Browse content similar to Codes of Honour. Check below for episodes and series from the same categories and more!
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I want to talk to you about what is called racketeering, | 0:00:04 | 0:00:08 | |
or the black market. | 0:00:08 | 0:00:11 | |
It is being stopped. | 0:00:11 | 0:00:14 | |
These food cheats are the enemies of the people. | 0:00:14 | 0:00:18 | |
They've been cunning, | 0:00:18 | 0:00:20 | |
but they haven't been cunning enough. | 0:00:20 | 0:00:24 | |
They'll get no mercy from me. | 0:00:24 | 0:00:28 | |
There must be no dirty fingers in the people's food. | 0:00:28 | 0:00:32 | |
EXPLOSION AND GUNFIRE | 0:00:39 | 0:00:42 | |
Halte! Englander! | 0:00:43 | 0:00:44 | |
GUNFIRE | 0:00:44 | 0:00:45 | |
GUNFIRE | 0:00:49 | 0:00:50 | |
GUNFIRE | 0:01:09 | 0:01:12 | |
Oh, Lawrence! | 0:01:17 | 0:01:20 | |
Hey, hey, hey. | 0:01:32 | 0:01:33 | |
Bye! | 0:01:37 | 0:01:39 | |
GUNFIRE | 0:02:11 | 0:02:12 | |
Achtung! Englander! | 0:02:28 | 0:02:30 | |
Chalky! | 0:02:33 | 0:02:35 | |
That is the worst German accent I've ever heard. | 0:02:35 | 0:02:37 | |
Come on, John, up you get. | 0:02:39 | 0:02:40 | |
Can't you snap out of it? | 0:02:49 | 0:02:51 | |
So caring and so sensitive. | 0:02:51 | 0:02:53 | |
Well, I am, but you've been moping around for months now. | 0:02:53 | 0:02:57 | |
I want the old Annie back. | 0:02:57 | 0:02:59 | |
Well, maybe I want the old Bea back | 0:02:59 | 0:03:00 | |
but that's not going to happen either, is it? | 0:03:00 | 0:03:03 | |
Sometimes I just wish I could wave a magic wand. | 0:03:06 | 0:03:09 | |
If you had a magic wand, you could use it to hide that. | 0:03:11 | 0:03:14 | |
I'll be fine as long as I wear a baggy jumper. | 0:03:14 | 0:03:16 | |
-Bea, you're six months' pregnant. You can't hide it forever. -I have to. | 0:03:18 | 0:03:22 | |
If they find out, they'll send me home. | 0:03:22 | 0:03:24 | |
You're right. You can't go back there. | 0:03:28 | 0:03:30 | |
John's finished his evasion training, | 0:03:34 | 0:03:36 | |
-so any day now, he's off on his first proper mission. -Oh, that's exciting. | 0:03:36 | 0:03:40 | |
Nerve wracking. | 0:03:40 | 0:03:42 | |
It's strange to think he'll be flying to all these glamorous places | 0:03:42 | 0:03:45 | |
but he won't get to see them. | 0:03:45 | 0:03:47 | |
I've always wanted to see Belgium. | 0:03:47 | 0:03:49 | |
John said he'd take us after the war. A chance to be a couple again. | 0:03:49 | 0:03:52 | |
Annie. Annie what about your breakfast? | 0:03:56 | 0:04:00 | |
Me and my big mouth. | 0:04:00 | 0:04:01 | |
-Poor love. -I don't know what I'd do if anything happened to John. -Anything for me? | 0:04:02 | 0:04:07 | |
-I always said, if one of us had to go, I hoped it'd be me. -It's been steamed open. Has yours? | 0:04:07 | 0:04:11 | |
-Don't think so. -Joyce? -No. | 0:04:11 | 0:04:15 | |
Before you say anything, it's not cos it'd be too boring. | 0:04:15 | 0:04:18 | |
It's been translated. You can hand it over in tomorrow's post. | 0:04:35 | 0:04:38 | |
When I've glued it down. | 0:04:38 | 0:04:40 | |
Here's one she's written to her father. | 0:04:43 | 0:04:48 | |
I can't be doing this much longer. | 0:04:48 | 0:04:51 | |
It stops when the War Office says so. | 0:04:51 | 0:04:54 | |
Italian again. | 0:04:54 | 0:04:56 | |
Hmm. But we've been passing Nancy's letters on for months now. | 0:04:56 | 0:05:01 | |
When will they be satisfied? | 0:05:01 | 0:05:03 | |
When they're sure she's not in league with the enemy. | 0:05:03 | 0:05:06 | |
There are numbers. | 0:05:08 | 0:05:09 | |
Map co-ordinates. | 0:05:11 | 0:05:13 | |
Hmm. HE CHUCKLES | 0:05:29 | 0:05:30 | |
-Argh! -Don't panic, don't panic. It's me! | 0:05:55 | 0:05:58 | |
John? | 0:05:58 | 0:06:00 | |
John, what you doing here? | 0:06:07 | 0:06:09 | |
No-one said we were expecting royalty. | 0:06:17 | 0:06:19 | |
You've forgotten Mr Luckhurst is coming, haven't you? | 0:06:19 | 0:06:23 | |
No, it's next week. | 0:06:23 | 0:06:24 | |
It's today. Any time now. | 0:06:24 | 0:06:26 | |
Who's Mr Luckhurst? | 0:06:26 | 0:06:27 | |
My worst nightmare in a stuffed shirt, that's who. | 0:06:27 | 0:06:31 | |
Food rations officer. Tell me you've not got any more black market goods. | 0:06:31 | 0:06:35 | |
There's a leg of ham in a milk churn in the barn. | 0:06:35 | 0:06:38 | |
Well, we can't do anything now, can we? | 0:06:38 | 0:06:40 | |
Might as well just lock me up and throw away the key. | 0:06:40 | 0:06:43 | |
Mr Luckhurst! What brings you back to my humble farm? | 0:06:47 | 0:06:50 | |
I think the word you're looking for is derelict. | 0:06:50 | 0:06:53 | |
Well, a lick of paint, new roof, new walls could be, er... | 0:06:53 | 0:06:58 | |
You know how tough it is to get materials, what with the war and everything. | 0:06:58 | 0:07:02 | |
Some people find it remarkably easy to get what they need, despite rationing. | 0:07:03 | 0:07:07 | |
Of course, if I catch them, then the penalties are very severe indeed. | 0:07:07 | 0:07:13 | |
Shall we start with the barn? | 0:07:13 | 0:07:16 | |
Why didn't you just tell me? | 0:07:28 | 0:07:30 | |
What, and spoil the surprise? | 0:07:30 | 0:07:32 | |
I didn't even know you had any leave. | 0:07:32 | 0:07:34 | |
When you gotta go back? | 0:07:36 | 0:07:37 | |
Honestly, Joycie, you've got more questions than the Gestapo. | 0:07:37 | 0:07:41 | |
-Would they stop questioning you if you kissed them? -They might. | 0:07:43 | 0:07:46 | |
Hey, I'll ask Esther, the warden, if you can stop up at the farm. | 0:07:47 | 0:07:50 | |
-I don't want any fuss. -It's no fuss. | 0:07:50 | 0:07:53 | |
"Esther, can my husband stay in the spare room?" | 0:07:53 | 0:07:55 | |
-"Yes, he can." Where's the fuss? -No. | 0:07:55 | 0:07:57 | |
What I mean is, I've got a better idea. | 0:07:58 | 0:08:01 | |
PLANE ENGINE OVERHEAD | 0:08:01 | 0:08:03 | |
Can you get it? | 0:08:14 | 0:08:15 | |
Not without him spotting. | 0:08:15 | 0:08:17 | |
-What's that doing here? -What? | 0:08:26 | 0:08:28 | |
That. | 0:08:29 | 0:08:31 | |
Oh, er... | 0:08:32 | 0:08:34 | |
It's got a hole. | 0:08:34 | 0:08:35 | |
W-w-we didn't want to use it by mistake, | 0:08:36 | 0:08:39 | |
otherwise the milk just flows right out. | 0:08:39 | 0:08:42 | |
I am aware of the properties of holes, Mr Finch. | 0:08:43 | 0:08:46 | |
-Shall we, er...? -Open it. | 0:08:49 | 0:08:50 | |
Beg your pardon? | 0:08:50 | 0:08:51 | |
You heard. | 0:08:51 | 0:08:53 | |
The beds at the farm aren't comfy, I'll give you that. | 0:09:22 | 0:09:25 | |
They're better than sleeping in a barn! | 0:09:25 | 0:09:27 | |
-The barn's more romantic though. -No, you like home comforts. | 0:09:27 | 0:09:31 | |
Slippers, open fire, cup of tea. | 0:09:31 | 0:09:34 | |
It means we can be alone. | 0:09:34 | 0:09:37 | |
Why don't you finish your deliveries, and I'll meet you at the farm? | 0:09:39 | 0:09:43 | |
Oh, I can't wait for you to meet everyone. | 0:09:43 | 0:09:45 | |
How are we going to be alone if you tell everyone? | 0:09:45 | 0:09:48 | |
All right, our secret then. | 0:09:49 | 0:09:51 | |
DOOR SQUEAKS OPEN | 0:10:18 | 0:10:20 | |
Mrs Fisher! | 0:10:40 | 0:10:41 | |
I've been looking for you. | 0:10:43 | 0:10:45 | |
Er, been on the egg run. | 0:10:45 | 0:10:46 | |
I've had a report from the RAF. | 0:10:46 | 0:10:49 | |
Apparently Air Craftsman John Fisher has gone absent without leave. | 0:10:49 | 0:10:53 | |
-No, you must be mistaken. -No mistake. | 0:10:55 | 0:10:58 | |
Has he made contact with you? | 0:10:58 | 0:11:00 | |
No. | 0:11:00 | 0:11:01 | |
I haven't seen him, no. | 0:11:03 | 0:11:05 | |
If he does, you must report it immediately. | 0:11:07 | 0:11:10 | |
Do you understand? | 0:11:10 | 0:11:12 | |
Are you even listening to me? | 0:11:24 | 0:11:25 | |
Annie, I'm talking to you. | 0:11:25 | 0:11:27 | |
Nancy, leave me alone. | 0:11:27 | 0:11:29 | |
Sorry I spoke! Just wanted to know if your letters had been tampered with. | 0:11:29 | 0:11:34 | |
Look, I don't get letters any more, in case you hadn't noticed. | 0:11:34 | 0:11:37 | |
You having trouble? | 0:11:39 | 0:11:41 | |
-I can't bend like I used to. -Here. | 0:11:41 | 0:11:43 | |
No bending needed. | 0:11:43 | 0:11:45 | |
Thank you. | 0:11:46 | 0:11:47 | |
You're very kind. | 0:11:49 | 0:11:50 | |
You're very welcome. | 0:11:50 | 0:11:52 | |
So, where's your dad? | 0:11:53 | 0:11:54 | |
Racing here, there and everywhere. | 0:11:54 | 0:11:56 | |
He's lost a leg of ham and he's worried he won't find it before Luckhurst. | 0:11:56 | 0:12:00 | |
-Shouldn't you help him look? -That's what I'm doing. Perhaps it's out here. | 0:12:00 | 0:12:04 | |
-Yeah, I've got it stashed up my jumper. -I wondered what that were. | 0:12:04 | 0:12:08 | |
Better get your sack. | 0:12:09 | 0:12:11 | |
-John. -Joyce! | 0:12:25 | 0:12:28 | |
Something you want to tell me? | 0:12:30 | 0:12:32 | |
What do you mean? | 0:12:32 | 0:12:33 | |
I've just been speaking to somebody from the home guard. | 0:12:33 | 0:12:36 | |
It's not like you think. | 0:12:38 | 0:12:40 | |
How is it then? | 0:12:40 | 0:12:41 | |
Talk to me, John. | 0:12:44 | 0:12:46 | |
Why did you do it? | 0:12:46 | 0:12:48 | |
Why did you lie about having leave? You never lie to me! | 0:12:48 | 0:12:51 | |
-You know what'll happen if they catch you, how they deal with deserters. -Joyce! | 0:12:51 | 0:12:55 | |
Of course I do. That's why I'm going back! | 0:12:55 | 0:12:57 | |
You're supposed to be on a mission. | 0:12:57 | 0:12:59 | |
I know. Look, I just... | 0:12:59 | 0:13:02 | |
I needed...to spend time with you. | 0:13:02 | 0:13:05 | |
You know you can't just go off when you feel like it. | 0:13:05 | 0:13:08 | |
You don't understand. | 0:13:08 | 0:13:10 | |
What if... | 0:13:10 | 0:13:12 | |
What if my first mission... | 0:13:12 | 0:13:15 | |
is also my last? | 0:13:15 | 0:13:17 | |
How could I go without seeing you? | 0:13:18 | 0:13:21 | |
-You all right, Nancy? -Not really. | 0:13:37 | 0:13:39 | |
I telephoned my mother earlier. | 0:13:39 | 0:13:42 | |
She told me she sent me a letter a week ago, but I haven't got it. | 0:13:42 | 0:13:45 | |
-You got one this morning. -Yeah, that was the one from over two weeks ago. | 0:13:45 | 0:13:49 | |
Maybe the Cambridge sorting office has been hit. | 0:13:49 | 0:13:52 | |
Have you asked Esther? She's in charge of post. | 0:13:54 | 0:13:56 | |
Do you know what I think? | 0:13:56 | 0:13:58 | |
None of the letters actually go missing. They just get delayed. | 0:13:58 | 0:14:01 | |
So that means someone has been reading them. | 0:14:02 | 0:14:05 | |
Oh, don't be daft. | 0:14:05 | 0:14:07 | |
I'm going to go and find out what's going on. | 0:14:07 | 0:14:10 | |
Billy! | 0:14:14 | 0:14:15 | |
Can you get those jerries started? | 0:14:16 | 0:14:17 | |
I need to talk to Annie. | 0:14:19 | 0:14:21 | |
What? | 0:14:29 | 0:14:30 | |
This came to the Manor House. | 0:14:32 | 0:14:33 | |
Lady Hoxley asked me to give it to you. | 0:14:35 | 0:14:37 | |
They found it outside Tobruk. | 0:14:46 | 0:14:48 | |
And Harry's body? | 0:14:52 | 0:14:53 | |
If there's anything... | 0:14:58 | 0:15:00 | |
Right, well, if that's all, thank you. | 0:15:02 | 0:15:04 | |
Right. | 0:15:08 | 0:15:10 | |
This is crazy. | 0:15:31 | 0:15:32 | |
You said it yourself, Esther controls the post. | 0:15:32 | 0:15:34 | |
Just keep watch. | 0:15:34 | 0:15:36 | |
So, you never broken the law, Mr Luckhurst? | 0:16:15 | 0:16:18 | |
Let he who is without sin cast the first stone, | 0:16:19 | 0:16:23 | |
eh, Mr Finch? | 0:16:23 | 0:16:25 | |
No. | 0:16:25 | 0:16:27 | |
I haven't. | 0:16:27 | 0:16:29 | |
Do you want to get something off your chest? | 0:16:32 | 0:16:36 | |
This happens. | 0:16:36 | 0:16:39 | |
Forced to spend time with a Food Rations Officer, the suspect becomes desperate to end the scrutiny. | 0:16:39 | 0:16:45 | |
And what better way to end the pain, than to confess? | 0:16:45 | 0:16:51 | |
They'd be stupid, though. | 0:16:53 | 0:16:55 | |
A confession might be looked on favourably. | 0:16:55 | 0:16:59 | |
I am going to catch you, Mr Finch. | 0:16:59 | 0:17:02 | |
Mark my words. | 0:17:02 | 0:17:04 | |
She's coming. | 0:17:28 | 0:17:30 | |
SOBBING | 0:17:41 | 0:17:44 | |
Bea? | 0:17:47 | 0:17:48 | |
Bea, whatever's the matter? | 0:17:53 | 0:17:55 | |
It's Annie. She just won't let me help her. | 0:17:57 | 0:18:00 | |
Yeah, poor love, she's, er, she's taken it really badly. | 0:18:00 | 0:18:04 | |
But I never thought she cared that much about Harry. | 0:18:11 | 0:18:14 | |
Who knows what people really think, eh? Maybe Annie told you that, but inside she really loved him? | 0:18:14 | 0:18:20 | |
Thanks for talking. | 0:18:20 | 0:18:22 | |
Right, well, I ought to get on. | 0:18:22 | 0:18:26 | |
I was right. She has been intercepting my letters. | 0:18:33 | 0:18:35 | |
-Why? -Well, do you remember when Tucker asked Billy | 0:18:35 | 0:18:39 | |
to keep tabs on me? I think he still thinks I'm a spy. | 0:18:39 | 0:18:41 | |
So he's had Esther steam opening my letters, to tell him what's inside. | 0:18:41 | 0:18:45 | |
Wouldn't you have spotted it before? | 0:18:45 | 0:18:47 | |
Maybe she got careless. | 0:18:47 | 0:18:49 | |
-I've got to confront her. -No, you can't. | 0:18:49 | 0:18:52 | |
You'd have to say you'd been through her things. | 0:18:52 | 0:18:55 | |
-Well, I can't just do nothing. -Why? You've got nothing to hide. | 0:18:55 | 0:18:59 | |
What you doing loafing? | 0:19:08 | 0:19:10 | |
-My liberty's at stake here. -You still haven't found it then? | 0:19:10 | 0:19:13 | |
-You should be looking. -Mr Finch! Mr Finch! | 0:19:13 | 0:19:15 | |
Not now, this is grown-up business. Luckhurst is getting closer. Go on. | 0:19:15 | 0:19:18 | |
-But I might... -I'm not looking any more for that blasted ham. | 0:19:18 | 0:19:22 | |
-I'm going for a drink. -I might be able to help you! | 0:19:22 | 0:19:24 | |
I've saved your bacon. | 0:19:24 | 0:19:27 | |
Where is it? | 0:19:27 | 0:19:29 | |
It'll cost you. | 0:19:29 | 0:19:31 | |
DOG WHINES | 0:19:31 | 0:19:33 | |
Ah, Mr Luckhurst. | 0:19:38 | 0:19:40 | |
Just having a breath of fresh air. | 0:19:40 | 0:19:43 | |
You'd take anything that doesn't need paying for. | 0:19:43 | 0:19:46 | |
Do you want to... | 0:19:46 | 0:19:49 | |
Come on then. Join me. | 0:19:59 | 0:20:02 | |
Don't be shy. It'll only cost you a nettle brandy. | 0:20:02 | 0:20:05 | |
Drink? | 0:20:07 | 0:20:08 | |
You'd better make it a double as there's only one of you. | 0:20:11 | 0:20:15 | |
Well, you've passed my inspection. | 0:20:23 | 0:20:25 | |
Although I have no idea how. | 0:20:25 | 0:20:28 | |
Your luck's run out. | 0:20:33 | 0:20:34 | |
Unless, of course, you've got suitable documentation for this. | 0:20:34 | 0:20:39 | |
Looks like a ham bone. | 0:20:40 | 0:20:43 | |
Well, have you? | 0:20:46 | 0:20:49 | |
No. | 0:20:49 | 0:20:51 | |
But then again why would I need it? | 0:20:51 | 0:20:55 | |
Because it's black market goods. | 0:20:55 | 0:20:59 | |
Ah, yeah, but it was in your motor. | 0:20:59 | 0:21:02 | |
So surely, you're the one that needs the documentation. | 0:21:02 | 0:21:05 | |
-Don't be absurd. It's not mine. -It was there when you arrived. | 0:21:05 | 0:21:09 | |
We thought it was a bit strange, didn't we? | 0:21:09 | 0:21:12 | |
Yeah. We did. | 0:21:12 | 0:21:13 | |
If you're gonna keep a black market ham bone in your car, that's your business. | 0:21:13 | 0:21:17 | |
But perhaps we should do the right thing and report you. | 0:21:17 | 0:21:23 | |
Next time, Finch. Next time! | 0:21:25 | 0:21:29 | |
One of these days, you're going to find out what prison food's like. | 0:21:37 | 0:21:41 | |
Not today though, eh? Not today, Billy boy! | 0:21:41 | 0:21:44 | |
Did anyone see you? | 0:21:49 | 0:21:50 | |
I took care. | 0:21:50 | 0:21:52 | |
Thanks. | 0:21:52 | 0:21:54 | |
Where have you been all afternoon? | 0:21:54 | 0:21:55 | |
Working. | 0:21:55 | 0:21:57 | |
And worrying. | 0:21:57 | 0:21:59 | |
I made a mistake coming, didn't I? | 0:22:02 | 0:22:04 | |
No. You made a mistake going AWOL. | 0:22:04 | 0:22:08 | |
MAN CHUCKLES | 0:22:08 | 0:22:11 | |
Who is it? | 0:22:13 | 0:22:15 | |
Erm, no-one. | 0:22:18 | 0:22:19 | |
I thought part of you would be happy to see me. | 0:22:23 | 0:22:26 | |
It is, I just can't play happy families, can I? | 0:22:28 | 0:22:31 | |
Not when the police could bang down the door any minute. | 0:22:31 | 0:22:35 | |
They won't find me. | 0:22:35 | 0:22:36 | |
-You have to go back. -What, now? | 0:22:37 | 0:22:41 | |
I'll get the train tomorrow. | 0:22:43 | 0:22:47 | |
I said it could be romantic sleeping in a barn, didn't I? | 0:22:47 | 0:22:51 | |
What do you say we make the most of it? | 0:22:51 | 0:22:54 | |
We should stop, Ellen'll be waiting. And so will your chickens. | 0:23:05 | 0:23:10 | |
We all have responsibilities. | 0:23:10 | 0:23:13 | |
Oh, come on, live dangerously. Stay another ten minutes. | 0:23:13 | 0:23:16 | |
Sorry. | 0:23:16 | 0:23:18 | |
You know, if you'd told me a year ago I'd enjoy feeding chickens | 0:23:18 | 0:23:22 | |
and this whole ruddy-cheeked life, I'd have said you were barmy. | 0:23:22 | 0:23:25 | |
-So what changed your mind? -What do you think? | 0:23:25 | 0:23:28 | |
-I don't want it to end. -Why should it? | 0:23:28 | 0:23:31 | |
Well, things could happen that are beyond our control. | 0:23:31 | 0:23:34 | |
Nothing is beyond our control. Is it? | 0:23:34 | 0:23:38 | |
Nancy? | 0:23:38 | 0:23:40 | |
You're right, it'll be fine. | 0:23:42 | 0:23:45 | |
Ellen will be waiting. | 0:23:45 | 0:23:47 | |
So will the chickens. | 0:23:47 | 0:23:48 | |
Time for a refill. | 0:23:59 | 0:24:01 | |
Annie. | 0:24:04 | 0:24:05 | |
Annie. | 0:24:10 | 0:24:11 | |
You've had enough. | 0:24:12 | 0:24:15 | |
Why? | 0:24:15 | 0:24:16 | |
I mean it's not like I'm a married woman, is it? | 0:24:16 | 0:24:21 | |
Hey? | 0:24:21 | 0:24:22 | |
I used to be a married woman but then my husband went and died on me. | 0:24:22 | 0:24:28 | |
Annie, you're embarrassing yourself. And you can push off. | 0:24:28 | 0:24:30 | |
Oh, here he is, eh? Knight in shining armour. | 0:24:30 | 0:24:33 | |
Well, my sister might be impressed but I tell you, I'm not. | 0:24:33 | 0:24:37 | |
Come on. Let's not do this in public. | 0:24:37 | 0:24:40 | |
Annie, come on. | 0:24:40 | 0:24:42 | |
-Miss Morrell. -You gave me a start. | 0:24:49 | 0:24:52 | |
Did you feel the earth move? | 0:24:52 | 0:24:55 | |
What are you talking about? | 0:24:55 | 0:24:58 | |
Last night, Condover munitions dump got a direct hit. | 0:24:58 | 0:25:02 | |
Question is, how did the enemy know about it? | 0:25:02 | 0:25:08 | |
Well, don't ask me. | 0:25:09 | 0:25:12 | |
What are you doing here? | 0:25:12 | 0:25:14 | |
Someone is passing co-ordinates to the Germans. | 0:25:14 | 0:25:20 | |
-Suddenly it all fits. -What fits? | 0:25:20 | 0:25:25 | |
The pieces to the jigsaw. | 0:25:27 | 0:25:30 | |
SHE HUMS AND WHISTLES | 0:25:39 | 0:25:42 | |
Can't you do that outside? | 0:25:46 | 0:25:47 | |
You'd ration happiness if you could. | 0:25:47 | 0:25:50 | |
I'd ration your vocal cords. | 0:25:50 | 0:25:52 | |
Annie said nothing about last night. | 0:25:54 | 0:25:56 | |
Probably too embarrassed. Or perhaps she can't remember. | 0:25:56 | 0:26:01 | |
I thought she might be getting over Harry. Things seem to be getting worse. | 0:26:01 | 0:26:05 | |
I'll leave you to it. | 0:26:09 | 0:26:12 | |
Nancy, come on. | 0:26:12 | 0:26:14 | |
Spoilsport. | 0:26:14 | 0:26:15 | |
I thought you'd be at work by now. | 0:26:17 | 0:26:20 | |
You mean you hoped I would be, so you didn't have to face me. | 0:26:20 | 0:26:23 | |
-Billy told you then? -What's going on? | 0:26:23 | 0:26:28 | |
I've grown up a lot these last few months. | 0:26:30 | 0:26:33 | |
Who's to say I can't look after you too? | 0:26:33 | 0:26:37 | |
No-one's going to take away your big sister badge. | 0:26:37 | 0:26:41 | |
You wouldn't understand. I don't understand. | 0:26:41 | 0:26:45 | |
-Talk to me, Annie. -Just leave it. | 0:26:45 | 0:26:47 | |
Besides, you've got enough to worry about in your condition. | 0:26:47 | 0:26:49 | |
-No need to ask if you slept well. -Mmm. What time did you go? | 0:27:12 | 0:27:17 | |
I don't remember. | 0:27:17 | 0:27:20 | |
What is it? | 0:27:23 | 0:27:25 | |
It's just... | 0:27:25 | 0:27:27 | |
Usually every minute together is just lovely. But not like this. | 0:27:27 | 0:27:31 | |
I am touched that you did this for me. | 0:27:33 | 0:27:36 | |
How many couples get this chance? | 0:27:37 | 0:27:39 | |
And if anything happens, then this is what I'll remember. | 0:27:39 | 0:27:44 | |
You sneaking up on me in the lane, making love in the hay. | 0:27:44 | 0:27:50 | |
-Stay with me today. -I can't, I can't. | 0:27:51 | 0:27:57 | |
-I'll try and get away later. -OK. | 0:27:58 | 0:28:02 | |
Joyce? | 0:28:10 | 0:28:12 | |
I'm touched you did this for me too. | 0:28:12 | 0:28:14 | |
Another Jerry for you. | 0:28:32 | 0:28:34 | |
Crouch down. I put potatoes in. | 0:28:38 | 0:28:40 | |
Ich verstehe nicht. | 0:28:40 | 0:28:43 | |
You know how to use a machine gun so don't tell me this is beyond you. | 0:28:43 | 0:28:47 | |
Go easy. | 0:28:47 | 0:28:49 | |
Look at him. His war's over. His family hasn't been torn apart. | 0:28:49 | 0:28:52 | |
He's just waiting to go home. | 0:28:52 | 0:28:54 | |
-He didn't kill Harry. -No. | 0:28:54 | 0:28:57 | |
But he's the closest I've got. | 0:29:00 | 0:29:02 | |
You can't do anything. | 0:29:04 | 0:29:07 | |
-I can't wait for them to make the first move, either. -No! | 0:29:07 | 0:29:11 | |
You looks like you've got the worries of the world on your shoulders. | 0:29:11 | 0:29:16 | |
-Perhaps we're worried about the way we're being treated. -Oh, I'm sorry. | 0:29:16 | 0:29:20 | |
-Did I forget to iron your clothes? -Chance would be a fine thing. | 0:29:20 | 0:29:24 | |
It's just been a long day. | 0:29:24 | 0:29:25 | |
Well, if you've something on your minds, you should tell me. | 0:29:25 | 0:29:28 | |
Don't cover anything up. | 0:29:28 | 0:29:30 | |
-So we should be open and honest, like you? -Nancy. | 0:29:30 | 0:29:33 | |
Forget it. | 0:29:34 | 0:29:36 | |
You make yourself useful. | 0:29:36 | 0:29:39 | |
Go find Joyce. | 0:29:39 | 0:29:41 | |
She's been ages clearing that barn. | 0:29:41 | 0:29:44 | |
Eine moment, was machst du? | 0:29:48 | 0:29:50 | |
Was machst du? | 0:29:50 | 0:29:52 | |
Annie! | 0:29:52 | 0:29:54 | |
Annie! | 0:29:54 | 0:29:55 | |
Joyce? Esther sent me to... | 0:30:11 | 0:30:14 | |
-Who's this? -Stay there. | 0:30:14 | 0:30:17 | |
Mind who you're pushing! Tell me his name then. | 0:30:17 | 0:30:20 | |
None of your business. | 0:30:20 | 0:30:22 | |
-Wait until I tell the others. -No, you mustn't tell anybody. | 0:30:22 | 0:30:24 | |
And you a respectable married woman! Who'd have thought the mouse was a tiger underneath! | 0:30:24 | 0:30:27 | |
That's not what it is. | 0:30:27 | 0:30:29 | |
They say it's always the quiet ones you've got to watch for... | 0:30:29 | 0:30:31 | |
Miss Prim and Proper, the scarlet woman. | 0:30:31 | 0:30:33 | |
Stop it, Stop it! He's my husband, if you must know. | 0:30:33 | 0:30:36 | |
-He's just come to see me before he get's posted. -Why are you hiding him then? | 0:30:36 | 0:30:39 | |
He's deserted, hasn't he? | 0:30:42 | 0:30:44 | |
Joyce, what are you doing? | 0:30:44 | 0:30:46 | |
You're a fine one to lecture me on morals. | 0:30:46 | 0:30:48 | |
I'm not the one with an AWOL husband holed up in a barn. | 0:30:48 | 0:30:51 | |
He's going back soon. We wanted to spend some time together. | 0:30:51 | 0:30:54 | |
Surely you can understand that? | 0:30:54 | 0:30:58 | |
Look, I never saw either of you. | 0:30:58 | 0:31:02 | |
Sorry. | 0:31:28 | 0:31:30 | |
Well, you didn't hurt him, | 0:31:32 | 0:31:34 | |
-that's something. -I came close, though. | 0:31:34 | 0:31:38 | |
It'll get easier. | 0:31:40 | 0:31:42 | |
The grief. | 0:31:42 | 0:31:43 | |
You don't think? | 0:31:45 | 0:31:48 | |
I feel relieved that Harry's dead. | 0:31:50 | 0:31:52 | |
I'm sorry if that shocks you but... | 0:31:55 | 0:31:59 | |
I feel relief that I don't have to feel a failure in our marriage any more. | 0:31:59 | 0:32:03 | |
Relief that I've got another chance. | 0:32:03 | 0:32:05 | |
Relief that he's gone. | 0:32:07 | 0:32:10 | |
I see. | 0:32:11 | 0:32:13 | |
No, you don't. | 0:32:13 | 0:32:16 | |
And I really wish that you could say it's normal | 0:32:19 | 0:32:22 | |
but I know you can't, cos it's not. | 0:32:22 | 0:32:24 | |
So I know I shouldn't feel like this. | 0:32:29 | 0:32:32 | |
Well, we all | 0:32:32 | 0:32:35 | |
sometimes feel bad about things. | 0:32:35 | 0:32:38 | |
Every time I laugh, I feel guilty I'm enjoying myself while my husband's locked up in a POW camp. | 0:32:38 | 0:32:44 | |
And what would you do if he died? | 0:32:47 | 0:32:49 | |
I'd be devastated. | 0:32:49 | 0:32:52 | |
That's the difference between us. | 0:32:55 | 0:32:58 | |
I am sorry. | 0:33:04 | 0:33:07 | |
I couldn't even tell Bea. | 0:33:08 | 0:33:10 | |
No, no, well, she's got problems of her own. | 0:33:13 | 0:33:17 | |
Hasn't she? | 0:33:17 | 0:33:19 | |
I have two words for you - | 0:33:25 | 0:33:29 | |
romantic picnic. | 0:33:29 | 0:33:32 | |
Ooh. I have two for you - yes, please. | 0:33:32 | 0:33:35 | |
-Dennis? -Sir. Miss Morrell. | 0:33:46 | 0:33:49 | |
Get in the car. | 0:33:52 | 0:33:54 | |
-I've got some questions that need answering. -What's this about? | 0:33:54 | 0:33:57 | |
The War Office has reason to believe she's a collaborator, sir. | 0:33:57 | 0:34:00 | |
-That's utterly ridiculous. -In the car. | 0:34:00 | 0:34:04 | |
Nancy. | 0:34:07 | 0:34:08 | |
Bea, | 0:34:30 | 0:34:32 | |
will you come and sit down, please? | 0:34:34 | 0:34:36 | |
What's going on? | 0:34:36 | 0:34:39 | |
I know you're pregnant. | 0:34:41 | 0:34:44 | |
I'm not pregnant. | 0:34:48 | 0:34:51 | |
-Bea. She knows. -You can't hide it any more. | 0:34:51 | 0:34:55 | |
Well, I'm not. | 0:34:57 | 0:34:59 | |
Follow me. | 0:35:32 | 0:35:34 | |
You've no authority to ask me anything. | 0:35:43 | 0:35:46 | |
I'm a patriot. That gives me authority. | 0:35:46 | 0:35:48 | |
I'll answer questions to proper military personnel, not a deluded gamekeeper. | 0:35:48 | 0:35:53 | |
Sit down. Or do you want me to stop you from leaving? | 0:35:53 | 0:35:57 | |
Now... | 0:36:04 | 0:36:05 | |
Miss Nancy Morrell? | 0:36:07 | 0:36:11 | |
You know full well who I am, 'Sergeant'. | 0:36:11 | 0:36:14 | |
But that's not your real name, is it? | 0:36:17 | 0:36:19 | |
It's Nancy Morelli. | 0:36:21 | 0:36:23 | |
An Italian name. | 0:36:23 | 0:36:25 | |
Which explains you speaking I-tie to the POWs? | 0:36:25 | 0:36:29 | |
It's not a crime. My father only changed it to protect us. | 0:36:29 | 0:36:34 | |
To cover up the truth more like. | 0:36:34 | 0:36:37 | |
I am not a sympathiser. | 0:36:37 | 0:36:39 | |
I'm just a land girl doing my bit. | 0:36:39 | 0:36:42 | |
Strangely enough, I was about to give you the all-clear. | 0:36:42 | 0:36:45 | |
I've had your letters translated and examined. | 0:36:45 | 0:36:49 | |
The War Office, they seemed happy. | 0:36:49 | 0:36:52 | |
But then there was this. | 0:36:52 | 0:36:57 | |
-It's a letter to my father. -It contains two coordinates of the Condover munitions dump. | 0:36:59 | 0:37:04 | |
Paragraph eleven of the Women's Land Army Rules states, | 0:37:09 | 0:37:14 | |
any girl found to be pregnant must be demobbed immediately and sent home. | 0:37:15 | 0:37:20 | |
With no opportunity to re-enlist. | 0:37:20 | 0:37:23 | |
It's a shame it has to end this way. | 0:37:24 | 0:37:27 | |
It doesn't have to. | 0:37:27 | 0:37:29 | |
You could keep quiet, not tell Lady Hoxley. | 0:37:29 | 0:37:32 | |
Then I wouldn't have to go. | 0:37:32 | 0:37:35 | |
I don't have a choice, lovey, I don't. | 0:37:35 | 0:37:37 | |
-There must be something you can do. -Please. We need each other. | 0:37:37 | 0:37:41 | |
And you like having me around, don't you? | 0:37:41 | 0:37:44 | |
And I promise I will never to lie to you about anything ever again. | 0:37:44 | 0:37:49 | |
No. It's too late for that, Bea, it's too late. | 0:37:49 | 0:37:52 | |
So this is it? | 0:37:54 | 0:37:57 | |
Yes. | 0:37:57 | 0:37:58 | |
-You can't send her home. -Annie. | 0:38:00 | 0:38:03 | |
-I've got to tell her. It's the only way. -You've got to tell me what? | 0:38:03 | 0:38:07 | |
Our father's very strict. | 0:38:07 | 0:38:10 | |
He's more than strict. | 0:38:10 | 0:38:11 | |
That's why I married as soon as I could. | 0:38:13 | 0:38:16 | |
We needed to get away from him. | 0:38:16 | 0:38:18 | |
And you're sticking to this lie? | 0:38:24 | 0:38:26 | |
It's not a lie. I've told you, they're dress measurements. | 0:38:26 | 0:38:29 | |
Because your mother's making you a dress? | 0:38:29 | 0:38:31 | |
-They'll prove it's a lie when the Military Police round up your parents. -You can't do that. | 0:38:31 | 0:38:35 | |
-And you can't keep me here any longer. -This badge says I can. | 0:38:35 | 0:38:39 | |
Look, I've told you all I know. | 0:38:39 | 0:38:41 | |
Please let me leave. | 0:38:41 | 0:38:44 | |
Miss Morrelli, are you familiar with a code template? | 0:38:44 | 0:38:49 | |
It's a piece of paper with holes in specific places. | 0:38:49 | 0:38:53 | |
When placed over a seemingly innocent letter, | 0:38:53 | 0:38:57 | |
it highlights a crucial phrase. | 0:38:57 | 0:39:00 | |
Read your letter now. | 0:39:00 | 0:39:02 | |
Condover... dump... | 0:39:02 | 0:39:07 | |
And the co-ordinates. | 0:39:08 | 0:39:10 | |
The name and the co-ordinates of a target hit by the Germans. | 0:39:12 | 0:39:17 | |
-Condover... there's a lace shop in Condover. -For this dress? | 0:39:17 | 0:39:21 | |
Dump... telling my mother not to dump any of the leftover fabric. | 0:39:21 | 0:39:26 | |
-Look, this is crazy! -Yes, it is and it will stop any time you want. | 0:39:26 | 0:39:29 | |
Once you admit you're working for the Germans it will come to an end. | 0:39:32 | 0:39:38 | |
But if the letter wasn't sent, then how could it have tipped them off? | 0:39:38 | 0:39:41 | |
I'm not stupid; you're working with other collaborators. | 0:39:41 | 0:39:43 | |
Just because I'm Italian? | 0:39:43 | 0:39:45 | |
Look this is exactly why we changed our name to start again. | 0:39:45 | 0:39:48 | |
You're just like the rest of them. | 0:39:48 | 0:39:51 | |
Perhaps your mother will confess more readily. | 0:39:51 | 0:39:54 | |
Leave her out of it. | 0:39:54 | 0:39:57 | |
Will she survive the camp? | 0:39:57 | 0:39:59 | |
-Please, I am loyal to the King. -Would she survive interrogation? | 0:39:59 | 0:40:02 | |
-I don't know why you're terrorising me. -Confess! | 0:40:02 | 0:40:05 | |
Why are you doing this? What's my mother ever done? | 0:40:05 | 0:40:08 | |
Well, we'll soon find out. | 0:40:08 | 0:40:10 | |
Leave us alone. Look, you should be out there catching the real spies or the deserter. | 0:40:10 | 0:40:16 | |
And what do you know about that? | 0:40:16 | 0:40:19 | |
-Got everything? -I don't think you'd fit in me bag. | 0:40:23 | 0:40:27 | |
I don't know if I can go through with it, Joyce. | 0:40:28 | 0:40:33 | |
You're gonna be fine. | 0:40:33 | 0:40:37 | |
A couple of days in the cooler, that's what you said. | 0:40:37 | 0:40:39 | |
No, no. I mean go on a mission. | 0:40:39 | 0:40:42 | |
Dropping bombs. Slaughtering families. | 0:40:42 | 0:40:45 | |
I'd be just as evil as the men that destroyed Coventry, wouldn't I? | 0:40:45 | 0:40:48 | |
-Don't you dare. -But I thought... | 0:40:48 | 0:40:52 | |
I'd get in those bombers myself if I could. We've got to fight. | 0:40:52 | 0:40:57 | |
Otherwise, all the pain, all the loss... | 0:40:57 | 0:40:59 | |
it isn't worth anything, is it? | 0:40:59 | 0:41:01 | |
Come on. | 0:41:04 | 0:41:06 | |
We've... we've all got to do our bit, haven't we? | 0:41:06 | 0:41:09 | |
Whether that's dropping bombs or planting spuds. | 0:41:09 | 0:41:13 | |
What would I do without you? | 0:41:15 | 0:41:17 | |
Let's never find out, eh? | 0:41:17 | 0:41:20 | |
Air Craftsman John Fisher? I'm to escort you to HQ and hand you over to the authorities. | 0:41:22 | 0:41:29 | |
-No, he was going back. -Move it! | 0:41:29 | 0:41:31 | |
Please, he was going back! | 0:41:33 | 0:41:35 | |
What have you done? | 0:41:36 | 0:41:38 | |
-You couldn't keep your mouth shut, could you? -I didn't do it on purpose. | 0:41:40 | 0:41:44 | |
Stop it, Joyce, Joyce. | 0:41:44 | 0:41:46 | |
Go for a walk and calm down. | 0:41:46 | 0:41:50 | |
It's all right. | 0:41:52 | 0:41:55 | |
I've ruined Joyce's life and Tucker thinks I'm a traitor. | 0:41:55 | 0:41:59 | |
Thank you for intervening, sir. | 0:41:59 | 0:42:03 | |
I want you to stop persecuting this woman. | 0:42:03 | 0:42:05 | |
With respect, sir, I believe she's working for the enemy. | 0:42:05 | 0:42:07 | |
Based on what evidence? | 0:42:07 | 0:42:09 | |
Coded letters. | 0:42:09 | 0:42:11 | |
Translated by the War Office. | 0:42:11 | 0:42:13 | |
-And the War Office are satisfied she's a spy, are they? -Yes. | 0:42:13 | 0:42:15 | |
Only I've just been speaking with Major Driscoll. | 0:42:15 | 0:42:19 | |
When you took her in for questioning, he'd already told you there wasn't enough evidence. | 0:42:19 | 0:42:23 | |
But that didn't seem to stop this one-man vendetta, did it? | 0:42:23 | 0:42:26 | |
You leave her alone or you'll have me to answer to. | 0:42:29 | 0:42:33 | |
Well? | 0:42:52 | 0:42:53 | |
Look, I've got no choice. | 0:42:56 | 0:42:59 | |
She can either come and see Lady Hoxley with me or I can tell her myself. | 0:43:01 | 0:43:05 | |
-But the bottom line is she can't keep working in the Land Army. -I can. | 0:43:05 | 0:43:09 | |
But you don't have to tell Lady Hoxley. | 0:43:11 | 0:43:13 | |
-Bea could stay here. We could hide her. -That's ridiculous. | 0:43:13 | 0:43:15 | |
I'll pay her keep. | 0:43:15 | 0:43:18 | |
She can help out around the place, making meals, doing laundry, anything that needs doing. | 0:43:18 | 0:43:22 | |
-You're serious? -I'll do whatever it takes to stop her from going home. | 0:43:22 | 0:43:27 | |
You won't hear a peep out of me. Honest. | 0:43:27 | 0:43:29 | |
Please. | 0:43:29 | 0:43:31 | |
I'll think about it. | 0:43:35 | 0:43:37 | |
Surprised to see me? | 0:43:41 | 0:43:43 | |
You owe me an apology. | 0:43:43 | 0:43:46 | |
What's going on now? | 0:43:46 | 0:43:49 | |
Of course, you'll be handed over to the MPs. | 0:44:01 | 0:44:03 | |
They'll make my treatment of you seem like a cake walk. | 0:44:03 | 0:44:06 | |
Sergeant? | 0:44:25 | 0:44:27 | |
CAR HORN BLARES OUT | 0:44:53 | 0:44:57 | |
Subtitles by Red Bee Media Ltd | 0:45:34 | 0:45:36 | |
Email [email protected] | 0:45:36 | 0:45:38 |