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This programme contains strong language. | 0:00:02 | 0:00:07 | |
Things will never be the same without him. | 0:00:44 | 0:00:46 | |
No. | 0:00:48 | 0:00:49 | |
Our people, er... | 0:00:51 | 0:00:53 | |
..I know they don't get along that good. | 0:00:54 | 0:00:56 | |
They'll be OK. | 0:00:58 | 0:00:59 | |
Look. Frankie, | 0:01:02 | 0:01:04 | |
I know you don't like me because the Commission passed you over. | 0:01:04 | 0:01:07 | |
You being my brother's underboss, | 0:01:07 | 0:01:09 | |
you think you should have been the next in line, I understand that. | 0:01:09 | 0:01:12 | |
As a matter of fact, I like you, Aldo. | 0:01:15 | 0:01:18 | |
You're just not qualified to be a Boss. | 0:01:19 | 0:01:22 | |
You're a bean-counter. You belong on Wall Street, not with us. | 0:01:23 | 0:01:29 | |
What are you trying to say? | 0:01:30 | 0:01:31 | |
Everything's money with you, Aldo. | 0:01:33 | 0:01:35 | |
You got no respect for our thing. You got no soul. | 0:01:35 | 0:01:41 | |
That's why your brother, Sally Boy, rest in peace, | 0:01:42 | 0:01:47 | |
never gave you more than his taxes to do every year. | 0:01:47 | 0:01:50 | |
Yeah, well, I'm the boss now. | 0:01:52 | 0:01:56 | |
You better make sure your people keep in line. | 0:01:56 | 0:01:58 | |
Don't worry about my people. | 0:01:58 | 0:02:00 | |
But you'd better worry about yours. | 0:02:03 | 0:02:05 | |
Hey, Boss. | 0:02:26 | 0:02:27 | |
Jimmy. Whaddaya hear, whaddaya say? | 0:02:27 | 0:02:30 | |
Couple of those FBI guys were in here. They left a card. | 0:02:30 | 0:02:35 | |
Golf buddies of yours? | 0:02:35 | 0:02:37 | |
They're trying to convince me my life's in danger. | 0:02:37 | 0:02:39 | |
You? You're the only guy I know whose life isn't in danger. | 0:02:39 | 0:02:43 | |
Didn't everybody know everybody loves Frankie the Fixer? | 0:02:43 | 0:02:48 | |
Tell me about it. | 0:02:48 | 0:02:50 | |
DOOR CLOSES | 0:02:50 | 0:02:53 | |
FOOTSTEPS | 0:02:53 | 0:02:54 | |
GUN COCKS | 0:02:54 | 0:02:56 | |
GUNFIRE | 0:02:56 | 0:02:59 | |
I'm going to give you the cocksucker. But I've got some demands. | 0:03:25 | 0:03:30 | |
For starters, I don't want to relocate in the US. | 0:03:30 | 0:03:34 | |
It ain't safe around here no more. | 0:03:34 | 0:03:36 | |
So what are you thinking? A sunbed in the Bahamas? | 0:03:36 | 0:03:39 | |
Nah. | 0:03:39 | 0:03:41 | |
Melanoma is for the old school wise guys. I'm thinking Lillehammer. | 0:03:41 | 0:03:46 | |
-Lily-what? -I think it's in Sweden. | 0:03:46 | 0:03:50 | |
Close enough. | 0:03:50 | 0:03:51 | |
Why the fuck would you want to go there? | 0:03:51 | 0:03:53 | |
Didn't you see the Olympics in '94? It was beautiful. | 0:03:53 | 0:03:58 | |
Clean air, fresh white snow, gorgeous broads, | 0:03:58 | 0:04:03 | |
and best of all, nobody but nobody is going to be looking for me there. | 0:04:03 | 0:04:08 | |
Listen, you give us Aldo Delucci, | 0:04:08 | 0:04:12 | |
and we'll send you to the goddamn North Pole. | 0:04:12 | 0:04:14 | |
You got a deal! | 0:04:15 | 0:04:17 | |
'Just minutes ago, the District Attorney's prime witness, | 0:04:21 | 0:04:26 | |
'former underboss Frank "the Fixer" Tagliano, | 0:04:26 | 0:04:28 | |
'gave a shattering testimony against his boss, Aldo Delucci. | 0:04:28 | 0:04:33 | |
'Inside sources say Tagliano is the last person | 0:04:34 | 0:04:39 | |
'anyone would have expected to testify.' | 0:04:39 | 0:04:42 | |
'And now sports with Mike Mitchell.' | 0:04:42 | 0:04:45 | |
Here's the file to your new identity | 0:04:45 | 0:04:46 | |
and the address to your new house. | 0:04:46 | 0:04:49 | |
We had to give you a back story with a Norwegian father. | 0:04:49 | 0:04:51 | |
From now on, you're Giovanni Henriksen. | 0:04:51 | 0:04:53 | |
You're a restaurant owner, with no criminal record. | 0:04:53 | 0:04:56 | |
Henriksen? You couldn't find a more complicated name? | 0:04:56 | 0:05:00 | |
If you get into any, and I mean any trouble with the police, | 0:05:00 | 0:05:03 | |
you are on your own. | 0:05:03 | 0:05:06 | |
Don't worry about a thing. I'm a brand new guy over here. | 0:05:06 | 0:05:10 | |
Yeah, right. | 0:05:10 | 0:05:12 | |
HIP HOP MUSIC PLAYS | 0:06:36 | 0:06:39 | |
MUSIC GETS LOUDER | 0:06:46 | 0:06:49 | |
Do I have your attention? Just nod. | 0:07:23 | 0:07:26 | |
This is what happens next. | 0:07:27 | 0:07:28 | |
You are going to go out there, you're going to give the man his hat back, | 0:07:28 | 0:07:32 | |
-and you're going to shut that shit off. Yes? -Yes. | 0:07:32 | 0:07:35 | |
Here's your fucking hankie. Go do the right thing. | 0:07:36 | 0:07:39 | |
HIP HOP BLARES | 0:07:46 | 0:07:49 | |
Excuse me? | 0:08:45 | 0:08:46 | |
Er, just a little bit. | 0:08:49 | 0:08:50 | |
You look a little Arab-ish in the face. | 0:08:58 | 0:09:01 | |
Well, I'm an American. | 0:09:01 | 0:09:03 | |
Tell you the truth, I fell in love with your Olympics. | 0:09:10 | 0:09:13 | |
I wasn't sober until one year after. | 0:09:21 | 0:09:23 | |
Here we are. | 0:09:31 | 0:09:32 | |
-That place? -Yep. | 0:09:34 | 0:09:36 | |
Are you sure that's the house? | 0:09:40 | 0:09:41 | |
Yes, sir. | 0:09:41 | 0:09:43 | |
Here you go. Keep the change, all right? | 0:09:46 | 0:09:49 | |
Welcome to Lillehammer. | 0:09:52 | 0:09:55 | |
This one's for you, Lily. | 0:10:50 | 0:10:51 | |
ALARM BEEPS | 0:11:10 | 0:11:12 | |
What the fuck? | 0:12:00 | 0:12:02 | |
Excuse me? | 0:12:15 | 0:12:16 | |
I'm sorry, I don't understand. | 0:12:19 | 0:12:22 | |
Oh, erm, the sheep head. It's my dinner. | 0:12:23 | 0:12:27 | |
Oh, you're going to eat this? | 0:12:27 | 0:12:29 | |
Oh, ja, ja, ja. It's very good. Nam-nam. | 0:12:29 | 0:12:32 | |
For a minute there, I thought I was going to have to | 0:12:32 | 0:12:34 | |
give Johnny Fontaine a movie part. | 0:12:34 | 0:12:36 | |
Er...OK. | 0:12:36 | 0:12:39 | |
-You must be the new neighbour. -Yeah. | 0:12:39 | 0:12:42 | |
Laila Hovland. | 0:12:42 | 0:12:44 | |
Hi. Giovanni Hankrinsen. | 0:12:44 | 0:12:47 | |
Hankrinsen, is that Indian or...? | 0:12:47 | 0:12:50 | |
No, no, erm, it's, it's...Hendrixen. | 0:12:50 | 0:12:53 | |
My father...was Norwegian. Er... | 0:12:53 | 0:12:57 | |
Call me Johnny. | 0:13:02 | 0:13:03 | |
Oh, are you in the postal service? | 0:13:05 | 0:13:07 | |
Oh! No, I'm the... | 0:13:07 | 0:13:12 | |
I'm Chief of Police. | 0:13:14 | 0:13:16 | |
Oh! | 0:13:21 | 0:13:22 | |
OK. | 0:13:24 | 0:13:26 | |
What the fuck? | 0:13:44 | 0:13:46 | |
# Oh, the good life... # | 0:13:46 | 0:13:52 | |
Fucking amateurs. | 0:13:54 | 0:13:55 | |
# ..Seems to be the ideal | 0:13:55 | 0:13:59 | |
# Mmm, the good life | 0:14:03 | 0:14:06 | |
# Lets you hide all the sadness you feel. # | 0:14:06 | 0:14:12 | |
How you doing? | 0:14:14 | 0:14:16 | |
BABY CRIES | 0:14:16 | 0:14:18 | |
-Giovanni Henriksen? -Yes. | 0:14:37 | 0:14:40 | |
So... | 0:14:40 | 0:14:42 | |
..you lived in New York all your life, huh? | 0:14:44 | 0:14:47 | |
That's right. | 0:14:47 | 0:14:49 | |
# Start spreading the news! # | 0:14:49 | 0:14:51 | |
I was there once, you know, in the Big Apple. | 0:14:52 | 0:14:55 | |
And you have some background from the restaurant business? | 0:14:55 | 0:15:01 | |
Yeah. | 0:15:01 | 0:15:02 | |
Pizza delivery. | 0:15:09 | 0:15:11 | |
I had a very successful bar in New York, you know. | 0:15:12 | 0:15:15 | |
So I know all about it. | 0:15:16 | 0:15:18 | |
I just need you to make a few moves, so I can get a local licence. | 0:15:18 | 0:15:21 | |
HE LAUGHS | 0:15:21 | 0:15:22 | |
We have to have some reality checker, you know? | 0:15:26 | 0:15:30 | |
To start a bar is a very complicated process. | 0:15:30 | 0:15:34 | |
Oh..."complications." | 0:15:34 | 0:15:36 | |
That's what you call it here? | 0:15:36 | 0:15:39 | |
Same thing where I come from. | 0:15:39 | 0:15:42 | |
I've brought a little something | 0:15:42 | 0:15:45 | |
for that purpose. | 0:15:45 | 0:15:47 | |
Take care of whoever you got to take care of. | 0:15:50 | 0:15:52 | |
No, no. It's just so everybody can wet their beak a little bit. | 0:16:05 | 0:16:08 | |
Do you want me to call the police? | 0:16:08 | 0:16:09 | |
-What? -Should I pick up the phone and call the police?! | 0:16:09 | 0:16:12 | |
Take it easy! | 0:16:12 | 0:16:14 | |
All right, maybe you do things differently here. | 0:16:16 | 0:16:19 | |
I apologise. | 0:16:19 | 0:16:21 | |
OK. | 0:16:23 | 0:16:24 | |
Maybe we should put this on the account for cultural differences. | 0:16:26 | 0:16:29 | |
Cultural differences. | 0:16:29 | 0:16:31 | |
Blank sheets, OK? | 0:16:40 | 0:16:41 | |
OK, OK. Blank sheets. | 0:16:41 | 0:16:43 | |
Thank you. | 0:16:48 | 0:16:50 | |
What the fuck..? | 0:17:14 | 0:17:17 | |
Lamb. | 0:17:26 | 0:17:27 | |
What are you doing out here by yourself? | 0:17:27 | 0:17:30 | |
All right, take it easy. | 0:17:36 | 0:17:39 | |
Take it easy. | 0:17:39 | 0:17:40 | |
SHEEP BLEATS Where you going? | 0:17:40 | 0:17:43 | |
Come here! Hao! | 0:17:43 | 0:17:45 | |
I found her on the road, and I'm looking for the owner. | 0:18:26 | 0:18:29 | |
-Oh, hi! -We never said hello on the train. | 0:18:33 | 0:18:34 | |
Yeah, yeah. Giovanni. Call me Johnny. | 0:18:34 | 0:18:38 | |
My pleasure. I got lucky! | 0:18:52 | 0:18:54 | |
-That's a nice kid you got there. -Yeah. | 0:18:56 | 0:18:58 | |
Is the father around? I'd like to meet him. | 0:18:58 | 0:19:01 | |
Uh...no...he's not living here. | 0:19:01 | 0:19:04 | |
-So... -Oh. | 0:19:04 | 0:19:05 | |
Well, small town. | 0:19:07 | 0:19:08 | |
Maybe we run into each other again, you know? | 0:19:08 | 0:19:11 | |
-Yeah? -Yeah, have a little coffee. | 0:19:11 | 0:19:12 | |
OK. Thank you. | 0:19:16 | 0:19:18 | |
HE LAUGHS | 0:20:16 | 0:20:19 | |
Come on. Let's give it shot. | 0:20:38 | 0:20:39 | |
Come on. Yes, please. | 0:20:39 | 0:20:41 | |
-Thank you! -HE LAUGHS AWKWARDLY | 0:20:43 | 0:20:46 | |
HE SPEAKS IN DUMMY'S VOICE | 0:20:48 | 0:20:50 | |
Do I talk to you, or talk to the dummy? | 0:20:56 | 0:20:58 | |
My strong qualities? | 0:21:08 | 0:21:11 | |
I'd say observation is one of my finer qualities. | 0:21:11 | 0:21:14 | |
Observing you, | 0:21:14 | 0:21:15 | |
I'd say you look a little stiff. | 0:21:15 | 0:21:17 | |
CLASS LAUGHS | 0:21:17 | 0:21:19 | |
Two minutes, please? | 0:21:32 | 0:21:33 | |
What's that? | 0:21:40 | 0:21:41 | |
It's a six-month daily course | 0:21:43 | 0:21:45 | |
for immigrants that struggle to... | 0:21:45 | 0:21:48 | |
adapting to Norwegian society. | 0:21:48 | 0:21:50 | |
Six months? You've got to be joking. | 0:21:51 | 0:21:54 | |
Wait a minute. | 0:21:58 | 0:21:59 | |
Are you telling me that I have to spend half a year | 0:21:59 | 0:22:01 | |
learning how to be a fucking immigrant?! | 0:22:01 | 0:22:03 | |
Do you want me to call the police, and tell them about the bribe? | 0:22:05 | 0:22:09 | |
OK. | 0:22:10 | 0:22:11 | |
Hey, mister! Mister! | 0:22:14 | 0:22:16 | |
Do you want to come for a beer? | 0:22:16 | 0:22:19 | |
A Fredagspils with us? | 0:22:19 | 0:22:21 | |
Nah, thanks. I've got to pass. | 0:22:21 | 0:22:24 | |
It's a big TV night. | 0:22:24 | 0:22:26 | |
Sure. OK. | 0:22:26 | 0:22:28 | |
On second thought... | 0:22:35 | 0:22:37 | |
One drink...what the hell! | 0:22:37 | 0:22:39 | |
-Sure? -Yeah. -OK! | 0:22:39 | 0:22:41 | |
I only get 340 crowns per day from NAV. | 0:22:50 | 0:22:54 | |
Do you want to come and play...er... | 0:23:28 | 0:23:30 | |
..er...dart? | 0:23:32 | 0:23:33 | |
No, thanks, I'll stay here and hold the table. | 0:23:33 | 0:23:36 | |
-Hi. -Please! | 0:23:45 | 0:23:47 | |
Oh, my pleasure! | 0:23:50 | 0:23:52 | |
Friends? | 0:23:58 | 0:24:00 | |
More like business associates. | 0:24:01 | 0:24:03 | |
OK. So what kind of business is that? | 0:24:03 | 0:24:06 | |
HE LAUGHS | 0:24:09 | 0:24:10 | |
It's that obvious, huh? | 0:24:10 | 0:24:12 | |
Well, I'm not going to be at NAV too long. | 0:24:14 | 0:24:16 | |
Just getting some information. | 0:24:16 | 0:24:17 | |
I'm opening a nightclub, actually. | 0:24:17 | 0:24:19 | |
Oh. That's nice. | 0:24:19 | 0:24:20 | |
Yeah. And you? What do you do? | 0:24:20 | 0:24:23 | |
I used to work in Oslo, | 0:24:26 | 0:24:28 | |
and I hope to get a job here. | 0:24:28 | 0:24:31 | |
But it's not so easy in this kommune. So we'll see... | 0:24:31 | 0:24:35 | |
Well, there's a lot of new foreigners in town | 0:24:36 | 0:24:39 | |
so maybe they'll be hiring soon. | 0:24:39 | 0:24:40 | |
SHE LAUGHS | 0:24:40 | 0:24:43 | |
To teachers. | 0:24:43 | 0:24:44 | |
Skal. | 0:24:44 | 0:24:46 | |
THEY GROAN AND LAUGH | 0:24:48 | 0:24:50 | |
Nice place you've got here. | 0:24:56 | 0:24:58 | |
I used to be in the bar business myself. | 0:24:58 | 0:25:00 | |
I'm moving to Alicante. | 0:25:07 | 0:25:08 | |
We should talk. | 0:25:10 | 0:25:12 | |
150. | 0:25:12 | 0:25:14 | |
150? | 0:25:14 | 0:25:16 | |
Sorry, I have to go. Something just happened. | 0:25:18 | 0:25:20 | |
-There's been a wolf on the farm. -I'll take you. | 0:25:20 | 0:25:23 | |
-Are you sure? -Yeah. | 0:25:23 | 0:25:25 | |
Keep it. | 0:25:25 | 0:25:27 | |
Jonas! | 0:25:31 | 0:25:32 | |
HE SOBS | 0:25:40 | 0:25:42 | |
We're going to get that wolf. | 0:25:44 | 0:25:46 | |
It's OK. | 0:26:01 | 0:26:03 | |
HE LOADS GUN | 0:26:04 | 0:26:06 | |
SHOT FIRES | 0:26:07 | 0:26:10 | |
Whoa, whoa! Why are we sitting around talking, when we should be out | 0:26:28 | 0:26:31 | |
killing this fucking thing? | 0:26:31 | 0:26:32 | |
Bullshit! Are you kidding me? | 0:26:38 | 0:26:41 | |
What are we waiting for? I'm telling you right now, | 0:26:41 | 0:26:43 | |
I'm not going to... KNOCK AT DOOR | 0:26:43 | 0:26:45 | |
Come in! | 0:26:45 | 0:26:47 | |
SHE CLICKS SHOTGUN OPEN | 0:27:09 | 0:27:11 | |
Excuse me, but aren't people allowed | 0:27:15 | 0:27:18 | |
to defend their own home in this country? | 0:27:18 | 0:27:20 | |
Jo. | 0:27:20 | 0:27:22 | |
Men unlicensed killing of wild animals | 0:27:22 | 0:27:24 | |
is strictly forbidden in Norway. | 0:27:24 | 0:27:27 | |
Sorry, Lily. | 0:27:58 | 0:28:00 | |
URN SMASHES | 0:28:02 | 0:28:05 | |
HE KNOCKS ON DOOR | 0:28:16 | 0:28:18 | |
So, you guys really know how to find this wolf or what? | 0:28:28 | 0:28:31 | |
Are you guys in or out? | 0:28:40 | 0:28:42 | |
Well, we're in, but, uh... | 0:28:42 | 0:28:46 | |
maybe it's a bit dark now? | 0:28:46 | 0:28:47 | |
Yeah, it's real cold. | 0:28:49 | 0:28:51 | |
Oh, I see. | 0:28:51 | 0:28:52 | |
What do you mean, "I see?" | 0:28:54 | 0:28:55 | |
You talk real big, | 0:28:55 | 0:28:56 | |
but when it comes to down to it, you're chicken. | 0:28:56 | 0:29:00 | |
HE SPITS | 0:29:04 | 0:29:06 | |
Is this really necessary? | 0:29:14 | 0:29:16 | |
Just look at the snow. | 0:29:21 | 0:29:23 | |
THEY LAUGH | 0:29:27 | 0:29:29 | |
There's something wrong with these things! | 0:29:29 | 0:29:31 | |
TRACKER BEEPS | 0:29:49 | 0:29:52 | |
TRACKER BEEPS | 0:30:28 | 0:30:30 | |
Yeah, real funny(!) | 0:30:46 | 0:30:47 | |
You fat fuck, you. | 0:30:47 | 0:30:49 | |
WOLF HOWLS | 0:31:03 | 0:31:06 | |
Could have been in the Bahamas. | 0:31:09 | 0:31:10 | |
Or Fort Lauderdale. | 0:31:12 | 0:31:14 | |
No. | 0:31:14 | 0:31:15 | |
I've got to go to a place where if your dick freezes off, | 0:31:15 | 0:31:18 | |
you don't even notice it for three days. | 0:31:18 | 0:31:20 | |
I'm telling you... | 0:31:22 | 0:31:23 | |
TRACKER BEEPS | 0:31:33 | 0:31:35 | |
TRACKER BEEPS QUICKER | 0:31:40 | 0:31:43 | |
CRASHING | 0:32:09 | 0:32:11 | |
SHOT FIRES | 0:32:11 | 0:32:13 | |
Ow! | 0:32:13 | 0:32:15 | |
HE SCREAMS IN PAIN | 0:32:19 | 0:32:21 | |
SHOT FIRES | 0:32:38 | 0:32:41 | |
Did I hear a shot? | 0:33:13 | 0:33:14 | |
Well, look who I ran into | 0:33:17 | 0:33:18 | |
while you kids were playing cowboys and Indians. | 0:33:18 | 0:33:21 | |
How about that, eh? | 0:33:26 | 0:33:27 | |
One more rock should do it, huh? | 0:33:49 | 0:33:51 | |
WATER SPLASHES | 0:34:01 | 0:34:04 | |
Shhh! | 0:34:04 | 0:34:05 | |
CRUNCHING > | 0:34:05 | 0:34:06 | |
MAN'S VOICE: | 0:34:10 | 0:34:11 | |
We got to get out of these woods. | 0:34:14 | 0:34:16 | |
SHOUTING CONTINUES > | 0:34:20 | 0:34:22 | |
I used to go fishing with NAV here. | 0:34:22 | 0:34:24 | |
SHOT FIRES | 0:34:58 | 0:35:00 | |
I found it. | 0:35:00 | 0:35:01 | |
That's a good idea. | 0:35:15 | 0:35:16 | |
HE COUGHS | 0:35:18 | 0:35:20 | |
Whoa, there's booze in that! | 0:35:22 | 0:35:24 | |
Yes, homemade. | 0:35:24 | 0:35:26 | |
Some Norwegian cuisine I could learn to love! | 0:35:26 | 0:35:28 | |
Why don't you call room service? | 0:35:35 | 0:35:36 | |
What did you do back in the States? | 0:35:42 | 0:35:45 | |
I had a restaurant. A little bar. | 0:35:47 | 0:35:49 | |
..getting rid of evidence... | 0:35:56 | 0:35:58 | |
Are you kidding? | 0:36:02 | 0:36:03 | |
Have you ever seen the Cooking Channel? | 0:36:05 | 0:36:07 | |
It can get pretty rough. | 0:36:07 | 0:36:08 | |
Ja! | 0:36:19 | 0:36:20 | |
HE LAUGHS | 0:36:20 | 0:36:23 | |
-Johansen? -Yeah? | 0:36:23 | 0:36:25 | |
THEY LAUGH | 0:36:29 | 0:36:31 | |
That's interesting. | 0:36:41 | 0:36:43 | |
Look who's here. | 0:37:27 | 0:37:28 | |
Be cool, OK? | 0:37:30 | 0:37:32 | |
Follow my lead. | 0:37:32 | 0:37:34 | |
Oh, hello! | 0:37:37 | 0:37:39 | |
Just out enjoying your lovely scenery. | 0:37:42 | 0:37:46 | |
Illegal hunting? | 0:37:55 | 0:37:56 | |
Yeah. That's crazy. | 0:37:56 | 0:37:58 | |
We didn't see any of that. | 0:37:58 | 0:38:00 | |
We really don't have anything to say, | 0:38:21 | 0:38:23 | |
because we didn't see anything. | 0:38:23 | 0:38:25 | |
Now that we've cleared up that little misunderstanding | 0:39:11 | 0:39:14 | |
why don't we all go inside? Have a drink? | 0:39:14 | 0:39:17 | |
Always good to help the authorities. | 0:39:25 | 0:39:27 | |
Especially when they're neighbours. | 0:39:27 | 0:39:29 | |
How you doing? | 0:39:56 | 0:39:57 | |
I think we do. | 0:40:00 | 0:40:02 | |
Yeah, well... | 0:40:07 | 0:40:09 | |
that's my appointment. | 0:40:09 | 0:40:11 | |
The real question is, what am I going to do with them? | 0:40:34 | 0:40:36 | |
Is this blackmail? | 0:40:42 | 0:40:44 | |
Definitely. | 0:40:44 | 0:40:46 | |
Where I come from, these kinds of pictures | 0:40:46 | 0:40:48 | |
could be a problem for a public official. | 0:40:48 | 0:40:50 | |
But maybe that's just cultural differences? | 0:40:50 | 0:40:53 | |
Could be a problem here as well. Absolutely. | 0:40:54 | 0:40:57 | |
OK. So, uh... | 0:40:57 | 0:40:59 | |
how about I make the pictures disappear, | 0:40:59 | 0:41:01 | |
and you do a little something for me? | 0:41:01 | 0:41:04 | |
Is this about the Ny sjanse course? | 0:41:04 | 0:41:08 | |
I can get you out of it. It's no problem. | 0:41:08 | 0:41:10 | |
Nah, I'm going to take that course. | 0:41:10 | 0:41:13 | |
And this is going to be my teacher. | 0:41:13 | 0:41:15 | |
She's not working here, you know? | 0:41:25 | 0:41:26 | |
Is that going to be a problem? | 0:41:26 | 0:41:28 | |
No! No, no, no. | 0:41:30 | 0:41:31 | |
All right, so now all we've got to do | 0:41:33 | 0:41:35 | |
is take care of the licence for my sports bar. | 0:41:35 | 0:41:38 | |
You know, uh...as I said, | 0:41:39 | 0:41:41 | |
that's a very complicated... | 0:41:41 | 0:41:43 | |
I understand. | 0:41:43 | 0:41:45 | |
Wait, wait, wait! | 0:41:45 | 0:41:48 | |
I can...call a guy. | 0:41:48 | 0:41:50 | |
Listen, last time you mentioned something | 0:41:54 | 0:41:57 | |
about financial motivation. | 0:41:57 | 0:41:58 | |
Yeah, I did. | 0:41:58 | 0:42:00 | |
But now, this is all the motivation we need, pally. | 0:42:00 | 0:42:04 | |
-Make that fucking phone call. -Yep. | 0:42:05 | 0:42:08 | |
So, what do you think of this joint? | 0:42:24 | 0:42:26 | |
Looks nice. | 0:42:26 | 0:42:27 | |
Good enough to own? | 0:42:27 | 0:42:29 | |
Of course it's good enough to own! | 0:42:29 | 0:42:32 | |
What do you think? | 0:42:32 | 0:42:34 | |
Well, I bought it. | 0:42:34 | 0:42:36 | |
I need a partner, and I'm thinking about you. | 0:42:38 | 0:42:40 | |
Me? | 0:42:40 | 0:42:42 | |
You bought it? | 0:42:45 | 0:42:46 | |
HE LAUGHS Yup! | 0:42:46 | 0:42:48 | |
Take a look. | 0:42:50 | 0:42:51 | |
Nothing. You sign at the bottom, | 0:42:58 | 0:43:00 | |
and you're a bar owner. | 0:43:00 | 0:43:02 | |
You are not shitting me right now? | 0:43:08 | 0:43:10 | |
-I take that as a yes. -You bet your ass it's a yes! | 0:43:18 | 0:43:21 | |
Torgeir Lien. | 0:43:21 | 0:43:23 | |
I'm a bar owner now! | 0:43:23 | 0:43:25 | |
Congratulations. | 0:43:25 | 0:43:27 | |
Thank you, sir! | 0:43:27 | 0:43:28 | |
Why don't you pour us a little celebration libation? | 0:43:28 | 0:43:32 | |
Sure, Giovanni! | 0:43:32 | 0:43:33 | |
Look at me, I'm a bar owner! | 0:43:33 | 0:43:35 | |
Call me Johnny. | 0:43:40 | 0:43:42 | |
OK, I'll call you Johnny! | 0:43:42 | 0:43:44 | |
To new beginnings. | 0:43:44 | 0:43:47 | |
To new beginnings. | 0:43:47 | 0:43:48 | |
-And an early fucking spring. -Yeah. | 0:43:48 | 0:43:51 | |
-Skal. -Skal. | 0:43:51 | 0:43:53 | |
"To my number one fan - Frank." | 0:43:57 | 0:43:59 | |
Somebody I used to know. | 0:44:02 | 0:44:05 | |
-In another life. -OK. | 0:44:05 | 0:44:07 | |
Subtitles by Red Bee Media Ltd | 0:44:58 | 0:45:01 |