Browse content similar to Last Days Of Summer. Check below for episodes and series from the same categories and more!
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ORGAN PLAYS | 0:00:02 | 0:00:05 | |
ORGAN STOPS | 0:00:12 | 0:00:14 | |
We're gathered here today | 0:00:28 | 0:00:32 | |
to remember my boy, Walter. | 0:00:32 | 0:00:36 | |
My loyal and loving son who meant so much. | 0:00:38 | 0:00:42 | |
He was my youngest, the one my dearest Agnes never got to hold. | 0:00:44 | 0:00:50 | |
So it were up to me to raise him, make a man of him. | 0:00:53 | 0:00:56 | |
When he was told that he couldn't fight for his country, | 0:00:58 | 0:01:01 | |
I was relieved. | 0:01:01 | 0:01:04 | |
I was relieved that he wouldn't die in some foreign field. | 0:01:05 | 0:01:10 | |
And that he could stay here with... | 0:01:10 | 0:01:12 | |
That he could stay here with his old man | 0:01:29 | 0:01:32 | |
and help to run the farm through the good times and the bad. | 0:01:32 | 0:01:38 | |
But all of that was before he was taken. | 0:01:42 | 0:01:46 | |
Taken too soon. | 0:01:47 | 0:01:49 | |
And taken by somebody we all know! | 0:01:49 | 0:01:52 | |
Thank you, Mr Storey, for those heartfelt words. | 0:01:52 | 0:01:56 | |
If we could turn to our final hymn, Great Is Thy Faithfulness. | 0:01:56 | 0:01:59 | |
If you ask me, Frank Tucker is cut from the same cloth as his brother. | 0:02:05 | 0:02:10 | |
It's so sad. | 0:02:10 | 0:02:12 | |
You think you know someone. | 0:02:12 | 0:02:14 | |
Hey. Shall we talk details? | 0:02:16 | 0:02:19 | |
Speak later. Graveyards have ears. | 0:02:19 | 0:02:23 | |
Ellen? | 0:02:23 | 0:02:24 | |
Where have you been? | 0:02:24 | 0:02:27 | |
In London. Visiting my sister. | 0:02:27 | 0:02:29 | |
Well, I'm glad you're back. Do you fancy a quick lunch later? | 0:02:29 | 0:02:33 | |
I'm not sure. | 0:02:33 | 0:02:34 | |
Doctor's orders. | 0:02:34 | 0:02:36 | |
Lovely service, Vicar. But when I go, I hope I have a better turn out. | 0:02:38 | 0:02:42 | |
I'm sure there won't be an empty pew, Mrs Gulliver. | 0:02:42 | 0:02:46 | |
Hey, where you going? | 0:02:46 | 0:02:48 | |
To offer my condolences. | 0:02:48 | 0:02:50 | |
You were friends with Frank, Iris. Let him be for now. | 0:02:50 | 0:02:54 | |
You know what they're asking about, don't you? | 0:02:58 | 0:03:01 | |
Sunday's sermon? | 0:03:01 | 0:03:03 | |
The petrol truck. | 0:03:03 | 0:03:04 | |
What petrol truck? | 0:03:04 | 0:03:06 | |
-This is serious, Connie -Just keep your nose out. | 0:03:06 | 0:03:09 | |
You don't have to go back to this. | 0:03:09 | 0:03:11 | |
I don't have a choice. Can't you see that? | 0:03:11 | 0:03:14 | |
KNOCK ON DOOR | 0:03:17 | 0:03:20 | |
-Good Morning. Mrs? -Reeves. | 0:03:20 | 0:03:23 | |
Is this about Martin? | 0:03:23 | 0:03:25 | |
Sorry? | 0:03:25 | 0:03:27 | |
What can I do for you? | 0:03:29 | 0:03:31 | |
I'm looking for Connie Carter. | 0:03:31 | 0:03:34 | |
She's not here at the moment. | 0:03:34 | 0:03:37 | |
She's not in any trouble, is she? | 0:03:37 | 0:03:39 | |
Nah, not at all. | 0:03:39 | 0:03:41 | |
And you are? | 0:03:42 | 0:03:45 | |
Her uncle. | 0:03:45 | 0:03:46 | |
Her uncle? | 0:03:46 | 0:03:48 | |
Just wanted to surprise her. That's all. | 0:03:48 | 0:03:51 | |
-KETTLE WHISTLES -Right, well, | 0:03:51 | 0:03:56 | |
I'll tell her that you came by. | 0:03:56 | 0:04:00 | |
Thanks. But never mind. I'll find her. | 0:04:00 | 0:04:05 | |
Good day to you. | 0:04:05 | 0:04:07 | |
KETTLE WHISTLES | 0:04:07 | 0:04:09 | |
Mr Storey? | 0:04:16 | 0:04:18 | |
I wanted to offer my condolences. | 0:04:19 | 0:04:22 | |
I'm sorry for what Frank Tucker did. | 0:04:24 | 0:04:27 | |
I thought he was decent. | 0:04:29 | 0:04:31 | |
You were wrong. | 0:04:32 | 0:04:34 | |
A decent man wouldn't have left my son to die like some animal. | 0:04:35 | 0:04:40 | |
Why did Frank have to go back? | 0:04:42 | 0:04:44 | |
He'll be sorry that he did... | 0:04:46 | 0:04:49 | |
when he hangs. | 0:04:49 | 0:04:51 | |
You should talk to him. | 0:05:07 | 0:05:09 | |
Who? | 0:05:09 | 0:05:10 | |
Henry. | 0:05:10 | 0:05:11 | |
Don't know what you mean. | 0:05:11 | 0:05:14 | |
You're not wearing your ring. | 0:05:15 | 0:05:17 | |
Neither are you, so sort your own life before you meddle in mine, yeah? | 0:05:17 | 0:05:21 | |
It's just not like him to stay out all night. | 0:05:23 | 0:05:26 | |
I told you, he'll turn up. | 0:05:26 | 0:05:29 | |
That's easy for you to say. | 0:05:29 | 0:05:30 | |
Um, about them coins. | 0:05:33 | 0:05:35 | |
How much we talking? | 0:05:35 | 0:05:37 | |
-100 quid? -What time's he coming? -Not here. Top of the Valley Road. | 0:05:37 | 0:05:42 | |
It's a bit off the beaten track, isn't it? | 0:05:42 | 0:05:44 | |
Exactly. | 0:05:44 | 0:05:46 | |
-Ah! -Meet me there at one and we can go together. | 0:05:46 | 0:05:48 | |
Here, I can give this place a lick of paint. | 0:05:48 | 0:05:53 | |
Treat Esther to a new frock. I could send some to baby William. | 0:05:53 | 0:05:56 | |
Yeah. | 0:05:56 | 0:05:57 | |
Martin? | 0:06:02 | 0:06:03 | |
Don't start, Mum. | 0:06:03 | 0:06:06 | |
Where have you been? | 0:06:06 | 0:06:08 | |
I'm not stopping. You'll have to find someone else to nag. | 0:06:08 | 0:06:11 | |
Martin! | 0:06:11 | 0:06:13 | |
You let me down. | 0:06:16 | 0:06:18 | |
Thought you were different. | 0:06:20 | 0:06:22 | |
I just lost my temper. | 0:06:22 | 0:06:25 | |
I'm sorry. | 0:06:27 | 0:06:28 | |
So why did you go back? | 0:06:28 | 0:06:30 | |
To finish him off? | 0:06:31 | 0:06:33 | |
I didn't go back. | 0:06:34 | 0:06:36 | |
-You must have. -What are you talking about? | 0:06:36 | 0:06:38 | |
Something's not right. | 0:06:43 | 0:06:47 | |
I need to speak to Mr Storey. | 0:06:47 | 0:06:49 | |
-Iris. -I have to. I can't let you... -None of this is helping. | 0:06:49 | 0:06:53 | |
None of it is going to stop what they've got in store for me! | 0:06:53 | 0:06:56 | |
OFFICER COUGHS | 0:06:56 | 0:06:57 | |
So just forget about me, all right? | 0:07:00 | 0:07:02 | |
Walter was alive after the fight. I saw him. | 0:07:02 | 0:07:06 | |
I need to find out what happened. | 0:07:07 | 0:07:09 | |
Esther? | 0:07:15 | 0:07:17 | |
I couldn't stop him, Fred. | 0:07:17 | 0:07:19 | |
He'll be back. | 0:07:20 | 0:07:22 | |
He's got a suitcase! | 0:07:22 | 0:07:24 | |
Where are you going? | 0:07:24 | 0:07:26 | |
Well I'm going to have to go after him. | 0:07:26 | 0:07:28 | |
Are you sure you're well enough? | 0:07:28 | 0:07:30 | |
Yeah. | 0:07:30 | 0:07:32 | |
-I'll come with you. -No! No, there's no need. | 0:07:32 | 0:07:35 | |
Why is he still here? | 0:07:40 | 0:07:43 | |
We're not going to arrest Channing yet. | 0:07:43 | 0:07:45 | |
But you said yourself it probably was a code book. | 0:07:45 | 0:07:48 | |
-I should have shown it to you. -You did the right thing putting it back. | 0:07:48 | 0:07:52 | |
It isn't a case of insufficient evidence. | 0:07:52 | 0:07:55 | |
-We've intercepted some messages from the collaborator. -And? | 0:07:56 | 0:08:00 | |
We know he was almost killed when they bombed the hospital. | 0:08:00 | 0:08:04 | |
-Not many people survive that. -If you have the evidence. | 0:08:04 | 0:08:07 | |
Channing is more use to us in the field. | 0:08:07 | 0:08:09 | |
-Leaving him here might cost more lives. -We need to learn more about his contacts and call patterns. | 0:08:09 | 0:08:14 | |
What do you expect me to do? | 0:08:17 | 0:08:18 | |
We need you to continue as normal. | 0:08:18 | 0:08:22 | |
Flight sergeant? | 0:08:28 | 0:08:29 | |
I'm going back, Dr Channing. | 0:08:29 | 0:08:31 | |
I'm to report to RAF Brinford. | 0:08:31 | 0:08:34 | |
I think it's too soon. | 0:08:35 | 0:08:38 | |
With all due respect, that's all I keep hearing. | 0:08:38 | 0:08:40 | |
We haven't finished assessing you. | 0:08:40 | 0:08:42 | |
Returning to active duty could be dangerous. | 0:08:42 | 0:08:45 | |
They must think I'm ready. | 0:08:45 | 0:08:47 | |
Well, it's your choice, of course | 0:08:50 | 0:08:53 | |
Mr Harper, please arrange transport to Brinford air base. | 0:08:55 | 0:08:57 | |
Certainly, Dr. | 0:08:57 | 0:09:00 | |
That won't be necessary. There's something I've got to do first. | 0:09:00 | 0:09:04 | |
-You've only just got back! -Please. I'll go instead of having lunch. | 0:09:08 | 0:09:12 | |
I think you should just forget about it, Iris. | 0:09:12 | 0:09:15 | |
Is that a yes? | 0:09:15 | 0:09:17 | |
Thank you. | 0:09:17 | 0:09:18 | |
Look, I'm sorry about earlier. | 0:09:28 | 0:09:31 | |
Me too. It wasn't my place to pry. | 0:09:31 | 0:09:32 | |
If you knew the whole story... | 0:09:32 | 0:09:34 | |
-Has he been with someone else? -No! | 0:09:34 | 0:09:37 | |
Then you know what, whatever he's done, just forgive him. | 0:09:37 | 0:09:41 | |
You've got a visitor. | 0:09:45 | 0:09:46 | |
Hello, what are you doing here? | 0:09:48 | 0:09:51 | |
I discharged myself. I've been called to RAF Brinford. | 0:09:51 | 0:09:55 | |
Why so soon? | 0:09:55 | 0:09:57 | |
They didn't say. But it's good, isn't it? | 0:09:57 | 0:10:00 | |
Yeah... Yeah. | 0:10:00 | 0:10:02 | |
I... I thought I should come and say goodbye. | 0:10:05 | 0:10:09 | |
Thank you. | 0:10:13 | 0:10:15 | |
John, who's going with you? | 0:10:17 | 0:10:18 | |
No-one. | 0:10:18 | 0:10:19 | |
You shouldn't go on your own. | 0:10:19 | 0:10:21 | |
Then come with me. | 0:10:23 | 0:10:24 | |
Oh, Connie? | 0:10:31 | 0:10:33 | |
I forgot to say earlier, you had a visitor. | 0:10:33 | 0:10:36 | |
Henry? | 0:10:36 | 0:10:38 | |
No, it was your uncle. He was very well-to-do. He had a couple of friends with him. | 0:10:38 | 0:10:43 | |
Said he wanted to surprise you. | 0:10:43 | 0:10:45 | |
Was he coming back? | 0:10:45 | 0:10:47 | |
I don't know. But he said he'd find you. | 0:10:47 | 0:10:50 | |
ENGINE STALLS REPEATEDLY | 0:10:52 | 0:10:55 | |
So what's wrong with it? | 0:10:59 | 0:11:01 | |
Flooded again. We just have to wait a bit, then it should start. | 0:11:01 | 0:11:05 | |
-It's the same with Finch's tractor. -What would I do without you, kid? | 0:11:05 | 0:11:10 | |
Danny! Maynard's here! | 0:11:12 | 0:11:14 | |
-Can't be. -I knew you was in trouble, but you never said it was him! -Relax! | 0:11:14 | 0:11:19 | |
He was at the farm, Danny. He's followed you here! | 0:11:19 | 0:11:21 | |
Who's Maynard? | 0:11:21 | 0:11:23 | |
Here, fetch us some grub, kid. I'm starving. | 0:11:23 | 0:11:26 | |
And, Martin, remember, not a word. | 0:11:31 | 0:11:33 | |
-And the broomstick army are after this. -We just need to keep lying low then, don't we? | 0:11:38 | 0:11:42 | |
We should forget the coins and get out of here, Danny. | 0:11:42 | 0:11:45 | |
Hey. We can't leave in daylight. | 0:11:45 | 0:11:46 | |
But he'll kill us. | 0:11:46 | 0:11:48 | |
He'll never find us. And once we get the gold, | 0:11:48 | 0:11:51 | |
that is it. A new life. The one that you deserve. | 0:11:51 | 0:11:54 | |
A few more hours, Con. That's all. | 0:11:57 | 0:12:00 | |
How do I look? | 0:12:15 | 0:12:17 | |
John... | 0:12:22 | 0:12:23 | |
..good luck. | 0:12:26 | 0:12:27 | |
KNOCK ON DOOR | 0:12:33 | 0:12:34 | |
What was Martin doing here? | 0:12:40 | 0:12:41 | |
He thinks he's coming with us tonight. | 0:12:41 | 0:12:45 | |
Then tell him he ain't. Leave him out of this. | 0:12:45 | 0:12:48 | |
You what? | 0:12:48 | 0:12:49 | |
I mean it, Danny. | 0:12:49 | 0:12:51 | |
-This isn't the time to go soft. -You're hurting me! -Leave her alone! | 0:12:51 | 0:12:54 | |
Henry? | 0:12:54 | 0:12:56 | |
You stupid... You were followed. | 0:12:56 | 0:12:58 | |
Walk away and we'll say no more about it. | 0:12:58 | 0:13:01 | |
-Or what? -Or you'll force me to... | 0:13:01 | 0:13:03 | |
-Raise your voice to me again... -What are you doing? -He knows where the truck is! | 0:13:11 | 0:13:15 | |
-So, what you going to do, kill him? He won't say anything. -I can't risk it. | 0:13:15 | 0:13:19 | |
I think he's got the message, don't you? | 0:13:19 | 0:13:22 | |
-Just get the farmer to the Valley Road. -I'm not leaving him here like this! -You'll be there! | 0:13:25 | 0:13:30 | |
Ladies, I wondered if you've seen my Martin anywhere? | 0:13:38 | 0:13:42 | |
Well, look what the cat dragged in. | 0:13:42 | 0:13:44 | |
I beg your pardon? | 0:13:44 | 0:13:46 | |
Oh, Mrs Butler, God rest her soul, always said that no good would come | 0:13:46 | 0:13:51 | |
from you and Frederick Finch living under the same roof. | 0:13:51 | 0:13:55 | |
Like Bathsheba in a piggery. | 0:13:55 | 0:13:58 | |
Fred has always been a gentleman to me. | 0:13:58 | 0:14:00 | |
You're pregnant with his child. | 0:14:00 | 0:14:02 | |
No, I am not. | 0:14:02 | 0:14:04 | |
Oh, you say that. | 0:14:04 | 0:14:05 | |
But your husband may say differently. If he comes home. | 0:14:05 | 0:14:09 | |
-You leave my Stanley out of this. -It is my Christian duty to tell him. | 0:14:09 | 0:14:13 | |
Don't you think he'll have been through enough? | 0:14:13 | 0:14:16 | |
Surely he needs to know what he's coming home to. Don't you agree, boy? | 0:14:16 | 0:14:21 | |
What's happened? | 0:14:25 | 0:14:27 | |
I'm not fit for duty. Honourable discharge. | 0:14:27 | 0:14:31 | |
I'm so sorry. | 0:14:31 | 0:14:34 | |
But at least you're safe now. The war's over for you. | 0:14:36 | 0:14:39 | |
I don't want it to be over. Don't you understand? | 0:14:39 | 0:14:42 | |
You have the brass neck to stand there and lie. | 0:14:44 | 0:14:48 | |
Your own son said you were sick in the mornings. | 0:14:48 | 0:14:51 | |
I'm sure he said no such thing. | 0:14:51 | 0:14:54 | |
Tell her what you told me. | 0:14:54 | 0:14:55 | |
-I didn't say anything. -What? | 0:14:55 | 0:14:58 | |
You're the one making things up. | 0:14:58 | 0:15:00 | |
Of all the bare-faced lies! | 0:15:00 | 0:15:02 | |
So, I would ask you, as one Christian woman to another, | 0:15:02 | 0:15:07 | |
to keep your poisonous beak out of my business. | 0:15:07 | 0:15:11 | |
Or you'll regret it. | 0:15:11 | 0:15:12 | |
Are you threatening me? Is he threatening me? | 0:15:14 | 0:15:17 | |
What do you think? | 0:15:20 | 0:15:21 | |
Nothing but trouble, the pair of you. | 0:15:24 | 0:15:26 | |
They had it coming. | 0:15:32 | 0:15:35 | |
Why, Mum? | 0:15:36 | 0:15:37 | |
-Please don't ask me, Martin. -I need to know. | 0:15:39 | 0:15:42 | |
Without the operation, you would have gone blind. | 0:15:44 | 0:15:47 | |
And I couldn't get the money. | 0:15:49 | 0:15:51 | |
The only option I had was... | 0:15:52 | 0:15:55 | |
I'll take you home. | 0:16:00 | 0:16:01 | |
It's a Lanc. | 0:16:22 | 0:16:24 | |
Same as... | 0:16:24 | 0:16:26 | |
Robson. He was the pilot. | 0:16:32 | 0:16:34 | |
Football player, Preston North End. | 0:16:34 | 0:16:38 | |
Sidlow. Navigator. | 0:16:43 | 0:16:45 | |
He thought he was Frank Sinatra. | 0:16:46 | 0:16:49 | |
Voice so loud he didn't need his radio. | 0:16:49 | 0:16:52 | |
We hit an oil plant in Wesseling. | 0:17:12 | 0:17:14 | |
We were travelling light. On our way home. | 0:17:16 | 0:17:19 | |
Harry, the mid-gunner, he heard them first. | 0:17:22 | 0:17:25 | |
They must have followed us. | 0:17:28 | 0:17:31 | |
MACHINE GUN FIRE | 0:17:31 | 0:17:34 | |
Incoming! | 0:17:35 | 0:17:36 | |
MACHINE GUN FIRE | 0:17:36 | 0:17:39 | |
We were hit. | 0:17:42 | 0:17:43 | |
The fuselage was torn to pieces. Starboard engine was on fire. | 0:17:45 | 0:17:50 | |
We were going down. | 0:17:51 | 0:17:52 | |
I couldn't bail without checking on the boys. | 0:17:55 | 0:17:58 | |
Everyone was dead. | 0:18:01 | 0:18:03 | |
But it wasn't over yet. | 0:18:03 | 0:18:05 | |
They hit us again, just to make sure. | 0:18:07 | 0:18:09 | |
Something caught me on my head. | 0:18:14 | 0:18:16 | |
Everything went quiet. | 0:18:16 | 0:18:19 | |
There was blood in my eye, I could taste it in my mouth. | 0:18:21 | 0:18:25 | |
I knew I had to get out, but there was something I needed to do first. | 0:18:29 | 0:18:32 | |
I had to get a message home. To say goodbye. | 0:18:36 | 0:18:40 | |
Breaking radio silence. Can anybody hear me? | 0:18:48 | 0:18:52 | |
This is Roughneck, C for Charlie. Can anybody hear me? | 0:18:54 | 0:18:58 | |
Whoever you are, please, I need you to take a message. | 0:19:00 | 0:19:06 | |
Send to Joyce Fisher, Pasture Farm, Helmstead. Message reads... | 0:19:06 | 0:19:12 | |
.."I love you, Joycie, I will always love you." | 0:19:14 | 0:19:18 | |
'I didn't know if they'd heard me, or if the message even got through.' | 0:19:23 | 0:19:27 | |
I was hurt... but something kept me going. | 0:19:29 | 0:19:33 | |
I remember, I remember loving you. | 0:19:35 | 0:19:40 | |
I want to forget what happened in France, | 0:19:49 | 0:19:54 | |
but I can't. | 0:19:54 | 0:19:56 | |
You just need some more time. | 0:19:58 | 0:20:00 | |
I can wait for you, Joyce. Just like you waited for me. | 0:20:02 | 0:20:06 | |
You'll be safe in the church. | 0:20:08 | 0:20:11 | |
He's changed. There's only one thing left for me to do. | 0:20:13 | 0:20:18 | |
The police? | 0:20:20 | 0:20:21 | |
I have to. Even though I'm up to my neck in it. | 0:20:21 | 0:20:25 | |
We'll find another way. | 0:20:27 | 0:20:29 | |
I can't keep letting him hurt the people who've been good to me. | 0:20:29 | 0:20:33 | |
People I care about. | 0:20:33 | 0:20:35 | |
All this with you, it's been the best time of my life. | 0:20:37 | 0:20:41 | |
But I should have known it would never last. | 0:20:44 | 0:20:47 | |
Let me come with you. | 0:20:48 | 0:20:50 | |
I have to do this alone. | 0:20:50 | 0:20:52 | |
Goodbye, Henry. | 0:20:58 | 0:20:59 | |
Sorry, new admission. Spinal injury. | 0:21:28 | 0:21:33 | |
These look nice. | 0:21:39 | 0:21:40 | |
Does she disapprove? | 0:21:47 | 0:21:49 | |
Who? | 0:21:50 | 0:21:51 | |
Your sister? | 0:21:51 | 0:21:52 | |
We didn't discuss it. | 0:21:54 | 0:21:55 | |
We've been reunited after 20 years and yet I don't even get a mention? | 0:21:55 | 0:22:00 | |
It's not always about you. | 0:22:00 | 0:22:02 | |
Then what is it about? What's changed? | 0:22:03 | 0:22:07 | |
Maybe we...got carried away. | 0:22:10 | 0:22:14 | |
And there was I thinking we were making up for lost time. | 0:22:14 | 0:22:19 | |
I need some air. Excuse me. | 0:22:20 | 0:22:22 | |
There's no family pushing you. No Lawrence waiting in the wings. | 0:22:25 | 0:22:29 | |
This time there's nothing to stop us. Or, perhaps, you're playing games? | 0:22:29 | 0:22:36 | |
This isn't a game, Richard. | 0:22:38 | 0:22:41 | |
Then tell me what you actually feel for once, Ellen. | 0:22:41 | 0:22:44 | |
I'll start, shall I? | 0:22:48 | 0:22:50 | |
Because I can't waste any more time trying to show you that I love you. | 0:22:50 | 0:22:54 | |
CAR DOOR SLAMS | 0:23:02 | 0:23:04 | |
-What's so unfair? -You shouldn't have told me. -Feelings are out of fashion. -Don't be facetious. | 0:23:27 | 0:23:32 | |
KNOCK ON DOOR | 0:23:32 | 0:23:34 | |
Come in. | 0:23:34 | 0:23:35 | |
Sorry to interrupt. | 0:23:36 | 0:23:38 | |
It's not a good time, Harper. | 0:23:38 | 0:23:39 | |
This is the perfect time. | 0:23:39 | 0:23:41 | |
It's just that Flight Sergeant Fisher left this behind. | 0:23:41 | 0:23:46 | |
-I'll look at it later. -Looks like he's added more information. | 0:23:46 | 0:23:49 | |
Is that all?! | 0:23:49 | 0:23:51 | |
Well...thank you for bringing it to my attention. | 0:23:54 | 0:23:59 | |
Duty calls. I can't say it's been a pleasure. | 0:24:02 | 0:24:05 | |
He's been grumpy like that all morning. | 0:24:10 | 0:24:13 | |
Mr Storey? | 0:24:17 | 0:24:19 | |
Hello? | 0:24:21 | 0:24:22 | |
Mr Storey? Are you here? | 0:24:31 | 0:24:35 | |
SCRUNCHING | 0:24:47 | 0:24:48 | |
Hello? | 0:25:12 | 0:25:14 | |
Fred? | 0:25:14 | 0:25:15 | |
Can I help you, Iris? | 0:25:31 | 0:25:33 | |
I just came to say I'm sorry. | 0:25:35 | 0:25:38 | |
Again? | 0:25:38 | 0:25:41 | |
And that's it, is it? | 0:25:44 | 0:25:46 | |
-I'd better get back. Esther will be wondering. -Stay a little longer. | 0:25:48 | 0:25:52 | |
Have a drink to Walter. | 0:25:54 | 0:25:56 | |
I'd better...I have to go. | 0:25:58 | 0:26:02 | |
What's in your pocket? | 0:26:02 | 0:26:04 | |
-Nothing. -You put something in your pocket. -Just my hanky. | 0:26:04 | 0:26:08 | |
You're not stealing from me, are you? | 0:26:12 | 0:26:14 | |
No, Mr Storey. I wouldn't do that. | 0:26:14 | 0:26:17 | |
Show me, then. | 0:26:17 | 0:26:18 | |
Show me! | 0:26:21 | 0:26:23 | |
-No-one likes a liar, Iris. -Let me go. | 0:26:27 | 0:26:30 | |
Stay! | 0:26:30 | 0:26:32 | |
Please, don't. | 0:26:33 | 0:26:35 | |
-Don't what? -Kill me. | 0:26:35 | 0:26:36 | |
Why would I do that? We're friends. | 0:26:41 | 0:26:44 | |
I know what you did. You killed him. | 0:26:47 | 0:26:51 | |
That's a dangerous accusation to make, Iris. | 0:26:51 | 0:26:55 | |
-How could you kill your own son? -Shut up! | 0:26:55 | 0:26:57 | |
How could you? | 0:26:57 | 0:26:59 | |
D'you think I meant to? | 0:26:59 | 0:27:01 | |
He was my boy, but if he had to go, at least he's going to take | 0:27:05 | 0:27:13 | |
one of the Tuckers with him. | 0:27:13 | 0:27:15 | |
What are you going to do with me? | 0:27:16 | 0:27:18 | |
You're not going to tell anyone, are you? | 0:27:24 | 0:27:26 | |
I won't have to. | 0:27:29 | 0:27:30 | |
'Hello? Hello?' | 0:27:30 | 0:27:34 | |
Operator? I need the police, now! | 0:27:36 | 0:27:39 | |
I'll come back for you, Iris. I promise you that. | 0:27:45 | 0:27:50 | |
Here you are. | 0:28:00 | 0:28:02 | |
Danny'll be waiting for me now. | 0:28:09 | 0:28:12 | |
I said I'd go with him. | 0:28:16 | 0:28:17 | |
Right. | 0:28:19 | 0:28:20 | |
So you're not going to stop me? | 0:28:23 | 0:28:25 | |
You're not a boy any more, are ya? | 0:28:27 | 0:28:30 | |
No. | 0:28:30 | 0:28:32 | |
You can make your own decisions. | 0:28:32 | 0:28:34 | |
Though Fred will need a man to work around the place. | 0:28:35 | 0:28:42 | |
Will he? | 0:28:43 | 0:28:45 | |
With Billy away fighting, yeah. | 0:28:45 | 0:28:47 | |
I suppose... | 0:28:49 | 0:28:50 | |
If you were to stay. | 0:28:52 | 0:28:54 | |
I could do that. | 0:28:54 | 0:28:56 | |
I think you could. | 0:28:59 | 0:29:00 | |
Mum? | 0:29:08 | 0:29:09 | |
I just wanted to say... | 0:29:11 | 0:29:13 | |
Let's not talk about it again, eh? | 0:29:13 | 0:29:15 | |
-Fred! -What? | 0:29:46 | 0:29:48 | |
Just go. Just get out of here. | 0:29:48 | 0:29:51 | |
-Finchie! -You're a dark horse. | 0:29:54 | 0:29:56 | |
You got the gold? | 0:29:57 | 0:29:58 | |
You got the wherewithal? | 0:29:58 | 0:30:00 | |
Will this do? | 0:30:01 | 0:30:02 | |
-Don't be daft, Connie. -You're not hurting no-one else. This is it. | 0:30:17 | 0:30:20 | |
-Get out of the way. -Come on then. | 0:30:20 | 0:30:22 | |
Give them to him. | 0:30:22 | 0:30:24 | |
Hand 'em over. | 0:30:24 | 0:30:25 | |
Run! | 0:30:28 | 0:30:30 | |
Gotcha! | 0:30:53 | 0:30:55 | |
Out! | 0:30:56 | 0:30:58 | |
OUT! | 0:30:59 | 0:31:00 | |
TAPPING SOUND | 0:31:07 | 0:31:09 | |
Get out! | 0:31:26 | 0:31:28 | |
Five... | 0:31:34 | 0:31:35 | |
four... | 0:31:35 | 0:31:37 | |
Please, please, please... | 0:31:37 | 0:31:38 | |
..three... | 0:31:38 | 0:31:40 | |
-Please... -I'm not joking, Connie! | 0:31:40 | 0:31:43 | |
..two... | 0:31:43 | 0:31:44 | |
GUNSHOT | 0:31:44 | 0:31:45 | |
Good to see you, Danny! | 0:31:48 | 0:31:51 | |
Danny! | 0:31:54 | 0:31:56 | |
No, Danny, let me out! | 0:31:56 | 0:31:59 | |
Let me out! | 0:31:59 | 0:32:00 | |
Danny! | 0:32:00 | 0:32:02 | |
DROPS KEYS | 0:32:11 | 0:32:12 | |
Hello? | 0:32:14 | 0:32:15 | |
Who's there? | 0:32:18 | 0:32:19 | |
It's all right. | 0:32:28 | 0:32:30 | |
I'm not going to hurt you. | 0:32:36 | 0:32:39 | |
Please don't. | 0:32:50 | 0:32:51 | |
SHE SCREAMS | 0:33:07 | 0:33:09 | |
I wish there was another way, Lady Hoxley. | 0:33:10 | 0:33:13 | |
Why are you doing this? | 0:33:15 | 0:33:17 | |
You wouldn't understand. | 0:33:17 | 0:33:19 | |
GUNSHOT | 0:33:23 | 0:33:24 | |
It's all right. | 0:33:36 | 0:33:37 | |
You're safe now. | 0:33:37 | 0:33:39 | |
Connie! | 0:34:17 | 0:34:19 | |
Connie... | 0:34:20 | 0:34:21 | |
I've wasted a lot of shoe leather looking for you, boy. | 0:34:26 | 0:34:30 | |
Least you can do is give me a smile. | 0:34:30 | 0:34:32 | |
Get him up. | 0:34:32 | 0:34:33 | |
It's all thanks to your tart we found you. | 0:34:35 | 0:34:37 | |
She was the one that ripped you off! | 0:34:37 | 0:34:39 | |
I'm going to take you for a short drive, Danny. | 0:34:39 | 0:34:43 | |
Get her. | 0:34:43 | 0:34:45 | |
Connie! | 0:34:46 | 0:34:48 | |
Get away! | 0:34:48 | 0:34:49 | |
You're not touching her! | 0:34:49 | 0:34:51 | |
Get this scum to the car. | 0:34:53 | 0:34:54 | |
No... | 0:34:54 | 0:34:56 | |
No, please! | 0:34:56 | 0:34:57 | |
Please! | 0:34:57 | 0:34:58 | |
Shut him up! | 0:34:58 | 0:34:59 | |
THEY PUNCH DANNY | 0:34:59 | 0:35:00 | |
We were never here. | 0:35:02 | 0:35:04 | |
-WHISPERS: -They gone? -Shh. | 0:35:10 | 0:35:12 | |
CAR DRIVES AWAY | 0:35:12 | 0:35:14 | |
They have now. | 0:35:15 | 0:35:17 | |
THEY SIGH AND LAUGH | 0:35:17 | 0:35:19 | |
Henry! | 0:35:19 | 0:35:20 | |
I'm impressed. | 0:35:20 | 0:35:21 | |
You're not the only one who can spin a line. | 0:35:21 | 0:35:24 | |
Are you all right? | 0:35:24 | 0:35:26 | |
What happened to the police? | 0:35:27 | 0:35:29 | |
Thought I could take care of things for good. | 0:35:29 | 0:35:31 | |
But they could have taken you! | 0:35:31 | 0:35:33 | |
The rest of you would have been safe, though. | 0:35:33 | 0:35:36 | |
You're an incredible woman, Connie Carter. | 0:35:37 | 0:35:39 | |
You're quite handy yourself, Vic. | 0:35:39 | 0:35:41 | |
CLEARS HIS THROAT | 0:35:45 | 0:35:46 | |
Oh...I was this close to letting them have it there. | 0:35:48 | 0:35:51 | |
Then I saw that you were doing all right on your own, see... | 0:35:51 | 0:35:55 | |
so I, erm... | 0:35:55 | 0:35:57 | |
SHE SOBS | 0:36:03 | 0:36:05 | |
The police asked me if I knew where Mr Storey had went. | 0:36:05 | 0:36:08 | |
I mean, why would he have told me? | 0:36:09 | 0:36:11 | |
And they say I'm daft. | 0:36:12 | 0:36:14 | |
You're not daft. | 0:36:14 | 0:36:16 | |
They said the operator heard everything. | 0:36:16 | 0:36:19 | |
I thought I was a goner. | 0:36:22 | 0:36:24 | |
I didn't know what he was... | 0:36:24 | 0:36:26 | |
SHE SOBS | 0:36:28 | 0:36:29 | |
I am happy. | 0:36:29 | 0:36:30 | |
-I just don't know what's wrong with... -Hey, hey, hey. | 0:36:31 | 0:36:34 | |
It's the shock, that's all. | 0:36:34 | 0:36:36 | |
Did I do enough? | 0:36:40 | 0:36:42 | |
Iris Dawson, I think you've saved my life. | 0:36:44 | 0:36:48 | |
THEY LAUGH | 0:36:48 | 0:36:51 | |
You took a huge risk, Lady Hoxley. | 0:37:00 | 0:37:02 | |
A reckless one. | 0:37:02 | 0:37:04 | |
But still, thanks to you, | 0:37:04 | 0:37:05 | |
he wasn't able to transmit Fisher's information. | 0:37:05 | 0:37:08 | |
Which was? | 0:37:08 | 0:37:09 | |
The location of a safe house in France. | 0:37:09 | 0:37:13 | |
Lives have been saved. | 0:37:13 | 0:37:16 | |
But why was the code book in Richard's room? | 0:37:16 | 0:37:18 | |
Harper wasn't going to leave it | 0:37:18 | 0:37:20 | |
anywhere that could be traced to him. | 0:37:20 | 0:37:22 | |
He probably moved it around. | 0:37:22 | 0:37:25 | |
I'll get a statement from Dr Channing now. | 0:37:25 | 0:37:28 | |
-If you'll excuse me? -Of course. | 0:37:28 | 0:37:30 | |
Oh, Henry, I can't believe we're finally doing it. | 0:37:59 | 0:38:01 | |
Can you keep still? | 0:38:01 | 0:38:03 | |
There we go. | 0:38:06 | 0:38:07 | |
You may now kiss the bride. | 0:38:10 | 0:38:12 | |
MENDELSSOHN'S WEDDING MARCH | 0:38:21 | 0:38:25 | |
I can't believe the reverend's making a respectable woman | 0:38:45 | 0:38:50 | |
out of that Jezebel. | 0:38:50 | 0:38:51 | |
You didn't turn down the invite, though, did you, eh? | 0:38:51 | 0:38:54 | |
-I see you got the coins, then. -How do you know what's in here? | 0:38:54 | 0:38:58 | |
I should do. I buried 'em. To teach you a lesson. | 0:38:58 | 0:39:00 | |
Oh, really? Ah, well...they're worth a fortune. | 0:39:00 | 0:39:05 | |
Who told you that? | 0:39:05 | 0:39:07 | |
That antiques dealer in Condover. | 0:39:07 | 0:39:09 | |
Oh, you mean my cousin? | 0:39:09 | 0:39:11 | |
Here, we're married. | 0:39:16 | 0:39:18 | |
-What are we still doing here? -What? | 0:39:18 | 0:39:21 | |
I don't want to shirk my marital duties! | 0:39:21 | 0:39:23 | |
Connie, Connie... | 0:39:23 | 0:39:24 | |
we've got to wait for the photograph! | 0:39:24 | 0:39:27 | |
I'd better be going. | 0:39:29 | 0:39:31 | |
Maybe I could come and see you sometime? | 0:39:32 | 0:39:34 | |
Best not, eh? | 0:39:36 | 0:39:37 | |
This might be you one day. | 0:39:50 | 0:39:52 | |
Marrying Iris. | 0:39:52 | 0:39:54 | |
If you must know, she's a bit of a kid. | 0:39:56 | 0:39:59 | |
Really? | 0:39:59 | 0:40:01 | |
Caught her reading my old fairy tales. | 0:40:01 | 0:40:03 | |
ESTHER CHUCKLES | 0:40:03 | 0:40:05 | |
Joyce? | 0:40:05 | 0:40:07 | |
I'm so sorry. | 0:40:07 | 0:40:08 | |
No! | 0:40:08 | 0:40:09 | |
What's happened? | 0:40:09 | 0:40:10 | |
There was a woman, in France. | 0:40:10 | 0:40:14 | |
But you don't want this, do you? | 0:40:16 | 0:40:19 | |
No, of course not. | 0:40:19 | 0:40:21 | |
People make mistakes, Joyce. | 0:40:21 | 0:40:23 | |
Big mistakes with bells on. Look at me. | 0:40:23 | 0:40:26 | |
Henry's taken me back more times than we've had beetroot sandwiches. | 0:40:26 | 0:40:30 | |
It's just not that easy. | 0:40:31 | 0:40:34 | |
It is. | 0:40:34 | 0:40:35 | |
Whatever he's done, just forgive him, | 0:40:35 | 0:40:38 | |
because it's plain to see the two of you are right for each other. | 0:40:38 | 0:40:41 | |
When he was in France, he couldn't even remember his own name, | 0:40:43 | 0:40:46 | |
let alone yours. | 0:40:46 | 0:40:47 | |
Why should you be lonely for that? | 0:40:47 | 0:40:51 | |
What if he does come back for me? | 0:40:54 | 0:40:56 | |
Well if he does, I'll be there, won't I? | 0:40:58 | 0:41:01 | |
I see you read the words in the hymn book. | 0:41:02 | 0:41:05 | |
Might have done. | 0:41:05 | 0:41:06 | |
Or I might have just known the songs. | 0:41:08 | 0:41:10 | |
Has Dr Channing gone? | 0:41:14 | 0:41:15 | |
He just stepped out. | 0:41:15 | 0:41:18 | |
We lost Harper. | 0:41:32 | 0:41:34 | |
From now on, you talk to me. | 0:41:37 | 0:41:40 | |
They're not going to be happy with you. | 0:41:51 | 0:41:53 | |
Really? | 0:41:53 | 0:41:55 | |
You missed the signing. | 0:41:57 | 0:41:58 | |
Ah... | 0:41:58 | 0:42:00 | |
well, I daresay Lady Hoxley will fill me in. | 0:42:00 | 0:42:03 | |
Thank you. | 0:42:04 | 0:42:05 | |
Not here! | 0:42:13 | 0:42:14 | |
Haven't you heard? I like to live dangerously. | 0:42:14 | 0:42:18 | |
John! | 0:42:19 | 0:42:22 | |
The ring. I want it back. | 0:42:23 | 0:42:26 | |
Of course. | 0:42:27 | 0:42:28 | |
No, I mean... | 0:42:28 | 0:42:30 | |
..I want it back. | 0:42:31 | 0:42:33 | |
What about the... | 0:42:33 | 0:42:34 | |
Well, you can't remember the past, so... | 0:42:34 | 0:42:37 | |
maybe I should forget it as well. | 0:42:37 | 0:42:39 | |
CHURCH BELLS | 0:42:39 | 0:42:41 | |
But all the good things... | 0:42:41 | 0:42:43 | |
..our wedding, the honeymoon. I... | 0:42:44 | 0:42:47 | |
We could start with a clean slate. | 0:42:47 | 0:42:49 | |
If that's what you want. | 0:42:49 | 0:42:51 | |
-All right everyone, gather yourselves! -You heard my wife. | 0:42:51 | 0:42:55 | |
I want it more than anything. | 0:42:58 | 0:43:00 | |
Oi! | 0:43:08 | 0:43:10 | |
Stealing my thunder. | 0:43:10 | 0:43:12 | |
Thank you. | 0:43:17 | 0:43:19 | |
Where do you want me? | 0:43:19 | 0:43:21 | |
-Oh, Iris, come and stand next to me and Martin. -Mum! | 0:43:21 | 0:43:24 | |
I am never going to talk to that Mrs Gulliver again. | 0:43:29 | 0:43:31 | |
Well, forgiveness is what our Lord taught us. | 0:43:31 | 0:43:34 | |
Yeah, well, he didn't get fleeced over a load of gold coins, did he? | 0:43:34 | 0:43:38 | |
Everybody smile! | 0:43:40 | 0:43:42 | |
Subtitles by Red Bee Media | 0:44:04 | 0:44:06 | |
Email [email protected] | 0:44:06 | 0:44:08 |