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I remember the first time somebody sent me LOL, | 0:00:09 | 0:00:11 | |
and I didn't know what it meant at all. | 0:00:11 | 0:00:13 | |
It's like a second language pretty much. | 0:00:13 | 0:00:16 | |
LOL. Yeah - laugh out loud. | 0:00:16 | 0:00:19 | |
ROFL - roll on the floor laughing. | 0:00:19 | 0:00:21 | |
WBU. Which is - what about you? | 0:00:22 | 0:00:24 | |
JK I use quite a lot, which means just kidding. | 0:00:24 | 0:00:28 | |
CBA. You know - can't be... | 0:00:28 | 0:00:31 | |
bothered! | 0:00:31 | 0:00:33 | |
BRB, LOL, LMFAO, PMSL... | 0:00:33 | 0:00:37 | |
Erm... | 0:00:38 | 0:00:39 | |
SYL. I'm just making some of these up now! | 0:00:41 | 0:00:45 | |
The film is a modern version of Romeo And Juliet. | 0:00:48 | 0:00:52 | |
Technology is quite prominent. | 0:00:52 | 0:00:55 | |
Russell, who's Romeo in this film, is obsessed with technology. | 0:00:55 | 0:01:00 | |
He knows how being on Facebook... | 0:01:00 | 0:01:02 | |
Name dropping all these sites. | 0:01:02 | 0:01:04 | |
We thought it would be more tongue-in-cheek | 0:01:04 | 0:01:07 | |
if there was a phone breaking instead of noses breaking. | 0:01:07 | 0:01:10 | |
Is there a problem here, ladies? | 0:01:10 | 0:01:12 | |
'It's as if when the phone breaks,' | 0:01:13 | 0:01:14 | |
you're life's over so it's as if you've died, | 0:01:14 | 0:01:18 | |
and it's really good to see how | 0:01:18 | 0:01:20 | |
they've adapted the original Romeo And Juliet script to this. | 0:01:20 | 0:01:24 | |
It's tongue-in-cheek, it is comedy. | 0:01:25 | 0:01:27 | |
When you look at it and you look at the people using their phones | 0:01:27 | 0:01:30 | |
every day, that's actually how much you are on your phone. | 0:01:30 | 0:01:33 | |
It's quite surprising, when you take a step back and look at it. | 0:01:33 | 0:01:36 | |
To be or not to be, that is the question. | 0:01:40 | 0:01:41 | |
What is done is done and cannot be undone. I think that's one. | 0:01:41 | 0:01:46 | |
Some are born great, some achieve greatness | 0:01:46 | 0:01:48 | |
and some have greatness thrust upon them. | 0:01:48 | 0:01:50 | |
One from Macbeth. The night is long that never finds the day. | 0:01:50 | 0:01:53 | |
I really like that one. | 0:01:53 | 0:01:55 | |
Romeo, Romeo! Wherefore art thou Romeo? | 0:01:55 | 0:01:57 | |
We've got a narrator, which has been beamed forward | 0:01:59 | 0:02:01 | |
from Shakespearean time. | 0:02:01 | 0:02:03 | |
Because his language he uses contrasts differently | 0:02:03 | 0:02:06 | |
with all the other dialogue, | 0:02:06 | 0:02:08 | |
it's given us that licence to have a bit of fun with that character. | 0:02:08 | 0:02:13 | |
Just the narrator, he's stuck in times, two times. | 0:02:14 | 0:02:18 | |
The Shakespearean times and Facebook times. | 0:02:18 | 0:02:21 | |
He also uses the Old English and a little bit of today's English. | 0:02:21 | 0:02:26 | |
I do actually have a dictionary in my bag where I just had to check, | 0:02:26 | 0:02:32 | |
just constantly check, what this word means. | 0:02:32 | 0:02:34 | |
I didn't know what "pernickety" meant. | 0:02:34 | 0:02:37 | |
HE LAUGHS | 0:02:37 | 0:02:38 | |
A pair of star-crossed lovers take a chance | 0:02:38 | 0:02:42 | |
Bringing families and friends to blows. | 0:02:42 | 0:02:45 | |
'I knew nothing about Shakespeare.' | 0:02:45 | 0:02:47 | |
From researching him, he comes across as someone' | 0:02:47 | 0:02:50 | |
who just understood life. | 0:02:50 | 0:02:54 | |
Everything that he had written back in his own age | 0:02:55 | 0:02:58 | |
is relatable to the people then. | 0:02:58 | 0:03:00 | |
So, definitely, if he can do it then | 0:03:00 | 0:03:03 | |
he would certainly be able to do it now. Yeah. | 0:03:03 | 0:03:05 | |
He'd probably be turning in his grave right now at any abbreviations. | 0:03:06 | 0:03:10 | |
But then, on a complete opposite hand, | 0:03:10 | 0:03:13 | |
he did make up stuff himself. | 0:03:13 | 0:03:15 | |
Maybe these days he'd give social media | 0:03:15 | 0:03:18 | |
some new, decent abbreviations. | 0:03:18 | 0:03:21 | |
Kids still study Shakespeare at school. | 0:03:21 | 0:03:23 | |
I think his work has stood the test of time. | 0:03:23 | 0:03:26 | |
So, I'm sure he'd be the same as everyone. | 0:03:26 | 0:03:29 | |
He'd be using Twitter, I think! | 0:03:29 | 0:03:31 | |
'The way people actually use social media | 0:03:34 | 0:03:36 | |
'and messaging as a tool for, sort of, romance rather than' | 0:03:36 | 0:03:40 | |
having to come out in person and say, I really like you, or whatever, | 0:03:40 | 0:03:45 | |
they're able to show their feelings without actually having to | 0:03:45 | 0:03:48 | |
confront them and being at risk of being put down straightaway. | 0:03:48 | 0:03:51 | |
'I definitely know that I'm more connected with people | 0:03:52 | 0:03:55 | |
'through internet. | 0:03:55 | 0:03:57 | |
'If you haven't seen that person in a long time' | 0:03:57 | 0:03:59 | |
or you just want to catch up, it's easy to do that | 0:03:59 | 0:04:02 | |
because everyone does it. It's just the regular thing. | 0:04:02 | 0:04:05 | |
Russell uses social media to get revenge at who my cousin is, Tahir. | 0:04:08 | 0:04:14 | |
He wants everyone to film him bullying him, basically. | 0:04:14 | 0:04:18 | |
It's awful, it's really bad. | 0:04:18 | 0:04:20 | |
People online, kind of, do hide behind their screen | 0:04:20 | 0:04:24 | |
because not much things are said face to face in real life. | 0:04:24 | 0:04:27 | |
Whereas online, a lot of things are said | 0:04:27 | 0:04:29 | |
that are really offensive and hurtful. | 0:04:29 | 0:04:33 | |
I think we know more about each other because people post | 0:04:33 | 0:04:35 | |
more online about what they've done today, their animals, their family. | 0:04:35 | 0:04:39 | |
But in person, I think we're more isolated. | 0:04:39 | 0:04:43 |