Browse content similar to Gently and the New Age. Check below for episodes and series from the same categories and more!
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Isabella... | 0:00:17 | 0:00:19 | |
I put it to you, Detective Chief Inspector, isn't every | 0:00:26 | 0:00:29 | |
single detail of your testimony against these dedicated | 0:00:29 | 0:00:33 | |
and highly decorated officers just fabrication? | 0:00:33 | 0:00:37 | |
You worked with these men for five years. | 0:00:37 | 0:00:40 | |
You know that there was no corruption, | 0:00:40 | 0:00:43 | |
there was no money in brown envelopes or deals done in smoke-filled rooms. | 0:00:43 | 0:00:49 | |
Isn't your testimony just the last desperate croakings of a disillusioned rebel? | 0:00:49 | 0:00:56 | |
-No. -Oh. No more questions. | 0:00:56 | 0:00:58 | |
Why? | 0:01:02 | 0:01:03 | |
I'm sorry, sir? | 0:01:05 | 0:01:06 | |
Over 30 years on the force. | 0:01:06 | 0:01:08 | |
You could've retired quietly in a couple of weeks. | 0:01:08 | 0:01:10 | |
And yet you stand here, open to public ridicule and humiliation, | 0:01:10 | 0:01:15 | |
risking your reputation. | 0:01:15 | 0:01:17 | |
-Why? -I'm a police officer. | 0:01:17 | 0:01:20 | |
When my wife... | 0:01:27 | 0:01:29 | |
When my wife died, I was going to retire. | 0:01:41 | 0:01:45 | |
But Isabella, she always said, | 0:01:47 | 0:01:51 | |
my duty is my life. | 0:01:51 | 0:01:55 | |
No more questions. | 0:01:56 | 0:01:58 | |
-Don't scab labour! -Unite, fight! | 0:02:18 | 0:02:21 | |
-Don't scab labour! -Unite, fight! | 0:02:21 | 0:02:24 | |
Here they come, don't let them through! | 0:02:24 | 0:02:26 | |
Don't let those union scabs take your jobs! | 0:02:27 | 0:02:30 | |
Scab! Scab! | 0:02:34 | 0:02:36 | |
You can't just leave us! | 0:02:43 | 0:02:45 | |
We've got to get in there and get paid. | 0:02:45 | 0:02:46 | |
I'm in the transport union. I'm not crossing a picket line. | 0:02:46 | 0:02:50 | |
Come on. Just get us through. | 0:02:51 | 0:02:53 | |
Please. | 0:02:54 | 0:02:56 | |
In Newcastle, angry scenes at the Bateson-Donnelly dispute. | 0:03:01 | 0:03:05 | |
It's been six weeks since the management fired workers | 0:03:05 | 0:03:08 | |
who refused to give up their union membership | 0:03:08 | 0:03:10 | |
and replaced them with casual labour. | 0:03:10 | 0:03:13 | |
Bateson-Donnelly claim their | 0:03:13 | 0:03:14 | |
non-union workers are being subjected | 0:03:14 | 0:03:16 | |
to a campaign of intimidation, | 0:03:16 | 0:03:19 | |
while unions complain of heavy-handed police tactics. | 0:03:19 | 0:03:22 | |
Don't let them take your jobs! Solidarity! | 0:03:22 | 0:03:26 | |
-Dirty scabs! -Scumbags! | 0:03:31 | 0:03:33 | |
SHOUTING AND INSULTS CONTINUE | 0:03:33 | 0:03:36 | |
HE GASPS | 0:03:46 | 0:03:49 | |
-Guilty. -CHEERING AND APPLAUSE | 0:03:54 | 0:03:58 | |
Yes, defeat at the election for my party was a bitter blow - | 0:04:08 | 0:04:11 | |
for the party, for the country, | 0:04:11 | 0:04:13 | |
and the Defence Secretary Mr Healey, wasn't it, Dennis? | 0:04:13 | 0:04:15 | |
-IMITATES DENIS HEALEY: -Yes, it was very bitter. | 0:04:15 | 0:04:17 | |
I felt it bitterly, admittedly. | 0:04:17 | 0:04:19 | |
As Defence Secretary I was ensuring the safety of this country | 0:04:19 | 0:04:22 | |
by developing intercontinental ballistic eyebrows! | 0:04:22 | 0:04:25 | |
What other country in the world would let comedians make | 0:04:26 | 0:04:29 | |
fun of its war heroes? | 0:04:29 | 0:04:30 | |
Healey...made the beaches at Anzio, you know. | 0:04:30 | 0:04:35 | |
I do. Italy was hard graft. | 0:04:35 | 0:04:37 | |
You were there? | 0:04:37 | 0:04:39 | |
Eighth army. Taranto to Bologna. | 0:04:39 | 0:04:42 | |
I resent people called Harold, I can't think why. | 0:04:43 | 0:04:45 | |
-LAUGHTER -And I do like Mr Heath, | 0:04:45 | 0:04:47 | |
there's something about him. | 0:04:47 | 0:04:49 | |
I think it's cos he looks like my horse. | 0:04:49 | 0:04:51 | |
Prime Minister, I am so sorry. | 0:04:53 | 0:04:55 | |
He's just a dirty old man who can't keep his mouth shut. | 0:04:55 | 0:04:58 | |
I'm sure you know the type. | 0:04:58 | 0:05:00 | |
On behalf of the special investigations unit, | 0:05:00 | 0:05:02 | |
the new commissioner's asked me to thank you. | 0:05:02 | 0:05:05 | |
He appreciates and admires what you've done. | 0:05:06 | 0:05:08 | |
This is a new decade, a new regime at The Yard. | 0:05:13 | 0:05:17 | |
The battle we won today is only the start. | 0:05:17 | 0:05:19 | |
I want you to know that. | 0:05:20 | 0:05:22 | |
What else do you want from me, Ian? | 0:05:25 | 0:05:27 | |
Hmm. | 0:05:30 | 0:05:31 | |
I'd appreciate it if you'd meet me here. | 0:05:34 | 0:05:38 | |
Tomorrow morning, say 9:15am? | 0:05:39 | 0:05:43 | |
What's wrong with Scotland Yard? | 0:05:45 | 0:05:48 | |
Prying eyes and ears, you know. | 0:05:48 | 0:05:50 | |
-Union jobs! -For Union workers! | 0:05:51 | 0:05:53 | |
-Union jobs! -For Union workers! | 0:05:53 | 0:05:55 | |
-Union jobs! -For Union workers! | 0:05:55 | 0:05:57 | |
Why are they still here? | 0:05:57 | 0:05:58 | |
Bastards won't disperse and let us do our job. | 0:05:58 | 0:06:01 | |
They're saying we're using this as an excuse to break up their protest. | 0:06:01 | 0:06:04 | |
I don't have enough men for this job. | 0:06:04 | 0:06:06 | |
Look, I'm sorry, but it's not my department, all right? | 0:06:06 | 0:06:09 | |
Sir, crime scene's looking messy. | 0:06:12 | 0:06:15 | |
We're not hopeful of getting much. | 0:06:15 | 0:06:17 | |
His name's Jonny Wilson. But nobody knows much about him. | 0:06:17 | 0:06:20 | |
Well, it's ever since the company fired all of its union men, | 0:06:20 | 0:06:22 | |
him and his workers have been brought in from all over the country. | 0:06:22 | 0:06:26 | |
Great. There's about 200 suspects, isn't there? | 0:06:26 | 0:06:28 | |
-Yeah, I know. -Has the press been here? | 0:06:28 | 0:06:30 | |
Every day for the last six weeks. | 0:06:30 | 0:06:32 | |
I'll get onto the papers. See what pictures they've got. | 0:06:32 | 0:06:34 | |
-Who's the chief commie here? -Him. Owen Thompson, with the red scarf. | 0:06:35 | 0:06:39 | |
Him? Right. | 0:06:39 | 0:06:41 | |
Here they come! Here they come! | 0:06:48 | 0:06:50 | |
They have fit up-starts now, eh? | 0:06:51 | 0:06:53 | |
I don't know what you're implying. | 0:06:54 | 0:06:55 | |
I'm asserting you and your uniformed henchmen, | 0:06:55 | 0:06:58 | |
as representative instruments of the capitalist society of... | 0:06:58 | 0:07:01 | |
All right, all right, all right. I want these men cleared. Someone is dead. | 0:07:01 | 0:07:04 | |
-A scab. -That man has a family. People who love him. | 0:07:04 | 0:07:08 | |
And my men have families, too. All we want is a fair deal. | 0:07:08 | 0:07:11 | |
You call your men off, otherwise I'll have you arrested! | 0:07:11 | 0:07:14 | |
Do you understand me? You and the rest of your men. | 0:07:14 | 0:07:16 | |
Go ahead, pig. | 0:07:17 | 0:07:20 | |
Let's have a riot. | 0:07:20 | 0:07:21 | |
You're taking this too far, Owen. | 0:07:27 | 0:07:28 | |
My men have an inalienable right to protest against the policy | 0:07:28 | 0:07:31 | |
of this company and your government. | 0:07:31 | 0:07:33 | |
It's not my government any more. | 0:07:33 | 0:07:35 | |
Labour. Tory. All the same to me and my men. | 0:07:35 | 0:07:38 | |
Your men? | 0:07:38 | 0:07:39 | |
They're not your men. | 0:07:40 | 0:07:42 | |
-Eh! -You people don't belong here. | 0:07:42 | 0:07:44 | |
Michael Clements, MP. | 0:07:48 | 0:07:50 | |
Detective Inspector Bacchus. This is DS Coles. | 0:07:50 | 0:07:53 | |
Do you mind if I try and talk some sense into these men? | 0:07:53 | 0:07:55 | |
No... | 0:07:55 | 0:07:56 | |
All right, lads. Listen! Quiet! | 0:07:58 | 0:08:01 | |
Listen! I said quiet! | 0:08:01 | 0:08:04 | |
I am not here to dispute your right to protest | 0:08:04 | 0:08:08 | |
at the unethical employment policy of this company. | 0:08:08 | 0:08:11 | |
But please, in the name of common decency, | 0:08:11 | 0:08:13 | |
let the police do their jobs. | 0:08:13 | 0:08:15 | |
Don't allow yourselves to be painted as a mob of cold-hearted thugs. | 0:08:17 | 0:08:20 | |
A man is dead. | 0:08:22 | 0:08:24 | |
Show a bit of respect...eh, lads? | 0:08:24 | 0:08:28 | |
Haway then. | 0:08:31 | 0:08:32 | |
Hey...Adolf. | 0:08:32 | 0:08:34 | |
Did you see that? Now that's what I call leadership. | 0:08:34 | 0:08:38 | |
IMAGINES CAR TYRES SCREECHING | 0:09:06 | 0:09:08 | |
A single stab wound. | 0:09:38 | 0:09:39 | |
By the depth of the incision, some kind of stiletto knife. | 0:09:39 | 0:09:44 | |
Not something you'd purchase on the high street. | 0:09:44 | 0:09:46 | |
-More specialist, would you say? -Yeah. | 0:09:46 | 0:09:48 | |
Inserted between the ribs and straight up into the heart. | 0:09:49 | 0:09:52 | |
-Death would have been instant. -So either the killer got lucky, or... | 0:09:52 | 0:09:56 | |
..he knew exactly what he was doing? | 0:09:56 | 0:09:58 | |
You said it, but you're not wrong. | 0:09:58 | 0:10:00 | |
So you really think one of those pickets could what? | 0:10:03 | 0:10:05 | |
-Assassinate a scab? -Ah-ah. Not a scab. | 0:10:05 | 0:10:08 | |
Non-union labour, all right. | 0:10:08 | 0:10:10 | |
-We're impartial, you remember that. -I'm just saying, | 0:10:10 | 0:10:12 | |
I don't think we should rule out the other...forces, | 0:10:12 | 0:10:15 | |
who'd like to see those pickets discredited. | 0:10:15 | 0:10:17 | |
All right, OK, all right. So that, er... | 0:10:17 | 0:10:20 | |
That building company's hired a double agent, have they? | 0:10:20 | 0:10:23 | |
-An agent provocateur? -I didn't say that exactly. | 0:10:23 | 0:10:25 | |
Yeah, you've been spending far too much time with the Guv. | 0:10:25 | 0:10:27 | |
Look, Jonny Wilson's death might have had nothing to do with that dispute. | 0:10:31 | 0:10:35 | |
And maybe someone else was out to get him for some other reason, right? | 0:10:35 | 0:10:38 | |
Are you going to organise a do? | 0:10:40 | 0:10:41 | |
For the Guv? To mark his retirement? | 0:10:43 | 0:10:45 | |
I don't think he'd want me there, Rachel. | 0:10:49 | 0:10:51 | |
-He'll come round. -Will he? | 0:10:52 | 0:10:54 | |
Look, in two weeks' time, he'll be gone... | 0:10:56 | 0:10:58 | |
I don't want to end it on a sour note, I don't. | 0:11:04 | 0:11:07 | |
Excuse me. | 0:11:17 | 0:11:19 | |
-You made it. -I made it. | 0:11:24 | 0:11:26 | |
Lesley Pierce, aged 19. | 0:11:29 | 0:11:32 | |
She was found dead, 27th of July, 1966. | 0:11:32 | 0:11:35 | |
Close to the record factory where she worked in Washington... | 0:11:35 | 0:11:38 | |
County Durham, not DC. | 0:11:39 | 0:11:41 | |
..which is why we're asking for your help. | 0:11:41 | 0:11:42 | |
It was a violent attack, | 0:11:44 | 0:11:46 | |
although there doesn't seem to have been any sexual element. | 0:11:46 | 0:11:49 | |
Cause of death? | 0:11:49 | 0:11:51 | |
Massive internal bleeding as a result of a fracture | 0:11:51 | 0:11:53 | |
to the back of her skull. | 0:11:53 | 0:11:54 | |
So what exactly is the problem? | 0:11:54 | 0:11:57 | |
No-one was ever charged. | 0:11:58 | 0:11:59 | |
It does happen. | 0:12:00 | 0:12:02 | |
Who was the officer in charge? | 0:12:03 | 0:12:05 | |
DCI Alan Kidd. | 0:12:05 | 0:12:07 | |
Didn't he leave the force? | 0:12:08 | 0:12:10 | |
Took early retirement not long after. Lives in Portugal now. | 0:12:10 | 0:12:13 | |
And he's not returning our calls. | 0:12:13 | 0:12:15 | |
Listen, George, I know this crime didn't happen in your patch, | 0:12:18 | 0:12:22 | |
but it's your neck of the woods | 0:12:22 | 0:12:23 | |
and we thought you might know some of the officers involved. | 0:12:23 | 0:12:26 | |
So what exactly would I be looking for? | 0:12:26 | 0:12:30 | |
Any irregularities in the inquiry that would be of concern to the Special Investigations Unit. | 0:12:30 | 0:12:36 | |
This all happened up north. Why is it in your remit? | 0:12:36 | 0:12:38 | |
Two days ago, we had an anonymous tip-off about this inquiry. | 0:12:42 | 0:12:46 | |
They told us the police buried evidence and protected someone. | 0:12:46 | 0:12:51 | |
Protected who? | 0:12:53 | 0:12:54 | |
The caller didn't say. And he wouldn't identify himself. | 0:12:54 | 0:12:58 | |
But... | 0:12:58 | 0:12:59 | |
..he sounded scared, very scared. | 0:13:02 | 0:13:04 | |
We traced it to a phone box in Storey's Gate. | 0:13:05 | 0:13:08 | |
In Whitehall? | 0:13:08 | 0:13:10 | |
Hardly something we can ignore, is it? | 0:13:12 | 0:13:14 | |
Mrs Pierce? Eileen Pierce? | 0:13:41 | 0:13:44 | |
Yeah. | 0:13:44 | 0:13:45 | |
Thank you for agreeing to meet me. | 0:13:45 | 0:13:46 | |
I didn't want you at the house. My husband won't talk to the police. | 0:13:48 | 0:13:51 | |
He thinks you let us down. | 0:13:53 | 0:13:54 | |
He's not wrong, is he? | 0:13:54 | 0:13:56 | |
There are a few officers on the force, myself included, | 0:13:56 | 0:13:59 | |
who are not satisfied with the inquiry into your daughter's death. | 0:13:59 | 0:14:02 | |
Whoever killed her... | 0:14:02 | 0:14:04 | |
we could be sitting on the bus with him, | 0:14:04 | 0:14:06 | |
or standing next to him in the pub. | 0:14:06 | 0:14:08 | |
What makes you think he was local? Did the police tell you that? | 0:14:08 | 0:14:11 | |
No. They didn't tell us much. | 0:14:11 | 0:14:13 | |
It's just down here. | 0:14:15 | 0:14:16 | |
It was over there they found her. | 0:14:20 | 0:14:22 | |
The morning after the party. | 0:14:23 | 0:14:25 | |
-And that's the factory where she worked? -Mm-hm. | 0:14:28 | 0:14:31 | |
They were having a reception for the opening of the new pressing plant. | 0:14:33 | 0:14:36 | |
That was the last time anyone saw her. | 0:14:37 | 0:14:40 | |
-Big party? -Oh, aye. | 0:14:40 | 0:14:42 | |
Lots of important people were there. All the local bigwigs. | 0:14:42 | 0:14:45 | |
People from London, as well. | 0:14:46 | 0:14:48 | |
London? | 0:14:48 | 0:14:50 | |
It's a big company. Multi-national they call themselves. | 0:14:50 | 0:14:54 | |
-And were you living at the same address back then? -Uh-huh. | 0:14:57 | 0:15:01 | |
So this wasn't on her way home? | 0:15:03 | 0:15:05 | |
No. | 0:15:05 | 0:15:07 | |
But if she was forced or dragged here, | 0:15:08 | 0:15:11 | |
then somebody would have seen her. | 0:15:11 | 0:15:13 | |
SHE STIFLES TEARS | 0:15:14 | 0:15:16 | |
I'm sorry to be putting you through this. Here. | 0:15:16 | 0:15:19 | |
Are you all right? Here. | 0:15:21 | 0:15:23 | |
Could you make me a list of all Lesley's friends and acquaintances? | 0:15:31 | 0:15:36 | |
Anybody you can think of. | 0:15:36 | 0:15:37 | |
All right, thanks. | 0:15:40 | 0:15:41 | |
MUSIC BLARES, CHATTER | 0:15:42 | 0:15:46 | |
People sleeping here? | 0:15:53 | 0:15:55 | |
Yeah. It's a round-the-clock operation. They picket in shifts. | 0:15:55 | 0:15:58 | |
They've been brought in from all over the country. | 0:15:58 | 0:16:00 | |
Comrade Owen. A word, please. | 0:16:00 | 0:16:02 | |
More harassment from the state bully boys, eh? | 0:16:02 | 0:16:05 | |
All right, then, sweetheart, listen - | 0:16:05 | 0:16:07 | |
I need a list of the names and addresses | 0:16:07 | 0:16:09 | |
of everyone that was here on the picket line yesterday, all right? | 0:16:09 | 0:16:12 | |
You show me the responsible face of the trade union movement. | 0:16:12 | 0:16:16 | |
Responsibility? Bourgeois concept. | 0:16:16 | 0:16:19 | |
He's talking Swahili. | 0:16:19 | 0:16:20 | |
Which means I can't be held responsible | 0:16:20 | 0:16:22 | |
if one of my supporters takes the law into his own hands. | 0:16:22 | 0:16:24 | |
Your dead man was a casualty of war. | 0:16:24 | 0:16:28 | |
Class war. | 0:16:28 | 0:16:30 | |
Hey, do you know what? | 0:16:30 | 0:16:33 | |
Not all workers want to be in a union, you know. | 0:16:33 | 0:16:35 | |
My Uncle Tommy's a hod carrier, right, and him and his brickies | 0:16:35 | 0:16:38 | |
are the best squad in the whole north-east. | 0:16:38 | 0:16:41 | |
The last thing that those lads want is a limit on how many hours | 0:16:41 | 0:16:44 | |
they can work or how many bricks they can shift. | 0:16:44 | 0:16:47 | |
They just want to buy their own home, send their kids to | 0:16:47 | 0:16:49 | |
a decent school and you and your kind just don't get that, do you? | 0:16:49 | 0:16:52 | |
You poor, ignorant sap... | 0:16:52 | 0:16:54 | |
We will need all of your people to identify themselves to us. | 0:16:54 | 0:16:58 | |
We want full statements, and photos of all of you, all right? | 0:16:58 | 0:17:01 | |
For the process of elimination. | 0:17:01 | 0:17:03 | |
Right, I'll start with you, Fidel. All right? | 0:17:03 | 0:17:05 | |
Here we are. | 0:17:22 | 0:17:24 | |
Not many people can say "I made every one of these records". | 0:17:24 | 0:17:27 | |
Over there's where we press the vinyl. | 0:17:29 | 0:17:31 | |
Three number one singles already this year. | 0:17:31 | 0:17:34 | |
Course, I'm a Stax man myself. | 0:17:34 | 0:17:36 | |
Always have been, always will be. | 0:17:36 | 0:17:38 | |
There we are. | 0:17:38 | 0:17:40 | |
Thank you. | 0:17:41 | 0:17:42 | |
Yes, so, how can I help? | 0:17:44 | 0:17:48 | |
I'm looking into the killing of Lesley Pierce. | 0:17:48 | 0:17:50 | |
Did you know Lesley, personally? | 0:17:52 | 0:17:55 | |
Um, no, no. No, I didn't. Not personally. | 0:17:55 | 0:17:58 | |
I knew her to see - she was one of the girls in the typing pool. | 0:17:58 | 0:18:01 | |
-Isn't this case closed? -Not as long as Lesley's killer | 0:18:03 | 0:18:05 | |
is still out there. | 0:18:05 | 0:18:07 | |
It was a terrible blow for this place. | 0:18:10 | 0:18:13 | |
-Yeah. -For the town - the new town. | 0:18:13 | 0:18:15 | |
We all moved here to get away from things like that. | 0:18:17 | 0:18:19 | |
Did the police take statements from everybody who was at the party? | 0:18:19 | 0:18:23 | |
Yes. Of course. | 0:18:23 | 0:18:25 | |
Isn't all this in your files? | 0:18:27 | 0:18:29 | |
I'm going to need a list of everybody who was there. | 0:18:29 | 0:18:31 | |
Well, didn't they... | 0:18:31 | 0:18:32 | |
They went through everyone at the time - workers, management, guests. | 0:18:32 | 0:18:36 | |
It wasn't anyone from here. | 0:18:38 | 0:18:39 | |
It was some, you know, some nutter...from who-knows-where. | 0:18:39 | 0:18:42 | |
Have you got a guest list? | 0:18:42 | 0:18:44 | |
I'll give you what I gave the police four years ago. | 0:18:48 | 0:18:50 | |
People laugh at new towns. But I had enough of life in London. | 0:18:58 | 0:19:02 | |
We wanted to have a family, so we moved here. | 0:19:02 | 0:19:04 | |
It was the best thing we ever did. | 0:19:05 | 0:19:07 | |
When my wife first saw our new house - | 0:19:10 | 0:19:14 | |
back garden, quiet street, | 0:19:14 | 0:19:16 | |
no trouble on your front door... | 0:19:16 | 0:19:19 | |
..she burst into tears. | 0:19:19 | 0:19:21 | |
Who cares if all the trees are the same size? | 0:19:23 | 0:19:26 | |
This place was always crime-free, until what happened to... | 0:19:28 | 0:19:31 | |
..to Lesley. | 0:19:33 | 0:19:34 | |
Is that Michael Clements? | 0:19:36 | 0:19:38 | |
Yeah, yeah, he was our local MP - well, he still is. | 0:19:38 | 0:19:41 | |
-Back then, he was, uh... -A government minister. | 0:19:41 | 0:19:44 | |
I'm a Liberal myself - always have been, always will be. | 0:19:44 | 0:19:47 | |
But Michael Clements? He's a good 'un. | 0:19:47 | 0:19:51 | |
Spends a lot of time here in Washington. | 0:19:51 | 0:19:53 | |
He helped me get this place up and running. | 0:19:53 | 0:19:56 | |
He cares about Washington. | 0:19:56 | 0:19:58 | |
Cares about his voters, you know? | 0:19:58 | 0:20:00 | |
The night Lesley died, | 0:20:06 | 0:20:08 | |
there was a big party at the place where she worked. | 0:20:08 | 0:20:10 | |
The guest of honour | 0:20:11 | 0:20:12 | |
was Michael Clements. | 0:20:12 | 0:20:14 | |
One moment. | 0:20:14 | 0:20:16 | |
There have been rumours. | 0:20:25 | 0:20:27 | |
About Clements' weakness... | 0:20:27 | 0:20:29 | |
-..for women. -Yeah, well. | 0:20:31 | 0:20:33 | |
-It's not against the law, is it? -No. | 0:20:33 | 0:20:35 | |
But apparently, he doesn't take well to not getting what he wants. | 0:20:35 | 0:20:40 | |
Bit of a short fuse - but... | 0:20:41 | 0:20:43 | |
Michael Clements? | 0:20:43 | 0:20:45 | |
The tip-off about someone being protected | 0:20:45 | 0:20:48 | |
came from inside Whitehall. | 0:20:48 | 0:20:51 | |
Michael Clements was in government at the time - | 0:20:51 | 0:20:54 | |
it's not something we can ignore, is it? | 0:20:54 | 0:20:57 | |
The landlady said Johnny Wilson moved in six weeks ago. | 0:21:08 | 0:21:11 | |
First floor, room 8. | 0:21:11 | 0:21:13 | |
See? | 0:21:13 | 0:21:15 | |
They can't wait to blame the unions. | 0:21:15 | 0:21:17 | |
Well, it's the logical conclusion. | 0:21:18 | 0:21:20 | |
You know what these pickets are like. | 0:21:23 | 0:21:25 | |
Professional trouble-makers, the lot of them. | 0:21:25 | 0:21:27 | |
Or just blokes with wives and kids who've lost their jobs. | 0:21:27 | 0:21:29 | |
I want this phone checked. | 0:21:29 | 0:21:31 | |
All calls in and out the last six weeks, all right? | 0:21:31 | 0:21:33 | |
These lefties are a violent lot, Rachel. | 0:21:33 | 0:21:36 | |
I mean, look what happened to Nijinsky. | 0:21:36 | 0:21:39 | |
Got an axe through his head in Bolivia, didn't he? | 0:21:39 | 0:21:41 | |
Mexico. And it was Trotsky. | 0:21:41 | 0:21:43 | |
What's that? | 0:21:43 | 0:21:44 | |
Trotsky got an axe through his head. Nijinsky was a ballet dancer. | 0:21:44 | 0:21:48 | |
Nijinsky is a horse, Rachel. | 0:21:48 | 0:21:49 | |
Just won the Triple Crown. | 0:21:49 | 0:21:51 | |
See that? | 0:21:57 | 0:21:58 | |
Well, the TV's still here, the record player. | 0:22:17 | 0:22:20 | |
Doesn't look like a robbery. | 0:22:20 | 0:22:22 | |
If it wasn't, what were they after? | 0:22:23 | 0:22:24 | |
Sir. | 0:22:27 | 0:22:28 | |
Sorry, Sir. | 0:22:32 | 0:22:34 | |
Removal men just dumped 'em like this. | 0:22:34 | 0:22:36 | |
You don't say. | 0:22:36 | 0:22:38 | |
I'll, er... | 0:22:38 | 0:22:40 | |
I'll leave you to it, Sir. | 0:22:40 | 0:22:41 | |
Ah! You're back, then. | 0:23:14 | 0:23:16 | |
Only till the end of the month. | 0:23:16 | 0:23:18 | |
Well, you're the hero of the beach. | 0:23:19 | 0:23:22 | |
It's all over the papers. | 0:23:22 | 0:23:23 | |
George finally slays the dragons of police corruption? | 0:23:23 | 0:23:26 | |
Well, I think it's great what you did, Sir. | 0:23:28 | 0:23:31 | |
Makes us proud to do what I do. | 0:23:31 | 0:23:33 | |
Tone it down. | 0:23:33 | 0:23:34 | |
Thank you, Rachel. I appreciate that. | 0:23:34 | 0:23:37 | |
Er, your picket-line murder. | 0:23:37 | 0:23:38 | |
I want a full briefing. | 0:23:38 | 0:23:40 | |
Right. | 0:23:42 | 0:23:43 | |
So obviously, we're focusing on all the people with motive | 0:24:00 | 0:24:03 | |
to wanting him dead - the pickets. | 0:24:03 | 0:24:05 | |
Press photos - these, taken before he was stabbed. | 0:24:05 | 0:24:09 | |
That's him - that's our victim, Johnny Wilson. | 0:24:09 | 0:24:11 | |
Which means that we're looking at his killer here, | 0:24:11 | 0:24:13 | |
somewhere among this lot. | 0:24:13 | 0:24:15 | |
All 216 of them. | 0:24:15 | 0:24:17 | |
Who we're tracing, interviewing and photographing. | 0:24:17 | 0:24:21 | |
So we check these...against these... | 0:24:21 | 0:24:24 | |
Process of elimination. | 0:24:24 | 0:24:26 | |
It's only a matter of time. | 0:24:26 | 0:24:27 | |
What about the ones with question marks over their faces? | 0:24:27 | 0:24:29 | |
Blokes with a history of violence - political or otherwise. | 0:24:29 | 0:24:32 | |
We've been getting them in for questioning. | 0:24:32 | 0:24:34 | |
Yeah. I'd also look at anybody with a professional military background. | 0:24:34 | 0:24:37 | |
Yeah, of course, sir. | 0:24:37 | 0:24:39 | |
There could be more to this than someone lashing out at a scab. | 0:24:39 | 0:24:41 | |
The victim's flat was ransacked and the murder seems to be professional. | 0:24:41 | 0:24:44 | |
No, come on, if you're going to assassinate someone, | 0:24:44 | 0:24:46 | |
you do it up a side street, don't you? | 0:24:46 | 0:24:49 | |
Or at his home or somewhere remote. | 0:24:49 | 0:24:51 | |
You don't do it on a picket line in front of hundreds of witnesses - | 0:24:51 | 0:24:54 | |
half of them coppers - with a load of press hanging around, do you? | 0:24:54 | 0:24:57 | |
Unless you're trying to frame the unions. | 0:24:57 | 0:25:00 | |
Sir? I've a woman on the line here, she sounds all upset. | 0:25:00 | 0:25:04 | |
She wants to speak to the officer in charge of the picket-line | 0:25:04 | 0:25:06 | |
murder inquiry. | 0:25:06 | 0:25:07 | |
It's a complicated case. | 0:25:07 | 0:25:09 | |
I'm not going to be here long enough to see it through. | 0:25:09 | 0:25:11 | |
It's all yours, DI Bacchus. | 0:25:12 | 0:25:14 | |
-Rachel, quick word. -Yeah. | 0:25:16 | 0:25:17 | |
Yeah. DI Bacchus. | 0:25:21 | 0:25:22 | |
-Shut the door. -Oh, yeah. | 0:25:22 | 0:25:25 | |
I've been looking into an old case. | 0:25:25 | 0:25:27 | |
Lesley Pierce... | 0:25:29 | 0:25:31 | |
..she was found dead on a pathway in Washington | 0:25:32 | 0:25:36 | |
four years ago. | 0:25:36 | 0:25:37 | |
Now, I've had a look at the postmortem report | 0:25:37 | 0:25:40 | |
and there's some pages missing. Now, they could've been lost or | 0:25:40 | 0:25:43 | |
they could have been removed. | 0:25:43 | 0:25:45 | |
I've also had a look at the crime scene | 0:25:45 | 0:25:47 | |
and it's very unlikely that she was dragged there or forced there. | 0:25:47 | 0:25:51 | |
And this? | 0:25:51 | 0:25:53 | |
You see... there's bruises to the face... | 0:25:53 | 0:25:56 | |
..but the cause of death | 0:25:58 | 0:26:00 | |
was a fracture to the back of the skull. | 0:26:00 | 0:26:02 | |
Looks like a blow struck in anger. | 0:26:02 | 0:26:04 | |
-Which would suggest she knew her killer. -Exactly. | 0:26:04 | 0:26:06 | |
So... | 0:26:06 | 0:26:07 | |
..I need you to go through all the witness statements | 0:26:09 | 0:26:12 | |
and cross-reference them with this. | 0:26:12 | 0:26:14 | |
This is a guest list of a party that she was at the last night | 0:26:14 | 0:26:18 | |
she was seen alive. | 0:26:18 | 0:26:20 | |
And this... | 0:26:20 | 0:26:21 | |
is Lesley's friends and acquaintances. | 0:26:21 | 0:26:23 | |
Anybody on either of those lists | 0:26:23 | 0:26:26 | |
hasn't got a statement in this file... | 0:26:26 | 0:26:28 | |
you let me know. | 0:26:28 | 0:26:30 | |
And, er...no need to mention it to John, all right? | 0:26:30 | 0:26:34 | |
That was the victim's sister. | 0:26:38 | 0:26:40 | |
She recognised him from his photo in the paper - | 0:26:40 | 0:26:42 | |
underneath all that hair and beard. | 0:26:42 | 0:26:44 | |
Johnny Wilson is a false name. His real name is Mark Hogg. | 0:26:44 | 0:26:47 | |
So he's planted among the scabs. | 0:26:47 | 0:26:49 | |
What? | 0:26:49 | 0:26:50 | |
Non-union labour - to keep them crossing the picket line? | 0:26:50 | 0:26:53 | |
Keep up the morale? | 0:26:53 | 0:26:55 | |
I think you've tied your ponytail a bit too tight again. | 0:26:55 | 0:26:58 | |
He was a journalist. | 0:26:58 | 0:27:00 | |
I'm going to go and see his editor over in Manchester. | 0:27:00 | 0:27:02 | |
See what he was working on, you know. | 0:27:04 | 0:27:06 | |
Michael Clements...? | 0:27:11 | 0:27:13 | |
He's not a suspect, is he? | 0:27:13 | 0:27:15 | |
Everybody on that list is a suspect. | 0:27:15 | 0:27:17 | |
DEEP BOOM REVERBERATES | 0:27:23 | 0:27:26 | |
What's happening, Michael? | 0:27:26 | 0:27:28 | |
This place used to be an old naval firing range. | 0:27:29 | 0:27:32 | |
They're getting rid of the unexploded shells. | 0:27:33 | 0:27:35 | |
Come on. | 0:27:38 | 0:27:40 | |
Time to dazzle them! | 0:27:40 | 0:27:41 | |
I am a man of the north, ladies and gentlemen! | 0:27:44 | 0:27:47 | |
I believe in the north, I believe in its people and I believe, | 0:27:47 | 0:27:50 | |
passionately, that unless we equip ourselves for the future, | 0:27:50 | 0:27:54 | |
we will be condemned to long-term mass unemployment. | 0:27:54 | 0:27:58 | |
If we do not regenerate now - today - | 0:27:58 | 0:28:02 | |
our people will suffer. | 0:28:02 | 0:28:03 | |
And so I give you... | 0:28:03 | 0:28:06 | |
..Marwick Point! | 0:28:06 | 0:28:07 | |
Four years ago, when Mr Wilson ejected me from the cabinet | 0:28:17 | 0:28:22 | |
for daring to protest at the American war in Vietnam... | 0:28:22 | 0:28:26 | |
SUPPORTIVE CALLS | 0:28:26 | 0:28:27 | |
..I was forced back to my roots, | 0:28:27 | 0:28:29 | |
to the values of my parents | 0:28:29 | 0:28:31 | |
and grandparents - the community of decent working people in which | 0:28:31 | 0:28:34 | |
I was raised. | 0:28:34 | 0:28:36 | |
And so, along with the whole Marwick Point Working Party, | 0:28:36 | 0:28:40 | |
I've striven tirelessly to turn the dream into a reality... | 0:28:40 | 0:28:45 | |
A reality that will bring jobs and prosperity to our people. | 0:28:46 | 0:28:51 | |
An airport, a high-speed railway station, | 0:28:58 | 0:29:03 | |
trans-Pennine motorway links, | 0:29:03 | 0:29:05 | |
a bridge across the Humber connecting us to the south, | 0:29:05 | 0:29:09 | |
a super dock to accommodate the giant oil tankers of the future. | 0:29:09 | 0:29:14 | |
In the North Sea - facing east, not west, | 0:29:14 | 0:29:17 | |
because Europe is where our destiny lies. | 0:29:17 | 0:29:21 | |
We must break our economic, military and political | 0:29:21 | 0:29:25 | |
dependence on the United States and look towards Europe for the future. | 0:29:25 | 0:29:30 | |
And we in the north are the people with the skills, the enterprise, | 0:29:30 | 0:29:34 | |
the ambition, the creativity, to lead Britain and Europe forwards. | 0:29:34 | 0:29:39 | |
CHEERING | 0:29:39 | 0:29:40 | |
The working people in the vanguard of the north! | 0:29:41 | 0:29:45 | |
The north in the vanguard of a new Europe. | 0:29:45 | 0:29:50 | |
ENTHUSIASTIC CHEERING | 0:29:50 | 0:29:52 | |
What about the trade unions? | 0:29:59 | 0:30:01 | |
You didn't mention THEM in your speech. | 0:30:01 | 0:30:04 | |
Aren't the trade unions part of your...golden future? | 0:30:04 | 0:30:06 | |
Mr Clements is negotiating with trade union leaders. | 0:30:06 | 0:30:09 | |
But the leadership's not the problem, is it, Michael? | 0:30:09 | 0:30:12 | |
It's the shop stewards, the Marxists, the Maoists, agitators | 0:30:12 | 0:30:15 | |
like Owen Thompson, who don't give a shit about the working man... | 0:30:15 | 0:30:19 | |
I didn't know you cared, Gerry. | 0:30:19 | 0:30:22 | |
I don't. | 0:30:22 | 0:30:23 | |
Then you should be ashamed of yourself. | 0:30:23 | 0:30:26 | |
You have a question, Miss? | 0:30:26 | 0:30:27 | |
-Yes... -Sorry, gentlemen, Mr Clements is on a tight schedule. | 0:30:27 | 0:30:29 | |
Can't you stop this for a while? | 0:30:35 | 0:30:37 | |
Stop what, Adele? | 0:30:37 | 0:30:38 | |
These young women. | 0:30:38 | 0:30:39 | |
My sex life is outside your remit. | 0:30:39 | 0:30:41 | |
Not when it affects your chances of getting elected. | 0:30:41 | 0:30:44 | |
You know, Adele? You're not the only ambitious, highly principled woman | 0:30:44 | 0:30:47 | |
to go to hell and back for me. Don't forget that. | 0:30:47 | 0:30:49 | |
Mr Clements. | 0:30:49 | 0:30:51 | |
Excuse me, I'm DCI George Gently. | 0:30:51 | 0:30:54 | |
I'd like to talk to you about Lesley Pierce. | 0:30:54 | 0:30:56 | |
She was found dead close to the record factory in Washington. | 0:30:56 | 0:31:00 | |
I remember. | 0:31:00 | 0:31:02 | |
-You've reopened that inquiry? -I'm investigating the investigation. | 0:31:03 | 0:31:08 | |
If you'd like to make an appointment... | 0:31:08 | 0:31:10 | |
No, no, no. Let's, er... | 0:31:10 | 0:31:12 | |
Let's help Detective Chief Inspector Gently to get this cleared up, now. | 0:31:12 | 0:31:17 | |
Thank you, Sir. I appreciate that. Excuse me. | 0:31:17 | 0:31:19 | |
So... What's the problem? | 0:31:20 | 0:31:22 | |
Flaws in the original inquiry? | 0:31:22 | 0:31:24 | |
We don't know. | 0:31:24 | 0:31:26 | |
Who's "we"? | 0:31:26 | 0:31:27 | |
Did you know Lesley personally? | 0:31:28 | 0:31:30 | |
No. Why would I? Are you here on an official capacity? | 0:31:30 | 0:31:34 | |
Washington being in your constituency, | 0:31:35 | 0:31:38 | |
you go up there a lot, so maybe you came into contact with Lesley? | 0:31:38 | 0:31:41 | |
19 years old, extremely attractive... | 0:31:42 | 0:31:46 | |
So you've done your homework on me. | 0:31:46 | 0:31:48 | |
I like young women and young women like me. | 0:31:48 | 0:31:50 | |
There's a lot of sex involved, | 0:31:50 | 0:31:51 | |
but it's not against the law, is it? | 0:31:51 | 0:31:54 | |
Here's a funny thing. | 0:31:54 | 0:31:55 | |
Just as we're about to break ground on Marwick Point, you show up, | 0:31:55 | 0:31:59 | |
putting me in the crosshairs of a four-year-old murder inquiry... | 0:31:59 | 0:32:01 | |
You were in Washington that day, | 0:32:01 | 0:32:04 | |
for the opening of the plant, | 0:32:04 | 0:32:05 | |
and you were at the party afterwards. | 0:32:05 | 0:32:08 | |
Which was the last time anybody saw Lesley alive. | 0:32:08 | 0:32:11 | |
Hundreds of people were at that party. | 0:32:11 | 0:32:13 | |
Just like that picket-line murder. | 0:32:13 | 0:32:16 | |
Hundreds of suspects, hundreds of union men who hate scabs... | 0:32:16 | 0:32:20 | |
No, no, no - he wasn't a scab. | 0:32:20 | 0:32:22 | |
He was a journalist working undercover. | 0:32:22 | 0:32:25 | |
Name of Mark Hogg. | 0:32:25 | 0:32:27 | |
Does that mean anything to you? | 0:32:27 | 0:32:29 | |
You're not trying to pin that one on me, too, are you? | 0:32:29 | 0:32:31 | |
No, it means nothing to me. | 0:32:32 | 0:32:34 | |
And I had nothing to do with the death of that girl. | 0:32:35 | 0:32:38 | |
But before you go any further with this - whatever THIS is... | 0:32:39 | 0:32:43 | |
..you need to understand... | 0:32:44 | 0:32:47 | |
..a storm is going to hit this country. | 0:32:48 | 0:32:50 | |
The empire's done, the old industries are gone down the tubes | 0:32:50 | 0:32:53 | |
and there's going to be a day of reckoning when the government - | 0:32:53 | 0:32:55 | |
maybe Labour, maybe Tory - turns round and says, | 0:32:55 | 0:32:58 | |
"The party's over, folks, there's no more money - | 0:32:58 | 0:33:01 | |
"no more dole, no more NHS - | 0:33:01 | 0:33:04 | |
"leave it all to the free market." | 0:33:04 | 0:33:06 | |
Our people need to be ready for that day, | 0:33:07 | 0:33:10 | |
they need to be ready for the future. | 0:33:10 | 0:33:12 | |
And you're the man to lead them there? | 0:33:12 | 0:33:14 | |
Yes. | 0:33:16 | 0:33:17 | |
So what's a dead girl here or there | 0:33:17 | 0:33:19 | |
on the road to the promised land, eh? | 0:33:19 | 0:33:22 | |
Well, ask yourself this, George Gently - | 0:33:23 | 0:33:26 | |
why me? | 0:33:26 | 0:33:28 | |
And why now, eh? | 0:33:29 | 0:33:30 | |
What were you talking about? | 0:33:37 | 0:33:40 | |
Adele, get in the car. | 0:33:40 | 0:33:41 | |
Adele! Just get in the car! | 0:33:48 | 0:33:51 | |
I've spoken to Mark Hogg's editor. | 0:33:59 | 0:34:01 | |
He told me Hogg was looking for proof that when Bateson-Donnelly | 0:34:01 | 0:34:04 | |
fired their unionised workers, they were put up to it by the Government. | 0:34:04 | 0:34:09 | |
In fact, the whole dispute's been cooked up by the Government. | 0:34:09 | 0:34:12 | |
Trial of strength - who runs Britain? | 0:34:12 | 0:34:15 | |
The unions, or the Government? | 0:34:15 | 0:34:16 | |
Well, that would explain why his flat was turned over, wouldn't it? | 0:34:16 | 0:34:19 | |
Oh, come on, man. What, Ted Heath's | 0:34:19 | 0:34:21 | |
going around ordering the killing of... | 0:34:21 | 0:34:24 | |
..of reporters who step on his toes? | 0:34:24 | 0:34:26 | |
I mean, this country's not perfect, sir, | 0:34:26 | 0:34:28 | |
but it's not Nazi bloody Germany, is it? | 0:34:28 | 0:34:30 | |
There's a difference between the Government - elected politicians - | 0:34:30 | 0:34:33 | |
and the apparatus of the state. | 0:34:33 | 0:34:35 | |
We've got all these ministers standing up in Parliament | 0:34:35 | 0:34:37 | |
saying the dispute's got nothing to do with them, | 0:34:37 | 0:34:39 | |
but...what if they're lying? | 0:34:39 | 0:34:41 | |
He was killed professionally. | 0:34:41 | 0:34:42 | |
Look, John - you're a good enough cop to know - deep in your bones - | 0:34:42 | 0:34:46 | |
there's something not right about this. | 0:34:46 | 0:34:48 | |
I need to talk to you. | 0:34:51 | 0:34:52 | |
All right. | 0:34:54 | 0:34:55 | |
-Does your boss know you're here? -No. | 0:35:01 | 0:35:04 | |
All right, Miss Watson. I'm listening. | 0:35:05 | 0:35:08 | |
Michael Clements is on the threshold of greatness. | 0:35:08 | 0:35:11 | |
Heath's government isn't going to last | 0:35:11 | 0:35:13 | |
and with the right leader, Labour can sweep to power. | 0:35:13 | 0:35:16 | |
And Michael, when he delivers Marwick Point, will be that leader. | 0:35:16 | 0:35:20 | |
Which would be the best thing that could happen to this country, | 0:35:20 | 0:35:23 | |
don't you think? | 0:35:23 | 0:35:25 | |
I'm just an old copper doing his job. | 0:35:25 | 0:35:28 | |
I'm sure you remember the Depression, Mr Gently. | 0:35:30 | 0:35:32 | |
I'll never forget it. | 0:35:32 | 0:35:34 | |
Rickets. | 0:35:35 | 0:35:38 | |
Michael was 14 before he could walk without leg supports. | 0:35:38 | 0:35:41 | |
Yeah, I'm not sure why... | 0:35:41 | 0:35:43 | |
Isn't it obvious? | 0:35:43 | 0:35:45 | |
This is a man who won't rest until he's eradicated poverty. | 0:35:45 | 0:35:49 | |
And what you're doing to him, persecuting him like this... | 0:35:50 | 0:35:53 | |
I'm not persecuting anybody. | 0:35:53 | 0:35:55 | |
As a matter of fact, I've got a lot of time for your boss, | 0:35:55 | 0:35:58 | |
as a politician. | 0:35:58 | 0:36:00 | |
But as a man? | 0:36:00 | 0:36:01 | |
If he was involved with Lesley Pierce... | 0:36:01 | 0:36:04 | |
He didn't do that! He had nothing to do with that girl. | 0:36:04 | 0:36:06 | |
You were at the party, weren't you, Miss Watson? | 0:36:09 | 0:36:12 | |
I go everywhere with Michael. | 0:36:12 | 0:36:14 | |
And you'd do anything for him? | 0:36:14 | 0:36:15 | |
For the greater good. | 0:36:17 | 0:36:19 | |
Even if the greater good cost the life of an innocent young girl? | 0:36:19 | 0:36:23 | |
She wasn't innocent. None of them are! | 0:36:23 | 0:36:24 | |
Don't you care about the future? | 0:36:28 | 0:36:30 | |
People are going to suffer. | 0:36:32 | 0:36:33 | |
Michael is a good and decent man. | 0:36:35 | 0:36:37 | |
Please, leave him alone. | 0:36:38 | 0:36:40 | |
If he's innocent, as well as good and decent... | 0:36:40 | 0:36:43 | |
then I will. | 0:36:43 | 0:36:45 | |
Two thirds of them identified and interviewed and nothing. | 0:36:48 | 0:36:51 | |
I mean, they've all got motive, they've all got opportunity. | 0:36:53 | 0:36:56 | |
Keep going until every man there is identified - and anybody who | 0:36:56 | 0:36:59 | |
doesn't belong there - or nobody recognises - you let me know, OK? | 0:36:59 | 0:37:02 | |
All right. | 0:37:02 | 0:37:04 | |
Sir? | 0:37:04 | 0:37:05 | |
An intruder got into the Bateson-Donnelly building | 0:37:05 | 0:37:07 | |
a week before last Friday night. | 0:37:07 | 0:37:09 | |
And we found some unidentified finger prints on a filing cabinet | 0:37:10 | 0:37:13 | |
and those finger prints have come back now | 0:37:13 | 0:37:16 | |
and they belong to a Mark Hogg. | 0:37:16 | 0:37:17 | |
So it's Friday. Payday. | 0:37:19 | 0:37:21 | |
Hogg goes in there to collect his wages...and then hides | 0:37:21 | 0:37:24 | |
until they shut up shop. | 0:37:24 | 0:37:26 | |
Stranger and stranger, eh, John? | 0:37:27 | 0:37:29 | |
Right, let's go and talk to Mr Donnelly. | 0:37:31 | 0:37:34 | |
There you go. | 0:37:35 | 0:37:36 | |
Oh, Sir, there was no statement from a girl called | 0:37:36 | 0:37:39 | |
Kiran Johal in the Lesley Pierce file. | 0:37:39 | 0:37:41 | |
I spoke Mrs Pierce to find out how close she was to Lesley. | 0:37:41 | 0:37:44 | |
-And...? -Best friends since school. | 0:37:44 | 0:37:46 | |
Ahhhh. | 0:37:46 | 0:37:47 | |
-Hey. -What? | 0:37:55 | 0:37:58 | |
What's going on? | 0:37:58 | 0:38:00 | |
You and the Guv. What's he got you doing? | 0:38:00 | 0:38:02 | |
And why won't he tell me? | 0:38:02 | 0:38:04 | |
You need to ask him that. On both counts. | 0:38:04 | 0:38:07 | |
Good morning! Avon lady! | 0:38:22 | 0:38:23 | |
Kiran Johal? | 0:38:25 | 0:38:26 | |
Lesley had all these big plans. | 0:38:29 | 0:38:31 | |
She hated it in Washington, | 0:38:31 | 0:38:33 | |
kept going on about how small-minded and suburban it was. | 0:38:33 | 0:38:38 | |
And you were her best friend? | 0:38:38 | 0:38:40 | |
I'm afraid your statement's gone missing, | 0:38:43 | 0:38:45 | |
Kiran - for which I apologise. | 0:38:45 | 0:38:48 | |
So...could you tell me what you told the police? | 0:38:48 | 0:38:52 | |
Look, I... I don't know. | 0:38:54 | 0:38:56 | |
What I told that cop was in confidence... | 0:38:58 | 0:39:01 | |
I'm glad it didn't come out because it would've hurt her mum and dad. | 0:39:01 | 0:39:04 | |
It still would. | 0:39:04 | 0:39:05 | |
Kiran, Lesley's killer is still out there. | 0:39:05 | 0:39:08 | |
I need you to tell me everything. | 0:39:08 | 0:39:09 | |
Lesley was pregnant. | 0:39:13 | 0:39:14 | |
And you were the only one who knew? | 0:39:17 | 0:39:19 | |
She'd just found out - the day before the party. | 0:39:20 | 0:39:25 | |
Who was the father? | 0:39:25 | 0:39:26 | |
She wouldn't say. | 0:39:26 | 0:39:28 | |
It was someone older. | 0:39:29 | 0:39:30 | |
Someone important. | 0:39:30 | 0:39:32 | |
So she hadn't told him? | 0:39:34 | 0:39:36 | |
No. Cos she didn't think he'd stand by her. | 0:39:36 | 0:39:39 | |
He was spoken for, you see. | 0:39:40 | 0:39:42 | |
Always had been, always will be. | 0:39:42 | 0:39:44 | |
Listen, I need to get on. I'm working on commission, you know. | 0:39:45 | 0:39:48 | |
Kiran, this officer who took your statement. Man or a woman? | 0:39:48 | 0:39:51 | |
-Er, a bloke. -Can you remember his name? | 0:39:51 | 0:39:53 | |
Harry? I think it was Harry. | 0:39:55 | 0:39:57 | |
What was his second name? | 0:39:57 | 0:39:58 | |
It was a funny name... | 0:39:58 | 0:40:00 | |
I know it sounds daft, but... | 0:40:00 | 0:40:02 | |
it sounded like something from the Bible. | 0:40:02 | 0:40:05 | |
Malachi? | 0:40:05 | 0:40:07 | |
Harry Malachi? | 0:40:07 | 0:40:09 | |
Where are we going, exactly? | 0:40:21 | 0:40:22 | |
North, DI Malachi. | 0:40:22 | 0:40:24 | |
We're going north. | 0:40:25 | 0:40:26 | |
ANGRY SHOUTING | 0:40:30 | 0:40:32 | |
They're here, Mr Donnelly. | 0:40:46 | 0:40:47 | |
Thank you. | 0:40:47 | 0:40:49 | |
Mr Donnelly... | 0:40:50 | 0:40:51 | |
We'll outlast them, you know. Mob rule won't win here. | 0:40:53 | 0:40:57 | |
And your boys are doing a great job out there. | 0:41:00 | 0:41:02 | |
I'd like to do something for them. Christmas party fund or something? | 0:41:02 | 0:41:05 | |
No, no, no - that wouldn't be right. | 0:41:05 | 0:41:08 | |
We're impartial. | 0:41:08 | 0:41:09 | |
Course you are. | 0:41:13 | 0:41:14 | |
You had an intruder break in here last month. | 0:41:14 | 0:41:17 | |
I wouldn't say "break in". More like mindless vandalism. | 0:41:18 | 0:41:21 | |
Maybe not. | 0:41:22 | 0:41:24 | |
We found his finger prints on one of your filing cabinets. | 0:41:24 | 0:41:27 | |
Shouldn't you be out there, trying to find out who | 0:41:28 | 0:41:30 | |
stabbed our employee to death? | 0:41:30 | 0:41:31 | |
Well, that's the thing, sir - the two crimes are connected. | 0:41:31 | 0:41:34 | |
We have a...a fingerprint match. | 0:41:34 | 0:41:36 | |
The intruder was the man stabbed to death two days ago. | 0:41:36 | 0:41:39 | |
His real name is Mark Hogg. | 0:41:39 | 0:41:41 | |
He was an undercover reporter. | 0:41:41 | 0:41:43 | |
Well, whatever he was looking for in here, he didn't find it. | 0:41:45 | 0:41:48 | |
Proof of government collusion in your dispute with the unions? | 0:41:48 | 0:41:52 | |
He didn't find anything | 0:41:52 | 0:41:54 | |
because there was nothing TO find. | 0:41:54 | 0:41:56 | |
-Have you thought about that? -Yes, we have. | 0:41:56 | 0:41:58 | |
And that'd make perfect sense, if he wasn't dead. | 0:41:58 | 0:42:01 | |
This company is a successful going concern. | 0:42:08 | 0:42:12 | |
We make a profit - that's not a dirty word - | 0:42:12 | 0:42:15 | |
and we provide work for people up here. | 0:42:15 | 0:42:18 | |
Your job is to find out which one of those morons out there | 0:42:19 | 0:42:22 | |
stabbed that man to death. | 0:42:22 | 0:42:24 | |
Clear? | 0:42:26 | 0:42:27 | |
Yeah, I understand, Mr Donnelly. | 0:42:30 | 0:42:33 | |
Thank you. | 0:42:33 | 0:42:34 | |
-Come on. -But I've got another question... -That's enough. | 0:42:34 | 0:42:37 | |
Sir, there's a few more questions I would've liked to ask him. | 0:42:44 | 0:42:46 | |
If, right - and it's a big if - | 0:42:46 | 0:42:48 | |
if Mark Hogg got in there | 0:42:48 | 0:42:50 | |
and got the proof that he was after, | 0:42:50 | 0:42:52 | |
then, yes, Donnelly IS lying. | 0:42:52 | 0:42:55 | |
But he was also very angry, wasn't he? | 0:42:55 | 0:42:57 | |
Which means that whatever Hogg took | 0:42:57 | 0:42:59 | |
still hasn't been recovered. | 0:42:59 | 0:43:01 | |
So it's still out there... | 0:43:01 | 0:43:02 | |
So it's still out there, which is what got him killed. | 0:43:02 | 0:43:05 | |
And the last thing that we need, right, | 0:43:05 | 0:43:07 | |
is for anyone to think that we're looking for it, OK? | 0:43:07 | 0:43:10 | |
OK. | 0:43:12 | 0:43:13 | |
Hello again, Harry. | 0:43:30 | 0:43:32 | |
What the hell is this? Let it go, Gently. | 0:43:32 | 0:43:34 | |
Independent panel cleared me of all your trumped-up corruption charges. | 0:43:34 | 0:43:37 | |
You've got nothing on me, you'll GET nothing on me. | 0:43:37 | 0:43:39 | |
Lesley Pierce. | 0:43:41 | 0:43:43 | |
You've found her killer? | 0:43:46 | 0:43:47 | |
Not yet. | 0:43:47 | 0:43:48 | |
But...here's what I HAVE found. | 0:43:50 | 0:43:52 | |
Lesley was pregnant when she was murdered. | 0:43:53 | 0:43:57 | |
Only her best friend, Kiran Johal, knew about it, until she told you, | 0:43:57 | 0:44:01 | |
BUT Kiran's statement seems to have disappeared, | 0:44:01 | 0:44:06 | |
plus there are pages missing from the postmortem report. | 0:44:06 | 0:44:10 | |
-Now, -I -think | 0:44:10 | 0:44:13 | |
that those pages will confirm | 0:44:13 | 0:44:15 | |
that Lesley was pregnant. | 0:44:15 | 0:44:17 | |
I don't know what happened... | 0:44:18 | 0:44:20 | |
It was a botched inquiry from start to finish. | 0:44:22 | 0:44:25 | |
The SIO was a useless old drunk - bit like yourself, George - | 0:44:25 | 0:44:28 | |
so the whole thing was a mess. | 0:44:28 | 0:44:30 | |
You're as bent as they come! | 0:44:30 | 0:44:32 | |
We all know that - | 0:44:32 | 0:44:34 | |
and we also know that YOU knew Lesley was pregnant. | 0:44:34 | 0:44:39 | |
And you're going to tell us what you did with that information. | 0:44:39 | 0:44:43 | |
Who did you protect? | 0:44:43 | 0:44:46 | |
I need to speak to my superior officer. | 0:44:46 | 0:44:48 | |
You will find this hard to understand, Harry, | 0:44:48 | 0:44:52 | |
but Ian here BELIEVES in what he does. | 0:44:52 | 0:44:56 | |
Like me, he despises bent cops. | 0:44:56 | 0:44:58 | |
But I'm just a voice crying in the wilderness, | 0:44:58 | 0:45:01 | |
whereas THIS man has got your new Commissioner behind him. | 0:45:01 | 0:45:05 | |
And HE is going to go through every case that you've ever | 0:45:05 | 0:45:10 | |
worked on since you walked out of Hendon with a fine-toothed comb. | 0:45:10 | 0:45:14 | |
Now, do you want that, Harry, eh? | 0:45:16 | 0:45:18 | |
Do you REALLY want that? | 0:45:19 | 0:45:21 | |
Come, on Harry - who was the father of Lesley's child? | 0:45:26 | 0:45:30 | |
I found what I found. | 0:45:30 | 0:45:31 | |
He had a thing with her and she was pregnant. | 0:45:32 | 0:45:35 | |
He offered me money - a lot of it... | 0:45:36 | 0:45:38 | |
..to make it go away. | 0:45:39 | 0:45:40 | |
I couldn't say no. | 0:45:42 | 0:45:43 | |
Who paid you off? | 0:45:46 | 0:45:47 | |
Michael Clements. | 0:45:52 | 0:45:53 | |
He's a born liar. | 0:46:04 | 0:46:06 | |
He didn't just take a pay-off from Michael Clements. | 0:46:06 | 0:46:09 | |
He was ordered - from above - to make the evidence go away. | 0:46:09 | 0:46:12 | |
I'm not sure I'm following you. | 0:46:13 | 0:46:15 | |
Are we... | 0:46:17 | 0:46:18 | |
Are we being played here, Ian? | 0:46:20 | 0:46:21 | |
By who? | 0:46:23 | 0:46:24 | |
Guv...? | 0:46:24 | 0:46:26 | |
I need a word. | 0:46:26 | 0:46:27 | |
-We need to talk. -What about? | 0:46:35 | 0:46:36 | |
About you freezing me out. | 0:46:36 | 0:46:38 | |
This is not the time or the place... | 0:46:38 | 0:46:40 | |
No, this is exactly the time and the place. | 0:46:40 | 0:46:42 | |
I want to know what you know. | 0:46:42 | 0:46:43 | |
Because I think Michael Clements is involved in the murder of Mark Hogg. | 0:46:43 | 0:46:48 | |
Who is that? | 0:46:48 | 0:46:50 | |
It's our new friend. | 0:46:50 | 0:46:52 | |
Mark Hogg breaks into Bateson-Donnelly. He finds proof | 0:46:57 | 0:46:59 | |
of government collusion in that dispute. | 0:46:59 | 0:47:02 | |
A few weeks later, he's murdered - professionally. | 0:47:02 | 0:47:04 | |
The day before he's murdered, he makes a six-minute phone call | 0:47:04 | 0:47:08 | |
from a payphone at his digs...to Michael Clements. | 0:47:08 | 0:47:13 | |
He told me he didn't know Mark Hogg. | 0:47:13 | 0:47:15 | |
Because he doesn't trust the police? | 0:47:15 | 0:47:17 | |
Yeah, but the thing is, right, | 0:47:17 | 0:47:19 | |
whoever killed Mark Hogg, | 0:47:19 | 0:47:21 | |
how did they know it was him that broke into Bateson-Donnelly? | 0:47:21 | 0:47:24 | |
He told Clements what he had, | 0:47:24 | 0:47:25 | |
thinking Clements would go public with it. | 0:47:25 | 0:47:28 | |
Instead...Clements sold him out. | 0:47:28 | 0:47:31 | |
Why would Clements give Hogg away? | 0:47:31 | 0:47:32 | |
Because he was being protected over the Lesley Pierce murder. | 0:47:32 | 0:47:36 | |
And now he's paying the price for that protection. | 0:47:36 | 0:47:39 | |
He does what he's told, when he's told to do it. | 0:47:39 | 0:47:42 | |
It does go higher up than Harry Malachi. | 0:47:42 | 0:47:44 | |
Right, we need to find whatever it was that Mark Hogg | 0:47:46 | 0:47:49 | |
took from Bateson-Donnelly... | 0:47:49 | 0:47:50 | |
I've got a warrant to search his home address in Manchester. | 0:47:50 | 0:47:53 | |
You're off the book on this. No case notes, no diary entries. | 0:47:53 | 0:47:56 | |
And as soon as you get your hands on whatever it was that he took | 0:47:56 | 0:47:59 | |
from Bateson-Donnelly, you bring it straight to me, is that clear? | 0:47:59 | 0:48:03 | |
-On it. -Yes, sir. -And you alter your routes home at night. | 0:48:03 | 0:48:06 | |
And what about you, sir? | 0:48:06 | 0:48:07 | |
Mr Clements. | 0:48:11 | 0:48:13 | |
We've summoned you today because there's concern | 0:48:13 | 0:48:15 | |
here at The Treasury regarding your Marwick Point project. | 0:48:15 | 0:48:20 | |
You seem to have raised public expectations to a fever pitch, | 0:48:20 | 0:48:24 | |
while forgetting that after the election | 0:48:24 | 0:48:27 | |
and the return of a new government, public funding of your project | 0:48:27 | 0:48:32 | |
is now subject to the comprehensive spending review. | 0:48:32 | 0:48:35 | |
We don't need your money. | 0:48:35 | 0:48:36 | |
Marwick Point Development Corporation has secured | 0:48:38 | 0:48:40 | |
the backing of a consortium of European businessmen | 0:48:40 | 0:48:43 | |
and financial institutions. | 0:48:43 | 0:48:45 | |
Marwick Point happens - whether you lot like it or not. | 0:48:46 | 0:48:50 | |
Howay the lads. | 0:48:53 | 0:48:55 | |
DOOR CLOSES | 0:49:01 | 0:49:03 | |
The tribune of the people has spoken. | 0:49:03 | 0:49:05 | |
Who are we to argue? | 0:49:05 | 0:49:07 | |
CLAMOUR | 0:49:11 | 0:49:13 | |
I'm so grateful for... | 0:49:15 | 0:49:16 | |
-RADIO: -If Michael Clements can make Marwick Point a reality, do you think people | 0:49:16 | 0:49:20 | |
will rally round him as someone who could lead the Labour Party back to power? | 0:49:20 | 0:49:23 | |
That's exactly what I'm picking up in the lobbies and in the Labour Party as a whole. | 0:49:23 | 0:49:26 | |
With Heath's government already fragile and industrial unrest spreading across the country, | 0:49:26 | 0:49:30 | |
Michael Clements is building the | 0:49:30 | 0:49:32 | |
kind of momentum that could, one day, | 0:49:32 | 0:49:34 | |
propel him all the way to Downing Street. | 0:49:34 | 0:49:37 | |
MUSIC PLAYS: Move On Up by Curtis Mayfield | 0:49:45 | 0:49:48 | |
# Just move on up | 0:50:04 | 0:50:07 | |
# Toward your destination | 0:50:07 | 0:50:11 | |
# Though you may find from time to time complications... # | 0:50:11 | 0:50:16 | |
You lied to me. | 0:50:24 | 0:50:26 | |
You told me you didn't know Lesley Pierce. | 0:50:26 | 0:50:27 | |
Oh, I lied to the police, George. Don't take it personally. | 0:50:27 | 0:50:31 | |
I had sex with her, maybe I was the father of her child, | 0:50:31 | 0:50:34 | |
but...Harry Malachi offered to make it go away. | 0:50:34 | 0:50:38 | |
He blackmailed me and....I paid up. | 0:50:39 | 0:50:41 | |
I was in the Cabinet, man! | 0:50:42 | 0:50:44 | |
Even a whiff of scandal would've finished me. | 0:50:44 | 0:50:47 | |
She was pregnant - maybe by me - and then she was dead. | 0:50:47 | 0:50:50 | |
But...I didn't kill her. Who put you up to this? | 0:50:50 | 0:50:54 | |
Oh, we're all out to get you, are we? | 0:50:54 | 0:50:56 | |
-It seems like it. -Even Mark Hogg? | 0:50:56 | 0:50:58 | |
He phoned you last week, didn't he? | 0:51:00 | 0:51:02 | |
He told you he'd found something inside Bateson-Donnelly. | 0:51:02 | 0:51:06 | |
He told you what he'd found. | 0:51:06 | 0:51:08 | |
The next day he was executed. | 0:51:08 | 0:51:10 | |
Whoever phoned me wouldn't identify himself. | 0:51:10 | 0:51:14 | |
He said he had some information that he wanted me | 0:51:14 | 0:51:16 | |
to put in the public domain. | 0:51:16 | 0:51:18 | |
Something that would turn the whole thing on its head. | 0:51:18 | 0:51:20 | |
So I agreed to meet - at Marwick Point a couple of days ago - | 0:51:20 | 0:51:24 | |
-but he didn't show. -Because he was dead. | 0:51:24 | 0:51:26 | |
You bribed a serving police officer. | 0:51:27 | 0:51:29 | |
It was blackmail! | 0:51:29 | 0:51:31 | |
So what? You paid up! | 0:51:31 | 0:51:33 | |
BOTTLE CLINKS | 0:51:33 | 0:51:35 | |
Hardly the conduct of a future Prime Minister, is it? | 0:51:35 | 0:51:38 | |
-A week. -What? | 0:51:43 | 0:51:45 | |
To get Marwick Point signed and sealed. | 0:51:45 | 0:51:47 | |
Just give me a week - then you can come after me with all you've got. | 0:51:47 | 0:51:50 | |
-I can't do that. -Why not? | 0:51:50 | 0:51:51 | |
"Because I'm a policeman, Your Honour, | 0:51:51 | 0:51:53 | |
"and my wife said that my duty is my life"? | 0:51:53 | 0:51:55 | |
I've been playing the filthy business of politics | 0:51:58 | 0:52:00 | |
and power for years now, George. | 0:52:00 | 0:52:02 | |
In government, in opposition, in the services. | 0:52:02 | 0:52:06 | |
You're forcing me back down that gutter again, | 0:52:07 | 0:52:09 | |
and I don't like myself for it and I don't like you for it. | 0:52:09 | 0:52:13 | |
But a cop gets sent to take you down, you do your homework on him. | 0:52:14 | 0:52:18 | |
You pull in favours from everyone in the Yard who owes you. | 0:52:18 | 0:52:21 | |
You get inside his life, inside his head. | 0:52:21 | 0:52:24 | |
And if you're me and you know how it works under the surface, | 0:52:24 | 0:52:26 | |
down in the sewers... | 0:52:26 | 0:52:28 | |
-Just one week... -No. | 0:52:31 | 0:52:33 | |
Not even if I give you the name of the man who killed your wife? | 0:52:39 | 0:52:42 | |
Joe Webster killed my wife... | 0:52:47 | 0:52:49 | |
Joe Webster was just another disposable villain with | 0:52:51 | 0:52:53 | |
a psychotic temper. | 0:52:53 | 0:52:54 | |
Ford Zephyr, Eldon Street, March 17th, 1964. | 0:52:57 | 0:53:02 | |
I know the beginning, middle and end of it, George, and if I were you, | 0:53:02 | 0:53:07 | |
I'd ask myself this - who really benefited from Isabella's death, eh? | 0:53:07 | 0:53:11 | |
Not Joe Webster. They murdered her and you moved up North. | 0:53:11 | 0:53:15 | |
Who benefited, eh? | 0:53:15 | 0:53:16 | |
And who benefits from you taking me down? | 0:53:18 | 0:53:20 | |
Maybe the same people - the powers that be, the apparatus | 0:53:20 | 0:53:23 | |
of government, the Establishment - call 'em what you will. | 0:53:23 | 0:53:26 | |
Maybe you and I are in the same boat here, George. | 0:53:26 | 0:53:29 | |
One week! | 0:53:31 | 0:53:32 | |
Just think about it...then call me. | 0:53:34 | 0:53:38 | |
DOOR OPENS | 0:54:34 | 0:54:36 | |
KEYS JINGLE | 0:54:36 | 0:54:38 | |
HE SIGHS | 0:54:40 | 0:54:42 | |
RINGING TONE | 0:54:55 | 0:54:57 | |
PHONE RINGS | 0:55:01 | 0:55:03 | |
-Hello? -Rachel. | 0:55:03 | 0:55:05 | |
Yeah? | 0:55:06 | 0:55:08 | |
You OK? | 0:55:08 | 0:55:11 | |
Er, yes. | 0:55:11 | 0:55:12 | |
Why? | 0:55:13 | 0:55:14 | |
You are watching your backs, you and John, you're both OK? | 0:55:14 | 0:55:17 | |
Yes, sir. Erm, yeah, we're fine. We're both fine. | 0:55:17 | 0:55:21 | |
HE SNIFFS | 0:55:24 | 0:55:26 | |
Is there something wrong, sir? | 0:55:26 | 0:55:28 | |
Isabella. | 0:55:34 | 0:55:35 | |
HE SNIFFS | 0:55:36 | 0:55:38 | |
They took her away from me and nothing's been the same. | 0:55:41 | 0:55:44 | |
Nothing's ever been the same. | 0:55:48 | 0:55:50 | |
If you was me... | 0:55:54 | 0:55:57 | |
..and you could look the man in the eye, | 0:55:59 | 0:56:01 | |
who killed her, what would you do? | 0:56:01 | 0:56:03 | |
I'm not going to answer that. | 0:56:06 | 0:56:08 | |
-And maybe you shouldn't either. -No. | 0:56:09 | 0:56:12 | |
-Where are you? -London. | 0:56:14 | 0:56:16 | |
Maybe you should come home. | 0:56:18 | 0:56:20 | |
HE SNIFFS Yeah, I will. | 0:56:26 | 0:56:28 | |
HE EXHALES | 0:56:31 | 0:56:32 | |
Goodnight, Rachel. | 0:56:32 | 0:56:34 | |
Goodnight. | 0:56:34 | 0:56:36 | |
I'll see you tomorrow. | 0:56:37 | 0:56:38 | |
Yeah, yeah, 'course you will. Yeah. | 0:56:38 | 0:56:40 | |
LINE DISCONNECTS | 0:56:41 | 0:56:43 | |
HE COUGHS | 0:56:50 | 0:56:52 | |
HE SOBS | 0:57:09 | 0:57:11 | |
BIRDSONG | 0:58:05 | 0:58:07 | |
One week. Not a minute more. | 0:58:23 | 0:58:25 | |
DI Lister? | 0:58:34 | 0:58:36 | |
I'm your source. The tip-off. | 0:58:39 | 0:58:43 | |
We need to talk. | 0:58:45 | 0:58:47 | |
About the national interest. | 0:58:47 | 0:58:49 | |
Mr Croxley? | 0:59:50 | 0:59:51 | |
Alan Croxley? | 0:59:53 | 0:59:54 | |
Changed your car, then. | 0:59:57 | 0:59:59 | |
Sorry, mate, you've lost me. | 1:00:00 | 1:00:02 | |
Don't you know who I am? | 1:00:04 | 1:00:05 | |
No idea. | 1:00:05 | 1:00:07 | |
And I don't care. | 1:00:07 | 1:00:09 | |
I'm George Gently. | 1:00:10 | 1:00:12 | |
You killed my wife. | 1:00:14 | 1:00:15 | |
Don't you feel anything? | 1:00:29 | 1:00:31 | |
It's just a job. | 1:00:32 | 1:00:34 | |
Ah. | 1:00:34 | 1:00:36 | |
HE GRUNTS | 1:00:40 | 1:00:42 | |
Did you come here thinking you were dealing with some old East End lag? | 1:00:42 | 1:00:46 | |
It's bigger than that. | 1:00:46 | 1:00:48 | |
And whatever you think you know, you'll never be able to prove it. | 1:00:50 | 1:00:54 | |
You are out of your league. Always have been, always will be. | 1:00:55 | 1:01:01 | |
HE GROWLS | 1:01:01 | 1:01:03 | |
So stop making a show of yourself... And. Go. Home. | 1:01:03 | 1:01:08 | |
This is not done! This is not done! | 1:01:15 | 1:01:17 | |
TYRES SCREECH | 1:01:19 | 1:01:21 | |
HE ROARS | 1:01:27 | 1:01:29 | |
"Always will be"? | 1:01:50 | 1:01:51 | |
ENGINE STARTS | 1:01:53 | 1:01:55 | |
My mum's in bits. We all are, but... | 1:01:58 | 1:02:01 | |
When were you last here, Tina? | 1:02:10 | 1:02:12 | |
Er, yesterday. | 1:02:12 | 1:02:15 | |
I picked up his post. | 1:02:15 | 1:02:17 | |
-Right. -What are you going to do? | 1:02:24 | 1:02:26 | |
We are going to search Mark's stuff. | 1:02:26 | 1:02:28 | |
Well, what for? | 1:02:28 | 1:02:30 | |
I can't discuss that. I'm so sorry. | 1:02:30 | 1:02:32 | |
I didn't... I didn't leave that like that. | 1:02:34 | 1:02:37 | |
-You sure? -Yeah. | 1:02:39 | 1:02:41 | |
Would you mind waiting outside, please, love? | 1:02:46 | 1:02:48 | |
We'll take it from here. | 1:02:48 | 1:02:49 | |
Someone's been here before us. | 1:02:51 | 1:02:53 | |
PIGEONS FLUTTER AND COO | 1:02:55 | 1:02:57 | |
-John? -Huh? | 1:02:59 | 1:03:01 | |
They're watching the house. | 1:03:01 | 1:03:02 | |
-What, where? -Out there, black car. | 1:03:02 | 1:03:04 | |
You see, that must mean they haven't found... | 1:03:13 | 1:03:16 | |
Tina? | 1:03:16 | 1:03:18 | |
Tina, come on inside. There you go, that's it. | 1:03:18 | 1:03:20 | |
Did you pick up Mark's post yesterday? | 1:03:22 | 1:03:24 | |
Uh...yeah. | 1:03:24 | 1:03:26 | |
Where is it? | 1:03:26 | 1:03:27 | |
-I've, uh... It's still in my bag. -Do you mind? | 1:03:27 | 1:03:30 | |
Anything with a Newcastle postmark. | 1:03:32 | 1:03:35 | |
There you are. | 1:03:37 | 1:03:39 | |
Left luggage. Tynemouth Station. | 1:03:41 | 1:03:43 | |
Let's go. | 1:03:47 | 1:03:48 | |
Did you get it? | 1:03:58 | 1:03:59 | |
Got it. Up there. | 1:03:59 | 1:04:01 | |
-You all right? -Yeah. | 1:04:03 | 1:04:04 | |
TANNOY: The next train to Newcastle, | 1:04:04 | 1:04:06 | |
arriving on platform two in five minutes. | 1:04:06 | 1:04:09 | |
Right...17... | 1:04:16 | 1:04:19 | |
John...? | 1:04:42 | 1:04:44 | |
John! | 1:04:44 | 1:04:45 | |
It's all right. | 1:04:51 | 1:04:53 | |
All right, let's go, go, go, go, go. | 1:04:53 | 1:04:56 | |
Hold it! | 1:04:57 | 1:04:59 | |
Keep going, get in. | 1:05:18 | 1:05:20 | |
TYRES SCREECH | 1:05:26 | 1:05:28 | |
Back to the cars! | 1:05:31 | 1:05:32 | |
What are these? | 1:05:49 | 1:05:51 | |
I dunno... It's definitely Bateson-Donnelly, though... | 1:05:52 | 1:05:55 | |
It's not what we thought. | 1:05:57 | 1:05:59 | |
All right, all right. You go back and mind the shop. | 1:06:05 | 1:06:08 | |
And don't say anything to anybody about any of this. OK? | 1:06:08 | 1:06:12 | |
What are you going to do? | 1:06:12 | 1:06:14 | |
I'll get in touch with the guv. | 1:06:14 | 1:06:15 | |
You all right, John? | 1:06:17 | 1:06:19 | |
Yeah. Yeah. You? | 1:06:19 | 1:06:21 | |
Yeah. | 1:06:22 | 1:06:23 | |
That's lovely. Go on, pass it over. | 1:06:38 | 1:06:40 | |
Can I, er, help you? | 1:06:55 | 1:06:57 | |
I need to talk to you, Mr Paton. | 1:07:09 | 1:07:11 | |
-How many kids've you got, Eddie? -Three. | 1:07:15 | 1:07:18 | |
And you're a Stax man. Always have been, always will be. | 1:07:20 | 1:07:24 | |
And you're a Liberal. Always have been, always will be. | 1:07:24 | 1:07:30 | |
Are you making fun of me? | 1:07:30 | 1:07:32 | |
Did you tell Lesley, that you were already spoken for - | 1:07:32 | 1:07:35 | |
"Always have been, always will be"? | 1:07:35 | 1:07:37 | |
Why did you lie to me? | 1:07:39 | 1:07:40 | |
You told me that you didn't know Lesley personally. | 1:07:41 | 1:07:44 | |
What's this about? | 1:07:44 | 1:07:46 | |
So how did it go, Eddie? | 1:07:49 | 1:07:51 | |
Did Lesley corner you at the party and tell you she was pregnant? | 1:07:52 | 1:07:57 | |
And you were scared that your wife might find out, | 1:07:57 | 1:07:59 | |
so you agreed to meet Lesley later? | 1:07:59 | 1:08:01 | |
No, maybe you got her pregnant, maybe you didn't. | 1:08:03 | 1:08:06 | |
But you DID have sexual relations with her. | 1:08:07 | 1:08:09 | |
It was just once, Liz. | 1:08:12 | 1:08:14 | |
And I was a bit drunk - it was nothing. | 1:08:15 | 1:08:18 | |
So you met Lesley away from the party, | 1:08:18 | 1:08:21 | |
and you tried to talk her down. | 1:08:21 | 1:08:23 | |
But she wouldn't let it go. | 1:08:23 | 1:08:24 | |
So you got into an argument and you struck her in anger and | 1:08:26 | 1:08:30 | |
she fell to the ground and she cracked her head and she was dead. | 1:08:30 | 1:08:34 | |
-No. -Lesley threatened all of this. | 1:08:34 | 1:08:37 | |
The perfect job, the perfect life and your shiny new town! | 1:08:37 | 1:08:42 | |
It's not funny. | 1:08:42 | 1:08:44 | |
Do you know where we came from? Slums! | 1:08:46 | 1:08:50 | |
Dirt and filth and people fighting in the streets and we came here | 1:08:50 | 1:08:53 | |
and the kids... Oh, my God, the kids. | 1:08:53 | 1:08:55 | |
CHILDREN LAUGH AND CHANT | 1:08:58 | 1:09:01 | |
This place is everything I ever dreamed. | 1:09:01 | 1:09:03 | |
It's not like back there... | 1:09:05 | 1:09:08 | |
London. Filthy and falling apart. This place is... | 1:09:08 | 1:09:11 | |
It's like America or something. | 1:09:13 | 1:09:15 | |
And you'd do anything to keep it all. | 1:09:15 | 1:09:18 | |
What? | 1:09:20 | 1:09:21 | |
Eddie didn't do anything wrong. | 1:09:26 | 1:09:28 | |
He's not like that. | 1:09:30 | 1:09:32 | |
He didn't... | 1:09:32 | 1:09:33 | |
He was with me all night. | 1:09:40 | 1:09:41 | |
I didn't let him out of my sight. | 1:09:43 | 1:09:44 | |
You were there, too. At the party. | 1:09:45 | 1:09:48 | |
HE SIGHS | 1:09:52 | 1:09:54 | |
You'd better find somebody to mind the kids. | 1:09:56 | 1:09:58 | |
Because I'm going to arrest the both of you for murder. | 1:10:00 | 1:10:03 | |
And then we're going to take you to two separate police stations | 1:10:05 | 1:10:08 | |
and we are going to sweat the truth out of you. | 1:10:08 | 1:10:10 | |
No matter how long it takes. | 1:10:10 | 1:10:12 | |
Or... | 1:10:15 | 1:10:16 | |
..you can tell me the truth, here and now, | 1:10:18 | 1:10:20 | |
and the kids will still keep their dad. | 1:10:20 | 1:10:22 | |
Eddie didn't know I knew about Lesley. Until now. | 1:10:41 | 1:10:46 | |
OK. | 1:10:48 | 1:10:49 | |
I... I offered to pay for an abortion and.... | 1:10:54 | 1:10:59 | |
And she started laughing at me and... | 1:11:00 | 1:11:04 | |
SHE SOBS | 1:11:08 | 1:11:10 | |
I didn't mean it! | 1:11:13 | 1:11:15 | |
Last man standing. | 1:11:29 | 1:11:30 | |
So who are you? | 1:11:32 | 1:11:33 | |
Clements didn't kill Lesley Pierce. | 1:12:11 | 1:12:14 | |
I've arrested her killer. She confessed. | 1:12:14 | 1:12:17 | |
We have been played, Ian. | 1:12:18 | 1:12:20 | |
An anonymous tip-off, eh? | 1:12:21 | 1:12:23 | |
My advice to you is to arrest Michael Clements on suspicion | 1:12:25 | 1:12:29 | |
of the murder of Lesley Pierce. | 1:12:29 | 1:12:31 | |
They got to you. | 1:12:37 | 1:12:38 | |
We all look up to you, George. | 1:12:38 | 1:12:40 | |
HE SCOFFS | 1:12:40 | 1:12:42 | |
You've never compromised. | 1:12:44 | 1:12:45 | |
I don't want everything you've stood... | 1:12:50 | 1:12:52 | |
If I'm going to stay in the game and clean up the police... | 1:12:58 | 1:13:03 | |
..there are compromises. | 1:13:07 | 1:13:09 | |
They don't want Michael Clements running the show. | 1:13:15 | 1:13:17 | |
Even if the people vote for him? | 1:13:17 | 1:13:20 | |
The people? What do the people know? | 1:13:20 | 1:13:22 | |
Give them a vote on it and they'll bring back hanging. | 1:13:22 | 1:13:25 | |
Please, George, just toe the line. | 1:13:34 | 1:13:39 | |
In the national interest. | 1:13:44 | 1:13:46 | |
I believed in you, Ian. | 1:13:49 | 1:13:51 | |
Why is Michael Clements so dangerous to the British State? | 1:14:08 | 1:14:11 | |
It's not his brand of socialism or his man of the people act. | 1:14:12 | 1:14:16 | |
It's the reason they fired him from the Cabinet. | 1:14:17 | 1:14:20 | |
TYRES SCREECH | 1:14:20 | 1:14:22 | |
Sorry. George Gently doesn't walk away. | 1:14:44 | 1:14:47 | |
I'll take a lift back to London, Ian. | 1:14:51 | 1:14:53 | |
Were you followed? | 1:15:28 | 1:15:29 | |
-No. -No. | 1:15:29 | 1:15:31 | |
This is what Mark Hogg took from Bateson-Donnelly. | 1:15:34 | 1:15:38 | |
It's his death sentence. Have a look. | 1:15:38 | 1:15:40 | |
He went looking for government collusion in their dispute | 1:15:41 | 1:15:44 | |
but he found something much, much bigger. | 1:15:44 | 1:15:46 | |
This letter, right, confirming the construction contract. | 1:15:46 | 1:15:50 | |
That traced back to commissioning agents through | 1:15:50 | 1:15:53 | |
offshore holding companies, all the way to Washington. | 1:15:53 | 1:15:58 | |
DC, not County Durham? | 1:15:58 | 1:16:00 | |
-Yeah. They're building an airbase at Marwick Point. -What? | 1:16:00 | 1:16:03 | |
For the Americans. | 1:16:03 | 1:16:04 | |
So, the State uses me to torpedo Clements who, by the way, | 1:16:11 | 1:16:15 | |
didn't kill Lesley Pierce and it was all going like clockwork... | 1:16:15 | 1:16:20 | |
until Mark Hogg gets his hands on that. | 1:16:20 | 1:16:22 | |
That's what got Mark Hogg killed, sir. Now we've got our hands on it. | 1:16:22 | 1:16:25 | |
So what are you saying, John? We should bury this and walk away? | 1:16:26 | 1:16:30 | |
-No, sir, no. -No, no. We've got the killer of Mark Hogg. | 1:16:30 | 1:16:32 | |
He's the only man at the crime scene that we can't account for. | 1:16:32 | 1:16:35 | |
Look, this is just some bloke, Rachel. | 1:16:35 | 1:16:37 | |
We can't prove that he killed Mark Hogg, we don't even know his name. | 1:16:37 | 1:16:40 | |
Alan Croxley. | 1:16:40 | 1:16:42 | |
Ex-Special Forces. And, my guess, MI5. | 1:16:42 | 1:16:46 | |
You know him? | 1:16:46 | 1:16:47 | |
It's a long story, Rachel. | 1:16:48 | 1:16:50 | |
So, what do we do, sir? | 1:16:53 | 1:16:55 | |
Well, you two just go on doing your jobs. | 1:16:57 | 1:16:59 | |
And you forget about this. You know nothing, you saw nothing. | 1:16:59 | 1:17:03 | |
And what about that, sir? | 1:17:03 | 1:17:04 | |
Well...a week from now, I'll be gone anyway. | 1:17:06 | 1:17:09 | |
-No... Come on, sir. -Sir. -Look. No. You've proved your point. | 1:17:09 | 1:17:13 | |
All right? What else can you do? Just walk away. | 1:17:13 | 1:17:16 | |
You can't win, sir. | 1:17:17 | 1:17:18 | |
They are going to build the airbase, they'll take down Clements. | 1:17:18 | 1:17:21 | |
Just, just leave it. Please. For once. | 1:17:21 | 1:17:25 | |
Just walk away, take your retirement, sir. | 1:17:25 | 1:17:28 | |
Retirement, eh? | 1:17:29 | 1:17:30 | |
Tell him, Rachel. He'll listen to you. | 1:17:30 | 1:17:32 | |
-Tell him. -Sir, please, just... | 1:17:32 | 1:17:35 | |
I mean it, Rachel. You saw nothing, you know nothing. | 1:17:35 | 1:17:38 | |
And one more thing. Are you organising a do for my retirement? | 1:17:40 | 1:17:44 | |
-Do you want a do? -Yeah. | 1:17:46 | 1:17:49 | |
Right. | 1:17:49 | 1:17:50 | |
I'll book the upstairs room at The Old Straw House, if you want. | 1:17:53 | 1:17:56 | |
Well, oh, thanks, John. I appreciate that. | 1:17:56 | 1:17:59 | |
Right. | 1:17:59 | 1:18:00 | |
Yeah. | 1:18:00 | 1:18:02 | |
Cheer up. | 1:18:14 | 1:18:15 | |
It's not the end of the world. | 1:18:15 | 1:18:17 | |
BELL TOLLS | 1:18:53 | 1:18:55 | |
Michael. | 1:19:00 | 1:19:01 | |
Adele said I'd find you here. | 1:19:06 | 1:19:08 | |
What's happening, George? | 1:19:12 | 1:19:14 | |
Did you kill the man who killed your wife? | 1:19:14 | 1:19:16 | |
No. | 1:19:18 | 1:19:19 | |
You didn't kill Lesley Pierce. I know that now. | 1:19:21 | 1:19:24 | |
I had to be sure. | 1:19:25 | 1:19:26 | |
And our deal? | 1:19:27 | 1:19:29 | |
One week's grace? | 1:19:31 | 1:19:32 | |
You don't have a week, Michael, you don't have anything. | 1:19:34 | 1:19:37 | |
They want this site as an airbase. For the Americans. | 1:19:38 | 1:19:42 | |
Yeah. | 1:19:42 | 1:19:43 | |
That's why they were using me to bring you down. | 1:19:45 | 1:19:48 | |
Because what the Americans want from us, they get. | 1:19:48 | 1:19:51 | |
And what about what the people want, George? | 1:19:51 | 1:19:54 | |
Working people, honest people who pay their taxes and vote? | 1:19:54 | 1:19:57 | |
Well, they don't really count, do they? Not really. Not to them. | 1:19:57 | 1:20:01 | |
You bribed a serving police officer. That's not going to go away. | 1:20:03 | 1:20:08 | |
Your political career is over. | 1:20:08 | 1:20:10 | |
But the fight needn't be. | 1:20:12 | 1:20:14 | |
You could expose the whole plot. People will listen to you, Michael. | 1:20:15 | 1:20:18 | |
Not without proof. | 1:20:18 | 1:20:20 | |
The proof is on its way to your office. | 1:20:22 | 1:20:24 | |
But it's not about proof and bits of paper, is it? | 1:20:27 | 1:20:31 | |
It's about principles and values and everything that we fought | 1:20:33 | 1:20:38 | |
the war for and tried to do when we came back. | 1:20:38 | 1:20:41 | |
You might not win, they'll outflank you, | 1:20:42 | 1:20:44 | |
they'll try to poison your name, they'll spread rumours about you, | 1:20:44 | 1:20:48 | |
and that's why you have to keep fighting. | 1:20:48 | 1:20:51 | |
Cos what else is there, Michael? What else is there? | 1:20:52 | 1:20:56 | |
And will you be there, George? | 1:21:01 | 1:21:03 | |
Watching me back? | 1:21:04 | 1:21:06 | |
One way or another. | 1:21:10 | 1:21:11 | |
I'll see you in the future... | 1:21:19 | 1:21:21 | |
..George Gently. | 1:21:25 | 1:21:26 | |
GUNSHOT | 1:21:59 | 1:22:00 | |
HE COUGHS | 1:22:00 | 1:22:01 | |
HE PANTS | 1:22:04 | 1:22:06 | |
HE GRUNTS | 1:22:06 | 1:22:07 | |
ETHEREAL MUSIC | 1:22:09 | 1:22:12 | |
GUNSHOT | 1:22:20 | 1:22:22 | |
Isabella...! | 1:22:39 | 1:22:40 | |
GUNSHOT BOOMS | 1:22:44 | 1:22:46 | |
PHONE RINGS | 1:23:18 | 1:23:19 | |
Yeah? | 1:23:30 | 1:23:31 | |
Where is he? Where is he?! | 1:23:51 | 1:23:53 | |
Over there, sir. There. | 1:23:53 | 1:23:54 | |
Move. Move. | 1:24:05 | 1:24:07 | |
No, no... | 1:24:09 | 1:24:11 | |
WIND HOWLS | 1:24:12 | 1:24:13 | |
Oh, God. | 1:24:18 | 1:24:20 | |
John! | 1:24:35 | 1:24:36 | |
Don't, Rachel, don't. | 1:24:39 | 1:24:41 | |
No, oh, no. Oh, God! | 1:24:43 | 1:24:46 | |
CLAMOUR | 1:25:15 | 1:25:17 | |
You see this? You all see it? | 1:25:23 | 1:25:25 | |
Evidence of Bateson-Donnelly's conspiracy with the government! | 1:25:25 | 1:25:28 | |
And it goes higher! | 1:25:28 | 1:25:30 | |
Much higher! | 1:25:30 | 1:25:31 | |
They are turning this country into an American aircraft carrier. | 1:25:31 | 1:25:35 | |
CLAMOUR CONTINUES | 1:25:37 | 1:25:40 | |
To the Guv. | 1:25:55 | 1:25:57 | |
The Guv. | 1:25:57 | 1:25:58 | |
HE GASPS | 1:26:04 | 1:26:06 | |
You know, neither of us would be here without him. | 1:26:14 | 1:26:18 | |
Mixed blessing that, isn't it? | 1:26:21 | 1:26:23 | |
I mean here. In the Force... | 1:26:25 | 1:26:28 | |
..doing this with... We're lucky, you know. | 1:26:29 | 1:26:31 | |
Yeah, yeah. We are. | 1:26:35 | 1:26:36 | |
They'll say it's one of his old enemies. | 1:26:45 | 1:26:47 | |
They'll cover it up. | 1:26:50 | 1:26:51 | |
What would George Gently do? | 1:27:27 | 1:27:29 | |
He'd say, "Don't think about anything else. | 1:27:35 | 1:27:39 | |
"Just get the evidence." | 1:27:39 | 1:27:40 | |
MUSIC: Old Friend by Lyle Lovett | 1:27:55 | 1:27:58 | |
# Old friend | 1:28:00 | 1:28:02 | |
# All the stories to tell | 1:28:04 | 1:28:08 | |
# Old friend | 1:28:08 | 1:28:10 | |
# Could you have bid me farewell? | 1:28:11 | 1:28:15 | |
# Old friend | 1:28:15 | 1:28:18 | |
# It might be easy for another man to see... # | 1:28:19 | 1:28:24 |