Browse content similar to Darkest Hours. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
-Soldier, secure those crates. -Sir! -Daniels, go get that invoice. | 0:00:20 | 0:00:24 | |
Yes, Sir. | 0:00:24 | 0:00:25 | |
I'm not nursemaiding anybody today. | 0:00:25 | 0:00:28 | |
Jessop, check the leak on that prop. Olsen, I don't want any delays! | 0:00:28 | 0:00:34 | |
-Valasquez? -Yes, Sir. | 0:00:34 | 0:00:35 | |
-Get me a coffee. -Yes, Sir. | 0:00:35 | 0:00:37 | |
Mr Gillespie. | 0:00:37 | 0:00:39 | |
Well, I wasn't going to let him go on his own, was I? | 0:01:21 | 0:01:24 | |
Billy, this is it, the other side of the world. | 0:01:26 | 0:01:29 | |
-Well, you always wanted to see other places. -You spineless... | 0:01:29 | 0:01:32 | |
That is the one thing that I'm not. | 0:01:32 | 0:01:34 | |
-So that's it for us, then? -It's not just about me and you, is it? | 0:01:34 | 0:01:38 | |
You knew about William when you took me on. | 0:01:45 | 0:01:47 | |
I nearly changed my mind, didn't I? | 0:01:51 | 0:01:53 | |
You should get going. | 0:01:55 | 0:01:56 | |
Close my case, then. | 0:01:58 | 0:02:00 | |
Tucker. | 0:02:16 | 0:02:17 | |
Reverend. | 0:02:19 | 0:02:20 | |
HE CLEARS HIS THROAT | 0:02:31 | 0:02:33 | |
You look nice. | 0:02:39 | 0:02:40 | |
Come all this way to tell me that? | 0:02:40 | 0:02:42 | |
Spit it out, Henry. | 0:02:43 | 0:02:46 | |
This was a lot easier in front of a mirror. | 0:02:48 | 0:02:50 | |
OK, here goes. | 0:02:51 | 0:02:52 | |
HE CLEARS HIS THROAT | 0:02:52 | 0:02:54 | |
I like you. | 0:02:54 | 0:02:55 | |
And you like me. | 0:02:57 | 0:02:59 | |
Right. | 0:02:59 | 0:03:00 | |
Well, I, er... I think you've waited long enough. | 0:03:00 | 0:03:04 | |
You mean, you actually want to... | 0:03:06 | 0:03:07 | |
That's what I really want. | 0:03:07 | 0:03:10 | |
-Right, then! -See, I've, erm... | 0:03:10 | 0:03:14 | |
I've realised that you are the woman that I want. | 0:03:14 | 0:03:18 | |
-I know it's been a somewhat unconventional start. -Not half! | 0:03:18 | 0:03:21 | |
-Well, we shouldn't wait any longer. -Music to my ears, Henry. | 0:03:21 | 0:03:24 | |
Well, yeah, there's a war on, after all. | 0:03:24 | 0:03:28 | |
-There's no point in delaying. -My thoughts exactly! | 0:03:28 | 0:03:31 | |
That's why I think we should get things on a proper footing. | 0:03:31 | 0:03:35 | |
Proper what? | 0:03:36 | 0:03:38 | |
Well, there's only one woman that I want to ask | 0:03:39 | 0:03:44 | |
and that's you, obviously. | 0:03:44 | 0:03:46 | |
I don't expect an answer straight away. | 0:03:48 | 0:03:50 | |
But, er... Well... | 0:03:50 | 0:03:53 | |
Connie Carter... | 0:03:53 | 0:03:54 | |
I would like to start courting you properly. | 0:03:56 | 0:04:00 | |
What do you say? | 0:04:03 | 0:04:05 | |
SHE LAUGHS | 0:04:07 | 0:04:08 | |
-Oh, Esther, have you got a minute? -Not really. | 0:04:16 | 0:04:19 | |
-I need you to look after things until we're back. -But I need to... | 0:04:19 | 0:04:22 | |
-I know you're not going to like this, but that includes helping Tucker with the traps. -I can't. | 0:04:22 | 0:04:27 | |
-I know you don't get on with him. -It's not that. There's something else. It's important. | 0:04:27 | 0:04:32 | |
So is seeing my Martin! | 0:04:32 | 0:04:33 | |
Joyce, I haven't got time for this. | 0:04:33 | 0:04:35 | |
Now, I've already given you an order, all right? | 0:04:35 | 0:04:38 | |
I think I've got too many fingers for this today. Can you...? | 0:04:38 | 0:04:42 | |
I'll do it in the truck. | 0:04:42 | 0:04:43 | |
It's a miracle we raised the money, eh? | 0:05:11 | 0:05:13 | |
Oh, what's taking so long? | 0:05:18 | 0:05:20 | |
I don't know, do I? | 0:05:20 | 0:05:22 | |
It will work, won't it, Fred? | 0:05:25 | 0:05:28 | |
Mrs Reeves? | 0:05:29 | 0:05:30 | |
Christening's off. Bea Finch told me to tell you. | 0:05:37 | 0:05:40 | |
-Oh, and there was me thinking you were going to apologise. -Oh, Henry! | 0:05:40 | 0:05:44 | |
Maybe we could meet for lunch? | 0:05:46 | 0:05:48 | |
You can ask me again. | 0:05:48 | 0:05:51 | |
-I'm busy. -I see. | 0:05:51 | 0:05:53 | |
No, you don't. I'm having tea. | 0:05:53 | 0:05:55 | |
-I like tea. -With the Bishop. | 0:05:55 | 0:05:58 | |
Right. | 0:05:58 | 0:05:59 | |
It's parish business, church administration stuff. You wouldn't be interested. | 0:05:59 | 0:06:03 | |
I know you're always thinking about St Paul's letters to the Romans and what not and you think | 0:06:03 | 0:06:08 | |
all I care about is me hemline and singing, but I could fit right in. | 0:06:08 | 0:06:12 | |
I'm sure you could. | 0:06:13 | 0:06:15 | |
I've got to go. | 0:06:17 | 0:06:18 | |
SHE SIGHS | 0:06:19 | 0:06:20 | |
Martin? | 0:06:57 | 0:06:58 | |
No! | 0:06:59 | 0:07:01 | |
-Soon have the place back to yourself, Lady Hoxley. -Splendid. | 0:07:18 | 0:07:21 | |
After all these months, I'd expect a whoop of joy! | 0:07:21 | 0:07:25 | |
I don't often whoop, General. | 0:07:25 | 0:07:28 | |
Did you miss us? | 0:07:31 | 0:07:32 | |
Your brass neck never fails to astound me. | 0:07:32 | 0:07:36 | |
You got what you want. I'm leaving. | 0:07:36 | 0:07:38 | |
Jack's taking me to the States. | 0:07:38 | 0:07:42 | |
Ellen? | 0:07:44 | 0:07:45 | |
Ever since I got here, I've made mistakes. | 0:07:55 | 0:07:59 | |
Want to know the biggest one? | 0:08:01 | 0:08:03 | |
Do tell. | 0:08:03 | 0:08:05 | |
Letting you slip away. | 0:08:07 | 0:08:09 | |
Do you want to make amends? | 0:08:12 | 0:08:15 | |
If I'm allowed. | 0:08:15 | 0:08:17 | |
Because you care for me? | 0:08:17 | 0:08:20 | |
Of course. | 0:08:20 | 0:08:22 | |
-Then there is one thing I need to know. -Name it. | 0:08:22 | 0:08:25 | |
Why are you taking her to the States? | 0:08:29 | 0:08:31 | |
I never said I was. | 0:08:31 | 0:08:32 | |
It's always been you. | 0:08:32 | 0:08:34 | |
20 years from now, you want to look back and regret how we parted? | 0:08:36 | 0:08:39 | |
Is that how you want it to end? Cos I don't. | 0:08:39 | 0:08:42 | |
How do you expect it to end? | 0:08:43 | 0:08:45 | |
Maybe it doesn't have to. | 0:08:47 | 0:08:49 | |
My address...in Chicago. | 0:08:53 | 0:08:56 | |
FOOTSTEPS | 0:08:59 | 0:09:00 | |
Which one do you think's best for the flight, Jack? | 0:09:00 | 0:09:03 | |
The one on the right. | 0:09:03 | 0:09:05 | |
I'll be ready in an hour. | 0:09:11 | 0:09:13 | |
SHE GIGGLES | 0:09:17 | 0:09:18 | |
Your predecessor would often forego tea and ply me with something a little stronger. | 0:09:21 | 0:09:27 | |
Well, rest assured, I won't be. | 0:09:27 | 0:09:29 | |
-Er, forgetting to do the same. -I should hope so. | 0:09:32 | 0:09:34 | |
Take a seat. | 0:09:41 | 0:09:42 | |
What are you doing here? | 0:09:48 | 0:09:49 | |
What are you wearing?! | 0:09:49 | 0:09:51 | |
Well, I thought you'd want me to look the part. | 0:09:51 | 0:09:53 | |
-I borrowed one of Mrs Gulliver's dresses. -She lent it to you? | 0:09:53 | 0:09:57 | |
Mmm, off her washing line. | 0:09:57 | 0:09:58 | |
Now, can I interest you in a cup of tea, | 0:09:58 | 0:10:03 | |
followed by some home-made cake? | 0:10:03 | 0:10:06 | |
Aren't you forgetting something? | 0:10:06 | 0:10:08 | |
Course! You prefer something stronger, don't you, Your Holiness? | 0:10:09 | 0:10:13 | |
"Grace", dear woman, I prefer "Grace". | 0:10:13 | 0:10:16 | |
And I'm not "Your Holiness", unless I've suddenly changed faith. | 0:10:16 | 0:10:20 | |
The doctor said it might take some time, eh? | 0:10:25 | 0:10:27 | |
When he comes home, we've got to be strong for him, haven't we, eh? | 0:10:30 | 0:10:34 | |
Come on, a drink will cheer you up. | 0:10:35 | 0:10:37 | |
Just in time, Finchy. Me glass were getting empty. | 0:10:39 | 0:10:42 | |
Yeah, you always did have short arms and long pockets. | 0:10:42 | 0:10:46 | |
Esther. | 0:10:46 | 0:10:48 | |
It's "Mrs Reeves" to you. | 0:10:50 | 0:10:51 | |
Oh, why so formal? Go on, then, I'll have a drink with you both. | 0:10:51 | 0:10:54 | |
Yeah, one sherry and a rat poison coming up. | 0:10:54 | 0:10:58 | |
So, how's young Martin? | 0:10:58 | 0:11:01 | |
It's nothing to do with you, is it? | 0:11:01 | 0:11:04 | |
People would say it's a lot to do with me. | 0:11:04 | 0:11:06 | |
You keep your voice down. | 0:11:06 | 0:11:07 | |
Just saying... If you need any more...help. | 0:11:07 | 0:11:13 | |
I can make some more, Your Worshipness. | 0:11:33 | 0:11:37 | |
So, Father Jameson, how do you think the church can influence the morale of the community? | 0:11:37 | 0:11:44 | |
-In spiritual terms, I think we can provide... -Oh, Henry - | 0:11:44 | 0:11:47 | |
Father Jameson - likes a good old sing-song. Don't you? | 0:11:47 | 0:11:52 | |
We provide a backbone of faith to help people during these troubled times. | 0:11:52 | 0:11:57 | |
You should hear his Roll Out The Barrel! He-he! | 0:11:57 | 0:12:01 | |
This afternoon, I plan to give solace to the wounded at Bardock. Would you accompany me? | 0:12:01 | 0:12:07 | |
-Oh, I can't really get the time off. -Not you! | 0:12:07 | 0:12:09 | |
Alas, I have to attend the hospital. An evacuee. | 0:12:09 | 0:12:13 | |
So many desperate souls. | 0:12:13 | 0:12:17 | |
I'll fetch the cake. | 0:12:18 | 0:12:20 | |
What an unusual woman. | 0:12:22 | 0:12:24 | |
She has a very good heart. | 0:12:26 | 0:12:28 | |
You've kept this philanthropy close to your chest. | 0:12:29 | 0:12:32 | |
-Sorry, I don't follow. -Taking a cast-off - a fallen woman - under your wing. | 0:12:34 | 0:12:39 | |
It shows a commitment to the damaged members of your flock. | 0:12:41 | 0:12:46 | |
For your information, | 0:12:51 | 0:12:53 | |
I'm not here as charity... | 0:12:53 | 0:12:55 | |
..and I'm not a fallen woman. And I'll take on anyone who says that I am! | 0:12:56 | 0:13:00 | |
Any news of your husband? | 0:13:13 | 0:13:14 | |
Men come back all the time. | 0:13:16 | 0:13:17 | |
There was a captain in the Great War. | 0:13:17 | 0:13:19 | |
-He believed that... -I don't want stories about it. | 0:13:19 | 0:13:22 | |
Especially not from you. | 0:13:22 | 0:13:24 | |
-You should have told me what you saw. -Well, maybe I was trying to protect you. | 0:13:24 | 0:13:28 | |
How dare YOU take the high ground? | 0:13:28 | 0:13:30 | |
-You're the man who got John -transferred in the first place. He'd deserted. -He was going back. -Hm! | 0:13:30 | 0:13:36 | |
Do you know the one thing that gives me any comfort? | 0:13:36 | 0:13:40 | |
The fact that YOU have lost it all. | 0:13:40 | 0:13:42 | |
You've got nothing. You're nothing. | 0:13:42 | 0:13:45 | |
But at least I look out for what's good for my country. | 0:13:45 | 0:13:48 | |
Even when you killed Lord Hoxley? | 0:13:51 | 0:13:53 | |
She's gone. | 0:14:08 | 0:14:10 | |
Somewhat a failed experiment there, Father Jameson. | 0:14:10 | 0:14:15 | |
She's not an experiment. She's my girlfriend. | 0:14:15 | 0:14:18 | |
We are defined by the company we keep. | 0:14:20 | 0:14:23 | |
Excuse me? | 0:14:24 | 0:14:26 | |
And such a slattern may attract others of dubious character. | 0:14:26 | 0:14:30 | |
I don't have to listen to this. | 0:14:31 | 0:14:33 | |
There's more Christian charity in her than 20 of your lot. | 0:14:34 | 0:14:40 | |
You've crossed the line. | 0:14:40 | 0:14:42 | |
You're no longer welcome here. | 0:14:42 | 0:14:44 | |
Yes, I'd like you to leave. | 0:14:46 | 0:14:48 | |
You're the one that's crossed the line. | 0:14:52 | 0:14:56 | |
Hey, little man. | 0:15:21 | 0:15:23 | |
Hope you're as excited as I am, Bea. | 0:15:26 | 0:15:29 | |
Yeah. | 0:15:29 | 0:15:30 | |
-I could have done that. -You make sure he looks after you, eh? | 0:15:51 | 0:15:54 | |
I'm sure he'll look after me. | 0:15:54 | 0:15:56 | |
And William. In fact, I think that this'll be the best thing that ever happened to us. | 0:15:56 | 0:16:00 | |
Bea? | 0:16:02 | 0:16:03 | |
It's time. | 0:16:03 | 0:16:04 | |
Right, then. | 0:16:08 | 0:16:09 | |
Bea. | 0:16:15 | 0:16:16 | |
Good luck. | 0:16:19 | 0:16:20 | |
-I expect that was the last thing Lord Hoxley saw, wasn't it? -What? | 0:16:50 | 0:16:55 | |
That...look in your eyes, when you shot him dead. | 0:16:55 | 0:16:59 | |
-I didn't kill him. -Admit it. There's no-one here. | 0:17:01 | 0:17:03 | |
It's no skin off my nose. | 0:17:03 | 0:17:06 | |
I'm leaving. I don't give a stuff anymore, not about the land girls, not about my country. | 0:17:06 | 0:17:11 | |
-From now on, it's just me, so go on. -I didn't do it! | 0:17:11 | 0:17:13 | |
So if you're innocent, why has it rattled you? | 0:17:13 | 0:17:16 | |
-Because people keep on. -Yeah, always in his shadow, weren't you? | 0:17:16 | 0:17:19 | |
The war hero everyone looked up to. | 0:17:19 | 0:17:21 | |
-Shut up or I'll... -Or what? What? | 0:17:21 | 0:17:24 | |
Trying to make yourself feel better? | 0:17:25 | 0:17:28 | |
All the shouting, all the accusing in the world, won't make it go away. | 0:17:28 | 0:17:33 | |
He bombed my family! | 0:17:36 | 0:17:37 | |
Argh! | 0:17:39 | 0:17:41 | |
Eugh. | 0:17:41 | 0:17:42 | |
It's jammed. | 0:18:21 | 0:18:22 | |
Mrs Fisher? Joyce! | 0:18:23 | 0:18:26 | |
LOUD KNOCKING | 0:18:27 | 0:18:30 | |
-I need to see Bea. -I'm sorry, but I'm not sure... -Lady Diana? | 0:18:34 | 0:18:37 | |
You came all this way just to give her that? | 0:18:39 | 0:18:42 | |
Oh, no, he won't sleep without it. | 0:18:42 | 0:18:44 | |
I'm afraid your wife isn't here. | 0:18:44 | 0:18:46 | |
But they will be soon. | 0:18:46 | 0:18:49 | |
You don't really think he's coming back, do you? | 0:18:49 | 0:18:52 | |
Jealous? Or sad that I'm leaving you all alone? | 0:18:52 | 0:18:56 | |
Unfortunately, we'll still be laying a place for you at breakfast. | 0:18:56 | 0:19:00 | |
He told me. | 0:19:05 | 0:19:06 | |
They've left already? | 0:19:11 | 0:19:12 | |
They'll be on their way to the aerodrome. | 0:19:12 | 0:19:14 | |
Which... Which one, Lady Hoxley? | 0:19:14 | 0:19:16 | |
I've no idea. | 0:19:16 | 0:19:17 | |
But I have to see her. | 0:19:19 | 0:19:20 | |
Stapley. | 0:19:22 | 0:19:23 | |
They've gone to Stapley. | 0:19:25 | 0:19:26 | |
Thank you. | 0:19:26 | 0:19:28 | |
Wait. There's something else you should know. | 0:19:29 | 0:19:32 | |
I'm afraid that your wife isn't going anywhere. | 0:19:35 | 0:19:39 | |
We're going to have a great time, little buddy. | 0:19:43 | 0:19:46 | |
I'll show you all the places your pop used to hang out as a boy. | 0:19:46 | 0:19:50 | |
The front of the wireless. | 0:20:05 | 0:20:07 | |
One of our Glenda's floral dresses. | 0:20:07 | 0:20:08 | |
And two cups from Mum's tea service, but without handles. | 0:20:08 | 0:20:12 | |
-That's all we could find. -What? -Yeah. | 0:20:12 | 0:20:14 | |
Our house. | 0:20:14 | 0:20:17 | |
Wanted to keep them. John said it was maudlin. | 0:20:17 | 0:20:20 | |
But the German took part in the raid. | 0:20:20 | 0:20:22 | |
He deserved what he got. Now, I can't do this on my own. | 0:20:22 | 0:20:26 | |
I knew it wouldn't bring them back when I shot him. | 0:20:26 | 0:20:29 | |
-You did it for them. -No, I did it for myself. | 0:20:30 | 0:20:33 | |
Look, war changes people. Please! | 0:20:33 | 0:20:37 | |
But I can't get it out of my head. | 0:20:37 | 0:20:39 | |
And you know what I keep thinking about? Not his children. | 0:20:39 | 0:20:42 | |
Not that he had his hands in the air. It's how much I enjoyed it. | 0:20:42 | 0:20:47 | |
He killed your family. | 0:20:47 | 0:20:50 | |
-Yeah, but now I'm just as bad as him. Can't you see that? -No, you're not. | 0:20:50 | 0:20:54 | |
No, I'm worse. | 0:20:54 | 0:20:55 | |
He was just following orders. I can't do this. | 0:20:55 | 0:20:57 | |
You CAN live with it. Please, just don't go. | 0:20:57 | 0:21:01 | |
-What do you know about it? -Please. -You've killed men in the trenches, but you didn't see their faces. | 0:21:01 | 0:21:07 | |
-You don't understand. -I do! | 0:21:07 | 0:21:10 | |
I saw Hoxley's face. | 0:21:13 | 0:21:15 | |
-OK...check the ops room and then we'll ship out. -Sir. | 0:21:23 | 0:21:28 | |
Drive, General. Drive! | 0:21:28 | 0:21:31 | |
Yes, ma'am. | 0:21:33 | 0:21:34 | |
Come on, guys, let's move! | 0:21:49 | 0:21:52 | |
Thought it would be ready to roll by now. | 0:21:52 | 0:21:54 | |
This is where you change your life, Bea. | 0:22:07 | 0:22:09 | |
I'm not proud of what I did, | 0:22:15 | 0:22:18 | |
but he was trying to stop me. | 0:22:18 | 0:22:21 | |
Seemed like he was the enemy. | 0:22:21 | 0:22:23 | |
Tell me how to deal with it. | 0:22:24 | 0:22:26 | |
-Well, help me first. -Tell me. | 0:22:26 | 0:22:29 | |
You want to hear it's one day at a time? | 0:22:29 | 0:22:32 | |
You want me to tell you that you stop seeing it over and over again? Well, I can't. | 0:22:32 | 0:22:36 | |
-Help me, please. -It's just going to ruin my life? | 0:22:36 | 0:22:40 | |
Depends. | 0:22:40 | 0:22:41 | |
You can leave the Land Army, run away. | 0:22:42 | 0:22:46 | |
Or you can stay, face it all. | 0:22:46 | 0:22:48 | |
It's up to you what happens next. | 0:22:48 | 0:22:50 | |
What about you? | 0:22:52 | 0:22:53 | |
It's not up to me, is it? | 0:22:55 | 0:22:58 | |
What happened to you, eh? | 0:23:11 | 0:23:13 | |
Leaving me stuck there with Storey. | 0:23:13 | 0:23:16 | |
I, er, I wanted to thank you, Fred. | 0:23:18 | 0:23:21 | |
It meant a lot, selling Chamberlain to raise the money for Martin, and, erm, | 0:23:23 | 0:23:28 | |
well, I wanted you to have it as soon as possible, in case you could buy him back. | 0:23:28 | 0:23:32 | |
Where did this come from? | 0:23:37 | 0:23:39 | |
Esther, where did you... | 0:23:42 | 0:23:44 | |
Since when did YOU ever answer that question? | 0:23:44 | 0:23:47 | |
BABY CRIES | 0:24:03 | 0:24:06 | |
-I can manage, thank you. -She's only doing her job. | 0:24:08 | 0:24:11 | |
You got to start trusting me, Bea. | 0:24:11 | 0:24:13 | |
Jack? | 0:24:25 | 0:24:26 | |
-I can't do this. -What? -I can't run away. -OK. | 0:24:28 | 0:24:33 | |
-But I thought you'd be angry. -Hey, not a problem! | 0:24:33 | 0:24:37 | |
In fact, it makes things easier... | 0:24:37 | 0:24:39 | |
-..cos you were never going anywhere. -No! -This is it! -No! | 0:24:40 | 0:24:44 | |
-Your new beginning! -No! You can't do this! | 0:24:44 | 0:24:47 | |
-This is a chance to erase the mistake you made. -No! No! | 0:24:47 | 0:24:50 | |
-So long, Bea. -Let go of me! William! | 0:24:50 | 0:24:55 | |
William!! | 0:24:55 | 0:24:56 | |
Why did you let me sell him... | 0:25:19 | 0:25:22 | |
if you had this sitting around? | 0:25:22 | 0:25:24 | |
-I didn't have it. -Was it just a tidy way to get rid of the pig? | 0:25:26 | 0:25:31 | |
-No. -I didn't realise you hated him so much. | 0:25:31 | 0:25:33 | |
Stop it, Fred. | 0:25:33 | 0:25:35 | |
If I'd known you were going to sell Chamberlain... | 0:25:35 | 0:25:37 | |
Where did it come from, Esther? | 0:25:43 | 0:25:46 | |
Look, he's my son, | 0:25:51 | 0:25:55 | |
my responsibility. | 0:25:55 | 0:25:58 | |
Now, will you just leave it? | 0:25:58 | 0:26:01 | |
What's going on with Vernon? | 0:26:04 | 0:26:07 | |
You know he makes me skin crawl. | 0:26:07 | 0:26:10 | |
You're a proud woman. | 0:26:14 | 0:26:17 | |
Must have taken a lot to do what you did. | 0:26:17 | 0:26:18 | |
You borrowed it, didn't you? | 0:26:22 | 0:26:25 | |
Off Vernon. To pay me back. | 0:26:25 | 0:26:28 | |
See, if I use it to buy the pig back, you'll still owe him, won't you? That'd be daft. | 0:26:29 | 0:26:34 | |
I know what we'll do. | 0:26:37 | 0:26:39 | |
We'll give it straight back. | 0:26:39 | 0:26:41 | |
No. Fred, it's not as easy as that. | 0:26:41 | 0:26:44 | |
Oh, don't worry, I won't let him sting us for the interest. | 0:26:44 | 0:26:48 | |
No. | 0:26:48 | 0:26:50 | |
No, I didn't borrow it. | 0:26:50 | 0:26:53 | |
It was an arrangement. | 0:27:05 | 0:27:07 | |
I did what I had to do. | 0:27:11 | 0:27:13 | |
Billy! | 0:27:22 | 0:27:24 | |
Let go! | 0:27:24 | 0:27:25 | |
What the hell is going on here? | 0:27:27 | 0:27:29 | |
Let her go! | 0:27:29 | 0:27:30 | |
You two! | 0:27:30 | 0:27:31 | |
I'm fine. He's got William. | 0:27:31 | 0:27:33 | |
He's taken our baby! | 0:27:33 | 0:27:35 | |
TYRES SQUEAL | 0:27:40 | 0:27:42 | |
Billy! | 0:27:42 | 0:27:43 | |
Hey! | 0:27:43 | 0:27:45 | |
SHE STRAINS WITH EFFORT | 0:28:22 | 0:28:24 | |
HE GASPS | 0:29:02 | 0:29:04 | |
Ah! | 0:29:10 | 0:29:11 | |
Thank you. | 0:29:14 | 0:29:15 | |
Tighter. That's it. | 0:29:27 | 0:29:29 | |
Tight. That's it. | 0:29:29 | 0:29:31 | |
Someone get that farm boy out of here or I'll... | 0:29:35 | 0:29:38 | |
Billy! | 0:29:41 | 0:29:43 | |
Billy? | 0:29:43 | 0:29:46 | |
-Just a minute. -Thank you, General. | 0:29:46 | 0:29:49 | |
-Show me the papers for that baby. -What? | 0:29:49 | 0:29:51 | |
I presume you've got papers. | 0:29:51 | 0:29:54 | |
Just get these people out of here. | 0:29:55 | 0:29:57 | |
Get out of my way, Mr Gillespie. Get me some steps, on the double. | 0:29:57 | 0:30:00 | |
That's fine. | 0:30:03 | 0:30:05 | |
Ellen? | 0:30:22 | 0:30:24 | |
Goodbye, Mr Gillespie. | 0:30:25 | 0:30:29 | |
I love you. | 0:30:45 | 0:30:47 | |
I love you, too. | 0:30:47 | 0:30:49 | |
I've been an idiot. | 0:30:49 | 0:30:50 | |
Yeah, you have. | 0:30:50 | 0:30:52 | |
Yeah. | 0:30:52 | 0:30:55 | |
You're not going to change your mind on me? | 0:30:55 | 0:30:58 | |
Long as you don't change yours. | 0:30:59 | 0:31:00 | |
I never really fancied Chicago. | 0:31:03 | 0:31:05 | |
BABY CRIES | 0:31:05 | 0:31:07 | |
Why, Billy? | 0:31:09 | 0:31:10 | |
Because... | 0:31:12 | 0:31:13 | |
..I didn't want you to be a widow with a baby on that farm. | 0:31:14 | 0:31:19 | |
That place attracts bad luck. | 0:31:20 | 0:31:22 | |
First Annie and then Joyce. | 0:31:22 | 0:31:25 | |
Both their husbands went missing in action. | 0:31:25 | 0:31:29 | |
But that's not going to happen to you, is it? | 0:31:29 | 0:31:32 | |
Bea... | 0:31:39 | 0:31:40 | |
I've been called up. | 0:31:42 | 0:31:44 | |
SHE SIGHS HEAVILY | 0:32:41 | 0:32:42 | |
You spend more time on this farm than I do. | 0:32:46 | 0:32:49 | |
I got a message saying Bea Finch wants the christening to go ahead. | 0:32:49 | 0:32:54 | |
But I came to see you, too. | 0:32:54 | 0:32:56 | |
I'm sorry about yesterday. He shouldn't have spoken to you like that. | 0:32:56 | 0:33:00 | |
Yeah, well, it's just a shame you didn't say anything, weren't it? | 0:33:00 | 0:33:04 | |
-Well, that's where you're wrong. -What? | 0:33:04 | 0:33:07 | |
I threw him out. | 0:33:07 | 0:33:08 | |
Esther. | 0:33:31 | 0:33:33 | |
Any better, young man? | 0:33:33 | 0:33:34 | |
What does it look like? | 0:33:34 | 0:33:36 | |
-Do you want to go in with him? -Yeah. | 0:33:38 | 0:33:39 | |
BABY CRIES | 0:33:39 | 0:33:41 | |
You might have invited me to the christening, Finchy. | 0:33:41 | 0:33:45 | |
-I'll drown you in the flaming font! -Whoa. | 0:33:45 | 0:33:47 | |
Come on, Dad. | 0:33:48 | 0:33:49 | |
You coming in? | 0:33:58 | 0:34:00 | |
Just give me a minute. | 0:34:09 | 0:34:11 | |
But I don't want to sleep in the living room. | 0:34:39 | 0:34:41 | |
You can't manage the stairs. | 0:34:41 | 0:34:43 | |
But I know how many there are. | 0:34:43 | 0:34:45 | |
I can see shapes now. | 0:34:45 | 0:34:47 | |
I'll be fine. | 0:34:47 | 0:34:48 | |
Look, we'll see. | 0:34:48 | 0:34:51 | |
Good afternoon, everyone. If I could ask you to rise... | 0:34:55 | 0:34:58 | |
-Where's Fred? -Oh, I haven't seen him. | 0:35:01 | 0:35:04 | |
Oh, I'll go and fetch him in. | 0:35:04 | 0:35:06 | |
Hath this child been baptised already or no? | 0:35:06 | 0:35:09 | |
-BOTH: -No. | 0:35:09 | 0:35:11 | |
Dearly beloved, | 0:35:13 | 0:35:15 | |
for as much as all men are conceived and born... | 0:35:15 | 0:35:18 | |
..in sin and that our saviour Christ sayeth, | 0:35:20 | 0:35:25 | |
none can enter the kingdom of God except he be regenerate | 0:35:25 | 0:35:28 | |
and born anew of water and of the Holy Ghost. | 0:35:28 | 0:35:31 | |
What's going on? | 0:35:36 | 0:35:37 | |
-Get out of my way, Dennis. -Whoa, whoa, whoa, and let you do something you'll regret? | 0:35:41 | 0:35:46 | |
What's Storey done? | 0:35:46 | 0:35:47 | |
I just want to... | 0:35:48 | 0:35:50 | |
Now, you're not that kind of man. | 0:35:50 | 0:35:52 | |
Not cut out for revenge. | 0:35:52 | 0:35:55 | |
Besides, you should be in there. | 0:35:56 | 0:35:59 | |
It's not every day your grandson gets christened. | 0:35:59 | 0:36:02 | |
Go on. | 0:36:05 | 0:36:07 | |
I baptise thee in the name of the Father and of the Son and of the Holy Ghost. Amen. | 0:36:21 | 0:36:29 | |
ALL: Amen. | 0:36:29 | 0:36:31 | |
We yield thee hearty thanks, most merciful Father, that it hath pleased thee to regenerate | 0:36:31 | 0:36:35 | |
William Andrew Finch with thy Holy Spirit... | 0:36:35 | 0:36:38 | |
-Where's your dad? -Dunno. -..to receive him for thine own child | 0:36:38 | 0:36:41 | |
by adoption and to incorporate him into thy holy Church. | 0:36:41 | 0:36:44 | |
What does "partaker of his resurrection" mean? | 0:36:44 | 0:36:47 | |
Shush. He hasn't got to that bit yet. | 0:36:47 | 0:36:49 | |
..and living unto righteousness and being buried with Christ in his death, may crucify the old man | 0:36:49 | 0:36:54 | |
and utterly abolish the whole body of sin, | 0:36:54 | 0:36:57 | |
and that as he is made partaker of the death of thy Son, he may also be partaker in his resurrection, | 0:36:57 | 0:37:03 | |
so that finally, with the residue of thy holy Church, | 0:37:03 | 0:37:07 | |
he may be an inheritor of thine everlasting kingdom | 0:37:07 | 0:37:11 | |
through Christ our Lord. Amen. | 0:37:11 | 0:37:14 | |
-ALL: Amen. -Now a break with tradition. | 0:37:14 | 0:37:17 | |
I'd like to ask Connie to sing a song celebrating baby William's christening. | 0:37:17 | 0:37:21 | |
# You are my sunshine, my only sunshine | 0:37:31 | 0:37:35 | |
# You make me happy when skies are grey... | 0:37:35 | 0:37:41 | |
# You'll never know, dear | 0:37:42 | 0:37:46 | |
-# How much I love you... # -Walter! | 0:37:46 | 0:37:48 | |
# Please don't take my sunshine away | 0:37:48 | 0:37:53 | |
-# You are my sunshine... # -Is that you? | 0:37:53 | 0:37:56 | |
# ..my only sunshine... # | 0:37:56 | 0:37:59 | |
All right, you can stop playing silly beggars now. | 0:37:59 | 0:38:04 | |
TAPPING | 0:38:04 | 0:38:05 | |
# You'll never know dear, how much I love you | 0:38:05 | 0:38:12 | |
# Please don't take my sunshine away. # | 0:38:12 | 0:38:17 | |
Chamberlain! | 0:38:37 | 0:38:39 | |
It's a flaming miracle! | 0:38:42 | 0:38:45 | |
-Oh, sorry, Padre. -Why's he here? | 0:38:45 | 0:38:47 | |
Vernon must have had second thoughts. | 0:38:47 | 0:38:49 | |
-Since when has he ever done anything decent? -How did it get here, Fred? | 0:38:49 | 0:38:53 | |
How should I know? | 0:38:53 | 0:38:55 | |
All right, ladies and gentlemen, let's get the kettle on and the whisky out. | 0:38:55 | 0:38:59 | |
We've got a baby's head to wet. | 0:38:59 | 0:39:01 | |
CHEERING AND APPLAUSE | 0:39:01 | 0:39:03 | |
I wanted to steal something away from you. | 0:39:07 | 0:39:11 | |
Not for the first time. | 0:39:13 | 0:39:15 | |
Lawrence was years ago. | 0:39:15 | 0:39:17 | |
And he turned me down, although I still can't fathom why. | 0:39:17 | 0:39:22 | |
Perhaps because it was his wedding day. | 0:39:22 | 0:39:25 | |
Aren't I just despicable? | 0:39:27 | 0:39:30 | |
I don't know why I took you back. | 0:39:30 | 0:39:32 | |
Because I'm all you've got. | 0:39:32 | 0:39:34 | |
No, because I keep hoping you'll change. | 0:39:36 | 0:39:40 | |
Oh, Ellen the good Samaritan! | 0:39:40 | 0:39:43 | |
Well, you can afford to be. | 0:39:43 | 0:39:46 | |
It's not my fault I got all this. | 0:39:46 | 0:39:47 | |
It's not mine, either. | 0:39:47 | 0:39:49 | |
But you don't need it. Charles is a wealthy man. | 0:39:49 | 0:39:53 | |
He's thrown me out. | 0:39:53 | 0:39:55 | |
For good. | 0:39:56 | 0:39:58 | |
So I've got nothing. | 0:39:58 | 0:40:00 | |
Happy? | 0:40:02 | 0:40:04 | |
You were wrong. | 0:40:04 | 0:40:05 | |
I'm all YOU'VE got. | 0:40:07 | 0:40:09 | |
So, what are you going to do? | 0:40:11 | 0:40:16 | |
Before we toast the baby, let's raise a glass to Martin. | 0:40:34 | 0:40:39 | |
Don't I get one? | 0:40:39 | 0:40:41 | |
As it's a special occasion. | 0:40:41 | 0:40:44 | |
-Tea? -Nothing wrong with your eyes now, is there? | 0:40:44 | 0:40:47 | |
-Here, to Martin. -To Martin. | 0:40:47 | 0:40:50 | |
-You must be over the moon, eh? -Yeah. | 0:40:55 | 0:40:57 | |
Yeah, glad that Chamberlain's back, too. | 0:40:57 | 0:41:00 | |
Yeah. | 0:41:00 | 0:41:03 | |
Fred, did you go to the farm? | 0:41:03 | 0:41:05 | |
Course I didn't. | 0:41:05 | 0:41:08 | |
What do you mean? | 0:41:08 | 0:41:10 | |
I don't know. | 0:41:10 | 0:41:12 | |
-I don't know. -Ah, come here. | 0:41:12 | 0:41:14 | |
Come here. | 0:41:14 | 0:41:16 | |
What's wrong? | 0:41:16 | 0:41:19 | |
Nothing. Nothing's wrong, son. | 0:41:19 | 0:41:22 | |
Everything's back to normal. In't it, Fred? | 0:41:22 | 0:41:25 | |
'Course, yeah. Back to normal. | 0:41:25 | 0:41:27 | |
No-one's ever stood up for me like that. | 0:41:35 | 0:41:38 | |
He'd cast doubt on your character. | 0:41:38 | 0:41:40 | |
Yeah, but to throw him out on his ear... | 0:41:40 | 0:41:44 | |
I can repent at leisure, I'm sure. | 0:41:44 | 0:41:46 | |
Well, you won't have to do it alone. | 0:41:46 | 0:41:51 | |
Ask me again. | 0:41:51 | 0:41:52 | |
Please. | 0:41:52 | 0:41:53 | |
I can't do that. | 0:41:56 | 0:41:58 | |
No, Connie, wait. | 0:42:02 | 0:42:04 | |
Wherever you are, come home. | 0:42:07 | 0:42:09 | |
Joyce, anything can happen, you know. | 0:42:12 | 0:42:16 | |
Here... | 0:42:19 | 0:42:21 | |
What was it that you wanted to tell me? | 0:42:24 | 0:42:26 | |
It was something important. | 0:42:27 | 0:42:29 | |
It doesn't matter any more. | 0:42:32 | 0:42:35 | |
Come on. | 0:42:35 | 0:42:36 | |
He'll miss you when you're gone. | 0:42:48 | 0:42:51 | |
I'll miss him, too. | 0:42:51 | 0:42:52 | |
Connie, wait, wait. | 0:43:04 | 0:43:06 | |
I think you misunderstood. | 0:43:08 | 0:43:09 | |
I've been turned down enough times to know what's what when it comes to calling it off, thank you very much. | 0:43:09 | 0:43:14 | |
I'm not turning you down. | 0:43:14 | 0:43:16 | |
It sounds like it. You don't want to court me. | 0:43:16 | 0:43:19 | |
No, you're right, I don't want to court you. | 0:43:19 | 0:43:21 | |
Connie... | 0:43:21 | 0:43:24 | |
I want to marry you. | 0:43:24 | 0:43:26 | |
This is it, then. | 0:43:46 | 0:43:48 | |
You make sure you write. | 0:44:00 | 0:44:02 | |
Oh, I've never been one for letters. | 0:44:02 | 0:44:04 | |
'Course I will. | 0:44:04 | 0:44:07 | |
Hopefully you won't be gone long, eh? | 0:44:07 | 0:44:08 | |
As soon as I can, I'll be back, Bea. | 0:44:11 | 0:44:13 | |
As soon as I can. | 0:44:37 | 0:44:39 | |
# While we're away, we dream | 0:45:14 | 0:45:18 | |
# The way all soldiers do | 0:45:18 | 0:45:23 | |
# We dream of loving you | 0:45:23 | 0:45:28 | |
# While we're away | 0:45:28 | 0:45:33 | |
# We dream of loving you | 0:45:33 | 0:45:37 | |
# While we're away. # | 0:45:37 | 0:45:45 | |
Subtitles by Red Bee Media Ltd | 0:45:45 | 0:45:48 | |
E-mail [email protected] | 0:45:48 | 0:45:51 |