 0:26:27 | 0:26:29 | |
Do you want to know what he wrote about you? | 0:26:32 | 0:26:34 | |
No... | 0:26:36 | 0:26:37 | |
No... | 0:26:38 | 0:26:41 | |
Yeah. | 0:26:42 | 0:26:43 | |
"Susceptible. Gullible. | 0:26:45 | 0:26:48 | |
"Will be unable to avoid the pitfalls and temptations | 0:26:49 | 0:26:53 | |
of the big city." And I quote. | 0:26:53 | 0:26:55 | |
It's a bit rich coming from him, isn't it? | 0:27:00 | 0:27:03 | |
There you go, gents. | 0:27:03 | 0:27:05 | |
-Here you are. -No, no. -Come on. | 0:27:08 | 0:27:11 | |
-I can't do anymore honestly I'm plastered. -Come on, John. | 0:27:11 | 0:27:14 | |
Just...whoa, whoa, that's it. | 0:27:14 | 0:27:16 | |
Do you do this every night? I'm plastered, mate. | 0:27:17 | 0:27:20 | |
Help's on its way. | 0:27:20 | 0:27:22 | |
-DC Owen Galliford. -All right. | 0:27:28 | 0:27:32 | |
-Nice to meet you. -DC Frannie Hilston. | 0:27:32 | 0:27:34 | |
-Hello. -Hello mate, Frannie. -Frannie? -Yep. | 0:27:34 | 0:27:37 | |
Sergeant John Bacchus. Now one of us - | 0:27:37 | 0:27:40 | |
whether he likes it or not. | 0:27:40 | 0:27:41 | |
Which, I have to admit, he didn't. | 0:27:41 | 0:27:43 | |
Welcome, John. | 0:27:44 | 0:27:46 | |
Thank you very much. | 0:27:46 | 0:27:47 | |
Owen took the last call from Bill Denmoor. | 0:27:47 | 0:27:50 | |
-Oh, right. -We lost a diamond there. | 0:27:50 | 0:27:53 | |
-To Bill. -Bill. | 0:27:53 | 0:27:55 | |
Bill. | 0:27:55 | 0:27:56 | |
DOOR OPENS | 0:29:05 | 0:29:07 | |
Keep your hands where I can see them. | 0:29:07 | 0:29:09 | |
Don? | 0:29:18 | 0:29:19 | |
You were always good at poker, George. | 0:29:19 | 0:29:21 | |
You're in a spot of bother, my dear. | 0:29:23 | 0:29:25 | |
Two filthy habits. | 0:29:26 | 0:29:29 | |
How many times have I told you - | 0:29:29 | 0:29:30 | |
you'll be dead before your 35. | 0:29:30 | 0:29:32 | |
I'll be dead before the end of the week if Rattigan has his way. | 0:29:32 | 0:29:37 | |
I don't think it's just him you've got to worry about, George. | 0:29:37 | 0:29:39 | |
Yeah. That's what Gitta Bronson says. | 0:29:39 | 0:29:42 | |
Rattigan can't arrange his own release. That's Home Office. | 0:29:42 | 0:29:44 | |
And where've these bank accounts suddenly appeared from? | 0:29:46 | 0:29:49 | |
I'm not bothered about bank accounts. | 0:29:49 | 0:29:51 | |
Who's questioning you on Monday? | 0:29:53 | 0:29:56 | |
-My ACC. -What's he like? | 0:29:56 | 0:29:58 | |
-We've had our differences... -Does he want shot of you? | 0:30:00 | 0:30:03 | |
-Don't think he cares. -Somebody does. | 0:30:04 | 0:30:07 | |
I don't think he's bothered one way or another, Don. | 0:30:07 | 0:30:10 | |
Yeah. That's what I thought, George. Look at me. | 0:30:10 | 0:30:12 | |
One day I'm down Buckingham Palace getting me CBE, | 0:30:12 | 0:30:15 | |
the next day, "There's your cards, mate, on your way". | 0:30:15 | 0:30:19 | |
Never saw it coming. Somebody cared. | 0:30:19 | 0:30:22 | |
What do you do when it's all over, Don? | 0:30:25 | 0:30:27 | |
Play with me grandkids. | 0:30:28 | 0:30:30 | |
I can't do that. | 0:30:31 | 0:30:32 | |
It's not going to be all over for you, George. | 0:30:32 | 0:30:35 | |
I'm not let them push you into retirement. | 0:30:35 | 0:30:37 | |
We'll sort something out, you mark my words. | 0:30:37 | 0:30:40 | |
Why did you never go for the top job? | 0:30:42 | 0:30:44 | |
Me? Nah. | 0:30:44 | 0:30:46 | |
Anyway, if you have to ask, it means they don't want you. | 0:30:46 | 0:30:49 | |
Fatal lack of personal ambition. | 0:30:51 | 0:30:53 | |
You look who gets to be commissioner. | 0:30:53 | 0:30:55 | |
Politicians every time. | 0:30:55 | 0:30:57 | |
Gift of the gab, know how to behave in parties, | 0:30:57 | 0:31:00 | |
always make the right noises. | 0:31:00 | 0:31:02 | |
I fitted into that world like a fart in a crowded lift. | 0:31:02 | 0:31:05 | |
GEORGE LAUGHS | 0:31:07 | 0:31:09 | |
You need your beauty sleep. | 0:31:09 | 0:31:11 | |
Do you want to stay the night? | 0:31:13 | 0:31:14 | |
What, you want them calling you a poof on top of everything else? | 0:31:14 | 0:31:18 | |
No thanks, I'll call you, let you know how it goes. | 0:31:18 | 0:31:23 | |
I'll be there, George. | 0:31:23 | 0:31:24 | |
I want to walk through that door with you, shoulder-to-shoulder, | 0:31:24 | 0:31:27 | |
-when they've admitted they're wrong. -Don... | 0:31:27 | 0:31:30 | |
You haven't asked me one question about these allegations against me. | 0:31:30 | 0:31:34 | |
Not one. God bless you for that, mate. | 0:31:34 | 0:31:36 | |
What's to ask? | 0:31:36 | 0:31:38 | |
-For you. -Yeah. | 0:31:40 | 0:31:43 | |
Keep your door locked, George. | 0:31:43 | 0:31:45 | |
Mr Gently, Mr Gently. | 0:31:52 | 0:31:54 | |
Can you tell us what time you're in court? Any comments? | 0:31:54 | 0:31:56 | |
Is there anything you want to say, Mr Gently? | 0:31:56 | 0:31:58 | |
Stop pushing in. Get back. No, you're not coming in. | 0:31:58 | 0:32:01 | |
PHONE RINGS | 0:32:04 | 0:32:09 | |
Morning. | 0:32:20 | 0:32:22 | |
Morning. | 0:32:22 | 0:32:23 | |
Taylor? | 0:32:23 | 0:32:25 | |
-Sir? -No phone calls. -Sir. | 0:32:25 | 0:32:28 | |
How'd it go? | 0:32:29 | 0:32:30 | |
Ah, you know. Hard to say, ain't it? | 0:32:32 | 0:32:35 | |
Right. | 0:32:37 | 0:32:39 | |
You get that package for me? | 0:32:39 | 0:32:41 | |
You're going to kill us. | 0:32:43 | 0:32:44 | |
Am I? | 0:32:47 | 0:32:48 | |
I left them under a table in a bar in King's Cross | 0:32:48 | 0:32:52 | |
and then I went for a pee. | 0:32:52 | 0:32:53 | |
-When I came back.... -"Them"? | 0:32:53 | 0:32:55 | |
What was in the package, guv? | 0:32:57 | 0:32:59 | |
Just forget it, John. | 0:33:01 | 0:33:02 | |
KNOCK ON DOOR | 0:33:04 | 0:33:06 | |
-They're ready for you upstairs, sir. -Right. | 0:33:06 | 0:33:08 | |
Can you take your diary with you? | 0:33:08 | 0:33:11 | |
What, my diaries from eight or nine years ago? | 0:33:11 | 0:33:14 | |
-No, the current one, they mean. -Why? | 0:33:14 | 0:33:16 | |
Don't know, just what they said...sir. | 0:33:16 | 0:33:18 | |
-They erm... -What? | 0:33:24 | 0:33:27 | |
-Good luck. -Yeah. | 0:33:29 | 0:33:32 | |
Did he bring a bag? | 0:33:35 | 0:33:36 | |
He doesn't get it, does he? | 0:33:42 | 0:33:43 | |
Yeah, very good. Very good forgeries. | 0:33:55 | 0:33:58 | |
I bank with Martins. | 0:34:00 | 0:34:02 | |
I've never had an account with this lot in my life. | 0:34:02 | 0:34:04 | |
The account was closed in August 1961 - | 0:34:04 | 0:34:07 | |
four weeks before Melvyn Rattigan was arrested. | 0:34:07 | 0:34:10 | |
Is that a coincidence? | 0:34:10 | 0:34:11 | |
No. It's not a coincidence, it's not anything. | 0:34:11 | 0:34:14 | |
This account never even existed. | 0:34:14 | 0:34:16 | |
Closed in cash - the grand sum of £13,567. | 0:34:16 | 0:34:23 | |
Three months later, actually during the trial of Melvyn Rattigan, | 0:34:23 | 0:34:27 | |
you bought a flat in High Holborn for £15,000, | 0:34:27 | 0:34:32 | |
putting down 13,000 as a cash deposit. | 0:34:32 | 0:34:37 | |
Is there some bye-law forbidding the purchase of property whilst | 0:34:37 | 0:34:40 | |
the Old Bailey is in session? | 0:34:40 | 0:34:42 | |
The cash was a gift. My wife's father gave it to her. | 0:34:42 | 0:34:46 | |
Can you prove that? | 0:34:46 | 0:34:47 | |
With difficulty - he died shortly afterwards, in Ravenna. | 0:34:47 | 0:34:50 | |
And my wife a few years later, as you might remember. | 0:34:50 | 0:34:54 | |
It just so happens that this "gift" was almost exactly the same amount | 0:34:54 | 0:34:57 | |
as you removed from the account where you were paid | 0:34:57 | 0:34:59 | |
regular bribes by Mel Rattigan...? | 0:34:59 | 0:35:01 | |
Well, I would guess that that's not a coincidence. | 0:35:01 | 0:35:05 | |
I would guess that whoever was concocting this evidence | 0:35:05 | 0:35:08 | |
would make sure that those amounts roughly tallied. | 0:35:08 | 0:35:10 | |
Cos that's what I would do, | 0:35:10 | 0:35:12 | |
if I was trying to frame somebody. | 0:35:12 | 0:35:14 | |
Oh, so I'm bent now as well, am I? Like everyone else in the Met? | 0:35:14 | 0:35:16 | |
-Detective Inspector... -No. I don't think you're bent, actually. | 0:35:16 | 0:35:19 | |
I think you're an honest man. | 0:35:19 | 0:35:21 | |
Oh, spare me, please. | 0:35:21 | 0:35:23 | |
These are sworn statements from former | 0:35:28 | 0:35:31 | |
and serving Metropolitan Police Officers, | 0:35:31 | 0:35:33 | |
alleging inducements you offered them to join your criminal conspiracy. | 0:35:33 | 0:35:37 | |
Yeah, yeah, yeah. Benvill, Arms, Merit, Severa and Elnicha... | 0:35:37 | 0:35:40 | |
These are... | 0:35:40 | 0:35:42 | |
These are all the men who made these allegations, yes? | 0:35:42 | 0:35:45 | |
Correct. | 0:35:45 | 0:35:46 | |
Every single one of these is corrupt. | 0:35:46 | 0:35:49 | |
And they know that I know, cos I've told them so. | 0:35:49 | 0:35:52 | |
All right. Well, what did Rattigan get for all that money? | 0:35:54 | 0:35:57 | |
What does he say that I actually gave him for all that money? | 0:35:57 | 0:36:00 | |
I'm afraid you don't get to ask the questions any longer, Chief Inspector. | 0:36:00 | 0:36:04 | |
I should tell you now | 0:36:04 | 0:36:06 | |
that in accordance with a warrant granted to me yesterday, | 0:36:06 | 0:36:08 | |
your home is currently being searched | 0:36:08 | 0:36:11 | |
-for evidence concerning these allegations... -What? | 0:36:11 | 0:36:14 | |
And for information regarding the disappearance of Detective Sergeant William Denmoor | 0:36:14 | 0:36:19 | |
on or about the first of March this year. | 0:36:19 | 0:36:21 | |
Who? | 0:36:21 | 0:36:22 | |
Would you hand over your diary, please, Mr Gently? | 0:36:22 | 0:36:25 | |
Thank you. | 0:36:31 | 0:36:32 | |
This way, sir. | 0:36:47 | 0:36:48 | |
Carry this out with a bit of care and respect, will you? You don't need that. | 0:36:59 | 0:37:03 | |
Put it back. | 0:37:03 | 0:37:04 | |
Just sitting there in the drawer. | 0:37:13 | 0:37:15 | |
-Who actually found this? -She did. | 0:37:20 | 0:37:23 | |
Get us a bag. | 0:37:24 | 0:37:26 | |
This needs to be in a forensics lab straightaway. | 0:37:29 | 0:37:32 | |
-Sir. -And the ammunition. | 0:37:32 | 0:37:34 | |
You met "Ernie Rivers". | 0:37:38 | 0:37:40 | |
But you knew perfectly well, that he was really Bill Denmoor from Serious Crimes? | 0:37:40 | 0:37:44 | |
How would I know that? | 0:37:44 | 0:37:45 | |
-Where did you meet? Where is he now, George? -You will show me due respect. | 0:37:45 | 0:37:48 | |
Where is Bill Denmoor, Chief Inspector? | 0:37:48 | 0:37:52 | |
Look. It says "question mark". "Meet ER question mark". Ask yourself why. | 0:37:52 | 0:37:58 | |
Because no arrangement was made. | 0:37:58 | 0:38:00 | |
A man calling himself Ernie Rivers called me | 0:38:00 | 0:38:02 | |
on my home number - my private number - | 0:38:02 | 0:38:06 | |
and says he's got important information about the fruit machine rackets. | 0:38:06 | 0:38:09 | |
Well, of course I'm agree to meet him. | 0:38:09 | 0:38:11 | |
He says he'll call back with a time and a place, | 0:38:11 | 0:38:13 | |
and that's the last I ever hear from him. | 0:38:13 | 0:38:15 | |
He's lying, sir. | 0:38:15 | 0:38:16 | |
Sir? | 0:38:20 | 0:38:22 | |
There was a drawer in the wardrobe in the bedroom. | 0:38:22 | 0:38:24 | |
And this was shoved down the back. | 0:38:24 | 0:38:26 | |
Interesting? | 0:38:33 | 0:38:34 | |
It's Gavin Henderson's notebook. | 0:38:37 | 0:38:39 | |
KNOCK ON DOOR | 0:38:57 | 0:38:58 | |
DOOR OPENS | 0:38:58 | 0:39:00 | |
Sir. | 0:39:00 | 0:39:01 | |
PC Gavin Henderson's missing notebook, found in your cottage. | 0:39:12 | 0:39:16 | |
Together with a handgun, | 0:39:17 | 0:39:19 | |
and shells of the same calibre used to kill that young officer. | 0:39:20 | 0:39:24 | |
You did them both, didn't you? | 0:39:26 | 0:39:28 | |
I have no idea what's going on here. | 0:39:30 | 0:39:32 | |
No? | 0:39:32 | 0:39:34 | |
Stand up. | 0:39:35 | 0:39:37 | |
Stand up! | 0:39:37 | 0:39:38 | |
George Gently, I'm arresting you on suspicion of the murder | 0:39:51 | 0:39:55 | |
of Police Constable Gavin Henderson. | 0:39:55 | 0:39:57 | |
You do not have to say anything, | 0:39:57 | 0:39:58 | |
but anything you do say may be used in evidence. | 0:39:58 | 0:40:01 | |
Do you understand? | 0:40:01 | 0:40:02 | |
Not yet. | 0:40:03 | 0:40:05 | |
Haven't you got work to go to? | 0:40:28 | 0:40:29 | |
Biscuits? | 0:40:40 | 0:40:41 | |
Right, erm... | 0:40:44 | 0:40:46 | |
The last entries Gavin Henderson made before his death | 0:40:46 | 0:40:48 | |
is three number plates. | 0:40:48 | 0:40:49 | |
One is a Daimler, registered in Newcastle... | 0:40:49 | 0:40:52 | |
Bill Denmoor drove a Daimler, told me it made him feel like a bookie. | 0:40:52 | 0:40:55 | |
Yeah, Daimler was registered to Ernie Rivers. The second one is a Vauxhall Viva, | 0:40:55 | 0:40:59 | |
which was stolen in Bermondsey on 28th of February. | 0:40:59 | 0:41:03 | |
I'm tracing the owner now, but I'm not sure how far that'll get us | 0:41:03 | 0:41:06 | |
-if this car's been stolen... -I'll get on that one. | 0:41:06 | 0:41:08 | |
-No, it's fine. I can do it. -No, no, no. It's London. | 0:41:08 | 0:41:10 | |
I have ways and means you don't know about. | 0:41:10 | 0:41:12 | |
-I can do it. It's fine. -Kieran takes that. | 0:41:12 | 0:41:15 | |
Anything on the third number? | 0:41:15 | 0:41:18 | |
Yeah. That one's easy. That was Gently's car. I've had it impounded. | 0:41:18 | 0:41:22 | |
Forensics are searching for fingerprints and blood. | 0:41:22 | 0:41:25 | |
Gently's got no alibi for March the first. Alone at home. | 0:41:25 | 0:41:29 | |
I'd like to question him. | 0:41:30 | 0:41:31 | |
No, no, no, we can't have that, John. | 0:41:33 | 0:41:36 | |
No, no you err... You've still got a loyalty to him. | 0:41:36 | 0:41:38 | |
Not any more. Gavin Henderson was a local lad. | 0:41:38 | 0:41:42 | |
Feelings are running high. | 0:41:42 | 0:41:44 | |
I could sit in. | 0:41:44 | 0:41:45 | |
All right. | 0:41:47 | 0:41:49 | |
Three number plates. One's Ernie Rivers'. | 0:41:49 | 0:41:53 | |
Second one, we don't know, stolen somewhere in London. | 0:41:53 | 0:41:56 | |
And the third one is yours. | 0:41:56 | 0:42:01 | |
What does that tell you? | 0:42:03 | 0:42:04 | |
That whoever killed Denmoor probably killed Gavin Henderson as well. | 0:42:06 | 0:42:09 | |
Oh, Sherlock Holmes lives. | 0:42:09 | 0:42:12 | |
What it tells me is that you were there. | 0:42:12 | 0:42:14 | |
Who's your friend? | 0:42:15 | 0:42:16 | |
Kieran Lawson, Serious Crimes. | 0:42:18 | 0:42:19 | |
Colleague of yours, then? | 0:42:22 | 0:42:24 | |
Is he the one who found the gun and notebook in my house, by any chance? | 0:42:24 | 0:42:28 | |
No. That was one of ours. | 0:42:28 | 0:42:29 | |
-Is that what they're telling you, John? -Guv, I was there. | 0:42:29 | 0:42:32 | |
Fond of guns, aren't you, Mr Gently? | 0:42:32 | 0:42:34 | |
No, I've never actually owned a gun in my life. | 0:42:35 | 0:42:39 | |
How'd it end up in your drawer then? The gun fairy leave it there? | 0:42:39 | 0:42:43 | |
-Has Don McGhee turn up yet? -No. Were you expecting him? | 0:42:44 | 0:42:48 | |
Make a call for me, would you please, John? | 0:43:03 | 0:43:05 | |
And then I won't ask anything else of you, I promise. | 0:43:05 | 0:43:08 | |
All right. | 0:43:08 | 0:43:09 | |
Here you are. | 0:43:10 | 0:43:11 | |
Thanks. | 0:43:13 | 0:43:14 | |
Her name's Gitta Bronson. | 0:43:25 | 0:43:27 | |
-Good luck. -Yeah. You too, John. | 0:43:29 | 0:43:31 | |
What else did he write? | 0:43:43 | 0:43:45 | |
He wrote, "Don't trust Lawson, he is bent." | 0:43:46 | 0:43:49 | |
-Beautiful. -Ah, well. | 0:43:50 | 0:43:52 | |
This must be hard for you. You've done well. | 0:43:52 | 0:43:55 | |
Listen, do you want to show me Durham? Buy me a beer? | 0:43:57 | 0:44:01 | |
Aye, go on then. | 0:44:04 | 0:44:05 | |
How do you intend to plead? | 0:44:18 | 0:44:19 | |
Not guilty. | 0:44:20 | 0:44:21 | |
Is there a bail application? | 0:44:23 | 0:44:24 | |
I'm not represented as yet, Your Worship, | 0:44:24 | 0:44:27 | |
but I would ask you to grant bail. | 0:44:27 | 0:44:30 | |
I can't do that, given the gravity of the charge. | 0:44:30 | 0:44:33 | |
The Judy's held up in reception, awaiting clearance. | 0:45:17 | 0:45:21 | |
Yeah, they're patting her down. She's probably enjoying that. | 0:45:22 | 0:45:25 | |
So how's it feel? | 0:45:30 | 0:45:32 | |
The door slam shut behind you. | 0:45:32 | 0:45:36 | |
Well, you feel abandoned, don't you? | 0:45:37 | 0:45:39 | |
Even your best mates don't want to know, | 0:45:40 | 0:45:42 | |
cos they don't expect to ever see you again. | 0:45:42 | 0:45:44 | |
I mean, half of them wouldn't mind shagging your wife, | 0:45:44 | 0:45:46 | |
so actually they're glad. | 0:45:46 | 0:45:48 | |
I lost the lot of them, thanks to you. Wife. Kids. | 0:45:53 | 0:45:59 | |
She divorced me. Moved away. | 0:46:00 | 0:46:02 | |
Took the kids, went to a new school. Fee paying. | 0:46:02 | 0:46:05 | |
Little lords and ladies. | 0:46:07 | 0:46:09 | |
Then they told their new friends their dad was dead. | 0:46:09 | 0:46:11 | |
She changed her name by deed poll. | 0:46:17 | 0:46:19 | |
And the kids did the same thing, | 0:46:20 | 0:46:22 | |
by choice. | 0:46:24 | 0:46:25 | |
She give them the choice. | 0:46:26 | 0:46:28 | |
Anyway... you got to admit, | 0:46:29 | 0:46:32 | |
I've stitched you up good and proper, ain't I? | 0:46:32 | 0:46:38 | |
It's not going to get your wife and kids back though, Melvyn, is it? | 0:46:38 | 0:46:42 | |
I don't care if it takes 20 years. | 0:46:48 | 0:46:50 | |
You're going to die... | 0:46:50 | 0:46:52 | |
By me. | 0:46:53 | 0:46:55 | |
Do your very best for him at the hearing, won't you, Gitta. | 0:46:59 | 0:47:03 | |
Although I might prefer him out in the open. | 0:47:03 | 0:47:05 | |
Blimey O'Reilly, George. You sure you're not better off in here...? | 0:47:12 | 0:47:17 | |
Get me out. | 0:47:17 | 0:47:18 | |
The police have made strenuous objections to the accused being given bail. | 0:47:20 | 0:47:24 | |
On what grounds, Madam? | 0:47:24 | 0:47:26 | |
They feel he is extremely likely to abscond. | 0:47:26 | 0:47:28 | |
Not at all. | 0:47:28 | 0:47:29 | |
My client is determined to refute all charges against him, | 0:47:31 | 0:47:35 | |
and confident of doing so. | 0:47:35 | 0:47:38 | |
Madam, this is an unconvicted man of unblemished previous character. | 0:47:38 | 0:47:43 | |
The evidence is all of a circumstantial nature. | 0:47:44 | 0:47:48 | |
And, as a serving police officer, | 0:47:48 | 0:47:50 | |
he may truly be said to be at risk in prison. | 0:47:50 | 0:47:53 | |
Hello, hello, hello. | 0:48:06 | 0:48:07 | |
Thank you, Tim. | 0:48:10 | 0:48:11 | |
Thank you very much, I'll have that. And how's my favourite troublemaker? | 0:48:11 | 0:48:16 | |
Um...very well, thank you, Tim. | 0:48:16 | 0:48:19 | |
I think he's taken a bit of a shine to you. | 0:48:19 | 0:48:22 | |
Um... 7am tomorrow, David, please, for the assizes. | 0:48:22 | 0:48:25 | |
I can't represent you at your trial, you know that. | 0:48:34 | 0:48:38 | |
You could be giving evidence for the prosecution. | 0:48:38 | 0:48:41 | |
Tuck in. | 0:48:46 | 0:48:47 | |
I'm a vegetarian, Tim. | 0:48:49 | 0:48:51 | |
No, your not, it's just a phase your going through. | 0:48:51 | 0:48:54 | |
Well, I shan't eat it. | 0:48:54 | 0:48:56 | |
Leave the steak and kidney and eat the pudding. | 0:48:56 | 0:48:58 | |
I can't be offering a man like this cauliflower fritters, | 0:49:00 | 0:49:03 | |
he'll fade away. | 0:49:03 | 0:49:04 | |
-How do you like your room, Mr Gently? -Very nice, thank you very much. | 0:49:04 | 0:49:07 | |
I've put him in Grace Darling this time. | 0:49:07 | 0:49:09 | |
Oh, you'll like that, it gets all the sun. | 0:49:09 | 0:49:11 | |
You could force cucumbers in there. | 0:49:11 | 0:49:14 | |
Buzz off, Tim, we'll help ourselves. | 0:49:14 | 0:49:16 | |
I can take a hint. Buzz, buzz... | 0:49:16 | 0:49:19 | |
You're have to have a word with him, I can't cope. | 0:49:23 | 0:49:25 | |
Do you want that window open before I go? | 0:49:25 | 0:49:28 | |
A bit stuffy in here isn't it? | 0:49:28 | 0:49:29 | |
SILENCED GUN SHOT | 0:49:31 | 0:49:33 | |
Get down! Go get down! | 0:49:35 | 0:49:38 | |
-You OK? -Yes, yes. | 0:49:39 | 0:49:40 | |
Tim? | 0:49:45 | 0:49:46 | |
He'd dead. Call the police. | 0:49:47 | 0:49:49 | |
Right, we need you round the back. | 0:50:01 | 0:50:03 | |
When did you last see Gently? | 0:50:07 | 0:50:08 | |
-He left soon after I made the call. -On foot? | 0:50:08 | 0:50:12 | |
Tim had a little runabout. He borrowed that. | 0:50:12 | 0:50:15 | |
What he asked a dead man's permission, did he? | 0:50:15 | 0:50:17 | |
What sort of car is it? | 0:50:20 | 0:50:22 | |
I have no idea. | 0:50:22 | 0:50:23 | |
Don't suppose he said where he was going? Did he? | 0:50:25 | 0:50:28 | |
You're his Sergeant, aren't you? The one who telephoned. | 0:50:28 | 0:50:31 | |
Mrs Bronson, you don't seem to realise... | 0:50:31 | 0:50:33 | |
Miss. | 0:50:33 | 0:50:34 | |
Miss Bronson, | 0:50:35 | 0:50:36 | |
you don't seem to realise - | 0:50:36 | 0:50:38 | |
we need to find him before Rattigan does. | 0:50:38 | 0:50:40 | |
Well, are you or aren't you? | 0:50:42 | 0:50:44 | |
Yeah. I am. | 0:50:44 | 0:50:45 | |
He left a message for you. He said, | 0:50:45 | 0:50:47 | |
"Be sure to mark what he wrote." | 0:50:47 | 0:50:50 | |
Which is what exactly? | 0:50:50 | 0:50:52 | |
About me being bent, guv. | 0:50:52 | 0:50:54 | |
Aye yeah, it's erm... | 0:50:54 | 0:50:56 | |
I'm sorry to say it, but there's times | 0:50:56 | 0:50:59 | |
when his obsessional hatred of you lot made him look ridiculous. | 0:50:59 | 0:51:03 | |
PHONE RINGS INSIDE HOUSE | 0:51:16 | 0:51:21 | |
-Gramps. -What darling...? I'll answer it in a minute. | 0:51:24 | 0:51:28 | |
There's a man. | 0:51:28 | 0:51:29 | |
George... | 0:51:31 | 0:51:32 | |
Somebody wants to tell you something, Don. | 0:51:32 | 0:51:35 | |
-Sorry, I couldn't be there like... -Don't. | 0:51:35 | 0:51:38 | |
Rattigan tried to kill me last night. | 0:51:39 | 0:51:42 | |
-Cup of coffee? -No thanks. | 0:51:44 | 0:51:46 | |
All this on a police salary? | 0:51:53 | 0:51:55 | |
It's clever investment. 100,000 ICI shares. | 0:51:55 | 0:52:00 | |
You can't beat them. | 0:52:00 | 0:52:01 | |
Who can that be, I wonder? Serious Crimes? Which one, Don? | 0:52:02 | 0:52:08 | |
Not Statham, he's honest. | 0:52:08 | 0:52:10 | |
A Sergeant Lawson. | 0:52:10 | 0:52:12 | |
Take his number. I'll call him back. | 0:52:12 | 0:52:14 | |
Shall I take Shelley? | 0:52:14 | 0:52:16 | |
No, no, no, leave her here. | 0:52:16 | 0:52:18 | |
Lawson. | 0:52:18 | 0:52:19 | |
What do you want, George? | 0:52:20 | 0:52:22 | |
I've got to drop Shelley at pony club. | 0:52:22 | 0:52:24 | |
Pony club! | 0:52:24 | 0:52:26 | |
You and Rattigan were in business together, weren't you? | 0:52:27 | 0:52:30 | |
And you still are... | 0:52:30 | 0:52:31 | |
Yes. | 0:52:33 | 0:52:34 | |
Not Rattigan, he's a lunatic these days. Total liability. | 0:52:34 | 0:52:40 | |
No, I have other partners now. | 0:52:40 | 0:52:42 | |
I suppose you want some sort of "mea cupla", George..? | 0:52:46 | 0:52:49 | |
Remember Frank Fontana? Maltese bloke? Ran all the girls. | 0:52:50 | 0:52:56 | |
Made a fortune. | 0:52:56 | 0:52:57 | |
Invited me to lunch. | 0:52:58 | 0:52:59 | |
I thought it'd be just me and the wife, but no... | 0:53:00 | 0:53:04 | |
Pop stars, sportsmen and women, politicians, judges... | 0:53:04 | 0:53:10 | |
Thing was, we all knew what Fontana's business was, | 0:53:11 | 0:53:15 | |
but it didn't seem to matter. | 0:53:15 | 0:53:18 | |
Like a blinding light, George, I saw the world for what it | 0:53:18 | 0:53:21 | |
really is, rather than how I'd always wanted it to be. | 0:53:21 | 0:53:24 | |
Which is what? | 0:53:24 | 0:53:25 | |
I'd wasted half my life thinking I was on the side of the law, | 0:53:25 | 0:53:29 | |
but I wasn't. | 0:53:29 | 0:53:30 | |
Millions like me go to work every day, | 0:53:30 | 0:53:32 | |
pay their taxes, pay the TV license, obey the law - Mugs. | 0:53:32 | 0:53:37 | |
No. It became clear to me - Frank was a businessman. | 0:53:38 | 0:53:42 | |
His business needed protection. | 0:53:42 | 0:53:45 | |
Frank sold his business to Rattigan, as I recall. | 0:53:47 | 0:53:49 | |
To be honest, he never wanted to sell it, | 0:53:49 | 0:53:52 | |
but he didn't fancy all out war with Rattigan, so he went gracefully. | 0:53:52 | 0:53:57 | |
I wanted to do the same. | 0:53:59 | 0:54:00 | |
But you couldn't. | 0:54:00 | 0:54:03 | |
No. I was a business asset. I became Rattigan's property. | 0:54:03 | 0:54:06 | |
No going gracefully with Melvyn. There's no retiring. | 0:54:08 | 0:54:12 | |
Is that what Bill Denmoor wanted to talk to me about? | 0:54:16 | 0:54:19 | |
He'd found out about you? | 0:54:19 | 0:54:20 | |
I imagine so. | 0:54:22 | 0:54:23 | |
And that gun that you gave me for my protection, | 0:54:23 | 0:54:27 | |
that will turn out to be the one | 0:54:27 | 0:54:29 | |
that killed Gavin Henderson and Bill Denmoor, won't it? | 0:54:29 | 0:54:31 | |
How many murders have there been, Don? | 0:54:35 | 0:54:37 | |
How many innocent men framed or silenced? | 0:54:39 | 0:54:42 | |
You'll be the last, I hope. | 0:54:44 | 0:54:46 | |
Gramps. | 0:54:48 | 0:54:49 | |
It's all right darling... It's all right sweetheart, | 0:54:49 | 0:54:52 | |
it was just a game. | 0:54:52 | 0:54:53 | |
Don't make a fuss, George. It's how life is. | 0:54:55 | 0:54:58 | |
Take Rattigan down. | 0:55:01 | 0:55:02 | |
You and me could be partners, like the old days. | 0:55:03 | 0:55:06 | |
Did friendship ever mean anything to you, Don? | 0:55:07 | 0:55:10 | |
Can't spend it, George. Come here, sweetheart. | 0:55:12 | 0:55:16 | |
PHONE RINGS INSIDE HOUSE | 0:55:16 | 0:55:18 | |
Answer the phone. Tell Lawson I said "hi". | 0:55:18 | 0:55:22 | |
And tell him, "I'm destroy the lot of you." | 0:55:24 | 0:55:26 | |
BOO! | 0:56:05 | 0:56:06 | |
You're back inside, Rattigan. | 0:56:10 | 0:56:12 | |
-I was having a bath in the hotel. -Yeah, says who? | 0:56:12 | 0:56:15 | |
-Local Tom. Blonde, big tits. -Does she have a name? | 0:56:15 | 0:56:19 | |
Well she did say, but she had one of them Geordie accents, | 0:56:19 | 0:56:22 | |
so could have been Martha, could of been Arthur. | 0:56:22 | 0:56:24 | |
You think you're funny, but you're not. | 0:56:24 | 0:56:27 | |
I am, but it's funny peculiar. | 0:56:27 | 0:56:29 | |
Nah, you're just another mug on his way back to prison. | 0:56:29 | 0:56:33 | |
You need to have a little bit of proof, actually. | 0:56:33 | 0:56:36 | |
I don't, actually. | 0:56:36 | 0:56:38 | |
I just need to report my suspicions, which I've done, and back you go. | 0:56:38 | 0:56:42 | |
-Yeah? -Any minute now. | 0:56:42 | 0:56:44 | |
Any minute now, yeah. | 0:56:46 | 0:56:48 | |
DOOR OPENS | 0:56:48 | 0:56:49 | |
You need to ring Scotland Yard. | 0:56:49 | 0:56:50 | |
-Now? -Now. | 0:56:50 | 0:56:52 | |
RATTIGAN LAUGHS | 0:56:52 | 0:56:53 | |
If he moves, kill him. | 0:56:55 | 0:56:57 | |
What's going on? | 0:57:18 | 0:57:20 | |
I warned him Rattigan needed 24 hour surveillance, but he knew better, he thought. | 0:57:20 | 0:57:24 | |
Rattigan's out again. | 0:57:26 | 0:57:27 | |
What!? | 0:57:27 | 0:57:28 | |
Wake up, will you? Rattigan has friends. | 0:57:28 | 0:57:31 | |
Right. OK, so what next? | 0:57:33 | 0:57:36 | |
I've been told to wait here | 0:57:36 | 0:57:38 | |
till we get your guvnor safely banged up again. | 0:57:38 | 0:57:41 | |
So where is he, John? | 0:57:41 | 0:57:42 | |
Oh, I don't know, Kieran. | 0:57:42 | 0:57:44 | |
You wouldn't tell me, if you did, would you? | 0:57:44 | 0:57:46 | |
The guns turned it for you, didn't it? | 0:57:50 | 0:57:52 | |
I could see it in your face. Question - | 0:57:52 | 0:57:55 | |
"Why would Gently get me to bring guns up from London | 0:57:55 | 0:57:58 | |
if he already had one at home in his drawer?" | 0:57:58 | 0:58:00 | |
-Answer? -What's yours? | 0:58:00 | 0:58:02 | |
"The guns were evidence against him. He intended to dispose of it." | 0:58:06 | 0:58:11 | |
Except he didn't, did he? It was just left lying there. | 0:58:11 | 0:58:14 | |
Like you do, with a gun that you've just killed two coppers with. | 0:58:14 | 0:58:17 | |
-People do funny things, John. -Oh, for God's sake. | 0:58:17 | 0:58:19 | |
It never occurred he would be found out. George Gently? Mr Clean? | 0:58:19 | 0:58:23 | |
It'd never happen, would it? | 0:58:23 | 0:58:25 | |
CAR HORN BEEPS | 0:58:27 | 0:58:28 | |
Morning, guv. | 0:58:33 | 0:58:34 | |
Frannie, how was the trip? | 0:58:34 | 0:58:36 | |
Durham! | 0:58:36 | 0:58:38 | |
I wondered where all the flies went for their holidays. | 0:58:38 | 0:58:40 | |
Now, now, Owen. | 0:58:40 | 0:58:41 | |
Good to see you. All right, Frannie? Good to see you. | 0:58:42 | 0:58:45 | |
John's just thinking about where his guvnor might be laying his head. | 0:58:46 | 0:58:49 | |
-How are you, John? -Hello again. -Good to see you. | 0:58:49 | 0:58:51 | |
There must be somewhere he'd use, or somebody. | 0:58:56 | 0:59:00 | |
I just want to say, I don't agree with any of this that's happening with Mr Gently... | 0:59:09 | 0:59:15 | |
Is he a real policeman, or does he rent that costume? | 0:59:20 | 0:59:23 | |
OK. | 0:59:26 | 0:59:27 | |
What? Oh, come on, John. | 0:59:29 | 0:59:31 | |
We need to get to Gently before Rattigan does. | 0:59:31 | 0:59:34 | |
OK, all right. | 0:59:34 | 0:59:35 | |
He got very close to my ex. | 0:59:39 | 0:59:42 | |
You know, a bit too close. | 0:59:42 | 0:59:44 | |
And it seemed that the more time she spent with him, | 0:59:45 | 0:59:48 | |
the colder she got toward me, you know? | 0:59:48 | 0:59:50 | |
I don't exactly know what he said to her, | 0:59:50 | 0:59:53 | |
and I don't exactly know what went on. | 0:59:53 | 0:59:55 | |
But I never got her back, I know that. | 0:59:57 | 1:00:02 | |
Where is she now? | 1:00:05 | 1:00:06 | |
What the hell do you think you're playing at? | 1:00:24 | 1:00:26 | |
You'll cause an accident. What do you want? | 1:00:26 | 1:00:29 | |
Who are these lot? | 1:00:29 | 1:00:30 | |
Looking for George. | 1:00:30 | 1:00:32 | |
-Oi! What you doing? -Going somewhere, Mrs Bacchus? | 1:00:32 | 1:00:35 | |
Sleeping bags, primus, tins of food. | 1:00:35 | 1:00:37 | |
We need to find him. For his own good. | 1:00:37 | 1:00:39 | |
His own good? How could you stoop so low? | 1:00:39 | 1:00:43 | |
And you lot are London, are you? | 1:00:43 | 1:00:45 | |
Finally getting what you want, Joe? Playing with the big boys? | 1:00:45 | 1:00:49 | |
You disgust me. You should be protecting George. | 1:00:49 | 1:00:52 | |
We were trying to protect him. | 1:00:52 | 1:00:54 | |
Get your hands off my property! | 1:00:54 | 1:00:56 | |
Gently's brand, by any chance? | 1:00:57 | 1:00:59 | |
And a million other people, including me. | 1:00:59 | 1:01:02 | |
-Where is he, Lisa? -I wouldn't tell yous if I knew. | 1:01:02 | 1:01:05 | |
Me and Leigh Ann are going camping with the man who's going to be her new dad. | 1:01:05 | 1:01:10 | |
-He's just gone to pick her up... -Daddy! -Careful, Leigh Ann. | 1:01:10 | 1:01:14 | |
-Daddy! -Hey, sweetheart. -What's the matter? -It's nothing. | 1:01:14 | 1:01:17 | |
They're just going, aren't you? | 1:01:17 | 1:01:20 | |
Leigh Ann, go inside for a minute, pet. | 1:01:20 | 1:01:21 | |
There is a reason. I'm so sorry. I shouldn't of done it... | 1:01:31 | 1:01:34 | |
No, I shouldn't of done it. And nor should George Gently. | 1:01:34 | 1:01:36 | |
He took you under his wing, for God's sake! | 1:01:36 | 1:01:40 | |
And that was a mistake as well, | 1:01:40 | 1:01:42 | |
because you will never be half the man he is. | 1:01:42 | 1:01:46 | |
I despise you, John Bacchus. | 1:01:47 | 1:01:49 | |
Well if he hasn't done so already, he'll be on a ferry to Hamburg, | 1:01:54 | 1:02:00 | |
if he's got any sense. | 1:02:00 | 1:02:02 | |
Scot free. | 1:02:02 | 1:02:03 | |
Stop pretending with me, OK? | 1:02:06 | 1:02:09 | |
You what? | 1:02:10 | 1:02:11 | |
I don't think Gently needed to write about me in your book. | 1:02:12 | 1:02:15 | |
I think you made your own mind up on me. | 1:02:15 | 1:02:18 | |
But let me tell you something... | 1:02:18 | 1:02:19 | |
Gently is guilty. You can't be expected to see that, | 1:02:21 | 1:02:23 | |
but don't waste any more of my time with stunts like this. | 1:02:23 | 1:02:28 | |
Actually, that's not what he wrote. | 1:02:36 | 1:02:37 | |
What he wrote was, "You find the second car, you'll find the killer." | 1:02:41 | 1:02:45 | |
You took that job off me. Why? | 1:02:47 | 1:02:51 | |
Well, to make sure it got done. | 1:02:52 | 1:02:54 | |
Oh, yeah? | 1:02:55 | 1:02:57 | |
That car was stolen from a pub car park 50 yards away | 1:02:58 | 1:03:01 | |
from number 19 Halley Street in Bermondsey. | 1:03:01 | 1:03:04 | |
What does that mean? Hey! Hey! | 1:03:05 | 1:03:09 | |
CAR APPROACHES | 1:04:01 | 1:04:04 | |
CAR DOOR CLOSES | 1:04:09 | 1:04:11 | |
Yeah, make and colour. No sign of the driver. | 1:04:28 | 1:04:32 | |
-RADIO: -If it's him, he's armed and dangerous. | 1:04:32 | 1:04:34 | |
Can I have instructions now, please? | 1:04:34 | 1:04:37 | |
Do not approach, wait for backup. | 1:04:37 | 1:04:39 | |
I'll take the radio, Constable. | 1:04:48 | 1:04:50 | |
Toss it over. | 1:04:52 | 1:04:53 | |
Did you give them your position? | 1:05:01 | 1:05:03 | |
What were your instructions? | 1:05:06 | 1:05:08 | |
Not to approach you. Armed and dangerous. | 1:05:11 | 1:05:14 | |
Well... | 1:05:18 | 1:05:19 | |
What happens now, do you think? | 1:05:21 | 1:05:22 | |
Now turn around and walk away. Go on. | 1:05:27 | 1:05:30 | |
It was this road here. His car was around here. | 1:05:51 | 1:05:54 | |
It'll still be there. He went a different way. | 1:05:54 | 1:05:56 | |
He's on foot. All right? | 1:05:56 | 1:05:59 | |
What's going on? | 1:05:59 | 1:06:00 | |
Gently was near Rothbury two hours ago, on foot. | 1:06:00 | 1:06:03 | |
Do you know where Rothbury is? | 1:06:03 | 1:06:05 | |
-Yeah, course I do. -What sort of gun was it? | 1:06:06 | 1:06:09 | |
Erm... I never actually got a good look at it. | 1:06:09 | 1:06:11 | |
I bet you still shat yourself though, eh? | 1:06:11 | 1:06:13 | |
Did you get any kind of look at it? | 1:06:16 | 1:06:17 | |
He kept it in his pocket. Why didn't he shoot us? | 1:06:17 | 1:06:21 | |
BOTH MEN LOAD GUNS | 1:06:29 | 1:06:30 | |
Does he have any friends in the Rothbury area? | 1:06:34 | 1:06:36 | |
We could spend a week going door to door. | 1:06:36 | 1:06:38 | |
No. I've never heard him mention anybody in Rothbury. | 1:06:38 | 1:06:42 | |
You lads might as well go back to bed. | 1:06:50 | 1:06:52 | |
We'll erm... We'll start a search in the morning. | 1:06:52 | 1:06:55 | |
-Night. -Night. | 1:06:57 | 1:06:59 | |
Where is he? | 1:07:14 | 1:07:15 | |
It's a guess. | 1:07:18 | 1:07:19 | |
-Change of plan? -John's had a thought, | 1:07:44 | 1:07:46 | |
but it'll probably be as good as the one about his missus. | 1:07:46 | 1:07:49 | |
-You lads turn in. -No, no. Sent to help. | 1:07:49 | 1:07:53 | |
I need to know what is going on here, Kieran. | 1:08:06 | 1:08:09 | |
OK. Here it is, John. | 1:08:09 | 1:08:12 | |
You asked me who lives at 19 Halley Street in Bermondsey, | 1:08:12 | 1:08:16 | |
near where the Vauxhall had been stolen, | 1:08:16 | 1:08:18 | |
the one that turned up in Gavin Henderson's notebook. | 1:08:18 | 1:08:21 | |
Owen Galliford lives there. | 1:08:24 | 1:08:25 | |
I'll try and lose them. | 1:08:51 | 1:08:53 | |
-Ready? -Yep. | 1:08:54 | 1:08:56 | |
CAR SCREECHES AWAY | 1:08:56 | 1:08:57 | |
After them. | 1:08:57 | 1:08:58 | |
You? | 1:10:04 | 1:10:05 | |
You look terrible. Wouldn't you like a cup of tea? | 1:10:14 | 1:10:16 | |
I never really believed what they were saying. | 1:10:31 | 1:10:34 | |
Thank you. | 1:10:34 | 1:10:35 | |
CAR APPROACHES | 1:10:39 | 1:10:42 | |
Who's that? | 1:10:48 | 1:10:49 | |
Go inside, lock the door, stay away from the window. | 1:10:49 | 1:10:54 | |
It's all right, go on. | 1:10:54 | 1:10:55 | |
Keep those two as far away as possible, OK? | 1:11:17 | 1:11:19 | |
Hilarious, Speedy Gonzalez. | 1:11:22 | 1:11:24 | |
You two, go round the back. | 1:11:24 | 1:11:26 | |
You, stay in the car. | 1:11:29 | 1:11:30 | |
Kieran, listen to me. There's only one way to do this. | 1:11:32 | 1:11:35 | |
If Gently is in there, | 1:11:35 | 1:11:37 | |
I have to persuade him to come out with his hands up, OK, me. | 1:11:37 | 1:11:40 | |
I don't think they're arrest him, do you? | 1:11:40 | 1:11:43 | |
Or they could be trying to protect him from us. They could be working with him. | 1:11:43 | 1:11:46 | |
Do you really believe that stuff about Gently anymore, huh? | 1:11:46 | 1:11:50 | |
Galliford's car turns up in Gavin Henderson's notebook the night he died. | 1:11:50 | 1:11:55 | |
Why? Because he killed Denmoor. | 1:11:55 | 1:11:56 | |
And I'm willing to bet he killed Gavin Henderson an' all. | 1:11:56 | 1:12:00 | |
Your two mates here have tried to have my guvnor put away, | 1:12:00 | 1:12:02 | |
and now they're kill him. | 1:12:02 | 1:12:04 | |
They're criminals, Kieran. They're not bent coppers. | 1:12:04 | 1:12:07 | |
They're criminals, working inside the Met. | 1:12:07 | 1:12:09 | |
Oi. | 1:12:09 | 1:12:11 | |
What? | 1:12:11 | 1:12:12 | |
I've known these guys half my life. | 1:12:12 | 1:12:14 | |
It's hard, isn't it? | 1:12:16 | 1:12:17 | |
I don't know what to believe anymore. | 1:12:19 | 1:12:22 | |
The less sure you are, the more I like you. | 1:12:22 | 1:12:24 | |
KNOCKS ON DOOR | 1:12:57 | 1:12:59 | |
Guv, it's me. | 1:12:59 | 1:13:00 | |
Mrs Henderson? My name is Sergeant John Bacchus. | 1:13:05 | 1:13:07 | |
You've nothing to fear. If you're in there, please make yourself known. | 1:13:07 | 1:13:10 | |
Guv, are you in there? | 1:13:12 | 1:13:14 | |
If you can hear me, please come out. | 1:13:17 | 1:13:19 | |
Come out with your hands up and it'll all be OK, I promise. | 1:13:19 | 1:13:22 | |
You have to trust me, guv. I want you to trust me. | 1:13:25 | 1:13:28 | |
GUN SHOTS | 1:13:31 | 1:13:36 | |
GUN SHOT | 1:13:45 | 1:13:46 | |
Kieran. | 1:14:01 | 1:14:02 | |
All right. | 1:14:14 | 1:14:16 | |
This man... and the man through there. | 1:14:19 | 1:14:21 | |
They killed Denmoor. They were the ones in the second car. | 1:14:23 | 1:14:25 | |
Pretty sure they killed Gavin Henderson. | 1:14:26 | 1:14:28 | |
How about this one? | 1:14:28 | 1:14:30 | |
Nah, No. I thought he was part of it. | 1:14:30 | 1:14:33 | |
That's why I had to do the things that I did. | 1:14:33 | 1:14:36 | |
Guv, I had to get him to trust me, you know? | 1:14:37 | 1:14:39 | |
Give me your gun. | 1:14:42 | 1:14:43 | |
-Guv... -Gun! | 1:14:44 | 1:14:46 | |
Car keys. | 1:14:55 | 1:14:57 | |
You've been hit, guv. | 1:15:04 | 1:15:05 | |
All right. | 1:15:08 | 1:15:09 | |
Look after Bernie. | 1:15:20 | 1:15:22 | |
Guv, You need to go to hospital... | 1:15:27 | 1:15:29 | |
Don't come after me! I warn you. | 1:15:29 | 1:15:30 | |
All right. All right. OK. | 1:15:30 | 1:15:32 | |
I'm finish this. | 1:15:33 | 1:15:35 | |
KNOCK AT DOOR | 1:16:02 | 1:16:05 | |
Blimey O'Reilly, what you done this time? | 1:16:30 | 1:16:33 | |
You got any painkillers? | 1:16:47 | 1:16:49 | |
I've got some codeine, but you should really get to a hospital... | 1:16:51 | 1:16:54 | |
Give me all you've got. | 1:16:55 | 1:16:57 | |
I really need to sleep for an hour. | 1:17:05 | 1:17:06 | |
I can't drive. | 1:17:15 | 1:17:17 | |
Nor can I. | 1:17:17 | 1:17:18 | |
Is your chauffeur reliable? | 1:17:18 | 1:17:20 | |
Yes... | 1:17:22 | 1:17:23 | |
Why'd you never marry? | 1:17:38 | 1:17:40 | |
Well, I dabbled with men in my 20s. Quite a lot, actually. | 1:17:43 | 1:17:50 | |
But they all seemed so frightfully...fond of themselves. | 1:17:51 | 1:17:56 | |
They didn't seem to really need me to be fond of them as well... | 1:17:58 | 1:18:02 | |
So I just got on with the work. | 1:18:04 | 1:18:06 | |
In the unlikely event that I'm still alive, not incarcerated next week... | 1:18:11 | 1:18:18 | |
..would you consider having dinner with me? | 1:18:21 | 1:18:24 | |
Well... | 1:18:26 | 1:18:27 | |
I'll certainly consider it. | 1:18:28 | 1:18:30 | |
DOOR OPENS | 1:18:57 | 1:18:58 | |
Well, shall I perhaps see you later then, George? | 1:19:00 | 1:19:03 | |
If there's anything left of me. | 1:19:03 | 1:19:05 | |
Thank you. | 1:19:06 | 1:19:07 | |
Sorry. | 1:19:11 | 1:19:12 | |
This'll do. | 1:19:37 | 1:19:38 | |
There's blood on the seat. I apologise. | 1:19:54 | 1:19:56 | |
I'll see to it, sir. Would you like me to wait? | 1:19:56 | 1:19:58 | |
No, thanks. | 1:19:58 | 1:20:00 | |
Look after Miss Bronson. | 1:20:01 | 1:20:03 | |
I will, sir. | 1:20:03 | 1:20:04 | |
RINGS BELL | 1:20:30 | 1:20:32 | |
Sir? | 1:20:36 | 1:20:38 | |
You have a Mr Rattigan staying here. | 1:20:38 | 1:20:41 | |
Erm... Ah, no, he went out a few minutes ago. | 1:20:41 | 1:20:44 | |
-Would you be Mr Gently? -Yes. | 1:20:45 | 1:20:48 | |
He left a message for you. | 1:20:48 | 1:20:49 | |
He said he'll wait for you in the Cathedral. | 1:20:51 | 1:20:53 | |
Pass key, please. | 1:22:17 | 1:22:19 | |
It's just up there. | 1:22:22 | 1:22:23 | |
Rattigan? | 1:22:38 | 1:22:39 | |
CHOIR SINGS | 1:23:06 | 1:23:11 | |
SILENCED GUN SHOTS | 1:23:52 | 1:23:56 | |
SILENCED GUN SHOT | 1:24:09 | 1:24:11 | |
GUN SHOT | 1:24:13 | 1:24:15 | |
SCREAMS | 1:24:15 | 1:24:17 | |
SILENCED GUN SHOT | 1:24:26 | 1:24:27 | |
Don... | 1:24:45 | 1:24:47 | |
Give yourself up. I'll do what I can for you. | 1:24:48 | 1:24:51 | |
SILENCED GUN SHOT | 1:24:52 | 1:24:53 | |
GUN SHOTS | 1:24:56 | 1:24:59 | |
Move! Move, get away! | 1:25:04 | 1:25:06 | |
Owen and Frannie are dead. | 1:25:09 | 1:25:11 | |
You're not a killer, Don. | 1:25:13 | 1:25:14 | |
SILENCED GUN SHOT | 1:25:57 | 1:25:58 | |
Why couldn't you just let it go, George? | 1:26:11 | 1:26:13 | |
Why do you always have to be Mr Clean? | 1:26:15 | 1:26:17 | |
Because life isn't a racket, Don. | 1:26:19 | 1:26:21 | |
And if it is, I don't want to be part of it. | 1:26:23 | 1:26:27 | |
You're not going to be, are you? | 1:26:28 | 1:26:30 | |
McGhee... | 1:26:34 | 1:26:36 | |
I'm unarmed. | 1:26:40 | 1:26:42 | |
Well you're a mug in that case, son. | 1:26:43 | 1:26:46 | |
Don't do it, John. | 1:26:50 | 1:26:51 | |
I was... | 1:27:38 | 1:27:40 | |
Always on your side, guv. | 1:27:40 | 1:27:42 | |
I know. | 1:27:45 | 1:27:46 | |
I'm sorry. | 1:27:46 | 1:27:48 | |
I left you unarmed. | 1:27:52 | 1:27:54 | |
Subtitles by Red Bee Media Ltd | 1:28:10 | 1:28:12 |