Browse content similar to Fight the Good Fight. Check below for episodes and series from the same categories and more!
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CHURCH ORGAN PLAYS | 0:00:03 | 0:00:06 | |
# Fight the good fight with all thy might | 0:00:22 | 0:00:27 | |
# Christ is thy strength and Christ thy right | 0:00:27 | 0:00:32 | |
# Lay hold on life and it shall be | 0:00:32 | 0:00:37 | |
# Thy joy and crown eternally | 0:00:37 | 0:00:43 | |
# Cast care aside, upon thy guide | 0:00:44 | 0:00:49 | |
# Lean and His mercy will provide | 0:00:49 | 0:00:54 | |
# Lean and the trusting soul shall prove | 0:00:54 | 0:00:59 | |
# Christ is life and Christ is love | 0:00:59 | 0:01:04 | |
# Faint not, nor fear His arms are near | 0:01:06 | 0:01:10 | |
# He changeth no and thou art dear | 0:01:10 | 0:01:15 | |
# Only believe and thou shalt see | 0:01:15 | 0:01:20 | |
# That Christ is all in all to thee. # | 0:01:20 | 0:01:27 | |
Welcome. Welcome. | 0:01:31 | 0:01:32 | |
Now, I'm sure I speak for everyone when I say how good it is to see | 0:01:33 | 0:01:37 | |
Mrs Fisher back with us once again. | 0:01:37 | 0:01:38 | |
Fully recovered, I hope, after the terrible events of last Sunday. | 0:01:38 | 0:01:42 | |
Now, there are two things this morning. | 0:01:42 | 0:01:44 | |
First, it's the church roof fund, yes, which currently stands at, | 0:01:44 | 0:01:49 | |
Mr Prescott? | 0:01:49 | 0:01:50 | |
Thank you. | 0:01:50 | 0:01:51 | |
Three pounds, eleven shillings and sixpence. Well, it's a start. | 0:01:54 | 0:01:59 | |
Next, I'm sure nobody needs reminding that Helmstead | 0:01:59 | 0:02:02 | |
will welcome a party of young evacuees later on this afternoon. | 0:02:02 | 0:02:05 | |
I had hoped we wouldn't see this day again, | 0:02:05 | 0:02:07 | |
but I'm sure you'll open your hearts and homes to these poor mites, | 0:02:07 | 0:02:11 | |
torn by the misfortune of war from the bosom of their families. | 0:02:11 | 0:02:14 | |
Once again, Mrs Gulliver will be assuming the role of Billeting Officer | 0:02:14 | 0:02:19 | |
and a special vote of thanks to The Ganderton Sisters, | 0:02:19 | 0:02:22 | |
for heading up the Evacuee Committee. Sterling work. | 0:02:22 | 0:02:24 | |
There's a complimentary bottle of lice treatment. | 0:02:24 | 0:02:27 | |
One with every child. | 0:02:27 | 0:02:29 | |
Good day to you, Esther. | 0:02:36 | 0:02:37 | |
Magnificent. | 0:02:39 | 0:02:41 | |
I was just admiring your mother's brooch. | 0:02:42 | 0:02:45 | |
How are you, young man? | 0:02:46 | 0:02:47 | |
Eyes any better? | 0:02:47 | 0:02:50 | |
Shame. | 0:02:50 | 0:02:51 | |
Come on, love. | 0:02:52 | 0:02:53 | |
Anything I can do, Esther, you know where I am. | 0:02:55 | 0:02:59 | |
I hope you'll be a regular Mr Gillespie. We're short of tenors. | 0:02:59 | 0:03:02 | |
Afraid not. Business takes me home. | 0:03:02 | 0:03:04 | |
Then Chicago's gain is our loss. | 0:03:04 | 0:03:07 | |
You're leaving? | 0:03:10 | 0:03:11 | |
The company doesn't run itself. And there's nothing for me in Helmstead. | 0:03:11 | 0:03:16 | |
I take you've made no progress? I did warn you. | 0:03:17 | 0:03:22 | |
I've got one week left. | 0:03:22 | 0:03:23 | |
A deal isn't over until all the cards are played. | 0:03:23 | 0:03:26 | |
-Couldn't tempt you in? -It's too late to turn me into an honest woman. | 0:03:29 | 0:03:34 | |
-Shame, you missed some fine singing. -No, I heard it from out 'ere. | 0:03:34 | 0:03:38 | |
They were flat. | 0:03:38 | 0:03:39 | |
And whoever was responsible for them harmonies should have been strangled at birth. | 0:03:39 | 0:03:44 | |
Talking of harmonies... Condover booking. | 0:03:44 | 0:03:48 | |
I put a few new numbers in. Stop the repertoire going stale. | 0:03:48 | 0:03:51 | |
Vera Lynn, Andrews Sisters, all the modern stuff. | 0:03:51 | 0:03:54 | |
Note perfect by Saturday, mind, else the refunds come out your cut. | 0:03:54 | 0:03:58 | |
Make that Friday. I'm off to London, Saturday night. | 0:03:58 | 0:04:02 | |
All above board, 24-hour pass from Lady La-dee-dah and everything. | 0:04:02 | 0:04:06 | |
Friday, we'll need more rehearsals, then. | 0:04:06 | 0:04:09 | |
Speak for yourself. See you around, Vic. | 0:04:09 | 0:04:11 | |
24-hour pass? | 0:04:11 | 0:04:14 | |
You've only been here five minutes. | 0:04:14 | 0:04:16 | |
-Compassionate leave - me mother's sick. -I thought you were an orphan. | 0:04:16 | 0:04:20 | |
-Then she's sicker than I thought. -Hey, passionate leave, more like. | 0:04:20 | 0:04:24 | |
With a certain married gentleman. | 0:04:24 | 0:04:26 | |
FOOTSTEPS ON GRAVEL AND CHATTER | 0:04:32 | 0:04:35 | |
-Good afternoon. -Fine day. | 0:05:18 | 0:05:20 | |
DISHES BANG DOWN | 0:05:20 | 0:05:24 | |
-Something wrong? -Darn right... You're smiling. | 0:05:28 | 0:05:33 | |
The British and the Americans are allies. | 0:05:33 | 0:05:35 | |
I feel I've been neglecting the hospitality befitting that relationship. | 0:05:35 | 0:05:39 | |
In that case, we never did take that walk. | 0:05:39 | 0:05:44 | |
Chicago sleeps on a Sunday. I have all day. | 0:05:44 | 0:05:47 | |
Which is something I don't. | 0:05:48 | 0:05:49 | |
Always duty before pleasure with sis. What is it today? | 0:05:49 | 0:05:54 | |
Spitfire fund? Jam judging? Laying hands on the sick? | 0:05:54 | 0:05:59 | |
Evacuee billeting. We could always use an extra pair of hands. | 0:05:59 | 0:06:04 | |
Well, I would... | 0:06:04 | 0:06:06 | |
But if you're unable to entertain our guest, | 0:06:06 | 0:06:09 | |
then one of us has to fly the flag. | 0:06:09 | 0:06:11 | |
Gloriously free, all day. | 0:06:12 | 0:06:14 | |
Right, then... | 0:06:22 | 0:06:25 | |
Her Ladyship has promised The Ganderton Sisters | 0:06:25 | 0:06:28 | |
a volunteer to help with the billeting, so... | 0:06:28 | 0:06:30 | |
-Don't look at me. -Connie it is, then. | 0:06:33 | 0:06:35 | |
-Why not Saint Joyce? Right up her street. -The enquiry is today. | 0:06:36 | 0:06:40 | |
What's to enquire? It's a dead Jerry. | 0:06:40 | 0:06:42 | |
-I thought the whole point of this war was to kill as many of 'em as possible. -Connie! | 0:06:42 | 0:06:46 | |
-You ain't worried? -Erm, it's just a formality. | 0:06:46 | 0:06:50 | |
-Just tell them what happened. -She can't remember. Shell shock. | 0:06:50 | 0:06:53 | |
-It was self defence. That's all they need to know. -Exactly. | 0:06:53 | 0:06:57 | |
Chin up, champ. I'm sure they're all nice people. | 0:07:02 | 0:07:05 | |
How many can I put you down for, Tulley? | 0:07:08 | 0:07:10 | |
One. Big enough to do digging. If I must. | 0:07:10 | 0:07:13 | |
Now, now, Tulley. | 0:07:13 | 0:07:15 | |
-We all have to do our bit. -Quite. | 0:07:15 | 0:07:17 | |
I don't want any bedwetters this time - or Roman Catholics. | 0:07:17 | 0:07:22 | |
-Oi, they're Cockneys, not animals. -Of course not. | 0:07:22 | 0:07:25 | |
They're just like real children. | 0:07:25 | 0:07:28 | |
This enquiry is to establish the facts | 0:07:35 | 0:07:37 | |
leading to the shooting of Oberleutnant Ulrich Keitmeiler eight days ago. | 0:07:37 | 0:07:42 | |
It must have been very upsetting. | 0:07:42 | 0:07:44 | |
I don't remember much after the crash. | 0:07:45 | 0:07:47 | |
Don't worry. If it doesn't come back to you, I'm sure we can...fill in the gaps. | 0:07:47 | 0:07:51 | |
That's it, dears, keep moving. | 0:07:56 | 0:07:58 | |
Round and round, children. | 0:07:58 | 0:08:01 | |
No! Wait! | 0:08:03 | 0:08:04 | |
Please, mister! No, I promised me mum. Please, please, mister! | 0:08:04 | 0:08:09 | |
I've had enough of this. | 0:08:09 | 0:08:11 | |
Disgrace! | 0:08:14 | 0:08:16 | |
The cart crashed. | 0:08:16 | 0:08:18 | |
Then what happened? | 0:08:18 | 0:08:20 | |
The gun was on the ground. | 0:08:23 | 0:08:24 | |
'We both went for it, but I got to it first.' | 0:08:29 | 0:08:31 | |
-Then? -I pointed it at him. -You were afraid? | 0:08:31 | 0:08:35 | |
-I was angry. -In fear of your life. -I hated him. | 0:08:39 | 0:08:42 | |
-He was the enemy. -He came towards me. | 0:08:42 | 0:08:44 | |
GUN COCKS | 0:08:45 | 0:08:47 | |
He "lunged" towards you. | 0:08:47 | 0:08:49 | |
-No, not exactly... -And then you fired the gun in self defence. | 0:08:49 | 0:08:53 | |
-I don't remember. -I think we've heard all we need. | 0:08:54 | 0:08:58 | |
He wasn't armed. | 0:08:58 | 0:09:00 | |
-I beg your pardon? -I had a gun and he didn't. | 0:09:02 | 0:09:05 | |
-So how could it have been self defence? -He was a Kampfflieger - | 0:09:05 | 0:09:10 | |
a trained, killing machine - against a slip of a girl? | 0:09:10 | 0:09:13 | |
His physical presence was weapon enough. | 0:09:13 | 0:09:15 | |
-What's going to happen to me? -If it were up to me... | 0:09:17 | 0:09:20 | |
..I'd give you a medal. | 0:09:21 | 0:09:23 | |
You're a very brave young woman, a credit to your country. | 0:09:23 | 0:09:26 | |
-But he... -Goodbye, Mrs Fisher. | 0:09:26 | 0:09:28 | |
And thank you. | 0:09:31 | 0:09:32 | |
-Don't even think about it. -I wasn't stealing, Miss. -Miss? | 0:09:53 | 0:09:58 | |
-Aren't you brung up polite? Where you from? -Bow. | 0:09:58 | 0:10:01 | |
My mum told me to say please and thank you. | 0:10:01 | 0:10:03 | |
-And that "Sir and Miss are never amiss". -Sounds a sensible lady. What else she tell you? | 0:10:03 | 0:10:07 | |
-Be a big boy... Don't cry. -Yeah, well, big boys don't cry. | 0:10:07 | 0:10:13 | |
"Miss" Connie Carter, of Stepney. That makes us neighbours. | 0:10:13 | 0:10:16 | |
Wish you was there right now? | 0:10:16 | 0:10:18 | |
Mm. Still, adventure, ain't it? | 0:10:18 | 0:10:21 | |
-What you been up to? -Digging, mainly. | 0:10:21 | 0:10:24 | |
Go on, then. Have it. | 0:10:24 | 0:10:25 | |
Ain't they feeding you? Treating you all right? | 0:10:29 | 0:10:32 | |
He's in the yard. | 0:10:41 | 0:10:43 | |
I was looking for you. | 0:10:43 | 0:10:44 | |
War souvenir. Thought you might be able to use it. | 0:10:47 | 0:10:51 | |
-What for? -Target practice, before you go. | 0:10:51 | 0:10:53 | |
I'm a good shot. | 0:10:55 | 0:10:56 | |
You're not aiming at rabbits. And he won't be running away. | 0:10:57 | 0:11:01 | |
He'll be coming right at you. | 0:11:01 | 0:11:03 | |
She needs to know. | 0:11:16 | 0:11:17 | |
-You going to sneak off without telling her? -No. | 0:11:19 | 0:11:23 | |
You've got a week left. | 0:11:23 | 0:11:24 | |
And I don't want to ruin it. | 0:11:24 | 0:11:27 | |
Then make most of the time you've got left. | 0:11:27 | 0:11:30 | |
That's it. Feels heavier, doesn't it? | 0:11:38 | 0:11:41 | |
GUNSHOT | 0:11:41 | 0:11:42 | |
Right, cock it back. | 0:11:45 | 0:11:48 | |
GUN COCKS | 0:11:48 | 0:11:49 | |
Now it's got the hair trigger now. | 0:11:49 | 0:11:51 | |
Hey! All tickety boo? | 0:11:55 | 0:11:59 | |
Yeah, yeah, me and the specialist, we got it all sorted, didn't we? | 0:11:59 | 0:12:03 | |
-I'm having an operation. -Hey, smashing. | 0:12:03 | 0:12:06 | |
Eh, stick those in the loft for us, will you? | 0:12:06 | 0:12:09 | |
-And when you've finished that, there's some toffee carrots in the larder. -Thanks. | 0:12:09 | 0:12:13 | |
40 guineas... Soon. | 0:12:21 | 0:12:24 | |
Or he'll go... | 0:12:24 | 0:12:26 | |
It'll be too late. | 0:12:27 | 0:12:29 | |
Or rather, it won't be, because I will find the money. | 0:12:29 | 0:12:33 | |
-I'm sorry, eh, Billy lost the fight. -I know, I know. | 0:12:35 | 0:12:41 | |
But I'll find a way. | 0:12:42 | 0:12:44 | |
There's always a way. | 0:12:45 | 0:12:46 | |
-Are you following me? -Can we talk? | 0:13:01 | 0:13:03 | |
-You heard what my husband said? -He's all I have left. | 0:13:03 | 0:13:06 | |
Can you blame me for trying? | 0:13:06 | 0:13:08 | |
-I've nothing else to say to you, Mr Gillespie. -I do. A minute. Please. | 0:13:08 | 0:13:13 | |
One minute. | 0:13:14 | 0:13:15 | |
He's my heir. My flesh and blood. | 0:13:16 | 0:13:18 | |
He's my flesh and blood. Did you ever think I'd let him go? | 0:13:18 | 0:13:22 | |
I know that now. | 0:13:22 | 0:13:23 | |
A fool to think otherwise... Come with him. | 0:13:24 | 0:13:28 | |
-To Chicago? -For all his faults, Cal had great taste in women. | 0:13:28 | 0:13:33 | |
-The kid needs his mother. You'd be an asset. -"An asset"? | 0:13:34 | 0:13:37 | |
You wouldn't be Mrs Finch any more. You'd be the mother of William Gillespie. | 0:13:37 | 0:13:41 | |
-And where I come from, that makes you a someone. -I am a "someone" - here. | 0:13:41 | 0:13:45 | |
-You've got nerve. -Offering him a better life? | 0:13:45 | 0:13:49 | |
In time, everything I own, which is more than you can imagine. | 0:13:49 | 0:13:53 | |
It's his birthright and you want to deny him that? | 0:13:53 | 0:13:56 | |
I have a husband and William has a father. | 0:13:56 | 0:13:59 | |
Think about it, that's all I ask. | 0:13:59 | 0:14:02 | |
Come with me, I'll lay the world at your feet. | 0:14:05 | 0:14:08 | |
There's always a way. | 0:14:40 | 0:14:41 | |
Should have time for one more rehearsal before Friday. | 0:14:50 | 0:14:53 | |
Poor little beggars. Caught that one after me grub earlier. | 0:14:53 | 0:14:57 | |
Ten bob to a whistle, he ain't being fed properly. | 0:14:57 | 0:15:00 | |
They're safe and happy. It's a shame more families aren't prepared to make the sacrifice. | 0:15:00 | 0:15:04 | |
Maybe they'd rather face blinking bombs than live in the country. | 0:15:04 | 0:15:08 | |
Well, this is me. You should venture in some time - finest medieval church in the county. | 0:15:08 | 0:15:13 | |
I've heard rumours about the size of your organ. | 0:15:13 | 0:15:15 | |
Yeah, it's a Nicholson & Co, Malvern, Worcester. Manual double, 16-inch pipes. | 0:15:15 | 0:15:20 | |
-You don't say(!) -You should hear it when I pull all the stops out. | 0:15:20 | 0:15:24 | |
Literally and metaphorically. | 0:15:24 | 0:15:27 | |
Maybe you could stop by Sunday? My sermons bring the house down, even if I do say so myself. | 0:15:31 | 0:15:35 | |
Don't you get it? He doesn't want the likes of me. | 0:15:35 | 0:15:39 | |
I think "He" | 0:15:41 | 0:15:43 | |
has room in his heart for everyone. | 0:15:43 | 0:15:45 | |
Wait! Leave me alone. | 0:15:47 | 0:15:50 | |
Oi! Leave him alone. | 0:15:50 | 0:15:52 | |
What you think you're playing at, you great lump! | 0:15:52 | 0:15:55 | |
LOUD KNOCKING | 0:16:00 | 0:16:02 | |
Evacuee committee? Good. | 0:16:09 | 0:16:10 | |
Cos that kid billeted with what's-his-name, that Tulley, | 0:16:10 | 0:16:14 | |
-it's not on. -Cheek! | 0:16:14 | 0:16:16 | |
These children are lucky the likes of us are willing to take them in. | 0:16:16 | 0:16:20 | |
His mum sends him to safety, he ends up with the la-la. It ain't right. | 0:16:20 | 0:16:24 | |
-Who is this person? -La-la? | 0:16:24 | 0:16:27 | |
-I regret to say she's one of my land girls. -Miss Connie Carter. -"Miss"? | 0:16:27 | 0:16:32 | |
Nothing better than the town tramp! | 0:16:32 | 0:16:34 | |
Hanging around in pubs, flashing her wares. | 0:16:34 | 0:16:38 | |
-Dropping her drawers for a stick of GI gum. -Jealous? | 0:16:38 | 0:16:41 | |
I can't imagine last time you lot dropped your drawers for anyone! | 0:16:41 | 0:16:44 | |
Oh! Ooh! | 0:16:44 | 0:16:45 | |
Maisie, Maisie. Smelling salts! | 0:16:48 | 0:16:51 | |
Well, you can't see what's happening right under them fat noses. No good'll come of it! | 0:16:52 | 0:16:57 | |
No good'll come of you, loathsome Jezebel. | 0:16:58 | 0:17:02 | |
You're a bad lot, Connie Carter. | 0:17:02 | 0:17:04 | |
Now, take yourself off, before I call the police! | 0:17:04 | 0:17:08 | |
-Their intentions are good. -You heard her. Don't you know when to steer clear? -You're not a bad person. | 0:17:13 | 0:17:19 | |
I think you see the worst in others, because you can't see the good in yourself. | 0:17:19 | 0:17:23 | |
And you can stay away from our vicar, as well! | 0:17:23 | 0:17:26 | |
Does he know you're sloping off to London for a weekend | 0:17:26 | 0:17:29 | |
of adulterous fornication? You're a disgrace! | 0:17:29 | 0:17:34 | |
Yeah, right, Joan of flamin' Arc, that's me. | 0:17:35 | 0:17:39 | |
And what you gawping at? | 0:17:40 | 0:17:41 | |
We'd better get back. | 0:17:55 | 0:17:57 | |
They'll be wondering where we've got to. | 0:17:57 | 0:17:59 | |
Let 'em wonder. Five more minutes. | 0:17:59 | 0:18:02 | |
Ah... | 0:18:02 | 0:18:04 | |
I want to stay here for ever. | 0:18:06 | 0:18:09 | |
Pasture Farm? You've changed your tune. | 0:18:09 | 0:18:12 | |
Yeah, well, I've realised I don't care where I am, as long as I'm with you. | 0:18:12 | 0:18:17 | |
TOGETHER: There's something I have to... | 0:18:20 | 0:18:22 | |
Ladies first. | 0:18:23 | 0:18:25 | |
-I saw Jack Gillespie today. -What did he want? | 0:18:26 | 0:18:30 | |
He asked me to go to Chicago with William. | 0:18:30 | 0:18:32 | |
He said I'd be a grand lady, with the entire world at my feet. | 0:18:34 | 0:18:38 | |
-What did you say? -What do you think I said? | 0:18:39 | 0:18:42 | |
You want to see the world. If you went with Gillespie, you could. | 0:18:45 | 0:18:49 | |
I don't want to see the world without you. | 0:18:49 | 0:18:51 | |
Anyway, what did you want to tell me? | 0:18:51 | 0:18:53 | |
HE WHISPERS SOMETHING | 0:18:58 | 0:19:01 | |
SHE LAUGHS | 0:19:01 | 0:19:05 | |
You count them out, you count them back. | 0:19:06 | 0:19:08 | |
I'm holding you personally responsible for every darn one. | 0:19:08 | 0:19:11 | |
Yes, sir. | 0:19:11 | 0:19:12 | |
-Good morning. -Morning. | 0:19:12 | 0:19:15 | |
Beautiful. Albeit kinda prickly. | 0:19:17 | 0:19:21 | |
-Every darn one, fella! You want a job doing... Excuse me. -Sorry, sir. | 0:19:21 | 0:19:26 | |
Mr Gillespie. | 0:19:26 | 0:19:28 | |
-I wonder if you'd like to join me for dinner tonight? -You wonder right. | 0:19:30 | 0:19:33 | |
-Shall we say 7:30 sharp? -One proviso. | 0:19:35 | 0:19:38 | |
Can we drop the "Mr"? | 0:19:38 | 0:19:40 | |
If we're going to be dinner companions, surely by now, you can call me Jack. | 0:19:41 | 0:19:45 | |
7:30...Jack. | 0:19:46 | 0:19:48 | |
I look forward to it...Ellen. | 0:19:48 | 0:19:52 | |
Goody, can we dress for dinner? I do love dressing up. | 0:19:52 | 0:19:57 | |
-And we never get the chance these days. -You won't be there. | 0:19:57 | 0:20:00 | |
One of us has to show our face at the Parish Council meeting to discuss the fete. | 0:20:00 | 0:20:04 | |
And why can't you? | 0:20:04 | 0:20:07 | |
Because I already do everything else. | 0:20:07 | 0:20:09 | |
And because, since you seem bent on staying, it's time you earned your keep. | 0:20:09 | 0:20:14 | |
Hold up mate. What's the hurry? Look, what's going on? | 0:20:22 | 0:20:26 | |
Right, that's it! | 0:20:29 | 0:20:30 | |
Now, there we are, sir. | 0:20:34 | 0:20:35 | |
Now, sir. What can I do you for... Ooh. | 0:20:40 | 0:20:43 | |
Watcha think you're playing at? | 0:20:50 | 0:20:51 | |
You think nobody'd notice that kid you've got is covered in bruises? | 0:20:51 | 0:20:55 | |
And what you feeding him on? Fresh air? | 0:20:55 | 0:20:57 | |
He's half starved - and double rations for you, I bet? | 0:20:57 | 0:21:01 | |
Fat - four ounces, sugar - 12 ounces, meat - six ounces, | 0:21:03 | 0:21:07 | |
tea - two ounces, bacon - three and a half ounces, eggs - two. | 0:21:07 | 0:21:12 | |
What? | 0:21:12 | 0:21:14 | |
Come here. | 0:21:15 | 0:21:16 | |
-Stop it, right now, mister! -Sugar - 12 ounces... | 0:21:16 | 0:21:19 | |
Lay one finger on me, | 0:21:19 | 0:21:21 | |
my fella will have you carved up like a side of beef. | 0:21:21 | 0:21:23 | |
-Eggs... -What you flamin' on about? -There, you see. His fair share, my fair share. | 0:21:23 | 0:21:31 | |
-Fat - four ounces, sugar - 12 ounces. -All right, I get it. | 0:21:31 | 0:21:34 | |
So how come he looks like he hasn't had a decent meal in days, then? | 0:21:34 | 0:21:38 | |
Well, he don't eat it. He hides it away when he thinks I'm not looking. | 0:21:38 | 0:21:43 | |
-I saw you! I see you. -How do you explain these, then? | 0:21:43 | 0:21:47 | |
Nowt to do with me. | 0:21:52 | 0:21:53 | |
Well? | 0:21:55 | 0:21:56 | |
Wriggle your way out of this. | 0:22:00 | 0:22:02 | |
And to think I believed in all your lies and subterfuge? | 0:22:02 | 0:22:05 | |
-Mrs Gulliver, listen... -Oh, don't bother. | 0:22:05 | 0:22:08 | |
Once that inventory is returned to the relevant authorities, | 0:22:08 | 0:22:12 | |
-you're finished, Frederick Finch. -No, wait, wait, I can explain. -Oh, this should be good(!) | 0:22:12 | 0:22:16 | |
See the thing is about carrot whiskey...and I... | 0:22:16 | 0:22:21 | |
-It's like this, see... -Church roof. | 0:22:21 | 0:22:23 | |
-Church roof? -Church roof? -Church roof. Finch was struck by the vicar's plight | 0:22:23 | 0:22:28 | |
and that whisky was burning a hole in his conscience. | 0:22:28 | 0:22:31 | |
-Mmm. -Well, we don't often see eye-to-eye, but in this case... | 0:22:31 | 0:22:36 | |
Well, it's not black marketeering. More like, fundraising. | 0:22:36 | 0:22:40 | |
Yes... God's fundraising. | 0:22:40 | 0:22:43 | |
What makes you think I should believe you, of all people? | 0:22:43 | 0:22:47 | |
Think of me what you will. But Dennis Tucker is no liar. | 0:22:47 | 0:22:52 | |
And no friend of Frederick Finch. | 0:22:52 | 0:22:54 | |
Look I'm, er... | 0:22:56 | 0:22:57 | |
-..I'm only a few shillings short of what, ten... -20. | 0:23:00 | 0:23:02 | |
-20 guineas. -And the lead is so expensive. | 0:23:02 | 0:23:08 | |
Well, I can't say I approve of the means, but the motive's sound. | 0:23:09 | 0:23:13 | |
Make sure you bring me the full proceeds tomorrow, in church. | 0:23:13 | 0:23:18 | |
-And, in return, my inventory? -See you tomorrow. | 0:23:18 | 0:23:22 | |
Your sister? | 0:23:27 | 0:23:28 | |
Mum made me swear on my life I'd not get separated from her. | 0:23:28 | 0:23:31 | |
I couldn't stop 'em. | 0:23:31 | 0:23:32 | |
She's only four, miss. She's hungry. | 0:23:33 | 0:23:36 | |
-What about them bruises? -They caught me taking her an egg. | 0:23:36 | 0:23:39 | |
They said I'd nicked it from them and I was a bad boy and needed to be punished. | 0:23:39 | 0:23:44 | |
Who are these people? | 0:23:44 | 0:23:46 | |
-Needs a little more ochre, dear? Hmm? -I think it does. | 0:23:53 | 0:23:57 | |
-Oh, oh, dear, erm... -Are you here to complain about your evacuee again? | 0:24:00 | 0:24:06 | |
No. I'm here to complain about another one - Pam Price. | 0:24:06 | 0:24:10 | |
-Does that ring any bells, dear? -Not a one, dear. | 0:24:10 | 0:24:15 | |
-Do you know where she's billeted? -Here, you daft bats! You've got her! | 0:24:15 | 0:24:19 | |
-Oh! -She means... -Sarah. -Her name's Pam! -Such a sweet thing. | 0:24:20 | 0:24:26 | |
-We thought Sarah suited her better. -A much prettier name. | 0:24:26 | 0:24:31 | |
-Our mama was called Sarah. -I want to see my sister. | 0:24:31 | 0:24:33 | |
-Well, that's not possible at the moment. -She's being disciplined. | 0:24:33 | 0:24:39 | |
-Another 26 minutes to go. -28, by me. | 0:24:39 | 0:24:44 | |
Where is she? | 0:24:44 | 0:24:46 | |
Erm, it's about Martin, my son. | 0:24:58 | 0:25:04 | |
He had an accident and he could go blind. He has to have an operation. | 0:25:04 | 0:25:09 | |
LAUGHTER AND FOOTSTEPS | 0:25:09 | 0:25:11 | |
-Sorry... More occupied than France. -Excuse us. | 0:25:11 | 0:25:16 | |
Cocktails on the terrace. | 0:25:18 | 0:25:19 | |
-I'm... I'm sorry to hear that. -I need to borrow 40 guineas. | 0:25:25 | 0:25:32 | |
Can't your family help? | 0:25:32 | 0:25:34 | |
It would be a loan. | 0:25:37 | 0:25:38 | |
-I would pay it back with interest. -That isn't possible. | 0:25:38 | 0:25:41 | |
If I make an exception for one, I'd have to make an exception for all. | 0:25:42 | 0:25:46 | |
Hoxley is an agricultural estate, not a bank. | 0:25:47 | 0:25:51 | |
I understand. | 0:25:53 | 0:25:55 | |
I'm sure you'll think of something. | 0:25:56 | 0:25:58 | |
I will... Thank you. | 0:26:01 | 0:26:05 | |
CREAKING | 0:26:10 | 0:26:12 | |
Come on, sweetheart. | 0:26:15 | 0:26:16 | |
You're stark raving mad, both of you! | 0:26:20 | 0:26:22 | |
What a palaver about nothing. | 0:26:22 | 0:26:24 | |
The child is wilful and naughty and needs disciplining. That's all. | 0:26:24 | 0:26:29 | |
-And she cries rather a lot. -We had no idea she'd be so noisy. | 0:26:29 | 0:26:34 | |
You can't just go starving and beating and locking up kids. | 0:26:34 | 0:26:37 | |
-It ain't right. -Never did us any harm. -Absolutely not. | 0:26:37 | 0:26:41 | |
Yeah, well, it did me! | 0:26:41 | 0:26:43 | |
Oh, there's no need to get emotional. | 0:26:43 | 0:26:46 | |
-About an evacuee? -I ain't letting you get away with this. | 0:26:46 | 0:26:50 | |
One...two...pull! | 0:26:53 | 0:26:56 | |
GUNSHOT | 0:26:56 | 0:26:57 | |
Six inches out. You winged him. | 0:27:05 | 0:27:07 | |
In the wrong arm! | 0:27:09 | 0:27:10 | |
I'm a dead man. | 0:27:11 | 0:27:12 | |
You jerked at the trigger, pulled the sight off target. | 0:27:12 | 0:27:16 | |
Again! | 0:27:16 | 0:27:18 | |
How will she cope? I've nothing to leave, except half a share of debt. | 0:27:25 | 0:27:30 | |
She'll manage, if it happens. | 0:27:30 | 0:27:32 | |
Right. Tighten the wrist. Solid grip. | 0:27:32 | 0:27:36 | |
Stuck here. A widow with a baby. Her life over before it's even started. | 0:27:37 | 0:27:43 | |
Men fight, women wait. Neither has a choice. | 0:27:46 | 0:27:50 | |
Right, focus... On the front sight! | 0:27:51 | 0:27:55 | |
Bea has a choice. | 0:27:56 | 0:27:58 | |
Gillespie wants her to go to Chicago, with William. | 0:27:59 | 0:28:03 | |
GUN COCKS | 0:28:03 | 0:28:05 | |
She'd see the world. | 0:28:06 | 0:28:08 | |
Everything she ever dreamed. | 0:28:09 | 0:28:11 | |
Or she can stay here, end up like Joyce. | 0:28:12 | 0:28:15 | |
Irrelevance. That girl will never leave. | 0:28:16 | 0:28:20 | |
I've seen the way she looks at you. What you going to do? Drive her away? | 0:28:20 | 0:28:26 | |
Focus. | 0:28:26 | 0:28:27 | |
The bullet...will lie behind it. | 0:28:29 | 0:28:32 | |
One...two...fire! | 0:28:36 | 0:28:39 | |
GUNSHOT | 0:28:39 | 0:28:41 | |
-We never have, in all our lives. -Never been so insulted. | 0:28:43 | 0:28:47 | |
-Oh, put a sock in it. -She burst into our house and snatched our evacuee. | 0:28:47 | 0:28:51 | |
Yeah. Out of the coal hole. and he's no better off, with the local crazy! | 0:28:51 | 0:28:55 | |
How dare you march in here accusing upstanding members of the community! | 0:28:55 | 0:29:00 | |
-We bought her a new frock. -And we're knitting her a tippet, for winter. | 0:29:00 | 0:29:04 | |
-Oh, well that's all right then(!) -Please, please. | 0:29:04 | 0:29:06 | |
If we all speak one at a time, I'm sure we can get this sorted out in a tick. | 0:29:06 | 0:29:10 | |
Now, Mrs Gulliver, perhaps you'd like to go first. | 0:29:10 | 0:29:13 | |
-Bit of discipline never did anyone any harm. -You reckon? | 0:29:13 | 0:29:16 | |
Well, aren't you going to do something? | 0:29:16 | 0:29:18 | |
Well? | 0:29:19 | 0:29:21 | |
I don't think anyone believes the ladies | 0:29:23 | 0:29:25 | |
-had anything other than the child's best interests at heart. -Hear, hear. -However, given their age | 0:29:25 | 0:29:30 | |
and...Miss Gwen's lumbago, | 0:29:30 | 0:29:33 | |
I do worry a child this small might be a little too...bouncy? | 0:29:33 | 0:29:37 | |
-She is rather noisy. -Exactly. Mrs Gulliver? | 0:29:37 | 0:29:41 | |
I'll see if Vera Clam can squeeze another one in. | 0:29:44 | 0:29:47 | |
She won't be happy about it, mind. | 0:29:47 | 0:29:49 | |
Although an extra 15 shillings will be very welcome in that household. | 0:29:49 | 0:29:52 | |
-I think that would be for the best. -Call yourself a man of God? Is that the best you can do? | 0:29:52 | 0:29:57 | |
ROMANTIC MUSIC PLAYS | 0:30:02 | 0:30:05 | |
Soap's rationed in Blighty. Doesn't do to leave it lying around. | 0:30:10 | 0:30:15 | |
-Need a hand? -Darn thing. I never could get the hang of this. | 0:30:18 | 0:30:22 | |
How have you managed to survive this long without being able to tie your own tie? | 0:30:25 | 0:30:29 | |
I usually find someone to do it for me. | 0:30:29 | 0:30:32 | |
-My sister wouldn't... -"Wouldn't"? | 0:30:34 | 0:30:38 | |
Tie it for you. | 0:30:39 | 0:30:41 | |
She wouldn't give the time of day to a man | 0:30:42 | 0:30:44 | |
that doesn't know how to dress himself like a gentleman. | 0:30:44 | 0:30:48 | |
But she is Lady Ellen Hoxley, | 0:30:49 | 0:30:51 | |
whereas you are no more than a "crude opportunist". | 0:30:51 | 0:30:55 | |
Her words, not mine. | 0:30:55 | 0:30:58 | |
Why waste all that energy, | 0:31:00 | 0:31:03 | |
which could be better channelled...elsewhere? | 0:31:03 | 0:31:09 | |
Cheer up. You'd think someone had died. | 0:31:21 | 0:31:23 | |
What do you want? | 0:31:29 | 0:31:30 | |
Found it in Fletcher's Hollow. It was that Jerry's. | 0:31:34 | 0:31:37 | |
You should hand it in. It's nothing much, just some photos. | 0:31:37 | 0:31:41 | |
Is that him? | 0:31:45 | 0:31:47 | |
-That poor woman. -She's German. -No different to me. | 0:32:01 | 0:32:04 | |
Just waiting, praying... | 0:32:06 | 0:32:09 | |
hope dying. | 0:32:09 | 0:32:11 | |
He had his hands up, didn't he? | 0:32:30 | 0:32:31 | |
-He was there, weren't you? -Don't be daft. -Yes. -Tell me what happened? | 0:32:32 | 0:32:37 | |
-It was self defence. -No, he was surrendering. | 0:32:37 | 0:32:40 | |
He was on his feet. He could have disarmed you. | 0:32:40 | 0:32:42 | |
GUNSHOT | 0:32:47 | 0:32:49 | |
GUNSHOT | 0:33:01 | 0:33:03 | |
I murdered him. | 0:33:05 | 0:33:06 | |
Don't be a fool, woman. | 0:33:06 | 0:33:08 | |
You're a heroine and a patriot and thanks to you, | 0:33:08 | 0:33:12 | |
-we've got one less murdering Luftwaffe to worry about. -Seconded. | 0:33:12 | 0:33:15 | |
Then I hope John hasn't met a German woman as brave as me. | 0:33:17 | 0:33:21 | |
-Joseph! -Don't let them take her. I promised me mum. | 0:33:29 | 0:33:33 | |
What d'you call this? Out of the frying pan, into the fire? | 0:33:33 | 0:33:37 | |
-Mrs Clam's a good woman. -She looks like Lizzie Borden's grandma. | 0:33:37 | 0:33:41 | |
-You said you'd help. Please, miss, please! -Sorry kid. -You promised. | 0:33:41 | 0:33:45 | |
I did me best, champ. Got a train to catch. | 0:33:45 | 0:33:48 | |
Maybe you should be getting ho-...back. | 0:33:48 | 0:33:51 | |
I'll drop by next week! See you're OK? | 0:33:53 | 0:33:55 | |
-So you're going to London? -Yeah. | 0:33:57 | 0:33:59 | |
Something to say about it? | 0:33:59 | 0:34:01 | |
Have a nice time. | 0:34:02 | 0:34:03 | |
Have you seen Connie? | 0:34:16 | 0:34:17 | |
Here... She's gone AWOL. | 0:34:17 | 0:34:19 | |
On her high horse about some evacuee billeted with Tulley. | 0:34:19 | 0:34:22 | |
Tulley? Poor kid. | 0:34:22 | 0:34:25 | |
We'd never let William go... even if it were raining bombs. | 0:34:26 | 0:34:31 | |
-Never? -Never. -If it was for his own good? -Meaning? | 0:34:33 | 0:34:39 | |
Maybe he would be better off in Chicago. | 0:34:41 | 0:34:44 | |
I told you, it's out of the question. | 0:34:44 | 0:34:46 | |
He'd be away from all this. A life most kids dream about. | 0:34:46 | 0:34:50 | |
What are you saying? | 0:34:52 | 0:34:53 | |
I'm saying... | 0:34:56 | 0:34:57 | |
-..maybe he'd be better off with his own family. -They aren't his family. | 0:35:04 | 0:35:07 | |
They are, Bea. He's a Gillespie. | 0:35:07 | 0:35:11 | |
Sometimes, when I look at him... | 0:35:11 | 0:35:15 | |
I see Cal's face. | 0:35:18 | 0:35:19 | |
But all this time, you said he was like your own. | 0:35:21 | 0:35:24 | |
No, I thought it would go away, | 0:35:24 | 0:35:26 | |
then he turned up and it's never going to go away. | 0:35:27 | 0:35:32 | |
He's leaving... | 0:35:32 | 0:35:33 | |
Do you think a man like that will give up? | 0:35:33 | 0:35:38 | |
He'll be back, he'll never give up. And we can never move on. | 0:35:39 | 0:35:45 | |
SHE KNOCKS ON DOOR | 0:36:09 | 0:36:11 | |
GIGGLING > | 0:36:40 | 0:36:42 | |
You're late for the Parish Council meeting. | 0:36:49 | 0:36:51 | |
Oops. | 0:36:55 | 0:36:56 | |
MUSIC: "Run Rabbit Run" by Flanagan & Allen | 0:37:01 | 0:37:03 | |
Sit down. | 0:37:07 | 0:37:08 | |
Can I get you anything? | 0:37:41 | 0:37:42 | |
Alcohol. | 0:37:46 | 0:37:47 | |
SHE COUGHS | 0:38:27 | 0:38:29 | |
CHURCH ORGAN PLAYS "AMAZING GRACE" | 0:38:47 | 0:38:49 | |
# Amazing Grace, how sweet the sound | 0:39:02 | 0:39:09 | |
# That saved a wretch like me | 0:39:09 | 0:39:14 | |
# I once was lost but now am found | 0:39:15 | 0:39:22 | |
# Was blind but now I see | 0:39:22 | 0:39:29 | |
# Yea, when this flesh and heart shall fail | 0:39:31 | 0:39:34 | |
# And mortal life shall cease | 0:39:37 | 0:39:44 | |
# I shall possess within the veil... # | 0:39:44 | 0:39:50 | |
Mum? | 0:39:50 | 0:39:51 | |
-Mum! -Joseph, come here. | 0:39:51 | 0:39:54 | |
-SOLO: -# Amazing grace How sweet the sound | 0:40:13 | 0:40:19 | |
CONGREGATION JOINS IN: # That saved a wretch like me | 0:40:19 | 0:40:25 | |
# I once was lost, but now am found | 0:40:25 | 0:40:32 | |
# Was blind, but now I see. # | 0:40:32 | 0:40:39 | |
Finch! Frederick Finch! | 0:40:43 | 0:40:45 | |
-Have you been avoiding me? -Never. | 0:40:46 | 0:40:49 | |
Good. | 0:40:49 | 0:40:50 | |
Because I have something for you and I believe you have something for me. | 0:40:50 | 0:40:56 | |
I'm waiting. | 0:40:58 | 0:40:59 | |
-No. -No? | 0:41:03 | 0:41:05 | |
That money's for Esther, for Martin's operation. | 0:41:05 | 0:41:09 | |
Are you sure about that? | 0:41:09 | 0:41:11 | |
You do your worst. But I'll tell you this. | 0:41:14 | 0:41:18 | |
If God would rather put lead on his church roof | 0:41:18 | 0:41:20 | |
than save that little kid from going blind, you can keep your church going | 0:41:20 | 0:41:24 | |
and your do-gooding and your so-called Christian charity. | 0:41:24 | 0:41:27 | |
I'll have nothing to do with it. Good day to you, Mrs Gulliver. | 0:41:27 | 0:41:31 | |
Wait, Frederick... | 0:41:31 | 0:41:33 | |
-Take it. -Why? | 0:41:36 | 0:41:40 | |
I think God understands that we sometimes do the wrong things for the right reasons. | 0:41:41 | 0:41:46 | |
-Have you got enough? -Not quite. | 0:41:50 | 0:41:52 | |
But I'll get the rest. | 0:41:55 | 0:41:57 | |
Hey. | 0:41:59 | 0:42:00 | |
BABY CRIES | 0:42:03 | 0:42:05 | |
Sorry for busting in. She's taking them home on the next train. | 0:42:18 | 0:42:22 | |
Well, I'm glad. | 0:42:22 | 0:42:24 | |
-Did you have a nice leave? -Not flamin' likely. | 0:42:25 | 0:42:28 | |
-Spent the entire time looking for her. -The entire time. Really? | 0:42:28 | 0:42:33 | |
Really. Good thing I was staying with me cousin Nellie. | 0:42:33 | 0:42:35 | |
-She's the nosiest parker in Whitechapel. -Cousin Nellie? -I said, didn't I? | 0:42:35 | 0:42:39 | |
Lucky, as it happens, turns out Rita's house got bombed | 0:42:39 | 0:42:42 | |
so it was only down to Nellie's noseying I found her. | 0:42:42 | 0:42:45 | |
Cousin Nellie. | 0:42:45 | 0:42:46 | |
Cousin flamin' Nellie! | 0:42:46 | 0:42:49 | |
You're a good person, Connie Carter. You're a good, beautiful, person. | 0:42:52 | 0:42:57 | |
-You know that? -You ain't so bad yourself. | 0:42:57 | 0:43:01 | |
See you around, Vic. | 0:43:11 | 0:43:12 | |
Here, there. You're a county champion. Never forget it. | 0:43:34 | 0:43:37 | |
Have you finished? Only I'm welling up here. | 0:43:39 | 0:43:42 | |
You be good now. | 0:43:46 | 0:43:47 | |
Make me proud. | 0:43:47 | 0:43:48 | |
Always a pleasure, Finch. | 0:43:53 | 0:43:55 | |
Come on, come on. | 0:43:57 | 0:43:59 | |
Ta Dah! | 0:44:12 | 0:44:14 | |
Where did you get this? | 0:44:19 | 0:44:20 | |
Let's just say that's between me and Gladys Gulliver. | 0:44:22 | 0:44:24 | |
SHE SOBS | 0:44:32 | 0:44:34 | |
There, there. | 0:44:38 | 0:44:41 | |
You let it all out. | 0:44:41 | 0:44:44 | |
Subtitles by Red Bee Media Ltd | 0:45:53 | 0:45:55 | |
E-mail [email protected] | 0:45:55 | 0:45:57 |